View allAll Photos Tagged replicator
Photographic techniques capture electromagnetic wavelengths beyond human vision, revealing features invisible to the naked eye. These signals are processed into interpretable forms using methods like color mapping.
Pink lacks a specific electromagnetic wavelength, while grey poses a limitation due to its representation of only intensity—a blend of light and dark without spectral specificity. Imaging techniques reliant on spectral variation produce identical results for greyscale images unless non-visible data is present. Deviations from this uniformity may indicate errors, misinterpretations, or unknown phenomena.
Contention persists over analytical debates, including dismissible claims like Van Allen belt dangers and contested evidence of lunar mirrors. The precision of laser reflections targeting a moving 3x3-foot marker on the Moon highlights technical skill but often fails to resolve skepticism. For instance, a 0.1° shift moves a laser spot 670 km across the Moon's surface.
Forensic analysis (2022, 2023) of Apollo 11–17 photographs assessed authenticity claims. Images of humans in space, Earth, and the Moon's distant views were validated, but Moon landing visuals showed variations, suggesting diverse techniques may have replicated certain elements.
PEMi (Photoelectromagnetic Image) software enhances forensic analysis by differentiating natural and artificial light sources, revealing hidden features. Each PEMi-ID links to original sources, ensuring traceability and comparison.
Further exploration is available:
Lehti, A. (2024). The Silence of Inquiry: Forensic Reflections Reveal a Crisis of Perception. figshare. doi.org/10.6084/m9.figshare.28078982
Credits
2022-2025 © Andrew Lehti
1961–2023 © NASA, ESA
Software: PEMi (GitHub: andylehti/PEMi.git)
Explore PEM-I: pemimage.streamlit.app
CC BY-SA 4.0 License: creativecommons.org/licenses/by-sa/4.0/
Research:
Lehti, Andrew (2024). Cognitive Psychology and the Education System. figshare. Collection. doi.org/10.6084/m9.figshare.c.7532079
CC BY-SA 4.0
This work is licensed under the Creative Commons Attribution-ShareAlike 4.0 International License. To view a copy of this license, visit creativecommons.org/licenses/by-sa/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.
This CD cover I used was Fiona Apple’s album called “Tidal”. I chose this CD cover because of the beauty and simplicity of it. I loved how the photographer captured this photo with all the blue and white hues in it. The photographer for the album is Nathaniel Goldberg. Goldberg is a fashion photographer. His works include photos from Italy, Utah, Bangkok and Alaska. Goldberg has also done many covers of Vogue, Hermes and DKNY.
To recreate this photo I used a picture of my sister. I angled it and changed the color of her eyes. I added more white to this photo. I also added lots of brightness and lowered the contrast. I also cropped the photo so her face was more in the image.
To make my own rendition of this photo, I used a photo of my sister holding water in her hand. I added the word tidal in the middle of her hands to make it look like it is floating on water. I edited her hands and added lots of brightness.
Can someone explain to me what causes this to happen?
Here are the first set of photos taken with my "new" Canon AE-1. I bought it for $100 on eBay. I have a long way to go before these photos become great. I'm posting them so I can look back and review my progress over time.
This is a replication or reproduction of another brother's work. His name is Abdul Muizz Anwar. This replication added some Abstract Expressionist and Architectural elements.
Though men have from of old competed with each other to build the tallest and most elaborate buildings or cities. That is not what I suggest here. I was actually just messing around.