View allAll Photos Tagged replicator
Nan Curtis’ 3-D Design students presented their final project, “Replicate a ‘Famous’ Person’s Sculpture” in the PNCA Commons on May 13, 2010. Photo by Heather Zinger ’10.
Copyright © 2010 Elizabeth Root Blackmer. All rights reserved.
You are invited to visit my website at www.brootphoto.com.
This was a final project I did for my scenic painting class. I was replicating www.zazzle.com/pd/realviewpopup?url=http%3A%2F%2Frlv.zcac...
Zulu Chief at Shakaland Village Shaka Zulu Kraal Cultural Replication of a Zulu “Umuzi” or Homestead Normanhurst Farm Nkwalini Kwazulu-Natal South Africa B&W May 1998
The middle image is the original advertisement. The left image is my base photograph. The far right photo is the final product.
CD and DVD Replication: Replication is the method used to produce quantities one thousand and up CD's or DVD's. A "glass master" of your original is made which in turn "stamps" the data onto blank media. The disc is then printed and lacquered for protection. Replication generally takes a much longer time then duplication because of the necessary added steps which can add 7-14 days for completion. Another factor is that a "clean room" environment must be maintained for proper "Mastering". The slightest piece of lint, dirt, etc. can flaw the master, with the defect carried over to the stamped copies.
CD and DVD Duplication
Duplication is the standard way quantities of 1 - 30,000 CD's or DVD's are produced. The original disc is placed in a reader, which then copies the data onto a hard drive. The master is ejected and blank discs are then loaded into the system. Your data is burned (transferred) to the blank discs. The information is verified and the copy then accepted or rejected. Because disc burn speed has increased greatly over the years, it is now possibly to duplicate large quantities of DVD's in a very short time.
Shakaland Village Shaka Zulu Kraal Cultural Replication of a Zulu “Umuzi” or Homestead Normanhurst Farm Nkwalini Kwazulu-Natal South Africa B&W May 1998
Tree Bark Skirt as worn by a newly-wed Bride
At the same time, our visions of the future have developed a number of nightmares in recent decades, and it's these we often recycle: The robotic terror, the biological terror, the rogue AI, the grey goo.
Are these really any less naive than giant radioactive ants, Mothra, and alien invasions?
Zulu Boys Traditional Ethnic Dancing at Shakaland Village Shaka Zulu Kraal Cultural Replication of a Zulu “Umuzi” or Homestead Normanhurst Farm Nkwalini Kwazulu-Natal South Africa B&W May 1998
Log replacement at Ottawa Lake National Forest. All logs that are replaced are tried to be saved as much as possible but some areas of logs were rotten all the way though. These cabins were CCC constructed log cabins.
www.kawahdino.com China leading manufacturer supplier exporter of design and production simulation models (e.g. animatronic dinosaur, dinosaur costume, dinosaur fossil replicas, dinosaur skeleton, simulation animal etc.)
Contact: Amanda Email: amandakawah@gmail.com
Zulu Chief at Shakaland Village Shaka Zulu Kraal Cultural Replication of a Zulu “Umuzi” or Homestead Normanhurst Farm Nkwalini Kwazulu-Natal South Africa B&W May 1998
FRONTLINE LEADERS: HOW TO DRIVE RESOURCES TO ISLAND STATES LEADING THE WAY FOR A CLIMATE RESILIENT FUTURE
Island states around the world sit on the forefront of climate change, forced to contend with extreme economic, ecological, and social shock. They have begun leading the global charge to implement progressive solutions and mitigation strategies, presenting an opportunity for the global community to learn from, support, replicate, and scale their efforts. On the frontlines of climate change, island states are rapidly writing a new playbook for planning climate resilient communities. Their work has centered cultural diversity in response and resilience efforts. National, state, and territory governments have advanced aggressive policies to promote renewable energy, accelerate ocean conservation, and adopt strategies to spur economic development through local NGOs. Through their efforts, island states are advancing the fight against climate change as the global community learns from, supports, replicates, and scales their best practices.
PARTICIPANTS
JACQUELINE CHARLES Haiti and Caribbean Correspondent - Miami Herald
DEANNA JAMES President and Chief Executive Officer - St. Croix Foundation for Community Development
DENIS O'BRIEN Digicel, Chairman
'AHOLOTU PALU Chief Executive Officer - Pacific Catastrophe Risk Insurance Company
JEREMY RAGUAIN Former Fellow and Graduate Student - Alliance of Small Island States & Columbia University
Photo Credit: Jenna Bascom Photography/Clinton Foundation
CD and DVD Replication: Replication is the method used to produce quantities one thousand and up CD's or DVD's. A "glass master" of your original is made which in turn "stamps" the data onto blank media. The disc is then printed and lacquered for protection. Replication generally takes a much longer time then duplication because of the necessary added steps which can add 7-14 days for completion. Another factor is that a "clean room" environment must be maintained for proper "Mastering". The slightest piece of lint, dirt, etc. can flaw the master, with the defect carried over to the stamped copies.
CD and DVD Duplication
Duplication is the standard way quantities of 1 - 30,000 CD's or DVD's are produced. The original disc is placed in a reader, which then copies the data onto a hard drive. The master is ejected and blank discs are then loaded into the system. Your data is burned (transferred) to the blank discs. The information is verified and the copy then accepted or rejected. Because disc burn speed has increased greatly over the years, it is now possibly to duplicate large quantities of DVD's in a very short time.
All in the details!
Just like @pterodactyltactics car irl, I replicated some of the exposed carbon kevlar pieces, which you can see in the front fender well and inside the front hood. The gap between the front wheel and the door is so small. That made it tricky to add the "fender" in, but I was able to add it to the door instead. Another tricky thing about the door is that it is angled up. I thought about angling the chassis up instead, but I wanted to try angling the door, so the side skirts would be easier to do. In the end, I think it worked perfectly!
Looking closely at the wheel shows some very cool details. This is my first time adding brake rotors and brake calipers! The rotors are tough to see, but you can see the print on it. The brake calipers are using the new 1x2 curved jumper pieces and it works so well. On top of that, I also made "center locks" in red and gold. The actual race car does have center locks in this colorway, so this worked perfectly. In a sense, it also works by replicating the red caps with the gold BBS logo that Marc had. I was hesitant about the red and gold, but I think it's a very cool detail.
The vented hood is also one of my favorite details of this car. The 1x2 slopes are the perfect angle to replicate the real hood. And if you peek inside, you can see the carbon kevlar tub. I think Lego's olive green is such a nice color to match that. The hood is removable, but it's not pretty underneath, so I didn't take a picture of that. Another cool detail is where the dash/cowl meets the hood. It's slightly angled down, which isn't very necessary, but is realistic.
Version: v1.0
Scale: ~1:17
Inspiration: @pterodactyltactics @lamborghini @sheepeyrace