View allAll Photos Tagged replicator
A photographic record of the making process involved in creating a replicable component.
From foam model, to plaster mould and slip casting to kiln firing.
EXHIBIT - ARTIST: Meredith D'Amore. TITLE: Replication Series, August 2021. MEDIA: block prints on paper. PRICE: $150. DIMENSIONS: 30 x 22.
Exhibit: Flora & Fauna. Dates: March 4–26, 2022. Curator: TJ Feeley. Location: Del Ray Artisans, 2704 Mount Vernon Avenue, Alexandria VA 22301. If you would like to purchase this artwork, visit the gallery: Thursday 12-6pm, Friday 12-9pm, Saturday 12-6pm, and Sunday 12-6pm (closed the last Sunday of the month). You may also purchase by emailing the title, artist's name or description to Gallery@DelRayArtisans.org to make payment arrangements and schedule pick up. More information at delrayartisans.org/exhibits/
Replicating the wonderful photos taken by HH Johnson from the 1960s.
Venables near Willingdon in North Burnaby
6.13 Sculpt/Build update on AL1-L3 "Allie" from Star Wars: The Rise of Skywalker and the Fondor Haulcraft build from Star Wars: Andor - I:18 scale.
Plastic castings turned out great for AL1’s Droid chest plate, head sculpt and helmet. I have installed magnets to hold the plate and helmet in place. Attached are a series of images with the casted parts added. The sculpted parts will be archived.
Shoulder and upper leg plates are next to be sculpted. The back plate will be sculpted to the body and not be removable.
Made a mold for the Fondor Haulcraft’s pilot seat and the initial casting came out great once again. For small pieces like this I have found much success with my castings. Larger pieces can be a little tricky but it depends on what you are trying to replicate. But that’s another story . Next step for the Haulcraft will be the cockpit and chair attachment. Expect update for this coming soon.
To replicate this piece by the artist László Moholy-Nagy, I started by dragging and dropping the original image into photoshop. I then used the rectangle shape tool and distorted each shape to match the image, almost like tracing. To Match the colours, I used the eyedropper tool to pick colours from the original image. To finish, I added a small amount of noise and blur to my replication in an attempt to create texture.
Nan Curtis’ 3-D Design students presented their final project, “Replicate a ‘Famous’ Person’s Sculpture” in the PNCA Commons on May 13, 2010. Photo by Heather Zinger ’10.
Replicability of maximum likelihood trees.Left, phylogenetic tree from [1] using 21 populations and 54 bp reads Right, phylogenetic tree from the current study using 25 populations and 80 bp reads. Branches leading to W. mitchellii and W. vanduzeei are abbreviated to clarify presentation. Color code indicates region of geographic origin. Numbers show nodal support as aLRT-SH scores. Two-letter abbreviations identify each state or province. Where two or more sites come from the same state or province, they are identified by number. Latitudes, longitudes, altitudes, and acronyms connecting the specific localities with earlier studies from this lab are provided in Table S1. The scale bars indicate substitutions per site.