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This painting replicates Delaroche's most famous work, a mural in oils and wax (1836-41) in the auditorium of the École des Beaux-Arts in Paris, France's most prestigious art school. Delaroche's pupil, Charles Béranger, is thought to have begun this replica in 1841, but the master completed it following his pupil's death in 1853. It provided a basis for L.-P. Henriquel-Dupont's engraving reproducing the composition.
Represented are great artists of the past who appear to preside over the awards ceremonies held in the auditorium. Enthroned in the center are the three masters of antiquity-Ictinus the architect, Apelles the painter, and Phidias the sculptor-flanked by personifications of Greek and Gothic art (on the left) and Roman and Renaissance art (on the right). Below, the semi-nude figure of Fame leans forward to distribute laurel wreaths to the recipients of the coveted Grand Prix de Rome, who were entitled to spend 4 to 5 years studying in Rome at the expense of the State.
Those European artists from the 13th through the 17th centuries whom Delaroche ranked as the most important are included in his great assembly. To the left are 14 sculptors and a gathering of painters known as colorists and naturalists and, to the right, 13 architects, 2 engravers, and 19 painters distinguished for their drawing. Although many of their names are familiar today, among them Titian, Rembrandt, and Rubens on the left, and Raphael, Michelangelo, and Poussin on the right, others are less so. Notably absent are Botticelli, El Greco, and Vermeer, whose paintings were not rediscovered until later in the century.
According to the accounts of the dealer Adolphe Goupil the exceptionally elaborate frame cost 5,000 French francs, or $1,000, a remarkable sum in 1853.
H: 16 3/8 x W: 101 5/16 in. (41.6 x 257.3 cm)
Framed H: 41 3/4 x W: 124 1/8 x D: 6 1/8 in. (106.05 x 315.28 x 15.56 cm)
medium: oil on canvas
by bequest to Walters Art Museum, 1931.
[1] The Diary of George A. Lucas, p. 348.
CD and DVD Replication: Replication is the method used to produce quantities one thousand and up CD's or DVD's. A "glass master" of your original is made which in turn "stamps" the data onto blank media. The disc is then printed and lacquered for protection. Replication generally takes a much longer time then duplication because of the necessary added steps which can add 7-14 days for completion. Another factor is that a "clean room" environment must be maintained for proper "Mastering". The slightest piece of lint, dirt, etc. can flaw the master, with the defect carried over to the stamped copies.
CD and DVD Duplication
Duplication is the standard way quantities of 1 - 30,000 CD's or DVD's are produced. The original disc is placed in a reader, which then copies the data onto a hard drive. The master is ejected and blank discs are then loaded into the system. Your data is burned (transferred) to the blank discs. The information is verified and the copy then accepted or rejected. Because disc burn speed has increased greatly over the years, it is now possibly to duplicate large quantities of DVD's in a very short time.
At the same time, our visions of the future have developed a number of nightmares in recent decades, and it's these we often recycle: The robotic terror, the biological terror, the rogue AI, the grey goo.
Are these really any less naive than giant radioactive ants, Mothra, and alien invasions?
Zulu Boys Traditional Ethnic Dancing at Shakaland Village Shaka Zulu Kraal Cultural Replication of a Zulu “Umuzi” or Homestead Normanhurst Farm Nkwalini Kwazulu-Natal South Africa B&W May 1998
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Zulu Chief at Shakaland Village Shaka Zulu Kraal Cultural Replication of a Zulu “Umuzi” or Homestead Normanhurst Farm Nkwalini Kwazulu-Natal South Africa B&W May 1998
Experimenting with different layer sizes on the Bowden Replicator. Layers sizes from the left at 8 microns, 10 microns, and 20 microns. I'm still working out the correct feed rates and speeds for these settings. It looks like 10 microns is possible, and 8 microns might be a little bit too greedy.
Unrooted maximum-likelihood phylogenies for six vesicomyid symbiont marker genes.Boxes indicate clade designations: L. chuni/Vesicomya sp. mtII symB (blue), C. regab/Vesicomya sp. mtI, mtII symA (red). Bootstrap values for 1000 replicates are given in percent above branches and clades (70% only). Scale bars are expressed as number of substitutions per base pair. The evolutionary model tested was GTR+I+G. with the following parameters: proportion of invariable sites = 0.79 (A), 0.56 (B), 0 (C, D, E, F), number of substitution rates (nst) = 6 for all phylogenies, gamma distribution parameter = 0.84 (A), 1.11 (B), 0.11 (C), 0.32 (D),0.15 (E), 0.14 (F). ‘Und. genus’) indicates a temporary genus name. Sp- 10 corresponds to the species numbers given in Audzijonyte et al. 2012.
Zulu Chief at Shakaland Village Shaka Zulu Kraal Cultural Replication of a Zulu “Umuzi” or Homestead Normanhurst Farm Nkwalini Kwazulu-Natal South Africa B&W May 1998
Nan Curtis’ 3-D Design students presented their final project, “Replicate a ‘Famous’ Person’s Sculpture” in the PNCA Commons on May 13, 2010. Photo by Heather Zinger ’10.
Zulu Chief at Shakaland Village Shaka Zulu Kraal Cultural Replication of a Zulu “Umuzi” or Homestead Normanhurst Farm Nkwalini Kwazulu-Natal South Africa B&W May 1998
I kind of look like my 2nd-nephew here. A little bit of Mobach juice infused.
"a man with short blonde hair looking at the camera"
Replicate buildings portray assay office and hotel. This is less than two miles from Tioga Pass Resort. Inyo National Forest.
Shakaland Village Shaka Zulu Kraal Cultural Replication of a Zulu “Umuzi” or Homestead Normanhurst Farm Nkwalini Kwazulu-Natal South Africa B&W May 1998
Umama Zulu Mother at Shakaland Village Shaka Zulu Kraal Cultural Replication of a Zulu “Umuzi” or Homestead Normanhurst Farm Nkwalini Kwazulu-Natal South Africa B&W May 1998