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Oceanside, Ca
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Olympus E-500 4/3 digital camera with 14-42mm lens, set to monochrome, green filter and purple toning (to replicate selenium toning).
Iandra Castle is an overwhelming expanse of living area.
Included are rooms that were specifically designed for the ladies of the house to entertain or undertake duties such as sewing.
This is one such room, it is poorly lit and on the main source of light is through this window.
It is more commonly referred to as Iandra Castle, in fact its proper title is Mount Oriel Homestead & Pastoral Estate.
The gracious homestead is located near Greenthorpe which is situated off the Grenfell road and is a mere 30 minute road trip from Cowra.
Greenthorpe is a village situated close to the homestead and was built by the then owner of the then owner George Henry Greene.
Greene established the village for tenants. The village remains today.
Based on a feudal style estate modelled on the English Manor System Iandra Castle was established from 1878-1911 and has not been replicated anywhere in Australia.
Today this magnificent Edwardian Estate is open to the public on specific days throughout the year. Coach parties are welcome but only by prior appointment.
Greenthorpe, New South Wales, Australia.
“Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws as well as contract laws.”
So please don't **Please don't use this image on websites, blogs or other media without my explicit permission. ©...
Ardnamurchan, Scotland. I set out to try and replicate one of Michael Macgregor's well known scenes on a warmish spring evening with my son. This, and a few others dotted around, is the result. Hopefully you will appreciate the natural beauty of this part of the world with the familiar peaks of Rum and the Sgur of Eigg in silhouette. When we did this it was a very enjoyable hour spent in the Scottish countryside with no midges.
macgregor.pergula.co.uk/info.asp?nm=Posters%20-Standard&a...
I was trying to replicate a shot from the cover of a promotional booklet the Rockies put out in their inaugural year.
That one was more "classic." He had full pinstripes, the sun was far lower (the shadow actually stretched onto the back cover), and you could even see his footprints in the grass.
Explored August 28th, 2024
interesting tree bark pattern that seems to replicate the forest itself
(Explored September 30, 2023 # 490)
A replication of the original building - they often love to stick a glass crown on top of them: Philip Jamieson, Clothier & Outfitter - on the northwest corner of Yonge Street and Queen Street West, Toronto.
Azure Magazine / March 2025 / In Downtown Toronto, a Heritage Icon Quietly Reclaims the Spotlight
Jamie Bradburn's Tales of Toronto / July 2017 / Off the Grid (Ghost City): 2 Queen West
News headlines: Aliens have invaded our planet! They have abducted hundreds of millions of people around the world. They all disappeared at once, in a split second, causing chaos and confusion. The Air Force shot down several UFOs (hobbyist balloons). They even shot down a Chinese spy balloon. Don’t worry: these Chinese spy balloons were also flying over America during Trump’s presidency, but the NWO Deep State never informed him. Quick, rollout Project Blue Beam 2.0 (false flag alien invasion psyops)! We must cover up these strange disappearances. “Welcome to the age of the polycrisis.” “Never waste a good crisis.”
The Jerusalem Post: “Former Israeli space security chief says aliens exist, humanity not ready”.
“’If I had come up with what I’m saying today five years ago, I would have been hospitalized,’ he explained to Yediot.”
www.jpost.com/omg/former-israeli-space-security-chief-say...
“’It’s Logical That Aliens Are Using Black Holes As Computers,’ Scientists Say”.
Harvard: PHYSICAL CONSTRAINTS ON UNIDENTIFIED AERIAL PHENOMENA (Draft under review)
“Nevertheless, the coincidences between some orbital parameters of ‘Oumuamua and IM2 inspires us to consider the possibility that an artificial interstellar object could potentially be a parent craft that releases many small probes during its close passage to Earth, an operational construct not too dissimilar from NASA missions. These “dandelion seeds” could be separated from the parent craft by the tidal gravitational force of the Sun or by a maneuvering capability. A small ejection speed far away could lead to a large deviation from the trajectory of the parent craft near the Sun. The changes would manifest both in arrival time and distance of closest approach to Earth. With proper design, these tiny probes would reach the Earth or other Solar system planets for exploration, as the parent craft passes by within a fraction of the Earth-Sun separation - just like ‘Oumuamua did.”
“Equipped with a large surface-to-mass ratio of a parachute, technological “dandelion seeds” could slow down in the Earth’s atmosphere to avoid burnup and then pursue their objectives wherever they land.”
“Within a close range to a star, extraterrestrial technological probes could use starlight to charge their batteries and liquid water as their fuel.”
“What would be the overarching purpose of the journey? In analogy with actual dandelion seeds, the probes could propagate the blueprint of their senders. As with biological seeds, the raw materials on the planet’s surface could also be used by them as nutrients for self-replication or simply scientific exploration. It is important to note, that given the time scales associated with the propulsion scheme discussed here, it is unreasonable to assert that the intention of any such probe launched in the far distant past, has anything to do with the human species. More likely, and similar to NASA’s missions – the goal would be scientific and exploratory in nature.”
“Are there any functioning extraterrestrial probes near Earth? We do not know.”
“Consequently, the mothership/probe scenario is more energetically viable.”
“In principle, a multitude of tiny devices can be released from a mothership that passes near Earth.”
“The considerations in this paper imply a useful limit on observations of UAP which bound the hypothetical explanations and can support limitations on interpretations of data.”
lweb.cfa.harvard.edu/~loeb/LK1.pdf
Rapture:
“Listen, I tell you a mystery: We will not all sleep, but we will all be changed—in a flash, in the twinkling of an eye, at the last trumpet. For the trumpet will sound, the dead will be raised imperishable, and we will be changed.”
“First, the dead who believed in Christ will come back to life. Then, together with them, we who are still alive will be taken in the clouds to meet the Lord in the air. In this way we will always be with the Lord.”
Over the past ten days or so, the Mrs and I were privileged to take part in something of an epic recreation.
The plan, by the adventurous owner of ex Crosville Bristol RELH AFM 105B was to reinact a journey which it undertook brand new in 1965 . . . just about 60 years ago.
Back then it took a party of forty something Crosville employees on an overland journey to the Italian seaside town of Alassio, over a thousand miles distant from its home base of Caernarfon.
We joined the small party on Thursday 9th May and set out to emulate the above as closely as possible in Steve Graham's superbly preserved coach. The only difference in the coach's specification nowadays to back then is that it now has a Gardner 6HLXB rather than a 6HLX which gave it a good deal more grunt.
In this photo the coach is seen posed part way up the climb to the St. Bernard tunnel in Switzerland en route to the Italian border.
An atempt of replication of The Hobbit -
battle of 5 armies scene (with only few minifigs :P).
Please see the Erebor movie: www.youtube.com/watch?v=D-OzEbsQ09Q
“Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws as well as contract laws.”
“The Eye Moment photos by Nolan H. Rhodes”
nrhodesphotos@yahoo.com
This replication mode of Bodhisattva is a very good idea. A birch, a Buddha. And there are more of 10.000... Bodhi Tataung Sanctuary [Thanboddhay, Burma/Myanmar], 14.8.2014, 11:09h.
Replicated this painting found on the internet which I loved. Acrylic painting on a gallery canvas (10 x 12). Would like to do a series of other animals! Can't help but smile every time I look at this. Private Collection!
New growth of this tree was fairly low to the ground hence being able to get these shots in the woodland of Hodsock Priory, Nottinghamshire.
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No Group Banners, thanks.
Lovely mixed train for the railway modeller to replicate.
The caption on these images are purely what John Wiltshire wrote on the 35mm slide mounts plus my own research into the locations. I therefore welcome any additional comments providing interesting information about the locomotives or the history of the location, line closure dates etc. Also please make caption links to other FLICKR images of the same location so we can all see how the locations have changed over time.
Due to recent unauthorised publication of my John Wiltshire images in a magazine. newspaper and two published books without payment I have to now make this statement.
This image is the copyright of © Peter Brabham; Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws. I will retrospectively claim £50 per print image if prior written authorisation for publication has not been sought. Please contact me at pete.brabham@ntlworld.com for permission to use any of my John Wiltshire photographs in hard copy publication. I will usually give permission free of charge to Heritage Railways and steam loco restoration project advertising, but profit making magazines and book authors must pay a reproduction fee. Authors should know the provenance of high quality digital images that they use.
Here is a part of Thor´s ship where O´Neill meets the Replicators. (5x22 Revelations)
I copied the Replicators from legomocs because I think it´s the best possible solution on a minifigure-scale www.flickr.com/photos/legomocs2/6371277299/in/dateposted/
bringing water from below to above. One, self replicating.
The other ceases to duplicate the moment thoughts about it disappear.
What are we to make of the difference between things that manifest without thought, and those that manifest only with thought?
One could answer: "Thought itself is a thoughtless manifestation, i.e., thought grows into existence through no effort of its own."
To put it more clearly, a mind that thinks, grows into existence before it can think.
Would this be right?
“Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws as well as contract laws.”
“The Eye Moment photos by Nolan H. Rhodes”
nrhodesphotos@yahoo.com
www.flickr.com/photos/the_eye_of_the_moment
“Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws.” www.flickr.com/photos/the_eye_of_the_moment
“The Eye Moment photos by Nolan H. Rhodes” nrhodesphotos@yahoo.com
This is the replica of the Vickers Vimy bomber that made the first transatlantic air crossing in 1919. Piloted by John Alcock and navigator Arthur Whitten Brown, the feat won the Daily Mail’s prize of £10,000. The actual aircraft survives as an exhibit at the Science Museum, South Kensington. The replica Vimy was built in 1994 as a venture to re-enact the first flight from Britain to Australia, achieved also in 1919. A pioneering London-to-Cape Town journey was also re-enacted in 1999. Carrying the US civil registration NX71MY, the aircraft was donated to the Brooklands Museum in 2009, where it now forms a display titled ‘First to the Fastest’, paired with an RAF Harrier jump jet that broke the transatlantic speed record fifty years after Alcock and Brown’s journey.
This is a replica I recreated for my camera collection. This rig is like the ones used by the back-seat pilot/observer as high speed (jet) forward air controllers operating at the time (1969) over Laos. I worked with these "Misty FACs" at Phu Cat Air Base, Vietnam.
Background print shows typical photographs.
Inspiration for the outfit came from elsewhere but when I first saw it, I knew I had to create my own version of it.
With thanks to a wonderful submissive, this amazing angora and rabbit fur cardigan was purchased for me and what an incredible compliment to this overall outfit it makes. Needless to say, its a divine piece to wear too
I am going to make yet another attempt to post more on here throughout 2021 but given all the other false starts in years past, you probably know already not to hold me to it ;)
© All rights reserved. This image is copyrighted to Tim Wood; Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws. Please contact me at woodrot147@aol.com for express permission to use any of my photographs.
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In replicating this fifth-gen stealth fighter, I was aiming for:
– Smooth: nearly studless in form.
– Integrated: packing in a host of features.
– Fresh: incorporating new pieces and techniques.
and of course, purist! (at least, for now; I may experiment with designing some Marine Corps liveries on waterslide decals for mere aesthetic decoration that denotes the squadron affiliation…)
The 1:40 scale replica includes:
– Opening cockpit that holds pilot, control panel, and joystick
– Hidden weapon bays in fuselage for stealth missions
– Optional exterior loadout for air-to-ground attacks
– Retracting landing gear that supports the model
– Opening flaps, rotating fan blades, and tilting vector nozzle for VTOL
– Stable Technic display stand and brick-built name plaque.
This is the first MOC I’ve finished in about five years (during which I completed my university degree, got my full-time career job, moved out, got married, and a few other things), after working on it off-and-on for at least three years. [The real-life aircraft has suffered from its own extensive delays in design / production, so I guess it could be worse where my LEGO one is concerned. XD]
A big thank-you to everyone who has inspired me along the way, including special acknowledgements to AFOL friends like the Chiles family and Eli Willsea for helping rekindle my joy in the hobby; Brickmania, for showing me a few new hinge techniques that I incorporated during these last few months of the design process; and especially my lovely wife Natalie who, bless her heart, has allowed the dining room of our tiny apartment to serve as my building studio and encouraged me to use it more often as such!
Let me know what you guys think!
Lovely mixed freight for the railway modeller to replicate.
The caption on these images are purely what John Wiltshire wrote on the 35mm slide mounts plus my own research into the locations. I therefore welcome any additional comments providing interesting information about the locomotives or the history of the location, line closure dates etc. Also please make caption links to other FLICKR images of the same location so we can all see how the locations have changed over time.
Due to recent unauthorised publication of my John Wiltshire images in a magazine. newspaper and two published books without payment I have to now make this statement.
This image is the copyright of © Peter Brabham; Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws. I will retrospectively claim £50 per print image if prior written authorisation for publication has not been sought. Please contact me at pete.brabham@ntlworld.com for permission to use any of my John Wiltshire photographs in hard copy publication. I will usually give permission free of charge to Heritage Railways and steam loco restoration project advertising, but profit making magazines and book authors must pay a reproduction fee. Authors should know the provenance of high quality digital images that they use.
Replicating a scene that could have been any time during the 1980’s, Class 104 unit (M50455 and M50517) returns back to Bury from Heywood complete with DISLEY in the destination blind a location which lost its turn back service long ago.
This once common sight in the North West of England and the Manchester Suburbs is now unfortunately just confined to the East Lancashire Railway.
These two vehicles both entered service in 1957 as three car sets, in separate units and saw action across England & Scotland before being taken out of service in September 1992 & May 1990 respectively.
This image is the copyright of © Neil Holman. Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws. Please contact me for permission to use any of my photographs.
I love a lot photographing countryside scenaries of my beautiful Sicily. It was a sunny day, with some cloud at the horizon. Centuripe (CT), Sicily.
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Your COMMENTS and FAVES are welcome. I will replicate! :)
We're here is studying and exploring reflectionism and related
palindromic phenomena.
My idea was to show palindromes in genetics. Unfortunately my electron microscope is in the repair shop, so I had to use some ordinary kitchen forks to illustrate the concept.
Learn more about palindromes as substrates for multiple pathways of recombination in Escherichia coli.
Long DNA palindromes are sites of genome instability (deletions, amplification, and translocations) in both prokaryotic and eukaryotic cells. In Escherichia coli, genetic evidence has suggested that they are sites of DNA cleavage by the SbcCD complex that can be repaired by homologous recombination. Here we obtain in vivo physical evidence of an SbcCD-induced DNA double-strand break (DSB) at a palindromic sequence in the E. coli chromosome and show that both ends of the break stimulate recombination. Cleavage is dependent on DNA replication, but the observation of two ends at the break argues that cleavage does not occur at the replication fork. Genetic analysis shows repair of the break requires the RecBCD recombination pathway and PriA, suggesting a mechanism of bacterial DNA DSB repair involving the establishment of replication forks.
(Science Direct; SbcCD Causes a Double-Strand Break at a DNA Palindrome in the Escherichia coli Chromosome; John K.Eykelenboom, John K.Blackwood, EwaOkely, David R.F.Leach)
The resort first opened in 1868 and was reconstructed in 2004 replicating the original exterior design.
Croquet anyone?
The geek version of "The best thing I make is reservations."
That's a Sciences badge from TOS!
Hand-dyed potholder, make during one of my crazy crafty binges.
Think I've done this shot before with a number of Scania Omnicitys but by 2023, they were largely gone. Daf SB200/Wright Pulsars like Arriva 1478 NK61CYP were much more common in Richmond market place.
This started as an attempt to replicate the Quinjet, then turned into a smaller, fighter-scale version. I tried to retain the sturdy yet sleek, modern look from the movies, and move it on a step.
I tried to get the pilot to tie in visually with the ship (and vice versa). He uses the pilot body from the new Carnage set, with a Galaxy Patrol helmet and a head from the silver Ninjago minifig.
Avatar costumes replicated by Alpha Auer for the project "Russian Avant-garde" in sl.
LM: slurl.com/secondlife/LEA8/22/102/56
El Lissitzky (Russian artist and graphic designer, 1890 - 1941) created his series of architectonic figures after seeing a production of “Victory Over the Sun”, the futuristic Russian opera with music by Mikhail Matyushin (Russian painter and composer, 1861 – 1934) and costumes/stage designed by Kasimir Malevich (Russian painter and art theoretician, 1879 – 1935). Paired up with Malevich’s set design and costumes, this pro-technological phonosemantic opera inspired Lissitzky to recreate figures of the opera’s main protagonists as suprematist automatons.