View allAll Photos Tagged replicator
Happy THANKSGIVING DAY to all my American Flickr contacts!
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While I was going to Castel di Iudica I falled in love with this coloured countyside ancient house, so I stopped my car for photographing it. Franchetto, Castel di Iudica (CT), Sicily.
No HDR. Only one RAW shot obtained using Black card technique with Cokin ND8 filter. Just a little bit processing.
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Your COMMENTS and FAVES are welcome. I will replicate! :)
Seen on the Foxfield Railway's Dilhorne Park Station in deepest rural Staffordshire, England, UK. These wooden bodied 4 wheeled coaches are restored to replicate those of the North Staffordshire Railway of around 130 years ago. They have hard wooden seats and were only designed for short journeys. Two of the coaches have been lovingly recreated, one from use as a garden shed! A third is planned.
*** Explored #23 on 3/12/2013! ***
Willie, Yan, and I had spent the night in Page, AZ and we found ourselves with half a day to kill. We arrived at Lower Antelope Canyon before they opened and were the first ones in the canyon. We didn't see anyone for over an hour. One of my fellow photographer friends, Jave, has a wonderful photo in Lower Antelope Canyon of light beams in front of the Granite Chief, and we hoped we might be able to replicate his photo.
At some point one of the Navajo guides walked past and I stopped him and asked if he knew what time the light beams crossed in front of the Granite Chief. He told me that it was later in the afternoon but we had a flight to catch and couldn't wait for that to happen. Willie wanted to get a photograph of the Chief anyways. Willie took some shots and just as we were about to leave I noticed a light beam forming near the eye of the Chief! Sure enough the tiny little light beam grew and grew as the sun came up through the canyon. We stopped and fired a number of photos. I like how this looks like the Chief was Cyclop's early teacher ... look at those laser beams coming out of his eye!
Nikon D800 w/Nikkor 24-70mm f/2.8G ED AF-S:
38mm, f/11, 2 sec, ISO 125
Press "F" and then "L" to view this best or just View it Large
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“Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws as well as contract laws.”
“The Eye Moment photos by Nolan H. Rhodes”
nrhodesphotos@yahoo.com
Replicate that image at Moore Camera Club.
This is a replica of a Beatles album, can you tell which one?
**COMPUTER GENERATED IMAGE**
An edit of Stagecoach London Enviro200MMC 36659 (SN17MLZ) into the Stagecoach London colours that were seen on Darts and Tridents between 2000 and 2005 before Macquarie Bank took over operations until 2011.
I set myself the challenge of making a completely brick built tri-fighter. There are parts that exist that can be used to provide some extra details, but I like the challenge of replicating the effect in bricks.
I’ve always had a soft spot for this model- I was always quite impressed with the 2005 version that used the click hinges to create the semi-circular ‘wings’ which seemed quite unconventional back then. LEGO traditionally includes a buzz droid minifig with their version, so in that spirit, I asked MisterShramp if he could design a buzz droid to accompany my design. And he really stepped up to the challenge!
I originally thought about using bionicle shoulder armour parts to create the central sphere, but I settled on this design after experimenting with a number of other spherical parts.
The next challenge was to find suitable parts to recreate the semi-circular wings. I went through a number of different ideas- but many of the parts I could find didn’t have the right radius to match the original design. In the end I used bricks with studs on 4 sides with a rigid hose through the middle. The curved tiles help maintain the shape.
After tackling those two challenges, all the other details were pretty intuitive, and the build is surprisingly sturdy too.
The colour scheme also went through a few revisions. Each illustration/ concept art/ scale model I could find had some variation of blue and grey. In the end I went for this pretty subtle pattern. Any thing busier tended to draw attention to the (unavoidable) gaps in the construction of the semi-circles.
Check out MisterShramp's flickr
and instagram if you haven't already- he's got a bunch of really interesting ideas and instructions for his builds too!
A view of the replicated Woodward's W seen from the George Viaduct.
Charles A. Woodward opened his first store in Vancouver on Main Street in 1891.
Woodward’s moved to new larger store on West Hastings Street in 1903. Woodward's department store became the place to shop and was at the centre of then Vancouver’s premier shopping district.
The store was renowned for its Christmas window displays, the huge basement food court and the popular $1.49 Tuesday sales with it's kitschy jingle.
The iconic Woodward's "W" was installed on top of a pint-size replica of the Eiffel Tower in 1944.
Woodward's went bankrupt in 1993 and building sat empty until a redevelopment plan surfaced in the early 2000’s.
The "W" neon sign was removed before most of the building was demolished in 2006. The “W" was replicated and re-installed January, 2010 on the remaining heritage protected old building.
The original W is displayed in the open area between the SFU campus and new Woodward's residential tower.
A life threatening, system crumbling cybernetic plague, VIROT is a virus designed on the bacteriophage of eons past. This computer devourer is able to infect a hero’s core and either reprogram them for evil or shut them down for good.
Type A, the infection type, is small, nearly undetectable, with an emphasis on its rapid replication. Type B phages are a larger mutation that carry microscopic incision equipment used to inject nanites. These nano machines either act as miniature explosives, irreversibly damaging the hero’s Quaza Core, or act to change the materials within core, turning it into ANTI-QUAZA and sending the hero into a downward spiral of evil.
Hero Factory. We build H̷e̷r̷o̷e̷s̷ ……. Villains
Built for Hero February 2023
I think I was trying to replicate the picture below that I took a few years ago, but it just wasn't happening for me, and then these two came along.
But that is the great thing about these "Outdoorshow" events. You don't need to be a steam buff or a train spotter to enjoy them. If you are interested in photography there are rich pickings amongst the diverse type of people and families attending: Cute kids, people of all generations. And there are machines galore: huge smoking and steaming traction engines, vintage trucks, cars and motorbikes and even a vintage steam powered funfair. On the periphery are trade and junk stalls and all manner of other entertainments. Amongst the crowds there are the good looking, ugly, old and young, strange, dirty men and dirty women (from coal and oil.....but possibly a few without those too). And even the unusual and quirky are there too.
On a sunny day these events area great day out for all the family. For more pictures see www.flickr.com/photos/pentlandpirate/albums/7215765672975...
© All rights reserved. This image is copyrighted to Tim Wood; Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws. Please contact me at woodrot147@aol.com for express permission to use any of my photographs.
All of my images can be purchased...... Visit my website, coastal and countryside images at......
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My BFF & I endlessly quoted this mascara commercial in the 1980s. Here's our version of it, featuring '80s Barbies & Ken.
© Steve Kelley 2008
I've been trying to get lightning shots with the Nikon D300 with some success however i still have not been able to replicate what i was able to shoot with the old Nikon Coolpix 8700. Rather odd given i have so much control and features to assist with the D300. This is from earlier this summer prior to the "upgrade" to the D300 and is a shot of Jersey City, New Jersey looking north with New York City in the distant right.
Have a great weekend and I'll try and catch up with some interesting HDR shots over the weekend.
To view all images in larger sizes and to download, purchase, or license please click here: Lightning Images
This week in 2013, the High-Energy Replicated Optics for Exploring the Sun mission launched aboard the Columbia Scientific Balloon from Fort Sumner, New Mexico. The mission was a collaborative effort between NASA’s Marshall Space Flight Center and NASA’s Goddard Space Flight Center. HEROES was designed to investigate the scale of high-energy processes in a pulsar wind nebula by mapping the angular vortex of hard X-ray emission; the acceleration and transport of energetic electrons in solar flares using hard X-ray imaging spectroscopy; the hard X-ray properties of astrophysical targets such as X-ray binaries and active galactic nuclei; and electron acceleration in the non-flaring solar corona by searching for the hard X-ray signature of energetic electrons. Here, the HEROES payload awaits launch as the helium balloon inflates in the background. The NASA History Program is responsible for generating, disseminating, and preserving NASA’s remarkable history and providing a comprehensive understanding of the institutional, cultural, social, political, economic, technological, and scientific aspects of NASA’s activities in aeronautics and space. For more pictures like this one and to connect to NASA’s history, visit the Marshall History Program’s webpage.
Image credit: NASA
#tbt #nasa #marshallspaceflightcenter #msfc #marshall #space #history #marshallhistory #nasamarshall #nasahistory #nasamarshallspaceflightcenter #HEROES #Goddard #GoddardSpaceFlightCenter #GSFC #ColumbiaScientificBaloon
The Triclinium Leoninum consists of a brick aedicule with an apse and a colourful apse mosaic. The mosaic dates from the 18th century. The whole edifice is a replica of the apse of the large dining hall built by Pope Leo III (795-816), hence the name Triclinium Leoninum, Leo’s dining hall. In 1731, when plans were in the making for a new façade for the cathedral of San Giovanni, Pope Clemens XII (1730-1740) decided that the remains of the [previous] Triclinium Leoninum were in the way and ordered it to be demolished. The mosaic was damaged beyond repair. In 1743, the architect Ferdinando Fuga (1699-1782) was hired by Pope Benedictus XIV (1740-1758) to build a new edifice, a project that led to the current Triclinium Leoninum being set up. The painter Pier Leone Ghezzi (1674-1755) received a commission to replicate the mosaic. Whether this is a faithful reproduction of the previous mosaic is hard to tell. Ghezzi may have used his imagination while laying some parts.
Replicated the four windows purposely utilizing the used white bricks and plates to give the interior wall a weathered look. Included as well are the columns that go between them.
Just have to build seven more for the whole Pisamban Maragul layout...
This image is the copyright of © Neil Holman. Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws. Please contact me for permission to use any of my photographs.
I replicated Thrawns battle gear based on his outfit in Star Wars Rebels: S3 Ep22.
I used the torso of the Lego AT-DP driver and added details like his rank plaque, code cylinders and epaulettes using cut Lego stickers.
The goggles are from Minifig.cat, and I gave him a Brickarms blaster.
Filmmaker Sam Reid used a Fotodiox Macro Extension Tube to replicate one of his favorite shots from the movie Blade Runner. Click here to learn more about our Macro extension Tubes: bit.ly/37G6AnF
And click here to see more of Sam's work: www.instagram.com/samreid.film/
“The Eye Moment photos by Nolan H. Rhodes”
“Theeyeofthemoment21@gmail.com”
“www.flickr.com/photos/the_eye_of_the_moment”
“Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws.”
“In order for us to replicate the things we love the most about Italian food and cooking, we had to make these things ourselves by hand... that is the thing that informs and dignifies the cuisine and sets it apart from everyday, common Italian dishes.”
- Chef Lisabet Summa
Credit for the data above is given to the following websites:
www.loopnet.com/Listing/185-Banyan-Blvd-West-Palm-Beach-F...
www.yelp.com/biz/elisabettas-ristorante-bar-pizzeria-west...
© All Rights Reserved - you may not use this image in any form without my prior permission.
White Orpheus or Pink?
Mangrove Roots, Orpheus Island, 2009.
Phase One 645AF, P45+ back, 28mm lens, 15 seconds @ f16, ISO 50.
I was up to my knees in warm salt water, but I wasn't complaining. I also think that's why many people from the southern latitudes of Australia visit Orpheus Island in winter and if, following the chilly weather we've been having lately, you're in need of a warm respite, now would be a good time to book a trip to Orpheus Island in Far North Queensland.
There are two options. One is a six star resort which is out of my price bracket (champagne tastes, beer budget), the other is the experience of your photography life at the James Cook University research station on the other end of the island. However, while the location is fantastic, the real attraction has to be three of Australia's best photographers and photographic educators ever. Dr Les Walking is joined by Dr Vicki Cooper and Dr Doug Spowart. I'm pretty sure Vicki and Doug are both doctors, maybe they're professors or something else as well, but I get lost after an ordinary degree!
Les has been presenting his Orpheus Island printing workshop for eleven years along with John and Pam de Rooy. And after my presentation with Les in the Daintree last month, I said I'd mention his printing workshop in my newsletter - and hence the photograph above.
For more details about the Orpheus Island Photography Workshop, visit www.leswalkling.com/courses/orpheus-2016/.
Shooting the photograph, I was knee deep in salt water as the tide came in. It was taken only a stone's throw from the research station with a wide-angle lens and a long shutter speed of 15 seconds to blur the water.
To lighten up the tree roots as though they were catching the light from the sunset, I used a channel mask which picked out the light that was already striking the top of the mangrove roots and then, using a curves adjustment layer, lightened them up. It was easier than using a brush and carefully picking out the roots because all the hard work had been done by the channel. This is one aspect of Photoshop that can't easily be replicated in Lightroom or Capture One, but admittedly it takes a little more practice to achieve as well.
So, do you like the pink light catching the tops of the tree roots - or would you prefer them to look like steely-white moon light? Have a look here to see second photo and rest of blog. www.betterphotography.com/index.php/peter-eastways-blogs-...
A “Monet” garden is one that replicates the great artist/gardener’s use of special visual effects, color harmonies and garden accents.
The Monet Garden at the Overland Park Arboretum and Botanical Gardens was dedicated in 2003. Roughly one acre in size, it features hundreds of varieties of trees, shrubs, perennials, annuals, wildflowers and bulbs.
VIEW LARGE ( if you have the time)
Tiers of colorful flowers cascade from arbors and trellises and over rock walls and paths, delighting visitors in a non-stop show from March through October. Numerous benches located throughout the garden, also in the Monet style, allow visitors to sit and enjoy spectacular views in every direction. A graceful bridge spans upper and lower water gardens, providing an excellent vantage point for viewing the extent of the garden.
The Monet Garden is a cooperative effort of the Arboretum and Botanical Gardens and the Johnson County Extension Master Gardeners
Linda Hartong Photography. ©All Rights Reserved. 2008 Do not use, copy or edit any of my photographs without written permission.
At the dawn of the Nineteenth Century, Christmas was hardly celebrated – at least, not in a way we would recognise today. Many businesses didn't consider it to be a holiday. Gift giving had traditionally been a New Year activity, but moved as Christmas became more important to the Victorians. By the end of the century, Christmas had become the biggest annual celebration in the British calendar. Victorian advancements in technology, industry and infrastructure – as well as having an impact on society as a whole – made Christmas an occasion that many more British people could enjoy. From Christmas cards to decorated trees and Christmas crackers, many of our best-known Christmas traditions are products of the Victorian era.
The theme for "Smile on Saturday" for the 21st of December is "get in the festive mood". Anyone who follows my photostream knows that I love and collect 1:12 size miniatures which I photograph in realistic scenes. The artifice of recreating in minute detail items in 1:12 scale always amazes me, and it’s amazing how the eye can be fooled. I have created such a scene here, where everything is comes from my 1:12 miniatures collection. Therefore I have decided to use them to illustrate a very Victorian Christmas, which I think exemplifies being in the festive mood. I hope you like my choice for this week's theme, and that it makes you smile!
As this is the last "Smile on Saturday" before Christmas, I should just like to take this opportunity to wish everyone in the group a very happy Festive Season. May it be filled with happiness and joy for you all.
This scene is comprised of 1:12 miniatures from my 1;12 miniature collection, ranging from artisan pieces acquired in the last couple of years, to items I have had since my childhood. Fun things to look for in this tableau include:
The Christmas tree is a 1:12 artisan miniature made by an unknown artist. I bought it via E-Bay from a seller in the United States. The tree came full dressed, complete with little gold angel on top, the apron at its bottom and all the baubles and bows between.
The Christmas presents you see beneath the Christmas tree and scattered around the room were made by husband and wife artistic team Margie and Mike Balough who own Serendipity Miniatures in Newcomerstown, Ohio. The Christmas garland hanging from the fireplace was also made by them.
The New Year cards you see on the mantlepiece of the fireplace are all 1:12 size miniatures made by the British miniature artisan Ken Blythe. Most of his work that I have come in the form of books, which he has made may be opened to reveal authentic printed interiors. In some cases, you can even read the words, depending upon the size of the print! I have quite a large representation of Ken Blythe’s work in my collection. What might amaze you is that all Ken Blythe’s opening books are authentically replicated 1:12 scale miniatures of real volumes. As well as books, he also designed other paper based artistic items. This includes these New Year cards which are 1:12 copies of genuine Victorian New Year cards! To create something so authentic to the original in such detail and so clearly, really does make them all miniature artisan pieces. Ken Blythe’s work is highly sought after by miniaturists around the world today and command high prices at auction for such tiny pieces, particularly now that he is no longer alive. I was fortunate enough to acquire pieces from Ken Blythe prior to his death about four years ago, as well as through his estate via his daughter and son-in-law. His legacy will live on with me and in my photography which I hope will please his daughter.
The other Christmas cards seen around the room are artisan miniatures made by an unknown artist and came in their own presentation box. They came from kathleen Knight's Doll's House Shop in the United Kingdom.
The delicious looking plate of iced and decorated Christmas biscuits, which is a miniature artisan piece gifted to me by my dear Flickr friend and artist Kim Hagar (www.flickr.com/photos/bkhagar_gallery/), who surprised me with it last Christmas.
The antique velvet drawing room suite with its button-back upholstery I have had since I was a child of eight. The sofa, grandfather armchair and grandmother slipper chair were a gift to me that Christmas. The small salon chair in the back right-hand corner of the photo also comes from my childhood and I have had it since I was about ten.
The tall Dutch style chest of drawers to the far left of the photo was one of the first pieces of miniature furniture I ever bought for myself. I chose it as payment for several figures I made from Fimo clay for a local high street toy shop when I was eight years old. All these years later, I definitely think I got the better end of the deal!
The two wine tables and the demi-lune tables come from Kathleen Knight's Doll's House Shop in the United Kingdom.
The two cottages orné pastille burners sitting on the demi-line table have been hand made, painted and gilded by Welsh miniature ceramist Rachel Williams who has her own studio, V&R Miniatures, in Powys. The ornate Victorian ruby glass epergne between them is an artisan miniature made of real spun glass and came from Beautifully Handmade Miniatures in Kettering.
The gilt Art Nouveau tea set, featuring a copy of a Royal Doulton leaves pattern, comes from a larger tea set which has been hand decorated by beautifully Handmade Miniatures in Kettering as well.
The ornate white plaster fireplace with its wide mantle, the fire screen in front if it, and the hand embroidered pole fire screen to the left of the fireplace, the black leaded fire surround and brass fire tools also come from Kathleen Knight's Doll's House shop in the United Kingdom.
The grey marble French barrel clock on the mantlepiece is a 1:12 artisan miniature made by Hall’s Miniature Clocks, supplied through Doreen Jeffries Small Wonders Miniatures in England.
The two ornate fluted Victorian ruby glass vases standing to either side of the clock between the New Year cards are artisan miniatures made of real spun glass and came from Kathleen Knight's Doll's House shop in the United Kingdom.
The family photos on the mantlepiece and on the walls are all real photos, produced to high standards in 1:12 size on photographic paper by Little Things Dollhouse Miniatures in Lancashire. The frames are from various suppliers, but all are metal.
The four miniature silhouettes featuring a Georgian era gentleman and lady, and two top hatted Victorian gentlemen come from Lady Mile Miniatures in the United Kingdom.
The central portrait of an old Victorian woman in its gold frame also comes from Kathleen Knight's Doll's House shop in the United Kingdom, whilst the Regency portrait of the gentleman to the right-hand side of the photograph was made by Maria Makes Miniatures in the United Kingdom.
The wallpaper is William Morris’ ‘Poppies’ pattern, featuring stylised Art Nouveau poppies. William Morris papers and fabrics were popular in the late Victorian and early Edwardian period before the Great War.
The miniature Victorian style rug on the floor is made by hand by Pike and Pike in the United Kingdom.
“The Eye Moment photos by Nolan H. Rhodes”
“Theeyeofthemoment21@gmail.com”
“www.flickr.com/photos/the_eye_of_the_moment”
“Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws.”
“The Eye Moment photos by Nolan H. Rhodes”
“Theeyeofthemoment21@gmail.com”
“www.flickr.com/photos/the_eye_of_the_moment”
“Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws.”
i have these really cool pods vinyl decals above my piano so i decided to replicate them as an embroidery design. stitched out on linen for a cosmetic bag. yummy!
www.meringuedesigns.net/products/30-pods.aspx Can be purchased here
Headed out to the south pier again tonight. Was fairly foggy when I got there but it cleared along the shore so I was able to capture this mirror image of Big Red in the water. A very calm still night.
This week in 2013, the High-Energy Replicated Optics for Exploring the Sun, HEROES mission, a collaborative effort between NASA's Marshall Space Flight Center and Goddard Space Flight Center, launched aboard the Columbia Scientific Balloon in Fort Sumner, New Mexico. An advanced version of NASA's High Energy Replicated Optics telescope, HEROES was designed to investigate the scale of high-energy processes in a pulsar wind nebula by mapping the angular vortex of hard X-ray emission; the acceleration and transport of energetic electrons in solar flares using hard X-ray imaging spectroscopy; the hard X-ray properties of astrophysical targets such as X-ray binaries and active galactic nuclei; and electron acceleration in the non-flaring solar corona by searching for the hard X-ray signature of energetic electrons. Here, the HEROES payload awaits launch as the Columbia helium balloon inflates. The NASA History Program is responsible for generating, disseminating, and preserving NASA's remarkable history and providing a comprehensive understanding of the institutional, cultural, social, political, economic, technological and scientific aspects of NASA's activities in aeronautics and space. For more pictures like this one and to connect to NASA's history, visit the Marshall History Program's webpage.
Image credit: NASA
The challenge this week was to take an aerial view. No mean feet when you do not have a drone so I had to think out of the box.
This photo was taken on my trip into the Bell Tower of the town Hall. I wanted to replicate an old picture post card book of Market Square Braintree that was taken from the bell tower of the town hall around 1928.
I am a firm believer that if you don't ask you don't get, so a quick phone call the manager and to my surprise they said "YES".
Thank you to Braintree Town Hall for making this unique view of Braintree possible and allowing me to take this recreation photo possible.
It is truly very much appreciated.
The moral of this photo is "If you don't ask, You don't get." They can always say No however you may just be surprised with the answer.
Thank you.
...STATE PROPERTY
TRESPASSERS WILL BE
PROSECUTED
Model: Yun; Photo: me
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This image is copyrighted to Zhang Jingna; Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws as well as contract laws (for which 3rd parties which are involved may take joint action with me against you). Please write to me at zemotion@zemotion.net for express permission to use any of my works.
Stop snorting that Smartdust, with its nanosensors, nanobots, and other nanodevices! Stop snorting that Neural Dust, it’s really a brain-computer interface! You need help! You need an intervention! Do you really want Programmable Matter flowing through your veins, with its nano-grained computing elements that use light, temperature, vibration, magnetism, and chemicals to send wireless messages to computer networks outside your body? Do you want semiconductor technology, nanotechnology, and self-replicating machine technology to build nanostructures inside you? Do you want to be a nano-ecosystem run by an All-Seeing Eye Smartchip that is imbedded in your forehead? Do you want to be part of the Internet of Bodies, the transhuman computer network of zombies, which is hooked up to the Super Quantum Beast Computer Network? Do you want to be a transhuman host of the Beast parasite?
Let’s roll out 6G and turn these useless eaters into transhuman batteries, into transhuman computers and data storage systems that will be linked to the Beast Smart Grid. Indeed, they will be under the all-seeing eye of lucifer’s false christ—the Beast. Then he will be all seeing, all knowing, and all powerful—a cheap imitation of the true God…bahahahaha!!
The Book of Revelation: Prophecies about an Economic Social Credit Score System, Transhumanism, and Artificial Intelligence.
Economic Social Credit Score System: You will not be able to buy or sell without the Mark of the Beast.
Transhumanism: The Mark of the Beast.
Artificial Intelligence: Life was given to the Image of the Beast, so that the Image could speak and cause all who refused to worship the Image to be killed.