View allAll Photos Tagged replicator
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This image is the copyright of © Neil Holman. Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws. Please contact me for permission to use any of my photographs
LMS Stanier Princess Coronation Class 4-6-2 46233 "Duchess of Sutherland" approaches Twyford station with a Southend to Gloucester "Cathedrals Express" charter. The locomotive has recently had a yellow stripe added to its cabside, replicating the 1960s when this was used to denote that the locomotive was barred from travelling under the overhead electrification wires south of Crewe. It is seen here flouting those rules on the newly electrified Great Western Main Line...
Amidst a scene replicable across all 4 corners of the Hawkeye State and everywhere in between, a trio of Fallen Flag units from two great American legacies glide on a sea of endless corn into the evening sun. The year is 2021, be but it feels a lot more like 1996 on this perfect summer evening in Eastern Iowa. Two rare birds, a 'J-Ball' SD38 and an OLS GT GP38-2, follow behind a classic corporate GT Geep in a seemingly improbable combination of 20th century gems. The trio remained intact for just two days, but provided one hell of a run to chase
Dyersville, IA
July 1st, 2024
A bit of a crop to highlight the details of the scene. Certainly a fantastic replication of the Naval Ship.
This was for my Spanish class , and it is a replication of this painting by Joan Miro who was a spanish surrelist artist , this is the original by him:
www.tracykobus.com/global/images/email/june/miro.jpg
When i was painting it , I ended up painting it upside down and i noticed that when i looked up the painting again . So after i took the shot of it , i had to rotate it . I messed up in a lot of places , but my painting is due pretty soon so i didn't have time to fix it
I love this car- the ex-Chris Evans Fiat 126 Abarth 'replica'. Except it's not a replica as a real version was never made. A true one off in a befitting condition.
_____
» LongExposures website and blog
This image is the copyright of © Neil Holman. Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws. Please contact me for permission to use any of my photographs
This image is the copyright of © Neil Holman. Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws. Please contact me for permission to use any of my photographs
“The Eye Moment photos by Nolan H. Rhodes”
“Theeyeofthemoment21@gmail.com”
“www.flickr.com/photos/the_eye_of_the_moment”
“Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws.”
Austria, vicinity of Graz on the road leading to Marburgo (Slovenia), 12.00 hours
Nato special forces have been alerted by EFU soldiers but everything is too peaceful,
on that road at that point had to find an important load but strangely there was nothing.
Credits go to Andrew Somers (I have tried to replicate one of his creations, so hard and so complicated totally amazing)
Here are links to all my socials. Give them a look ! Links
Nearly replicating my shot from the 3rd, KCS Train M-VNKC-18 rolls south from Sheffield on the KCS Pittsburg Sub. headed for IFG at Grandview. There they'll shove their intermodal on the rear into the ramp, and run around the manifest traffic before dragging it back north to KCS Knoche Yard.
Normally I would have selected a different angle since I did almost an identical shot of the Rex Kwon Do unit here recently, but my accomplice this day hadn't shot this engine yet, and it's a pretty solid go-to angle. Plus, you never know when you'll get lucky with an over/under on the Sheffield Flyover in the distance.
Locomotives: KCS 4006, EMDX 7205
2-19-20
Kansas City, MO
Ink and acrylic marker on paper 9.85" x 13.85" March 23, 2026. www.saatchiart.com/art/Drawing-Self-replicating-Autonomou...
“Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws as well as contract laws.”
“The Eye Moment photos by Nolan H. Rhodes”
nrhodesphotos@yahoo.com
Ink and acrylic marker on paper 6.75" x 9.75" 7.2025. www.saatchiart.com/art/Drawing-Self-replicating-Surface-P...
So difficult to replicate the true colour of this gorgeous, soft, pale pink hyacinth. Hope this is as close as it is. I just couldn't manage to quite get the softness and the fragrance !
Edited in Topaz and lightly texture in PicMonkey. Hope you like it.
I can't keep up with you all ... but please know that you're all so appreciated and wherever you are, I wish you a wonderful week ahead.
Thank you for your support, everyone. I would prefer not to receive multiple invites, as I feel impolite if I don't take them up !
and since I picked up groundskeeper Willie the other day. when I found this image on Google that was a nice little image to replicate.. I don't know the episode itself so if somebody knows the episode n wants to chime in?? but there some kind of confrontation going on
This is my attempt at replicating the Pagani Zonda Cinque in LEGO bricks. The Zonda is one of my top 5 favorite cars, so I had to include one in my LEGO collection. This is actually my third attempt at building the Zonda (see my previous versions here and here). With this version, I think I've improved the overall shape of the car by increasing the width at the rear of the car to 17 studs (the front of the car is 16 studs wide).
As you can see, this creation was inspired by Firas Abu-Jaber's own Zonda. I tried to replicate the Zonda's shape using different methods from Firas' Zonda, but in the end some areas, such as the front simply could not be made better (Firas' version is near perfect).
Also, if anyone has a set of Ferrari FXX rims and is willing to sell, please let me know (prices on Bricklink are so high for this piece)! Those rims would look a lot better on this car than these silver ones I have.
The Nossa Senhora do Brasil Parish is one of the most elegant temples in the capital of São Paulo, inspired by temples from Minas Gerais and with an interior reminiscent of beautiful Portuguese churches. It has ceramic tile panels reminiscent of Saint Basil's Church in Moscow, and the balustrade of its towers resembles Muslim minarets. The ceiling panels replicate the ceiling of the Sistine Chapel. Inside is the carved wooden main altar that belonged to the Church of Sant’Ana de Mogi das Cruzes, with an estimated date of 1740, according to the French writer Germain Bazin in his work L’Architecture Religieuse Baroque au Brésil.
A Paróquia Nossa Senhora do Brasil é um dos templos mais elegantes da capital de São Paulo, com inspiração nos templos mineiros e com um interior que recorda belas igrejas portuguesas. Possui painéis de pastilha cerâmica que lembram a Igreja de São Basílio, em Moscou, e a balaustrada de suas torres remete a minaretes muçulmanos. Os painéis do teto reproduzem o teto da Capela Sistina. No seu interior encontra-se o altar-mor de madeira entalhada que pertenceu à Igreja de Sant’Ana de Mogi das Cruzes, com data estimada de 1740, de acordo com o escritor francês Germain Bazin na obra L’Architecture Religieuse Baroque au Brésil.
La Parroquia Nossa Senhora do Brasil es uno de los templos más elegantes de la capital de São Paulo, inspirado en los templos de Minas Gerais y con un interior que recuerda a las hermosas iglesias portuguesas. Tiene paneles de azulejos cerámicos que recuerdan a la Iglesia de San Basilio de Moscú, y las balaustradas de sus torres recuerdan a los minaretes musulmanes. Los paneles del techo reproducen el techo de la Capilla Sixtina. En su interior se encuentra el altar mayor de madera tallada que perteneció a la Iglesia de Sant’Ana de Mogi das Cruzes, con fecha estimada en 1740, según relata el escritor francés Germain Bazin en su obra L’Architecture Religieuse Barroco au Brésil.
La Parrocchia Nossa Senhora do Brasil è uno dei templi più eleganti della capitale di San Paolo, ispirato ai templi di Minas Gerais e con un interno che ricorda le bellissime chiese portoghesi. I suoi pannelli in piastrelle di ceramica ricordano la chiesa di San Basilio a Mosca, e la balaustra delle sue torri ricorda i minareti musulmani. I pannelli del soffitto replicano il soffitto della Cappella Sistina. All'interno si trova l'altare maggiore in legno intagliato che apparteneva alla chiesa di Sant'Ana de Mogi das Cruzes, la cui datazione è stimata al 1740, secondo lo scrittore francese Germain Bazin nella sua opera L'Architecture Religieuse Byzantine au Brésil.
La paroisse Nossa Senhora do Brasil est l'un des temples les plus élégants de la capitale de São Paulo, inspirée des temples du Minas Gerais et dont l'intérieur rappelle les belles églises portugaises. Ses panneaux de carreaux de céramique rappellent l'église Saint-Basile de Moscou et la balustrade de ses tours ressemble à des minarets musulmans. Les panneaux du plafond reproduisent le plafond de la chapelle Sixtine. À l’intérieur se trouve le maître-autel en bois sculpté qui appartenait à l’église de Sant’Ana de Mogi das Cruzes, datant d’environ 1740, selon l’écrivain français Germain Bazin dans son ouvrage L’Architecture religieuse baroque au Brésil.
Die Nossa Senhora do Brasil Parish ist einer der elegantesten Tempel in der Hauptstadt São Paulo, inspiriert von Tempeln aus Minas Gerais und mit einem Innenraum, der an wunderschöne portugiesische Kirchen erinnert. Die Keramikfliesen erinnern an die Basilius-Kirche in Moskau und die Balustrade der Türme erinnert an muslimische Minarette. Die Deckenpaneele sind der Decke der Sixtinischen Kapelle nachempfunden. Im Inneren befindet sich der aus Holz geschnitzte Hauptaltar, der zur Kirche Sant’Ana de Mogi das Cruzes gehörte und laut dem französischen Schriftsteller Germain Bazin in seinem Werk „L’Architecture Religieuse Barock au Brésil“ auf das Jahr 1740 geschätzt wird.
De parochie Nossa Senhora do Brasil is een van de meest elegante tempels in de hoofdstad van São Paulo, geïnspireerd op tempels uit Minas Gerais en met een interieur dat doet denken aan prachtige Portugese kerken. Het heeft keramische tegelpanelen die doen denken aan de Sint-Basiliuskerk in Moskou, en de balustrade van de torens lijkt op islamitische minaretten. De plafondpanelen repliceren het plafond van de Sixtijnse Kapel. Binnenin bevindt zich het uit hout gesneden hoofdaltaar dat toebehoorde aan de kerk van Sant'Ana de Mogi das Cruzes, met een geschatte datum van 1740, volgens de Franse schrijver Germain Bazin in zijn werk L'Architecture Religieuse Barok au Brésil.
تعد أبرشية نوسا سينهورا دو برازيل واحدة من أكثر المعابد أناقة في العاصمة ساو باولو، وهي مستوحاة من معابد ولاية ميناس جيرايس وتتميز بتصميم داخلي يذكرنا بالكنائس البرتغالية الجميلة. تحتوي على ألواح من بلاط السيراميك تذكرنا بكنيسة القديس باسيليوس في موسكو، ودرابزين أبراجها يشبه المآذن الإسلامية. تحاكي ألواح السقف سقف كنيسة سيستين. يوجد في الداخل المذبح الرئيسي الخشبي المنحوت الذي كان تابعًا لكنيسة سانت آنا دي موجي داس كروزيس، ويقدر تاريخه بعام 1740، وفقًا للكاتب الفرنسي جيرمان بازين في عمله L’Architecture Religieuse Baroque au Brésil.
ノッサ セニョーラ ド ブラジル教区は、サンパウロの首都で最もエレガントな寺院の 1 つで、ミナス ジェライス州の寺院からインスピレーションを得たもので、美しいポルトガルの教会を思わせる内装が施されています。モスクワの聖ワシリイ教会を思わせるセラミックのタイルパネルがあり、塔の欄干はイスラム教のミナレットに似ています。天井パネルはシスティーナ礼拝堂の天井を再現しています。内部にはサンタナ・デ・モジ・ダス・クルーゼス教会に属していた木彫りの主祭壇があり、フランスの作家ジェルマン・バザンの著作『L’Architecture Religieuse Baroque au Brésil』の中で、推定年代は 1740 年であると述べています。
**COMPUTER GENERATED IMAGE**
An edit of Stagecoach London Enviro200MMC 36659 (SN17MLZ) into the Stagecoach London colours that were seen on Darts and Tridents between 2000 and 2005 before Macquarie Bank took over operations until 2011.
As soon as I saw this ship earlier this year during the first teases for The Mandalorian, I knew I had to build this ship.
I've made a few compromises in my design- the angles were pretty difiicult to replicate accurately while mainting a structurally sound model and I couldn't find quite the right canopy to represent the cockpit.
I'm really happy with the yellow smattering of paint around the door and the landing gear I managed to fit in (which was not an easy task!).
I think people will be unhappy about the scale- there's no space for Baby Yoda in the cockpit, but compared to my other models, and a minifig, I really like the scale. Recreating the exterior as accurately as could was a higher priority than the interior. This is the way.
Replicating the sort of small station scenes of Scottish branch lines, No. 55238 crosses over into the loop with a local pickup goods while freshly overhauled No. 80105 awaits the road to clear towards Polmont.
“The Eye Moment photos by Nolan H. Rhodes”
“Theeyeofthemoment21@gmail.com”
“www.flickr.com/photos/the_eye_of_the_moment”
“Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws.”
Νίκος Εγγονόπουλος - "Τα βάσανα της αγάπης" - απόσπασμα
"Καθώς ανέμισαν
τα μαλλάκια της
έτσι μπροστά στα μάτια μου
λες και σαν ξαφνικά να ξύπνησα
και για πρώτη φορά
την είδα
-και την επρόσεξα-
την ωραία
νεαρή κόρη
με συνεκίνησε
η αρμονία των κινήσεών της
η ραδινότης των μελών
του κορμιού της
η γοητεία του βλέμματός της
η απαλή στρογγυλάδα
των μαστών της
η όλη χάρη τέλος
που ανεδίδετο
απο το κομψό ολόδροσο
πλάσμα"
A view of the replicated Woodward's W seen from the George Viaduct.
Charles A. Woodward opened his first store in Vancouver on Main Street in 1891.
Woodward’s moved to new larger store on West Hastings Street in 1903. Woodward's department store became the place to shop and was at the centre of then Vancouver’s premier shopping district.
The store was renowned for its Christmas window displays, the huge basement food court and the popular $1.49 Tuesday sales with it's kitschy jingle.
The iconic Woodward's "W" was installed on top of a pint-size replica of the Eiffel Tower in 1944.
Woodward's went bankrupt in 1993 and building sat empty until a redevelopment plan surfaced in the early 2000’s.
The "W" neon sign was removed before most of the building was demolished in 2006. The “W" was replicated and re-installed January, 2010 on the remaining heritage protected old building.
The original W is displayed in the open area between the SFU campus and new Woodward's residential tower.
This image is the copyright of © Neil Holman. Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws. Please contact me for permission to use any of my photographs.
© All rights reserved. This image is copyrighted to Tim Wood; Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws. Please contact me at woodrot147@aol.com for express permission to use any of my photographs.
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This image is the copyright of © Neil Holman. Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws. Please contact me for permission to use any of my photographs.
Hello everyone.
This is a replication of a still from a piece of footage I found.
Have a nice day. :)
It was a true pleasure and an absolute delight to work with, Belinda and Paul. Of the 3 sketches I made, Belinda loved this design which replicated the detailing on her dress. Top and bottom tier (each tier 5 inches tall) were kept simple with scattered edible pearls, in order to highlight the middle tier. The middle tier (8 inches tall) had handmade fondant drapes highlighted with pearl luster and embellished with fondant ruffle flowers with pearl centres. I loved the way the cake looked when it was finally setup at the gorgeous venue of Burnham Grove @ Camden.
Congratulations once again Belinda and Paul, and Thank you for letting us be a part of your special day.
The Cake: Fondant ivory finish.
Top tier: Light and moist coconut cake layered and iced with Belgian white chocolate ganache. Belinda and Paul had this kept away for the next day to share with their family at brunch.
Middle tier: Belgian triple chocolate mud, layered and iced with Belgian dark chocolate ganache.
Bottom tier: Delicately spiced carrot cake, layered and iced with Belgian white chocolate ganache.
So this started as me trying to replicate Inthert's version of bricksfeeder's TIE fighter cockpit. It sort of grew from there into . . . this.
I think I was trying to replicate the picture below that I took a few years ago, but it just wasn't happening for me, and then these two came along.
But that is the great thing about these "Outdoorshow" events. You don't need to be a steam buff or a train spotter to enjoy them. If you are interested in photography there are rich pickings amongst the diverse type of people and families attending: Cute kids, people of all generations. And there are machines galore: huge smoking and steaming traction engines, vintage trucks, cars and motorbikes and even a vintage steam powered funfair. On the periphery are trade and junk stalls and all manner of other entertainments. Amongst the crowds there are the good looking, ugly, old and young, strange, dirty men and dirty women (from coal and oil.....but possibly a few without those too). And even the unusual and quirky are there too.
On a sunny day these events area great day out for all the family. For more pictures see www.flickr.com/photos/pentlandpirate/albums/7215765672975...
This is an image I've conjured up in my mind ever since I saw it over last summer, and so wanted to replicate it and finally had the chance last week. Not good lighting, crowded habitat but did quite an array of images, for me it was very exciting to see an image unfold you've been longing for. The story is a little long folks............sorry, thanks for stopping by and have a great MLK day.