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Entry ramp just beyond the plywood. I think I heard that the plywood will be replaced by a glass railing.
I find Guinness the best thing to take after giving blood, no tiredness next day, works better for me than iron tablets.
I replaced half of the ground beef with spicy Italian sausage and added some sauteed Poblano and banana peppers.
www.esaet.com/item/533/refurbished-toner-to-replace-dell-....
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"Our current society has replaced all reality and meaning with symbols and signs" Jean Baudrillard
In the Polaroid-Photography there is only one original and no more copy. It is just as with memories. Two people can never have exactly the same. This limitation makes it extra ordinary. And that's the major difference between a real Polaroid and a digital Instagram. So if you had the choice, what would you take? Remember, you are an original and no copy.
Original article and morer via timelockin.wordpress.com/2012/07/19/polaroid-sx70/
After the electric streetcar "lines" were shutdown, they were almost always replaced with internal combustion bus "routes".
Sometimes the bus route was altered from the previous path the streetcar took, due to traffic patterns, ridership, and other details.
Also, the number of the bus route usually, *but not always* kept the same number as the streetcar route before it. Some lines were consolidated, lengthened or truncated, and numbers were retired, new numbers issued.
The bus routes were also issued prefix letters that denoted the borough in which it operated:
B for Brooklyn,
Bx for the Bronx,
M for Manhattan,
Q for Queens and
R for Richmond, which was later changed to S for Staten Island (pretty much because no City resident ever called it "Richmond" - it was Staten Island!)
X was used for Express Bus routes, which almost always were between Manhattan and another borough.
Of these, the Express Buses are my favorite. I'd like to find X29 transfers, as that was the route my mother took when she commuted between Brooklyn and Manhattan.
On July 4, 1986, a one day special issue of bus transfer was issued citywide for the 100th Anniversary Celebration of the Statue of Liberty, and carried a single color image of the Statue.
While I don't usually collect from other boroughs other than Brooklyn, several have made their way into my albums over the years...
Printed on cheap pulp paper, the early issues (ca. 1950's to 1980's) were dyed in several colors. I've yet to discern what each color meant, if anything. So far I've seen pink; orange; green; undyed / beige; and blue.
Sometime in the 1980's, they transfers were then standardized to just orange and blue, to denote opposite directions of travel.
Park partner employees replace a radio transmitter on a Mojave Desert tortoise in Joshua Tree National Park.
Joshua Tree National Park works with park partners who are permitted to handle Mojave Desert tortoises within the park for conservation purposes. These images show approved handling and is NOT permitted for visitors.
Images are free and available to download for personal and educational use. A credit to the photographer and the National Park Service (NPS) is mandatory ie: “Photo: NPS/Employee Name," or “Photo by NPS.” if the employee name is not known.
NPS / Marielle Scott
Alt Text: A desert tortoise on a Folgers coffee can getting its transmitter replaced.
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Will the Carney Liberals replace torn down historic statues, and will they replace the many historic churches that were burnt to the ground by arson since the Trudeau Liberals last formed their Government in 2019, and will they be initiating security measures to protect against these crimes and this kind of hate ?
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Unfortunately, after proudly standing for 88 years as the main attraction in Cornwallis Park this iconic landmark, artifact and treasured piece of history was suddenly ordered taken down by the Mayor and then hidden from public view ?
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btw, where can one view the statue now ?
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Remember when all Halligonians mattered ?
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Cornwallis Statue
Approx 7 years ago, a democratic elected HRM Mayor and Council took a hastily called very quick private vote ? The vote was taken behind closed doors in a City Hall back room in a surprise, unannounced and very private meeting that had excluded citizens of Halifax ? And then, less than 24 hours following this hastily called highly important vote, a crew of city outside workers armed with hand tools and cutting torches was seen frantically speeding in bucket truck vehicles towards Cornwallis Park as they desperately clutched onto their official work orders signed by Mayor Savage instructing them to immediately and without prejudice rip down an iconic Statue that had stood proudly as the most beloved and admired monument in the City up until now, and had always been steadfastly protected, preserved and meticulously maintained by the good citizens of Halifax every day for the last 88 years ? It was also ordered that once this grand Old Testament to Haligonian history was freed of its ancient rusted support bolts and brackets and was no longer secured to its longtime weathered stone pedestal, that the fallen relic must then be completely covered and loaded onto a nearby waiting city flatbed garbage truck for transport to an unknown location where it is to be kept hidden away from all public view ?
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The true history of Cornwallis shows that he's more victim than villain nationalpost.com/opinion/the-true-history-of-cornwallis-s...
John A. MacDonald saved more Indigenous lives than any other prime minister
www.youtube.com/watch?v=2CzYt-3s9rM
Sept 19, 2007 - The Steven Harper Government apology, agreement and settlement with First Nations regarding the alleged Indian Residential Schools debate.
www.rcaanc-cirnac.gc.ca/eng/1100100015576/1571581687074
Lunenburg NS - Now even the name Queen is deemed inappropriate ? Due to complaining, Lunenburg recently changed the name of Cornwallis Street to Queen Street. Queen was first choice in a town survey taken to select a new street name. But then the town received another complaint from the local anti-racism committee to say they are extremely disappointed by a democratic decision that will only replace one colonial street name (Cornwallis) with another, (Queen ) ?
www.msn.com/en-ca/news/canada/ns-town-that-changed-cornwa...
Oct. 13, 2024 - Mayor Mike Savage rewarded for allegiance to Justin Trudeau. Trudeau appoints Mayor Savage as a new lieutenant-governor of Nova Scotia, atlantic.ctvnews.ca/prime-minister-announces-mayor-mike-s...
A Mayor Savage legacy, Jul 10, 2024 - A by-name list that tracks people experiencing homelessness in Halifax has also grown to 1,316 people. Halifax council approves 9 new sites for homeless encampments.
www.cbc.ca/news/canada/nova-scotia/halifax-council-approv...
Nov. 16, 2024, Halifax heritage lost forever- Halifax has lost 87 per cent of its heritage buildings. City will soon be unrecognizable,
atlantic.ctvnews.ca/heritage-lost-halifax-has-lost-87-per...
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The Cornwallis Statue, 7th Anniversary ,
www.flickr.com/photos/74039487@N02/54289893863/in/dateposted
P. M. Trudeau cancels celebrations on Canada Day ! Singh accuses Canada of Fiest Nation genocide ! Over a Hundred historic Christian Churches burned down by arson or badly damaged. Statues and artifacts are torn down by angry mobs all across Canada. Billions of dollars paid out to First Nations in civil suits. Strict denial laws are about to be enacted in Parliament ? And yet no actual bodies have ever been found ? c2cjournal.ca/2023/12/grave-error-correcting-the-false-na...
Canada Votes, Election 2025 - If the Liberals are re-elected, will the Carney/Liberals be replacing all the damaged and torn down Canadian historical artifacts and rebuild all historic churches that were burnt to the ground by arson since the Liberals formed the last Government in 2019 ?
www.flickr.com/photos/74039487@N02/54411056235/in/dateposted
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May 27, 2025 - .Sir John A. Macdonald statue at Queen's Park to be uncovered after 5 years
www.cbc.ca/news/canada/toronto/sir-john-a-macdonald-statu...
Feb 5th, 2026 - fake history ? Residential Schools, 4 years multi millions spent, and zero bodies found ?
quillette.com/2026/02/05/no-bodies-no-accountability/
Lost in Space________Episode # 1_______Death to Deniers !
Danger - Will Robinson, Danger ! Sensors detect the thought-police ?
These fine ladies want prison sentences handed down to individuals who dare to be themselves and to think differently from them calling anyone with a different opinion from theirs a denier or hater ?
No one can deny the existence of residential schools. And so why are an infinitesimal tiny minority like Leah Gazan (NDP), Lindsay Mathyssen (NDP), Nahanni Fontaine (NDP) and Kimberley Murray (Liberal Government investigator) so dissatisfied and why are they trying to force their own radical ego-driven personal viewpoint based on unproven allegations on everyone else ? Why do they want you to think the same way that they think, believe in the same way that they believe, and be forced by law into accepting their individual self-centred and self-serving narrative, (that they get paid to expound) as being Gods' truth, and if you dare resist them you are then to be called a hater and a denier and a criminal that could be sent to jail for up to life in prison under the law enshrined in their new Bill C-63 or C-9 ?
www.youtube.com/watch?v=ZZU7NEzs3Gk
Trump protecting historic statues - enacts 10 years in jail penalty for harming or defacing historical statues,,
www.cbsnews.com/video/trump-signs-executive-order-enactin...
Was it a hoax ? Residential schools. After three years of searching for bodies, at the cost to taxpayers of $216.5 million, not a single set of human remains have been found.
thecatholicherald.com/article/failure-to-find-bodies-ends...
Calgary, January 30, 2026 - " We must celebrate rather than tear down our proud history " 32:07 Pierre Poilievre honours our brave pioneers and the generations who came before us to build a wonderful Country for all to have and enjoy as he addresses the Conservative policy convention," We must celebrate rather than tear down our proud history "
www.youtube.com/watch?v=dfUTSi4iXFs
Closed museums, torn down statues, are all erasing a peoples' proud history ? March 04, 2026 - Halifax Nova Scotia - P. C. Provincial Government minimizes the importance of preserving the Provinces history and dismisses those who strive to preserve, protect, honor and record it ? Artists, cultural and heritage workers, arts organizers, and their allies rally in Halifax over the latest Tim Houston PC worst in history 130 M cuts to the essential funding needed for arts, culture, tourism, and heritage sector programs ?
www.youtube.com/watch?v=XQjKntnV55c
www.flickr.com/photos/74039487@N02/55129846907/in/dateposted
Mar 10, 2026 - Following a loud public outcry, the Premier agrees to restore some of the funding cuts made. The disabled, some seniors, some first nation Indigenous, and ( although we just finished celebrating Black History for a Month ) also the African Nova Scotians granted reprieves and will have funding RESTORED, But the arts, culture and heritage community will NOT be getting their CUTS IN FUNDING back ?
www.cbc.ca/news/canada/nova-scotia/tim-houston-budget-cut...
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This is to replace the Mixed Sushi that's supposed to come with the lunch set.... Personally, I don't like rice too much... i will end up feeling uncomfortable... so they replaced the sushi with this Pork dish....
Personally, I think it's a lack of heart that had created this dish... there is another dish in the menu which is Grilled japan black pork with welsh onion... Personally, I would VERY VERY much prefer they served this grilled, or not served it at all. The welsh onion, on the hand is perfect, love the sweet and "spicy" flavour of it.
2021 McGraw-Hill Building replacing windows - 42nd St NYC refurbished New York City green blue tile Art Deco buildings architecture McGraw Hill Midtown Manhattan McGrawHill forty-second Street penthouse office buildings publishing magazine magazines rooftop sign penthouse forty second 03/02/2021 bldg blue sky March
Ron Rancid of the Nihilistics suggestively narrating the guitar player's replacing the guitar string...
I just replaced my molcajete which had been lost last year during my move back to Texas. It’s basically a mortar and pestle but it is hand carved from volcanic stone. Pretty much any kitchen in Mexico or the Southwestern United States has one.
A molcajete is used to grind/crush spices and vegetables. Crushing spices and such brings a taste to the game that you don’t get by running the same items through a food processor. The crushing process brings out the natural oils in things that you don’t get by running them through a blender. I spent a few hours the other day curing/seasoning my new molcajete as it was brand new. Today was the day to christen it by making a batch of jerky.
I wanted to make a batch of super hot and spicy jerky. So hot and spicy that anyone who tries a piece will rue the day that they met me. So spicy and hot that they will look down at the ground and spit whenever my name is mentioned! The kind of jerky that makes one think, “I am damned for all time!”
My beautiful friends on the jerky group are always asking for recipes, so here it goes. God save us all!:
I procured 14 pounds of meat. That weight would require about 6 cups of liquid. I went with my standard 50/50 mix. I used 3 cups of vinegar (red wine vinegar this time) and I was going to use 3 cups of Dr. Pepper for the other half. However, seeing as I was using a molcajete, I went with Mexican Coca-Cola instead.
I procured some Serrano peppers, plenty of habanero peppers, fresh garlic, and a white onion. All, I believe products of Mexico.
First, I chopped up the white onion and ground it to a paste in the molcajete. After transferring the paste to a container, I diced about 5 or 6 Serranos (keeping the seeds and all the insides. Again, ground to a paste and transferred to a container.
Then, I took about 14 habaneros, cut off the stems, diced, and ground them to a paste. Transferred.
Followed by a handful of fresh garlic roughly diced. Again, crushed to a paste.
I looked in my spice collection and found some mustard seeds and cumin seeds. Threw them into the molcajete and ground them to a slurry. The smell of grinding whole spices is amazing.
After combining the spices with the six cups of liquid, I added about 1/2 cup of brown sugar and Prague curing salt. I was going to add honey, but they had bourbon barrel aged maple syrup at the grocer’s. How could I say no to that? I used about 1/2 cup.
I performed my typical, “Taste a teaspoon” of the completed marinade. It was sweet. It was painfully hot. If eternal damnation has a flavor, this would be it!
I’ll let the meat marinade for about 18 hours and “get ‘er done!”
WARNING: Don’t wear contacts or plan on wearing contacts for a day or so after doing something insane like this! Even after washing my hands I rubbed my forehead and it started to burn. It’s a good burn.
Heather is so awesome (: She re-did the entire studding on the back of the jacket. I love her updates to my phone!
Backrounds
Kudzanai Violet Hwami -
I looked at the Zimbabwean/South African artist Kudzanai Violet Hwami work which reveals a deeply personal vision of southern african life . She draws on her experiences of geographical dislocation and displacement, her paintings combine visual fragments of images, they collage the past and the present. She expressed her cultural displacement. It is a concept that describes the process of a culture either being physically separated from its roots or having the imposition of another culture eclipse and or replace that culture. In Kudzanai Violet Hwami's smaller series called ‘speaking in tongues’ this is referencing Shona spirituality, while also referencing the square images that dominate social media, providing a perfectly “curated” glimpse of a home away from home. This comments on both displacement and an attempt at reconciliation, reflecting on lived experiences as well as family photographs.
I have taken a collection of pictures that depict the life of Zimbabwe and fragments of this to better explain the remanisant that fell from being displaced from these places. Hwami’s pieces are what she remembers from her time being in Zimbabwe and South Africa and the memories that these hold even though she had to leave. Her piece with the man on the back of the truck is typical of what to expect in Zimbabwe, wearing his blue suit showing that he is possibly a groundsman and is going or coming from work sitting at the back of a run beat car. The picture appears to have a post card marking as if it is going to be sent to a relative. I have taken this inspiration from her pieces and transpired it into mine creating that home away from home perspective, that my sister would better resonate with.
Hwami recent works in her exhibition “gas chambers embodies a personal search by layering digital collages produced on an iPad, and become the starting point for her larger scale canvases that reflect on a specific role of meditation taken by digital technology and online communication in the everyday lives of diasporic subjects. Her works overlap these narratives that begin to combine stories providing a personal take on representation of not only the black bodies but gender while raising questions about familial roots and displacement. I deeply wanted to evoke this through my works whereby i used her sames techniques in creating a smaller digital canvas that would be transpired into a larger scale painting as she points out is like right in your face when you enter her exhibition which is what she wanted to communicate thus placing my works on a singular page speaks of this volume.
Digital pieces that evoke this feeling of home away from home in a series of photos.
Mukudzei Muzondo-
“I want to explore how migration affects both the person moving and those they leave behind.”
In an article featuring mukudzei muzondo, he mentions the issue of people leaving Zimbabwe in search for a better life. That ‘ In 2002, Zimbabwe’s Population and Housing Census recorded that, at time of counting, 908 000 of its citizens had left the country—— 84% emigrating in search of employment, education and training. Of the population of 16 million, over a third are now living abroad.’ Born in 1983 in Kwekwe though recently swam against the migration tide by swapping urban downtown Harare to Marondera.Mukudzei has been using his experience of home and abroad to explore what he calls the “state of being” —what it is to exist as a human being within societal and political spaces. He typically uses his own silhouette in his paintings as “it's my way of representing the society that I'm in — a society that is changing as more and more Zimbabweans leave the country…wanting to explore these transitions that affect both the person and those they leave behind.” He creates a passageway that shows the journey through life in where he is coming from and where he is going. Displacement has the same effect showing it's the same journey as well, though in this case it is the searching for a safe place to move.
While some of his pieces reflect an immigrant's journey, others embody the solitude of leaving one's home country. He shows long figures standing at the end of a corridor, the eye drawn to the furthest point by carefully calculating lines of perspective. He writes that “when one leaves their country there is much loneliness, so much uncertainty about where you are going and what’s going to happen,” and therefore writing these emotions down evokes a more emotional and personal feel to the pieces. Muzondo uses old-school screen-printing techniques as the base of artwork. This therefore makes it not accurate all the time and gives every piece made in this way unique and having no common structure therefore invoking a whisper on what he is wanting to convey rather than it be blatant. ‘Gateways/ mikova’
This was interesting in better exploring my ideas and connecting this to the rising diaspora in Zimbabwe as a second view to the wider topic of displacement. This correlates with my topic in the way that it voices the concerns of one leaving their home. I've created my own prints where I use the silhouette of my sister who has left for university, and applying piles of book and paper prints emulate this.
I have created small collages of multiple school papers that would mimic my bigger project that I was going to portray that better shows the chaos with all the papers everywhere however in a more orderly way.
Mona Hatoum -
A British- Palestinian multimedia and installation artist, She was born into a Palestinian family, Lebanon and has lived and worked in London, leaving due to conflict wars arising in Lebanon. Mona’s performances, videos , photos, sculptures and more take on an investigation of displacement, marginalization and state violence. She often uses grids or geometric forms to make reference to systems of social and physical control. I found this interesting when looking at Hatoum work when figuring out how to give displacement a physical meaning without it being too literal, and found with this interpretation whereby the use of rigid structures and use of objects as a means of danger and instability in the homes i could mimic the emotions that come with displacement in the way that, although its your home it's not always the safe space that you thought it was.
Her (Hot Spot) piece that she describes as a ‘world continually caught up in conflict and unrest’ that specifically brought me to hatoum work looks at how she contours the continents with an outlined red neon, presenting the entire world as a danger of which i present in showing the conflict of the clothings through my work that are tied against red string. I used this concept after tying up my clothes that would represent a packing movement in a way, as though someone was packing up to leave their home from the dangers they have endured.
Measure of distance (1988) is another by Mona Hatoum whereby she constructs a video showing images of her mother, with animation of a conversation between them. though this portrays the emotional intiam. This constructs images of Hatoum mother in the shower of their family home in Beirut, the Arabic writing overlaying these images like a curtain veil represents her mothers letters from Beirut to the artist. Hatoum says that it portrays the emotional intimacy of the relationship between mother and daughter, ‘it also speaks of exile, displacement, disorientation and a tremendous sense of loss as a result of the separation caused by war.’I think this greatly responds to my topic in the way that it represents the emotions and tensions between families and friends having being displaced from your hometown away from family. The language barriers are interesting depicting the difference in life and cultures now as well.
I took inspiration from Hatoum measures of distance and Shadins quilt implementing both by projecting a video of my sister and other sources who had moved away onto the quilt to represent the moving from one place to another in a symbolic way. Putting it in an ominous setting I felt would give it a more scary and invoking feeling thus creating tension between the audience and my work.
Kamruzzaman shadhin -
Inspired by artist Kamruzzaman shadhin “migration is never a unidirectional force - it leads to inter woven networks of movement that interact with and shape each other”who suggests that for those that have been displaced from their homes, migrants and refugees they are all in search of a ‘safe haven’ and with that she created her 2017-2018 piece ‘Haven is Elsewhere.’ From those people in northwest Bangladesh, she creates quilts from the used clothes of displaced people, these clothes carry the pain, tears and trauma of displacement. They are sewn together. This is able to capture the stories of displacement through these once-used clothes. The search for security, whether through the promise of better livelihoods/ freedom becomes the impetus for a vast web of interconnected migration. This quilt is like a metaphor that can be dubbed as being a large map joining together different regions brought together to form a distant yet unified piece of geographical land. Shadhin says “to have migrant clothing hanging from typical Venetian clothes lines in a traditional neighborhood works as a powerful metaphor for this aspirated ‘better life’ that brings many people.” I wanted to invoke this as though while their clothes hang securely from the traditional Venetian houses, immigrants continue to suffer the consequences of not getting access to these clotheslines. (majhi.org)
I started by looking at the significance of the symbolism of clothes as a means of someone’s past sufferings and trauma that comes with being displaced. Clothes hold memories whether they are good or bad, in this case they hold the indication of danger and act as an active system of reminders.Having many relatives that have left Zimbabwe due to their own struggles and in searches of a better life, education and other, i have looked into creating a quilt like installation that will create a tunnel like vision that represents the path of leaving and creating the illusion of actually going to this ‘safe haven.’ This will be a compilation of their old clothes that hold memories to them.
Exploration of final piece :
I explored the different ways one might be displaced, looking at cultural, educational and forceful ways of displacement. Each piece representing this in contrasting way however shares a similarity that they are isolated in their transition, and in connection with my artists, who have used similar meaning behind their pieces. I wanted to create statement pieces that would invoke these feelings while also making you feel and see the hardships, and traumas that they may have faced. I’m creating installations whereby you are able to walk through the experience creating an intense experience as well as a sense of interaction as you walk through the tunnel.
I started by collecting my family members' clothes, as well as visiting those whom lost their families from hardships and had to move away. These clothes are dumped and left by people that have left in this search for a better life. I then decided to sew them all together creating a quilt that symbolizes not only the warmth and protection one might feel from it but even deeper, a quilt presents the ability to tell stories, showing a time and place, the lives of people who make them and capture slices of life. I wanted to create that feeling by joining all of these together, similarly to Shadin throughout their work, that has inspired me.Hanging this in a spacious, ominous room creates the feeling of isolation and longing of something. It also creates a more cold feeling with all the different life stories told through the colorful clothes that can make you imagine anything for their life.I liked putting it in a more dark unwell lit room thus it creates a more tempting to figure out more feeling within the audience.
I compiled school books and papers of the intention to represent the movement of my sister having left Zimbabwe so that she could gain a better education and further a better life in the future. The books and papers all scattered can be portrayed as though all the battles and hardships that she is yet to overcome along the way as she travels. I sewed all the papers together creating a collage of all these papers. I then got assistance and created a wooden box that would be the incision of the tunnel putting all the papers along it creating that chaos and emotion of leaving. With the photography I wanted to create that illusion of walking through as well.