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Your employees when you ask them to track their time accurately
clockk.com/memes/spongebob-burning-paper-meme-timer-emplo...
Relator Especial para la Libertad de Expresión, Edison Lanza, durante una audiencia. 156 Período de Sesiones de la CIDH. Sede en Washington, DC, Octubre de 2015.
The Problems Relating to the Management & Excavations of the Archaeological Ruins of Herculaneum / Pompeii as Reported in Foreign Press (1904-2002). [Reform of the Min. Pub. Inst.] - "Prod For Italy's Arts Watchdog." The Times, Feb. 7, 1964, p. 10.
The texts relate to Divine Instruction. The scene shows a young lad receiving instruction, namely Timothy, with Eunice and Lois his Grandmother.
The window features Oak and Vine tendrils.
In memory of John Greasley d.1872. It was erected in 1875.
“Erected in Memory of John Greasley
Born 25th June 1802 Died 13th Oct 1872
By Former Scholars of the Church Free Schools & their friends & in grateful remembrance of his kindness & constant attention in the management of the schools for 25 years AD 1875.“
RED LION PUBLIC HOUSE on the HISTORICAL 1300's BISHOP BRIDGE. KINGS, QUEENS, WITCHES AND BLOODY BATTLES.
I think its always nice to print stills in black and white relating to such ancient structures. I did take a brief glimpse at the public house itself and presumed it was possibly 18th or 19th century. My own research has however proved otherwise, and I was of course wrong.
The Red Lion itself (seen in the image I shot hereto) dates back to the 1700's thus making this one of the oldest public houses in Norwich and Norfolk, and possibly one of the oldest in the United Kingdom.
The site of the Red Lion has been a pub since the building of the Cathedral back in the 1000's and the bridge in 1249. The present building dates from around 1760 with parts going back as far as the 15th century. The River was a main thoroughfare into the city as was Bishopgate which led to the Bishops Palace. There are numerous tunnels leading from the pub up to the Cathedral however most are now closed off to the public.
Robert Ketts fought to keep out King Charles on this site and many Kings and Queens including Mary Queen of Scotts has made the journey over the Bishops Bridge and up Bishopgate. On a more gruesome note many accused witches were dragged over the bridge to Lollards Pit opposite where they were burned to death.
You are thinking the quote relates to the global economic downturn occurring all around us - it’s actually for a golf industry keynote today!
But it actually relates to both! (My wife thinks the rhyming is kind of hokey. I’m going to run with it anyways!) Later this morning, I’ll be on stage with an opening keynote for the Canadian Golf Superintendents Association of Canada, with a talk on the growth opportunities in the world of golf.
I suspect this might be the last stage keynotes for a bit of time as the global event industry unwinds as a result of the rapid spread of Covid-19, the related economic changes that are underway, and a new era of business uncertainty.
With that in mind, I will be spending my Tuesday in my home broadcast studio, getting it ready for a new era of video leadership keynotes. Stay tuned!
What’s my message? In a time of uncertainty, you’ve got to move quickly into the next phase with the downturn: getting beyond shock and denial and anger of the last two weeks — into acceptance!
The golf industry message today? The same!
Part of my message for these folks - and my message for previous keynotes for the PGA of America & others in the global golf industry - is that in order to innovate within the world of golf, we’ve got to move beyond looking at the doom and gloom stories: courses shutting down, declining participation numbers, less interest by mobile obsessed millennials in a 4-5 hour game.
Stay focused on those stories & you come away convinced there is no future for the sport.
Or … focus on innovation, change, adapting!
Innovations like TopGolf! Webcam’s on par-3’s for that elusive hole-in-one. Using social media as a means to attract parents of young children into the game. Experimenting with new hyper-connected golf clubs for swing analysis and more.
There are lots of opportunities for growth!
The world has changed in a big way - so get moving!
View on Instagram ift.tt/2Te8oPd
Debate sobre a MP 651 no Senado Federal cujo o relator é o dep. Newton Lima (PT-SP)
Brasília, 02/set/2014
Foto:Gustavo Bezerra
Relating helps you develop a very sensitive, even telepathic resonance with your surroundings. This opens up your intuition. Relating begins from an attitude of not knowing and stays open to perceiving changes and new possibilities as they unfold.
From the book "Getting Real"
SB1082 (Relating to Transportation of School Children) simplifies Section 302A-406, Hawaii Revised Statutes. The bill allows for more flexibility by the BOE and DOE regarding contract requirements. This measure will provide the DOE with a tool to control costs of school bus transportation by removing statutory requirements related to school bus procurement.
SB1083 (Relating to Transportation of School Children) exempts contracts for transportation for school services from Section 103-55, Hawaii Revised Statutes. Under the provisions of this bill, the DOE will not need to require school bus contractors to certify that they pay same wages as public officers and employees. The bill removes the statutory requirements related to school bus procurement.
Information relating to the statue of Queen Victoria outside the Queen Victoria Building in Sydney.
The site of the Queen Victoria Building was the location of the George Street Markets, and was selected for the construction of a grand government building. Architect George McRae designed the QVB in the ornate Romanesque Revival style with the express purpose of employing a great number of skilled craftsmen who were out of work due to a severe recession. The building was completed in 1898 and named the Queen Victoria Building after the monarch.
The completed building included coffee shops, showrooms and a concert hall. It provided a business environment for tradesmen such as tailors, mercers, hairdressers, and florists. The concert hall was later changed to a municipal library and the building was partitioned into small offices for Sydney City Council. The building steadily deteriorated and in 1959 was threatened with demolition. It was restored between 1984 and 1986 by Ipoh Ltd at a cost of $86 million, under the terms of a 99-year lease from the City Council and now contains mostly upmarket boutiques and "brand-name" shops.
This bronze statue of Queen Victoria, located on the forecourt, was originally located in front of the Irish Parliament in Dublin until 1947. It was given to the people of Sydney as a gift from the people of Ireland and unveiled in 1987.
Relates to UNDP-supported GCF-funded project 'Strengthening the Resilience of Smallholder Farmers in the Dry Zone to Climate Variability and Extreme Events' (known locally as CRIWMP)
Resident Representative's field visit, Feb 2023. Credit: UNDP Sri Lanka
Debate sobre a MP 651 no Senado Federal cujo o relator é o dep. Newton Lima (PT-SP)
Brasília, 02/set/2014
Foto:Gustavo Bezerra
Image from 'A Lytell Geste of Robin Hode, with other ancient & modern ballads and songs relating to this celebrated yeoman. To which is prefixed his history and character, grounded upon other documents than those made use of by ... “Mister Ritson.” Edited by J. M. Gutch', 001726444
Author: HOOD, Robin.
Volume: 01
Page: 9
Year: 1847
Place: London
Publisher: Longman, Brown, Green & Longmans
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
Photo credit: UNDP
Relates to the project 'Reducing the Vulnerability of Cambodian Rural Livelihoods through Enhanced Sub-National Climate Change Planning and Execution of Priority Actions' (2016-2020)
www.adaptation-undp.org/projects/reducing-vulnerability-c...
The Problems Relating to the Management & Excavations of the Archaeological Ruins of Herculaneum / Pompeii as Reported in Foreign Press (1904-2002). [Prof. Amedeo Maiuri - War Damage] "Naples preserved Most of its Art." The N. Y. Times, Oct. 7, 1943. p. 5 [2/2].
Image from 'Historical Collections of the State of New Jersey ... relating to its history and antiquities, with geographical descriptions of every township in the State. [With illustrations.]', 000194807
Author: BARBER, John Warner and HOWE (Henry)
Page: 110
Year: 1845
Place: New York
Publisher: The Authors
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
Deputado Arthur Maia (PPS-BA), relator da reforma da Previdência Social na Câmara dos Deputados.
Brasília (DF) 25.01.2018 - Foto: José Paulo Lacerda
Sad Love Quotes :
QUOTATION – Image :
Quotes Of the day – Life Quote
Daily Inspirational and relatable quote pictures!
Sharing is Caring
- #Love
quotestime.net/sad-love-quotes-daily-inspirational-and-re...
I particularly like this one nearest to me. By Toast Bard.
Posted by Second Life Resident Torley Olmstead. Visit Tableau.
Description relates to O Building - External view
Original function - High magnetic field research
"Large electromagnets powered by a bank of 150 ex-submarine batteries,
later supplemented by its own sub-station. Primarily used for research into
super conducting materials. Later used for high power laser.
Year vacated 2005"
The Problems relating to the Management & Excavations of the Archaeological Ruins of Herculaneum / Pompeii during the 20th / 21st century as reported in Foreign Press (1904-2002). "Restoration of Pompeii (...) Earthquake Damage," The Times, Sep. 4. 1981, p. 8.
Brasília 28/03/2017 Relator da reforma política na câmara, Vicente Cândido, durante entrevista para agência PT.
Foto: Lula Marques/Agência PT
HB 178 Relating to Continuing Education
Requires licensed social workers to complete a minimum of 15 credit hours of continuing education courses for the licensing renewal period beginning July 1, 2013, through June 30, 2016, and 45 credit hours of continuing education courses during each licensing renewal period, for the period beginning July 1, 2016, and thereafter.
HB 1207 Relating to Human Services
Requires Department of Human Services to submit to the Legislature interim reports on program integrity prior to 2015 and 2016 Regular Sessions and a final report prior to 2017 Regular Session on its compliance with the federal Patient Protection and Affordable Care Act of 2010 as it relates to Medicaid. Effective July 1, 2014.
Something that surfaced during our discussion with Tortie relates to outsourcing. She reflecting that doing this in England can be difficult for reasons above and beyond the cost of labour. At the risk of generalising, we might say this stems for a broad dislike of being told what to do. There is a strong commitment to experimenting in English culture and this has pros and cons. Whether you call this 'eccentric' or something else, it's good for cultural cachet but not for other things, like reproducing complex processes in a consistent way.
This cultural difference also came up in the talk by Andreas Lang (of public works) in the second cycle tour. Only for Andreas, the drive to experiment wired into the English DNA is a real boon. In Ol' Blighty, laws are based on precedence. This means there's scope for trying them out and if they don't work, finding a better way. Its' about being pragmatic and ensuring things are fit for purpose. When it comes to legal structures, this seems different than in Lang's native Germany, where laws are prescribed and the creative part comes in figuring how to follow them.
Go to www.tortiehoare.co.uk to see more of Tortie's classic contemporary designs.
Caption by Marsha Bradfield based on an audio recording of the session - coming soon to a website near you.
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We visited Tortie Haore at Clements Yard/Pullens Yard on the first Creative Practice Cycle Tour, The Good, the Bad & the Ugly, 16th June 2014.
Curated by Marsha Bradfield and Claire Heafford and funded by The University of the Arts London
He's very very old and very sleepy. (I can relate!)
And this Season, like the many Seasons like it that he's experienced before, has all but worn him out. (Again, I can relate!)
And since I seem to be able to relate to him so well,
I gifted this wonderful old face a stocking cap, even though it really doesn't fit him very well. (Again........!)
But if he could, this wonderful old face on the sidewalk would wish all my Flickr Friends a Wonderful Holiday Season, (However you choose to celebrate it!)
And I can definitely relate to that!
Image from 'Historical collections of Virginia ... relating to its history and antiquities; together with geographical and statistical descriptions. To which is appended an historical and descriptive sketch of the District of Columbia', 001748053
Author: HOWE, Henry.
Page: 213
Year: 1845
Place: Charleston, S.C
Publisher:
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
The Workman-Temple family relates to the pioneer interconnected Workman and Temple families that were prominent in: the history of colonial Pueblo de Los Angeles and American Los Angeles; the Los Angeles Basin and San Gabriel Valley regions; and Southern California — from 1830 to 1930 in Mexican Alta California and the subsequent state of California, United States.
The Workman-Rowland Party was long considered the "first wagon train of Americans to travel overland to Los Angeles," but the party could not use wagons because of the difficult Old Spanish Trail route, nor were they solely Americans.
-Wikipedia
Fujica ST705w with the MC/ARAX 35mm tilt-shift lens on cross-processed Kodak Elite Chrome 100 slide film.
Postcard
The Fay Thomas Collection includes family archives relating to the Thomas family. Moses Thomas (1825-1878) was a significant figure in the history of the area now known as the City of Whittlesea, Victoria, Australia. Thomas and Ann and their family lived at "Mayfield", Mernda, Victoria.
Miss Lily Thomas (1871-1946), Thomas and Ann’s fourth daughter lived there all her life. She collected postcards which her family and friends sent her on a very regular basis. It was an easy and enjoyable way to keep in touch. Production of postcards blossomed in the late 19th and early 20th centuries. Lily’s collection encompasses the so-called Golden Age (1890-1915) with many postmarked 1906-1907. Some were sent to other members of the family.
The collection document the natural landscape as well as the built environment—buildings, gardens, parks, and tourist sites. Topographical Postcards showing street scenes and general views from Australian and international locations, some of which are artistic views. Popular postcard manufacturers such as Tuck’s Postcards are included in the collection.
Decorative cards, many embellished with floral motives (as a nod to the receiver Lily?) and embossing. Greeting cards are common for Christmas, New Year, Easter and of course birthdays.
Regular senders can be identified from Kyneton and the Great Ocean Road area, Victoria and there is a siginifant collection from Scotland (but not sent from there).
YPRL hold digital copies of the Papers of the Moses Thomas Family held at State Library Victoria
Copyright for these images is Public domain but a credit to the Fay Thomas Collection and YPRL would be appreciated.
Enquiries: Yarra Plenty Regional Library
The Problems Relating to the Management & Excavations of the Archaeological Ruins of Herculaneum / Pompeii as Reported in Foreign Press (1904-2002). "Prof. A. Maiuri - Roman Herculaneum Rises from Its Mud." Nov. 29, 1931. p. XX6. [1/3].
Debate sobre a MP 651 no Senado Federal cujo o relator é o dep. Newton Lima (PT-SP)
Brasília, 02/set/2014
Foto:Gustavo Bezerra
Closest I've gotten to a 'solution' so far.
At the very least, if 'SINNER', 'TERROR', and 'RELATE' are correct, you can only have Heather or Midge forming 'TERROR' - as otherwise you wouldn't be able to form 'RELATE' or 'SINNER'
Of course, that does nothing for the issues on the other side of the hexagon since there arent any good words starting with ATI, ONS or HIP with any of the letters we have.
This is also assuming I have these faces correct.
Relating to this 30yearsagotoday tweet
This was Mum doing her performance. I appeared in the chorus of this "production" but I have no photos to prove this. I know I appeared (and solo'd) in the follow-on-show the following year ...
Relates to UNDP-supported GCF-funded project 'Strengthening the Resilience of Smallholder Farmers in the Dry Zone to Climate Variability and Extreme Events' (known locally as CRIWMP)
Resident Representative's field visit, Feb 2023. Credit: UNDP Sri Lanka
From: creativefeel.co.za/2018/05/chris-soal-orbits-of-relating/
“We think we are liberated by individualism, but in reality we’ve given up so much power. People are so caught up in the nuances of their own personal realm that they’ve lost real civic relationships with one another. We’ve lost that collective power.” – Andrea Zittel
Chris Soal’s artistic practice, is initially concerned with materiality. Specifically thus far, the materiality of objects which are available en mass and utilised daily by millions of people globally and then disposed of. These objects (toothpicks and bottle tops for example) are not only easily attainable, but are so common that they have become invisible to our eyes. They are manufactured for a single utilitarian purpose and are then discarded, once having served their purpose. They hold no value beyond that moment. These objects are manufactured to become debris. They exist on the margins of human existence, and they are indicators of a capitalist system that has a hierarchy of value, in relation to objects, materials, and even people. The choice to use these marginal materials was not immediate however, as the artist himself was entrapped by these very systems of value which he seeks to critique, and initially dismissed toothpicks and bottle tops as “unworthy” material for an artwork.
Chris Soal Soal is interested in the knowledges which are transmitted when bodies come into contact with one another. This is where he sees aesthetic judgment residing; in the world of things, not merely in concepts, emerging as the result of physical experience. It is due to this, that he consciously foregrounds the use of material in the artwork, with the intention of producing physical sensation. The viewer is integral and foremost in mind as the artist engages with the materials. For this body of work, it is the formal dynamism produced by the arrangement and use of toothpicks as a medium, which engages the viewer on a physical level, encouraging a visceral reaction; in some it urges them to recoil. On the other end of the spectrum, some viewers are overcome with a desire to touch the work.
The singular becomes plural. And it is in this plurality that the material begins to transcend itself. It is then in the moment of unveiling, the moment where the object is not only revealed but renewed for the viewer, that the value of it is altered, and thus our understanding of its value in relation to ourselves, changes. In this way the work gains political currency, and the titles become triggers for further contemplation. The artworks utilise form and materiality to reiterate that the viewer is a member of the “polis,” the citizenry; a part of a community.
Titles such as Orbits of relating, A delight in knowing and being known, and Little moments that remind us of ourselves, suggest a communal relating through the use of plural pronouns, read in the voice of the viewer, the first person. This not only suggests the concept of relational collectivity between viewers in the exhibition space, but also allows the artworks to become relatable themselves, by assuming anthropomorphic qualities. The quote by artist Andrea Zittel, whilst only discovered towards the end of the process, encapsulated and vocalised the artist’s desire that the work speak to a common human experience, a reminder which is sorely needed in a global society becoming seemingly evermore fractured.
This exhibition marks Chris Soal’s first solo body of work, to be publicly exhibited, since his graduation show at Wits Art Museum in 2017. It combines the artist’s previous use of bottle tops, as well as pointing into his sporadic forays into cement and rebar as materials, whilst foregrounding this body of work as a material exploration of toothpicks through sculptures, installations, drawing and three-dimensional wall pieces.
Chris Soal was born in South Africa in 1994. He graduated from the University of Witwatersrand with a Bachelor’s in Fine Art (Honours) in 2017. Today he lives and works in Johannesburg. He was awarded the Sculpture category and Overall Award at the PPC Imaginarium in 2018. He was selected as a finalist for the Cassirer Welz Award in 2017, the Wits Young Artist Award in 2016 and 2017, The SA Taxi Art Award in 2016 and the Thami Mnyele Award in 2015. Chris Soal was awarded a residency in 2018 by the South African Foundation for Contemporary Art. This residency was held in Knysna at Entabeni Farm for a duration of six weeks alongside fellow South African artist, Minnette Vari. He has exhibited in group shows at institutions such as Aeroplastics Contemporary in Brussels (2017), Wits Art Museum (2017), Fried Contemporary (2017), Museum of African Design (2016), Assemblage (2016), No End Contemporary (2017, 2018) and Galerie Noko (2016). Chris regularly exhibits at art fairs around Europe with Clifton Boulder Gallery.
Alongside his own artistic practice Chris works as a cinematographer at the Centre for the Less Good Idea, founded by South African-born, internationally renowned artist William Kentridge, and as a contributing writer on art and culture for Bubblegum Club.
Soal’s exhibition Orbits Of Relating will show from 24 May – 23 June 2018 at No End Contemporary Art Space | 60 4th Ave Linden, Johannesburg.