View allAll Photos Tagged relatable
It relates to the search for Lincoln Ellsworth - late 1935 or early 1936. The Discovery II approached Dunedin by rounding the bottom of the Southern Island. On leaving Dunedin the ship proceeded to the Bay of Whales, Ross Sea, Antarctica. Taken from the Discovery II. Photo by Eric Douglas
Image from 'Historical collections of Virginia ... relating to its history and antiquities; together with geographical and statistical descriptions. To which is appended an historical and descriptive sketch of the District of Columbia', 001748053
Author: HOWE, Henry.
Page: 213
Year: 1845
Place: Charleston, S.C
Publisher:
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
28 - coins relating to George Washington. Some of the coins in this collection date back to the 1780s, while one is a 1960 restrike. One interesting specimen is a 1795 Washington grate Halfpenny, which was minted and used in Britain at the time. Grate halfpennies such as this one were minted as a part of a promotion for a fireplace grate manufacturing company. Another pair of interesting specimens are the North Wales Halfpennies. These halfpennies were minted in Birmingham as "evasion tokens", which were basically legal conterfeits. Because counterfeiting in Britain was only illegal for Regal Coinage, counterfeiters could legally produce facsimiles of other coinage as "tokens" which would then be used in place of actual currency. Gift of the Estate of Charles Lark Jr. Images are available at www.flickr.com/photos/scrc/5446172942/. Located in T&E S6 SS2, Box 1. Mss 1984.042.J1-J28
See scrc.swem.wm.edu/index.php?p=collections/controlcard&... for more information about items in the Manuscripts Artifact Collection.
From the collections of the Special Collections Research Center, Earl Gregg Swem Library at the College of William and Mary.
Relates to UNDP-supported GCF-funded project 'Strengthening the Resilience of Smallholder Farmers in the Dry Zone to Climate Variability and Extreme Events' (known locally as CRIWMP)
Resident Representative's field visit, Feb 2023. Credit: UNDP Sri Lanka
Closest I've gotten to a 'solution' so far.
At the very least, if 'SINNER', 'TERROR', and 'RELATE' are correct, you can only have Heather or Midge forming 'TERROR' - as otherwise you wouldn't be able to form 'RELATE' or 'SINNER'
Of course, that does nothing for the issues on the other side of the hexagon since there arent any good words starting with ATI, ONS or HIP with any of the letters we have.
This is also assuming I have these faces correct.
Relates to Leeds TOTW: Comfort
Standing and waiting for trains can be a dull process. These teenagers take advantage of a dry floor to await the train's arrival at their comfortable leisure!
Here the benefits of having an 8 Meg Fuji Camera are priceless. This image was taken over 40 yards away in the neighbouring NCP. I didn't even need to venture by the platforms.
From: creativefeel.co.za/2018/05/chris-soal-orbits-of-relating/
“We think we are liberated by individualism, but in reality we’ve given up so much power. People are so caught up in the nuances of their own personal realm that they’ve lost real civic relationships with one another. We’ve lost that collective power.” – Andrea Zittel
Chris Soal’s artistic practice, is initially concerned with materiality. Specifically thus far, the materiality of objects which are available en mass and utilised daily by millions of people globally and then disposed of. These objects (toothpicks and bottle tops for example) are not only easily attainable, but are so common that they have become invisible to our eyes. They are manufactured for a single utilitarian purpose and are then discarded, once having served their purpose. They hold no value beyond that moment. These objects are manufactured to become debris. They exist on the margins of human existence, and they are indicators of a capitalist system that has a hierarchy of value, in relation to objects, materials, and even people. The choice to use these marginal materials was not immediate however, as the artist himself was entrapped by these very systems of value which he seeks to critique, and initially dismissed toothpicks and bottle tops as “unworthy” material for an artwork.
Chris Soal Soal is interested in the knowledges which are transmitted when bodies come into contact with one another. This is where he sees aesthetic judgment residing; in the world of things, not merely in concepts, emerging as the result of physical experience. It is due to this, that he consciously foregrounds the use of material in the artwork, with the intention of producing physical sensation. The viewer is integral and foremost in mind as the artist engages with the materials. For this body of work, it is the formal dynamism produced by the arrangement and use of toothpicks as a medium, which engages the viewer on a physical level, encouraging a visceral reaction; in some it urges them to recoil. On the other end of the spectrum, some viewers are overcome with a desire to touch the work.
The singular becomes plural. And it is in this plurality that the material begins to transcend itself. It is then in the moment of unveiling, the moment where the object is not only revealed but renewed for the viewer, that the value of it is altered, and thus our understanding of its value in relation to ourselves, changes. In this way the work gains political currency, and the titles become triggers for further contemplation. The artworks utilise form and materiality to reiterate that the viewer is a member of the “polis,” the citizenry; a part of a community.
Titles such as Orbits of relating, A delight in knowing and being known, and Little moments that remind us of ourselves, suggest a communal relating through the use of plural pronouns, read in the voice of the viewer, the first person. This not only suggests the concept of relational collectivity between viewers in the exhibition space, but also allows the artworks to become relatable themselves, by assuming anthropomorphic qualities. The quote by artist Andrea Zittel, whilst only discovered towards the end of the process, encapsulated and vocalised the artist’s desire that the work speak to a common human experience, a reminder which is sorely needed in a global society becoming seemingly evermore fractured.
This exhibition marks Chris Soal’s first solo body of work, to be publicly exhibited, since his graduation show at Wits Art Museum in 2017. It combines the artist’s previous use of bottle tops, as well as pointing into his sporadic forays into cement and rebar as materials, whilst foregrounding this body of work as a material exploration of toothpicks through sculptures, installations, drawing and three-dimensional wall pieces.
Chris Soal was born in South Africa in 1994. He graduated from the University of Witwatersrand with a Bachelor’s in Fine Art (Honours) in 2017. Today he lives and works in Johannesburg. He was awarded the Sculpture category and Overall Award at the PPC Imaginarium in 2018. He was selected as a finalist for the Cassirer Welz Award in 2017, the Wits Young Artist Award in 2016 and 2017, The SA Taxi Art Award in 2016 and the Thami Mnyele Award in 2015. Chris Soal was awarded a residency in 2018 by the South African Foundation for Contemporary Art. This residency was held in Knysna at Entabeni Farm for a duration of six weeks alongside fellow South African artist, Minnette Vari. He has exhibited in group shows at institutions such as Aeroplastics Contemporary in Brussels (2017), Wits Art Museum (2017), Fried Contemporary (2017), Museum of African Design (2016), Assemblage (2016), No End Contemporary (2017, 2018) and Galerie Noko (2016). Chris regularly exhibits at art fairs around Europe with Clifton Boulder Gallery.
Alongside his own artistic practice Chris works as a cinematographer at the Centre for the Less Good Idea, founded by South African-born, internationally renowned artist William Kentridge, and as a contributing writer on art and culture for Bubblegum Club.
Soal’s exhibition Orbits Of Relating will show from 24 May – 23 June 2018 at No End Contemporary Art Space | 60 4th Ave Linden, Johannesburg.
Image from 'A Lytell Geste of Robin Hode, with other ancient & modern ballads and songs relating to this celebrated yeoman. To which is prefixed his history and character, grounded upon other documents than those made use of by ... “Mister Ritson.” Edited by J. M. Gutch', 001726444
Author: HOOD, Robin.
Volume: 02
Page: 479
Year: 1847
Place: London
Publisher: Longman, Brown, Green & Longmans
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
Just wanted to relate to you all how important it is in life to cherish every moment God lets you live with your loved ones. For two weeks my father had asked me to take him to a special place he wanted to eat lunch and taste the shrimp in that area. At 81, and in a fairly good health after his last stroke, my father wanted to eat shrimp by the bay. I was busy, doing my every day things and took me two weeks to take him. Once there my father told me the story why he wanted to go to that special place. When he was very young, my grandfather had a factory in the city and shipped his goods all thru the country from that special shipping port. They lived close by and he remembered dearly those moments when his father used to take him there (fishers market down town) and he ate those same shrimps over 70 years ago. He was so happy there, he enjoyed every moment, ate slowly and remembered grandma and grandpa who have longed passed away. He felt close to them and just lived the moment second by second every bite he took was just like being there again 70 years before.
I write this with the deepest pain in my heart, so bad it hearts deeply, as I felt God was telling me he is getting ready to reunite my Dad with my grand parents, let him live again but now forever, those unforgettable moments he carries in his heart for all his life, let him have a well deserved peace and tranquility he has more than earned thru his 80 years of being the best Dad anyone can have, the most amazing example of a brave man, who never gave up to give us all the best any one can give and get.
As I sit here praying to God he lets me reimburse my Dad for all he has given us, I wanted to make it public, and ask any of you out there to take one minute and ask God to keep him with us for as much as he wishes so we can all enjoy him for the last days, months o years of his life he has left. We certainly can’t change the past but can absolutely change the future. God I made my deepest desire to you public in my most sincere hope you hear us all and have mercy upon us. God Bless you all.
The Problems Relating to the Management & Excavations of the Archaeological Ruins of Herculaneum / Pompeii as Reported in Foreign Press (1904-2002). " Ancient Secrets - The Search For The Keys," The Times, Nov. 6, 1931. p. 15 [1/2].
>>A TON more photos in comments<<
it's not everyday that you find a saying on a card that you can actually relate to 100% :) i think it's just because i'm weird (in a okay way) :D
This product relates to the product evolution that was discussed in lectures. Ever since cell phones have come used in people's daily lives there has always been one major flaw: every phone had a different charger. Long ago one may have thought that the smart thing for cellphone manufactures to do would be to make a requirement that a certain set of cell phones would have to have a certain port for a charger. It has taken many years, but now cell phone designers are finally getting to the point of making universal adapters for their phones. I hope that eventually all cell phone chargers resemble this one. This charger allows for the phone to be charged by a wall outlet by use of the USB port at the bottom of the main part of the charger. The beauty of this is that because the charger uses USB, that same wire can be used to connect the cell phone to the computer. Conversely, if a friend has the same kind of wire, they can also connect it to the main charger in order to charge their phone.
SLV title: Aerial views of buildings and factories, possibly relating to the agricultural industry, Clayton, Victoria.
Author/Creator: Airspy (Firm), photographer
Date: 8 October 1956
Aerial view of unidentified industrial site and farms at the corner of Dandenong Road and Garden Road.
See locale on Google Maps
Copyright statement:
This work is in copyright
Copyright restrictions apply.
Subjects:
Industries -- Victoria -- Clayton
Clayton (Vic.)
Genre/Form
Aerial photographs
Aerial views
Film negatives
Summary
Aerial views over factory complex showing main road and farmland; Closer view of factory complex; Close view showing construction work on new factories.
Source: SLV
Series
Airspy collection of aerial photographs
Airspy collection of aerial photographs: A series
Airspy collection of aerial photographs: Clayton 1956-1959
Identifier(s)
Accession No: H2010.91/412
Record ID: 9939657295107636
Artscape Gibraltar Point, Artscape Gibraltar Point, Toronto Island, August 2013 (photo by Johannes Zits) Island, August 2013
The Panel numbers (or Pier and Face) quoted at the end of each entry relate to the panels dedicated to the Regiment served with. In some instances where a casualty is recorded as attached to another Regiment, his name may alternatively appear within their Regimental Panel (or Pier and Face). Please refer to the on-site Memorial Register Introduction to determine the alternative panel numbers (or Pier and Face) if you do not find the name within the quoted Panels (or Pier and Face).
On 1 July 1916, supported by a French attack to the south, thirteen divisions of Commonwealth forces launched an offensive on a line from north of Gommecourt to Maricourt. Despite a preliminary bombardment lasting seven days, the German defences were barely touched and the attack met unexpectedly fierce resistance. Losses were catastrophic and with only minimal advances on the southern flank, the initial attack was a failure. In the following weeks, huge resources of manpower and equipment were deployed in an attempt to exploit the modest successes of the first day. However, the German Army resisted tenaciously and repeated attacks and counter attacks meant a major battle for every village, copse and farmhouse gained. At the end of September, Thiepval was finally captured. The village had been an original objective of 1 July. Attacks north and east continued throughout October and into November in increasingly difficult weather conditions. The Battle of the Somme finally ended on 18 November with the onset of winter.
In the spring of 1917, the German forces fell back to their newly prepared defences, the Hindenburg Line, and there were no further significant engagements in the Somme sector until the Germans mounted their major offensive in March 1918.
The Thiepval Memorial, the Memorial to the Missing of the Somme, bears the names of more than 72,000 officers and men of the United Kingdom and South African forces who died in the Somme sector before 20 March 1918 and have no known grave. Over 90% of those commemorated died between July and November 1916. The memorial also serves as an Anglo-French Battle Memorial in recognition of the joint nature of the 1916 offensive and a small cemetery containing equal numbers of Commonwealth and French graves lies at the foot of the memorial.
The memorial, designed by Sir Edwin Lutyens, was built between 1928 and 1932 and unveiled by the Prince of Wales, in the presence of the President of France, on 1 August 1932 (originally scheduled for 16 May but due to the death of French President Doumer the ceremony was postponed until August).
The dead of other Commonwealth countries, who died on the Somme and have no known graves, are commemorated on national memorials elsewhere.
You are thinking the quote relates to the global economic downturn occurring all around us - it’s actually for a golf industry keynote today!
But it actually relates to both! (My wife thinks the rhyming is kind of hokey. I’m going to run with it anyways!) Later this morning, I’ll be on stage with an opening keynote for the Canadian Golf Superintendents Association of Canada, with a talk on the growth opportunities in the world of golf.
I suspect this might be the last stage keynotes for a bit of time as the global event industry unwinds as a result of the rapid spread of Covid-19, the related economic changes that are underway, and a new era of business uncertainty.
With that in mind, I will be spending my Tuesday in my home broadcast studio, getting it ready for a new era of video leadership keynotes. Stay tuned!
What’s my message? In a time of uncertainty, you’ve got to move quickly into the next phase with the downturn: getting beyond shock and denial and anger of the last two weeks — into acceptance!
The golf industry message today? The same!
Part of my message for these folks - and my message for previous keynotes for the PGA of America & others in the global golf industry - is that in order to innovate within the world of golf, we’ve got to move beyond looking at the doom and gloom stories: courses shutting down, declining participation numbers, less interest by mobile obsessed millennials in a 4-5 hour game.
Stay focused on those stories & you come away convinced there is no future for the sport.
Or … focus on innovation, change, adapting!
Innovations like TopGolf! Webcam’s on par-3’s for that elusive hole-in-one. Using social media as a means to attract parents of young children into the game. Experimenting with new hyper-connected golf clubs for swing analysis and more.
There are lots of opportunities for growth!
The world has changed in a big way - so get moving!
View on Instagram ift.tt/2Te8oPd
Image from 'A Lytell Geste of Robin Hode, with other ancient & modern ballads and songs relating to this celebrated yeoman. To which is prefixed his history and character, grounded upon other documents than those made use of by ... “Mister Ritson.” Edited by J. M. Gutch', 001726444
Author: HOOD, Robin.
Volume: 01
Page: 343
Year: 1847
Place: London
Publisher: Longman, Brown, Green & Longmans
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
The Panel numbers (or Pier and Face) quoted at the end of each entry relate to the panels dedicated to the Regiment served with. In some instances where a casualty is recorded as attached to another Regiment, his name may alternatively appear within their Regimental Panel (or Pier and Face). Please refer to the on-site Memorial Register Introduction to determine the alternative panel numbers (or Pier and Face) if you do not find the name within the quoted Panels (or Pier and Face).
On 1 July 1916, supported by a French attack to the south, thirteen divisions of Commonwealth forces launched an offensive on a line from north of Gommecourt to Maricourt. Despite a preliminary bombardment lasting seven days, the German defences were barely touched and the attack met unexpectedly fierce resistance. Losses were catastrophic and with only minimal advances on the southern flank, the initial attack was a failure. In the following weeks, huge resources of manpower and equipment were deployed in an attempt to exploit the modest successes of the first day. However, the German Army resisted tenaciously and repeated attacks and counter attacks meant a major battle for every village, copse and farmhouse gained. At the end of September, Thiepval was finally captured. The village had been an original objective of 1 July. Attacks north and east continued throughout October and into November in increasingly difficult weather conditions. The Battle of the Somme finally ended on 18 November with the onset of winter.
In the spring of 1917, the German forces fell back to their newly prepared defences, the Hindenburg Line, and there were no further significant engagements in the Somme sector until the Germans mounted their major offensive in March 1918.
The Thiepval Memorial, the Memorial to the Missing of the Somme, bears the names of more than 72,000 officers and men of the United Kingdom and South African forces who died in the Somme sector before 20 March 1918 and have no known grave. Over 90% of those commemorated died between July and November 1916. The memorial also serves as an Anglo-French Battle Memorial in recognition of the joint nature of the 1916 offensive and a small cemetery containing equal numbers of Commonwealth and French graves lies at the foot of the memorial.
The memorial, designed by Sir Edwin Lutyens, was built between 1928 and 1932 and unveiled by the Prince of Wales, in the presence of the President of France, on 1 August 1932 (originally scheduled for 16 May but due to the death of French President Doumer the ceremony was postponed until August).
The dead of other Commonwealth countries, who died on the Somme and have no known graves, are commemorated on national memorials elsewhere.
The Problems Relating to the Management & Excavations of the Archaeological Ruins of Herculaneum / Pompeii as Reported in Foreign Press (1904-2002). [Prof. A. Maiuri ] "Ruins of Pompeii Disintegrating..." The N. Y. Times, Nov. 16, 1955. p. 55 [1/2].
Images relate to the pandemic, others are portraits of famous people (Keanu Reeves!) while the remainder reflect the student's interest in Banksy, manga cartoons or interpretations of different songs.
The Problems Relating to the Management & Excavations of the Archaeological Ruins of Herculaneum / Pompeii as Reported in Foreign Press (1904-2002). "Prof. A. Maiuri - Roman Herculaneum Rises from Its Mud." Nov. 29, 1931. p. XX6. [2/3].
The major challenges relating to the subject of Spoof mail attack and Phishing mail attacks are
The fact the Phishing mail attack is a sophisticated attack that includes many parts that will need to deal with each one of them separately such as – Spoof mail attack.
Our ignorance about the way t...
this relates to the theme of enculturation by showing authentic Korean food.
the meaning in this is how you can find culture in many places around where you live, like this noodle house
This relates to the topic of humanistic therapy. We became more self aware and accepting of ourselves versus our unconscious thoughts of covid and what if we catch it from a patient that we were working with. We were able to openly talk to each other about whatever was going on in our lives and everyone listened openly. There was no judgment, no-one giving advice, or someone directing our conversation. Everyone just listened to the other and accepted them for who they are with empathy. This increases diversity in Psychology because my friends and I are all of mixed Asian races on a boat in Kauai, Hawaii.
HB632 (Relating to Open Data) requires state departments to make electronic data sets available to the public. The bill also requires the chief information officer (CIO) to develop policies and procedures to implement the Open Data Initiative, and appropriates $100,000 each fiscal year of the biennium to Office of Information Practices (OIP).
HB635 (Relating to Broadband) requires the state and counties to take action in advancing the Hawaii Broadband Initiative within 60 days (for conservation districts, the state must take action within 145 days). The initiative's goal is to provide ultra high-speed Internet access by 2018, and this clear and decisive timeline will reduce uncertainty for broadband companies and serve as an incentive to invest in increased bandwidth.
SB1003 (Relating to Information Technology), another of the administration's bills, authorizes the CIO to conduct security audits and direct remedial actions, as necessary, in the management of the state's cyber security.
Small relates to the size of the original well and not this present day panel which is large sized and better quality and far better presented than the Main welldressing back along the road from the village centre.
Photo credit: UNDP Bangladesh
Relates to the UNDP-supported GEF-LDCF-funded ICBA-AR Project www.bd.undp.org/content/bangladesh/en/home/projects/integ...
A collection of objects that relate to the true story of a woman poisoned by her ballgown.
In London 1862 a woman attended a ball wearing a green tarletane dress. The fabric had been coloured by mizing copper arsenate with starch and painting it onto cotton.
As the woman danced she swirled arsenic particles into the air, she developed a terrible headache and left early, pleading exhaustion. Once she arrived home she vomited and collapsed. By the next morning she was dead.
Lazercut and hand etched acrylic with handpainted fabric,ribbon and lace, press moulded porcelain and polyester resin stopper.
Things i relate to
27.02.08
Marsden Bay
18-55mm Nikkor
Nikon D50
Aperture: f25
ISO: 200
shot in raw in aperture Priority Mode
Relator da Comissão, deputado Luiz Cláudio Romanelli (PMDB). Fotos: Sandro Nascimento (Alep / crédito obrigatório)
Relate your content to theirs
- Relate structure
- Relate vocabulary
- Relate context
It is possible!
- Reciprocal Research Network
- Straight fromCMS
Lee Iverson
IMG_0127
Postcard
The Fay Thomas Collection includes family archives relating to the Thomas family. Moses Thomas (1825-1878) was a significant figure in the history of the area now known as the City of Whittlesea, Victoria, Australia. Thomas and Ann and their family lived at "Mayfield", Mernda, Victoria.
Miss Lily Thomas (1871-1946), Thomas and Ann’s fourth daughter lived there all her life. She collected postcards which her family and friends sent her on a very regular basis. It was an easy and enjoyable way to keep in touch. Production of postcards blossomed in the late 19th and early 20th centuries. Lily’s collection encompasses the so-called Golden Age (1890-1915) with many postmarked 1906-1907. Some were sent to other members of the family.
The collection document the natural landscape as well as the built environment—buildings, gardens, parks, and tourist sites. Topographical Postcards showing street scenes and general views from Australian and international locations, some of which are artistic views. Popular postcard manufacturers such as Tuck’s Postcards are included in the collection.
Decorative cards, many embellished with floral motives (as a nod to the receiver Lily?) and embossing. Greeting cards are common for Christmas, New Year, Easter and of course birthdays.
Regular senders can be identified from Kyneton and the Great Ocean Road area, Victoria and there is a siginifant collection from Scotland (but not sent from there).
YPRL hold digital copies of the Papers of the Moses Thomas Family held at State Library Victoria
Copyright for these images is Public domain but a credit to the Fay Thomas Collection and YPRL would be appreciated.
Enquiries: Yarra Plenty Regional Library
This work was logo intervention as well, but this time both logos relate between them since they both represent typical American phrases. The reason why I chose the phrase We All Scream for Ice Cream was because I’m taking pop art as one of my main inspirations, so I thought it was a good idea, in a fun and colorful way because it’s a phrase that is typically used in special reference towards children, and as a personal opinion I believe that children symbolize joy and happiness so in order to reach the happiness that I want the logo produce, colors are obviously important. I used flashy colors in the jacket so that they would contrast between them, and manage to stand out thanks to the black and white base of the logo.
I added the ice cream in the logo not just because I wanted to relate the logo with the phrase but also because I wanted to represent the joy of kids towards life, haven’t you ever noticed that when you give a child an ice cream all of his troubles seem to disappear? (even if it’s just for 5 minutes).
On the other hand, in the sunglasses I used foil paper covered with resin to make them shine. The shiny paper symbolizes the innocence of children and at the same time it expresses how children only see the positive side in life, always with a smile on their faces.
The cutout letters from magazines that I used for the title express the spontaneity of children in general.
There is no fence border between and India and Nepal nor any passport is required to visit this beautiful developing country which is dotted with innumerable Hindu/ Nepali shrines, and yes, places relating to Budhha.
Thomas FTP00727
Relates to 1174, 1175, 1176, 1178, 0573
Fay Thomas Collection
Moses Thomas was a significant figure in the history of the area now known as the City of Whittlesea, Victoria. Thomas and Ann and their family lived at "Mayfield", Mernda, Victoria.
Permission to use or share this image is granted provided the orignal URL link is provided along with the image and an acknowledgement to Yarra Plenty Regional Library.
Enquiries: Yarra Plenty Regional Library