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I am looking for answeres to questions never posed

I haven't got a clue, I'm living like a ghost

I can't seem to read the signs

I'm swimming in the sand, I'm searching

 

I hold on to your reasons, I'll hold on to my dreams

it's all good and bad advice 'cause you have to choose

one friend says go ahead, other one says don't

I'm searching

 

whatever I try I can't find it

wherever I roam it's all gone

 

no you can't find it, first you gotta lose it

 

looking for an angle to change my point of vieuw

waiting for somebody, someone to relate to

hoping for forgiveness, I'm living for love

I'm searching

 

yearning for a teacher, to show me what to do

I'm learning from failure, that's all that I can do

working in solutions, a fiction of truth

keep on searching

 

whatever I try I can't find it

wherever I roam it's all gone

 

no you can't find it, first you gotta lose it

 

Anouk

 

Even when not grieving, it's easy to feel this way.

“Urban art is a style of art that relates to cities and city life. In that way urban art combines street art and graffiti and is often used to summarize all visual art forms arising in urban areas, being inspired by urban architecture or thematizing urban live style.

 

The notion of 'Urban Art' developed from street art that is primarily concerned with graffiti culture. Urban art represents a broader cross section of artists that as well as covering traditional street artists also covers artists using more traditional media but with a subject matter that deals with contemporary urban culture and political issues.”http://en.wikipedia.org/wiki/Urban_art

 

“Wild Flowers are not weeds"

Street Art is the modern, urban wildflowers

What's the difference between Graffiti Tagging and Street Art?

1. Street Art is constructive, Graffiti Tagging is destructive.

2. Street Art adorns the urban landscape, Graffiti Tagging scars it and accelerates urban decay.

3. Street Art stretches your mind, Graffiti Tagging is a slap in your face.

4. Street Art is about the audience, Graffiti Tagging is about the tagger.

5. Street Art says "Have you thought about this?", Graffiti Tagging says "I tag, therefore I exist".

6. Street Art was done with a smile, Graffiti Tagging was done with a scowl.

7. Street Art takes skill, Graffiti Tagging takes balls.

8. We mourn losing Street Art and celebrate losing Graffiti Tagging.

Good Street Art is great, good Graffiti Tagging is gone!

”http://www.graffitiactionhero.org/graffiti-tag-vs-street-art.html

 

Additional interesting sites

www.osnatfineart.com/urban-art.jsp

en.wikipedia.org/wiki/Street_art

 

Graffiti_27 LR

I can't say how often I've driven Messenger Road, a potholed passage which never really goes where I'm going. It's a bridge between things, like so much of my life seems to be. It's a metaphor in my mind for a kind of prophecy, the sort you say and then go about trying to make come true. Things to share and the drive to share them, I've got more of that than most. I was once accused of being a "wannabe profit", and though the typo is accurate in the sense that I could use the money, the term "prophet" doesn't really fit me. There is no targeted truth in what I'm writing, no big vision or dream to relate. I'm not planning on predicting the future, only trying to do that old tribal thing. Campfire tales and cave paintings, so we can look back on our lives and back at our faces, and see something that keeping our thoughts to ourselves couldn't show.

 

November 20, 2022

Paradise, Nova Scotia

 

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The Hôtel des Invalides (English: "house of invalids"), commonly called Les Invalides (French pronunciation: ​[lezɛ̃valid]), is a complex of buildings in the 7th arrondissement of Paris, France, containing museums and monuments, all relating to the military history of France, as well as a hospital and a retirement home for war veterans, the building's original purpose. The buildings house the

, the military museum of the Army of France, the Musée des Plans-Reliefs, and the Musée d'Histoire Contemporaine. The complex also includes the former hospital chapel, now national cathedral of the French military, and the adjacent former Royal Chapel known as the Dôme des Invalides, the tallest church building in Paris at a height of 107 meters. The latter has been converted into a shrine of some of France's leading military figures, most notably the tomb of Napoleon.

 

en.wikipedia.org/wiki/Les_Invalides

The water fountain on the green at Staindrop, Co. Durham, which was renovated by Staindrop Parish Council in 2020. Despite being known as the water fountain, it has a handle, and excavations showed that there was indeed a lift and force pump located directly under the substantial stone structure. It had a chequered history, in that not long after its original installation in 1865 the embedded ironwork started to crack the stonework and, rather than attempt a major repair, it was decided to install a new standalone pump nearby, which has since been removed. A nearby notice relates the history.

The title of this relates to an article I read some time ago by Ken Rockwell, www.kenrockwell.com/index.htm, in which he explains what is "Good Bokeh", I found it interesting because I happen to be one of those people that think the word good when describing a medium such as photography is subjective and even sometimes what is generally "bad" can be "good" every now and again, if you know what I mean. He even has a chart showing what "poor", "neutral" and "good" bokeh looks like, and I am proud to say I have achieved what I think he describes as "neutral" or "poor" bokeh. Yeah for me!!! :-)))

 

In truth, I don't disagree with him in looking at this image there is something a little too harsh in the blobs of light here. It certainly is not the "smooth and silky" kind of bokeh. But you know after drinking a few of those glasses of what is in the foreground, nothing was in focus, and that is clearly seen in this image (as nothing in the shot is clearly in focus), so I call the shot a success!! :-))))

 

Here is a link to the entire story (which is a great read, seriously), www.kenrockwell.com/tech/bokeh.htm, and an excerpt is below.

 

"Bokeh describes the appearance, or "feel," of out-of-focus areas. Bokeh is not how far something is out-of-focus, bokeh is the character of whatever blur is there.

 

Unfortunately good bokeh doesn't happen automatically in lens design. Perfect lenses render out-of-focus points of light as circles with sharp edges. Ideal bokeh would render each of these points as blurs, not hard-edged circles."

 

So I guess I have a good lens and a "neutral" or perhaps "poor" bokeh shot to show for it! All of this is posted in good spirits, hope it reads that way! Cheers!!! :-))

 

HBW!!!!!!!!!!!!!!!!!!

View On Black

 

3-8-11

 

Yeah let's go

To the sand, the purest sand

Into the sea, yeah let's go

Leaving reason far behind

Nothing here is cruel or kind

Only your desire to set me free…

Let us lie here all alone

Worn away like river stone

Let us be the sirens of the sea

 

I... can not... resist... your call

Oceanlab- Sirens of the Sea

 

I've been exploring some highly personal aspects of my life lately with the project, and it feels right. I think there are others out there that can relate to these aspects of life, and when you inspire or touch others it makes it all worth it. To me, this is just one of the many things that makes a good photo. If you look within, there is a tale of longing that this photo tells... a longing to hold the hand of someone who isn't afraid to follow wherever I might go... I promise to never lead you astray, and I will light our way. But not before the time is right. I'm ready. Are you ready... yeah? Let's go...

 

14-24mm

1 AB1600/gridded in photo

1 AB1600/gridded camera left

CyberCommander/CyberSyncs

 

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Adjective

1. Characterised by lightness and insubstantiality; intangible.

2. Highly refined; delicate.

3. Heavenly or spiritual [Greek aithēr ether]

... a Of the celestial spheres; heavenly.

... b Not of this world; spiritual.

4. Chemistry. Of or relating to ether.

 

Dedicated to Kounelli for being the first person to comment on this shot, and to the volcanic sharrockmary for being a close second.

Uses: Anything relating to finance and money.

 

Free Creative Commons Finance Images... I created these images in my studio and have made them all available for personal or commercial use. Hope you like them and find them useful.

 

To see more of our CC by 2.0 finance images click here... see profile for attribution.

Various trees of life are recounted in folklore, culture and fiction, often relating to immortality or fertility. They had their origin in religious symbolism.

Ancient Iran

In pre-Islamic Persian mythology, the Gaokerena world tree is a large, sacred Haoma tree which bears all seeds. Ahriman (Ahreman, Angremainyu) created a frog to invade the tree and destroy it, aiming to prevent all trees from growing on the earth. As a reaction, God (Ahura Mazda) created two kar fish staring at the frog to guard the tree. The two fishes are always staring at the frog and stay ready to react to it. Because Ahriman is responsible for all evil including death, while Ahura Mazda is responsible for all good (including life) the concept of world tree in Persian Mythology is very closely related to the concept of Tree of Life.The sacred plant haoma and the drink made from it. The preparation of the drink from the plant by pounding and the drinking of it are central features of Zoroastrian ritual. Haoma is also personified as a divinity. It bestows essential vital qualities—health, fertility, husbands for maidens, even immortality. The source of the earthly haoma plant is a shining white tree that grows on a paradisiacal mountain. Sprigs of this white haoma were brought to earth by divine birds.Haoma is the Avestan form of the Sanskrit soma. The near identity of the two in ritual significance is considered by scholars to point to a salient feature of an Indo-Iranian religion antedating Zoroastrianism.

Another related issue in ancient mythology of Iran is the myth of Mashyа and Mashyane, two trees who were the ancestors of all living beings. This myth can be considered as a prototype for the creation myth where living beings are created by Gods (who have a human form).

Ancient Egypt

Worshipping Osiris, Isis, and Horus

To the Ancient Egyptians, the Tree of Life represented the hierarchical chain of events that brought every thing into existence. The spheres of the Tree of Life demonstrate the order, process, and method of creation.In Egyptian mythology, in the Ennead system of Heliopolis, the first couple, apart from Shu and Tefnut (moisture and dryness) are Geb and Nuit (earth and sky), are Isis and Osiris. They were said to have emerged from the acacia tree of Iusaaset, which the Egyptians considered the tree of life, referring to it as the "tree in which life and death are enclosed." Some acacia trees contain DMT, a psychedelic drug associated with spiritual experiences. The drug is not orally bio-available, however and there is no evidence the Egyptians had techniques for extracting or otherwise harnessing the drug. A much later myth relates how Set and 72 conspirators killed Osiris, putting him in a coffin, and throwing it into the Nile, the coffin becoming embedded in the base of a tamarisk tree.The Egyptians' Holy Sycamore also stood on the threshold of life and death, connecting the two worlds.

Assyria

Assyrian tree of life, from Nimrud panels.The Assyrian Tree of Life was represented by a series of nodes and criss-crossing lines. It was apparently an important religious symbol, often attended to in Assyrian palace reliefs by human or eagle-headed winged genies, or the King, and blessed or fertilized with bucket and cone. Assyriologists have not reached consensus as to the meaning of this symbol. The name "Tree of Life" has been attributed to it by modern scholarship; it is not used in the Assyrian sources. In fact, no textual evidence pertaining to the symbol is known to exist.

Baha'i Faith

The concept of the tree of life appears in the writings of the Baha'i Faith, where it can refer to the Manifestation of God, a great teacher who appears to humanity from age to age. An example of this can be found in the Hidden Words of Bahá'u'lláh:["Have ye forgotten that true and radiant morn, when in those hallowed and blessed surroundings ye were all gathered in My presence beneath the shade of the tree of life, which is planted in the all-glorious paradise? Awestruck ye listened as I gave utterance to these three most holy words: O friends! Prefer not your will to Mine, never desire that which I have not desired for you, and approach Me not with lifeless hearts, defiled with worldly desires and cravings. Would ye but sanctify your souls, ye would at this present hour recall that place and those surroundings, and the truth of My utterance should be made evident unto all of you."Also, in the Tablet of Ahmad [1], of Bahá'u'lláh:"Verily He is the Tree of Life, that bringeth forth the fruits of God, the Exalted, the Powerful, the Great".Bahá'u'lláh refers to his male descendents as branches (Aghsán) and calls women leaves.

A distinction has been made between the tree of life and the tree of the knowledge of good and evil. The latter represents the physical world with its opposites, such as good and evil and light and dark. In a different context from the one above, the tree of life represents the spiritual realm, where this duality does not exist.

Buddhism

The Bo tree, also called Bodhi tree, according to Buddhist tradition, is the pipal (Ficus religiosa) under which the Buddha sat when he attained Enlightenment (Bodhi) at Bodh Gaya (near Gaya, west-central Bihar state, India). A living pipal at Anuradhapura, Ceylon (now Sri Lanka), is said to have grown from a cutting from the Bo tree sent to that city by King Ashoka in the 3rd century BCE.According to Tibetan tradition when Buddha went to the holy Lake Manasorovar along with 500 monks, he took with him the energy of Prayaga Raj. Upon his arrival, he installed the energy of Prayaga Raj near Lake Manasorovar, at a place now known as Prayang. Then he planted the seed of this eternal banyan tree next to Mt. Kailash on a mountain known as the "Palace of Medicine Buddha".

China

In Chinese mythology, a carving of a Tree of Life depicts a phoenix and a dragon; the dragon often represents immortality. A Taoist story tells of a tree that produces a peach every three thousand years. The one who eats the fruit receives immortality.An archaeological discovery in the 1990s was of a sacrificial pit at Sanxingdui in Sichuan, China. Dating from about 1200 BCE, it contained three bronze trees, one of them 4 meters high. At the base was a dragon, and fruit hanging from the lower branches. At the top is a strange bird-like (phoenix) creature with claws. Also found in Sichuan, from the late Han dynasty (c 25 – 220 CE), is another tree of life. The ceramic base is guarded by a horned beast with wings. The leaves of the tree are coins and people. At the apex is a bird with coins and the Sun.

Christianity

In Catholic Christianity, the Tree of Life represents the immaculate state of humanity free from corruption and Original Sin before the Fall. Pope Benedict XVI has said that "the Cross is the true tree of life." Saint Bonaventure taught that the medicinal fruit of the Tree of Life is Christ himself. Saint Albert the Great taught that the Eucharist, the Body and Blood of Christ, is the Fruit of the Tree of Life.[18] Augustine of Hippo said that the tree of life is Christ: "All these things stood for something other than what they were, but all the same they were themselves bodily realities. And when the narrator mentioned them he was not employing figurative language, but giving an explicit account of things which had a forward reference that was figurative. So then the tree of life also was Christ... and indeed God did not wish the man to live in Paradise without the mysteries of spiritual things being presented to him in bodily form. So then in the other trees he was provided with nourishment, in this one with a sacrament... He is rightly called whatever came before him in order to signify him."[19]

 

The tree first appeared in Genesis 2:9 and 3:22-24 as the source of eternal life in the Garden of Eden, from which access is revoked when man is driven from the garden. It then reappears in the last book of the Bible, the Book of Revelation, and most predominantly in the last chapter of that book (Chapter 22) as a part of the new garden of paradise. Access is then no longer forbidden, for those who "wash their robes" (or as the textual variant in the King James Version has it, "they that do his commandments") "have right to the tree of life" (v.14). A similar statement appears in Rev 2:7, where the tree of life is promised as a reward to those who overcome. Revelation 22 begins with a reference to the "pure river of water of life" which proceeds "out of the throne of God". The river seems to feed two trees of life, one "on either side of the river" which "bear twelve manner of fruits" "and the leaves of the tree were for healing of the nations" (v.1-2).[20] Or this may indicate that the tree of life is a vine that grows on both sides of the river, as John 15:1 would hint at.

In Eastern Christianity the tree of life is the love of God.The tree of life appears in the Book of Mormon in a revelation to Lehi (see 1 Nephi 8:10). It is symbolic of the love of God (see 1 Nephi 11:21-23). Its fruit is described as "most precious and most desirable above all other fruits," which "is the greatest of all the gifts of God" (see 1 Nephi 15:36). In another scriptural book, salvation is called "the greatest of all the gifts of God" (see Doctrine and Covenants 6:13). In the same book eternal life is also called the "greatest of all the gifts of God" (see Doctrine and Covenants 14:7). Because of these references, the tree of life and its fruit is sometimes understood to be symbolic of salvation and post-mortal existence in the presence of God and his love.

Europe

11th century Tree of Life sculpture at an ancient Swedish church

In Dictionnaire Mytho-Hermetique (Paris, 1737), Antoine-Joseph Pernety, a famous alchemist, identified the Tree of Life with the Elixir of Life and the Philosopher's Stone.

In Eden in the East (1998), Stephen Oppenheimer suggests that a tree-worshipping culture arose in Indonesia and was diffused by the so-called "Younger Dryas" event of c. 8000 BCE, when the sea level rose. This culture reached China (Szechuan), then India and the Middle East. Finally the Finno-Ugaritic strand of this diffusion spread through Russia to Finland where the Norse myth of Yggdrasil took root.

Georgia

The Borjgali (Georgian: ბორჯღალი) is an ancient Georgian Tree of Life symbol.

Germanic paganism and Norse mythology[

In Germanic paganism, trees played (and, in the form of reconstructive Heathenry and Germanic Neopaganism, continue to play) a prominent role, appearing in various aspects of surviving texts and possibly in the name of gods.

The tree of life appears in Norse religion as Yggdrasil, the world tree, a massive tree (sometimes considered a yew or ash tree) with extensive lore surrounding it. Perhaps related to Yggdrasil, accounts have survived of Germanic Tribes' honouring sacred trees within their societies. Examples include Thor's Oak, sacred groves, the Sacred tree at Uppsala, and the wooden Irminsul pillar. In Norse Mythology, the apples from Iðunn's ash box provide immortality for the gods.

Hinduism

The Eternal Banyan Tree (Akshaya Vata) is located on the bank of the Yamuna inside the courtyard of Allahabad Fort near the confluence of the Yamuna and Ganga Rivers in Allahabad. The eternal and divine nature of this tree has been documented at length in the scriptures.[citation needed]

During the cyclic destruction of creation when the whole earth was enveloped by waters, akshaya vata remained unaffected. It is on the leaves of this tree that Lord Krishna rested in the form of a baby when land was no longer visible. And it is here that the immortal sage, Markandeya, received the cosmic vision of the Lord. It is under this tree that Buddha meditates eternally. Legend also has it that the Bodi tree at Gaya is a manifestation of this tree.

Islam

Carpet Tree of Life

Main article: Quranic tree of life

See also: Sidrat al-Muntaha

The "Tree of Immortality" (Arabic: شجرة الخلود) is the tree of life motif as it appears in the Quran. It is also alluded to in hadiths and tafsir. Unlike the biblical account, the Quran mentions only one tree in Eden, also called the tree of immortality, which Allah specifically forbade to Adam and Eve. Satan, disguised as a serpent, repeatedly told Adam to eat from the tree, and eventually both Adam and Eve did so, thus disobeying Allah.] The hadiths also speak about other trees in heaven.

According to the Ahmadiyya movement, Quranic reference to the tree is symbolic; eating of the forbidden tree signifies that Adam disobeyed God.[

Jewish sources

Main articles: Etz Chaim and Biblical tree of life

Etz Chaim, Hebrew for "tree of life," is a common term used in Judaism. The expression, found in the Book of Proverbs, is figuratively applied to the Torah itself. Etz Chaim is also a common name for yeshivas and synagogues as well as for works of Rabbinic literature. It is also used to describe each of the wooden poles to which the parchment of a Sefer Torah is attached.The tree of life is mentioned in the Book of Genesis; it is distinct from the tree of the knowledge of good and evil. After Adam and Eve disobeyed God by eating fruit from the tree of the knowledge of good and evil, they were driven out of the Garden of Eden. Remaining in the garden, however, was the tree of life. To prevent their access to this tree in the future, Cherubim with a flaming sword were placed at the east of the garden. (Genesis 3:22-24)

In the Book of Proverbs, the tree of life is associated with wisdom: "[Wisdom] is a tree of life to them that lay hold upon her, and happy [is every one] that retaineth her." (Proverbs 3:13-18) In 15:4 the tree of life is associated with calmness: "A soothing tongue is a tree of life; but perverseness therein is a wound to the spirit."

The Book of Enoch, generally considered non-canonical, states that in the time of the great judgment God will give all those whose names are in the Book of Life fruit to eat from the Tree of Life.

Kathara grid

The esoteric bio-spiritual healing system of kathara which is presented on Earth by the official Speaker of the Guardian Alliance – E’Asha Ashayana,explains in detail the function of the code of the kathara grid] as the natural tree of life. Kathara reveals the anatomy of Creation, core structure, the blueprints & interconnectedness of all matter forms and in the center is the replication of the kathara grid everywhere.The kathara grid consists of 12 kathara centers and the relationships between them represent the true meaning of the phrase "As above, so below" and the correspondence between microcosmos and macrocosmos.

Kabbalah. Judaic Kabbalah Tree of Life 10 Sephirot, through which the Ein Sof unknowable Divine manifests Creation. The configuration relates to manJewish mysticism depicts the Tree of Life in the form of ten interconnected nodes, as the central symbol of the Kabbalah. It comprises the ten Sephirot powers in the Divine realm. The panentheistic and anthropomorphic emphasis of this emanationist theology interpreted the Torah, Jewish observance, and the purpose of Creation as the symbolic esoteric drama of unification in the Sephirot, restoring harmony to Creation. From the time of the Renaissance onwards, Jewish Kabbalah became incorporated as an important tradition in non-Jewish Western culture, first through its adoption by Christian Cabala, and continuing in Western esotericism occult Hermetic Qabalah. These adapted the Judaic Kabbalah Tree of Life syncretically by associating it with other religious traditions, esoteric theologies, and magical practices.

Mesoamerican

The concept of world trees is a prevalent motif in pre-Columbian Mesoamerican cosmologies and iconography. World trees embodied the four cardinal directions, which represented also the fourfold nature of a central world tree, a symbolic axis mundi connecting the planes of the Underworld and the sky with that of the terrestrial world.Depictions of world trees, both in their directional and central aspects, are found in the art and mythological traditions of cultures such as the Maya, Aztec, Izapan, Mixtec, Olmec, and others, dating to at least the Mid/Late Formative periods of Mesoamerican chronology. Among the Maya, the central world tree was conceived as or represented by a ceiba tree, and is known variously as a wacah chan or yax imix che, depending on the Mayan language.[32] The trunk of the tree could also be represented by an upright caiman, whose skin evokes the tree's spiny trunk.Directional world trees are also associated with the four Yearbearers in Mesoamerican calendars, and the directional colors and deities. Mesoamerican codices which have this association outlined include the Dresden, Borgia and Fejérváry-Mayer codices.[31] It is supposed that Mesoamerican sites and ceremonial centers frequently had actual trees planted at each of the four cardinal directions, representing the quadripartite concept.World trees are frequently depicted with birds in their branches, and their roots extending into earth or water (sometimes atop a "water-monster," symbolic of the underworld). The central world tree has also been interpreted as a representation of the band of the Milky Way.

Middle East

The Epic of Gilgamesh is a similar quest for immortality. In Mesopotamian mythology, Etana searches for a 'plant of birth' to provide him with a son. This has a solid provenance of antiquity, being found in cylinder seals from Akkad (2390–2249 BCE).The Book of One Thousand and One Nights has a story, 'The Tale of Buluqiya', in which the hero searches for immortality and finds a paradise with jewel-encrusted trees. Nearby is a Fountain of Youth guarded by Al-Khidr. Unable to defeat the guard, Buluqiya has to return empty-handed.

North American

In a myth passed down among the Iroquois, The World on the Turtle's Back, explains the origin of the land in which a tree of life is described. According to the myth, it is found in the heavens, where the first humans lived, until a pregnant woman fell and landed in an endless sea. Saved by a giant turtle from drowning, she formed the world on its back by planting bark taken from the tree.The tree of life motif is present in the traditional Ojibway cosmology and traditions. It is sometimes described as Grandmother Cedar, or Nookomis Giizhig in Anishinaabemowin.In the book Black Elk Speaks, Black Elk, an Oglala Lakota (Sioux) wičháša wakȟáŋ (medicine man and holy man), describes his vision in which after dancing around a dying tree that has never bloomed he is transported to the other world (spirit world) where he meets wise elders, 12 men and 12 women. The elders tell Black Elk that they will bring him to meet "Our Father, the two-legged chief" and bring him to the center of a hoop where he sees the tree in full leaf and bloom and the "chief" standing against the tree. Coming out of his trance he hopes to see that the earthly tree has bloomed, but it is dead

Serer religion

In Serer religion, the tree of life as a religious concept forms the basis of Serer cosmogony. Trees were the first things created on Earth by the supreme being Roog (or Koox among the Cangin). In the competing versions of the Serer creation myth, the Somb (Prosopis africana) and the Saas tree (acacia albida) are both viewed as trees of life. However, the prevailing view is that, the Somb was the first tree on Earth and the progenitor of plant life. The Somb was also used in the Serer tumuli and burial chambers, many of which had survived for more than a thousand years.Thus, Somb is not only the Tree of Life in Serer society, but the symbol of immortality

Urartian Tree of Life

In ancient Urartu, the Tree of Life was a religious symbol and was drawn on walls of fortresses and carved on the armor of warriors. The branches of the tree were equally divided on the right and left sides of the stem, with each branch having one leaf, and one leaf on the apex of the tree. Servants stood on each side of the tree with one of their hands up as if they are taking care of the tree.

Turkic .The Tree of Life, as seen as in flag of Chuvashia, a Turkic state in the Russian FederationThe Tree of Life design on 0,05 Turkish lira (5 kuruş).

The World Tree or Tree of Life is a central symbol in Turkic mythology.[citation needed] It is a common motif in carpets.

It is also used as the main design of a common Turkish lira sub-unit 5 kuruş since 2009.

 

en.wikipedia.org/wiki/Tree_of_life

The spectre of Corsica’s general looms over Ajaccio. Napoléon Bonaparte was born here in 1769, and the city is dotted with sites relating to the diminutive dictator, from his childhood home to seafront statues, museums and street names.

  

“Urban art is a style of art that relates to cities and city life. In that way urban art combines street art and graffiti and is often used to summarize all visual art forms arising in urban areas, being inspired by urban architecture or thematizing urban live style.

 

The notion of 'Urban Art' developed from street art that is primarily concerned with graffiti culture. Urban art represents a broader cross section of artists that as well as covering traditional street artists also covers artists using more traditional media but with a subject matter that deals with contemporary urban culture and political issues.”http://en.wikipedia.org/wiki/Urban_art

 

“Wild Flowers are not weeds"

Street Art is the modern, urban wildflowers

What's the difference between Graffiti Tagging and Street Art?

1. Street Art is constructive, Graffiti Tagging is destructive.

2. Street Art adorns the urban landscape, Graffiti Tagging scars it and accelerates urban decay.

3. Street Art stretches your mind, Graffiti Tagging is a slap in your face.

4. Street Art is about the audience, Graffiti Tagging is about the tagger.

5. Street Art says "Have you thought about this?", Graffiti Tagging says "I tag, therefore I exist".

6. Street Art was done with a smile, Graffiti Tagging was done with a scowl.

7. Street Art takes skill, Graffiti Tagging takes balls.

8. We mourn losing Street Art and celebrate losing Graffiti Tagging.

Good Street Art is great, good Graffiti Tagging is gone!

”http://www.graffitiactionhero.org/graffiti-tag-vs-street-art.html

 

Additional interesting sites

www.osnatfineart.com/urban-art.jsp

en.wikipedia.org/wiki/Street_art

 

DSC_0247 final.jpg

A set of photos dedicated to a very special person in my family and also for his wife...missing you guys.

>>>>>E & family/friends>>>> 😃💕✨The value of family life lies in the fact we can all relate to each other; no need for competition or jealousy; we\'re a team with one common goal: To make it to the end!😃💕✨👍😎😊✌😁😜👌

 

good ol\' home boy in action!😃💕✨

  

Four Little Words👍

 

Four little words have stuck in my mind

From the time I was just a small child

“There’s a good feller” is what he would say

When he talked of the men he admired😎😊

 

I remember those men he talked about

Sure ‘nuff cowboys, tough, but kind

They said what they meant and meant what they said

These men are gettin’ harder to find😜👌

 

“There’s a good feller,” meant he was true to his word

That’s all you expect of a man

You knew for sure he was proud to meet you

By the genuine shake of his hand😃💕

 

“There’s a good feller,” meant you could depend

On this man no matter the task

Never got too tough, too cold, or too late

For his help, all you need do is ask

 

“There’s a good feller,” meant he had a light hand

Be it with horses or cattle or crew

He spent most of his life learning this cowboy trade

And he’d be honored to teach it to you

 

“There’ a good feller” meant don’t ask him to do

What ain’t on a true and honest track

He knows it’s easier to keep a good reputation

Than it is to try to build one back

 

“There’s a good feller,” meant he’s a fair-minded man

He helped write cowboyin’s unwritten laws

He won’t ask you to do what he wouldn’t do

Yet knows, at times, the short end you’ll draw

 

“There’s a good feller,” meant, when he’s down on his luck

He can still hold his head way up high

‘Cause he did his best and gave it his all

He knows with faith and God’s help he’ll get by

 

“There’s a good feller,” just four little words

And their meaning won’t run all that deep

But when Dad would use ‘em to describe certain men

You knew they were at the top of the heap

 

“There’s a good feller,” just four little words

But they’ve always been favorites of mine

If after my trails end, my name’s brought up

“There’s a good feller” would suit me just fine

😃💕😃💕😃💕😃💕😃💕😃💕😃💕

  

THA_END!!

  

  

 

Wishing you a fine day!

 

A HDR created from 3 hand held exposures. If it's afternoon sunshine, my mind is instantaneously tempted to create one. Blackbucks are a common sight all over the campus of IIT Madras.

 

Location: For those who can relate, this is in front of Narmad. Hover the mouse on the picture for notes. If I were to retake this shot, one thing I'll definitely change is perspective. But you know, it all happens so fast.

Dignitaries assemble on Roker Pier to watch a block being laid during the visit of the Channel Fleet to Sunderland, 10 September 1895 (TWAM ref. 3768/8).

 

The Sunderland Daily Echo reported that on 10 September 1895 “Admiral Lord Walter Kerr, in the presence of his staff, members of the River Wear Commission and many influential gentleman laid a 45 ton block in the new Pier.

 

This set of images relates to Roker Pier, Sunderland and is taken from a scrapbook kept by Henry Hay Wake, chief engineer to the River Wear Commission.

 

Henry Wake designed Roker Pier and also oversaw its construction from beginning to end. The Pier' s foundation stone was laid in September 1885 and it was formally opened on 23 September 1903. The Pier is 2,800 feet long and was built of Aberdeen granite and concrete cement at a total cost of £290,000.

 

(Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email info@twarchives.org.uk.

 

Okay, this is my first full day in Tallinn, 21 July 2013.

I usually like to post a bit of a history behind these locations, but that is almost impossible with Estonia and the Capitol, Tallinn. If interested, look here:

en.wikipedia.org/wiki/Tallinn

 

(From Wikipedia): St. Olaf’s Church or St. Olav's Church (Estonian: Oleviste kirik) in Tallinn, Estonia, is believed to have been built in the 12th century and to have been the centre for old Tallinn's Scandinavian community before Denmark conquered Tallinn in 1219. Its dedication relates to King Olaf II of Norway (a.k.a. Saint Olaf, 995–1030). The first known written records referring to the church date back to 1267, and it was extensively rebuilt during the 14th century.

 

St. Olaf's Church may have been the tallest building in the world from 1549 to 1625.

 

I can relate to Frankenstein's monster..there are times when I feel like I've been piecemealed together, my body is a mess. My feet are a size and half different from one another, My left arm is contorted from injury, my spine does not properly align... it goes on and on. But the villagers haven't gathered yet so I'm doing pretty good! LOL

well. a lot of thing call my attention but this pic kind freak me out... because I love religious sculptures... and I love to take them pics...I don´t mean to do this pic I just let my eyes to look down and came out this pic which I relate with a virgin...

This relates to the previous photo I posted. The following night I dressed up in a velvet body shirt and black leather mini skirt and went out to a large Disco! I did have fun even though I was nervous with the big crowd.

brown relates to decay, growth and aging.

this was an amazing panorama but my computer crashed twice today and corrupted everything (y), i i started from scratch.

fantastic.

Overview

Great Minds is a dynamic monument that praises the birth of ideas and relates to all creative people. Light work appears in the form of two monumental brains in dialogue, performing active, luminous brainstorming – the unavoidable phase of each creative process – and figuratively using light to emphasize births of unique ideas and sparkling activities of all great minds. Great Minds was first presented in 2021 at Nobel Week Lights in Stockholm, Sweden with the support of GVA, Control Dept and Rebel Light. About Aleksandra Stratimirovic

Aleksandra Stratimirovic graduated in Applied Arts and Design at the University of Arts in Belgrade. She completed her studies in specialized lighting design at the University of Arts, Crafts and Design, Konstfack and the Royal Institute of Technology in Stockholm. Stratimirovic has broad knowledge and understanding of light and lighting technologies, and she is also the author of temporary and permanent light-art installations for numerous public places in Sweden and abroad. Her works include “Transmission” for the World Heritage Grimeton Radio Station, Sweden, “You Are The Dream” in Gothenburg, “Northern Lights” Jardin du Palais Royal, Paris and participation in the Amsterdam Light Festival. She has received numerous awards and recognitions. Her light works are exhibited worldwide, most recently at the NOOR Riyadh Festival, the National Museum in Stockholm and the Skopje Light Art District.

Partnership Festival: Nobel Week Lights

Nobel Week Lights is initiated and produced by Annika Levin, Alexandra Manson and Lara Szabo Greisman from Troika. The initiative collaborates with the Nobel Prize Museum with support from the City of Stockholm, the Stockholm Chamber of Commerce and the Swedish Space Agency, and many other partners and lighting companies. Inspired by Nobel Prize-awarded discoveries and laureates, stunning artworks light up the darkness of the streets of Stockholm each year during the Nobel Week.

 

About Fjord Studio

Fjord Studio is a creative studio dedicated to bringing the magic of light art into people’s lives. Fjord Studio curates and produces light art projects for cultural events, urban spaces, architecture and stage. Based in Oslo, the studio works globally and produces the best in light art. The studio collaborates with renowned Norwegian and international light artists and new talents, experienced technical teams and international partners. With projections on buildings, intimate installations, site-specific light sculptures and immersive video art, the studio’s work is a broad exploration of light art. Together with their artists and customers, the studio works towards a shared vision to create meaningful, inspiring and memorable experiences of light and art. Fjord Studio has been developed by artist and curator Anastasia Isachsen and producer Frank Isachsen, the team behind the light art festival Fjord Oslo. Since 2020, their work has expanded to conceptualize, produce and communicate various types of temporary and permanent projects at the intersection of art and technology – in Norway and internationally. Ongoing projects include the annual light art festival Fjord Oslo, the new light art initiative Fjord Geiranger in Geiranger and Nordic Lights – a collaborative project with Harbourfront Centre and light art festivals in Denmark, Sweden and Finland, in addition to several smaller projects. Source: harbourfrontcentre.com/event/great-minds/

blazer pattern downloaded with undercollar :) pattern pieces cut out, assembled and sellotaped, transferred onto pattern paper and then onto the ironed calico for the toile, test garment, and finally calico edges zigzag stitched ready to be assembled. masking tape on the calico shows it is the reverse side of the fabric, only removed when the blazer is finished

 

much happier now i have the undercollar :) the other jacket was not the blazer, hence no undercollar flic.kr/p/2qDqSu7 i have the updated edition of the dressmaking book and the instructions i have only relate to the blazer. for now the previous downloaded jacket will be put to one side. it's all a learning curve :)

 

i'm following the classic blazer pattern downloaded from this reference book flic.kr/p/2q55djV

'the dressmaking book' by alison smith mbe publisher dk

alongside the reference book i use you tube tutorials that i search for when more explanation is needed

 

How to Sew Darts | Beginner & Advanced www.youtube.com/watch?v=m9x-i-txyfo

5 Tips on how sew non-pointy darts! www.youtube.com/watch?v=D8M_TLn_do4

 

How to Sew an Invisible Zipper

www.youtube.com/watch?v=yaza9t-CAiQ

How to Sew an Invisible Zipper - Updated

www.youtube.com/watch?v=cG8CSr11kjA

How To Sew Invisible Zipper On Shirt / Dress | Sewing Technique Tutorial

www.youtube.com/watch?v=ZHNrRoCSxaE

Invisible Zipper

www.youtube.com/shorts/npDSSAMzNNc

Super clever invisible zip trick

www.youtube.com/watch?v=2UyfKL5G-Bw

 

how to understitch www.youtube.com/watch?v=aFz4tsplENI

what is understitching?

www.youtube.com/watch?v=gnRDeKqKgto

ten top stitching tips www.youtube.com/watch?v=XDRXfYgkU4k

 

Top and Dress

Detailed Sewing Tutorial For A Beginner : Simple Linen Top, Bias Binding Neckline【Free Pattern】

www.youtube.com/watch?v=5cFiT8UcU54

Download the Pattern

www.madebysachi.com/2021/09/27/super-simple-top/

LINEN DRESS DIY【Free Pattern +Easy Draft】Step by Step Guide for Beginner /back opening /Skirt Pleats

www.youtube.com/watch?v=iDFRlF_yEtA&t=0s

Download the Pattern

www.madebysachi.com/2021/09/27/super-simple-top/

BASIC SEAM POCKET

www.madebysachi.com/2022/07/09/basic-seam-pocket/

 

How to Sew Pleats | Box Pleat, Knife Pleat, Inverted Box Pleat

www.youtube.com/watch?v=kRlHcPh38MY

Forming Box Pleats

www.youtube.com/watch?v=cNXJ_BIsb1E

Inverted Pleat

www.youtube.com/watch?v=EfdE3DlJdFQ

 

setting the sleeve www.youtube.com/watch?v=Nqo-SIy8MXY&t=178s

 

coat pattern instructions www.sewmag.co.uk/free-sewing-patterns/serena-wool-coat#lo...

 

How to properly sew a shawl collar jacket/sewing techniques for beginners www.youtube.com/watch?v=DjeqgIfSt9c

Easy Way To Sewing shawl collar | Coat Collar Tutorial Cutting and Stitching | Sewing Tutorial www.youtube.com/watch?v=dsUZjA9JErI

 

my sewing machine JL220 flic.kr/p/2odruLA from john lewis www.johnlewis.com/john-lewis-jl220-sewing-machine-pepperm...

sewing machine maintenance flic.kr/p/2q9GVTh

How to Use your SEWING MACHINE (for Beginners)

www.youtube.com/watch?v=jmaZBTMzkoY

A Beginners' Guide To Using Your Sewing Machine

www.youtube.com/watch?v=imryOl_LNaw

Beginners Sewing Course - Day 1 - The Basics

www.youtube.com/watch?v=IGITrkYdjJs

 

Seam Finishes

10 SEAM FINISHES Without a Serger || Basic to Couture

www.youtube.com/watch?v=GYt7JxC_bIc&t=596s

7 Seam Types and How to Make it- Sewing Lesson for Beginner

www.youtube.com/watch?v=Ax6JDDP_6O8

 

French Seam Pockets

How to Add Pockets to a Side Seam using French Seams

www.youtube.com/watch?v=aatWJL_aAYY

 

Lining

How to add lining to ANY dress pattern | Sewing Tutorial

www.youtube.com/watch?v=ENKI3fSBQBo

How To Sew a Slip Stitch by Hand

www.youtube.com/watch?v=pjky55Cp1_I

 

Buttonholes

3 Sewing Tips to Make Buttonholes Neatly and Quickly

www.youtube.com/watch?v=6oOz28Ybk8I

How to Machine-Sew and Custom-sized Buttonhole

www.youtube.com/watch?v=A6P-TKK3tjg&t=135s

 

Place and Sew Hooks and Eyes Correctly

www.youtube.com/watch?v=_d06GhQx_Wg

 

How to Fix a Low Neckline

www.youtube.com/watch?v=3U-W6W5fh-4

Interfacing

How to fuse iron-on interfacing to fabric

www.youtube.com/watch?v=7idVbAkUBTU

 

reference books

flic.kr/p/2q55djV

 

i'm a complete beginner at dressmaking. posting photos of progress to encourage myself to continue www.flickr.com/photos/connect2012/albums/72177720305370633/ i'm not making any recommendations ...

            

Relating to bygone days when things were tough.

"Hurry up and wait" is a term that transcends language, and is certainly one that the organized military forces of G.I. Joe and the terrorist guerillas of Cobra can mutually relate to. The same can not be said for the mercenaries that call themselves the "Dreadnoks," whose lack of recent fighting or destroying things has raised boredom levels to an unsustainable level. While three mercenaries find themselves terrified and amused by their fellow rogue's flamethrower going off, the team's second-in-command - Zarana - complains to the group's leader about the lack of anything to do. But Zartan - the Dreadnok's leader and Zarana's brother - has been Cobra's most dependable mercenary for a long while, and he is aware that the sizeable paycheck that awaits them will put a stopper in any further complaints from his henchmen. Until then, he sharpens his knife on the rocks, and amuses himself by eavesdropping on the low-brow arguments his fellow mercs constantly find themselves in.

 

Cobra's global reach could not have been acquired by the use of their own paramilitary forces alone. It has often recruited, coerced, or otherwise threatened smaller criminal organizations, governments, and gangs to expand their influence in the less-enforceable patches of the world. A stand-out from these outreaches are the Dreadnoks, a band of mercenaries who have made it clear how much violence and destruction they are willing to cause and sustain with the promise of money. Originally posted in the Australian outback, the Dreadnoks were eventually taken under the leadership of the mercenary Zartan, and were subsequently relocated to the Florida Everglades. Under Zartan's leadership, he placed his own sister - Zarana - to be the Dreadnoks' second-in-command, all the while answering to the orders that come on high from Cobra itself.

I have a 90 year old neighbor who has hiked the 890 km length of the Bruce Trail three or four times. In the heyday of his 70's and even 80's, walking 30 or even 50 km was just a walk in the park for him. In the last year, his hips started giving out it's been one of the most difficult things he's had to leave behind. He still goes out for a walk around the block every day, just one step at a time, with a crutch under one arm and a cane in the other. Seeing him hobble down the street, I can completely relate to his determination as our own time feels the most grounded somewhere on a hiking trail. I'm also very blessed having someone to share that passion with and we're both looking forward to the day when the trails reopen after the current pandemic.

Honestly the most relatable thing I have ever photographed

This picture makes me nostalgic .... I can relate so many things; so many emotions to this very capture.

 

Leave you with this beautiful number ... need to say no more .

 

The mellow nostalgic number ... Maar Udaari ~ Nii Kooghiyay Maar Udaari

warning: if you're about to get married ~ can bring some tears ;~)

 

ps: our brethren in Swat need your help ... please click here and here for some quick dose of Pakistaniat :)

 

Allah be with my land IA.

 

ps: Ayeshaaz's video was in my mind too while taking this snap..

  

E X P L O R E D #353 ~ 21st may 09

The chapel features, on its three walls, frescoed scenes relating to the Universal Flood, the Entrance of the Animals into the Ark, the End of the Flood and Noah's Drunkenness. The compositions are characterised by outdoor visions marked by the presence of human figures and animals, both depicted on a small scale. The painter's attention seems to be focused on the description of the variety of animals and birds, without, however, failing to dwell on the more intensely dramatic scenes, such as the cases of those who drown, going as far as the cold analysis of the corpses strewn on the ground after the Flood. The stories of the Flood are linked to the fresco of the Baptism of Christ that faces them in the cloistered church, as a foreshadowing of that moment of salvation, according to what St Peter makes clear in the First Epistle (3:20-21): "God in his longsuffering waited in the days of Noah for the ark to be built, in which eight people in all found escape from the water, a figure, this one, of the Baptism that now saves us".

Historical-critical information: In these frescoes, Aurelio Luini displays an unprecedented propensity for storytelling and narration for its own sake, which results in a smug amusement directed above all at the descriptive rendering of the various animal species, rendered with an almost lenticular meticulousness. As the son of Bernardino Luini, who was active for many years in San Maurizio, Aurelio showed undisputed talent for painting, which led him to collaborate with his older brother Giovan Pietro from 1555 onwards. Here, as in other cases, Aurelio exhibits the peculiar characteristics of his painting, sustained by an exuberant expressive emphasis that is fully in line with contemporary 'Mannerism'. The naturalistic taste manifested in the frescoes of the Noah's Ark chapel also reflects the interest that Aurelio, a member of the Accademia della Val di Blenio (run by Giovan Paolo Lomazzo), had always shown in Leonardo's research.

  

Only Greats Relate, MISFIT MOB & SAVKREW

archives

 

"You can never correct your work well until you have forgotten it."

-Voltaire

 

There are approximately 350 images in my stream marked 'private', for the purpose of allowing me to forget and rediscover them at a later date; usually coinciding with periods where I'm thoroughly uninspired and unhappy with my recent work. I have several monumental irons in the fire that I will eventually share relating to photography, so I'm not complaining. But the inevitable ebb and flow of creative energy definitely takes a toll. A break from shooting is probably in order, but it's hard to put down the camera. Vicious cycle. :)

Cabinet of Curiosities of Bonnier de la Mosson

Housed at the Bibliotèque centrale du Muséum national d'Histoire naturelle, Paris.

Of, or relating to, the Morbid Anatomy Blog.

Uses: Anything relating to finance and money.

 

Free Creative Commons Finance Images... I created these images in my studio and have made them all available for personal or commercial use. Hope you like them and find them useful.

 

To see more of our CC by 2.0 finance images click here... see profile for attribution.

Uses: Anything relating to finance and money.

 

Free Creative Commons Finance Images... I created these images in my studio and have made them all available for personal or commercial use. Hope you like them and find them useful.

 

To see more of our CC by 2.0 finance images click here... see profile for attribution.

I've never been able to relate to many people. I've always been the outcast child. I don't follow the rules. That's kind of how I do everything. Through my music, I've found a place in the world where I'm accepted, so I'm happy. "Neon Hitch"

 

Shirt - [AK] - Andrew Shirt Black

shorts - PBM Mens [Saggin' Shorts] Camo

bracelet - Izzie's - 2 Say It With A Bracelet (Loved)

watch - = REBELLION = "MAGNUS" CUFF WATCH

 

Shirt - [AK] - Andrew Shirt Black) I got this shirt just as a quick outfit change the other day, I half expected it to be bad, not a slight on [AK] but I've not had great success with shirts lately, I have to dig and dig to find ones I like. This one however surprised me, or I wouldn't be doing a post on it. The texture is subtle, and well done, the shadows are fantastic, not over done, just perfect. The only thing I have an issue with is fitting the shirt over jeans, most of my jeans poke through at the waist area.. However I needed a good shirt with the shorts I have on here, and this fits the bill. So if you want a Deep DEEP V, go pick this up!

 

Shorts - PBM Mens [Saggin' Shorts] Camo) - Okay so I'm kind of a snob when it comes to pants/jeans/shorts, I admit that freely. I will trash a pair of jeans if the texture is not perfect. So when I looked at PBM, I grabbed the demo and like [AK] shirt I expected these to also be shit. I couldn't have been more wrong, PBM Keep up the good work guys! Love these, they fit perfectly and look great!

 

The Bracelet and watch I'll do together, you can't really see them well in the photo, but both are very well textured, and both resizable! if you are in need of some accessories give Rebellion and Izzie's a shot! (special thanks to Hope for the bracelet! <3)

 

Blog Link - normalattireblog.wordpress.com/

The artist name is Rick Lowe. This 2021 mural sized painting relates to dominoes. The Whitney page explains that here.

 

Copy and Paste:

 

Rick Lowe, who uses playing dominoes as the basis for his paintings, has talked about the symbolic qualities of the game as scenarios for community engagement. Lowe began by photographing and later tracing the patterns made by domino games, using them as a model for a form of abstraction grounded in lived experience. He finds playing dominos to be “an incredibly spiritual and educational experience. There’s a code of ethics around the way the game is played; rigorous competition, humility, and respect.”

 

Lowe’s early career was focused on painting until his work shifted into social practice. This work’s title frames the question that helped instigate this pivot. A teenager had asked him: if artists are creative, why can’t they create solutions? With this question in mind, he co-founded Project Row Houses in 1993, transforming condemned houses in Houston’s Third Ward into spaces for artists’ projects, educational programs, and social services. Returning to painting, Lowe has explained, provides “nourishment” and a space for reflection, complementing his activism.

 

It is one of those large scale works of art that you can look at for a long time.

One of the more unusual little series of photos in the PMT archive relates to this move. It's odd to modern day eyes to see a bus being towed by another, but until about 30 years ago it was quite commonplace. Changes in legislation and fear of H&S repercussions have generally seen the remaining operators contract out their recovery work to specialists, and dealers/ breakers using exclusively lorries.

Here 'Bertie' the bus is about to be towed away by Reggie the Royal Tiger. Well, actually the ex PMT bus being taken away by a dealer's Royal Tiger is KEH 606, an AEC Regal 1, new in 1946, but lengthened in 1955 after which it lasted another 4 years in PSV service. The relatively youthful Royal Tiger was apparently owned by dealer Frank Cowley from Salford. I believe this picture shows its removal from PMT property but if it does, I guess it must have served as a store shed briefly. Records show that the bus passed to a Manchester area breaker shortly afterwards.

Uses: Anything relating to finance and money.

 

Free Creative Commons Finance Images... I created these images in my studio and have made them all available for personal or commercial use. Hope you like them and find them useful.

 

To see more of our CC by 2.0 finance images click here... see profile for attribution.

These guys can relate! They climb 24/7 and never seem to get anywhere.

Larger, if you please.

Digitalmania challenge relating to balloons. An opportunity to continue experimenting with photoshop brushes. Balloon credit to Pixabay.

 

Uploaded noon Thursday July 18th.

is liking someone through the fondness of familiarity, family members or people who relate in familiar ways that have otherwise found themselves bonded by chance. An example is the natural love and affection of a parent for their child

Discourse points toward

An interpretative turn

Inscribed articulation

I’m a photographer and recovering alcoholic. This is me at the peak of my addiction. I hung my camera by microphone wires on ceiling fan. Hope you can relate.

The Moon has reached the first quarter of it's phase, but it's been

so cloudy, misty, foggy and rainy that I haven't been able to see it!

I took this photo on leap day 29th February 2012 when the Moon was at a similar phase as it is now. I love the way that the craters show up so well on the terminator when the sun is shining at an angle.

 

Highest position in Explore: 112 on Thursday, November 22, 2012

 

#29 - Leap Day (Any shot to be taken on, or relating to 29th February 2012) in 112 pictures in 2012

I love conversing with seaweed farmers. It is business for me so I can relate to the woes in cultivating the "gold of the sea." This woman was under the shelter of a cove at Lembongan, tending to her seaweed harvest. She was cleaning out the green epiphytic algae that was parasitically clinging on the cottonii (the clean ones are in the basket already). Was she sweet to give me that smile.

 

Lembongan, Lembongan Island, Bali, Indonesia

 

more pics and journeys in colloidfarl.blogspot.com/

The chapel features, on its three walls, frescoed scenes relating to the Universal Flood, the Entrance of the Animals into the Ark, the End of the Flood and Noah's Drunkenness. The compositions are characterised by outdoor visions marked by the presence of human figures and animals, both depicted on a small scale. The painter's attention seems to be focused on the description of the variety of animals and birds, without, however, failing to dwell on the more intensely dramatic scenes, such as the cases of those who drown, going as far as the cold analysis of the corpses strewn on the ground after the Flood. The stories of the Flood are linked to the fresco of the Baptism of Christ that faces them in the cloistered church, as a foreshadowing of that moment of salvation, according to what St Peter makes clear in the First Epistle (3:20-21): "God in his longsuffering waited in the days of Noah for the ark to be built, in which eight people in all found escape from the water, a figure, this one, of the Baptism that now saves us".

Historical-critical information: In these frescoes, Aurelio Luini displays an unprecedented propensity for storytelling and narration for its own sake, which results in a smug amusement directed above all at the descriptive rendering of the various animal species, rendered with an almost lenticular meticulousness. As the son of Bernardino Luini, who was active for many years in San Maurizio, Aurelio showed undisputed talent for painting, which led him to collaborate with his older brother Giovan Pietro from 1555 onwards. Here, as in other cases, Aurelio exhibits the peculiar characteristics of his painting, sustained by an exuberant expressive emphasis that is fully in line with contemporary 'Mannerism'. The naturalistic taste manifested in the frescoes of the Noah's Ark chapel also reflects the interest that Aurelio, a member of the Accademia della Val di Blenio (run by Giovan Paolo Lomazzo), had always shown in Leonardo's research.

  

Always interesting to observe these behemoths, their behavioural complexity relatable to our own in some ways. Among the megafauna that persists (along with India's healthiest population of wild tigers), albeit amidst increasing conflict with humans as a result of habitat modification, in South India's Hill forests.

 

Please see link below for a trip report from a mammal and birdwatching guided trip to some of south India's best wildlife destinations ficustours.blogspot.com/2018/12/western-ghats-of-south-in...

 

www.ficuswildlife.net

www.instagram.com/ficustours1

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