Korean cuisine has evolved through centuries of social and political change. Originating from ancient agricultural and nomadic traditions in the Korean peninsula and southern Manchuria, Korean cuisine has evolved through a complex interaction of the natural environment and different cultural trends.

 

Korean cuisine is largely based on rice, vegetables, and meats. Traditional Korean meals are noted for the number of side dishes (반찬; banchan) that accompany steam-cooked short-grain rice. Kimchi is almost always served at every meal. Commonly used ingredients include sesame oil, doenjang (fermented bean paste), soy sauce, salt, garlic, ginger, pepper flakes, gochujang (fermented red chili paste) and cabbage.

 

FOOD

GRAINS

Grains have been one of the most important staples of the Korean diet. Early myths of the foundations of various kingdoms in Korea center on grains. One foundation myth relates to Jumong, who received barley seeds from two doves sent by his mother after establishing the kingdom of Goguryeo. Yet another myth speaks of the three founding deities of Jeju Island, who were to be wed to the three princesses of Tamna; the deities brought seeds of five grains which were the first seeds planted, which in turn became the first instance of farming.

 

During the pre-modern era, grains such as barley and millet were the main staples and were supplemented by wheat, sorghum, and buckwheat. Rice is not an indigenous crop to Korea, and millet was likely the preferred grain before rice was cultivated. Rice became the grain of choice during the Three Kingdoms period, particularly in the Silla and Baekje Kingdoms in the southern regions of the peninsula. Rice was such an important commodity in Silla that it was used to pay taxes. The Sino-Korean word for "tax" is a compound character that uses the character for the rice plant. The preference for rice escalated into the Joseon period, when new methods of cultivation and new varieties emerged that would help increase production.

 

As rice was prohibitively expensive when it first came to Korea, the grain was likely mixed with other grains to "stretch" the rice; this is still done in dishes such as boribap (rice with barley) and kongbap (rice with beans). White rice, which is rice with the bran removed, has been the preferred form of rice since its introduction into the cuisine. The most traditional method of cooking the rice has been to cook it in an iron pot called a sot (솥) or musoe sot (무쇠솥). This method of rice cookery dates back to at least the Goryeo period, and these pots have even been found in tombs from the Silla period. The sot is still used today, much in the same manner as it was in the past centuries.

 

Rice is used to make a number of items, outside of the traditional bowl of plain white rice. It is commonly ground into a flour and used to make rice cakes called tteok in over two hundred varieties. It is also cooked down into a congee (juk), or gruel (mieum) and mixed with other grains, meat, or seafood. Koreans also produce a number of rice wines, both in filtered and unfiltered versions.

 

LEGUMES

Legumes have been significant crops in Korean history and cuisine according to earliest preserved legumes found in archaeological sites in Korea. The excavation at Okbang site, Jinju, South Gyeongsang province indicates soybeans were cultivated as a food crop circa 1000–900 BCE. They are made into tofu (dubu), while soybean sprouts are sauteed as a vegetable (kongnamul) and whole soybeans are seasoned and served as a side dish. They are also made into soy milk, which is used as the base for the noodle dish called kongguksu. A byproduct of soy milk production is okara (kongbiji), which is used to thicken stews and porridges.

 

Mung beans are commonly used in Korean cuisine, where they are called nokdu (녹두, literally "green bean"). Mung bean sprouts, called sukju namul, are often served as a side dish, blanched and sautéed with sesame oil, garlic, and salt. Ground mung beans are used to make a porridge called nokdujuk, which is eaten as a nutritional supplement and digestive aid, especially for ill patients.

 

Cultivation of azuki beans dates back to ancient times according to an excavation from Odong-ri, Hoeryong, North Hamgyong Province, which is assumed to be that of Mumun period (approximately 1500-300 BCE).

 

MEAT

In antiquity, most meat in Korea was likely obtained through hunting and fishing. Ancient records indicate rearing of livestock began on a small scale during the Three Kingdoms period. Meat was consumed roasted or in soups or stews during this period. Those who lived closer to the oceans were able to complement their diet with more fish, while those who lived in the interior had a diet containing more meat.

 

BEEF

Beef is the most prized of all, with the cattle holding an important cultural role in the Korean home. Beef is prepared in numerous ways today, including roasting, grilling (gui) or boiling in soups. Beef can also be dried into jerky, as with seafood, called respectively yukpo and eopo.

 

The cattle were valuable draught animals, often seen as equal to human servants, or in some cases, members of the family. Cattle were also given their own holiday during the first 'cow' day of the lunar New Year. The importance of cattle does not suggest Koreans ate an abundance of beef, however, as the cattle were valued as beasts of burden and slaughtering one would create dire issues in farming the land. Pork and seafood were consumed more regularly for this reason. The Buddhist ruling class of the Goryeo period forbade the consumption of beef. The Mongols dispensed with the ban of beef during the 13th century, and they promoted the production of beef cattle. This increased production continued into the Joseon period, when the government encouraged both increased quantities and quality of beef. Only in the latter part of the 20th century has beef become regular table fare.

 

CHICKEN

Chicken has played an important role as a protein in Korean history, evidenced by a number of myths. One myth tells of the birth of Kim Alji, founder of the Kim family of Gyeongju being announced by the cry of a white chicken. As the birth of a clan's founder is always announced by an animal with preternatural qualities, this myth speaks to the importance of chicken in Korean culture. Chicken is often served roasted or braised with vegetables or in soups. All parts of the chicken are used in Korean cuisine, including the gizzard, liver, and feet. Young chickens are braised with ginseng and other ingredients in medicinal soups eaten during the summer months to combat heat called samgyetang.

 

PORK

Pork has also been another important land-based protein for Korea. Records indicate pork has been a part of the Korean diet back to antiquity, similar to beef.

 

A number of foods have been avoided while eating pork, including Chinese bellflower (doraji, 도라지) and lotus root (yeonn ppuri, 연뿌리), as the combinations have been thought to cause diarrhea. All parts of the pig are used in Korean cuisine, including the head, intestines, liver, kidney and other internal organs. Koreans utilize these parts in a variety of cooking methods including steaming, stewing, boiling and smoking. Koreans especially like to eat grilled pork belly, which is called samgyeopsal (삼겹살).

 

FISH AND SEAFOOD

Fish and shellfish have been a major part of Korean cuisine because of the oceans bordering the peninsula. Evidence from the 12th century illustrates commoners consumed a diet mostly of fish and shellfish, such as shrimp, clams, oysters, abalone, and loach, while sheep and hogs were reserved for the upper class.

 

Both fresh and saltwater fish are popular, and are served raw, grilled, broiled, dried or served in soups and stews. Common grilled fish include mackerel, hairtail, croaker and Pacific herring. Smaller fish, shrimp, squid, mollusks and countless other seafood can be salted and fermented as jeotgal. Fish can also be grilled either whole or in fillets as banchan. Fish is often dried naturally to prolong storing periods and enable shipping over long distances. Fish commonly dried include yellow corvina, anchovies (myeolchi) and croaker. Dried anchovies, along with kelp, form the basis of common soup stocks.

 

Shellfish is widely eaten in all different types of preparation. They can be used to prepare broth, eaten raw with chogochujang, which is a mixture of gochujang and vinegar, or used as a popular ingredient in countless dishes. Raw oysters and other seafood can be used in making kimchi to improve and vary the flavor. Salted baby shrimp are used as a seasoning agent, known as saeujeot, for the preparation of some types of kimchi.

 

VEGETABLES

Korean cuisine uses a wide variety of vegetables, which are often served uncooked, either in salads or pickles, as well as cooked in various stews, stir-fried dishes, and other hot dishes. Commonly used vegetables include Korean radish, napa cabbage, cucumber, potato, sweet potato, spinach, bean sprouts, scallions, garlic, chili peppers, seaweed, zucchini, mushrooms and lotus root. Several types of wild greens, known collectively as chwinamul (such as Aster scaber), are a popular dish, and other wild vegetables such as bracken fern shoots (gosari) or Korean bellflower root (doraji) are also harvested and eaten in season. Medicinal herbs, such as ginseng, reishi, wolfberry, Codonopsis pilosula, and Angelica sinensis, are often used as ingredients in cooking, as in samgyetang.

 

MEDICINAL FOODS

Medicinal food (boyangshik) is a wide variety of specialty foods prepared and eaten for medicinal purposes, especially during the hottest 30-day period in the lunar calendar, called sambok. Hot foods consumed are believed to restore ki, as well as sexual and physical stamina lost in the summer heat Commonly eaten boyangshik include: ginseng, chicken, black goat, abalone, eel, carp, beef bone soups, pig kidneys and dog.

 

DOG MEAT

Dog Meat is far less popular today than it used to be in the past, being viewed largely as a kind of health tonic rather than as a diet staple,[citation needed] especially amongst the younger generations who view dogs only as pets and service animals. That said, historically the consumption of dog meat can be traced back to antiquity. Dog bones were excavated in a neolithic settlement in Changnyeong, South Gyeongsang Province. A wall painting in the Goguryeo tombs complex in South Hwanghae Province, a UNESCO World Heritage site which dates from 4th century AD, depicts a slaughtered dog in a storehouse (Ahn, 2000). The Balhae people also enjoyed dog meat, and the Koreans' appetite for canine cuisine seems to have come from that era.

 

Koreans have distinguished Chinese terms for dog "견; 犬", which refers to pet dogs, feral dogs, and wolves from the Chinese term "구; 狗," which is used specifically to indicate dog meat. "Hwangu" has been considered better for consumption than "Baekgu" (White dog) and "Heukgu" (Black dog).

 

Around 1816, Jeong Hak-yu, the second son of Jeong Yak-yong, a prominent politician and scholar of the Joseon dynasty at the time, wrote a poem called Nongga Wollyeongga (농가월령가). This poem, which is an important source of Korean folk history, describes what ordinary Korean farming families did in each month of the year. In the description of the month of August the poem tells of a married woman visiting her birth parents with boiled dog meat, rice cake, and rice wine, thus showing the popularity of dog meat at the time (Ahn, 2000; Seo, 2002). Dongguk Sesigi (동국세시기), a book written by Korean scholar Hong Seok-mo in 1849, contains a recipe for Bosintang including a boiled dog, green onion, and red chili pepper powder.

 

According to one survey conducted in 2006, dog meat is the 4th most commonly consumed meat within South Korea.

 

GINSENG CHICKEN SOUP (SAMGYETANG)

Samgyetang is a hot chicken soup to boost your energy in the hot summer season. It is made with a young whole chicken stuffed with ginseng, garlic and sweet rice. Samgyetang is a Koreans' favorite energizing food and it is common to have it on sambok(삼복) days; Chobok(초복), Jungbok(중복) and Malbok(말복) which are believed to be the hottest days in Korea.

 

SOUPS AND STEWS

Soups are a common part of any Korean meal. Unlike other cultures, in Korean culture, soup is served as part of the main course rather than at the beginning or the end of the meal, as an accompaniment to rice along with other banchan. Soups known as guk are often made with meats, shellfish and vegetables. Soups can be made into more formal soups known as tang, often served as the main dish of the meal. Jjigae are a thicker, heavier seasoned soups or stews.

 

SOME POPULAR TYPES OF SOUPS

- Malgeunguk (맑은국), are flavored with ganjang. Small amounts of long boiled meat may be added to the soup, or seafood both fresh and dried may be added, or vegetables may be the main component for the clear soup.

- Tojangguk (토장국) are seasoned with doenjang. Common ingredients for tojang guk include seafood such as clams, dried anchovies, and shrimp. For a spicier soup, gochujang is added.

- Gomguk (곰국) or gomtang (곰탕), and they are made from boiling beef bones or cartilage. Originating as a peasant dish, all parts of beef are used, including tail, leg and rib bones with or without meat attached; these are boiled in water to extract fat, marrow, and gelatin to create a rich soup. Some versions of this soup may also use the beef head and intestines. The only seasoning generally used in the soup is salt.

- Naengguk (냉국), which are cold soups generally eaten during the summer months to cool the diner. A light hand is usually used in the seasoning of these soups usually using ganjang and sesame oil.

 

Stews are referred to as jjigae, and are often a shared side dish. Jjigae is often both cooked and served in the glazed earthenware pot (ttukbaegi) in which it is cooked. The most common version of this stew is doenjang jjigae, which is a stew of soybean paste, with many variations; common ingredients include vegetables, saltwater or freshwater fish, and tofu. The stew often changes with the seasons and which ingredients are available. Other common varieties of jjigae contain kimchi (kimchi jjigae) or tofu (sundubu jjigae).

 

KIMCHI

Kimchi refers to often fermented vegetable dishes usually made with napa cabbage, Korean radish, or sometimes cucumber, commonly fermented in a brine of ginger, garlic, scallions, and chili pepper. There are endless varieties with regional variations, and it is served as a side dish or cooked into soups and rice dishes. Koreans traditionally make enough kimchi to last for the entire winter season, as fermented foods can keep for several years. These were stored in traditional Korean mud pots known as Jangdokdae although with the advent of refrigerators, special Kimchi freezers and commercially produced kimchi, this practice has become less common. Kimchi is packed with vitamin A, thiamine B1, riboflavin B2, calcium, and iron. Its main benefit though is found in the bacteria lactobacilli; this is found in yogurt and fermented foods. This bacteria helps with digestion. South Koreans eat an average of 40 pounds of Kimchi each year.

 

NOODLES

Noodles or noodle dishes in Korean cuisine are collectively referred to as guksu in native Korean or myeon in hanja. While noodles were eaten in Korea from ancient times, productions of wheat was less than other crops, so wheat noodles did not become a daily food until 1945. Wheat noodles (milguksu) were specialty foods for birthdays, weddings or auspicious occasions because the long and continued shape were thought to be associated with the bliss for longevity and long-lasting marriage.

 

In Korean traditional noodle dishes are onmyeon or guksu jangguk (noodles with a hot clear broth), naengmyeon (cold buckwheat noodles), bibim guksu (cold noodle dish mixed with vegetables), kalguksu (knife-cut noodles), kongguksu (noodles with a cold soybean broth), japchae (cellophane noodles made from sweet potato with various vegetables) and others. In royal court, baekmyeon (literally "white noodles") consisting of buckwheat noodles and pheasant broth, was regarded as the top quality noodle dish. Naengmyeon with a cold soup mixed with dongchimi (watery radish kimchi) and beef brisket broth was eaten in court during summer.

 

- Jajangmyeon, a staple Koreanized Chinese noodle dish, is extremely popular in Korea as fast, take-out food. It is made with a black bean sauce usually fried with diced pork or seafood and a variety of vegetables, including zucchini and potatoes. It is popularly ordered and delivered, like Chinese take-out food in other parts of the world.

- Ramyeon refers to Korean instant noodles similar to ramen.

 

BANCHAN

Banchan is a term referring collectively to side dishes in Korean cuisine. Soups and stews are not considered banchan.

 

Gui are grilled dishes, which most commonly have meat or fish as their primary ingredient, but may in some cases also comprise grilled vegetables or other vegetable ingredients. At traditional restaurants, meats are cooked at the center of the table over a charcoal grill, surrounded by various banchan and individual rice bowls. The cooked meat is then cut into small pieces and wrapped with fresh lettuce leaves, with rice, thinly sliced garlic, ssamjang (a mixture of gochujang and dwenjang), and other seasonings. The suffix gui is often omitted in the names of meat-based gui such as galbi, the name of which was originally galbi gui.

- List of grilled dishes commonly found in Korean cuisine

Jjim and seon (steamed dishes) are generic terms referring to steamed or boiled dishes in Korean cuisine. However, the former is made with meat or seafood-based ingredients marinated in gochujang or ganjang while seon is made with vegetable stuffed with fillings.

- List of steamed dishes commonly found in Korean cuisine

Hoe (raw dishes): although the term originally referred to any kind of raw dish, it is generally used to refer to saengseonhweh (생선회, raw fish dishes). It is dipped in gochujang, or soy sauce with wasabi, and served with lettuce or perilla leaves.

- List of raw dishes commonly found in Korean cuisine

Jeon (or buchimgae) are savory pancakes made from various ingredients. Chopped kimchi or seafood is mixed into a wheat flour-based batter, and then pan fried. This dish tastes best when it is dipped in a mixture of soy sauce, vinegar, and red pepper powder.

- List of jeon dishes commonly found in Korean cuisine

Namul may be used to refer to either saengchae (생채, literally "fresh vegetables") or sukchae (숙채, literally "heated vegetables"), although the term generally indicates the latter. Saengchae is mostly seasoned with vinegar, chili pepper powder and salt to give a tangy and refreshing taste. On the other hand, sukchae (숙채) is blanched and seasoned with soy sauce, sesame oil, chopped garlic, or sometimes chili pepper powder.

- List of namul dishes commonly found in Korean cuisine

Anju (side dishes accompanying alcoholic beverages)

Anju is a general term for a Korean side dish consumed with alcohol. Some examples of anju include steamed squid with gochujang, assorted fruit, dubu kimchi (tofu with kimchi), peanuts, odeng/ohmuk, sora (소라) (a kind of shellfish popular in street food tents), and nakji (small octopus). Soondae is also a kind of anju, as is samgyeopsal, or dwejigalbi, or chicken feet. Most Korean foods may be served as anju, depending on availability and the diner's taste. However, anju is considered different from the banchan served with a regular Korean meal. Jokbal is pig's leg served with saeujeot (salted fermented shrimp sauce).

 

BEVERAGES

NONALCOHOLICBEVERAGES

All Korean traditional nonalcoholic beverages are referred to as eumcheong or eumcheongnyu (음청류 飮淸類) which literally means "clear beverages". According to historical documents regarding Korean cuisine, 193 items of eumcheongnyu are recorded. Eumcheongnyu can be divided into the following categories: tea, hwachae (fruit punch), sikhye (sweet rice drink), sujeonggwa (persimmon punch), tang (탕, boiled water), jang (장, fermented grain juice with a sour taste), suksu (숙수, beverage made of herbs), galsu (갈수, drink made of fruit extract, and Oriental medicine), honeyed water, juice and milk by their ingredient materials and preparation methods. Among the varieties, tea, hwachae, sikhye, and sujeonggwa are still widely favored and consumed; however, the others almost disappeared by the end of the 20th century.

 

In Korean cuisine, tea, or cha, refers to various types of herbal tea that can be served hot or cold. Not necessarily related to the leaves, leaf buds, and internodes of the Camellia sinensis plant, they are made from diverse substances, including fruits (e.g. yujacha), flowers (e.g. gukhwacha), leaves, roots, and grains (e.g. boricha, hyeonmi cha) or herbs and substances used in traditional Korean medicine, such as ginseng (e.g. Insam cha) and ginger (e.g. saenggang cha).

 

ALCOHOLIC BEVERAGES

While soju is the best known liquor, there are well over 100 different alcoholic beverages, such as beers, rice and fruit wines, and liquors produced in South Korea as well as a sweet rice drink. The top-selling domestic beers (the Korean term for beer being maekju) are lagers, which differ from Western beers in that they are brewed from rice, rather than barley. Consequently, Korean beers are lighter, sweeter and have less head than their Western counterparts. The South Korean beer market is dominated by the two major breweries: Hite and OB. Taedonggang is a North Korean beer produced at a brewery based in Pyongyang since 2002. Microbrewery beers and bars are growing in popularity after 2002.

 

Soju is a clear spirit which was originally made from grain, especially rice, and is now also made from sweet potatoes or barley. Soju made from grain is considered superior (as is also the case with grain vs. potato vodka). Soju is around 22% ABV, and is a favorite beverage of hard-up college students, hard-drinking businessmen, and blue-collar workers.

 

Yakju is a refined pure liquor fermented from rice, with the best known being cheongju. Takju is a thick unrefined liquor made with grains, with the best known being makgeolli, a white, milky rice wine traditionally drunk by farmers.

 

In addition to the rice wine, various fruit wines and herbal wines exist in Korean cuisine. Acacia, maesil plum, Chinese quince, cherry, pine fruits, and pomegranate are most popular. Majuang wine (a blended wine of Korean grapes with French or American wines) and ginseng-based wines are also available

 

SWEETS

Traditional rice cakes, tteok and Korean confectionery hangwa are eaten as treats during holidays and festivals. Tteok refers to all kinds of rice cakes made from either pounded rice (메떡, metteok), pounded glutinous rice (찰떡, chaltteok), or glutinous rice left whole, without pounding. It is served either filled or covered with sweetened mung bean paste, red bean paste, mashed red beans, raisins, a sweetened filling made with sesame seeds, sweet pumpkin, beans, jujubes, pine nuts or honey). Tteok is usually served as dessert or as a snack. Among varieties, songpyeon is a chewy stuffed tteok served at Chuseok. Honey or another soft sweet material such as sweetened sesame or black beans are used as fillings. Pine needles can be used for imparting flavor during the steaming process. Yaksik is a sweet rice cake made with glutinous rice, chestnuts, pine nuts, jujubes, and other ingredients, while chapssaltteok is a tteok filled with sweet bean paste.

 

On the other hand, hangwa is a general term referring to all types of Korean traditional confectionery. The ingredients of hahngwa mainly consist of grain flour, honey, yeot, and sugar, or of fruit and edible roots. Hangwa is largely divided into yumilgwa (fried confectionery), suksilgwa, jeonggwa, gwapyeon, dasik (tea food) and yeot. Yumilgwa is made by stir frying or frying pieces of dough, such as maejakgwa and yakgwa. Maejakgwa is a ring-shaped confection made of wheat flour, vegetable oil, cinnamon, ginger juice, jocheong, and pine nuts, while yakgwa, literally "medicinal confectionery", is a flower-shaped biscuit made of honey, sesame oil and wheat flour.

 

Suksilgwa is made by boiling fruits, ginger, or nuts in water, and then forming the mix into the original fruit's shape, or other shapes. Gwapyeon is a jelly-like confection made by boiling sour fruits, starch, and sugar. Dasik, literally "eatery for tea", is made by kneading rice flour, honey, and various types of flour from nuts, herbs, sesame, or jujubes. Jeonggwa, or jeongwa, is made by boiling fruits, plant roots and seeds in honey, mulyeot (물엿, liquid candy) or sugar. It is similar to marmalade or jam/jelly. Yeot is a Korean traditional candy in liquid or solid form made from steamed rice, glutinous rice, glutinous kaoliang, corn, sweet potatoes or mixed grains. The steamed ingredients are lightly fermented and boiled in a large pot called sot (솥) for a long time.

 

REGIONAL AND VARIANT CUISINES

Korean regional cuisines (Korean: hyangto eumsik, literally "native local foods") are characterized by local specialties and distinctive styles within Korean cuisine. The divisions reflected historical boundaries of the provinces where these food and culinary traditions were preserved until modern times.

 

Although Korea has been divided into two nation-states since 1948 (North Korea and South Korea), it was once divided into eight provinces (paldo) according to the administrative districts of the Joseon Dynasty. The northern region consisted of Hamgyeong Province, Pyeongan Province and Hwanghae Province. The central region comprised Gyeonggi Province, Chungcheong Province, and Gangwon Province. Gyeongsang Province and Jeolla Province made up the southern region.

 

Until the late 19th century, transportation networks were not well developed, and each provincial region preserved its own characteristic tastes and cooking methods. Geographic differences are also reflected by the local specialty foodstuffs depending on the climate and types of agriculture, as well as the natural foods available. With the modern development of transportation and the introduction of foreign foods, Korean regional cuisines have tended to overlap and integrate. However, many unique traditional dishes in Korean regional cuisine have been handed down through the generations.

 

BUDDHIST CUISINE

Korean temple cuisine originated in Buddhist temples of Korea. Since Buddhism was introduced into Korea, Buddhist traditions have strongly influenced Korean cuisine, as well. During the Silla period (57 BCE – 935 CE), chalbap (찰밥, a bowl of cooked glutinous rice) yakgwa (a fried dessert) and yumilgwa (a fried and puffed rice snack) were served for Buddhist altars and have been developed into types of hangwa, Korean traditional confectionery. During the Goryeo Dynasty, sangchu ssam (wraps made with lettuce), yaksik, and yakgwa were developed, and since spread to China and other countries. Since the Joseon Dynasty, Buddhist cuisine has been established in Korea according to regions and temples.

 

On the other hand, royal court cuisine is closely related to Korean temple cuisine. In the past, when the royal court maids, sanggung, who were assigned to Suragan (hangul: 수라간; hanja: 水剌間; the name of the royal kitchen), where they prepared the king's meals, became old, they had to leave the royal palace. Therefore, many of them entered Buddhist temples to become nuns. As a result, culinary techniques and recipes of the royal cuisine were integrated into Buddhist cuisine.

 

VEGETARIAN CUISINE

Vegetarian cookery in Korea may be linked to the Buddhist traditions that influenced Korean culture from the Goryeo dynasty onwards. There are hundreds of vegetarian restaurants in Korea, although historically they have been local restaurants that are unknown to tourists. Most have buffets, with cold food, and vegetarian kimchi and tofu being the main features. Bibimbap is a common vegan dish. Menus change with seasons. Wine with the alcohol removed and fine teas are also served. The Korean tea ceremony is suitable for all vegetarians and vegans, and began with Buddhist influences. All food is eaten with a combination of rather slippery stainless steel oval chopsticks and a long-handled shallow spoon called together sujeo.

 

CEREMONIAL FOOD

Food is an important part of traditions of Korean family ceremonies, which are mainly based on the Confucian culture. Gwan Hon Sang Je (관혼상제; 冠婚喪祭), the four family ceremonies (coming-of-age ceremony, wedding, funeral, and ancestral rite) have been considered especially important and elaborately developed, continuing to influence Korean life to these days. Ceremonial food in Korea has developed with variation across different regions and cultures.

 

For example, rituals are mainly performed on the anniversary of deceased ancestors, called jesa. Ritual food include rice, liquor, soup, vinegar and soy sauce (1st row); noodles, skewered meat, vegetable and fish dishes, and rice cake (2nd row); three types of hot soup, meat and vegetable dishes (3rd row); dried snacks, kimchi, and sweet rice drink (4th row); and variety of fruit (5th row).

 

ETIQUETTE

DINING

Dining etiquette in Korea can be traced back to the Confucian philosophies of the Joseon period. Guidebooks, such as Sasojeol (士小節, Elementary Etiquette for Scholar Families), written in 1775 by Yi Deokmu (이덕무; 李德懋), comment on the dining etiquette for the period. Suggestions include items such as "when you see a fat cow, goat, pig, or chicken, do not immediately speak of slaughtering, cooking or eating it", "when you are having a meal with others, do not speak of smelly or dirty things, such as boils or diarrhea," "when eating a meal, neither eat so slowly as to appear to be eating against your will nor so fast as if to be taking someone else's food. Do not throw chopsticks on the table. Spoons should not touch plates, making a clashing sound", amongst many other recommendations which emphasized proper table etiquette.

 

The eldest male at the table was always served first, commonly served to them in the men's quarters by the women of the house. Women usually dined in a separate portion of the house after the men were served. The eldest men or women always ate before the younger family members. The meal was usually quiet, as conversation was discouraged during meals. In modern times, these rules have become lax, as families usually dine together now and use the time to converse. Of the remaining elements of this decorum, one is that the younger members of the table should not pick up their chopsticks or start eating before the elders of the table or guests and should not finish eating before the elders or guests finish eating.

 

In Korea, unlike in China, Japan and Vietnam, the rice or soup bowl is not lifted from the table when eating from it. This is due to the fact that each diner is given a metal spoon along with the chopsticks known collectively as sujeo. The use of the spoon for eating rice and soups is expected. There are rules which reflect the decorum of sharing communal side dishes; rules include not picking through the dishes for certain items while leaving others, and the spoon used should be clean, because usually diners put their spoons in the same serving bowl on the table. Diners should also cover their mouths when using a toothpick after the meal.

 

The table setup is important as well, and individual place settings, moving from the diner's left should be as follows: rice bowl, spoon, then chopsticks. Hot foods are set to the right side of the table, with the cold foods to the left. Soup must remain on the right side of the diner along with stews. Vegetables remain on the left along with the rice, and kimchi is set to the back while sauces remain in the front.

 

DRINKING

The manner of drinking alcoholic drinks at dining is significant in Korean dining etiquette. Each diner is expected to face away from the eldest male and cover his mouth when drinking alcohol. According to Hyang Eum Ju Rye (향음주례; 鄕飮酒禮), the drinking etiquette established in Choseon Dynasty, it is impolite for a king and his vassal, a father and his son, or a teacher and his student to drink face to face. Also, a guest should not refuse the first drink offered by host, and in the most formal situations, the diner should politely refuse twice a drink offered by the eldest male or a host. When the host offers for the third time, then finally the guest can receive it. If the guest refuses three times, drink is not to be offered any more.

 

HISTORY

PREHISTORIC

In the Jeulmun pottery period (approximately 8000 to 1500 BCE), hunter-gatherer societies engaged in fishing and hunting, and incipient agriculture in the later stages. Since the beginning of the Mumun pottery period (1500 BCE), agricultural traditions began to develop with new migrant groups from the Liao River basin of Manchuria. During the Mumun period, people grew millet, barley, wheat, legumes and rice, and continued to hunt and fish. Archaeological remains point to development of fermented beans during this period, and cultural contact with nomadic cultures to the north facilitated domestication of animals.

 

THREE KINGDOMS PERIOD

The Three Kingdoms period (57 BCE – 668 CE) was one of rapid cultural evolution. The kingdom of Goguryeo (37 BCE – 668 CE) was located in the northern part of the peninsula along much of modern-day Manchuria. The second kingdom, Baekje (18 BCE – 660 CE), was in the southwestern portion of the peninsula, and the third, Silla (57 BCE – 935 CE), was located at the southeastern portion of the peninsula. Each region had its own distinct set of cultural practices and foods. For example, Baekje was known for cold foods and fermented foods like kimchi. The spread of Buddhism and Confucianism through cultural exchanges with China during the fourth century CE began to change the distinct cultures of Korea.

 

GORYEO PERIOD

During the latter Goryeo period, the Mongols invaded Goryeo in the 13th century. Some traditional foods found today in Korea have their origins during this period. The dumpling dish, mandu, grilled meat dishes, noodle dishes, and the use of seasonings such as black pepper, all have their roots in this period.

 

JOSEON PERIOD

Agricultural innovations were significant and widespread during this period, such as the invention of the rain gauge during the 15th century. During 1429, the government began publishing books on agriculture and farming techniques, which included Nongsa jikseol (literally "Straight Talk on Farming"), an agricultural book compiled under King Sejong.

 

A series of invasions in the earlier half of the Joseon caused a dynamic shift in the culture during the second half of the period. Groups of silhak ("practical learning") scholars began to emphasize the importance of looking outside the country for innovation and technology to help improve the agricultural systems. Crops from the New World began to appear, acquired through trade with China, Japan, Europe, and the Philippines; these crops included corn, sweet potatoes, chili peppers, tomatoes, peanuts, and squash. Potatoes and sweet potatoes were particularly favored as they grew in soils and on terrains that were previously unused.

 

Government further developed agriculture through technology and lower taxation. Complex irrigation systems built by government allowed peasant farmers to produce larger crop volumes and produce crops not only for sustenance but also as cash crops. Reduced taxation of the peasantry also furthered the expanded commerce through increasing periodic markets, usually held every five days. One thousand such markets existed in the 19th century, and were communal centers for economic trade and entertainment.

 

ROYAL COURT CUISINE

Collectively known as gungjung eumsik during the pre-modern era, the foods of the royal palace were reflective of the opulent nature of the past rulers of the Korean peninsula. This nature is evidenced in examples as far back as the Silla kingdom, where a man-made lake (Anapji Lake, located in Gyeongju), was created with multiple pavilions and halls for the sole purpose of opulent banquets, and a spring fed channel, Poseokjeong, was created for the singular purpose of setting wine cups afloat while they wrote poems.

 

Reflecting the regionalism of the kingdoms and bordering countries of the peninsula, the cuisine borrowed portions from each of these areas to exist as a showcase. The royalty would have the finest regional specialties and delicacies sent to them at the palace. Although there are records of banquets predating the Joseon period, the majority of these records mostly reflect the vast variety of foods, but do not mention the specific foods presented. The meals cooked for the royal family did not reflect the seasons, as the commoner's meals would have. Instead, their meals varied significantly day-to-day. Each of the eight provinces was represented each month in the royal palace by ingredients presented by their governors, which gave the cooks a wide assortment of ingredients to use for royal meals.

 

Food was considered significant in the Joseon period. Official positions were created within the Six Ministries (Yukjo, 육조) that were charged with all matters related to procurement and consumption of food and drink for the royal court. The Board of Personnel (Ijo, 이조) contained positions specific for attaining rice for the royal family. The Board of Rights (Yejo) were responsible for foods prepared for ancestor rites, attaining wines and other beverages, and medicinal foods. There were also hundreds of slaves and women who worked in the palace that had tasks such as making tofu, liquor, tea, and tteok (rice cakes). The women were the cooks to the royal palace and were of commoner or low-born families. These women would be split into specific skill sets or "bureau" such as the bureau of special foods (Saenggwa-bang, 생과방) or the bureau of cooking foods (Soju-bang, 소주방). These female cooks may have been assisted by male cooks from outside the palace during larger banquets when necessary.

 

Five meals were generally served in the royal palace each day during the Joseon period, and records suggest this pattern had existed from antiquity. Three of these meals would be full meals, while the afternoon and after dinner meals would be lighter. The first meal, mieumsang (미음상), was served at sunrise and was served only on days when the king and queen were not taking herbal medicines. The meal consisted of rice porridge (juk, 죽) made with ingredients such as abalone (jeonbokjuk), white rice (huinjuk), mushrooms (beoseotjuk), pine nuts (jatjuk), and sesame (kkaejuk).

 

The sura (수라) were the main meals of the day. Breakfast was served at ten in the morning, and the evening meals were served between six and seven at night. The set of three tables (surasang, 수라상), were usually set with two types of rice, two types of soup, two types of stew (jjigae), one dish of jjim (meat stew), one dish of jeongol (a casserole of meat and vegetables), three types of kimchi, three types of jang (장) and twelve side dishes, called 12 cheop (12첩). The meals were set in the suragan (수라간), a room specifically used for taking meals, with the king seated to the east and the queen to the west. Each had their own set of tables and were attended by three palace servant women known as sura sanggung (수라상궁). These women would remove bowl covers and offer the foods to the king and queen after ensuring the dishes were not poisoned.

 

Banquets (궁중 연회 음식) were held on special occasions in the Korean Royal Palace. These included birthdays of the royal family members, marriages, and national festivals, including Daeborum, Dano, Chuseok, and Dongji. Banquet food was served on individual tables which varied according to the rank of the person. Usually banquet food consisted of ten different types of dishes. Main dishes were prepared based on the seasonal foods. Main dishes of the banquet included sinseollo, jeon, hwayang jeok, honghapcho, nengmyun and mulgimchi. A typical banquet ingredient was chogyetang (chicken broth with vinegar), which was prepared with five different chickens, five abalones, ten sea cucumbers, twenty eggs, half a bellflower root, mushrooms, two cups of black pepper, two peeled pine nuts, starch, soy sauce and vinegar. Yaksik was a favorite banquet dessert.

 

WIKIPEDIA

 

This is the area where I grew up between 1965 and the 1980s, on a red clay and greywacke hill astride the O'Connor Ridge overlooking the Limestone Plains of Canberra - aka "The Bush Capital". The following relates to the experiences of many kids who grew up exploring this hilly playground, back in the days mostly before electronic games became a thing. Anecdotes I really must thank my sister for motivating me to put down, before they all begin to fade away...

 

The first home my family made on this hill was in an Australian National University-owned house on Quandong Street (tagged on far right of aerial photo). The street is named after a native nut. After our Australian grandfather passed away, we moved to a wonderful home farther up the hill on Nardoo Crescent - named after a spore-producing native plant. I remember quite early on mum and dad telling us these weird names were both native plants the Aborigines used in their bush tucker.

 

In regard to our grandfather, like a great many young men he had been a volunteer in WWI, although he was fortunately never destined to be a Digger in the mud and chalk dust of the trenches. Instead he became a a specialist rotary engine mechanic in the Australian Flying Corps, servicing mainly the Sopwith Camel - an effective but notoriously difficult fighter plane to master in the air. He later recalled during his service in the United Kingdom there were many training accidents, which he estimated accounted for about as many young pilots killed learning to fly as were dying fighting the young Germans over France and Belgium - part of a obscenely colossal and totally avoidable casualty toll Australia could ill-afford, which despite all the blood sacrifice like so many other countries also led Australia into ever greater debt with mother England's privately owned mother of all banks.

 

After the Great War our granddad helped establish a public speaking club called Rostrum Australia, becoming its first president, for which he was much later very proud to be honoured with a MBE by Queen Elizabeth II. Like so many men too back then, he'd joined what would later become the Returned Service's League (RSL) and also the Freemasons. In fact, I remember once as a boy finding a big old steamer trunk in the basement at Nardoo Crescent with medals, badges and a curious satchel, filled with elaborate looking robes with all sorts of bling (actually folded aprons, a sash & medallions). I went upstairs to get my dad and he explained this was his father's Freemason and WWI paraphernalia. Dress ups of course are a trip for a kid, so naturally I asked if I could try it all on, but dad wasn't so keen on that and the trunk was closed.

 

Back before the trees grew too big around that home on Nardoo Cres, I remember well how my brother, sister and I could gaze out from our bedroom windows over many of Canberra’s familiar landmarks - the brooding sandstone and domed eminence of Australian War Memorial (AWM) over by Mont St Ainslie, the stark white of the original Parliament House and the Captain Cook Memorial water jet. We could even just make out the thunderbird eagle of the Australian-American Memorial, perched high on its pole over yonder in Russell - an inspiration of Sir Robert Menzies, built with the mass donations of a public forever grateful to the United States in the wake of WWII.

 

Speaking of Thunderbirds, that was one of the kid's TV shows I most remember my older brother and I watching back in the late 1960s and ‘70s - that and Gerry Anderson's other marionette shows, especially Captain Scarlet and the Mysterons (Aussie actor Bud Tingwell did voices for both those shows btw). Many years on it these old British TV kids shows would seem be the inspiration that so perfectly went on to lampoon the NWO by 911 times a thousand through Team America: The World Police

 

My brother and I also followed Dr Who, and I can still remember preferring sometimes to peer at it from under a blanket, particularly when the Autons revealed themselves in Spearhead From Space.

 

Back then Canberra only had two TV stations, that is until late 1980 when a non-commercial multicultural channel was added (SBS, channel 0/28). The two original stations were the non-commercial tax payer-funded Australian Broadcasting Corporation (ABC TV, channel 3) and a commercial channel CTC7, owned by Kerry Stokes. It meant we didn't get all the well known TV shows of that era, but still there was plenty to keep us amused and distracted. Just a random sample of some of the shows on air in that era in Canberra that come to mind, but now rarely seen on free to air TV are Disneyland, The Lone Ranger, The Banana Splits, My Favorite Martian, Aunty Jack, Spyforce, Ben Hall, Rush, The Waltons, Little House on the Prairie, Wings, Dick Emery, Dave Allen At Large, The Paul Hogan Show, WKRP In Cincinnati, Minder, and the Kenny Everett Video Show.

 

Hard to forget also my brother's antics imitating Catweazle and the giggle fits he’d put me in at the dinner table. Flipper was another show I recall - but one which is definitely better remembered now for what went on behind the scenes.

 

Which reminds me of Skippy the Bush Kangaroo - how could we forget old cime fighting Skip? I remember in the 1971 summer holidays our family going to Ranger Headquarters at the ‘Waratah Park’ film set, on the north-eastern outskirts of Sydney. I can still remember quite a bit, like Sonny's bedroom, which had a few Airfix model planes beside the bed (my brother and I loved building and painting models). I also remember a very forlorn looking Eastern Grey Kangaroo in a cage, with a sign "Skippy". Even as a 6 year old I knew something was a bit awry though, Skip never needed a bloody cage!

 

Some years later, it was interesting to watch Tony Bonner again, this time in a very sombre role in the miniseries Anzacs, acting along side much loved larrakin Paul Hogan - sort of an early '80s WWI Aussie version of Band of Brothers . Of course, being a Kerry Packer Channel 9-production it was all pretty faithful to the official WWI b/s story line, as implausible as it should by rights be suspected by now (eg the evil war-mongering Germans, the noble (Nobel) British Empire defending liberty, Keith Murdoch as the brave Gallipoli whistle blower - Rupert's dad that is - yeah no really). So many of that cast are gone now, most sadly its star John Blake. Wishful thinking, but 33 years on it would be great to see a more historically faithful adaptation of Anzacs - eg Gallipoli exposed as the set up to fail side show that it so criminally and murderously was, thanks to Lords Winston Churchill, Milner, Grey et al. A miniseries which could also bring some focus on the Aboriginal Diggers who were enlisted into British imperial war machine, as the fine film Beneath Hill 60 did to a limited extent.

 

F Troop was another show I remember quite well, which mum tended to watch a bit with us too. I still recall giggling away at mum as she'd do a perfect "ze Burglar of Banff-f" impression. I'm sure it was an episode which tickled her fancy, partly because she was born and bred in the Canadian prairie lands of Alberta, plus she spoke and taught French as if she was a native. But also like Captain Parmenter of F-Troop, mum had also told us how her great grandfather had served in the Union Cavalry during the American Civil War, later settling on the Montana frontier.

 

Actually it was his cowboy son (who actually referred to themselves as 'riders') who eventually rode his horse up into Canada and there fathered our mum's mother. He'd gone up there to work at Buffalo National Park, protecting one of the last surviving herds of Plains bison in North America. The last survivors of a war waged by the US Govt. against the native Americans and their primary food source, the bison which also competed for forage and water with the settlers' cattle. Mum also told us she had some native American heritage some where along the family line too - which tribe I can no longer recall, but fairly sure it wasn't Hekawi.

 

I remember also how mum would softly sing a rendition of I Dream of Wrangler, as sung by the late great Paul Lynde (as The Singing Mountie aka the Burglar of Banff), which had us kids singing along too. So indelibly etched in my memory too is the whirling slingshot from the intro of the French TV show The King's Outlaw (Thierry la Fronde), which I also watched with mum (she was a Francophile through and through and after moving there as a young uni student would have settled down, but for the tragic death of her original fiancee, conscripted and killed in the Algerian War).

 

Yeah, looking back we youngsters really did have a pretty fortunate time of it and, by comparison, it’s clear now it was in fact an extremely fortunate one for those times, considering what children experienced in not so far away places like Vietnam, Laos, West Papua and Bali, to name but a few...

 

As for the climate, in the late 1960s and early '70s south-east Australia I seem to recall it was a lot wetter - eg I remember well the vast expanse of Lake George almost full to the brim, with waves washing close to the road as we drove past on our regular trips to Sydney. Part of a natural cycle of wet and dry that's been going on for millennia, or then again maybe the geological strata of the region is lying... now darn it I'm not quite sure - perhaps global warbling expert Dr David Suzuki can confirm? www.corbettreport.com/what-is-the-average-global-temperat...

 

But anyway I digress - back when I was a kid, because of the wet spell it helped a small swamp to thrive beside our hill, in an area astride Dryandra St and Kunzea St (on the left of the photo above). As kids do, we used to go there to look for tadpoles and sometimes along the fringe we'd come across huge Spotted Grass Frogs. On one occasion an older friend found a really odd looking small yellow striped frog, which one of the dads who was a scientist at the nearby CSIRO identified as a Corroboree Frog - now like so many an endangered species due to habitat loss and pollution: canberra.naturemapr.org/Community/Species/11681

 

The nearby CSIRO btw is also where one of my dad's relatives also worked as a scientist for many years. Back in WWII he had developed a personal insect repellent for the troops fighting in the Pacific, which for some reason they called "Mary". When Queen Elizabeth II visited Canberra in 1963 for the 50th anniversary of its' naming, she also happened to rely on that same formulation to escape the incessant flies, with notable success. After that it was successfully marketed as Aerogard, which in turn become a household name in Australia. Our dad's cousin also approved the introduction of dung beetles to Australia to combat the ever burgeoning blowfly population. In fact, I well remember watching him and his wife one time on ABC TV, explaining how fly-blown Canberra in particular was in its youth, due to all the livestock faeces (the fly blown political and media bs here was, however, never resolved much to this wide brown land's cost).

 

Overlooking our old frog swamp I remember also there was a big old Yellow box eucalyptus tree with an unusual sideways eye-shaped scar etched into its bark. We were told many moons ago the Aborigines had cut it to use the bark to make a shield for protection and/or for carrying food while on their way to feast on roasted Bogong moths up in the Brindabella Mtns - something they'd been doing for countless thousands of years, if the region's rock art, middens and stone artifacts are anything to go by. Because of this, as kids in our eyes that old ghostly gum tree could have been thousands of years old too. But whatever its' age it surely was there providing shade and utensils to the Aborigines for a long time - long before the likes of James Cook, or Ned Kelly etched their passing in Australian history.

 

Thanks to our parents and, it must be said the ABC of old (now sadly but a pale imitation of its former self thanks mainly to Abbott, Shorten, Turnbull et al), we young kids learned some inkling why there were no aborigines coming to our frog swamp anymore. To put that in some context, definitely more passion, thought and effort was put into administering the cane (aka "the cuts", or “six of the best”) by a certain Turner Primary School headmaster, than administering any genuine education on Aboriginal history and culture, but then he was just doing his job. On the lighter side, I do remember chuckling though, when my older brother would refer to him as "the bad ham" (my brother did cop a thrashing from him at least a few times - me just the once from him early in 3rd Grade for being too engrossed in collecting harmless curled leaf spiders while exploring inside some bushes, which I wasn't aware were "strictly out of bounds", due to being unfamiliar with the primary school side of Turner's school grounds).

 

I can still vividly see his huge angry face and that slicked back Brylcreamed black head hair, and how he seemed to get off talking down to others, especially to kids and their mothers from what he liked to describe as "broken homes", as one parent reminded me not long ago. An all too often angry man I recall striding the corridors with RSL and Legacy badges on his lapels (he'd carpet bombed and bagged his way through WWII piloting B-24 Liberators), leaving in his wake the stale pong of tobacco smoke as most adults his vintage tended to do, hooked on them no doubt thanks to the wartime issue of fags to servicemen.

 

Striding the corridors of a well catered school where notably very very few Aboriginal pupils had had the same opportunity. A place where I remember each Thursday in 4th Grade the "bad ham" expected all pupils to attend Scripture, although officially Turner was secular. A weekly religious journey which could have arguably been quite constructive, however such was (and is) the state of the church's PR machine, they elected to skipper it with an old and like-wise mean-spirited man of the cloth, in a black suit with a starched white standing collar and attitude to match. Either Roman Catholic or Presbyterian I can no longer recall, but at least he was no George Pell - at least as far as we knew.

 

Not all that long into this choppy voyage his ark however suddenly sprung a leak, when two "smart Alec" boys in our class politely dared to challenge him on the concept of creationism. Seemingly underestimating the intellectual capacity of some of his 10 yr old audience, he rapidly grew red faced with rage, then abruptly stormed out. But what did he expect? After all, what he was saying about the animals walking up the gang plank two by two seemed rather cartoonish and, in fact, completely contradicted everything we'd been told up 'til then.

 

The "bad ham" however also became mightily cranky about this impertinence, to the extent before we knew it he had fronted our class and very aggressively ordered each pupil, including the vast majority who weren't involved, to immediately after school go buy a 10 cent postage stamp (ie 5 bubble gums!), then write an individual letter of apology to post to the mad preacher. Letters in the end never eventuated though, after some parents found out and reproached the bad ham for his hammed handling of this affair. I still have that stamp in my collection to remind me.

 

Before long both these two blackened souls thankfully took leave from our school and with them went the bamboo whipping cane - although thrashing hands with rulers and smacking remained options for the principals that followed for some years to come and the cane remained in other schools. A kind of surreal policy to think back on now, but at least not as bad as seeing kids with welts and bleeding cuts, courtesy of the "bad ham's" cane.

 

Of course it was never quite as bad as Tomkinson's Schooldays, but like Tomkinson, the abused often became abusers themselves, with some going on to lead troubled lives. I understand it was no better at other schools in that era – caning was a widely sanctioned disciplinary measure after all. I often wonder though if the burnt and blackened skeleton of nearby Lyneham Primary School, which I vividly remember seeing as a 4 year old in 1969, had something to do with this system of child abuse. Perhaps the arsonist Harold Tonkin would know, given he targeted his fires in and around the headmaster's office. file:///C:/Users/Jay/AppData/Local/Temp/8-Article%20Text-14-1-10-20160727.pdf

 

But back to Turner School, I remember in the early 1970s at recess in the infants school each of us being served small glass milk bottles by our class 'Milk Monitor'. Also how we all had to say grace before lunch: "God is gracious, God is good. Thank you for our daily food". I remember though how this chorus of hundreds of kids tended to deliver it as an incredible droning dirge, only brightened by the tendency for students to derive a childish chuckle after deliberately mis-pronouncing 'food' so it would rhyme with 'good'. Looking back no doubt the starving Biafrans of this era weren't chuckling, although the oil and arms barons no doubt were.

 

I also remember witnessing the building of a facility on the Hartley Street end of the infant's school, where I'd initially attended kindergarten. This was dedicated to disabled students and it continues to do so - something the bad ham is given the most credit for to this day. Also I recall how we would sing God Save The Queen at assembly until around 1975, when we were taught to sing Advance Australia Fair instead. Even back then I well remember thinking it was a cheesy tune, with even cheesier lyrics. An anthem which to this day still proclaims "for we are young and free”, as if we were all born yesterday. Go figure.

 

And in truth, it was little different later at Lyneham High School, except to say here the cane was still being deployed by several faculty heads. Here too I recall at least two male Aboriginal students, one of whom was Lyneham’s best athlete at the time. As for the curriculum, the thing I most vividly recall was the official line "Australia is a young nation and only has a short history" and only an anecdotal and highly sanitised coverage of Australia's Aboriginal history (not to mention Australia's financial history either btw). Some decades on, one might be forgiven for thinking such entrenched vision slit views of our history still commands those who proudly bear the RSL badge - if a quiet stroll around AWM or a wonder thru the local RSL pockie parlours are anything to go by...

 

But what about that gnarly old man gum tree up on the ridge which told us otherwise? Well sadly that Aboriginal scarred tree by our old frog swamp was lost forever in a bush fire in 2002 - that being the year before the huge terrible firestorm which would overwhelm parts of south Canberra with such tragic consequences.

 

As for our old friend who found the Corroboree frog, we tragically lost him too in an accident - but at the very least Bruce Reid was doing what he really loved, soaring like an Wedge-Tailed eagle from his paraglider into heaven off the escarpment beside the now great dry bed of Lake George. Actually, sadly one of two old hill top boys and near neighbours who we tragically lost in air crashes – the other, Martin Chilvers, in a suspicious unexplained Bureau of Mineral Resources plane crash, which also tragically killed a surveying geologist alongside him on lonely Mt Barren Jack, north-west of Canberra. A trusted pilot and good mate from our earliest swamp exploring days, Martin had once taken a bunch of us aloft in the 1980s for a soaring eagle's eye view over our O'Connor hill. I still regret not having a camera.

 

Not far from that old Aboriginal scarred gum tree there was another place our two lost friends and the rest of us once soared - a long deep dirt drain with a roller-coaster like bike trail running down its course, known to all as "the dippers". At the top end it was deeper, where it was known as "the big dippers" and as it gradually petered out it was called "the little dippers", where green kids could first test the waters. It was a perfect dirt track circuit for Choppers, dragsters and the menagerie of home-modified push bikes like my older bother's, ie larger bikes modified with sissy bars and ape hanger handle bars taken from smaller framed dragsters. From 1979 many kids like me began modifying our bikes with proper BMX handle bars and goose necks. Factory-made BMX bikes were still a rarity at this point as they were quite expensive - the first kid I recall to get one at my school was in 1980, a Mongoose IIRC.

 

Further down from the dippers there was also a long steep slope, known as the "sled track", where kids could slide down on rough wooden sleds, or more commonly big pieces of cardboard, especially when the grass was green and wet in the spring. Hereyou could also launch paper planes and balsa wood gliders and watch them soar for an eternity. This spot was in a small bush reserve where we could also wile away a quiet summer's day hunting for bugs, always I remember to a click, click, click chorus of yellow wingers.

 

There was also the cool shade of an old weary willow tree there, where we could sit around and chit chat away, playing games and fashioning bows and arrows, sling shots, etc. I remember it was kind of like a huge cave, usually surrounded by a screen of tall dry grass and bushes, through which we could crawl to create a network of intersecting tunnels.

 

Funny I don’t actually recall once ever seeing a snake while playing there, but then presumably we made so much noise they knew not to stick around. Looking back, it was far safer playing in the bush in the 1960s and early '70s than being in say the average family car, in an era when car manufacturers didn’t give a rats about installing seat belts. Indeed, the road toll in Australia during that Vietnam War era accounted for many, many more horrendous deaths and injuries, than occurred among those very brave and mostly conscripted Australian soldiers who went off to serve in Vietnam (thanks Lawrence of Suburbia for that reminder).

 

Straddling that little bush reserve was yet another world of entertainment, a sweeping footpath from Wongoola Close down to Yapunyah St, which all the kids around half jokingly called "Suicide Hill", down which we rode our scooters, bikes, skateboards and home-made billy carts - and of course occasionally stacked them (ie crashed). Despite its' fearsome name, no one ever died on Suicide Hill, nor to my knowledge was permanently maimed, as fortunately the long grass and honeysuckle at the sweeping bend at the bottom would inevitably break our fall.

 

I well remember my first taste of that experience aged 5 astride my small red tricycle, having just watched my older brother repeatedly whiz down on his skate board, leaving in his wake as always that alluring aroma of Bell Boy and Black Cat bubble gum. I remember they were 2 cents each and oh how I longed for that day when I too got pocket money for doing chores like my bother did, so I too could spend up at Sheedy's Milk Bar at the O'Connor Shops. The Monte Carlo Cafe and Milk Bar was also at those shops, but the owner was mean spirited and violent at times towards children, especially to kids wearing ALP election campaign badges in 1975 - both shops were gone by the early 1980s.

 

One day, maybe imagining I was as indestructible as Captain Scarlet, I foolishly decided I too could whiz down Suicide Hill like my older brother - or at least part of it - but with only my bare feet on pavement as brakes on my tricycle. Bad mistake as it turned out. For, before I knew it, I was rocketing full pelt down to the curve, hell for leather, until I lost control and was fortunately flung into the the long grass & honeysuckle. Despite the fearsome blisters on my soles from my desperate attempt to slow down, I recall I did manage to tearfully hobble some of the way home up Yapunah St, before my brother was able to alert our mum. As she came rushing with my little sister in hand and scooped me up, I don’t recall a huge outpouring of sympathy in that no-nonsense Alberta way she could have once I'd explained waht happened. And fair enough looking back, I’d learned a good lesson (ma, if you can read me up there, thank you for always being there for us and I'm sorry we were a bit of a worry at times x).

 

Yeah, back then, apart from the occasional self-inflicted wounds, we kids had a quite a blessed time. In fact, the only particularly dodgy thing worthy of mention here occurred one quiet summer day in the early 1970s, when our friend Bruce, who found the Corroboree frog, was away holidaying with his family down at Broulee, by the coast at their holiday home they called "The Tardis". His family returned in shock to find dozens of his dad's award-winning budgies had been brazenly stolen. Now being a native species and his dad being a mad keen breeder, you can imagine these were, without doubt, some of the best budgerigars around.

 

But the dodgiest thing of all about this was a neighbouring mum (Desmond's mum) had seen two men dressed as policemen, egress from a marked police car, go through a vacant neighbouring back yard and then jump the back fence to steal the birds. Of course, she had naturally assumed it was some sort of police raid rather than the daylight robbery that is was. Thus she elected to kept her distance. As it turned out a few other breeders were also targeted during those Christmas holidays. And also by coincidence there were two members of the now defunct ACT Police in our friend's father's budgie breeder's club who were never seen at the club again after that. Perhaps not unpredictably, not one of the thefts was ever solved. Later my friend's dad discovered the best of his stolen budgies had somehow miraculously 'flown' all their way into the lucrative UK market and into the hands of certain miscreants.

 

Many years later, we by then grown up kids were also intrigued to learn something else through our by now retired parents - that the Australian Security and Intelligence Organisation (ASIO) had actually been tapping some of the families' telephones in our street for several years (at least three homes that they know of). Our parents had found out through authors who were researching works on Gough Whitlam and the ANU historian Manning Clark in the National Archives of Australia.

 

Mind you, ASIO phone taps were apparently wide spread, especially in the post-war Menzies era and continued on through successive Prime Minister-ships, until they were allegedly scaled back for a time when Whitlam briefly was Prime Minister between 1972-75.

 

Indeed, it was in that Whitlam period that ASIO's more dubious activities became better known, perhaps most remarkably concerning the ability of anti-Tito fascist Ustashe militia to train in Australia using hijacked weaponry intended for Vietnam - weapons, the supply of which certain ASIO agents had erroneously attributed to university student members of the Vietnam Moratorium Movement. That and other questionable judgements eventually resulted in ASIO's then chief being dismissed by Whitlam. Only a year later in 1975 at the stark white Parliament House Whitlam announced he too had been dismissed, this time by Sir John Kerr, using the authority of his position granted under Queen Elizabeth II. The drug money laundering Nugan-Hand Bank is another notable security failure of that era.

 

Looking back, it could be Sir John Kerr figured he was Her Majesty's ultimate Aerogard - but rather than a pesky fly, could perhaps Gough go down in history as Australia's greatest ever dung beetle? As for those ASIO phone taps we learned of, we assume they were authorised due to our various academic parents' links with the more left wing dominated ALP of old, the Quakers and the advocacy for the anti-Vietnam War and Aboriginal rights movements, plus no doubt contact some of them had with university academia in Russia during the Cold War.

 

The National Archives now stores the annotated ASIO transcripts of even the most casual phone conversations. For example, I'm told one transcript records a passing mention of D.H. Lawrence in a conversation between our neighbouring friend's parents, which alarmed ASIO enough to take note of his name as a possible associate in need of further investigation. Lawrence was in fact a renown English novelist who wrote Kangaroo, amongst other works, who passed away way back in 1930 - but it's assumed those wise ASIO owls back then were eventually able to stumble on to that fact.

 

I should not neglect to mention also, one of those parents ASIO deemed as a potential threat and eavesdropped on was old enough to have served as an officer in the Australian Army Medical Corps in WWII. He had braved the numerous perils of the New Guinea Campaign to help save the lives of men injured fighting to save this country from the brutal Imperial Japanese Army and Navy, (who'd got all their technology from British and US arms companies and who happened to be allies of the Ustashe amongst others...).

Now correct me if I'm mistaken, but given the current state of play I wonder too if history is repeating itself in a way…

 

But anyway, how weird it is to look back, knowing now that our little hill in tranquil O'Connor was of some apparent worry to these hair brained authorities of that not really by gone era. All the more so, considering in that same era a pair of budgie smugglers dressed up as cops could creep in and out of people's backyards committing larceny without a worry in the world.

 

Two lowlife desperadoes, who didn’t even have the courtesy to don Speedos instead of cop uniforms, so at least their daring dirty deed would have become the stuff of legend, thus enriching Australia's colourful and checkered history. I guess they didn’t have time, or maybe they figured “naa, let’s just dash in, cash in and screw the locals like everyone else has for the past few hundred years”. At least the Burglar of Banff had the imagination and artistry to pose as a >singing< Mountie.

 

Seriously though, what's a bit of deception, invasion of privacy, trespass and larceny? Struth, it's completely nothing compared to what the Aborigines have endured - the things which Turner, Lyneham and all the rest of the schools for so long neglected to mention, while in the meantime ensuring a policy of thrashing school children was not forgotten.

Vera Semper Colere

 

Postscript:

 

Some years after our adventures on our hill in O'Connor a no-nonsense hard working Deputy Federal Police Commissioner here in Canberra was sadly knocked off. His name was Colin Winchester. As it turned out, the authorities came to blame a local bloke for the murder. His name is David Eastman. Now by sheer coincidence my mum had worked with Mr Eastman in the public service. She said he certainly was a difficult and sometimes very argumentative man, but someone she could never believe for a second was mad enough to brazenly shoot dead a very senior policeman in cold blood, right in the driveway of his own home. But what would mum know? As it happens though, a lot of people in Canberra for some reason think and say the same thing, including David Eastman. But regardless, he remained in jail for some twenty years, despite numerous appeals of innocence and the shoddy of circumstantial evidence. Perhaps these calls were all just drowned out by the mysterious bomb that was later sent to the police intelligence agency, which tragically killed another good policeman? Would ASIO know perhaps? But what do they know? God knows.

(where's Skippy when you need her?)

 

Whatever the explanation, it makes me wonder if perhaps it suggests just how far Canberra hasn't come: from a faraway dream time where Aborigines once trekked through to gather tools on their way to their peaceful Bogong moth smorgasbord; to a small fly blown town where it appears organised crime against Aborigines had the last word; to seemingly a paradise for charred and half-baked school curriculum, budgie smuggling fuzz, not so wise eavesdropping owls, with the odd high political drama; to once again a fly blown town, metaphorically speaking, where organised crime quite evidently still has the last word - and at this rate well who knows, maybe one day also the last drink of clean water and last breath of clean air too...

 

No flies on the Queen though

 

www.youtube.com/watch?v=XfD-lirPJPY

   

1. The spiritual entity Qalb

 

Prophecy and knowledge relating to this was granted to the Prophet Adam

 

In the Urdu language the fleshy meat, (the heart) is known as dil, and in Arabic it is called fawad. The spiritual entity that is next to the heart is the Qalb and according to a Prophetic statement the heart and the Qalb are two separate entities.

 

Our solar system is the physical human sphere. There are other realms and spheres, for example the realm of the angels, the realm of the throne of God, the realm of the soul, the realm of the secrets, the realm of unification and the realm of the essence of God. These spheres and life forms inhabiting these spheres have existed before the eruption of the ball of fire, our Sun, which created our solar system. Ordinary angels were created alongside the creation of the souls when God commanded "Be" but the Archangels and the spiritual entities (which are placed inside the human body at birth) have existed in these realms before the formation of our solar system.

 

Many planets in our solar system were inhabited but subsequently these life forms became extinct. The remaining planets and their inhabitants are awaiting their destruction. The Archangels and the spiritual entities (of the human body) were created seventy thousand years before the command "Be."

 

Of these spiritual entities God placed the Qalb in the realm of love. It is with this that a human being is able to become connected with God. The Qalb acts like a telephone operator between God and the human being. A human being receives guidance and inspiration through it. Whereas the worship and the meditation done by the spiritual entities themselves can reach the highest realm, the Throne of God, with the aid of the Qalb. The Qalb itself, however cannot travel beyond the realm of the angels, as its place of origin is the Khuld, the lowest heaven in the realm of the angels.

 

The Qalb’s meditation is from within and its vibrating rosary is within the human skeleton (the heartbeat). People that failed to achieve this meditation of the Qalb in this lifetime will be regretful, even though they may be in paradise. As God has stated regarding those who will go to paradise, that do they, the inhabitants of paradise think that they will be equal to those who are elevated (reached higher realms by practicing the spiritual disciplines and becoming illuminated). As those that have achieved the meditation of the Qalb, they will enjoy its pleasures even in paradise when their Qalb will be vibrating with the Name of God.

After death physical worship ceases to exist and the people whose Qalb and spiritual entities are not strengthened and illuminated with the light of God are afflicted and distressed in their graves and their spiritual entities waste away. Whereas the illuminated and strengthened spiritual entities will go to the realm where the righteous will wait before the final judgement.

After the day of judgement a second body will be given, the illuminated spiritual entities along with the human soul will enter that body. The people that taught their spiritual entities, meditation, whereby the entities chanted the Name of God Allah in this life time will find that the spiritual entities will continue with this meditation even in the hereafter. Such people will continue to be elevated and exalted in the hereafter.

  

Those that were “blind of heart” (not illuminated) in this life time will be in darkness in that realm also, as this world was the place of action and effort. Those in the latter category will become quiescent.

Besides the Christians and the Jews the Hindu faith also holds a belief in these spiritual entities. The Hindu faith refers to them as Shaktian and the Muslims know them as Lata’if.

The Qalb is two inches, to the left of the heart. This spiritual entity is yellow in colour. When it is illuminated in a person, that person sees the colour yellow in their eyes. Not only this but there are many practitioners of alternative medicine who use the colours of these spiritual entities to heal people.

Most people regard their heart’s word, “inner feeling” to be truthful. If the hearts of people were indeed truthful, then why are all the people of the heart not united?

The Qalb of an ordinary person is in the sleeping or unconscious state and it does not possess any appreciation or awareness. Due to the dominance of the spirit of the self, the ego, and the Khannas, or due to the individual’s own simple- mindedness the heart can make judgements in error. Placing trust in a sleeping Qalb is foolish.

Only when the Name of God Allah, does vibrate in the heart does an appreciation of right and wrong and wisdom follow. At this stage the Qalb is known as the awakened Qalb. Thereafter due to the increase in the meditation by the Qalb, of the Name of God Allah, it is then known as the God-seeking Qalb. At this stage the heart is capable of preventing the person from doing wrong but it is still incapable of making a right or just decision. Thereafter and only when the Light and the rays of the Grace of God (theophany) start to descend upon that heart, is it known as the purified and illuminated Qalb that stands in the presence of God (witnessing Qalb).

 

A Prophetic statement:

“The mercy of God descends upon a broken heart and an afflicted grave.”

 

Thereafter when the heart reaches this stage then one must accept whatever it dictates, quietly without question because due to the rays of the Light and the Grace of God the spirit of the self, (ego) becomes completely illuminated, purified and at peace. God is then closer to that individual than that person’s jugular vein.

God then says, “I become his tongue with which he speaks and I become his hands with which he holds.”

   

2. The Human Soul

 

Prophecy and knowledge relating to this was granted to the Prophet Abraham

 

This is on the right side of the chest. This is awakened and illuminated by the meditation and one-pointed concentration on it. Once it becomes illuminated, a vibration similar to the heartbeat is felt on the right side of the chest. Then the Name of God, Ya Allah is matched with the vibrating pulse. The meditation of the soul is done in this way. At this point, there are now two spiritual entities meditating inside the human body, this is an advancement in rank and status and is better than the Qalb. The soul is a light red in colour and when it is awakened, it is able to travel to the realm of the souls (the station of the Archangel Gabriel). Anger and rage are attached to it that burn and turn into majesty.

  

3. The spiritual entity Sirri

 

Prophecy and knowledge relating to this was granted to the Prophet Moses

 

This spiritual entity is to the left of the centre of the chest. This is also awakened and illuminated by the meditation and one-pointed concentration on it with the Name of God, Ya Hayy, Ya Qayyum. Its colour is white and in the dream state or by spiritual separation from the physical body “transcendental meditation” it can journey to the realm of the secrets. Now there are three spiritual entities meditating within a person and its status is higher than the other two.

   

4. The spiritual entity Khaffi

 

Prophecy and knowledge relating to this was granted to the Prophet Jesus

 

This is to the right of the centre of the chest. It too is taught the Name of God Ya Wahid by meditation. It is green in colour and it can reach the realm of unification. Due to the meditation of four entities one's status is further increased.

 

5. The spiritual entity Akhfa

 

Prophecy and knowledge relating to this was granted to the Prophet Mohammed

 

This is situated at the centre of the chest. It is awakened by meditating on the Name of God, Ya Ahad. It is purple in colour and it too, is connected to that veil in the realm of unification behind which is the throne of God.

 

The hidden spiritual knowledge relating to these five spiritual entities was granted to the Prophets, one by one and half of the knowledge of every spiritual entity was granted from the Prophets to the Saints of their time. In this way there became ten parts of this knowledge. The Saints in turn passed this knowledge on to the spiritually favoured (Godly) who then had the benefit of the sacred knowledge.

 

The apparent knowledge of the seen is connected to the physical body, the spoken word, the human realm and the spirit of the self, this is for the ordinary mortals. This knowledge is contained in a book that has thirty parts. Spiritual knowledge was also given to the Prophets by revelation brought by Gabriel and for this reason it is known as the spiritual Holy Scripture.

 

Many of the verses of the Qur’an would sometimes be abolished, since the Prophet Mohammed would sometimes mention matters relating to this “hidden spiritual knowledge” before ordinary people, which was only meant for the special and Godly. Later this knowledge passed on spiritually from the chest of one Saint to another, and now it has become widespread by its publication in books.

  

6. The spiritual entity Anna

 

This spiritual entity is inside the head and is colourless. It is by the meditation on the Name of God Ya Hu that this spiritual entity reaches its pinnacle. It is this spiritual entity that when it becomes illuminated and powerful it can stand in the Presence of God, face to face, and communicate with God unobstructed. Only the extreme lovers of God reach this realm and station. Besides this there are a few and extremely exalted people who are granted additional spiritual entities, for example the spiritual entity Tifl-e-Nuri or a spiritual entity of the Godhead, Jussa-e-Tofiq-e-Ilahi, the spiritual status of such people is beyond understanding.

 

With the spiritual entity, Anna, God is seen in the dream state.

 

With the spiritual entity of the Godhead, God is seen in the “physical meditating state” when the spiritual entity itself leaves the human body and transcends to the essence of God.

 

Those possessing the spiritual entity, the Tifl-e-Nuri, see God whilst they are fully conscious.

 

It is these people who are the majesty and power of God in the world. They can either occupy the people by prescribing worship and austerities or by their spiritual grace send a person straight to the realm of God’s love. In their sight, concerning dispensing spiritual grace the believers and the non-believers, the dead and the living are all the same. Just as a thief became a Saint, in an instant, by the passing glimpse of the Saint Sheikh Abdul-Qadir al-Jilani, similarly, Abu-Bakr Havari and Manga the thief, became instant Saints by the passing glimpses of such Saints.

 

The five major Messengers were given knowledge of the five spiritual entities separately and in order of their appearance, as a result of which spirituality continued to prosper. With whichever spiritual entity you practice meditation you will be connected to the corresponding Messenger and become worthy of receiving spiritual grace (from that Messenger).

 

Whichever spiritual entity receives the rays of the Grace of God (favour), the Sainthood granted to that spiritual entity will be connected to the corresponding Prophet’s spiritual grace.

 

Access to seven realms and gaining elevated spiritual status in the seven heavens is obtained through these spiritual entities.

The functions of the spiritual entities inside the human body

 

Akhfa: Due to the spiritual entity, Akhfa a person is able to speak. In its absence a person may have a normal tongue but will be dumb. The difference between human beings and animals lies in the presence or the absence of these spiritual entities. At birth, if the entity, Akhfa was unable to enter the body for whatever reason, then a Prophet appointed for the rectification of this ailment would be called to treat the condition as a result of which the dumb would start to speak.

 

Sirri: A person is able to see due to the spiritual entity, Sirri. If it does not enter the body the person is blind from birth. An appointed Prophet had the duty to find and place the spiritual entity into the body, as a result of which the blind would start to see again.

Qalb: Without the spiritual entity of the Qalb, in the body, a person is like the animals, unacquainted, far from God, miserable and without purpose. Returning this entity into the body was the task of the Prophets also.

The miracles of the Prophets were also granted to the saints, in the form marvels and mystical wonders as a result of which even the impious and liberal became close to God. When a spiritual entity is returned by any allocated Saint or Prophet, the deaf, dumb and the blind are healed.

Anna: When the spiritual entity, Anna, fails to enter the body, a person is regarded as insane even though the brain may be functioning normally.

Khaffi: In the absence of the spiritual entity, Khafi, a person is deaf, even if the ears are opened wide.

These conditions can be caused by other defects in the body, and can be treated. There is no cure in the case, where the defect is caused by the absence of the associated spiritual entity except where a Prophet or a Saint intervenes and cures the defect.

Nafs, self: As a result of the spiritual entity of the self (ego) a persons mind is occupied with the material world and it is because of the spiritual entity Qalb that a persons direction turns towards God. For more detail visit www.goharshahi.org or visit asipk.com and for videos visit HH rags

 

Uses: Anything relating to finance and money.

 

Free Creative Commons Finance Images... I created these images in my studio and have made them all available for personal or commercial use. Hope you like them and find them useful.

 

To see more of our CC by 2.0 finance images click here... see profile for attribution.

During the last couple of weeks my wife and I have got back in touch with our cameras and collections. We have taken turns to think of a theme word, today it was blue, and then post our photos to Flickr. Themes are not on a daily basis just as and when we know we will have time to take a photo relating to the chosen theme.

 

Dinky Toys, France 1415 Peugeot 504

 

One of my interests is collecting model cars. There has been a fascination with toy cars over a life time and the ones that I find amazing are those that have opening parts whether they be doors, bonnet and boot, and a model can feature all of these! Over many years I have had a high regard for the products of Dinky Toys, France but they have always attracted a premium price in the UK. However, I managed to find this Peugeot at a reasonable price due to being without its original box. As can be seen it is in nice condition but the rationale behind the purchase is that this model features opening four doors with the rear doors opening on the B pillar. This is unusual in toy cars in 1:43rd scale. This model was issued in 1968 which was towards the end of classic toy car production in Europe.

 

Link to my wife's image on the theme of blue:

 

www.flickr.com/photos/38194913@N08/49777194541/in/datepos...

  

---- Angels & Demons (devil tries to tempt Saint Lucia, August 2018, Savoca - Sicily) ----

 

---- Angeli & Demoni (il demonio tenta Santa Lucia, agosto 2018, Savoca - Sicilia) ----

 

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this is a photographic narration that speaks of the eternal struggle that takes place between good and evil, which speaks of a dark period of history, speaks of the violence suffered by women but also by those who belonged to the poorest social classes, historical facts that have been handed down to us in the form of a story and associated-transmuted in the martyrdom of Saint Lucia, this is what happens in the town of Savoca (Sicily). This is a short and long report, I did in Savoca on August 2018 about the living representation of the martyrdom of Saint Lucia (patron saint of the city of Savoca); the cult of the young Saint of Syracuse seems to date back to the fifteenth century, under the influence of Spanish traditions. The commemoration of the history of St. Lucia occurs in two consecutive days, Saturday and Sunday: here I try to tell some times of the day on Sunday, a day during which the festival is held at the height of her beauty. And 'This is a historical event which speaks of Demons and Angels: Saint Lucy refused to marry a rich and powerful suitor (Lucy declared She was married in Christ), which reported the Christian faith of Lucia to prefect Pascasio that ordered his Praetorian Guard to drag Lucia with a rope to a place of prostitution; legend has it that the Holy became heavy, they then tried to drag it with the help of oxen, but it was impossible to move it from where he stood; failing in this, it was then given the order to cavarle eyes, but the young martyr (native of Syracuse) her eyes reappeared.

In the village of Savoca a young girl, affectionately called the "Lucy" is carried on the shoulder of a porter along the streets of the country (sitting on a pillow tied on the shoulder of a man, but in fact men are two); the young Saint remains impassive in the face of demonic temptations: the Devil, called in Sicilian dialect "u Diavulazzu, shake, shakes, turns his pitchfork in an attempt to "distract" the Saint.

The first day of this representation, on Saturday, in an old church in Savoca, the two girls who impersonate the Lucia, of the current year and the previous year, meet with the delivery of palm; the traditional event which we witness on Saturday, has all the appearance of an important rehearsal for the next day, on Sunday when the traditional festival will take place in all its beauty.

Sunday: on top of the procession there are the "Jews" (the emissaries of the prefect Pascasio) along with some Angels, is located immediately after the wagon drawn by two cows from which branches off a rope that will arrive to Saint Lucia (a girl of six years); between her and the cows there are Roman soldiers, who make their way through the crowd squirming like crazy; to hold the rope there are also male figures; the job of Devil (his mask is made of wood, whose invoice is dated, it seems, of the 400') is to distract the little Saint with the help of a long stick equipped of curved points, called "u 'croccu": Lucia hardly is deceived by the promises of the evil one, she will not abandon the state of her property concentration, aided in this by staring, almost in a trance, a small palm branch in silver , she brings devoutly in her hands.

It's very important to mention the Baron Baldassarre (nicknamed Baron Altadonna), who applied without any hesitation the practice of Jus de seigneur: using this law the Baron obliged the young brides to spend the wedding night in his alcove. It 'very possible that in the representation of Saint Lucia of Savoca the character of the Devil tempting young Santa with his pitchfork, in reality is nothing but himself, Baron Altadonna, so allegorically described in this traditional Sicilian feast: the figure of the Devil if one takes into account what historians relate, does not belong more to the legend, but sadly to actual event happened. Post scriptum: the photographs, realized both on Saturday and Sunday, were organized and posted without taking into account the temporal chronology of what happened during the two days of the event; two photos of the mummy of Baron Altadonna have been included, which is located in the crypt of the Capuchin Fathers of Savoca; the portraits of two "Lucie" from previous editions, grandfather and great-grandfather of the "DIAVOLI" dynasty were included; the "silver palm" was delivered by Lucia of 2016 (Valentina), to the current Lucia (Miriana), in 2017 the event was not performed.

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questa è una narrazione fotografica che parla dell'eterna lotta che avviene tra il bene ed il male, che parla di un periodo buio della storia, che parla delle violenze subite dalle donne ma anche da coloro che appartenevano alle classi sociali più povere, fatti storici che sono stati tramandati fino a noi in forma di racconto ed associati-trasmutati nel martirio di Santa Lucia, questo è quanto accade nel paese di Savoca (Sicilia). Questo è un report corto e lungo, che ho realizzato in quel di Savoca lo scorso mese di Agosto 2018, su quella che è la rappresentazione vivente del martirio di Santa Lucia (Santa patrona della città di Savoca); il culto della giovane Santa di Siracusa sembra risalire al XV secolo, sotto l'influenza delle tradizioni spagnole. La rievocazione vivente della storia di S.Lucia avviene in due giornate consecutive, il sabato e la domenica: qui tento di raccontare alcuni momenti della giornata della domenica, giorno durante il quale la festa si svolge nel pieno della sua bellezza. E' questa una rievocazione storica che parla di Demoni ed Angeli: la storia rievoca di quando la Santa, si rifiutò di andare in sposa ad un suo ricco e potente pretendente (essendosi dichiarata Cristiana e sposa in Cristo), il quale per vendetta riferì della fede Cristiana di Lucia al prefetto Pascasio; costui diede ordine ai suoi pretoriani di trascinare Lucia con una corda fino ad un lupanare, un luogo di prostituzione; la leggenda narra che la Santa divenne pesantissima, si tentò allora di trascinarla con l'ausilio dei buoi, ma fu impossibile smuoverla da dove si trovava; non riuscendo in ciò, fu allora dato l'ordine di cavarle gli occhi, ma alla giovane martire (nativa di Siracusa) gli occhi le rispuntarono. Nel paese di Savoca una giovane ragazza, chiamata con affetto "la Lucia" viene portata in spalla lungo le vie del paese (seduta su di un cuscino legato sulla spalla di un uomo; in realtà gli uomini portatori sono due, dandosi il cambio l'un l'altro); la giovane Santa rimane impassibile di fronte alle tentazioni demoniache: il Diavolo, chiamato in dialetto siciliano "u Diavulazzu, agita, scuote, fa ruotare il suo forcone nel tentativo di "distrarre" la Santa ma, vani saranno i suoi tentativi. Il primo giorno di questa rappresentazione, il sabato, in una vecchia chiesa di Savoca, le due bambine che impersonano la Lucia, dell'anno in corso e dell'anno precedente, si incontrano con la consegna della palma da una bimba all'altra; l'evento tradizionale al quale si assiste il sabato, ha tutto l'aspetto di una importante prova generale per il giorno dopo, quando la domenica la festa tradizionale avverrà in tutta la sua bellezza.La domenica: in cima alla processione ci sono i "Giudei" (gli emissari del prefetto Pascasio) insieme ad alcuni Angeli, subito dopo si trova il carro tirato da due giumente dalle quali si diparte una corda che giungerà fino a cingere il fianco della bimba che impersona Santa Lucia (una bambina di sei anni); tra lei e le giumente ci sono i soldati Romani, che si fanno largo tra la folla dimenandosi a più non posso; a tenere la corda ci sono anche delle figure maschili che evitano che gli strattonamenti dei soldati romani possano giungere fino alla Santa (ricordiamolo, che è legata a quella corda); davanti alla Santa piroetta il diavolo tentatore, u' Diavulazzu (la maschera è in legno, la cui fattura è datata, sembra, del 400'), il cui compito è quello di distrarre la piccola Santa con l'aiuto di un lungo bastone dotato di punte ricurve, chiamto dialettalmente "u' croccu": Lucia difficilmente si lascerà ingannare dalle promesse del Maligno, non abbandonerà quel suo stato di immobile concentrazione, aiutata in ciò dal fissare, quasi in stato di trance, un piccolo ramo di palma in argento, che lei strige devotamente tra le sue mani. E’ fondamentale menzionare tra i vari personaggi storici della tradizione, il barone Baldassarre, vissuto in Savoca in epoca medioevale, soprannominato barone Altadonna, che applicava senza remora alcuna la pratica della Jus primae noctis: avvalendosi di questa legge il barone obbligava le giovani spose a trascorrere la prima notte di nozze nella sua alcova. E’ fortemente ipotizzabile che nella rappresentazione di Santa Lucia di Savoca il personaggio del Diavolo che tenta la giovane Santa col suo forcone, in realtà non sia altro che egli stesso, il barone Altadonna, così allegoricamente descritto nella festa tradizionale siciliana: la figura del Diavolo, se si tiene conto di quanto narrano gli storici, non apparterrebbe più alla leggenda, ma a questo tristo personaggio realmente vissuto, che usava quotidianamente la moneta della prepotenza. Post scriptum: le fotografie, realizzate sia il sabato che la domenica, sono state organizzate e postate senza tenere conto della cronologia temporale di quanto avvenuto nei due giorni della manifestazione; sono state inserite due foto della mummia del barone Altadonna, che si trova nella cripta dei Padri Cappuccini di Savoca; sono stati inseriti i ritratti di due "Lucie" delle precedenti edizioni, del nonno e del bisnonno della dinastia dei "DIAVOLI"; la "palma d'argento" è stata consegnata dalla Lucia del 2016 (Valentina), alla attuale Lucia (Miriana); nel 2017 la manifestazione non è stata eseguita.

   

My comments relating to Belfast may appear to be somewhat negative but in general I would suggest Belfast as a worthwhile and interesting destination for any visitor to Ireland or the UK.

 

The interesting building featured in my photograph is the Malmaison Hotel and it is supposed to be very good.

 

In general my experience of hotels in Belfast has not been good and in some cases really bad. Based on experience I would advise visitors to avoid budget hotels in Belfast but a number of friends have suggested the the IBIS at Queens Quarter is excellent.

 

I should also mention that eating out in Belfast city centre is more expensive than Dublin and that may surprise many visitors from the South. There are two reasons for this: There is a special VAT rate of 9% for services in Republic compared with 20% in Northern Ireland also many restaurants in Belfast add 12.5% service charge and in theory you could refuse to pay this - even when you are charged the service charge the credit card machine will ask if you want to add a tip.

  

I have visited Belfast at least once per year since 2010 and up until about three years ago I could book two night stays for about Euro 100. Since 2014 I have stayed at the Ramada Encore which I do like. In 2016 I paid Euro 119 for two nights [I paid 2 Euro less in 2015] and in 2017 I paid Euro 161.36 for exactly the same room about two weeks before Brexit.

  

When I tried to book the Ramada for three nights in May 2018 the asking price was Euro 171 per night without the option of free cancellation] and this came as a shock considering that Sterling has dropped in value over the last twelve months.

 

I then decided that if I was paying that sort of money maybe I should considering other better hotels and eventually I booked two nights at the Malmaison at Euro 272 but a few days ago I discovered that the price was actually £272 [Euro 318 but with the option to cancel], I do not know how I made this mistake. I decided to look elsewhere and eventually managed to book two nights at the Bullitt for a much better price but it is still high.

I have had a few nice encounters in the subway system (surprising enough) and this was my second of the day – the first being Issicha. I had just stopped by the Toronto Public Library branch in the west end to check on my photo exhibit and found that all was in order. On my way back to the subway to head downtown I saw this wonderful splash of color at the intersection. She was with a girlfriend and the three of us crossed the street together on our way to the subway station. I introduced myself and my project and asked her if she would be kind enough to participate. She agreed after hearing a few details and looking at my contact card. Meet Dana.

 

Just inside the doors to the station there was plenty of light and a wall of tiles, some of them plain and a few with colors. I suggested we take the photos against the tiles. Her friend occupied herself on her cell phone while we did the photos and it was clear that Dana enjoyed the experience. When I asked her about the bright red hair she said “I do it myself.” I wondered if she is a hairstylist and she said “No, but I learned from my Auntie and I enjoy doing hair.” I commented that it certainly grabbed my attention. Confirming that I wasn’t making the two of them late for something, Dana said “No, not at all. We were just doing a bit of shopping for the children.”

 

Dana is 26 and came to Canada from Jamaica at age 12. I told her it was a coincidence that I had photographed another Jamaican in a different subway station earlier today and showed her Issicha’s portrait which was still on my camera. I asked about Dana’s advice to her younger self and she said “Be strong no matter what. Better times will come.” Her biggest challenge in life has been when her six year old son was struck by a bullet in a neighborhood shooting. I’m sure my shock registered on my face. I didn’t push for details but did ask about the outcome and she said he recovered well and is doing great. Her face lit up in talking about his good health now. Her message to the project was “What doesn’t kill you will make you stronger.” It’s interesting that her answers to the three questions I asked all tie together. Without planning it, I spontaneously asked her if she had a dream. She said “I do. It’s to be a flight attendant.” I commented that I’ve always loved airplanes and anything relating to airplanes. “Do you think this dream will ever come true?” I asked. She said “Oh, I’m definitely going to try – but not until my children are older.”

 

I thanked Dana and her friend for their patience and we exchanged contact information. I told her about my photo exhibit just across the street and she asked me to send the details with her photo and she would look forward to seeing it.

 

This is my 389th submission to The Human Family Group on Flickr.

 

You can view more street portraits and stories by visiting The Human Family.

The Bible relates how the Queen of Sheba visited King Solomon in Jerusalem. Their meeting was often painted, but it was unusual to depict the Queen's embarkation. Many of Claude's paintings are concerned with the theme of journeying; here he creates an imaginary seaport. This painting has a rigorous linear perspective and there is a pronounced symmetry between the left and right hand sides. The canvas is roughly divided into fifths. The architecture and horizon are placed in a balanced way within this grid.

 

[Oil on canvas, 149.1 x 196.7 cm]

 

gandalfsgallery.blogspot.com/2012/03/claude-seaport-with-...

 

1. The spiritual entity Qalb

 

Prophecy and knowledge relating to this was granted to the Prophet Adam

 

In the Urdu language the fleshy meat, (the heart) is known as dil, and in Arabic it is called fawad. The spiritual entity that is next to the heart is the Qalb and according to a Prophetic statement the heart and the Qalb are two separate entities.

 

Our solar system is the physical human sphere. There are other realms and spheres, for example the realm of the angels, the realm of the throne of God, the realm of the soul, the realm of the secrets, the realm of unification and the realm of the essence of God. These spheres and life forms inhabiting these spheres have existed before the eruption of the ball of fire, our Sun, which created our solar system. Ordinary angels were created alongside the creation of the souls when God commanded "Be" but the Archangels and the spiritual entities (which are placed inside the human body at birth) have existed in these realms before the formation of our solar system.

 

Many planets in our solar system were inhabited but subsequently these life forms became extinct. The remaining planets and their inhabitants are awaiting their destruction. The Archangels and the spiritual entities (of the human body) were created seventy thousand years before the command "Be."

 

Of these spiritual entities God placed the Qalb in the realm of love. It is with this that a human being is able to become connected with God. The Qalb acts like a telephone operator between God and the human being. A human being receives guidance and inspiration through it. Whereas the worship and the meditation done by the spiritual entities themselves can reach the highest realm, the Throne of God, with the aid of the Qalb. The Qalb itself, however cannot travel beyond the realm of the angels, as its place of origin is the Khuld, the lowest heaven in the realm of the angels.

 

The Qalb’s meditation is from within and its vibrating rosary is within the human skeleton (the heartbeat). People that failed to achieve this meditation of the Qalb in this lifetime will be regretful, even though they may be in paradise. As God has stated regarding those who will go to paradise, that do they, the inhabitants of paradise think that they will be equal to those who are elevated (reached higher realms by practicing the spiritual disciplines and becoming illuminated). As those that have achieved the meditation of the Qalb, they will enjoy its pleasures even in paradise when their Qalb will be vibrating with the Name of God.

After death physical worship ceases to exist and the people whose Qalb and spiritual entities are not strengthened and illuminated with the light of God are afflicted and distressed in their graves and their spiritual entities waste away. Whereas the illuminated and strengthened spiritual entities will go to the realm where the righteous will wait before the final judgement.

After the day of judgement a second body will be given, the illuminated spiritual entities along with the human soul will enter that body. The people that taught their spiritual entities, meditation, whereby the entities chanted the Name of God Allah in this life time will find that the spiritual entities will continue with this meditation even in the hereafter. Such people will continue to be elevated and exalted in the hereafter.

  

Those that were “blind of heart” (not illuminated) in this life time will be in darkness in that realm also, as this world was the place of action and effort. Those in the latter category will become quiescent.

Besides the Christians and the Jews the Hindu faith also holds a belief in these spiritual entities. The Hindu faith refers to them as Shaktian and the Muslims know them as Lata’if.

The Qalb is two inches, to the left of the heart. This spiritual entity is yellow in colour. When it is illuminated in a person, that person sees the colour yellow in their eyes. Not only this but there are many practitioners of alternative medicine who use the colours of these spiritual entities to heal people.

Most people regard their heart’s word, “inner feeling” to be truthful. If the hearts of people were indeed truthful, then why are all the people of the heart not united?

The Qalb of an ordinary person is in the sleeping or unconscious state and it does not possess any appreciation or awareness. Due to the dominance of the spirit of the self, the ego, and the Khannas, or due to the individual’s own simple- mindedness the heart can make judgements in error. Placing trust in a sleeping Qalb is foolish.

Only when the Name of God Allah, does vibrate in the heart does an appreciation of right and wrong and wisdom follow. At this stage the Qalb is known as the awakened Qalb. Thereafter due to the increase in the meditation by the Qalb, of the Name of God Allah, it is then known as the God-seeking Qalb. At this stage the heart is capable of preventing the person from doing wrong but it is still incapable of making a right or just decision. Thereafter and only when the Light and the rays of the Grace of God (theophany) start to descend upon that heart, is it known as the purified and illuminated Qalb that stands in the presence of God (witnessing Qalb).

 

A Prophetic statement:

“The mercy of God descends upon a broken heart and an afflicted grave.”

 

Thereafter when the heart reaches this stage then one must accept whatever it dictates, quietly without question because due to the rays of the Light and the Grace of God the spirit of the self, (ego) becomes completely illuminated, purified and at peace. God is then closer to that individual than that person’s jugular vein.

God then says, “I become his tongue with which he speaks and I become his hands with which he holds.”

   

2. The Human Soul

 

Prophecy and knowledge relating to this was granted to the Prophet Abraham

 

This is on the right side of the chest. This is awakened and illuminated by the meditation and one-pointed concentration on it. Once it becomes illuminated, a vibration similar to the heartbeat is felt on the right side of the chest. Then the Name of God, Ya Allah is matched with the vibrating pulse. The meditation of the soul is done in this way. At this point, there are now two spiritual entities meditating inside the human body, this is an advancement in rank and status and is better than the Qalb. The soul is a light red in colour and when it is awakened, it is able to travel to the realm of the souls (the station of the Archangel Gabriel). Anger and rage are attached to it that burn and turn into majesty.

  

3. The spiritual entity Sirri

 

Prophecy and knowledge relating to this was granted to the Prophet Moses

 

This spiritual entity is to the left of the centre of the chest. This is also awakened and illuminated by the meditation and one-pointed concentration on it with the Name of God, Ya Hayy, Ya Qayyum. Its colour is white and in the dream state or by spiritual separation from the physical body “transcendental meditation” it can journey to the realm of the secrets. Now there are three spiritual entities meditating within a person and its status is higher than the other two.

   

4. The spiritual entity Khaffi

 

Prophecy and knowledge relating to this was granted to the Prophet Jesus

 

This is to the right of the centre of the chest. It too is taught the Name of God Ya Wahid by meditation. It is green in colour and it can reach the realm of unification. Due to the meditation of four entities one's status is further increased.

 

5. The spiritual entity Akhfa

 

Prophecy and knowledge relating to this was granted to the Prophet Mohammed

 

This is situated at the centre of the chest. It is awakened by meditating on the Name of God, Ya Ahad. It is purple in colour and it too, is connected to that veil in the realm of unification behind which is the throne of God.

 

The hidden spiritual knowledge relating to these five spiritual entities was granted to the Prophets, one by one and half of the knowledge of every spiritual entity was granted from the Prophets to the Saints of their time. In this way there became ten parts of this knowledge. The Saints in turn passed this knowledge on to the spiritually favoured (Godly) who then had the benefit of the sacred knowledge.

 

The apparent knowledge of the seen is connected to the physical body, the spoken word, the human realm and the spirit of the self, this is for the ordinary mortals. This knowledge is contained in a book that has thirty parts. Spiritual knowledge was also given to the Prophets by revelation brought by Gabriel and for this reason it is known as the spiritual Holy Scripture.

 

Many of the verses of the Qur’an would sometimes be abolished, since the Prophet Mohammed would sometimes mention matters relating to this “hidden spiritual knowledge” before ordinary people, which was only meant for the special and Godly. Later this knowledge passed on spiritually from the chest of one Saint to another, and now it has become widespread by its publication in books.

  

6. The spiritual entity Anna

 

This spiritual entity is inside the head and is colourless. It is by the meditation on the Name of God Ya Hu that this spiritual entity reaches its pinnacle. It is this spiritual entity that when it becomes illuminated and powerful it can stand in the Presence of God, face to face, and communicate with God unobstructed. Only the extreme lovers of God reach this realm and station. Besides this there are a few and extremely exalted people who are granted additional spiritual entities, for example the spiritual entity Tifl-e-Nuri or a spiritual entity of the Godhead, Jussa-e-Tofiq-e-Ilahi, the spiritual status of such people is beyond understanding.

 

With the spiritual entity, Anna, God is seen in the dream state.

 

With the spiritual entity of the Godhead, God is seen in the “physical meditating state” when the spiritual entity itself leaves the human body and transcends to the essence of God.

 

Those possessing the spiritual entity, the Tifl-e-Nuri, see God whilst they are fully conscious.

 

It is these people who are the majesty and power of God in the world. They can either occupy the people by prescribing worship and austerities or by their spiritual grace send a person straight to the realm of God’s love. In their sight, concerning dispensing spiritual grace the believers and the non-believers, the dead and the living are all the same. Just as a thief became a Saint, in an instant, by the passing glimpse of the Saint Sheikh Abdul-Qadir al-Jilani, similarly, Abu-Bakr Havari and Manga the thief, became instant Saints by the passing glimpses of such Saints.

 

The five major Messengers were given knowledge of the five spiritual entities separately and in order of their appearance, as a result of which spirituality continued to prosper. With whichever spiritual entity you practice meditation you will be connected to the corresponding Messenger and become worthy of receiving spiritual grace (from that Messenger).

 

Whichever spiritual entity receives the rays of the Grace of God (favour), the Sainthood granted to that spiritual entity will be connected to the corresponding Prophet’s spiritual grace.

 

Access to seven realms and gaining elevated spiritual status in the seven heavens is obtained through these spiritual entities.

The functions of the spiritual entities inside the human body

 

Akhfa: Due to the spiritual entity, Akhfa a person is able to speak. In its absence a person may have a normal tongue but will be dumb. The difference between human beings and animals lies in the presence or the absence of these spiritual entities. At birth, if the entity, Akhfa was unable to enter the body for whatever reason, then a Prophet appointed for the rectification of this ailment would be called to treat the condition as a result of which the dumb would start to speak.

 

Sirri: A person is able to see due to the spiritual entity, Sirri. If it does not enter the body the person is blind from birth. An appointed Prophet had the duty to find and place the spiritual entity into the body, as a result of which the blind would start to see again.

Qalb: Without the spiritual entity of the Qalb, in the body, a person is like the animals, unacquainted, far from God, miserable and without purpose. Returning this entity into the body was the task of the Prophets also.

The miracles of the Prophets were also granted to the saints, in the form marvels and mystical wonders as a result of which even the impious and liberal became close to God. When a spiritual entity is returned by any allocated Saint or Prophet, the deaf, dumb and the blind are healed.

Anna: When the spiritual entity, Anna, fails to enter the body, a person is regarded as insane even though the brain may be functioning normally.

Khaffi: In the absence of the spiritual entity, Khafi, a person is deaf, even if the ears are opened wide.

These conditions can be caused by other defects in the body, and can be treated. There is no cure in the case, where the defect is caused by the absence of the associated spiritual entity except where a Prophet or a Saint intervenes and cures the defect.

Nafs, self: As a result of the spiritual entity of the self (ego) a persons mind is occupied with the material world and it is because of the spiritual entity Qalb that a persons direction turns towards God. For more detail visit www.goharshahi.org or visit asipk.com and for videos visit HH rags

 

1. The spiritual entity Qalb

 

Prophecy and knowledge relating to this was granted to the Prophet Adam

 

In the Urdu language the fleshy meat, (the heart) is known as dil, and in Arabic it is called fawad. The spiritual entity that is next to the heart is the Qalb and according to a Prophetic statement the heart and the Qalb are two separate entities.

 

Our solar system is the physical human sphere. There are other realms and spheres, for example the realm of the angels, the realm of the throne of God, the realm of the soul, the realm of the secrets, the realm of unification and the realm of the essence of God. These spheres and life forms inhabiting these spheres have existed before the eruption of the ball of fire, our Sun, which created our solar system. Ordinary angels were created alongside the creation of the souls when God commanded "Be" but the Archangels and the spiritual entities (which are placed inside the human body at birth) have existed in these realms before the formation of our solar system.

 

Many planets in our solar system were inhabited but subsequently these life forms became extinct. The remaining planets and their inhabitants are awaiting their destruction. The Archangels and the spiritual entities (of the human body) were created seventy thousand years before the command "Be."

 

Of these spiritual entities God placed the Qalb in the realm of love. It is with this that a human being is able to become connected with God. The Qalb acts like a telephone operator between God and the human being. A human being receives guidance and inspiration through it. Whereas the worship and the meditation done by the spiritual entities themselves can reach the highest realm, the Throne of God, with the aid of the Qalb. The Qalb itself, however cannot travel beyond the realm of the angels, as its place of origin is the Khuld, the lowest heaven in the realm of the angels.

 

The Qalb’s meditation is from within and its vibrating rosary is within the human skeleton (the heartbeat). People that failed to achieve this meditation of the Qalb in this lifetime will be regretful, even though they may be in paradise. As God has stated regarding those who will go to paradise, that do they, the inhabitants of paradise think that they will be equal to those who are elevated (reached higher realms by practicing the spiritual disciplines and becoming illuminated). As those that have achieved the meditation of the Qalb, they will enjoy its pleasures even in paradise when their Qalb will be vibrating with the Name of God.

After death physical worship ceases to exist and the people whose Qalb and spiritual entities are not strengthened and illuminated with the light of God are afflicted and distressed in their graves and their spiritual entities waste away. Whereas the illuminated and strengthened spiritual entities will go to the realm where the righteous will wait before the final judgement.

After the day of judgement a second body will be given, the illuminated spiritual entities along with the human soul will enter that body. The people that taught their spiritual entities, meditation, whereby the entities chanted the Name of God Allah in this life time will find that the spiritual entities will continue with this meditation even in the hereafter. Such people will continue to be elevated and exalted in the hereafter.

  

Those that were “blind of heart” (not illuminated) in this life time will be in darkness in that realm also, as this world was the place of action and effort. Those in the latter category will become quiescent.

Besides the Christians and the Jews the Hindu faith also holds a belief in these spiritual entities. The Hindu faith refers to them as Shaktian and the Muslims know them as Lata’if.

The Qalb is two inches, to the left of the heart. This spiritual entity is yellow in colour. When it is illuminated in a person, that person sees the colour yellow in their eyes. Not only this but there are many practitioners of alternative medicine who use the colours of these spiritual entities to heal people.

Most people regard their heart’s word, “inner feeling” to be truthful. If the hearts of people were indeed truthful, then why are all the people of the heart not united?

The Qalb of an ordinary person is in the sleeping or unconscious state and it does not possess any appreciation or awareness. Due to the dominance of the spirit of the self, the ego, and the Khannas, or due to the individual’s own simple- mindedness the heart can make judgements in error. Placing trust in a sleeping Qalb is foolish.

Only when the Name of God Allah, does vibrate in the heart does an appreciation of right and wrong and wisdom follow. At this stage the Qalb is known as the awakened Qalb. Thereafter due to the increase in the meditation by the Qalb, of the Name of God Allah, it is then known as the God-seeking Qalb. At this stage the heart is capable of preventing the person from doing wrong but it is still incapable of making a right or just decision. Thereafter and only when the Light and the rays of the Grace of God (theophany) start to descend upon that heart, is it known as the purified and illuminated Qalb that stands in the presence of God (witnessing Qalb).

 

A Prophetic statement:

“The mercy of God descends upon a broken heart and an afflicted grave.”

 

Thereafter when the heart reaches this stage then one must accept whatever it dictates, quietly without question because due to the rays of the Light and the Grace of God the spirit of the self, (ego) becomes completely illuminated, purified and at peace. God is then closer to that individual than that person’s jugular vein.

God then says, “I become his tongue with which he speaks and I become his hands with which he holds.”

   

2. The Human Soul

 

Prophecy and knowledge relating to this was granted to the Prophet Abraham

 

This is on the right side of the chest. This is awakened and illuminated by the meditation and one-pointed concentration on it. Once it becomes illuminated, a vibration similar to the heartbeat is felt on the right side of the chest. Then the Name of God, Ya Allah is matched with the vibrating pulse. The meditation of the soul is done in this way. At this point, there are now two spiritual entities meditating inside the human body, this is an advancement in rank and status and is better than the Qalb. The soul is a light red in colour and when it is awakened, it is able to travel to the realm of the souls (the station of the Archangel Gabriel). Anger and rage are attached to it that burn and turn into majesty.

  

3. The spiritual entity Sirri

 

Prophecy and knowledge relating to this was granted to the Prophet Moses

 

This spiritual entity is to the left of the centre of the chest. This is also awakened and illuminated by the meditation and one-pointed concentration on it with the Name of God, Ya Hayy, Ya Qayyum. Its colour is white and in the dream state or by spiritual separation from the physical body “transcendental meditation” it can journey to the realm of the secrets. Now there are three spiritual entities meditating within a person and its status is higher than the other two.

   

4. The spiritual entity Khaffi

 

Prophecy and knowledge relating to this was granted to the Prophet Jesus

 

This is to the right of the centre of the chest. It too is taught the Name of God Ya Wahid by meditation. It is green in colour and it can reach the realm of unification. Due to the meditation of four entities one's status is further increased.

 

5. The spiritual entity Akhfa

 

Prophecy and knowledge relating to this was granted to the Prophet Mohammed

 

This is situated at the centre of the chest. It is awakened by meditating on the Name of God, Ya Ahad. It is purple in colour and it too, is connected to that veil in the realm of unification behind which is the throne of God.

 

The hidden spiritual knowledge relating to these five spiritual entities was granted to the Prophets, one by one and half of the knowledge of every spiritual entity was granted from the Prophets to the Saints of their time. In this way there became ten parts of this knowledge. The Saints in turn passed this knowledge on to the spiritually favoured (Godly) who then had the benefit of the sacred knowledge.

 

The apparent knowledge of the seen is connected to the physical body, the spoken word, the human realm and the spirit of the self, this is for the ordinary mortals. This knowledge is contained in a book that has thirty parts. Spiritual knowledge was also given to the Prophets by revelation brought by Gabriel and for this reason it is known as the spiritual Holy Scripture.

 

Many of the verses of the Qur’an would sometimes be abolished, since the Prophet Mohammed would sometimes mention matters relating to this “hidden spiritual knowledge” before ordinary people, which was only meant for the special and Godly. Later this knowledge passed on spiritually from the chest of one Saint to another, and now it has become widespread by its publication in books.

  

6. The spiritual entity Anna

 

This spiritual entity is inside the head and is colourless. It is by the meditation on the Name of God Ya Hu that this spiritual entity reaches its pinnacle. It is this spiritual entity that when it becomes illuminated and powerful it can stand in the Presence of God, face to face, and communicate with God unobstructed. Only the extreme lovers of God reach this realm and station. Besides this there are a few and extremely exalted people who are granted additional spiritual entities, for example the spiritual entity Tifl-e-Nuri or a spiritual entity of the Godhead, Jussa-e-Tofiq-e-Ilahi, the spiritual status of such people is beyond understanding.

 

With the spiritual entity, Anna, God is seen in the dream state.

 

With the spiritual entity of the Godhead, God is seen in the “physical meditating state” when the spiritual entity itself leaves the human body and transcends to the essence of God.

 

Those possessing the spiritual entity, the Tifl-e-Nuri, see God whilst they are fully conscious.

 

It is these people who are the majesty and power of God in the world. They can either occupy the people by prescribing worship and austerities or by their spiritual grace send a person straight to the realm of God’s love. In their sight, concerning dispensing spiritual grace the believers and the non-believers, the dead and the living are all the same. Just as a thief became a Saint, in an instant, by the passing glimpse of the Saint Sheikh Abdul-Qadir al-Jilani, similarly, Abu-Bakr Havari and Manga the thief, became instant Saints by the passing glimpses of such Saints.

 

The five major Messengers were given knowledge of the five spiritual entities separately and in order of their appearance, as a result of which spirituality continued to prosper. With whichever spiritual entity you practice meditation you will be connected to the corresponding Messenger and become worthy of receiving spiritual grace (from that Messenger).

 

Whichever spiritual entity receives the rays of the Grace of God (favour), the Sainthood granted to that spiritual entity will be connected to the corresponding Prophet’s spiritual grace.

 

Access to seven realms and gaining elevated spiritual status in the seven heavens is obtained through these spiritual entities.

The functions of the spiritual entities inside the human body

 

Akhfa: Due to the spiritual entity, Akhfa a person is able to speak. In its absence a person may have a normal tongue but will be dumb. The difference between human beings and animals lies in the presence or the absence of these spiritual entities. At birth, if the entity, Akhfa was unable to enter the body for whatever reason, then a Prophet appointed for the rectification of this ailment would be called to treat the condition as a result of which the dumb would start to speak.

 

Sirri: A person is able to see due to the spiritual entity, Sirri. If it does not enter the body the person is blind from birth. An appointed Prophet had the duty to find and place the spiritual entity into the body, as a result of which the blind would start to see again.

Qalb: Without the spiritual entity of the Qalb, in the body, a person is like the animals, unacquainted, far from God, miserable and without purpose. Returning this entity into the body was the task of the Prophets also.

The miracles of the Prophets were also granted to the saints, in the form marvels and mystical wonders as a result of which even the impious and liberal became close to God. When a spiritual entity is returned by any allocated Saint or Prophet, the deaf, dumb and the blind are healed.

Anna: When the spiritual entity, Anna, fails to enter the body, a person is regarded as insane even though the brain may be functioning normally.

Khaffi: In the absence of the spiritual entity, Khafi, a person is deaf, even if the ears are opened wide.

These conditions can be caused by other defects in the body, and can be treated. There is no cure in the case, where the defect is caused by the absence of the associated spiritual entity except where a Prophet or a Saint intervenes and cures the defect.

Nafs, self: As a result of the spiritual entity of the self (ego) a persons mind is occupied with the material world and it is because of the spiritual entity Qalb that a persons direction turns towards God. For more detail visit www.goharshahi.org or visit asipk.com and for videos visit HH rags

 

A half filled album of photos relating to the Kroos Family from Holland . There are photos of Amsterdam , Arnhem and Eindhoven .

 

Second part of the album is clearly England whether the Kroos family moved here or were on a holiday break isn't certain.

 

Part of the Beach Moments Project . Includes Candid , Vintage and Family Moments on a beach.

  

Uses: Anything relating to finance and money.

 

Free Creative Commons Finance Images... I created these images in my studio and have made them all available for personal or commercial use. Hope you like them and find them useful.

 

To see more of our CC by 2.0 finance images click here... see profile for attribution.

 

Inspiration: Anything relating to saving money, classic piggy bank, etc.

 

Paris / Faubourg Saint-Germain - Hôtel des Invalides und Panthéon gesehen vom Eiffelturm

 

Blue hour after sunset

 

Blaue Stunde nach Sonnenuntergang

 

The Hôtel des Invalides (French: [o.tɛl dez ɛ̃valid]; French for 'House of Invalids'), commonly called les Invalides ([lez ɛ̃valid]; lit. 'the Invalids'), is a complex of buildings in the 7th arrondissement of Paris, France, containing museums and monuments, all relating to the military history of France, as well as a hospital and an old soldiers' retirement home, the building's original purpose. The buildings house the Musée de l'Armée, the museum of the Army of France, the Musée des Plans-Reliefs, and the Musée d'Histoire Contemporaine. The complex also includes the Cathedral of Saint-Louis-des-Invalides, the national cathedral of the French military. It is adjacent to the Royal Chapel known as the Dôme des Invalides, the tallest church building in Paris at a height of 107 metres (351 ft). The latter has been converted into a shrine to some of France's leading military figures, most notably the tomb of Napoleon.

 

History

 

Louis XIV initiated the project by an order dated 24 November 1670 to create a home and hospital for aged and disabled (invalide) soldiers, the veterans of his many military campaigns. The initial architect of Les Invalides was Libéral Bruant. The selected site was in the then suburban plain of Grenelle (plaine de Grenelle). By the time the enlarged project was completed in 1676, the façade fronting the Seine measured 196 metres (643 ft) in width, and the complex had fifteen courtyards, the largest being the cour d'honneur designed for military parades. The church-and-chapel complex of the Invalides was designed by Jules Hardouin-Mansart in 1676, taking inspiration from his great-uncle François Mansart's design for a Chapelle des Bourbons to be built behind the chancel of the Basilica of Saint-Denis, the French monarch's necropolis since ancient times. Several projects were submitted in the mid-1660s by both Mansart and Gian Lorenzo Bernini, who was residing in Paris at the time. Mansart's second project is very close to Hardouin-Mansart's concept of the Royal Chapel or Dome Church at Les Invalides, both in terms of its architecture and of its relationship with the adjacent church. Architectural historian Allan Braham has hypothesized that the domed chapel was initially intended to be a new burial place for the Bourbon Dynasty, but that project was not implemented. Instead, the massive building was designated as the private chapel of the monarch, which was attached to the Cathedral attended by the veterans. The Dôme des Invalides remains as one of the prime exemplars of French Baroque architecture, at 107 metres (351 ft) high, and also as an iconic symbol of France's absolute monarchy.

 

The interior of the dome was painted by Le Brun's disciple Charles de La Fosse with a Baroque illusionistic ceiling painting. The painting was completed in 1705.

 

Meanwhile, Hardouin-Mansart assisted the aged Bruant with the Cathedral of Saint-Louis-des-Invalides, Paris, which was finished to Bruant's design after the latter died in 1697. Daily attendance of the veterans in the church services was required. Shortly after the veterans' chapel was started, Louis XIV commissioned Mansart to construct a separate private royal chapel, now named its most striking feature. The Dome chapel was finished in 1706.

 

Because of its location and significance, the Invalides served as the scene for several key events in French history. On 14 July 1789, it was stormed by Parisian rioters who seized the cannons and muskets stored in its cellars to use against the Bastille later the same day. Napoleon was entombed under the Dome of the Invalides with a grand ceremony in 1840. The separation between the two churches was reinforced in the 19th century with the erection of Napoleon's tomb, the creation of the two separate altars, and the construction of a glass wall between the two chapels.

 

The building retained its primary function as a retirement home and hospital for military veterans (invalides) until the early twentieth century. In 1872, the musée d'artillerie (Artillery Museum) was located within the building to be joined by the musée historique des armées (Historical Museum of the Armies) in 1896. The two institutions were merged to form the present musée de l'armée in 1905. At the same time, the veterans in residence were dispersed to smaller centres outside Paris. The reason was that adopting a mainly conscript army after 1872 meant a substantial reduction in the number of veterans having the twenty or more years of military service formerly required to enter the Hôpital des Invalides. The building accordingly became too large for its original purpose. The modern complex does, however, still include the facilities detailed below for about a hundred elderly or incapacitated former soldiers.

 

When the Army Museum at Les Invalides was founded in 1905, the veterans' chapel was placed under its administrative control. It is now the cathedral of the Diocese of the French Armed Forces, officially known as Cathédrale Saint-Louis-des-Invalides.

 

2024 Olympic venue

 

The Esplanade des Invalides, the expansive green space in front of the historic Hôtel des Invalides, was a venue for several sports during the Paris 2024 Summer Olympics. It hosted archery, para-archery, road cycling, and marathon events, with the Invalides buildings providing a backdrop.

 

Architecture

 

North Front and entrance

 

Hardouin-Mansart's Dome chapel is large enough to dominate the long façade yet harmonizes with Bruant's door under an arched pediment on the north front of Les Invalides. To the north, the courtyard (cour d'honneur) is extended by a wide public esplanade (Esplanade des Invalides) where the embassies of Austria and Finland are neighbors of the French Ministry of Foreign Affairs, all forming one of the grand open spaces in the heart of Paris. At its far end, the Pont Alexandre III links this grand urbanistic axis with the Petit Palais and the Grand Palais. The Pont des Invalides is next, downstream the Seine river.

 

The Dome des Invalides

 

The Dome is the tallest and most famous of the buildings of Les Invalides. Designed by Jules Hardouin-Mansart, it takes the form of a Greek cross, on a square plan. Each of the facades is composed of two orders superimposed. The porch is topped by triangular fronton. It is crowned by a dome 90 metres, high, surmounted by lantern bringing the height to 107 metres (351 feet), making it taller than Notre Dame de Paris and the tallest of all Paris church domes.

 

The dome is actually composed of two domes superimposed. The lower dome is largely open at the base, allowed the visitors below to see the art painted on the dome above by Charles de La Fosse. The windows are masked by the lower dome, which permits natural lighting and gives the impression that viewers are actually seeing the sky, a popular Baroque affect.

 

The interior of the dome is divided into two separate churches; beneath the dome is the chapel that was used, on rare occasions, by the royal family. Attached to the dome is a separate church, the Cathedral of Saint-Louis-des-Invalides, Paris, which was used by the veterans who lived at Les Invalides. They were required to attend daily services in the church.

 

The painting inside the dome by Charles de la Fosse depicts Saint Louis presenting his sword to Christ and the angels. In the centre of the composition, God and the Virgin are surrounded by angel musicians. Saint Louis carries the symbols of royalty; a crown, a garden with flour-des-lys emblems, and a royal mantle. To the right of Christ are placed the symbols of the passion and the suffering of Christ; the cross, nails, a lance, and the crown of thorns.

 

Charles de la Fosse (1636-1716), a student of Le Brun, was one of the leading painters of the Academy, whose work is also found in the Palace of Versailles. Jules Hardouin Mansard, in charge of all the decoration of the dome, asked La Fosse to decorate the cupola and the pendentives with paintings of the four Evangelists. In the same period, he decorated the salons of Diane and Apollo at the Palace of Versailles.

 

Tomb of Napoleon

 

The Tomb of Napoleon is found within the Church of the Dome. It was created after his remains were returned to France from Saint Helena in 1840. It was prepared by King Louis Philippe I and his Prime Minister, Adolphe Thiers, but it was not completed and inaugurated until 1861. The chief architect was Louis Visconti, who died before the tomb was completed. The sarcophagus made of purple quartzite, on a base of green granite, is placed in an open crypt. The crypt is surrounded by a circular gallery supported by twelve pillars, with relief panel and sculpture celebrating Napoleon's accomplishments, represented by figures of Atlantes.

 

Cathedral of Saint-Louis-des-Invalides

 

In 1957, the position of vicar was created to oversee the spiritual education of the army. In 1986 a position of the Bishop of the armies was established and placed at the church, which gave the church the title of cathedral.

 

The church is located directly behind the Dome des Invalides. It was originally the church that was used by the army veterans who lived at Les Invalides. They were required to attend daily services in the cathedral. In the original church, the dome, where the royal family worshipped, served as the choir, while the present cathedral was the nave for the veterans.

 

One unusual feature of the church is the display of captured enemy flags taken over the years by the French Army.

 

The cathedral has a particularly fine organ, made between 1679 and 1687, with a vert elaborate case with sculpture designed by architect Jules Hardouin-Mansart.

 

The Courtyard of Honour

 

The organ of the cathedral is particularly notable. It was made by the organ-builder of the King, Alexandre Thierry, between 1679 and 1687, and has undergone several restorations. The elaborate buffet with sculpture was made in 1683. It was specially designed for the church by the architect, Jules Hardouin-Mansart.

 

The French Army Museum

 

The Army Museum (Musée de l'Armée) was created in 1905 with the merger of the Musée d'Artillerie and the Musée Historique de l'Armée. The museum's seven main spaces and departments contain collections that display military equipment span the from the Middle antiquity through the 20th century.

 

The Museum of Relief Maps

 

The Musee des Plans-Reliefs displays a collection of military models. It was begun in 1668 the Minister of War of Louis XIV ordered that three-dimensional models be made of fortified cities and strategic places in France. The models were originally held in the Louvre. The collection was enlarged through the 18th centuries, and some models of German fortifications were added. The total collection made between 1668 and 1870 has about 150 models. The museum currently displays some twenty-eight models, depicting fortified cities of the French coast.

 

Burials

 

The Dome chapel became a military necropolis when Napoleon in September 1800 designated it for the relocation of the tomb of Louis XIV's celebrated general Turenne, followed in 1807–1808 by Vauban. In 1835, the underground gallery below the church received the remains of 14 victims of the Giuseppe Marco Fieschi's failed assassination attempt on Louis-Philippe I. The significant development came with the building's designation to become Napoleon's tomb by a law of 10 June 1840, as part of the political project of the retour des cendres orchestrated by king Louis-Philippe I and his minister Adolphe Thiers (the reference to Napoleon's cendres or "ashes" is actually to his mortal remains, as he had not been cremated). The creation of the crypt and of Napoleon's massive sarcophagus took twenty years to complete and was finished in 1861. By then, it was emperor Napoleon III who was in power and oversaw the ceremony of the transfer of the remains of his uncle from a chapel of the church to the crypt beneath the dome.

 

Inside the Église du Dôme des Invalides

 

The most notable tomb at Les Invalides is that of Napoleon Bonaparte (1769–1821), designed by Louis Visconti with sculptures by James Pradier, Pierre-Charles Simart and Francisque Joseph Duret. Napoleon was initially interred on Saint Helena, but King Louis Philippe arranged for his remains to be brought to France in 1840, an event known as le retour des cendres. Napoleon's remains were kept in the Saint Jerome (southwestern) chapel of the Dome church for more than two decades until his final resting place, a tomb made of red quartzite and resting on a green granite base, was finished in 1861.

 

Other military figures and members of Napoleon's family were also buried at the Dome church by year of burial there:

 

1800: Henri de La Tour d'Auvergne, Viscount of Turenne (1611–1675); 1670s monument by Gaspard Marsy and Jean-Baptiste Tuby, originally at the Basilica of Saint-Denis and relocated by Napoleon

1807–1808: heart of Sébastien Le Prestre de Vauban (1633–1707); relocated by Napoleon from Bazoches, replaced in 1847 with a cenotaph by Antoine Étex

1847: Henri Gatien Bertrand (1773–1844), an army general who accompanied Napoleon to Elba and then St Helena, and in 1840 brought Napoleon's body back to France; monument designed by Louis Visconti

1847: Géraud Duroc (1772–1813); also by Louis Visconti

1862: Jérôme Bonaparte (1784–1860), Napoleon's youngest brother, Governor of the Invalides 1848–1852; monument by Alfred-Nicolas Normand with sculpture by Eugène Guillaume, in the Saint Jerome chapel

1864: Joseph Bonaparte (1768–1844), Napoleon's elder brother; monument by Alphonse-Nicolas Crépinet [fr] in the Saint Augustine (southeastern) chapel

Charles Leclerc (1772–1802); urn relocated from the Château de Montgobert

1904: heart of Théophile Corret de la Tour d'Auvergne (1743–1800), named by Napoleon the "first grenadier of the Republic"

1940: Napoleon II (1811–1832) son of Napoleon (his heart and intestines remained in Vienna); first placed in the church's Saint Jerome Chapel, then buried in the crypt in 1969

1858: heart of Catharina of Württemberg (1783–1835), wife of Jérôme Bonaparte, and their son Jérôme Napoléon Charles Bonaparte, in the underground gallery; the monument of Catharina's heart was relocated in 1862 in the Saint Jerome Chapel

1937: Ferdinand Foch (1851–1929), monument by Paul Landowski in the Saint Ambrose (northeastern) chapel

1963: Hubert Lyautey (1854–1934), relocated from Morocco, monument by Albert Laprade in the Saint Gregory (northwestern) chapel

 

Beneath the Cathédrale Saint-Louis-des-Invalides

 

82 additional military figures, including 28 Governors of Les Invalides, are buried in the Caveau des Gouverneurs, an underground gallery beneath the Cathédrale Saint-Louis-des-Invalides:

 

Albert d'Amade (1856–1941)

Jean-Toussaint Arrighi de Casanova (1778–1853), Governor 1852–1853

Louis Baraguey d'Hilliers (1764–1813) (heart)

Achille Baraguey d'Hilliers (1795–1878), Marshal of France

Jean-François Berruyer (1737?–1804), Governor 1803–1804

Jean-Baptiste Bessières (1768–1813), Marshal of the Empire

Baptiste Pierre Bisson (1767–1811) (heart)

Antoine Baucheron de Boissoudy (1864–1926)

Thomas Bugeaud (1784–1849), Marshal of France, involved in the conquest of Algeria

François Canrobert (1809–1895), Marshal of France

François-Henri de Franquetot de Coigny (1737–1821), Marshal of France, Governor 1816–1821

Victor Cordonnier (1858–1936)

Charles-Marie Denys de Damrémont (1783–1837)

Vincent Martel Deconchy (1768–1823) (heart)

Denis Auguste Duchêne (1862–1950)

Guy-Victor Duperré (1775–1846)

Franciade Fleurus Duvivier [fr] (1794–1848)

Jean Baptiste Eblé (1758–1812) (heart)

Louis Franchet d'Espèrey (1856–1942), Marshal of France

Rémy Joseph Isidore Exelmans (1775–1852), Marshal of France

Émile Fayolle (1852–1928), Marshal of France

Ernest François Fournier (1842–1934)

Dominique-Marie Gauchet (1853–1931)

Augustin Gérard (1857–1926)

Henri Giraud (1879–1949)

Émile Guépratte (1856–1939)

Adolphe Guillaumat (1863–1940)

Ferdinand-Alphonse Hamelin (1796–1864)

Jean-Joseph Ange d'Hautpoul (1754–1807) (heart)

Paul Prosper Henrys (1862–1943)

Jean Houdemon [fr] (1885–1960), Governor 1951–1960

Georges Louis Humbert (1862–1921)

Jean-Baptiste Jourdan (1762–1833), Marshal of the Empire, Governor 1830–1833

Alphonse Juin (1888–1967), Marshal of France

Jean-Baptiste Kléber (1753–1800) (heart)

Fernand de Langle de Cary (1849–1927)

Charles Lanrezac (1852–1925)

Augustin Boué de Lapeyrère (1852–1924)

Jean Ambroise Baston de Lariboisière (1759–1812)

Dominique Jean Larrey (1766–1842), celebrated military surgeon

Antoine Charles Louis de Lasalle (1777–1809), the "Hussar General"

Philippe Leclerc de Hauteclocque (1902–1947), Marshal of France

Patrice de MacMahon (1808–1893), Marshal of France and President of France

Paul Maistre (1858–1922)

Gabriel Malleterre (1858–1923), Governor 1919–1923

Charles Mangin (1866–1925)

Augustin Eugène Mariaux [fr] (1864–1944), Governor 1923–1944

Edmond-Charles de Martimprey (1808–1883), Governor 1870–1871

Louis de Maud'huy (1857–1921)

Michel-Joseph Maunoury (1847–1923), posthumous Marshal of France

Antoine de Mitry (1857–1924)

Gabriel Jean Joseph Molitor (1770–1849), Marshal of France, Governor 1847–1848

Bon-Adrien Jeannot de Moncey (1754–1842), Marshal of the Empire, Governor 1833–1842

Raoul Magrin-Vernerey a.k.a. Ralph Monclar (1892–1964), Governor 1862–1864

Georges Mouton (1770–1838), Marshal of France

François-Marie-Casimir Négrier (1788–1848) (heart)

Robert Nivelle (1856–1924)

Nicolas d'Orange des Roches [fr] (1618–1705), Governor 1696–1705

Philippe Antoine d'Ornano (1784–1863), Marshal of France, Governor 1853–1863

Nicolas Oudinot (1767–1847), Marshal of the Empire, Governor 1842–1847

Paul Pau (1848–1932)

Aimable Pélissier (1794–1864), Marshal of France

Henri Putz (1859–1925)

Antoine Rodes [fr] (1870–1951), Governor 1944–1951

Pierre Alexis Ronarc'h (1865–1940)

Pierre Roques (1856–1920), creator of the French Air Force

Claude Joseph Rouget de Lisle (1760–1836), army captain, author of France's national anthem La Marseillaise

Pierre Ruffey (1851–1928)

Auguste Regnaud de Saint-Jean d'Angély (1794–1870), Marshal of France

Jacques Leroy de Saint-Arnaud (1798–1854), Marshal of France

Maurice Sarrail (1856–1929) (heart)

Horace François Bastien Sébastiani de La Porta (1771–1851), Marshal of France

Jean-Mathieu-Philibert Sérurier (1742–1819), Marshal of France, Governor 1804–1815

Victor d'Urbal (1858–1943)

Sylvain Charles Valée (1773–1846), Marshal of France

 

Two of these, Gabriel Malleterre and Philippe Leclerc de Hauteclocque, are also honored with a plaque inside the Saint-Louis-des-Invalides cathedral. Another plaque honors Jean de Lattre de Tassigny (1889–1952), posthumous Marshal of France, commander of the French First Army during World War II and later commander in the First Indochina War, who is buried in Mouilleron-en-Pareds.

 

(Wikipedia)

 

The Panthéon (French: [pɑ̃.te.ɔ̃], from Ancient Greek πάνθειον (pántheion) '[temple] to all the gods') is a monument in the 5th arrondissement of Paris, France. It stands in the Latin Quarter (Quartier Latin), on the Montagne Sainte-Geneviève, in the centre of the Place du Panthéon, which was named after it. The edifice was built between 1758 and 1790, from designs by Jacques-Germain Soufflot, at the behest of King Louis XV; the king intended it as a church dedicated to Saint Genevieve, Paris's patron saint, whose relics were to be housed in the church. Neither Soufflot nor Louis XV lived to see the church completed.

 

By the time the construction was finished, the French Revolution had started; the National Constituent Assembly voted in 1791 to transform the Church of Saint Genevieve into a mausoleum for the remains of distinguished French citizens, modelled on the Pantheon in Rome which had been used in this way since the 17th century. The first panthéonisé was Honoré Gabriel Riqueti, comte de Mirabeau, although his remains were removed from the building a few years later. The Panthéon was twice restored to church usage in the course of the 19th century—although Soufflot's remains were transferred inside it in 1829—until the French Third Republic finally decreed the building's exclusive use as a mausoleum in 1881. The placement of Victor Hugo's remains in the crypt in 1885 was its first entombment in over 50 years.

 

The successive changes in the Panthéon's purpose resulted in modifications of the pedimental sculptures and the capping of the dome by a cross or a flag; some of the originally existing windows were blocked up with masonry in order to give the interior a darker and more funereal atmosphere, which compromised somewhat Soufflot's initial attempt at combining the lightness and brightness of the Gothic cathedral with classical principles. The architecture of the Panthéon is an early example of Neoclassicism, surmounted by a dome that owes some of its character to Bramante's Tempietto.

 

In 1851, Léon Foucault conducted a demonstration of diurnal motion at the Panthéon by suspending a pendulum from the ceiling, a copy of which is still visible today. As of December 2021 the remains of 81 people (75 men and six women) had been transferred to the Panthéon. More than half of all the panthéonisations were made under Napoleon's rule during the First Empire.

 

History

 

Site and earlier buildings

 

The site of the Panthéon had great significance in the history of Paris, and was occupied by a series of monuments. It was on Mount Lucotitius, a height on the Left Bank where the forum of the Roman town of Lutetia was located. It was also the original burial site of Saint Genevieve, who had led the resistance to the Huns when they threatened Paris in 451. In 508, Clovis, King of the Franks, constructed a church there, where he and his wife were later buried in 511 and 545. The church, originally dedicated to Saints Peter and Paul, was rededicated to Saint Genevieve, who became the patron saint of Paris. It was at the centre of the Abbey of Saint Genevieve, a centre of religious scholarship in the Middle Ages. Her relics were kept in the church, and were brought out for solemn processions when dangers threatened the city.

 

Construction

 

The Church of Saint Genevieve was nearly complete, with only the interior decoration unfinished, when the French Revolution began in 1789. In 1790, the Marquis de Vilette proposed that it be made a temple devoted to liberty, on the model of the Pantheon in Rome. "Let us install statues of our great men and lay their ashes to rest in its underground recesses." The idea was formally adopted in April, 1791, after the death of the prominent revolutionary figure, The Comte de Mirabeau, the President of the National Constituent Assembly on April 2, 1791. On April 4, 1791, the Assembly decreed "that this religious church become a temple of the nation, that the tomb of a great man become the altar of liberty." They also approved a new text over the entrance: "A grateful nation honors its great men." On the same day the declaration was approved, the funeral of Mirabeau was held in the church.

 

The ashes of Voltaire were placed in the Panthéon in a lavish ceremony on 11 July 1791, followed by the remains of several revolutionaries, including Jean-Paul Marat, replacing Mirabeau, and of the philosopher Jean-Jacques Rousseau. In the rapid shifts of power of the Revolutionary period, two of the first men honored in Pantheon, Mirabeau and Marat, were declared enemies of the Revolution, and their remains were removed. Finally, the new government of the French Convention decreed in February, 1795, that no one should be placed in the Pantheon who had not been dead at least ten years.

 

Soon after the church was transformed into a mausoleum, the Assembly approved architectural changes to make the interior darker and more solemn. The architect Quatremère de Quincy bricked up the lower windows and frosted the glass of the upper windows to reduce the light, and removed most of the ornament from the exterior. The architectural lanterns and bells were removed from the façade. All of the religious friezes and statues were destroyed in 1791; it was replaced by statuary and murals on patriotic themes.

 

Temple to church and back to temple (1806–1830)

 

Napoleon Bonaparte, when he became First Consul in 1801, signed a Concordat with the Pope, agreeing to restore former church properties, including the Panthéon. The Panthéon was under the jurisdiction of the canons of the Cathedral of Notre Dame de Paris. Celebrations of important events, such as the victory of Napoleon at the Battle of Austerlitz, were held there. However, the crypt of the church kept its official function as the resting place for illustrious Frenchmen. A new entrance directly to the crypt was created via the eastern porch (1809–1811). The artist Antoine-Jean Gros was commissioned to decorate the interior of the cupola. It combined the secular and religious aspects of the church; it showed The Apotheosis of Saint Genevieve, conducted to heaven by angels, in the presence of great leaders of France, from Clovis I and Charlemagne to Napoleon and the Empress Josephine.

 

During the reign of Napoleon, the remains of forty-one illustrious Frenchmen were placed in the crypt. They were mostly military officers, senators and other high officials of the Empire, but also included the explorer Louis-Antoine de Bougainville and the painter Joseph-Marie Vien, the teacher of Napoleon's official painter, Jacques-Louis David.

 

During the Bourbon Restoration which followed the fall of Napoleon, in 1816 Louis XVIII restored the entire Panthéon, including the crypt, to the Catholic Church. The church was also at last officially consecrated in the presence of the King, a ceremony which had been omitted during the Revolution. The sculpture on the pediment by Jean Guillaume Moitte, called The Fatherland crowning the heroic and civic virtues was replaced by a religious-themed work by David d'Angers. The reliquary of Saint Genevieve had been destroyed during the Revolution, but a few relics were found and restored to the church (They are now in the neighboring Church of Saint-Etienne-du-Mont). In 1822 François Gérard was commissioned to decorate the pendentives of the dome with new works representing Justice, Death, the Nation, and Fame. Jean-Antoine Gros was commissioned to redo his fresco on the inner dome, replacing Napoleon with Louis XVIII, as well as figures of Louis XVI and Marie Antoinette. The new version of the cupola was inaugurated in 1824 by Charles X. As to the crypt where the tombs were located, it was locked and closed to visitors.

 

Under Louis Philippe I, the Second Republic and Napoleon III (1830–1871)

 

The French Revolution of 1830 placed Louis Philippe I on the throne. He expressed sympathy for Revolutionary values, and on 26 August 1830, the church once again became the Pantheon. However, the crypt remained closed to the public, and no new remains were added. The only change made was to the main pediment, which had been remade with a radiant cross; it was remade again by D'Angers with a patriotic work called The Nation Distributing Crowns Handed to Her by Liberty, to Great Men, Civil and Military, While History Inscribes Their Names.

 

Louis Philippe was overthrown in 1848 and replaced by the elected government of the Second French Republic, which valued revolutionary themes. The new government designated the Pantheon "The Temple of Humanity", and proposed to decorate it with sixty new murals honouring human progress in all fields. In 1851 the Foucault Pendulum of astronomer Léon Foucault was hung beneath the dome to illustrate the rotation of the earth. However, on complaints from the Church, it was removed in December of the same year.

 

Louis Napoléon, nephew of the Emperor, was elected President of France in December 1848, and in 1852 staged a coup-d'état and made himself Emperor. Once again the Pantheon was returned to the church, with the title of "National Basilica". The remaining relics of Saint Genevieve were restored to the church, and two groups of sculpture commemorating events in the life of the Saint were added. The crypt remained closed.

 

The Third Republic (1871–1939)

 

The Basilica suffered damage from German shelling during the 1870 Franco-Prussian War. During the brief reign of the Paris Commune in May 1871, it suffered more damage during fighting between the Commune soldiers and the French Army. During the early years of the Third Republic, under conservative governments, it functioned as a church, but the interior walls were largely bare. Beginning in 1874, the interior was redecorated with new murals and sculptural groups linking French history and the history of the church, by notable artists including Puvis de Chavannes and Alexandre Cabanel, and the artist Antoine-Auguste-Ernest Hébert, who made a mosaic under the vault of the apsidal chapel called Christ Showing the Angel of France the Destiny of Her People.

 

In 1881, a decree was passed to transform the Church of Saint Genevieve into a mausoleum again. Victor Hugo was the first to be placed in the crypt afterwards. The subsequent governments approved the entry of literary figures, including the writer Émile Zola (1908), and, after World War I, leaders of the French socialist movement, including Léon Gambetta (1920) and Jean Jaurès (1924). The Third Republic governments also decreed that the building should be decorated with sculpture representing "the golden ages and great men of France." The principal works remaining from this period include the sculptural group called The National Assembly, commemorating the French Revolution; a statue of Mirabeau, the first man interred in the Pantheon, by Jean-Antoine Ingabert; (1889–1920); and two patriotic murals in the apse Victory Leading the Armies of the Republic to Towards Glory by Édouard Detaille, and Glory Entering the Temple, Followed by Poets, Philosophers, Scientists and Warriors, by Marie-Désiré-Hector d'Espouy (1906).

 

1945–present

 

The short-lived Fourth Republic (1948–1958) following World War II pantheonized two physicists, Paul Langevin and Jean Perrin; a leader of the abolitionist movement, Victor Schœlcher; early leader of Free France and colonial administrator Félix Éboué; and Louis Braille, inventor of the Braille writing system, in 1952.

 

Under the Fifth Republic of President Charles de Gaulle, the first person to be buried in the Panthéon was the Resistance leader Jean Moulin. Modern figures buried in recent years include Nobel Peace Prize winner René Cassin (1987) known for drafting the Universal Declaration of Human Rights; Jean Monnet (1988) who was a moving force in the creation of the ECSC, the forerunner of the EU, was interred in the 100th anniversary of his birth; Nobel laureates physicists and chemists Marie Curie and Pierre Curie (1995); the writer and culture minister André Malraux (1996); and the lawyer, politician Simone Veil (2018).[16] In 2021, Josephine Baker was inducted into the Pantheon.

 

(Wikipedia)

 

Das Hôtel des Invalides (deutsch Invalidenheim, französisch auch kurz Les Invalides) in Paris (7. Arrondissement) ist ein ursprünglich unter der Bezeichnung Hôtel royal des Invalides im Auftrag von König Ludwig XIV. in den Jahren von 1670 bis 1676 nach den Plänen der Architekten Libéral Bruant und Jules Hardouin-Mansart errichtetes Heim für kriegsversehrte, berufsunfähige Soldaten. Heute wird es geführt von der Institution nationale des Invalides und beherbergt mehrere Museen, darunter das bedeutende Musée de l’Armée, sowie zwei Kirchen, nämlich die Église du Dôme des Invalides mit der Grabstätte Kaiser Napoleons I. sowie die Cathédrale Saint-Louis-des-Invalides mit den Ruhestätten weiterer hoher Militärs.

 

Geschichte

 

Das Gebäude entstand zur Lösung des Problems, was mit den heimatlosen, arbeitslosen oder verwundeten Soldaten nach einem Krieg geschehen sollte. Nicht nur aus Gründen der Humanität fühlten sich Herrscher verpflichtet, für die Soldaten zu sorgen, die ihr Leben riskiert und oft ihre Gesundheit beschädigt hatten. Auch aus Gründen der staatlichen Sicherheit empfahl sich eine solche Maßnahme, denn unbeschäftigte, aber waffenkundige Soldaten konnten gefährlich werden, wenn sie als marodierende Banden unkontrolliert durch das Land zogen. Schon im 12. Jahrhundert dachte Philipp Augustus deshalb an eine Art Hospital. Lange kamen alte Soldaten in Klöstern unter, wo sie häufig Unruheherde bildeten, weil sie sich nicht den strengen Mönchsregeln unterwerfen wollten.

 

König Ludwig XIV. sorgte mit dem Hôtel des Invalides für eine umfassende Lösung, bei der er für die Architektur die äußere Gestalt des spanischen Escorial zum Vorbild nahm und für die soziale Organisation die Tradition des Klosters. Die Anlage ist eine gewaltige militärische Gedächtnisstätte mit einem riesigen zentralen Innenhof, einem Kreuzgang vergleichbar, der von vier Nebenhöfen mit Wohntrakten umgeben war. Die alten und gebrechlichen Soldaten sollten hier ein geregeltes Leben führen. Ihre Tage waren mit Gottesdiensten und handwerklichen Betätigungen ausgefüllt.

 

Wohngebäude und Werkstätten

 

Die Militäranlage bildet ein großes, 390 Meter langes und 450 Meter breites Rechteck. Allein die viergeschossige Fassade ist 195 Meter breit. Sie beherbergt unter anderem ein Hospital und eine Manufaktur.

 

Den zu der sogenannten Esplanade gelegenen Vorplatz säumen aufgebockte Kanonenrohre des 17. und 18. Jahrhunderts. Durch den Haupteingangsprospekt gelangt man auf den Ehrenhof. Der Haupteingang wird von Kriegerstatuen in antikem Dekor gesäumt.

 

Durch den Haupteingang geht der Blick auf das Tempelmotiv auf der gegenüberliegenden Seite. Dieser gesamte Bereich ist streng symmetrisch gebaut. Die Mitte ist an den vier Trakten jeweils nur leicht dadurch betont, dass in der langen zweigeschossigen Arkadenreihe eine Dreiergruppe schwach herausgezogen und mit einem Dreiecksgiebel bekrönt wird, ohne dadurch den Eindruck der endlosen Reihung und damit militärischer Strenge und Disziplin zu schmälern.

 

Der Ehrenhof (französisch Cour d’Honneur) ist heute noch Schauplatz von Militärparaden. Auf der Südseite, gegenüber dem Haupteingang, befindet sich im Zentralbogen der oberen Galerie eine Bronzestatue Napoleons (von Charles Émile Seurre, 1833), die im Volksmund Le Petit Corporal genannt wird. Die oberen Gänge der Wohntrakte, die zum Ehrenhof hin liegen, sind ebenfalls mit historischem Kriegsgerät ausstaffiert.

 

Kirchen

 

Nach der Inbetriebnahme wurden dem Gebäudekomplex zwei Kirchen hinzugefügt:

 

Cathédrale Saint-Louis-des-Invalides

 

Der Rohbau der sogenannten Soldatenkirche (offiziell Cathédrale Saint-Louis-des-Invalides), wurde 1676 begonnen und bereits 1677 mit der Überdachung abgeschlossen, während die benachbarte Église du Dôme des Invalides von 1679 bis 1708 errichtet wurde.

 

Bei der Planung des Hôtel des Invalides musste der Umstand bedacht werden, dass die religiöse Feier des militärischen Ruhms zwei Kirchen brauchte – eine für die Bewohner des Invalidenheims und eine für die Besucher. Das Hôtel des Invalides sollte nicht nur Veteranenunterkunft werden, sondern Ludwig XIV. wollte eine Heldengedenkstätte errichten; die Ausmaße der dazugehörigen Kirche mussten entsprechend groß sein, um u. a. auch größere Besuchergruppen aufnehmen zu können. Die Lösung, die schließlich gefunden wurde, bestand darin, die als Zentralbau gestaltete Église du Dôme des Invalides als Kirche für die Besucher und die als Longitudinalbau gestaltete Cathédrale Saint-Louis-des-Invalides als Kirche für die Bewohner des Invalidenheims direkt aneinander zu stellen. Auf diese Weise stellen sie zwar getrennte Einheiten dar, gehören aber baulich doch zusammen. In der Trennwand hinter dem Hochaltar der Cathédrale Saint-Louis-des-Invalides befindet sich ein großes Fenster zur Église du Dôme des Invalides, das beide Kirchenräume gleichsam geistig verbindet.

 

Ursprünglich war die Kirche für die Bewohner des Hôtel des Invalides als choeur des pensionnaires („Chor der Invaliden“) eine Bauidee, die auf die Mönchschöre frühneuzeitlicher Klosterkirchen zurückgeht. Von ihrer Église des soldats („Soldatenkirche“) aus verfolgten die Heiminsassen den Gottesdienst, das Betreten des Kuppelraums der Église du Dôme des Invalides war ihnen untersagt. Die Kirche für die Bewohner des Hôtel des Invalides ist seit 1986 Kathedrale und Sitz des französischen römisch-katholischen Militärordinariats (Diocèse des Armées françaises).

 

Grabgewölbe Caveau des Gouverneurs

 

Hinter dem Hochaltar der Cathédrale Saint-Louis-des-Invalides, und teilweise in diesen integriert, liegt der Zugang zum Grabgewölbe Caveau des Gouverneurs, das ursprünglich für die Gouverneure des Invalidenheims (siehe Liste unten) bestimmt war. Letztlich fanden hier 28 Gouverneure ihre letzte Ruhestätte; die übrigen der 82 hier beigesetzten Personen sind besonders verdienstvolle Angehörige der französischen Streitkräfte.

 

In den Gruftnischen des Caveau des Gouverneurs ruhen u. a. die Admirale oder Generale d’Amade, Arrighi de Casanova, Baraguey d’Hilliers, Bessières, Bugeaud de la Piconnerie, Certain de Canrobert, Coigny, Duchêne, Duperré, Franchet d’Espèrey, Exelmans, Fayolle, Gauchet, Giraud, Guillaumat, Hamelin, Henrys, Humbert, Jourdan, Juin, Langle de Cary, Lanrezac, Baston de Lariboisière, Larrey, Lasalle, Leclerc de Hauteclocque, Mac-Mahon (auch Staatspräsident), Maistre, Mangin, Maud’huy, Mitry, Molitor, de Moncey, Mouton de Lobau, Nivelle, d’Ornano, Oudinot, Pau, Pélissier de Malakoff, Putz, Roques, Rouget de Lisle (Verfasser der Marseillaise), Saint-Jean d’Angely, Saint-Arnaud, Sébastiani, Sérurier, d’Urbal und Valée.

 

Jean-Marie de Lattre de Tassigny, posthum Marschall von Frankreich, ruht nicht im Hôtel des Invalides, sondern in seinem Geburtsort Mouilleron-en-Pareds (Département Vendée). Anlässlich des 50. Todestages des Marschalls enthüllte der französische Staatspräsident Jacques Chirac im Januar 2002 eine Ehrentafel für ihn in der Cathédrale Saint-Louis-des-Invalides. Philippe Leclerc de Hauteclocque wurde ebenfalls mit einer solchen Ehrentafel in der Cathédrale Saint-Louis-des-Invalides gewürdigt.

 

Orgel

 

Die Orgel wurde 1687 von dem Orgelbauer Alexandre Thierry mit 37 Registern auf vier Manualen und Pedal erbaut. Das Instrument wurde mehrfach repariert und erweitert. Rekonstruiert wurde das Instrument insbesondere durch den Orgelbauer Gadault im Jahre 1852, und in den Jahren 1957, 1962 und 1979 durch den Orgelbauer Beuchet-Debierre. Dementsprechend heterogen ist das heutige Pfeifenwerk in der Orgel. Sie hat heute 64 Register auf drei Manualen und Pedal. Die Trakturen sind elektrisch.

 

Église du Dôme des Invalides (Grabstätte Napoleons)

 

Die zweite Kirche im Komplex des Hôtel des Invalides ist ebenfalls dem heiligen Ludwig geweiht und trug ursprünglich den Namen Chapelle royale des Invalides. Heute wird sie Église du Dôme des Invalides genannt, wovon sich ihr deutscher Name „Invalidendom“ ableitet. Die Bezeichnung Dom weist in diesem Fall nicht auf eine Kathedrale hin (Sitz des Militärbischofs ist die benachbarte Cathédrale Saint-Louis-des-Invalides, siehe oben), sondern kommt von dem französischen Wort „dôme“, was „Kuppel“ bedeutet.

 

Der in den Jahren 1679 bis 1691 errichtete Rohbau des Invalidendoms konnte aufgrund von Kapitalmangel erst im Jahr 1706 endgültig vollendet und ausgeschmückt werden. Ein Gesetz bestimmte das Gebäude am 10. Juni 1840 zum Grabmal Napoleons. Die Aushebung und Ausstattung der Krypta, die den Innenraum der Kuppelkirche erheblich veränderten, nahmen rund zwanzig Jahre in Anspruch und wurden 1861 abgeschlossen.

 

(Wikipedia)

 

Das Panthéon (altgriechisch παν pan, deutsch ‚alles‘ und θεός theós, deutsch ‚Gott‘) auf dem Hügel der heiligen Genoveva in Paris (5. Arrondissement) ist die nationale Ruhmeshalle Frankreichs und die Grabstätte berühmter französischer Persönlichkeiten.

 

Das Gebäude wurde als Kirche der mächtigen Abtei Sainte-Geneviève geplant und im Auftrag von König Ludwig XV. in den Jahren 1764 bis 1790 von dem Architekten Jacques-Germain Soufflot (1713–1780) und seinen Schülern errichtet. 1791, während der Französischen Revolution, wurde der Bau von der französischen Nationalversammlung umgewidmet und zu einer säkularen Gedenkstätte erklärt, in der seitdem Personen beigesetzt werden, die sich um Frankreich verdient gemacht haben.

 

Geschichte

 

Kirche und Chorherrenstift der heiligen Genoveva

 

Seit dem 5. Jahrhundert stand an dieser Stelle die erste Kirche mit dem Patrozinium der Apostel Petrus und Paulus, in der Genoveva von Paris († um 502), die Schutzpatronin der Stadt, aber auch der Merowingerkönig Chlodwig I. († 511) und seine zweite Gattin Chrodechild begraben wurden. Im 9. Jahrhundert wurde die Apostelkirche in Sainte-Geneviève umbenannt.

 

1148 gründete Suger von Saint-Denis bei Sainte-Geneviève einen Konvent der Augustiner-Chorherren vom Heiligen Victor. Um 1180 wurde die alte Kirche durch den Neubau einer Stiftskirche ersetzt, die später verfiel und schließlich abgerissen wurde.

 

Im 17. Jahrhundert – seit 1634 war Sainte-Geneviève Mutterhaus für alle Regularkanonikerstifte in Frankreich – planten die Genovevianer-Kanoniker (frz. Génovévains), ihre bescheidene im gotischen Stil erbaute Kirche durch eine neue im Stil der neuen Zeit Ludwigs XIV. zu ersetzen. Sie wollten damit einerseits den Reichtum und die Macht ihrer Kongregation eindrucksvoll unter Beweis stellen und andererseits für die Schutzheilige von Paris einen angemesseneren Ort der Verehrung schaffen. 1675 schlug Claude Perrault, der Architekt der Ostkolonnade des Palais du Louvre, den Bau einer Kirche im Stil einer römischen Basilika vor, was aber abgelehnt wurde.

 

Bis zur endgültigen Entscheidung für eine neue Kirche vergingen weitere 70 Jahre. Im Jahr 1744 geriet ein Kirchenneubau wieder in den Bereich des Möglichen. Als König Ludwig XV. in Metz schwer erkrankt war, gelobte er, im Falle seiner Wiedergenesung auf dem Gipfel des Montagne Sainte-Geneviève eine Kirche ganz nach den Wünschen der Genovevianer errichten zu lassen. Während weiterer zehn Jahre wurde die Finanzierung der königlichen Baustelle sichergestellt, dies geschah unter anderem durch eine Erhöhung der Lotteriesteuer. Zum Architekten wurde der bis dahin weitgehend unbekannte Jacques-Germain Soufflot bestimmt, der bisher allenfalls durch seine Arbeit an der Fassade des Krankenhauses (Hôtel-Dieu) von Lyon aufgefallen war. Im Marquis de Marigny, dem Generaldirektor der königlichen Bauten und Bruder von Madame de Pompadour, der Mätresse des Königs, hatte er jedoch einen hochrangigen Förderer.

 

Im Dezember 1757 genehmigte der König Soufflots Modell einer riesigen Kirche in Form eines griechischen Kreuzes. Der Grundriss der neuen Kirche erinnerte somit stark an byzantinische oder syrische Kirchenbauten. Die Arbeiten an den Grundmauern wurden zwar sofort aufgenommen, wegen der vielen alten zur Tongewinnung angelegten Schächte, die den Hügel der heiligen Genoveva teilweise schon im Altertum durchzogen, dauerten sie aber fast drei Jahre. Über den Pfeilern des Fundaments wurde eine Krypta angelegt, welche die Fläche der gesamten Kirche einnimmt.

 

Der Baumeister Soufflot leitete mit ihr eine neue Ära ein. Er bewunderte zwar die Erhabenheit der gotischen Kathedralen, gleichzeitig aber auch die römische Klassik und ihr Wiederaufleben im europäischen Klassizismus. Das hieß für ihn, dass er unbedingt eine Kuppelkirche mit einer griechisch-römischen Tempelfassade und einer großen Kuppel über einem säulengeschmückten Tambour bauen wollte – so wie Michelangelo es beim Petersdom in Rom gemacht hatte. Der Außenbau ließ so die Formen der römischen Antike wiederaufleben.

 

Am 6. September 1764 legte Ludwig XV. den Grundstein der von ihm gestifteten Kirche. Bis zur Fertigstellung des Gotteshauses vergingen weitere 25 Jahre. Als 1790 die Laterne auf die Kuppel gesetzt und die Arbeit damit abgeschlossen war, hatte die neue Zeit die ursprünglichen Planungen der Augustiner, des Königs und Soufflots aber bereits überholt.

 

Vorbild dieser Pariser Kirche und auch vieler Kirchen der Renaissance und des Barock ist das Pantheon in Rom. Dieser einzige erhaltene antike Kuppelbau war also auch für die Pariser Kirche namensgebend.

 

Soufflot starb 1780, ohne die Kuppel begonnen zu haben. Es geht das Gerücht, er sei an „gebrochenem Herzen“ gestorben, weil sein Bauwerk, mit dem sein Name in die Architekturgeschichte einging, an zahlreichen baulichen Mängeln zu zerfallen drohte. Die Vollendung der Kirche erfolgte durch seine Schüler Maximilien Brébion und Jean-Baptiste Rondelet, die sie 1790 fertigstellten. Dabei ist vor allem Rondelet zu nennen, der den Trägerbalken aus Eisenbeton erfunden hatte, um so den Bau der großen Fassade zu ermöglichen. Um diese neue architektonische Idee zu verwirklichen, waren somit auch neue Techniken nötig.

 

Im Innenraum ließ sich Soufflot von gotischen Kathedralen inspirieren, indem er die schweren Stützen der klassischen Kunst durch die Eleganz schlanker Säulen und Rippengewölbe ersetzte, also durch Elemente der gotischen Bauweise. Außerdem ist jeder der vier Kreuzarme von Seitenschiffen umgeben – wie in den gotischen Kathedralen. Viele Einzelheiten des ursprünglichen Konzepts wurden aber von den Revolutionären verändert, die beispielsweise viele der Seitenfenster zumauern ließen.

 

Nationale Ruhmeshalle

 

Auf Anregung des Départements Paris und Beschluss der Nationalversammlung vom 3. April 1791 wurde der imposante Kuppelbau zur nationalen Ruhmeshalle erklärt und damit profaniert. Auf dem Giebel wurde die Inschrift angebracht: « Aux grands hommes la patrie reconnaissante » – „Den großen Männern die dankbare Heimat“. Hier sollten wichtige Persönlichkeiten der französischen Geschichte verewigt werden. Dies sollte mittels Denkmälern geschehen, doch war auch vorgesehen, die sterblichen Überreste bedeutender Franzosen in Ehrengräbern im Untergeschoss des Gebäudes zu bestatten. Unter dem gesamten Boden des ehemaligen Gotteshauses befindet sich keine Krypta im üblichen Sinne, sondern ein riesiges Gangsystem mit zahlreichen Kapellen, in denen jeweils bestimmte historische Personen gewürdigt werden, so ähnlich, wie man in den christlichen Kirchen die Heiligen verehrte.

 

Illuster ist die Liste der hier beigesetzten Personen. Der erste Franzose, dessen Leichnam feierlich im Panthéon beigesetzt wurde, war 1791 der Revolutionsführer Mirabeau. Sein Leichnam wurde aber 1793, als er wieder in Ungnade gefallen war, aus dem nationalen Heiligtum entfernt. Am 11. Juli 1791 wurden Voltaires Gebeine in das Panthéon überführt, die heute noch dort ruhen.

 

Ebenfalls 1791 wurde der Architekt Quatremère de Quincy beauftragt, das Gebäude seiner neuen Aufgabe als nationales Panthéon anzupassen. Die ehemalige Kirche ist seitdem einer der wichtigsten Immediatbauten der so genannten Revolutionsarchitektur.

 

Am 26. März 1851 gelang dem Physiker Léon Foucault mit dem nach ihm benannten Pendel im Panthéon der empirische Nachweis der Erdrotation.

 

Während des 19. Jahrhunderts wurde das Panthéon zweimal umgewidmet: zunächst von der weltlichen Ruhmeshalle wieder zu einer der heiligen Genoveva geweihten Kirche, und 1885 abermals von einer Kirche zur nationalen Ruhmeshalle der Franzosen. Auslöser für die letzte Umwidmung war der Tod Victor Hugos, der nach einer kurzen, aber mit Leidenschaft geführten Debatte unter dem Druck der öffentlichen Meinung schließlich ein Ehrengrab in der Krypta des Soufflot-Baues erhielt.

 

Als erste Frau wurde 1907 Sophie Berthelot, die Ehefrau des Chemikers und Politikers Marcelin Berthelot, beigesetzt. Die Familie der Verstorbenen hatte einer Überführung der Überreste Marcelin Berthelots ins Panthéon nur unter der Auflage zugestimmt, dass Madame Berthelot weiterhin in einem Grab mit ihrem Gatten ruhe. Die erste Frau, die in Anerkennung ihrer eigenen Leistungen im Panthéon beigesetzt wurde, war Marie Curie. Seitdem wurde diese Ehre noch vier weiteren Frauen zuteil: den Résistantes Geneviève de Gaulle-Anthonioz und Germaine Tillion sowie Simone Veil. Die Tänzerin und Widerstandskämpferin Josephine Baker wurde nach einem Beschluss vom August 2021 ebenfalls aufgenommen, aber nur symbolisch hier bestattet.

 

Im Herbst 2007 rückte das Panthéon auch international in das Blickfeld der Medien, als bekannt wurde, dass die Untergrundorganisation les UX in einer geheimen Aktion die defekte Uhr repariert hatte.

 

Das Panthéon als Grablege

 

Die „Panthéonisation“

 

Die Umbettung eines Leichnams oder einer Urne in das Panthéon wird offiziell Panthéonisation (Pantheonisierung) genannt und stellt quasi eine „mystische Erhöhung“ des betreffenden Verstorbenen dar. Nur in Ausnahmefällen wurden die Verstorbenen schon unmittelbar nach ihrem Tod im Panthéon bestattet, beispielsweise Victor Hugo und Marie François Sadi Carnot. Die weitaus meisten Personen, die im Panthéon begraben sind, überführte man erst viele Jahre nach ihrem Ableben dorthin. So wurde etwa der Leichnam des 1870 verstorbenen Alexandre Dumas im Jahr 2002 ins Panthéon verlegt – fast 130 Jahre, nachdem er in seinem Heimatort beerdigt worden war.

 

Als 1915 die sterblichen Überreste von Claude Joseph Rouget de Lisle, des Verfassers der Marseillaise, nach Paris umgebettet wurden, war ursprünglich eine Bestattung im Panthéon vorgesehen. Diese scheiterte jedoch im letzten Moment an einem Formfehler. Der Beschluss zur Umbettung war so kurzfristig gefasst worden, dass das erforderliche parlamentarische Verfahren für eine Bestattung im Panthéon nicht absolviert werden konnte. Deshalb kam nur die weniger prestige-trächtige Bestattung im Hôtel des Invalides in Frage. Die Überführung Rouget de Lisles in das Panthéon sollte später nachgeholt werden, was jedoch nicht geschah. Er ist daher seit 1915 im Grabgewölbe Caveau des Gouverneurs der Cathédrale Saint-Louis-des-Invalides bestattet.

 

Die Panthéonisation ist bis heute ein wichtiger Vorgang in der französischen Kulturpolitik. Vorschläge für die Aufnahme einer Person ins Panthéon werden von der Nationalversammlung unterbreitet. Die endgültige Entscheidung darüber kann nur der französische Präsident treffen.

 

(Wikipedia)

Midori is releasing a series of new products relating to the popular Traveler's Notebook. In an attempt to create the same aesthetic of the leather notebook, the development team chose to use brass as the material which radiates the same pleasing quality as it ages. I think it is an excellent choice of material, it gives you the feeling of a trusted old friend, give it a little polishing it comes back to a shiny companion.

 

The brass series includes 12 pieces of numbered clips, a 15cm ruler with raised edge for easy pick up, a solid brass pen case and bullet pen/pencils. These bullet pen/pencils are available in white or brown barrels in addition to the brass ones. The pens have a ring at one end for strap add-on while the pencils have a large eraser instead.

 

During the Midori private show I visited, I learned that they are preparing for a "Traveler's notebook & company" exhibition to be held in Spiral Market again this year around March/April. I am glad to be invited to contribute some contents for their on-site newsletter in "what's in my bag" style.

 

The large size Traveler's Notebook is far more popular than the passport size they released last year. To promote the use of the passport size Traveler's Notebook, which can be used as an actual passport jacket with note keeping capability and kept close to your body, Midori is releasing more add-ons such as new refills, rub-on letters and 2 limited edition refills which looks like a real passport. In the limited edition refill package, they thoughtfully included rub-on letters in passport looking font so you can personalize the notebook on the last page like it is a real thing.

 

Finally, since document envelope with string closure is very difficult to find in Japan, "Kraft envelopes" are created. It gives a crafty way to store your receipts or coasters collected from travels, either use them individually or make them handy by taping them on the notebook refill cover.

 

Here's my 2 cents about material use. I love the brass application on the hardware (pen case, clip, pen and ruler), while Midori is proud of its range of high quality paper products, application of tougher material on the notebook covers or even envelopes and document holders will add similar aesthetic and durability to this overlooked area. I would recommend to use jean label material in the form of cellulose fibre in combination of leather and paper to create a new range of pleasing products under the Traveler's Notebook collection.

 

More on Scription blog: moleskine.vox.com/library/post/what-materials-age-well-br...

1. The spiritual entity Qalb

 

Prophecy and knowledge relating to this was granted to the Prophet Adam

 

In the Urdu language the fleshy meat, (the heart) is known as dil, and in Arabic it is called fawad. The spiritual entity that is next to the heart is the Qalb and according to a Prophetic statement the heart and the Qalb are two separate entities.

 

Our solar system is the physical human sphere. There are other realms and spheres, for example the realm of the angels, the realm of the throne of God, the realm of the soul, the realm of the secrets, the realm of unification and the realm of the essence of God. These spheres and life forms inhabiting these spheres have existed before the eruption of the ball of fire, our Sun, which created our solar system. Ordinary angels were created alongside the creation of the souls when God commanded "Be" but the Archangels and the spiritual entities (which are placed inside the human body at birth) have existed in these realms before the formation of our solar system.

 

Many planets in our solar system were inhabited but subsequently these life forms became extinct. The remaining planets and their inhabitants are awaiting their destruction. The Archangels and the spiritual entities (of the human body) were created seventy thousand years before the command "Be."

 

Of these spiritual entities God placed the Qalb in the realm of love. It is with this that a human being is able to become connected with God. The Qalb acts like a telephone operator between God and the human being. A human being receives guidance and inspiration through it. Whereas the worship and the meditation done by the spiritual entities themselves can reach the highest realm, the Throne of God, with the aid of the Qalb. The Qalb itself, however cannot travel beyond the realm of the angels, as its place of origin is the Khuld, the lowest heaven in the realm of the angels.

 

The Qalb’s meditation is from within and its vibrating rosary is within the human skeleton (the heartbeat). People that failed to achieve this meditation of the Qalb in this lifetime will be regretful, even though they may be in paradise. As God has stated regarding those who will go to paradise, that do they, the inhabitants of paradise think that they will be equal to those who are elevated (reached higher realms by practicing the spiritual disciplines and becoming illuminated). As those that have achieved the meditation of the Qalb, they will enjoy its pleasures even in paradise when their Qalb will be vibrating with the Name of God.

After death physical worship ceases to exist and the people whose Qalb and spiritual entities are not strengthened and illuminated with the light of God are afflicted and distressed in their graves and their spiritual entities waste away. Whereas the illuminated and strengthened spiritual entities will go to the realm where the righteous will wait before the final judgement.

After the day of judgement a second body will be given, the illuminated spiritual entities along with the human soul will enter that body. The people that taught their spiritual entities, meditation, whereby the entities chanted the Name of God Allah in this life time will find that the spiritual entities will continue with this meditation even in the hereafter. Such people will continue to be elevated and exalted in the hereafter.

  

Those that were “blind of heart” (not illuminated) in this life time will be in darkness in that realm also, as this world was the place of action and effort. Those in the latter category will become quiescent.

Besides the Christians and the Jews the Hindu faith also holds a belief in these spiritual entities. The Hindu faith refers to them as Shaktian and the Muslims know them as Lata’if.

The Qalb is two inches, to the left of the heart. This spiritual entity is yellow in colour. When it is illuminated in a person, that person sees the colour yellow in their eyes. Not only this but there are many practitioners of alternative medicine who use the colours of these spiritual entities to heal people.

Most people regard their heart’s word, “inner feeling” to be truthful. If the hearts of people were indeed truthful, then why are all the people of the heart not united?

The Qalb of an ordinary person is in the sleeping or unconscious state and it does not possess any appreciation or awareness. Due to the dominance of the spirit of the self, the ego, and the Khannas, or due to the individual’s own simple- mindedness the heart can make judgements in error. Placing trust in a sleeping Qalb is foolish.

Only when the Name of God Allah, does vibrate in the heart does an appreciation of right and wrong and wisdom follow. At this stage the Qalb is known as the awakened Qalb. Thereafter due to the increase in the meditation by the Qalb, of the Name of God Allah, it is then known as the God-seeking Qalb. At this stage the heart is capable of preventing the person from doing wrong but it is still incapable of making a right or just decision. Thereafter and only when the Light and the rays of the Grace of God (theophany) start to descend upon that heart, is it known as the purified and illuminated Qalb that stands in the presence of God (witnessing Qalb).

 

A Prophetic statement:

“The mercy of God descends upon a broken heart and an afflicted grave.”

 

Thereafter when the heart reaches this stage then one must accept whatever it dictates, quietly without question because due to the rays of the Light and the Grace of God the spirit of the self, (ego) becomes completely illuminated, purified and at peace. God is then closer to that individual than that person’s jugular vein.

God then says, “I become his tongue with which he speaks and I become his hands with which he holds.”

   

2. The Human Soul

 

Prophecy and knowledge relating to this was granted to the Prophet Abraham

 

This is on the right side of the chest. This is awakened and illuminated by the meditation and one-pointed concentration on it. Once it becomes illuminated, a vibration similar to the heartbeat is felt on the right side of the chest. Then the Name of God, Ya Allah is matched with the vibrating pulse. The meditation of the soul is done in this way. At this point, there are now two spiritual entities meditating inside the human body, this is an advancement in rank and status and is better than the Qalb. The soul is a light red in colour and when it is awakened, it is able to travel to the realm of the souls (the station of the Archangel Gabriel). Anger and rage are attached to it that burn and turn into majesty.

  

3. The spiritual entity Sirri

 

Prophecy and knowledge relating to this was granted to the Prophet Moses

 

This spiritual entity is to the left of the centre of the chest. This is also awakened and illuminated by the meditation and one-pointed concentration on it with the Name of God, Ya Hayy, Ya Qayyum. Its colour is white and in the dream state or by spiritual separation from the physical body “transcendental meditation” it can journey to the realm of the secrets. Now there are three spiritual entities meditating within a person and its status is higher than the other two.

   

4. The spiritual entity Khaffi

 

Prophecy and knowledge relating to this was granted to the Prophet Jesus

 

This is to the right of the centre of the chest. It too is taught the Name of God Ya Wahid by meditation. It is green in colour and it can reach the realm of unification. Due to the meditation of four entities one's status is further increased.

 

5. The spiritual entity Akhfa

 

Prophecy and knowledge relating to this was granted to the Prophet Mohammed

 

This is situated at the centre of the chest. It is awakened by meditating on the Name of God, Ya Ahad. It is purple in colour and it too, is connected to that veil in the realm of unification behind which is the throne of God.

 

The hidden spiritual knowledge relating to these five spiritual entities was granted to the Prophets, one by one and half of the knowledge of every spiritual entity was granted from the Prophets to the Saints of their time. In this way there became ten parts of this knowledge. The Saints in turn passed this knowledge on to the spiritually favoured (Godly) who then had the benefit of the sacred knowledge.

 

The apparent knowledge of the seen is connected to the physical body, the spoken word, the human realm and the spirit of the self, this is for the ordinary mortals. This knowledge is contained in a book that has thirty parts. Spiritual knowledge was also given to the Prophets by revelation brought by Gabriel and for this reason it is known as the spiritual Holy Scripture.

 

Many of the verses of the Qur’an would sometimes be abolished, since the Prophet Mohammed would sometimes mention matters relating to this “hidden spiritual knowledge” before ordinary people, which was only meant for the special and Godly. Later this knowledge passed on spiritually from the chest of one Saint to another, and now it has become widespread by its publication in books.

  

6. The spiritual entity Anna

 

This spiritual entity is inside the head and is colourless. It is by the meditation on the Name of God Ya Hu that this spiritual entity reaches its pinnacle. It is this spiritual entity that when it becomes illuminated and powerful it can stand in the Presence of God, face to face, and communicate with God unobstructed. Only the extreme lovers of God reach this realm and station. Besides this there are a few and extremely exalted people who are granted additional spiritual entities, for example the spiritual entity Tifl-e-Nuri or a spiritual entity of the Godhead, Jussa-e-Tofiq-e-Ilahi, the spiritual status of such people is beyond understanding.

 

With the spiritual entity, Anna, God is seen in the dream state.

 

With the spiritual entity of the Godhead, God is seen in the “physical meditating state” when the spiritual entity itself leaves the human body and transcends to the essence of God.

 

Those possessing the spiritual entity, the Tifl-e-Nuri, see God whilst they are fully conscious.

 

It is these people who are the majesty and power of God in the world. They can either occupy the people by prescribing worship and austerities or by their spiritual grace send a person straight to the realm of God’s love. In their sight, concerning dispensing spiritual grace the believers and the non-believers, the dead and the living are all the same. Just as a thief became a Saint, in an instant, by the passing glimpse of the Saint Sheikh Abdul-Qadir al-Jilani, similarly, Abu-Bakr Havari and Manga the thief, became instant Saints by the passing glimpses of such Saints.

 

The five major Messengers were given knowledge of the five spiritual entities separately and in order of their appearance, as a result of which spirituality continued to prosper. With whichever spiritual entity you practice meditation you will be connected to the corresponding Messenger and become worthy of receiving spiritual grace (from that Messenger).

 

Whichever spiritual entity receives the rays of the Grace of God (favour), the Sainthood granted to that spiritual entity will be connected to the corresponding Prophet’s spiritual grace.

 

Access to seven realms and gaining elevated spiritual status in the seven heavens is obtained through these spiritual entities.

The functions of the spiritual entities inside the human body

 

Akhfa: Due to the spiritual entity, Akhfa a person is able to speak. In its absence a person may have a normal tongue but will be dumb. The difference between human beings and animals lies in the presence or the absence of these spiritual entities. At birth, if the entity, Akhfa was unable to enter the body for whatever reason, then a Prophet appointed for the rectification of this ailment would be called to treat the condition as a result of which the dumb would start to speak.

 

Sirri: A person is able to see due to the spiritual entity, Sirri. If it does not enter the body the person is blind from birth. An appointed Prophet had the duty to find and place the spiritual entity into the body, as a result of which the blind would start to see again.

Qalb: Without the spiritual entity of the Qalb, in the body, a person is like the animals, unacquainted, far from God, miserable and without purpose. Returning this entity into the body was the task of the Prophets also.

The miracles of the Prophets were also granted to the saints, in the form marvels and mystical wonders as a result of which even the impious and liberal became close to God. When a spiritual entity is returned by any allocated Saint or Prophet, the deaf, dumb and the blind are healed.

Anna: When the spiritual entity, Anna, fails to enter the body, a person is regarded as insane even though the brain may be functioning normally.

Khaffi: In the absence of the spiritual entity, Khafi, a person is deaf, even if the ears are opened wide.

These conditions can be caused by other defects in the body, and can be treated. There is no cure in the case, where the defect is caused by the absence of the associated spiritual entity except where a Prophet or a Saint intervenes and cures the defect.

Nafs, self: As a result of the spiritual entity of the self (ego) a persons mind is occupied with the material world and it is because of the spiritual entity Qalb that a persons direction turns towards God. For more detail visit www.goharshahi.org or visit asipk.com and for videos visit HH rags

 

Nikon F100 Nikon AF Nikkor 70-210mm f/4 PanF DDX 1+4 12/18/2025

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1. The spiritual entity Qalb

  

Prophecy and knowledge relating to this was granted to the Prophet Adam

  

In the Urdu language the fleshy meat, (the heart) is known as dil, and in Arabic it is called fawad. The spiritual entity that is next to the heart is the Qalb and according to a Prophetic statement the heart and the Qalb are two separate entities.

  

Our solar system is the physical human sphere. There are other realms and spheres, for example the realm of the angels, the realm of the throne of God, the realm of the soul, the realm of the secrets, the realm of unification and the realm of the essence of God. These spheres and life forms inhabiting these spheres have existed before the eruption of the ball of fire, our Sun, which created our solar system. Ordinary angels were created alongside the creation of the souls when God commanded "Be" but the Archangels and the spiritual entities (which are placed inside the human body at birth) have existed in these realms before the formation of our solar system.

  

Many planets in our solar system were inhabited but subsequently these life forms became extinct. The remaining planets and their inhabitants are awaiting their destruction. The Archangels and the spiritual entities (of the human body) were created seventy thousand years before the command "Be."

  

Of these spiritual entities God placed the Qalb in the realm of love. It is with this that a human being is able to become connected with God. The Qalb acts like a telephone operator between God and the human being. A human being receives guidance and inspiration through it. Whereas the worship and the meditation done by the spiritual entities themselves can reach the highest realm, the Throne of God, with the aid of the Qalb. The Qalb itself, however cannot travel beyond the realm of the angels, as its place of origin is the Khuld, the lowest heaven in the realm of the angels.

  

The Qalb’s meditation is from within and its vibrating rosary is within the human skeleton (the heartbeat). People that failed to achieve this meditation of the Qalb in this lifetime will be regretful, even though they may be in paradise. As God has stated regarding those who will go to paradise, that do they, the inhabitants of paradise think that they will be equal to those who are elevated (reached higher realms by practicing the spiritual disciplines and becoming illuminated). As those that have achieved the meditation of the Qalb, they will enjoy its pleasures even in paradise when their Qalb will be vibrating with the Name of God.

After death physical worship ceases to exist and the people whose Qalb and spiritual entities are not strengthened and illuminated with the light of God are afflicted and distressed in their graves and their spiritual entities waste away. Whereas the illuminated and strengthened spiritual entities will go to the realm where the righteous will wait before the final judgement.

After the day of judgement a second body will be given, the illuminated spiritual entities along with the human soul will enter that body. The people that taught their spiritual entities, meditation, whereby the entities chanted the Name of God Allah in this life time will find that the spiritual entities will continue with this meditation even in the hereafter. Such people will continue to be elevated and exalted in the hereafter.

  

Those that were “blind of heart” (not illuminated) in this life time will be in darkness in that realm also, as this world was the place of action and effort. Those in the latter category will become quiescent.

Besides the Christians and the Jews the Hindu faith also holds a belief in these spiritual entities. The Hindu faith refers to them as Shaktian and the Muslims know them as Lata’if.

The Qalb is two inches, to the left of the heart. This spiritual entity is yellow in colour. When it is illuminated in a person, that person sees the colour yellow in their eyes. Not only this but there are many practitioners of alternative medicine who use the colours of these spiritual entities to heal people.

Most people regard their heart’s word, “inner feeling” to be truthful. If the hearts of people were indeed truthful, then why are all the people of the heart not united?

The Qalb of an ordinary person is in the sleeping or unconscious state and it does not possess any appreciation or awareness. Due to the dominance of the spirit of the self, the ego, and the Khannas, or due to the individual’s own simple- mindedness the heart can make judgements in error. Placing trust in a sleeping Qalb is foolish.

Only when the Name of God Allah, does vibrate in the heart does an appreciation of right and wrong and wisdom follow. At this stage the Qalb is known as the awakened Qalb. Thereafter due to the increase in the meditation by the Qalb, of the Name of God Allah, it is then known as the God-seeking Qalb. At this stage the heart is capable of preventing the person from doing wrong but it is still incapable of making a right or just decision. Thereafter and only when the Light and the rays of the Grace of God (theophany) start to descend upon that heart, is it known as the purified and illuminated Qalb that stands in the presence of God (witnessing Qalb).

  

A Prophetic statement:

“The mercy of God descends upon a broken heart and an afflicted grave.”

  

Thereafter when the heart reaches this stage then one must accept whatever it dictates, quietly without question because due to the rays of the Light and the Grace of God the spirit of the self, (ego) becomes completely illuminated, purified and at peace. God is then closer to that individual than that person’s jugular vein.

God then says, “I become his tongue with which he speaks and I become his hands with which he holds.”

     

2. The Human Soul

  

Prophecy and knowledge relating to this was granted to the Prophet Abraham

  

This is on the right side of the chest. This is awakened and illuminated by the meditation and one-pointed concentration on it. Once it becomes illuminated, a vibration similar to the heartbeat is felt on the right side of the chest. Then the Name of God, Ya Allah is matched with the vibrating pulse. The meditation of the soul is done in this way. At this point, there are now two spiritual entities meditating inside the human body, this is an advancement in rank and status and is better than the Qalb. The soul is a light red in colour and when it is awakened, it is able to travel to the realm of the souls (the station of the Archangel Gabriel). Anger and rage are attached to it that burn and turn into majesty.

  

3. The spiritual entity Sirri

  

Prophecy and knowledge relating to this was granted to the Prophet Moses

  

This spiritual entity is to the left of the centre of the chest. This is also awakened and illuminated by the meditation and one-pointed concentration on it with the Name of God, Ya Hayy, Ya Qayyum. Its colour is white and in the dream state or by spiritual separation from the physical body “transcendental meditation” it can journey to the realm of the secrets. Now there are three spiritual entities meditating within a person and its status is higher than the other two.

     

4. The spiritual entity Khaffi

  

Prophecy and knowledge relating to this was granted to the Prophet Jesus

  

This is to the right of the centre of the chest. It too is taught the Name of God Ya Wahid by meditation. It is green in colour and it can reach the realm of unification. Due to the meditation of four entities one's status is further increased.

  

5. The spiritual entity Akhfa

  

Prophecy and knowledge relating to this was granted to the Prophet Mohammed

  

This is situated at the centre of the chest. It is awakened by meditating on the Name of God, Ya Ahad. It is purple in colour and it too, is connected to that veil in the realm of unification behind which is the throne of God.

  

The hidden spiritual knowledge relating to these five spiritual entities was granted to the Prophets, one by one and half of the knowledge of every spiritual entity was granted from the Prophets to the Saints of their time. In this way there became ten parts of this knowledge. The Saints in turn passed this knowledge on to the spiritually favoured (Godly) who then had the benefit of the sacred knowledge.

  

The apparent knowledge of the seen is connected to the physical body, the spoken word, the human realm and the spirit of the self, this is for the ordinary mortals. This knowledge is contained in a book that has thirty parts. Spiritual knowledge was also given to the Prophets by revelation brought by Gabriel and for this reason it is known as the spiritual Holy Scripture.

  

Many of the verses of the Qur’an would sometimes be abolished, since the Prophet Mohammed would sometimes mention matters relating to this “hidden spiritual knowledge” before ordinary people, which was only meant for the special and Godly. Later this knowledge passed on spiritually from the chest of one Saint to another, and now it has become widespread by its publication in books.

  

6. The spiritual entity Anna

  

This spiritual entity is inside the head and is colourless. It is by the meditation on the Name of God Ya Hu that this spiritual entity reaches its pinnacle. It is this spiritual entity that when it becomes illuminated and powerful it can stand in the Presence of God, face to face, and communicate with God unobstructed. Only the extreme lovers of God reach this realm and station. Besides this there are a few and extremely exalted people who are granted additional spiritual entities, for example the spiritual entity Tifl-e-Nuri or a spiritual entity of the Godhead, Jussa-e-Tofiq-e-Ilahi, the spiritual status of such people is beyond understanding.

  

With the spiritual entity, Anna, God is seen in the dream state.

  

With the spiritual entity of the Godhead, God is seen in the “physical meditating state” when the spiritual entity itself leaves the human body and transcends to the essence of God.

  

Those possessing the spiritual entity, the Tifl-e-Nuri, see God whilst they are fully conscious.

  

It is these people who are the majesty and power of God in the world. They can either occupy the people by prescribing worship and austerities or by their spiritual grace send a person straight to the realm of God’s love. In their sight, concerning dispensing spiritual grace the believers and the non-believers, the dead and the living are all the same. Just as a thief became a Saint, in an instant, by the passing glimpse of the Saint Sheikh Abdul-Qadir al-Jilani, similarly, Abu-Bakr Havari and Manga the thief, became instant Saints by the passing glimpses of such Saints.

  

The five major Messengers were given knowledge of the five spiritual entities separately and in order of their appearance, as a result of which spirituality continued to prosper. With whichever spiritual entity you practice meditation you will be connected to the corresponding Messenger and become worthy of receiving spiritual grace (from that Messenger).

  

Whichever spiritual entity receives the rays of the Grace of God (favour), the Sainthood granted to that spiritual entity will be connected to the corresponding Prophet’s spiritual grace.

  

Access to seven realms and gaining elevated spiritual status in the seven heavens is obtained through these spiritual entities.

The functions of the spiritual entities inside the human body

  

Akhfa: Due to the spiritual entity, Akhfa a person is able to speak. In its absence a person may have a normal tongue but will be dumb. The difference between human beings and animals lies in the presence or the absence of these spiritual entities. At birth, if the entity, Akhfa was unable to enter the body for whatever reason, then a Prophet appointed for the rectification of this ailment would be called to treat the condition as a result of which the dumb would start to speak.

  

Sirri: A person is able to see due to the spiritual entity, Sirri. If it does not enter the body the person is blind from birth. An appointed Prophet had the duty to find and place the spiritual entity into the body, as a result of which the blind would start to see again.

Qalb: Without the spiritual entity of the Qalb, in the body, a person is like the animals, unacquainted, far from God, miserable and without purpose. Returning this entity into the body was the task of the Prophets also.

The miracles of the Prophets were also granted to the saints, in the form marvels and mystical wonders as a result of which even the impious and liberal became close to God. When a spiritual entity is returned by any allocated Saint or Prophet, the deaf, dumb and the blind are healed.

Anna: When the spiritual entity, Anna, fails to enter the body, a person is regarded as insane even though the brain may be functioning normally.

Khaffi: In the absence of the spiritual entity, Khafi, a person is deaf, even if the ears are opened wide.

These conditions can be caused by other defects in the body, and can be treated. There is no cure in the case, where the defect is caused by the absence of the associated spiritual entity except where a Prophet or a Saint intervenes and cures the defect.

Nafs, self: As a result of the spiritual entity of the self (ego) a persons mind is occupied with the material world and it is because of the spiritual entity Qalb that a persons direction turns towards God. For more detail visit www.goharshahi.org or visit asipk.com and for videos visit HH rags

 

This kind of relates to now, but it's more related to my past (about a year ago to be exact) to when I was going through a rreaalllyyy tough time, to the point where I almost gave up.

 

But I was determined to make it through. I wanted to fight. I wanted to push through and make it on my own. It's still hard now, and I'm still battling it, but I'm so much stronger. I have so much more to live for now.

  

Facebook.

1. The spiritual entity Qalb

 

Prophecy and knowledge relating to this was granted to the Prophet Adam

 

In the Urdu language the fleshy meat, (the heart) is known as dil, and in Arabic it is called fawad. The spiritual entity that is next to the heart is the Qalb and according to a Prophetic statement the heart and the Qalb are two separate entities.

 

Our solar system is the physical human sphere. There are other realms and spheres, for example the realm of the angels, the realm of the throne of God, the realm of the soul, the realm of the secrets, the realm of unification and the realm of the essence of God. These spheres and life forms inhabiting these spheres have existed before the eruption of the ball of fire, our Sun, which created our solar system. Ordinary angels were created alongside the creation of the souls when God commanded "Be" but the Archangels and the spiritual entities (which are placed inside the human body at birth) have existed in these realms before the formation of our solar system.

 

Many planets in our solar system were inhabited but subsequently these life forms became extinct. The remaining planets and their inhabitants are awaiting their destruction. The Archangels and the spiritual entities (of the human body) were created seventy thousand years before the command "Be."

 

Of these spiritual entities God placed the Qalb in the realm of love. It is with this that a human being is able to become connected with God. The Qalb acts like a telephone operator between God and the human being. A human being receives guidance and inspiration through it. Whereas the worship and the meditation done by the spiritual entities themselves can reach the highest realm, the Throne of God, with the aid of the Qalb. The Qalb itself, however cannot travel beyond the realm of the angels, as its place of origin is the Khuld, the lowest heaven in the realm of the angels.

 

The Qalb’s meditation is from within and its vibrating rosary is within the human skeleton (the heartbeat). People that failed to achieve this meditation of the Qalb in this lifetime will be regretful, even though they may be in paradise. As God has stated regarding those who will go to paradise, that do they, the inhabitants of paradise think that they will be equal to those who are elevated (reached higher realms by practicing the spiritual disciplines and becoming illuminated). As those that have achieved the meditation of the Qalb, they will enjoy its pleasures even in paradise when their Qalb will be vibrating with the Name of God.

After death physical worship ceases to exist and the people whose Qalb and spiritual entities are not strengthened and illuminated with the light of God are afflicted and distressed in their graves and their spiritual entities waste away. Whereas the illuminated and strengthened spiritual entities will go to the realm where the righteous will wait before the final judgement.

After the day of judgement a second body will be given, the illuminated spiritual entities along with the human soul will enter that body. The people that taught their spiritual entities, meditation, whereby the entities chanted the Name of God Allah in this life time will find that the spiritual entities will continue with this meditation even in the hereafter. Such people will continue to be elevated and exalted in the hereafter.

  

Those that were “blind of heart” (not illuminated) in this life time will be in darkness in that realm also, as this world was the place of action and effort. Those in the latter category will become quiescent.

Besides the Christians and the Jews the Hindu faith also holds a belief in these spiritual entities. The Hindu faith refers to them as Shaktian and the Muslims know them as Lata’if.

The Qalb is two inches, to the left of the heart. This spiritual entity is yellow in colour. When it is illuminated in a person, that person sees the colour yellow in their eyes. Not only this but there are many practitioners of alternative medicine who use the colours of these spiritual entities to heal people.

Most people regard their heart’s word, “inner feeling” to be truthful. If the hearts of people were indeed truthful, then why are all the people of the heart not united?

The Qalb of an ordinary person is in the sleeping or unconscious state and it does not possess any appreciation or awareness. Due to the dominance of the spirit of the self, the ego, and the Khannas, or due to the individual’s own simple- mindedness the heart can make judgements in error. Placing trust in a sleeping Qalb is foolish.

Only when the Name of God Allah, does vibrate in the heart does an appreciation of right and wrong and wisdom follow. At this stage the Qalb is known as the awakened Qalb. Thereafter due to the increase in the meditation by the Qalb, of the Name of God Allah, it is then known as the God-seeking Qalb. At this stage the heart is capable of preventing the person from doing wrong but it is still incapable of making a right or just decision. Thereafter and only when the Light and the rays of the Grace of God (theophany) start to descend upon that heart, is it known as the purified and illuminated Qalb that stands in the presence of God (witnessing Qalb).

 

A Prophetic statement:

“The mercy of God descends upon a broken heart and an afflicted grave.”

 

Thereafter when the heart reaches this stage then one must accept whatever it dictates, quietly without question because due to the rays of the Light and the Grace of God the spirit of the self, (ego) becomes completely illuminated, purified and at peace. God is then closer to that individual than that person’s jugular vein.

God then says, “I become his tongue with which he speaks and I become his hands with which he holds.”

   

2. The Human Soul

 

Prophecy and knowledge relating to this was granted to the Prophet Abraham

 

This is on the right side of the chest. This is awakened and illuminated by the meditation and one-pointed concentration on it. Once it becomes illuminated, a vibration similar to the heartbeat is felt on the right side of the chest. Then the Name of God, Ya Allah is matched with the vibrating pulse. The meditation of the soul is done in this way. At this point, there are now two spiritual entities meditating inside the human body, this is an advancement in rank and status and is better than the Qalb. The soul is a light red in colour and when it is awakened, it is able to travel to the realm of the souls (the station of the Archangel Gabriel). Anger and rage are attached to it that burn and turn into majesty.

  

3. The spiritual entity Sirri

 

Prophecy and knowledge relating to this was granted to the Prophet Moses

 

This spiritual entity is to the left of the centre of the chest. This is also awakened and illuminated by the meditation and one-pointed concentration on it with the Name of God, Ya Hayy, Ya Qayyum. Its colour is white and in the dream state or by spiritual separation from the physical body “transcendental meditation” it can journey to the realm of the secrets. Now there are three spiritual entities meditating within a person and its status is higher than the other two.

   

4. The spiritual entity Khaffi

 

Prophecy and knowledge relating to this was granted to the Prophet Jesus

 

This is to the right of the centre of the chest. It too is taught the Name of God Ya Wahid by meditation. It is green in colour and it can reach the realm of unification. Due to the meditation of four entities one's status is further increased.

 

5. The spiritual entity Akhfa

 

Prophecy and knowledge relating to this was granted to the Prophet Mohammed

 

This is situated at the centre of the chest. It is awakened by meditating on the Name of God, Ya Ahad. It is purple in colour and it too, is connected to that veil in the realm of unification behind which is the throne of God.

 

The hidden spiritual knowledge relating to these five spiritual entities was granted to the Prophets, one by one and half of the knowledge of every spiritual entity was granted from the Prophets to the Saints of their time. In this way there became ten parts of this knowledge. The Saints in turn passed this knowledge on to the spiritually favoured (Godly) who then had the benefit of the sacred knowledge.

 

The apparent knowledge of the seen is connected to the physical body, the spoken word, the human realm and the spirit of the self, this is for the ordinary mortals. This knowledge is contained in a book that has thirty parts. Spiritual knowledge was also given to the Prophets by revelation brought by Gabriel and for this reason it is known as the spiritual Holy Scripture.

 

Many of the verses of the Qur’an would sometimes be abolished, since the Prophet Mohammed would sometimes mention matters relating to this “hidden spiritual knowledge” before ordinary people, which was only meant for the special and Godly. Later this knowledge passed on spiritually from the chest of one Saint to another, and now it has become widespread by its publication in books.

  

6. The spiritual entity Anna

 

This spiritual entity is inside the head and is colourless. It is by the meditation on the Name of God Ya Hu that this spiritual entity reaches its pinnacle. It is this spiritual entity that when it becomes illuminated and powerful it can stand in the Presence of God, face to face, and communicate with God unobstructed. Only the extreme lovers of God reach this realm and station. Besides this there are a few and extremely exalted people who are granted additional spiritual entities, for example the spiritual entity Tifl-e-Nuri or a spiritual entity of the Godhead, Jussa-e-Tofiq-e-Ilahi, the spiritual status of such people is beyond understanding.

 

With the spiritual entity, Anna, God is seen in the dream state.

 

With the spiritual entity of the Godhead, God is seen in the “physical meditating state” when the spiritual entity itself leaves the human body and transcends to the essence of God.

 

Those possessing the spiritual entity, the Tifl-e-Nuri, see God whilst they are fully conscious.

 

It is these people who are the majesty and power of God in the world. They can either occupy the people by prescribing worship and austerities or by their spiritual grace send a person straight to the realm of God’s love. In their sight, concerning dispensing spiritual grace the believers and the non-believers, the dead and the living are all the same. Just as a thief became a Saint, in an instant, by the passing glimpse of the Saint Sheikh Abdul-Qadir al-Jilani, similarly, Abu-Bakr Havari and Manga the thief, became instant Saints by the passing glimpses of such Saints.

 

The five major Messengers were given knowledge of the five spiritual entities separately and in order of their appearance, as a result of which spirituality continued to prosper. With whichever spiritual entity you practice meditation you will be connected to the corresponding Messenger and become worthy of receiving spiritual grace (from that Messenger).

 

Whichever spiritual entity receives the rays of the Grace of God (favour), the Sainthood granted to that spiritual entity will be connected to the corresponding Prophet’s spiritual grace.

 

Access to seven realms and gaining elevated spiritual status in the seven heavens is obtained through these spiritual entities.

The functions of the spiritual entities inside the human body

 

Akhfa: Due to the spiritual entity, Akhfa a person is able to speak. In its absence a person may have a normal tongue but will be dumb. The difference between human beings and animals lies in the presence or the absence of these spiritual entities. At birth, if the entity, Akhfa was unable to enter the body for whatever reason, then a Prophet appointed for the rectification of this ailment would be called to treat the condition as a result of which the dumb would start to speak.

 

Sirri: A person is able to see due to the spiritual entity, Sirri. If it does not enter the body the person is blind from birth. An appointed Prophet had the duty to find and place the spiritual entity into the body, as a result of which the blind would start to see again.

Qalb: Without the spiritual entity of the Qalb, in the body, a person is like the animals, unacquainted, far from God, miserable and without purpose. Returning this entity into the body was the task of the Prophets also.

The miracles of the Prophets were also granted to the saints, in the form marvels and mystical wonders as a result of which even the impious and liberal became close to God. When a spiritual entity is returned by any allocated Saint or Prophet, the deaf, dumb and the blind are healed.

Anna: When the spiritual entity, Anna, fails to enter the body, a person is regarded as insane even though the brain may be functioning normally.

Khaffi: In the absence of the spiritual entity, Khafi, a person is deaf, even if the ears are opened wide.

These conditions can be caused by other defects in the body, and can be treated. There is no cure in the case, where the defect is caused by the absence of the associated spiritual entity except where a Prophet or a Saint intervenes and cures the defect.

Nafs, self: As a result of the spiritual entity of the self (ego) a persons mind is occupied with the material world and it is because of the spiritual entity Qalb that a persons direction turns towards God. For more detail visit www.goharshahi.org or visit asipk.com and for videos visit HH rags

 

I love the band ymas so I did this just because I feel like I relate to this song no matter what my mood.

Dumfries Museum and Camera Obscura, located in Dumfries in Dumfries & Galloway, is the largest museum in the region. The museum has extensive collections relating to local and history from the pre-historic era. The museum also has the world's oldest working Camera Obscura. Admission is free, however a small fee applies for the Camera Obscura.

Collections

 

The museum's collections cover all material relating to the natural history and human pre-history of the region, from geology to dress, folk material, archaeology and early photographs.

 

Notable artefacts include:

A cast of the skull of Robert the Bruce as well as femur and foot bones.

A Bronze Age cist burial including the remains of a 35-year-old man from the beaker people.

A large collection of Roman and Celtic stone crosses and funerary monuments.

A replica of the first bicycle, as designed by Kirkpatrick Macmillan.

The photographic archive of Dr Werner Kissling.

Personal items belonging to Thomas Carlyle

Fossil reptile tracks from the local Permian sandstone including Corncockle Quarry.

 

History

Originally built as a four-storey windmill on Corbelly hill, the highest point in Maxwelltown, in 1798, the site was purchased by Dumfries and Maxwellton Astronomical Society in 1834. Over a two-year period the tower was converted into an Observatory, and with advice from polar explorer Sir John Ross, a telescope was purchased from a Mr Morton of Kilmarnock. With its completion in 1836, unfortunately the observatory missed the arrival of Halley's comet; however, it was used in this role until 1872.

 

The main hall of the museum was built in 1862, and housed the collections of the newly founded Dumfries and Galloway Natural History & Antiquarian Society. In 1981 a major addition of a new gallery, shop, search room and offices for curatorial staff was added. In 2011 the exterior of the windmill tower was refurbished.

 

Camera Obscura

The camera obscura is currently the oldest working example in the world, and has been in continuous operation since 1836. The instrument, based in the top level of the windmill tower, offers a complete 360° panorama of the surrounding landscape. The image is projected onto a focusing table below, and operated using a simple rope mechanism. In order to protect the instrument it is only operated during the summer months and on days when weather conditions are clear. The museums photographic expert for thirty years was Werner Kissling who donated his photos to the museum when he died.

 

Dumfries is a market town and former royal burgh in Dumfries and Galloway, Scotland, near the mouth of the River Nith on the Solway Firth, 25 miles (40 km) from the Anglo-Scottish border. Dumfries is the county town of the historic county of Dumfriesshire.

 

Before becoming King of Scots, Robert the Bruce killed his rival the Red Comyn at Greyfriars Kirk in the town in 1306. The Young Pretender had his headquarters here towards the end of 1745. In the Second World War, the Norwegian Army in exile in Britain largely consisted of a brigade in Dumfries.

 

Dumfries is nicknamed Queen of the South. This is also the name of the town's football club. People from Dumfries are known colloquially in Scots language as Doonhamers.

 

History

Early history

 

No positive information has been obtained of the era and circumstances in which the town of Dumfries was founded.

 

Some writers hold that Dumfries flourished as a place of distinction during the Roman occupation of North Great Britain. The Selgovae inhabited Nithsdale at the time and may have raised some military works of a defensive nature on or near the site of Dumfries; and it is more than probable that a castle of some kind formed the nucleus of the town. This is inferred from the etymology of the name, which, according to one theory, is resolvable into two Gaelic terms signifying a castle or fort in the copse or brushwood. Dumfries was once within the borders of the Kingdom of Northumbria. The district around Dumfries was for several centuries ruled over and deemed of much importance by the invading Romans. Many traces of Roman presence in Dumfriesshire are still to be found; coins, weapons, sepulchral remains, military earthworks, and roads being among the relics left by their lengthened sojourn in this part of Scotland. The Caledonian tribes in the south of Scotland were invested with the same rights by an edict of Antoninus Pius. The Romanized natives received freedom (the burrows, cairns, and remains of stone temples still to be seen in the district tell of a time when Druidism was the prevailing religion) as well as civilisation from their conquerors. Late in the fourth century, the Romans bade farewell to the country.

 

According to another theory, the name is a corruption of two words which mean the Friars' Hill; those who favour this idea allege that St. Ninian, by planting a religious house near the head of what is now the Friars' Vennel, at the close of the fourth century, became the virtual founder of the Burgh; however Ninian, so far as is known, did not originate any monastic establishments anywhere and was simply a missionary. In the list of British towns given by the ancient historian Nennius, the name Caer Peris occurs, which some modern antiquarians suppose to have been transmuted, by a change of dialect, into Dumfries.

 

Twelve of King Arthur's battles were recorded by Nennius in Historia Brittonum. The Battle of Tribruit (the tenth battle), has been suggested as having possibly been near Dumfries or near the mouth of the river Avon near Bo'ness.

 

After the Roman departure the area around Dumfries had various forms of visit by Picts, Anglo-Saxons, Scots and Norse culminating in a decisive victory for Gregory, King of Scots at what is now Lochmaben over the native Britons in 890.

Medieval period

 

When, in 1069, Malcolm Canmore and William the Conqueror held a conference regarding the claims of Edgar Ætheling to the English Crown, they met at Abernithi – a term which in the old British tongue means a port at the mouth of the Nith. It has been argued, the town thus characterised must have been Dumfries; and therefore it must have existed as a port in the Kingdom of Strathclyde, if not in the Roman days. However, against this argument is that the town is situated eight to nine miles (14 km) distant from the sea, although the River Nith is tidal and navigable all the way into the town itself.

 

Although at the time 1 mile (1.6 km) upstream and on the opposite bank of the Nith from Dumfries, Lincluden Abbey was founded circa 1160. The abbey ruins are on the site of the bailey of the very early Lincluden Castle, as are those of the later Lincluden Tower. This religious house was used for various purposes, until its abandonment around 1700. Lincluden Abbey and its grounds are now within the Dumfries urban conurbation boundary. William the Lion granted the charter to raise Dumfries to the rank of a royal burgh in 1186. Dumfries was very much on the frontier during its first 50 years as a burgh and it grew rapidly as a market town and port.

 

Alexander III visited Dumfries in 1264 to plan an expedition against the Isle of Man, previously Scots but for 180 years subjected by the crown of Norway. Identified with the conquest of Man, Dumfries shared in the well-being of Scotland for the next 22 years until Alexander's accidental death brought an Augustan era in the town's history to an abrupt finish.

 

A royal castle, which no longer exists, was built in the 13th century on the site of the present Castledykes Park. In the latter part of the century William Wallace chased a fleeing English force southward through the Nith valley. The English fugitives met the gates of Dumfries Castle that remained firmly closed in their presence. With a body of the town's people joining Wallace and his fellow pursuers when they arrived, the fleeing English met their end at Cockpool on the Solway Coast. After resting at Caerlaverock Castle a few miles away from the bloodletting, Wallace again passed through Dumfries the day after as he returned north to Sanquhar Castle.

 

During the invasion of 1300, Edward I of England lodged for a few days in June with the Minorite Friars of the Vennel, before he laid siege to Caerlaverock Castle at the head of the then greatest invasion force to attack Scotland. After Caerlaverock eventually succumbed, Edward passed through Dumfries again as he crossed the Nith to take his invasion into Galloway. With the Scottish nobility having requested Vatican support for their cause, Edward on his return to Caerlaverock was presented with a missive directed to him by Pope Boniface VIII. Edward held court in Dumfries at which he grudgingly agreed to an armistice. On 30 October, the truce solicited by Pope Boniface was signed by Edward at Dumfries. Letters from Edward, dated at Dumfries, were sent to his subordinates throughout Scotland, ordering them to give effect to the treaty. The peace was to last until Whitsunday in the following year.

 

Before becoming King of Scots, Robert the Bruce stabbed his rival the Red Comyn at Greyfriars Kirk in the town on 10 February 1306. Bruce's uncertainty about the fatality of the stabbing caused one of his followers, Roger de Kirkpatrick, to utter the famous, "I mak siccar" ("I make sure") and finish the Comyn off. Bruce was subsequently excommunicated as a result, less for the murder than for its location in a church. Regardless, for Bruce the die was cast at the moment in Greyfriars and so began his campaign by force for the independence of Scotland. Swords were drawn by supporters of both sides, the burial ground of the monastery becoming the theatre of battle. Bruce and his party then attacked Dumfries Castle. The English garrison surrendered and for the third time in the day Bruce and his supporters were victorious. He was crowned King of Scots barely seven weeks after. Bruce later triumphed at the Battle of Bannockburn and led Scotland to independence.

 

Once Edward received word of the revolution that had started in Dumfries, he again raised an army and invaded Scotland. Dumfries was again subjected to the control of Bruce's enemies. Sir Christopher Seton (Bruce's brother in law) had been captured at Loch Doon and was hurried to Dumfries to be tried for treason in general and more specifically for being present at Comyn's killing. Still in 1306 and along with two companions, Seton was condemned and executed by hanging and then beheading at the site of what is now St Mary's Church.

 

In 1659 ten women were accused of diverse acts of witchcraft by Dumfries Kirk Session although the Kirk Session minutes itself records nine witches. The Justiciary Court found them guilty of the several articles of witchcraft and on 13 April between 2 pm and 4 pm they were taken to the Whitesands, strangled at stakes and their bodies burnt to ashes.

 

Eighteenth century

The Midsteeple in the centre of the High Street was completed in 1707. Opposite the fountain in the High Street, adjacent to the present Marks & Spencer, was the Commercial and later the County Hotel. Although the latter was demolished in 1984–85, the original facade of the building was retained and incorporated into new retail premises. The building now houses a Waterstones Bookshop. Room No. 6 of the hotel was known as Bonnie Prince Charlie's Room and appropriately carpeted in the Royal Stewart tartan. The timber panelling of "Prince Charlie's room" was largely reinstated and painted complete with the oil painted landscapes by Robert Norie (1720–1766) in the overmantels at either end of the room and can still be seen as the upstairs showroom of the book shop. The Young Pretender had his headquarters here during a 3-day sojourn in Dumfries towards the end of 1745. £2,000 was demanded by the Prince, together with 1,000 pairs of brogues for his kilted Jacobite rebel army, which was camping in a field not one hundred yards distant. A rumour that the Duke of Cumberland was approaching, made Bonnie Prince Charlie decide to leave with his army, with only £1,000 and 255 pairs of shoes having been handed over.

 

Robert Burns moved to Dumfriesshire in 1788 and Dumfries itself in 1791, living there until his death on 21 July 1796. Today's Greyfriars Church overlooks the location of a statue of Burns, which was designed by Amelia Robertson Hill, sculpted in Carrara, Italy in 1882, and was unveiled by future Prime Minister, Archibald Primrose, 5th Earl of Rosebery on 6 April 1882. Today, it features on the 2007 series of £5 notes issued by the Bank of Scotland, alongside the Brig o' Doon.

 

After working with Patrick Miller of Dalswinton, inventor William Symington intended to carry out a trial in order to show than an engine would work on a boat without the boat catching fire. The trial finally took place on Dalswinton Loch near Dumfries on 14 October 1788. The experiment demonstrated that a steam engine would work on a boat. Symington went on to become the builder of the first practical steamboat.

 

20th century and beyond

The first official intimation that RAF Dumfries was to be built was made in late 1938. The site chosen had accommodated light aircraft since about 1914. Work progressed quickly, and on 17 June 1940, the 18 Maintenance Unit was opened at Dumfries. The role of the base during the war also encompassed training. RAF Dumfries had a moment of danger on 25 March 1943, when a German Dornier Do 217 aircraft shot up the airfield beacon, but crashed shortly afterwards. The pilot, Oberleutnant Martin Piscke was later interred in Troqueer Cemetery in Dumfries town, with full military honours. On the night of 3/4 August 1943 a Vickers Wellington bomber with engine problems diverted to but crashed 1+1⁄2 miles (2.4 km) short of the Dumfries runway.

 

During the Second World War, the bulk of the Norwegian Army during their years in exile in Britain consisted of a brigade in Dumfries. When the army High Command took over, there were 70 officers and about 760 privates in the camp. The camp was established in June 1940 and named Norwegian Reception Camp, consisting of some 500 men and women, mainly foreign-Norwegian who had volunteered for war duty in Norway during the Nazi occupation in early 1940. Through the summer the number was built up to around 1,500 under the command of General Carl Gustav Fleischer. Within a few miles of Dumfries are the villages of Tinwald, Torthorwald and Mouswald all of which were settled by Vikings.

 

Dumfries has experienced two Boxing Day earthquakes. These were in 1979 (measuring 4.7 ML  centred near Longtown) and 2006 (centred in the Dumfries locality measuring 3.6 ML ). There were no serious consequences of either. There was also an earthquake on 16 February 1984 and a further earthquake on 7 June 2010.

 

Like the rest of Dumfries and Galloway, of Scotland's three major geographical areas Dumfries lies in the Southern Uplands.

 

The river Nith runs through Dumfries toward the Solway Firth in a southwards direction splitting the town into East and West. At low tide, the sea recedes to such an extent on the shallow sloping sands of the Solway that the length of the Nith is extended by 13 km to 113.8 km (70.7 mi). This makes the Nith Scotland's seventh longest river. There are several bridges across the river within the town. In between the Devorgilla (also known as 'The Old Bridge') and the suspension bridge is a weir colloquially known as 'The Caul'. In wetter months of the year the Nith can flood the surrounding streets. The Whitesands has flooded on average once a year since 1827.

 

Dumfries has numerous suburbs including Summerhill, Summerville, Troqueer, Georgetown, Cresswell, Larchfield, Calside, Lochside, Lincluden, Newbridge Drive, Sandside, Heathhall, Locharbriggs, Noblehill and Marchmount. Maxwelltown to the west of the river Nith, was formerly a burgh in its own right within Kirkcudbrightshire until its incorporation into Dumfries in 1929; Summerhill, Troqueer, Lochside, Lincluden, Sandside are among other suburbs located on the Maxwelltown side of the river. Palmerston Park, home to the town's senior football team Queen of the South, is on Terregles Street, also on the Maxwelltown side of the river.

 

Queensberry Square and High Street are the central focal points of the town and this area hosts many of the historical, social and commercial enterprises and events of Dumfries. During the 1990s, these areas enjoyed various aesthetic recognitions from organisations including Britain in Bloom.

 

Dumfries got its nickname 'Queen of the South' from David Dunbar, a local poet, who in 1857 stood in the general election. In one of his addresses he called Dumfries "Queen of the South" and this became synonymous with the town.

 

The term doonhamer comes from the way that natives of Dumfries over the years have referred to the area when working away from home. The town is often referred to as doon hame in the Scots language (down home). The term doonhamer followed, to describe those that originate from Dumfries.

 

The Doonhamers is also the nickname of Queen of the South who represent Dumfries and the surrounding area in the Scottish Football League.

 

The crest of Dumfries contains the words, "A Lore Burne". In the history of Dumfries close to the town was the marsh through which ran the Loreburn whose name became the rallying cry of the town in times of attack – A Lore Burne (meaning 'to the muddy stream').

 

In 2017 Dumfries was ranked the happiest place in Scotland by Rightmove.

 

Located on top of a small hill, Dumfries Museum is centred on the 18th-century windmill which stands above the town. Included are fossil footprints left by prehistoric reptiles, the wildlife of the Solway marshes, tools and weapons of the earliest peoples of the region and stone carvings of Scotland's first Christians. On the top floor of the museum is a camera obscura.

 

Based in the control tower near Tinwald Downs, the aviation museum has an extensive indoor display of memorabilia, much of which has come via various recovery activities. During the second world war, aerial navigation was taught at Dumfries also at Wigtown and nearby Annan was a fighter training unit. RAF Dumfries doubled as an important maintenance unit and aircraft storage unit. The museum is run by the Dumfries and Galloway Aviation Group and is the only private aviation museum in Scotland. The restored control tower of the former World War II airfield is now a listed building. The museum is run by volunteers and houses a large and ever expanding aircraft collection, aero engines and a display of artefacts and personal histories relating to aviation, past and present. It is also home to the Loch Doon Spitfire. Both civil aviation and military aviation are represented.

 

The Theatre Royal, Dumfries was built in 1792 and is the oldest working theatre in Scotland.

 

The theatre is owned by the Guild of Players who bought it in 1959, thereby saving it from demolition, and is run on a voluntary basis by the members of the Guild of Players. It is funded entirely by Guild membership subscriptions, and by box office receipts. It does not currently receive any grant aid towards running costs.

 

In recent years the theatre has been re-roofed and the outside refurbished. It is the venue for the Guild of Players' own productions and for performances from visiting companies. These include: Scottish Opera, TAG, the Borderline and 7:84.

 

The Robert Burns Centre is an art house cinema in Dumfries. The Odeon Cinema, which showed more mainstream movies, closed its doors in mid-2018 due to the local council refusing to allow Odeon to relocate, forcing them to close.

 

The Loreburn Hall (sometimes known colloquially as The Drill Hall) has hosted concerts by performers such as Black Sabbath, Big Country, The Proclaimers and Scottish Opera. The hall has hosted sporting events such as wrestling. The new DG One sport, fitness and entertainment centre became the principal indoor event venue in Dumfries in 2007, but in October 2014, it closed due to major defects being discovered in the building. However, the refurbished building reopened to the public in the summer of 2019. The Theatre Royal has also reopened following renovation work.

 

With a collection of over 400 Scottish paintings, Gracefield Arts Centre hosts a changing programme of exhibitions featuring regional, national and international artists and craft-makers.

 

Dumfries Art Trail brings together artists, makers, galleries and craft shops with venues accessible all year round.

 

There are a number of festivals which take place throughout the year, mostly based on traditional values.

 

Guid Nychburris (Middle Scots, meaning Good Neighbours) is the main festival of the year, a ceremony which is largely based on the theme of a positive community spirit.

 

The ceremony on Guid Nychburris Day, follows a route and sequence of events laid down in the mists of time. Formal proceedings start at 7.30 am with the gathering of up to 250 horses waiting for the courier to arrive and announce that the Pursuivant is on his way, and at 8.00 am leave the Midsteeple and ride out to meet the Pursuivant. They then proceed to Ride the Marches and Stob and Nog (mark the boundary with posts and flags) before returning to the Midsteeple at 12.15 pm to meet the Provost and then the Charter is proclaimed to the towns people of Dumfries. This is then followed by the crowning of the Queen of the South.

 

Since 2013, Dumfries has seen the annual Nithraid, a small boat race up the Nith from Carsethorn, celebrating the town's historical relationship with the river.

 

The region is also home to a number of thriving music festivals such as the Eden Festival (at St Ann's near Moffat), Youthbeatz (Scotland's largest free youth music festival), the Moniaive Folk Festival, Thornhill Music Festival, Big Burns Supper Festival and previously Electric Fields at Drumlanrig Castle.

 

Queen of the South represent Dumfries and the surrounding area in the third level of the country's professional football system, the Scottish League One. Palmerston Park on Terregles Street is the home ground of the team. This is on the Maxwelltown side of the River Nith. They reached the 2008 Scottish Cup Final, losing 3–2 to Rangers.

 

Dumfries City VFC are a virtual football club from the town.

 

Dumfries Saints Rugby Club is one of Scotland's oldest rugby clubs having been admitted to the Scottish Rugby Union in 1876–77 as "Dumfries Rangers".

 

Dumfries is also home to a number of golf courses:

 

The Crichton Golf Club

The Dumfries and County Golf Club

The Dumfries and Galloway Golf Club

 

Of those listed, only the Dumfries and Galloway Golf Club is on the Maxwelltown side of the River Nith. This course is also bisected into 2 halves of 9 holes each by the town's Castle Douglas Road. The club house and holes 1 to 7 and 17 and 18 are on the side nearest to Summerhill, Dumfries. Holes 8 to 16 are on the side nearest to Janefield.

 

The opening stage of the 2011 Tour of Britain started in Peebles and finished 105.8 miles (170.3 km) later in Dumfries. The stage was won by sprint specialist and reigning Tour de France green jersey champion, Mark Cavendish, with his teammate lead out man, Mark Renshaw finishing second. Cavendish had been scheduled to be racing in the 2011 Vuelta a España. However Cavendish was one a number of riders to withdraw having suffered in the searing Spanish heat. This allowed Cavendish to be a late addition to the Tour of Britain line up in his preparation for what was to be a successful bid two weeks later in the 2011 UCI Road World Championships – Men's road race. Cavendish in a smiling post race TV interview in Dumfries described the wet and windy race conditions through the Southern Scottish stage as 'horrible'.

 

DG One complex includes a national event-sized competition swimming pool.

 

The David Keswick Athletic Centre is the principal facility in Dumfries for athletics.

 

Dumfries is home to Nithsdale Amateur Rowing Club. The rowers share their clubhouse with Dumfries Sub-Aqua Club.

 

The town is also home to Solway Sharks ice hockey team. The team are current Northern Premier League winners. The team's home rink is Dumfries Ice Bowl. Dumfries Ice bowl is also recognised as Scotland's only centre of ice hockey excellence, and trials for the Scottish Jr national team are carried out at this venu.

 

Dumfries Ice Bowl is also home to two synchronised skating teams, Solway Stars and Solway Eclipse. In addition, Dumfries Ice Bowl is also home to several curling teams, competitions and leagues. Junior curling teams from Dumfries, consisting of curlers under the age of 21, regularly compete in the Dutch Junior Open based in Zoetermeer, the Netherlands. In 2007, 2008 and 2009 a Dumfries-based team have been the winners of the competition's Hogline Trophy.

 

Dumfries hosts three outdoor bowls clubs:

 

Dumfries Bowling Club

Marchmount Bowling Club

Maxwelltown Bowling Club

 

Dumfries hosts cycling organisations and cycling holidays

 

The most significant of the parks in Dumfries are all within walking distance of the town centre:-

 

Dock Park – located on the East bank of the Nith just to the South of St Michael's Bridge

Castledykes Park – as the name suggests on the site of a former castle

Mill Green (also known as deer park, although the deer formerly accommodated there have since been relocated) – on the West bank of the Nith opposite Whitesands

 

There are many buildings in Dumfries made from sandstone of the local Locharbriggs quarry.

 

The quarry is situated off the A701 on the north of Dumfries at Locharbriggs close to the nearby aggregates quarry. This dimension stone quarry is a large quarry. Quarry working at Locharbriggs dates from the 18th century, and the quarry has been worked continuously since 1890.

 

There are good reserves of stone that can be extracted at several locations. On average the stone is available at depths of 1m on bed although some larger blocks are obtainable. The average length of a block is 1.5m but 2.6m blocks can be obtained.

 

Locharbriggs is from the New Red Sandstone of the Permian age. It is a medium-grained stone ranging in colour from dull red to pink. It is the sandstone used in the Queen Alexandra Bridge in Sunderland, the Manchester Central Convention Complex and the base of the Statue of Liberty.

Character Creation

 

Drax the Destroyer (Arthur Sampson Douglas) is a character appearing in American comic books published by Marvel Comics. Created by Jim Starlin, the character first appeared in The Invincible Iron Man #55 (February 1973).

 

The character's origin story relates that Arthur Douglas was a human whose family was attacked and killed by the supervillain Thanos. Needing a champion to combat Thanos, the being known as Kronos took Arthur's spirit and placed it in a powerful new body, and Drax the Destroyer was born. Drax's powers included enhanced strength and resilience, flight, and the ability to project energy blasts from his hands. The character often battled Thanos, and on occasion the superheroes Captain Marvel and Adam Warlock. He was also a member of the group known as the Infinity Watch.

 

In 2004, the character lost his flight and energy blasts, and a portion of his strength and resilience. This version of the character played a role in the crossover comic book storylines "Annihilation" and "Annihilation: Conquest", and became a member of the relaunched Guardians of the Galaxy.

 

Drax has been featured in a variety of associated Marvel merchandise, including animated television series, action figures, and video games. Dave Bautista portrayed the character in the Marvel Cinematic Universe films Guardians of the Galaxy (2014), Guardians of the Galaxy Vol. 2 (2017), Avengers: Infinity War (2018), Avengers: Endgame (2019), Thor: Love and Thunder (2022), Guardians of the Galaxy: Holiday Special (2022 television film) and Guardians of the Galaxy Vol. 3 (2023). Drax also appears in the Disney+ animated series What If...? (2021).

 

Starlin commented on the character's creation stating "In the beginning, Drax was versatile, because I didn't know what the hell to do with him," Starlin confessed. "He was an element; he was supposed to be Thanos' Kryptonite. I sort of drifted away from that idea, and when I came back to using him, I made a big change in him. I brain-damaged him and made him into the Hulk, because Marvel didn't have a dumb green thing at the time, and I thought they should. And so I sort of made him like that. Later on they wanted to change his visuals, which I had no problem with because I was never crazy about that costume. It didn't make a lot of sense. I wasn't invested enough in the character to go back and do anything more with it."

 

Starlin later commented in an interview that "I ripped off my own costume, I redesigned Dr. Weird's costume at Texas Trio and pretty much just used it as Drax's costume, Drax was going to be Thanos's kryptonite that's why he was green."

 

Publication history

 

Drax first appeared in The Invincible Iron Man #55 (February 1973), and was created by Jim Starlin with the help of writer Mike Friedrich. He had a recurring role in Captain Marvel, beginning with issue #27 (July 1973). He also appeared in Warlock #10 (December 1975), Iron Man #88 (July 1976), Warlock #15 (November 1976), Logan's Run #6 (June 1977), Thor #314 (December 1981), and Avengers #219 (May 1982), before being killed by Moondragon in The Avengers #220 (June 1982).

 

Starlin brought Drax back in Silver Surfer vol. 3 #35 (1990), and he had a recurring role until issue 50. After appearing in The Infinity Gauntlet #1–6 (1991), he was featured in Warlock and the Infinity Watch #1–42 (1992–1995) as a member of the titular team, the Infinity Watch. The character reappeared in Warlock vol. 3 #1–4 (1998–1999) and Captain Marvel vol. 4 #4–6 (2001).

 

Drax received an eponymous 4 issue miniseries in 2004, and was a starring character in Annihilation: Nova #1–4 (2005) and Annihilation #1–6 (2006). After a follow-up appearance in Nova vol. 4 #4–7 (2007) and the 2008 "Annihilation: Conquest" storyline, he was featured as a team member in the 2008 relaunch of Guardians of the Galaxy, and appeared in the 25 issue series of the same name. The character had a small role in The Thanos Imperative #1–3 (2010), in which he was killed.

 

The character reappeared in Avengers Assemble issues #4–8 (June–October 2012), with no reference to his death. He then starred in Guardians of the Galaxy vol. 3, a part of the Marvel NOW! relaunch.

 

Fictional Character Biography

 

Born in California, Arthur Douglas married Yvette and raised a daughter named Heather (who later became Moondragon). One day, while traveling through the Mojave Desert on their way to Los Angeles, they witnessed a spaceship above. In the spaceship was Thanos, who had been on a mission to survey Earth. To rid any evidence of his existence, Thanos destroyed the car with Douglas family still inside. Mentor, who was monitoring Thanos' surveillance of Earth at the time, found out that Heather survived the attack, so he took her back to his planet, Titan. Mentor believed that Thanos had grown too dangerous and that he needed to be stopped so he called upon Kronos to find and seize the consciousness of Arthur Douglas before it was too late.

 

Kronos and Mentor created a body which had superhuman powers and installed Arthur's spirit in it, in the process creating Drax the Destroyer. All of Arthur's past memories were removed and replaced with the hate and pure desire to kill Thanos. Along with Iron Man, Drax battled Thanos and the Blood Brothers. Thanos fled and for years, Drax chased him and had brief encounters with him but never killed him.

 

Thanos' Nemesis

 

Though created as an archenemy to Thanos, Drax proved to be less popular than his hated prey and was subsequently overshadowed by Thanos in the years to come. The likes of Adam Warlock and Captain Marvel rose to take his place as Thanos' primary adversaries, and Drax was killed off.

 

Infinity Watch

 

Starlin soon brought Drax back but with major alterations to the character. Drax was now larger than he had been before, and his intelligence was severely diminished, making him child-like and prone to tantrums. Understandably, "Space Hulk" became a term used to describe him. Starlin's cosmic stories found a new level of popular with the Infinity Gauntlet event, and Drax was one of the characters who rode this wave. As a member of the Infinity Watch, Drax was a major character in Starlin's ongoing saga with Adam Warlock over the next few years. Though the character was a source of some drama, this incarnation of Drax was largely used for comic relief and heavyweight action.

 

Annihilation

 

After returning to cosmic obscurity for several years, Drax was on the receiving end of another major alteration, but this time is came from writer Keith Giffen, who wrote a limited series surprisingly starring Drax as the lead. This saw Drax get a major redesign but also be returned to something much closer to the cunning and determined hunter of Thanos he was originally meant to be, salvaging him from being the joke character he had come to be seen as by readership. Giffen went on to write the Annihilation event, restructuring and revitalizing Marvel's cosmic franchise. Drax was one of the breakout stars and was repositioned as one of Marvel's major cosmic characters along with Nova. He soon starred as one of the main characters in the new Guardians of the Galaxy series.

 

Fighting Thanos

 

Drax finally got his chance to battle Thanos during Thano's quest to get the Cosmic Cube. Drax, along with the Avengers, Moondragon, and Captain Marvel, battled and eventually destroyed Thanos. However, after finding out Thanos had rematerialized, Drax searched the Galaxy for the returned Thanos. Though before Drax could battle him, he found out that Thanos had once again been destroyed in a battle with the Avengers, Captain Marvel, and Adam Warlock.

 

Later when Drax was possessed an Alien entity, he battled Thor and Moondragon. After recovering from the possession, Drax is asked by Moondragon to join her on her journey in search of knowledge. Eventually, they came upon the planet Ba-Banis, a world of humanoid aliens caught in a vast civil war. Moondragon used her mental powers to quell the conflict and then decided to set herself up as the world's goddess. Recognizing that her ambitions were not honorable, Drax sent their ship to Earth with a holographic distress message. The Avengers responded and discovered Moondragon's world of mentally enforced tranquility. Freed by the Avengers from his daughter's mental domination, Drax sought to end her menace but was stopped by Moondragon when she used her mental powers to force Drax's life essence to vacate his artificial body. The Avengers subdued Moondragon and brought Drax's body back to Earth. They put Drax in the ship Sensia, sent the ship into space, and set it for self-destruction. Drax's body was destroyed when the ship exploded but without his spirit inside.

 

Return

 

When Death restored Thanos years after Drax's death, Kronos decided it was time to bring Drax back. He gave him a better physical structure and strength and again installed the hate and desire to destroy Thanos. But Kronos had not realized that when Moondragon mentally damaged Drax's mind, that he would be left a mindless, confused brute, with a taste for Earth's television program ' Alf'. Drax had occasional memory breakthroughs when he watched an "I Love Lucy" rerun on TV and had a passing familiarity with his daughter Moondragon when they first meet after his reincarnation. She was scared that he might retaliate if he remembered what she did to him, but the memory passed without incident.

 

In his renewed quest to destroy Thanos, Drax encountered Thanos' new nemesis, the Silver Surfer, and together they ventured into soul world, where they encountered Adam Warlock, Gamora and Pip the Troll, all who were pivotal in Warlock's decision to return to the land of the living. Drax joined the heroes' assault on Thanos during ' The Infinity Gauntlet' ordeal and was one of the very few heroes who wasn't killed during the conflict; being present up to the very end when Thanos' so-called granddaughter Nebula held the gauntlet.

 

Infinity Watch

 

Following Thanos' defeat and the subsequent breakup of the Infinity Gauntlet, Drax was chosen by Adam Warlock to safeguard the Power Gem as part of the Infinity Watch, alongside his daughter Moondragon and Gamora. When presented with the Power Gem, unlike most of the other Infinity Watch members who wore their gems upon their brow, Drax mistook the gem for a jelly bean and ingested it. Luckily, the gem was indigestible and instead resided within Drax for a few years, having lodged itself within him (rather than passing through). During his time as a largely earth-based superhero, Drax, with the power gem, would prove to be stronger than even the Hulk, though his diminished mental faculties would hold him back in more ways than one, including his inability to land gracefully when flying ( and always causing great amounts of property damage as a running gag).

 

Towards the end of the Infinity Watch's existence, Moondragon was critically injured during a mission and was put into a full body cast, whom Drax dutifully watched over. Eventually, due to internal strife and the disappearance of the Infinity Gems, the Watch fragmented and went their separate ways. Drax returned to Titan with Moondragon, who successfully petitioned Chronos to restore Drax's mind to its former acuity (and Drax for Moondragon's restored health), at the expense of some physical power.

 

A short time later, Drax was accused of murdering Elysius (wife of the late Captain Marvel and mother of Genis-Vell) and several others. Warlock, along with Gamora, Pip, and Genis-Vell , tracked Drax down and subdued him in time to find out that the real culprit was the re-animated corpse of the original Captain Marvel. Using his soul-gem, Warlock traced the being controlling the corpse, a creature within the Negative Zone known as Syphon, who was using the Nega-Bands as a conduit. Felled by a backlash of psychic energy, Warlock was unable to stop the transfer of the Nega-Bands to the unconscious Drax, who flew off into space. Warlock then gathered his allies and pursued Drax, finding that Syphon was using Drax and the bands to rip a portal into the Negative Zone, which threatened the structure of the Universe. Summoning all of his strength, Warlock pulled Drax free and removed the Nega-Bands, causing the portal to shrink. But before the portal could completely close, Syphon pulled Warlock into the Negative Zone, and, in front of Blastaar and Annihilus, took Warlock's gem, and used it to re-open the portal.

 

Warlock recovered but without his soul-gem, had little chance of subduing both Blastaar and Annihilus before Syphon was successful. Fortunately, Drax arrived with Pip, Gamora, and Genis-Vell to aid Warlock. As his friends fought on, Warlock went on to damage Syphon's conqueror wheel, thus closing the portal once more. Syphon attempted to use the soul-gem to kill Warlock, but found his attack turned upon his own soul. He fought back long enough to flee his own body and Warlock claimed the gem once more and, along with Drax and his other companions, returned back to their Universe.

 

Afterwards, Drax's condition began to revert; his mass and strength climbed back to previous levels, and his mind became clouded once more. He sought out Moondragon, who was residing with Genis-Vell and Rick Jones on Earth, which led to an altercation with Genis-Vell. In the course of this struggle, Drax was transported to the Microverse with Genis-Vell, where he finally found acceptance and happiness on the planet K'ai, where he remained for some time. During this period, Drax fought alongside the Micronauts until his diminished mental state was taken advantage of by Psycho Man. After leaving the Microverse, Drax was than seen as a combatant recruited by Adam Warlock to take on The Champion of the Universe in an attempt to stop The Champion from exploiting another planet. Drax failed to defeat The Champion, as did Warlock's and his other recruits ( Gladiator, Beta Ray Bill, and The Silver Surfer). However, The Champion was eventually defeated by She-Hulk, who trained months for her battle under Gamora.

 

Earth Fall

 

Drax was later seen on a prison ship with Paibok, Lunatik, and the Blood Brothers. He was accused of murdering 200,000 Skrulls. They were being transported to an intergalactic prison, but the ship crashed on Earth under mysterious circumstances. Drax attacked the others to keep them from harming innocent lives and his intelligence came back to him at random intervals during his fight with the other prisoners. While on Earth and at a low-point of intelligence, he wandered through Alaska and confused a young girl named Cammi for his daughter. As he slowly wandered through the country side, he encountered Paibok again. Drax was killed by Paibok but emerged with a new body with a higher intelligence and other unknown abilities, albeit with reduced strength and the inability to fly or "channel energy". The "new" Drax killed Lunatik and one of the Blood Brothers. The mini-series ended with Drax and Cammi back on a prison ship.

 

Annihilation

 

During the events of Annihilation, Drax survived an attack on the intergalactic prison known as the Kyln. Drax and Cammi teamed up with the last member of the Xandarian Nova Corps, Richard Rider (Nova). Together they fought against the advancing Annihilation Wave. Drax taught Nova the power of concentration so that he could contain the entire Nova force. Nova also asked Drax to teach him an important lesson: How to destroy. Drax was given the benefit of the doubt by Nova as his new body was just different enough from the Wanted file for 'Drax the Destroyer' that as long as Drax refers to himself merely as 'Drax' and acknowledges no past of destroying things, Nova would let the record slide.

 

Moondragon was taken captive by Thanos, who had allied himself with Annihilus and her severed ear was sent to Drax. Drax assisted the United Front and during a doomed battle between the Annihilation Wave and the United Front on Daedalus 5, fought off the invaders while Nova and the rest of the group (including Cammi) finished the evacuation. Drax fought his way to one of the Annhilation Wave's ships in his quest for Thanos, whom he found attempting to release Galactus from his prison on Annihilus' mother ship. Moondragon attempted to keep Drax at bay until Galactus was released but failed.

 

Before Thanos could release Galactus, however, Drax broke through Thanos' defensive shield and punches a hole through his chest. Drax then realized that the Silver Surfer was the only person who had enough power to match Thanos. While severely weakened, the Silver Surfer used all he had to match the height of Thanos' power output and succeeded. Once Galactus was freed, he teleported Moondragon and Drax to a far-off planet to spare them from his wrath on the Annihilation Wave. After that, Moondragon said Drax just disappeared, (which was Moondragon's way to cover for Drax). Drax resurfaced during the second Annihilation war on the run from the Phalanx 's select hunters. Drax was taken down by the phalanx-infected Nova and Gamora and was turned into one of the Phalanx Select. Once Nova managed to free himself from Phalanx control, the infected Drax and Gamora go after him with the goal of reinfecting him or destroying him. However, Nova eventually managed to free Drax and Gamora from Phalanx control.

 

Guardian of the Galaxy

 

After the second Annihilation war, Peter Quill / Starlord offered Drax a position in his new Guardians of the Galaxy, alongside Phyla-Vell, Adam Warlock, Rocket Raccoon, and Gamora. As a member of the Guardians, Drax was more grim and solitary but was a force of destruction who bailed them out of many predicaments during their first missions. After a Skrull infiltration of their headquarters on Knowhere, it was revealed that Mantis had been asked by Quill to use her mind-control powers on the team's members in order to help the team function better. As a result of this news, Quasar, together with Drax, go in search of Moondragon, bringing her to Mentor, who promptly murdered them!

 

Phylla and Drax than found themselves on a borderland called Oblivion, where the Quantum bands fell off Phyla's wrists, seeing as the bearer was now dead. Not long after, Phyla faced by her own demons but Drax sent them packing. They were joined by Maelstrom, who used Moondragon as bait to lure them for his master Oblivion, with the intent of using them to cross back over into reality. After his apparent defeat, Maelstrom agreed to lead them to Moondragon but instead led them to the Dragon of the Moon, where he said Moondragon was supposed to be, within the dragon that was regaining its strength after Ultron dispatched it back to Oblivion. Maelstrom however regained the upper hand once the Quantum bands re-bonded with him and he quickly encased Phyla and Drax, with the intent of feeding them to the Dragon in exchange for the Dragon using its energy to release Maelstrom from Oblivion.

 

Maelstrom dropped Phyla into the Dragon's mouth but after a short battle with Maelstrom, Phyla tore herself out of Dragon, while carrying Heather in her arms. With the Dragon dispatched, Quasar tried to return the bands to her but Phyla declined, stating that she had powers of her own. Together with Heather and Phyla, Drax returned to Mentor's place. Drax and Phyla rejoined the rest of Guardians of the Galaxy back on Knowhere, accompanied by Heather. Upon learning of the upcoming war between the Shi'ar Empire, with their new Emperor Vulcan, and the Kree, now led by the Inhuman's and their King Black Bolt, all of the Guardians reunited and made a plan to stop the aggressions before they destroyed the very fabric of reality.

 

War of Kings

 

Adam Warlock returned with Gamora to the Guardians and informed them of the War of Kings. Starlord and Rocket Raccoon decided the Guardians needed to be split into three teams to prevent the war from growing out of proportion. The three teams were; The Kree Team with Starlord, Bug, Gamora, Jack Flag and Martyr (Phylla-Vell), the The Shi'ar Team with Rocket Raccoon, Drax the Destroyer, Adam Warlock, Major Victory and Groot and The Coordination Team with Moondragon, Mantis and Cosmo the Spacedog. Drax was placed on the Shi'ar team because they required the brute force necessary to counteract Vulcan's destructive power. The Kree Team asked Blackbolt to stop the war, which he denied. The Shi'ar team then became separated from Warlock, who was transported on to a Shi'ar vessel and attacked by Vulcan. The rest of the Shi'ar Team worked with the Starjammers to free Lilandra Emperor Vulcan.

 

But negotiations soon failed and the team found itself in between a battle with the Inhumans and the Imperial Guard. The War of Kings ended with a massive fissure in space-time known as the Fault. To stop it's expansion, Adam Warlock overlapped the timestreams, which caused him to become Magus, subsequently attacking the team. Drax tried to rip out Magus' heart as he did Thanos, but Magus didn't have a heart and was able to shrug Drax off. Eventually, Magus was defeated, but at a massive cost to the team. Six members perished and Drax returned with the team to Knowhere, having paid a high price for their victory. Or so they were led to believe. Magus actually captured the fallen members who were later escaped. But during the escape they uncovered something long predicted - Drax's purpose in life was now renewed as Thanos came back from Death's realm.

 

The Thanos Imperative

 

It seemed that Thanos had been brought back for a purpose. The evil inhabitants of the Cancerverse, a twisted universe located on the other side of the Fault, were attempting to kill Death and turn all conquered universes into corrupted universes filled with life. Much to Drax's disagreement, Starlord formed a plan around Thanos and the team went into the Cancerverse.

 

Once in the Cancerverse, Drax became overwhelmed with his hatred and disgust for Thanos. Against his orders, Drax attacked Thanos and stuck a detonator to his chest, vaporizing Thanos to a skeleton. As Starlord argued with Drax for ruining their only hope of saving the universe, Thanos slowly and painfully reformed, having been barred from Death once again. Drax attacked a second time but this time Thanos did the vaporizing, claiming that his reasoning was not a personal issue of revenge.

 

Star-Lord and Nova held back Thanos long enough for the rift to the Cancerverse to close. Because nothing dies in the Cancerverse, Drax returned and continued to fight alongside his friends. Eventually, Nova would combine the power of the Cosmic Cube with his Nova force to open a gate back to their own dimension. Star-Lord, Drax, and accidentally, Thanos were able to return home, stranding Nova for now.

 

Powers & Abilities

 

After his death at the hands of Thanos, Kronos used his cosmic power to fuse Arthur Douglas' soul to a new body formed from Earth's soil. This body possessed a variety of super-human abilities. The Destroyer's body, while inhabited by Drax's spirit, was nearly invulnerable to all forms of physical injury. Drax's powers at this point included super strength, tremendous resilience, flight, and the ability to project concussive blasts of cosmic energy from his hands, as well as the ability to survive, and travel, at high speeds in outer space, as well hyperspace, without air, food, or water. Drax could harness his cosmic energy and project it through his arms as concussive blasts. The maximum amount of force Drax is able to project is unknown. However, he can project enough energy to shatter large, ferrous meteors. Drax also possessed the ability to sense the presence of Thanos across vast distances.

 

Second Return

 

When Drax was later restored, his physical might increased, but suffered severe mental disability in his new incarnation. Instead of his ability to sense Thanos across vast distances, Drax possessed the ability to sense when beings were in recent contact with Thanos, and a precognitive ability to sense when beings will be in contact with Thanos in the near future. Drax's strength was comparable to that of the Hulk, but lacking the latter's rage-fueled potential.

 

With the Power Gem, Drax was a truly unstoppable force with limitless strength. He subconsciously used the Power Gem to tap into it's power and grew stronger and stronger.

 

Current Powers

 

As of the 2006 " Annihilation" mini-series, Drax had again died and undergone a rebirth, appearing to have lost some of his strength and resilience, as well as his ability to fly and shoot cosmic energy blasts. However, his intellect returned to its original level and had taken a liking to using knives in battle. After his rebirth, he did display some psionic ability. He entered the mind of the human girl, Cammi, that was with him during his death and rebirth. He used her memories to reconstruct the events leading up to and following his death.

 

Drax has proven to have a superhuman olfactory senses. During the Annihilation event he was able to determine that Nova was a human like Cammi by sheer smell alone. Drax had also used this ability to recognize when weapons were about to be discharged in his area. In the Guardians of the Galaxy #5, he was asked if this acute sense had picked up any of the cloaked Skrulls.

 

In issue #4 of "Annihilation" Drax displayed an ability unseen in any of his previous incarnations; while in close proximity to Thanos' body, his own body emitted a strange, form-fitting aura. Shortly thereafter, he punched straight through the Thanos' chest with a single blow.

 

The full extent of Drax's powers after his most recent rebirth are unknown at this time.

 

Abilities

 

Drax is a more than proficient in combat, which was especially true in his original and more powerful incarnation. In Guardians of the Galaxy #5, Drax was said to have mastered the alien martial art form called "Dwi Theet". He used this to defeat Impact, a master in six different martial arts, with ease. In his normal life Arthur Douglas was skilled in playing the saxophone.

 

Strength levels

 

Drax's original form possessed superhuman strength, allowing him to lift (press) 40 tons. Following his fall and subsequent return, his strength increased to Class 100 level, allowing him to lift (press) 100 tons. With the Infinity Gem, his strength was raised even further, able to lift well in excess of 100 tons. As a result of his recent rebirth (shortly before Annihilation), Drax's strength appeared to have diminished somewhat, to what degree is unknown. The Marvel Power grid places his current strength at being able to lift over 75 tons and up to 100 tons.

 

Equipment

 

Drax currently carries a pair of knives made from unknown material. As a member of the Infinity Watch, Drax once wielded the Power Gem.

  

⚡ Happy 🎯 Heroclix 💫 Friday! 👽

_____________________________

 

A year of the shows and performers of the Bijou Planks Theater.

 

Secret Identity: Arthur Sampson Douglas

 

Publisher: Marvel

 

First Appearance: The Invincible Iron Man #55 (February 1973)

 

Created by: Jim Starlin (writer and artist)

deadlyreign.wordpress.com/2015/01/17/cant-relate/

Today in Ireland and in the US new regulations relating to drones has been introduced [effective from the 21st of December 2015]. There are many similarities in the regulations but there is one major differences in that here in Ireland they have not mention the penalties for failure to register but in the US the cost of failure to register appears to be rather extreme … “civil penalties up to $27,500, or criminal penalties up to 3 years in prison and $250,000.” According to the minister the aim here in Ireland is to encourage drone users to be responsible citizens.

  

I have included the press releases from both administrations, have a read and see what you think.

  

Thursday, 17th December 2015: The Irish Aviation Authority (IAA) today announced a new drone regulation which includes the mandatory registration of all drones weighing 1kg or more from Monday, 21st December 2015.

 

The use of drones worldwide is expanding rapidly and there are estimated to be between 4,000 – 5,000 drones already in use in Ireland. Ireland has taken a proactive role in this fast emerging area and is currently one of only a handful of EU Member states that has legislation governing the use of drones.

 

The new legislation is intended to further enhance safety within Ireland and specifically addresses the safety challenges posed by drones.

 

From 21st December 2015, all drones weighing 1kg or more must be registered with the IAA via www.iaa.ie/drones. Drone registration is a simple two-step process. To register a drone, the registrant must be 16 years of age or older (Drones operated by those under 16 years of age must be registered by a parent or legal guardian). A nominal fee will apply from February 2016 but this has been initially waived by the IAA in order to encourage early registration.

  

Mr Ralph James, IAA Director of Safety Regulation, said

 

“Ireland is already recognised worldwide as a centre of excellence for civil aviation and the drone sector presents another major opportunity for Ireland. We’re closely working with industry to facilitate its successful development here. At the same time, safety is our top priority and we must ensure that drones are used in a safe way and that they do not interfere with all other forms of aviation.

 

Mr James explained that drone registration has been made a mandatory requirement as this will help the IAA to monitor the sector in the years ahead. The IAA encourages all drone operators to take part in training courses which are available through a number of approved drone training organisations.

 

“We would strongly encourage drone operators to register with us as quickly as possible, to complete a training course and to become aware of their responsibilities. People operating drones must do so in safe and responsible manner and in full compliance with the new regulations”, he said.

 

Welcoming the introduction of drone regulation, Minister for Transport, Tourism and Sport, Paschal Donohoe TD highlighted the importance of the new legislation and commended the IAA for the efficient manner to have the new registration system in place so quickly.

 

“The core safety message promoted today advocates the safe use of drones in civilian airspace. The development of drone technology brings opportunities as well as challenges for businesses and services in Ireland. I expect hundreds if not thousands of drones to be bought as presents this Christmas so getting the message to ensure that new owners and operators are aware of their responsibilities and the requirement to register all drones over 1 kg from 21st December 2015 is key. Tremendous potential exists for this sector and Ireland is at the forefront of its development. The speedy response by the IAA to this fast developing aviation area will make sure that drones are properly regulated and registered for use. As a result, Ireland is well placed to exploit the drone sector and to ensure industry growth in this area,” he said.

  

The new legislation prohibits users from operating their drones in an unsafe manner. This includes never operating a drone:

 

• if it will be a hazard to another aircraft in flight

• over an assembly of people

• farther than 300m from the operator

• within 120m of any person, vessel or structure not under the operator’s control

• closer than 5km from an aerodrome

• in a negligent or reckless manner so as to endanger life or property of others

• over 400ft (120m) above ground level

• over urban areas

• in civil of military controlled airspace

• in restricted areas (e.g. military installations, prisons, etc.)

• unless the operator has permission from the landowner for takeoff and landing.

  

For further information please visit www.iaa.ie/drones and see the IAA’s detailed Q&A sheet.

  

The Federal Aviation Administration has officially launched the drone registration program first reported in October. Drone operators are required to register their UAVs with the Unmanned Aircraft System registry starting December 21. Failure to register could result in criminal and civil penalties.

 

Under the new system, all aircraft must be registered with the FAA including those 'operated by modelers and hobbyists.' Once registered, drone operators must carry the registration certificate during operation. This new system only applies to drones weighing more than 0.55lbs/250g and less than 55lbs/25kg. The only exception to the registration requirement is indoor drone flights.

 

Required registration information includes a mailing address and physical address, email address, and full names; however, no information on the drone's make, model, or serial number is required from recreational users. Non-recreational users will need to provide drone information, including serial number, when that particular registration system goes live.

 

Failure to register could result in civil penalties up to $27,500, or criminal penalties up to 3 years in prison and $250,000. A $5 registration charge is applied, but will be refunded to those who register before January 20. The registration certificate is sent in an email to be printed at home.

So if anyone knows me, they know I do not like Lammily despite me being someone who desires diversity in dolls, and as someone who supports feminist issues and addressing the problems relating to how we treat women as a society.

 

The biggest issue is that there was no clear influence of women at the forefront of this doll, and if any media interviews or advertising happening, it was always Lamm at the forefront. And the fact is, this doll is fundamentally badly designed as a doll.

 

My opinion is, if you are going to make a political statement about women’s issues using dolls as your medium, you’ll need knowledge of dolls from a design perspective AND women at the forefront of your design otherwise it comes off as hollow and cheap on multiple fronts.

 

I had no desire to even own one but I’ve been following this Lammily auction for awhile until it was $10 so I got her since she was in my state. Ironically she took 5 days to get in what would have been a 20 minute trip.

 

The best aspects of this doll has to be the fact the packaging is really nice and the clothing is well designed with nice details and fabric that feels in scale. But… the fact is the drawing of Lammily is significantly slimmer and better proportioned than the doll speaks volumes about the disparity about the idea and reality of the doll.

 

The first thing I noticed when I took this doll out of the box is the fact she’s held in with wires and her hair is stitched onto a plastic which are both things I haven’t seen in modern doll packaging in almost a decade. But whereas 2000s Barbies’ hair can be freed if you just pull the two plastic strips apart, Lammily’s plastic strip tore around the stitching and I needed to carefully snip the stitching to free her hair.

 

Her hair quality is comparable to Sparkle Girls’ nylon (and other higher quality clone doll hair), which is a thick fibre, but it’s heavily prone to drying out, frizzing and not conductive to hair playing in general. In fact there was already a huge frizzed snag the moment I freed her hair.

 

Her ankle joints are not only weak, but from the design of them, are very poor. There’s excess flash on the joint so you need to trim off the excess plastic before posing it properly. But due to how thin and tiny the joint is, it’s impossible to get subtle movement on the ankle due to how often it gets “stuck” and they pop out easily due to the peg just plugging into the soft vinyl leg instead of a stiff ankle socket. If it had a much bigger ankle joint I could probably stand her up easier, but right now I can’t even even get her to lean on a wall without her falling over.

 

Due to the width of the legs she can only manage one knee click, which isn’t worth the issues of vinyl legs like this. Having one click knees isn’t worth having sticky vinyl legs, weak ankles and impossible to dress legs just because your 3D render showed her doing much more.

 

Despite Lamm just warping a Barbie doll to have these proportions, Lammily’s hip joints are simple V cut joints, meaning there is NO subtlety in how you position her legs when she sits. She sits like a drunken sailor cuz it isn’t a ball and socket joint like literally every other fashion doll produced in the last ten years, or at least with the T cut joints so her legs moves forwards instead of outwards.

 

Her arms can only manage two clicks, but the elbows are in the forearm area instead of…. the elbow area. Her hands pose a bit better, but again, due to the wrist pegs being plugged into soft vinyl, they fall out easily.

 

And… aesthetically, it’s very much a mathematician doing an artist’s job. Despite Lamm using the average measurements (instead of the median measurements) or just picking an actual body type, Lammily ends up looking like a shapeless, out of proportion mess.

 

Her arms should not be so short next to her torso, or her legs being so dwarven, and the fact of the ankles being so thin and the neck being so short despite her having a huge fashion doll head. This doesn’t take into account of how her body would need to be adjusted to make redressing intuitive for children either.

 

All in all, this doll really needed to have gone through several prototypes first. All of these structural, engineering and design issues could have been solved if Lamm marketed this doll after the prototype stage instead of basing everything on a 3d Render.

 

Even as someone with a diverse and eclectic doll collection as mine, I can’t in good faith recommend this doll to anyone especially at her $25 pricepoint. It’s so structurally flawed as a doll, and as a body positive model it’s quite rudimentary and potentially damaging to tell children THIS is what an average woman looks like when she’s so far removed from reality.

 

It fails as a toy, and it fails to buck the trend of our image obsessed society as it shifts the goalposts of acceptable beauty standards rather than changing the focus of our self esteem from our physical appearance to our inner beauty.

Shiva, meaning "The Auspicious One"), also known as Mahadeva ("Great God"), is a popular Hindu deity. Shiva is regarded as one of the primary forms of God. He is the Supreme God within Shaivism, one of the three most influential denominations in contemporary Hinduism. He is one of the five primary forms of God in the Smarta tradition, and "the Destroyer" or "the Transformer" among the Trimurti, the Hindu Trinity of the primary aspects of the divine.

 

Shiva has many benevolent and fearsome forms. At the highest level Shiva is limitless, transcendent, unchanging and formless. In benevolent aspects, he is depicted as an omniscient Yogi who lives an ascetic life on Mount Kailash, as well as a householder with wife Parvati and his two children, Ganesha and Kartikeya and in fierce aspects, he is often depicted slaying demons. Shiva is also regarded as the patron god of yoga and arts.

 

The main iconographical attributes of Shiva are the third eye on his forehead, the snake Vasuki around his neck, the crescent moon adorning, the holy river Ganga flowing from his matted hair, the trishula as his weapon and the damaru as his instrument.

 

Shiva is usually worshiped in the aniconic form of Lingam. Temples of Lord Shiva are called shivalayam.

 

ETYMOLOGY & OTHER NAMES

The Sanskrit word Shiva (Devanagari: शिव, śiva) comes from Shri Rudram Chamakam of Taittiriya Samhita (TS 4.5, 4.7) of Krishna Yajurveda. The root word śi means auspicious. In simple English transliteration it is written either as Shiva or Siva. The adjective śiva, is used as an attributive epithet not particularly of Rudra, but of several other Vedic deities.

 

The other popular names associated with Shiva are Mahadev, Mahesh, Maheshwar, Shankar, Shambhu, Rudra, Har, Trilochan, Devendra (meaning Chief of the gods) and Trilokinath (meaning Lord of the three realms).

 

The Sanskrit word śaiva means "relating to the God Shiva", and this term is the Sanskrit name both for one of the principal sects of Hinduism and for a member of that sect. It is used as an adjective to characterize certain beliefs and practices, such as Shaivism. He is the oldest worshipped Lord of India.

 

The Tamil word Sivan, Tamil: சிவன் ("Fair Skinned") could have been derived from the word sivappu. The word 'sivappu' means "red" in Tamil language but while addressing a person's skin texture in Tamil the word 'Sivappu' is used for being Fair Skinned.

 

Adi Sankara, in his interpretation of the name Shiva, the 27th and 600th name of Vishnu sahasranama, the thousand names of Vishnu interprets Shiva to have multiple meanings: "The Pure One", or "the One who is not affected by three Gunas of Prakrti (Sattva, Rajas, and Tamas)" or "the One who purifies everyone by the very utterance of His name."Swami Chinmayananda, in his translation of Vishnu sahasranama, further elaborates on that verse: Shiva means "the One who is eternally pure" or "the One who can never have any contamination of the imperfection of Rajas and Tamas".

 

Shiva's role as the primary deity of Shaivism is reflected in his epithets Mahādeva ("Great God"; mahā "Great" and deva "god"), Maheśvara ("Great Lord"; mahā "great" and īśvara "lord"), and Parameśvara ("Supreme Lord").

 

There are at least eight different versions of the Shiva Sahasranama, devotional hymns (stotras) listing many names of Shiva. The version appearing in Book 13 (Anuśāsanaparvan) of the Mahabharata is considered the kernel of this tradition. Shiva also has Dasha-Sahasranamas (10,000 names) that are found in the Mahanyasa. The Shri Rudram Chamakam, also known as the Śatarudriya, is a devotional hymn to Shiva hailing him by many names.

 

The worship of Shiva is a pan-Hindu tradition, practiced widely across all of India, Nepal and Sri Lanka.

 

ASSIMILATION OF TRADITIONS

The figure of Shiva as we know him today was built up over time, with the ideas of many regional sects being amalgamated into a single figure. How the persona of Shiva converged as a composite deity is not well documented. According to Vijay Nath:

 

Visnu and Siva [...] began to absorb countless local cults and deities within their folds. The latter were either taken to represent the multiple facets of the same god or else were supposed to denote different forms and appellations by which the god came to be known and worshipped. [...] Siva became identified with countless local cults by the sheer suffixing of Isa or Isvara to the name of the local deity, e.g., Bhutesvara, Hatakesvara, Chandesvara."

 

Axel Michaels the Indologist suggests that Shaivism, like Vaishnavism, implies a unity which cannot be clearly found either in religious practice or in philosophical and esoteric doctrine. Furthermore, practice and doctrine must be kept separate.

 

An example of assimilation took place in Maharashtra, where a regional deity named Khandoba is a patron deity of farming and herding castes. The foremost center of worship of Khandoba in Maharashtra is in Jejuri. Khandoba has been assimilated as a form of Shiva himself, in which case he is worshipped in the form of a lingam. Khandoba's varied associations also include an identification with Surya and Karttikeya.

 

INDUS VALLEY ORIGINS

Many Indus valley seals show animals but one seal that has attracted attention shows a figure, either horned or wearing a horned headdress and possibly ithyphallic figure seated in a posture reminiscent of the Lotus position and surrounded by animals was named by early excavators of Mohenjo-daro Pashupati (lord of cattle), an epithet of the later Hindu gods Shiva and Rudra. Sir John Marshall and others have claimed that this figure is a prototype of Shiva and have described the figure as having three faces seated in a "yoga posture" with the knees out and feet joined.

 

This claim has been criticised, with some academics like Gavin Flood and John Keay characterizing them as unfounded. Writing in 1997 Doris Srinivasan said that "Not too many recent studies continue to call the seal's figure a 'Proto-Siva'", rejecting thereby Marshall's package of proto-Siva features, including that of three heads. She interprets what John Marshall interpreted as facial as not human but more bovine, possibly a divine buffalo-man. According to Iravatham Mahadevan symbols 47 and 48 of his Indus script glossary The Indus Script: Texts, Concordance and Tables (1977), representing seated human-like figures, could describe Hindu deity Murugan, popularly known as Shiva and Parvati's son.

 

INDO-EUROPEAN ORIGINS

Shiva's rise to a major position in the pantheon was facilitated by his identification with a host of Vedic deities, including Purusha, Rudra, Agni, Indra, Prajāpati, Vāyu, and others.

 

RUDRA

Shiva as we know him today shares many features with the Vedic god Rudra, and both Shiva and Rudra are viewed as the same personality in Hindu scriptures. The two names are used synonymously. Rudra, the god of the roaring storm, is usually portrayed in accordance with the element he represents as a fierce, destructive deity.

 

The oldest surviving text of Hinduism is the Rig Veda, which is dated to between 1700 and 1100 BCE based on linguistic and philological evidence. A god named Rudra is mentioned in the Rig Veda. The name Rudra is still used as a name for Shiva. In RV 2.33, he is described as the "Father of the Rudras", a group of storm gods. Furthermore, the Rudram, one of the most sacred hymns of Hinduism found both in the Rig and the Yajur Vedas and addressed to Rudra, invokes him as Shiva in several instances, but the term Shiva is used as an epithet for the gods Indra, Mitra and Agni many times. Since Shiva means pure, the epithet is possibly used to describe a quality of these gods rather than to identify any of them with the God Shiva.

 

The identification of Shiva with the older god Rudhra is not universally accepted, as Axel Michaels explains:

 

Rudra is called "The Archer" (Sanskrit: Śarva), and the arrow is an essential attribute of Rudra. This name appears in the Shiva Sahasranama, and R. K. Sharma notes that it is used as a name of Shiva often in later languages.

 

The word is derived from the Sanskrit root śarv-, which means "to injure" or "to kill", and Sharma uses that general sense in his interpretive translation of the name Śarva as "One who can kill the forces of darkness". The names Dhanvin ("Bowman") and Bāṇahasta ("Archer", literally "Armed with arrows in his hands") also refer to archery.

 

AGNI

Rudra and Agni have a close relationship. The identification between Agni and Rudra in the Vedic literature was an important factor in the process of Rudra's gradual development into the later character as Rudra-Shiva. The identification of Agni with Rudra is explicitly noted in the Nirukta, an important early text on etymology, which says, "Agni is also called Rudra." The interconnections between the two deities are complex, and according to Stella Kramrisch:

 

The fire myth of Rudra-Śiva plays on the whole gamut of fire, valuing all its potentialities and phases, from conflagration to illumination.

 

In the Śatarudrīya, some epithets of Rudra, such as Sasipañjara ("Of golden red hue as of flame") and Tivaṣīmati ("Flaming bright"), suggest a fusing of the two deities. Agni is said to be a bull, and Lord Shiva possesses a bull as his vehicle, Nandi. The horns of Agni, who is sometimes characterized as a bull, are mentioned. In medieval sculpture, both Agni and the form of Shiva known as Bhairava have flaming hair as a special feature.

 

INDRA

According to Wendy Doniger, the Puranic Shiva is a continuation of the Vedic Indra. Doniger gives several reasons for his hypothesis. Both are associated with mountains, rivers, male fertility, fierceness, fearlessness, warfare, transgression of established mores, the Aum sound, the Supreme Self. In the Rig Veda the term śiva is used to refer to Indra. (2.20.3, 6.45.17, and 8.93.3.) Indra, like Shiva, is likened to a bull. In the Rig Veda, Rudra is the father of the Maruts, but he is never associated with their warlike exploits as is Indra.

 

The Vedic beliefs and practices of the pre-classical era were closely related to the hypothesised Proto-Indo-European religion, and the Indo-Iranian religion. According to Anthony, the Old Indic religion probably emerged among Indo-European immigrants in the contact zone between the Zeravshan River (present-day Uzbekistan) and (present-day) Iran. It was "a syncretic mixture of old Central Asian and new Indo-European elements", which borrowed "distinctive religious beliefs and practices" from the Bactria–Margiana Culture. At least 383 non-Indo-European words were borrowed from this culture, including the god Indra and the ritual drink Soma. According to Anthony,

 

Many of the qualities of Indo-Iranian god of might/victory, Verethraghna, were transferred to the adopted god Indra, who became the central deity of the developing Old Indic culture. Indra was the subject of 250 hymns, a quarter of the Rig Veda. He was associated more than any other deity with Soma, a stimulant drug (perhaps derived from Ephedra) probably borrowed from the BMAC religion. His rise to prominence was a peculiar trait of the Old Indic speakers.

 

LATER VEDIC LITERATURE

Rudra's transformation from an ambiguously characterized deity to a supreme being began in the Shvetashvatara Upanishad (400-200 BCE), which founded the tradition of Rudra-Shiva worship. Here they are identified as the creators of the cosmos and liberators of souls from the birth-rebirth cycle. The period of 200 BCE to 100 CE also marks the beginning of the Shaiva tradition focused on the worship of Shiva, with references to Shaiva ascetics in Patanjali's Mahabhasya and in the Mahabharata.

 

Early historical paintings at the Bhimbetka rock shelters, depict Shiva dancing, Shiva's trident, and his mount Nandi but no other Vedic gods.

 

PURANIC LITERATURE

The Shiva Puranas, particularly the Shiva Purana and the Linga Purana, discuss the various forms of Shiva and the cosmology associated with him.

 

TANTRIC LITERATURE

The Tantras, composed between the 8th and 11th centuries, regard themselves as Sruti. Among these the Shaiva Agamas, are said to have been revealed by Shiva himself and are foundational texts for Shaiva Siddhanta.

 

POSITION WITHIN HINDUISM

 

SHAIVISM

Shaivism (Sanskrit: शैव पंथ, śaiva paṁtha) (Kannada: ಶೈವ ಪಂಥ) (Tamil: சைவ சமயம்) is the oldest of the four major sects of Hinduism, the others being Vaishnavism, Shaktism and Smartism. Followers of Shaivism, called "Shaivas", and also "Saivas" or "Saivites", revere Shiva as the Supreme Being. Shaivas believe that Shiva is All and in all, the creator, preserver, destroyer, revealer and concealer of all that is. The tantric Shaiva tradition consists of the Kapalikas, Kashmir Shaivism and Shaiva Siddhanta. The Shiva MahaPurana is one of the purāṇas, a genre of Hindu religious texts, dedicated to Shiva. Shaivism is widespread throughout India, Nepal, and Sri Lanka, mostly. Areas notable for the practice of Shaivism include parts of Southeast Asia, especially Malaysia, Singapore, and Indonesia.

 

PANCHAYATANA PUJA

Panchayatana puja is the system of worship ('puja') in the Smarta sampradaya of Hinduism. It is said to have been introduced by Adi Shankara, the 8th century CE Hindu philosopher. It consists of the worship of five deities: Shiva, Vishnu, Devi, Surya and Ganesha. Depending on the tradition followed by Smarta households, one of these deities is kept in the center and the other four surround it. Worship is offered to all the deities. The five are represented by small murtis, or by five kinds of stones, or by five marks drawn on the floor.

 

TRIMURTI

The Trimurti is a concept in Hinduism in which the cosmic functions of creation, maintenance, and destruction are personified by the forms of Brahmā the creator, Vishnu the maintainer or preserver and Śhiva the destroyer or transformer. These three deities have been called "the Hindu triad" or the "Great Trinity", often addressed as "Brahma-Vishnu-Maheshwara."

 

ICONOGRAPHY AND PROPERTIES

 

ATTRIBUTES

Shiva's form: Shiva has a trident in the right lower arm, and a crescent moon on his head. He is said to be fair like camphor or like an ice clad mountain. He wears five serpents and a garland of skulls as ornaments. Shiva is usually depicted facing the south. His trident, like almost all other forms in Hinduism, can be understood as the symbolism of the unity of three worlds that a human faces - his inside world, his immediate world, and the broader overall world. At the base of the trident, all three forks unite.

 

Third eye: (Trilochana) Shiva is often depicted with a third eye, with which he burned Desire (Kāma) to ashes, called "Tryambakam" (Sanskrit: त्र्यम्बकम् ), which occurs in many scriptural sources. In classical Sanskrit, the word ambaka denotes "an eye", and in the Mahabharata, Shiva is depicted as three-eyed, so this name is sometimes translated as "having three eyes". However, in Vedic Sanskrit, the word ambā or ambikā means "mother", and this early meaning of the word is the basis for the translation "three mothers". These three mother-goddesses who are collectively called the Ambikās. Other related translations have been based on the idea that the name actually refers to the oblations given to Rudra, which according to some traditions were shared with the goddess Ambikā. It has been mentioned that when Shiva loses his temper, his third eye opens which can destroy most things to ashes.

 

Crescent moon: (The epithets "Chandrasekhara/Chandramouli") - Shiva bears on his head the crescent moon. The epithet Candraśekhara (Sanskrit: चन्द्रशेखर "Having the moon as his crest" - candra = "moon"; śekhara = "crest, crown") refers to this feature. The placement of the moon on his head as a standard iconographic feature dates to the period when Rudra rose to prominence and became the major deity Rudra-Shiva. The origin of this linkage may be due to the identification of the moon with Soma, and there is a hymn in the Rig Veda where Soma and Rudra are jointly implored, and in later literature, Soma and Rudra came to be identified with one another, as were Soma and the moon. The crescent moon is shown on the side of the Lord's head as an ornament. The waxing and waning phenomenon of the moon symbolizes the time cycle through which creation evolves from the beginning to the end.

 

Ashes: (The epithet "Bhasmaanga Raaga") - Shiva smears his body with ashes (bhasma). The ashes are said to represent the end of all material existence. Some forms of Shiva, such as Bhairava, are associated with a very old Indian tradition of cremation-ground asceticism that was practiced by some groups who were outside the fold of brahmanic orthodoxy. These practices associated with cremation grounds are also mentioned in the Pali canon of Theravada Buddhism. One epithet for Shiva is "inhabitant of the cremation ground" (Sanskrit: śmaśānavāsin, also spelled Shmashanavasin), referring to this connection.

 

Matted hair: (The epithet "Jataajoota Dhari/Kapardina") - Shiva's distinctive hair style is noted in the epithets Jaṭin, "the one with matted hair", and Kapardin, "endowed with matted hair" or "wearing his hair wound in a braid in a shell-like (kaparda) fashion". A kaparda is a cowrie shell, or a braid of hair in the form of a shell, or, more generally, hair that is shaggy or curly. His hair is said to be like molten gold in color or being yellowish-white.

 

Blue throat: The epithet Nīlakaṇtha (Sanskrit नीलकण्ठ; nīla = "blue", kaṇtha = "throat"). Since Shiva drank the Halahala poison churned up from the Samudra Manthan to eliminate its destructive capacity. Shocked by his act, Goddess Parvati strangled his neck and hence managed to stop it in his neck itself and prevent it from spreading all over the universe, supposed to be in Shiva's stomach. However the poison was so potent that it changed the color of his neck to blue. (See Maha Shivaratri.)

 

Sacred Ganges: (The epithet "Gangadhara") Bearer of Ganga. Ganges river flows from the matted hair of Shiva. The Gaṅgā (Ganges), one of the major rivers of the country, is said to have made her abode in Shiva's hair. The flow of the Ganges also represents the nectar of immortality.

 

Tiger skin: (The epithet "Krittivasana").He is often shown seated upon a tiger skin, an honour reserved for the most accomplished of Hindu ascetics, the Brahmarishis.

 

Serpents: (The epithet "Nagendra Haara" or 'Vasoki"). Shiva is often shown garlanded with a snake.

 

Deer: His holding deer on one hand indicates that He has removed the Chanchalata of the mind (i.e., attained maturity and firmness in thought process). A deer jumps from one place to another swiftly, similar to the mind moving from one thought to another.

 

Trident: (Trishula): Shiva's particular weapon is the trident. His Trisul that is held in His right hand represents the three Gunas— Sattva, Rajas and Tamas. That is the emblem of sovereignty. He rules the world through these three Gunas. The Damaru in His left hand represents the Sabda Brahman. It represents OM from which all languages are formed. It is He who formed the Sanskrit language out of the Damaru sound.

 

Drum: A small drum shaped like an hourglass is known as a damaru (ḍamaru). This is one of the attributes of Shiva in his famous dancing representation known as Nataraja. A specific hand gesture (mudra) called ḍamaru-hasta (Sanskrit for "ḍamaru-hand") is used to hold the drum. This drum is particularly used as an emblem by members of the Kāpālika sect.

 

Axe: (Parashu):The parashu is the weapon of Lord Shiva who gave it to Parashurama, sixth Avatar of Vishnu, whose name means "Rama with the axe" and also taught him its mastery.

 

Nandī: (The epithet "Nandi Vaahana").Nandī, also known as Nandin, is the name of the bull that serves as Shiva's mount (Sanskrit: vāhana). Shiva's association with cattle is reflected in his name Paśupati, or Pashupati (Sanskrit: पशुपति), translated by Sharma as "lord of cattle" and by Kramrisch as "lord of animals", who notes that it is particularly used as an epithet of Rudra. Rishabha or the bull represents Dharma Devata. Lord Siva rides on the bull. Bull is his vehicle. This denotes that Lord Siva is the protector of Dharma, is an embodiment of Dharma or righteousness.

 

Gaṇa: The Gaṇas (Devanagari: गण) are attendants of Shiva and live in Kailash. They are often referred to as the bhutaganas, or ghostly hosts, on account of their nature. Generally benign, except when their lord is transgressed against, they are often invoked to intercede with the lord on behalf of the devotee. Ganesha was chosen as their leader by Shiva, hence Ganesha's title gaṇa-īśa or gaṇa-pati, "lord of the gaṇas".

 

Mount Kailāsa: Mount Kailash in the Himalayas is his traditional abode. In Hindu mythology, Mount Kailāsa is conceived as resembling a Linga, representing the center of the universe.

 

Varanasi: Varanasi (Benares) is considered to be the city specially loved by Shiva, and is one of the holiest places of pilgrimage in India. It is referred to, in religious contexts, as Kashi.

 

LINGAM

Apart from anthropomorphic images of Shiva, the worship of Shiva in the form of a lingam, or linga, is also important. These are depicted in various forms. One common form is the shape of a vertical rounded column. Shiva means auspiciousness, and linga means a sign or a symbol. Hence, the Shivalinga is regarded as a "symbol of the great God of the universe who is all-auspiciousness". Shiva also means "one in whom the whole creation sleeps after dissolution". Linga also means the same thing—a place where created objects get dissolved during the disintegration of the created universe. Since, according to Hinduism, it is the same god that creates, sustains and withdraws the universe, the Shivalinga represents symbolically God Himself. Some scholars, such as Monier Monier-Williams and Wendy Doniger, also view linga as a phallic symbol, although this interpretation is disputed by others, including Christopher Isherwood, Vivekananda, Swami Sivananda, and S.N. Balagangadhara.

 

JYOTIRLINGA

The worship of the Shiva-Linga originated from the famous hymn in the Atharva-Veda Samhitâ sung in praise of the Yupa-Stambha, the sacrificial post. In that hymn, a description is found of the beginningless and endless Stambha or Skambha, and it is shown that the said Skambha is put in place of the eternal Brahman. Just as the Yajna (sacrificial) fire, its smoke, ashes, and flames, the Soma plant, and the ox that used to carry on its back the wood for the Vedic sacrifice gave place to the conceptions of the brightness of Shiva's body, his tawny matted hair, his blue throat, and the riding on the bull of the Shiva, the Yupa-Skambha gave place in time to the Shiva-Linga. In the text Linga Purana, the same hymn is expanded in the shape of stories, meant to establish the glory of the great Stambha and the superiority of Shiva as Mahadeva.

 

The sacred of all Shiva linga is worshipped as Jyotir linga. Jyoti means Radiance, apart from relating Shiva linga as a phallus symbol, there are also arguments that Shiva linga means 'mark' or a 'sign'. Jyotirlinga means "The Radiant sign of The Almighty". The Jyotirlingas are mentioned in Shiva Purana.

 

SHAKTI

Shiva forms a Tantric couple with Shakti [Tamil : சக்தி ], the embodiment of energy, dynamism, and the motivating force behind all action and existence in the material universe. Shiva is her transcendent masculine aspect, providing the divine ground of all being. Shakti manifests in several female deities. Sati and Parvati are the main consorts of Shiva. She is also referred to as Uma, Durga (Parvata), Kali and Chandika. Kali is the manifestation of Shakti in her dreadful aspect. The name Kali comes from kāla, which means black, time, death, lord of death, Shiva. Since Shiva is called Kāla, the eternal time, Kālī, his consort, also means "Time" or "Death" (as in "time has come"). Various Shakta Hindu cosmologies, as well as Shākta Tantric beliefs, worship her as the ultimate reality or Brahman. She is also revered as Bhavatārini (literally "redeemer of the universe"). Kālī is represented as the consort of Lord Shiva, on whose body she is often seen standing or dancing. Shiva is the masculine force, the power of peace, while Shakti translates to power, and is considered as the feminine force. In the Vaishnava tradition, these realities are portrayed as Vishnu and Laxmi, or Radha and Krishna. These are differences in formulation rather than a fundamental difference in the principles. Both Shiva and Shakti have various forms. Shiva has forms like Yogi Raj (the common image of Himself meditating in the Himalayas), Rudra (a wrathful form) and Natarajar (Shiva's dance are the Lasya - the gentle form of dance, associated with the creation of the world, and the Tandava - the violent and dangerous dance, associated with the destruction of weary worldviews – weary perspectives and lifestyles).

 

THE FIVE MANTRAS

Five is a sacred number for Shiva. One of his most important mantras has five syllables (namaḥ śivāya).

 

Shiva's body is said to consist of five mantras, called the pañcabrahmans. As forms of God, each of these have their own names and distinct iconography:

 

Sadyojāta

Vāmadeva

Aghora

Tatpuruṣha

Īsāna

 

These are represented as the five faces of Shiva and are associated in various texts with the five elements, the five senses, the five organs of perception, and the five organs of action. Doctrinal differences and, possibly, errors in transmission, have resulted in some differences between texts in details of how these five forms are linked with various attributes. The overall meaning of these associations is summarized by Stella Kramrisch:

 

Through these transcendent categories, Śiva, the ultimate reality, becomes the efficient and material cause of all that exists.

 

According to the Pañcabrahma Upanishad:

 

One should know all things of the phenomenal world as of a fivefold character, for the reason that the eternal verity of Śiva is of the character of the fivefold Brahman. (Pañcabrahma Upanishad 31)

 

FORMES AND ROLES

According to Gavin Flood, "Shiva is a god of ambiguity and paradox," whose attributes include opposing themes.[168] The ambivalent nature of this deity is apparent in some of his names and the stories told about him.

 

DESTROYER AND BENEFACTOR

In the Yajurveda, two contrary sets of attributes for both malignant or terrific (Sanskrit: rudra) and benign or auspicious (Sanskrit: śiva) forms can be found, leading Chakravarti to conclude that "all the basic elements which created the complex Rudra-Śiva sect of later ages are to be found here". In the Mahabharata, Shiva is depicted as "the standard of invincibility, might, and terror", as well as a figure of honor, delight, and brilliance. The duality of Shiva's fearful and auspicious attributes appears in contrasted names.

 

The name Rudra (Sanskrit: रुद्र) reflects his fearsome aspects. According to traditional etymologies, the Sanskrit name Rudra is derived from the root rud-, which means "to cry, howl". Stella Kramrisch notes a different etymology connected with the adjectival form raudra, which means "wild, of rudra nature", and translates the name Rudra as "the wild one" or "the fierce god". R. K. Sharma follows this alternate etymology and translates the name as "terrible". Hara (Sanskrit: हर) is an important name that occurs three times in the Anushasanaparvan version of the Shiva sahasranama, where it is translated in different ways each time it occurs, following a commentorial tradition of not repeating an interpretation. Sharma translates the three as "one who captivates", "one who consolidates", and "one who destroys". Kramrisch translates it as "the ravisher". Another of Shiva's fearsome forms is as Kāla (Sanskrit: काल), "time", and as Mahākāla (Sanskrit: महाकाल), "great time", which ultimately destroys all things. Bhairava (Sanskrit: भैरव), "terrible" or "frightful", is a fierce form associated with annihilation.

 

In contrast, the name Śaṇkara (Sanskrit: शङ्कर), "beneficent" or "conferring happiness" reflects his benign form. This name was adopted by the great Vedanta philosopher Śaṇkara (c. 788 - 820 CE), who is also known as Shankaracharya. The name Śambhu (Sanskrit: शम्भु), "causing happiness", also reflects this benign aspect.

 

ASCETIC AND HOUSEHOLDER

He is depicted as both an ascetic yogi and as a householder, roles which have been traditionally mutually exclusive in Hindu society.[185] When depicted as a yogi, he may be shown sitting and meditating. His epithet Mahāyogi ("the great Yogi: Mahā = "great", Yogi = "one who practices Yoga") refers to his association with yoga. While Vedic religion was conceived mainly in terms of sacrifice, it was during the Epic period that the concepts of tapas, yoga, and asceticism became more important, and the depiction of Shiva as an ascetic sitting in philosophical isolation reflects these later concepts. Shiva is also depicted as a corpse below Goddess Kali, it represents that Shiva is a corpse without Shakti. He remains inert. While Shiva is the static form, Mahakali or Shakti is the dynamic aspect without whom Shiva is powerless.

 

As a family man and householder, he has a wife, Parvati and two sons, Ganesha and Kartikeya. His epithet Umāpati ("The husband of Umā") refers to this idea, and Sharma notes that two other variants of this name that mean the same thing, Umākānta and Umādhava, also appear in the sahasranama. Umā in epic literature is known by many names, including the benign Pārvatī. She is identified with Devi, the Divine Mother; Shakti (divine energy) as well as goddesses like Tripura Sundari, Durga, Kamakshi and Meenakshi. The consorts of Shiva are the source of his creative energy. They represent the dynamic extension of Shiva onto this universe. His son Ganesha is worshipped throughout India and Nepal as the Remover of Obstacles, Lord of Beginnings and Lord of Obstacles. Kartikeya is worshipped in Southern India (especially in Tamil Nadu, Kerala and Karnataka) by the names Subrahmanya, Subrahmanyan, Shanmughan, Swaminathan and Murugan, and in Northern India by the names Skanda, Kumara, or Karttikeya.

 

Some regional deities are also identified as Shiva's children. As one story goes, Shiva is enticed by the beauty and charm of Mohini, Vishnu's female avatar, and procreates with her. As a result of this union, Shasta - identified with regional deities Ayyappa and Ayyanar - is born. Shiva is also mentioned in some scriptures or folktales to have had daughters like the serpent-goddess Manasa and Ashokasundari. Even the demon Andhaka is sometimes considered a child of Shiva.

 

NATARAJA

he depiction of Shiva as Nataraja (Tamil: நடராஜா,Kannada: ನಟರಾಜ, Telugu: నటరాజు, Sanskrit: naṭarāja, "Lord of Dance") is popular. The names Nartaka ("dancer") and Nityanarta ("eternal dancer") appear in the Shiva Sahasranama. His association with dance and also with music is prominent in the Puranic period. In addition to the specific iconographic form known as Nataraja, various other types of dancing forms (Sanskrit: nṛtyamūrti) are found in all parts of India, with many well-defined varieties in Tamil Nadu in particular. The two most common forms of the dance are the Tandava, which later came to denote the powerful and masculine dance as Kala-Mahakala associated with the destruction of the world. When it requires the world or universe to be destroyed, Lord Śiva does it by the tāṇḍavanṛtya. and Lasya, which is graceful and delicate and expresses emotions on a gentle level and is considered the feminine dance attributed to the goddess Parvati. Lasya is regarded as the female counterpart of Tandava. The Tandava-Lasya dances are associated with the destruction-creation of the world.

 

DAKSHINAMURTHY

Dakshinamurthy, or Dakṣiṇāmūrti (Tamil:தட்சிணாமூர்த்தி, Telugu: దక్షిణామూర్తి, Sanskrit: दक्षिणामूर्ति), literally describes a form (mūrti) of Shiva facing south (dakṣiṇa). This form represents Shiva in his aspect as a teacher of yoga, music, and wisdom and giving exposition on the shastras. This iconographic form for depicting Shiva in Indian art is mostly from Tamil Nadu. Elements of this motif can include Shiva seated upon a deer-throne and surrounded by sages who are receiving his instruction.

 

ARDANARISHVARA

An iconographic representation of Shiva called (Ardhanārīśvara) shows him with one half of the body as male and the other half as female. According to Ellen Goldberg, the traditional Sanskrit name for this form (Ardhanārīśvara) is best translated as "the lord who is half woman", not as "half-man, half-woman". According to legend, Lord Shiva is pleased by the difficult austerites performed by the goddess Parvati, grants her the left half of his body. This form of Shiva is quite similar to the Yin-Yang philosophy of Eastern Asia, though Ardhanārīśvara appears to be more ancient.

 

TRIRUPANTAKA

Shiva is often depicted as an archer in the act of destroying the triple fortresses, Tripura, of the Asuras. Shiva's name Tripurantaka (Sanskrit: त्रिपुरान्तक, Tripurāntaka), "ender of Tripura", refers to this important story.[216] In this aspect, Shiva is depicted with four arms wielding a bow and arrow, but different from the Pinakapani murti. He holds an axe and a deer on the upper pair of his arms. In the lower pair of the arms, he holds a bow and an arrow respectively. After destroying Tripura, Tripurantaka Shiva smeared his forehead with three strokes of Ashes. This has become a prominent symbol of Shiva and is practiced even today by Shaivites.

 

OTHER FORMS, AVATARS IDENTIFICATIONS

Shiva, like some other Hindu deities, is said to have several incarnations, known as Avatars. Although Puranic scriptures contain occasional references to "ansh" avatars of Shiva, the idea is not universally accepted in Saivism. The Linga Purana speaks of twenty-eight forms of Shiva which are sometimes seen as avatars. According to the Svetasvatara Upanishad, he has four avatars.

 

In the Hanuman Chalisa, Hanuman is identified as the eleventh avatar of Shiva and this belief is universal. Hanuman is popularly known as “Rudraavtaar” “Rudra” being a name of “Shiva”. Rama– the Vishnu avatar is considered by some to be the eleventh avatar of Rudra (Shiva).

 

Other traditions regard the sage Durvasa, the sage Agastya, the philosopher Adi Shankara, as avatars of Shiva. Other forms of Shiva include Virabhadra and Sharabha.

 

FESTIVALS

Maha Shivratri is a festival celebrated every year on the 13th night or the 14th day of the new moon in the Shukla Paksha of the month of Maagha or Phalguna in the Hindu calendar. This festival is of utmost importance to the devotees of Lord Shiva. Mahashivaratri marks the night when Lord Shiva performed the 'Tandava' and it is the day that Lord Shiva was married to Parvati. The holiday is often celebrated with special prayers and rituals offered up to Shiva, notably the Abhishek. This ritual, practiced throughout the night, is often performed every three hours with water, milk, yogurt, and honey. Bel (aegle marmelos) leaves are often offered up to the Hindu god, as it is considered necessary for a successful life. The offering of the leaves are considered so important that it is believed that someone who offers them without any intentions will be rewarded greatly.

 

BEYOND HINDUISM

 

BUDDHISM

Shiva is mentioned in Buddhist Tantra. Shiva as Upaya and Shakti as Prajna. In cosmologies of buddhist tantra, Shiva is depicted as active, skillful, and more passive.

 

SIKHISM

The Japuji Sahib of the Guru Granth Sahib says, "The Guru is Shiva, the Guru is Vishnu and Brahma; the Guru is Paarvati and Lakhshmi." In the same chapter, it also says, "Shiva speaks, the Siddhas speak."

 

In Dasam Granth, Guru Gobind Singh have mentioned two avtars of Rudra: Dattatreya Avtar and Parasnath Avtar.

 

OTHERS

The worship of Lord Shiva became popular in Central Asia through the Hephthalite (White Hun) Dynasty, and Kushan Empire. Shaivism was also popular in Sogdiana and Eastern Turkestan as found from the wall painting from Penjikent on the river Zervashan. In this depiction, Shiva is portrayed with a sacred halo and a sacred thread ("Yajnopavita"). He is clad in tiger skin while his attendants are wearing Sodgian dress. In Eastern Turkestan in the Taklamakan Desert. There is a depiction of his four-legged seated cross-legged n a cushioned seat supported by two bulls. Another panel form Dandan-Uilip shows Shiva in His Trimurti form with His Shakti kneeling on her right thigh. It is also noted that Zoroastrian wind god Vayu-Vata took on the iconographic appearance of Shiva.

 

Kirant people, a Mongol tribe from Nepal, worship a form of Shiva as one of their major deity, identifying him as the lord of animals. It is also said that the physical form of Shiva as a yogi is derived from Kirants as it is mentioned in Mundhum that Shiva took human form as a child of Kirant. He is also said to give Kirants visions in form of a male deer.

 

In Indonesia, Shiva is also worshiped as Batara Guru. His other name is "Sang Hyang Jagadnata" (king of the universe) and "Sang Hyang Girinata" (king of mountains). In the ancient times, all kingdoms were located on top of mountains. When he was young, before receiving his authority of power, his name was Sang Hyang Manikmaya. He is first of the children who hatched from the eggs laid by Manuk Patiaraja, wife of god Mulajadi na Bolon. This avatar is also worshiped in Malaysia. Shiva's other form in Indonesian Hindu worship is "Maharaja Dewa" (Mahadeva). Both the forms are closely identified with the Sun in local forms of Hinduism or Kebatinan, and even in the genie lore of Muslims. Mostly Shiva is worshipped in the form of a lingam or the phallus.

 

WIKIPEDIA

I recently finished mass effect andromeda and it was a definite experience. This pic is made by Collin McLaren so all cred goes to him anyway the game was very cool for not only the story but the characters and their emotional stories and thoughts. Definitely not my fave of the ME series but it's still good for the gameplay and the story which is very neat. Gotta say that I would love to have the lego Omni tool that Collin made it's amazing in suttle detail and scale.

1. The spiritual entity Qalb

 

Prophecy and knowledge relating to this was granted to the Prophet Adam

 

In the Urdu language the fleshy meat, (the heart) is known as dil, and in Arabic it is called fawad. The spiritual entity that is next to the heart is the Qalb and according to a Prophetic statement the heart and the Qalb are two separate entities.

 

Our solar system is the physical human sphere. There are other realms and spheres, for example the realm of the angels, the realm of the throne of God, the realm of the soul, the realm of the secrets, the realm of unification and the realm of the essence of God. These spheres and life forms inhabiting these spheres have existed before the eruption of the ball of fire, our Sun, which created our solar system. Ordinary angels were created alongside the creation of the souls when God commanded "Be" but the Archangels and the spiritual entities (which are placed inside the human body at birth) have existed in these realms before the formation of our solar system.

 

Many planets in our solar system were inhabited but subsequently these life forms became extinct. The remaining planets and their inhabitants are awaiting their destruction. The Archangels and the spiritual entities (of the human body) were created seventy thousand years before the command "Be."

 

Of these spiritual entities God placed the Qalb in the realm of love. It is with this that a human being is able to become connected with God. The Qalb acts like a telephone operator between God and the human being. A human being receives guidance and inspiration through it. Whereas the worship and the meditation done by the spiritual entities themselves can reach the highest realm, the Throne of God, with the aid of the Qalb. The Qalb itself, however cannot travel beyond the realm of the angels, as its place of origin is the Khuld, the lowest heaven in the realm of the angels.

 

The Qalb’s meditation is from within and its vibrating rosary is within the human skeleton (the heartbeat). People that failed to achieve this meditation of the Qalb in this lifetime will be regretful, even though they may be in paradise. As God has stated regarding those who will go to paradise, that do they, the inhabitants of paradise think that they will be equal to those who are elevated (reached higher realms by practicing the spiritual disciplines and becoming illuminated). As those that have achieved the meditation of the Qalb, they will enjoy its pleasures even in paradise when their Qalb will be vibrating with the Name of God.

After death physical worship ceases to exist and the people whose Qalb and spiritual entities are not strengthened and illuminated with the light of God are afflicted and distressed in their graves and their spiritual entities waste away. Whereas the illuminated and strengthened spiritual entities will go to the realm where the righteous will wait before the final judgement.

After the day of judgement a second body will be given, the illuminated spiritual entities along with the human soul will enter that body. The people that taught their spiritual entities, meditation, whereby the entities chanted the Name of God Allah in this life time will find that the spiritual entities will continue with this meditation even in the hereafter. Such people will continue to be elevated and exalted in the hereafter.

  

Those that were “blind of heart” (not illuminated) in this life time will be in darkness in that realm also, as this world was the place of action and effort. Those in the latter category will become quiescent.

Besides the Christians and the Jews the Hindu faith also holds a belief in these spiritual entities. The Hindu faith refers to them as Shaktian and the Muslims know them as Lata’if.

The Qalb is two inches, to the left of the heart. This spiritual entity is yellow in colour. When it is illuminated in a person, that person sees the colour yellow in their eyes. Not only this but there are many practitioners of alternative medicine who use the colours of these spiritual entities to heal people.

Most people regard their heart’s word, “inner feeling” to be truthful. If the hearts of people were indeed truthful, then why are all the people of the heart not united?

The Qalb of an ordinary person is in the sleeping or unconscious state and it does not possess any appreciation or awareness. Due to the dominance of the spirit of the self, the ego, and the Khannas, or due to the individual’s own simple- mindedness the heart can make judgements in error. Placing trust in a sleeping Qalb is foolish.

Only when the Name of God Allah, does vibrate in the heart does an appreciation of right and wrong and wisdom follow. At this stage the Qalb is known as the awakened Qalb. Thereafter due to the increase in the meditation by the Qalb, of the Name of God Allah, it is then known as the God-seeking Qalb. At this stage the heart is capable of preventing the person from doing wrong but it is still incapable of making a right or just decision. Thereafter and only when the Light and the rays of the Grace of God (theophany) start to descend upon that heart, is it known as the purified and illuminated Qalb that stands in the presence of God (witnessing Qalb).

 

A Prophetic statement:

“The mercy of God descends upon a broken heart and an afflicted grave.”

 

Thereafter when the heart reaches this stage then one must accept whatever it dictates, quietly without question because due to the rays of the Light and the Grace of God the spirit of the self, (ego) becomes completely illuminated, purified and at peace. God is then closer to that individual than that person’s jugular vein.

God then says, “I become his tongue with which he speaks and I become his hands with which he holds.”

   

2. The Human Soul

 

Prophecy and knowledge relating to this was granted to the Prophet Abraham

 

This is on the right side of the chest. This is awakened and illuminated by the meditation and one-pointed concentration on it. Once it becomes illuminated, a vibration similar to the heartbeat is felt on the right side of the chest. Then the Name of God, Ya Allah is matched with the vibrating pulse. The meditation of the soul is done in this way. At this point, there are now two spiritual entities meditating inside the human body, this is an advancement in rank and status and is better than the Qalb. The soul is a light red in colour and when it is awakened, it is able to travel to the realm of the souls (the station of the Archangel Gabriel). Anger and rage are attached to it that burn and turn into majesty.

  

3. The spiritual entity Sirri

 

Prophecy and knowledge relating to this was granted to the Prophet Moses

 

This spiritual entity is to the left of the centre of the chest. This is also awakened and illuminated by the meditation and one-pointed concentration on it with the Name of God, Ya Hayy, Ya Qayyum. Its colour is white and in the dream state or by spiritual separation from the physical body “transcendental meditation” it can journey to the realm of the secrets. Now there are three spiritual entities meditating within a person and its status is higher than the other two.

   

4. The spiritual entity Khaffi

 

Prophecy and knowledge relating to this was granted to the Prophet Jesus

 

This is to the right of the centre of the chest. It too is taught the Name of God Ya Wahid by meditation. It is green in colour and it can reach the realm of unification. Due to the meditation of four entities one's status is further increased.

 

5. The spiritual entity Akhfa

 

Prophecy and knowledge relating to this was granted to the Prophet Mohammed

 

This is situated at the centre of the chest. It is awakened by meditating on the Name of God, Ya Ahad. It is purple in colour and it too, is connected to that veil in the realm of unification behind which is the throne of God.

 

The hidden spiritual knowledge relating to these five spiritual entities was granted to the Prophets, one by one and half of the knowledge of every spiritual entity was granted from the Prophets to the Saints of their time. In this way there became ten parts of this knowledge. The Saints in turn passed this knowledge on to the spiritually favoured (Godly) who then had the benefit of the sacred knowledge.

 

The apparent knowledge of the seen is connected to the physical body, the spoken word, the human realm and the spirit of the self, this is for the ordinary mortals. This knowledge is contained in a book that has thirty parts. Spiritual knowledge was also given to the Prophets by revelation brought by Gabriel and for this reason it is known as the spiritual Holy Scripture.

 

Many of the verses of the Qur’an would sometimes be abolished, since the Prophet Mohammed would sometimes mention matters relating to this “hidden spiritual knowledge” before ordinary people, which was only meant for the special and Godly. Later this knowledge passed on spiritually from the chest of one Saint to another, and now it has become widespread by its publication in books.

  

6. The spiritual entity Anna

 

This spiritual entity is inside the head and is colourless. It is by the meditation on the Name of God Ya Hu that this spiritual entity reaches its pinnacle. It is this spiritual entity that when it becomes illuminated and powerful it can stand in the Presence of God, face to face, and communicate with God unobstructed. Only the extreme lovers of God reach this realm and station. Besides this there are a few and extremely exalted people who are granted additional spiritual entities, for example the spiritual entity Tifl-e-Nuri or a spiritual entity of the Godhead, Jussa-e-Tofiq-e-Ilahi, the spiritual status of such people is beyond understanding.

 

With the spiritual entity, Anna, God is seen in the dream state.

 

With the spiritual entity of the Godhead, God is seen in the “physical meditating state” when the spiritual entity itself leaves the human body and transcends to the essence of God.

 

Those possessing the spiritual entity, the Tifl-e-Nuri, see God whilst they are fully conscious.

 

It is these people who are the majesty and power of God in the world. They can either occupy the people by prescribing worship and austerities or by their spiritual grace send a person straight to the realm of God’s love. In their sight, concerning dispensing spiritual grace the believers and the non-believers, the dead and the living are all the same. Just as a thief became a Saint, in an instant, by the passing glimpse of the Saint Sheikh Abdul-Qadir al-Jilani, similarly, Abu-Bakr Havari and Manga the thief, became instant Saints by the passing glimpses of such Saints.

 

The five major Messengers were given knowledge of the five spiritual entities separately and in order of their appearance, as a result of which spirituality continued to prosper. With whichever spiritual entity you practice meditation you will be connected to the corresponding Messenger and become worthy of receiving spiritual grace (from that Messenger).

 

Whichever spiritual entity receives the rays of the Grace of God (favour), the Sainthood granted to that spiritual entity will be connected to the corresponding Prophet’s spiritual grace.

 

Access to seven realms and gaining elevated spiritual status in the seven heavens is obtained through these spiritual entities.

The functions of the spiritual entities inside the human body

 

Akhfa: Due to the spiritual entity, Akhfa a person is able to speak. In its absence a person may have a normal tongue but will be dumb. The difference between human beings and animals lies in the presence or the absence of these spiritual entities. At birth, if the entity, Akhfa was unable to enter the body for whatever reason, then a Prophet appointed for the rectification of this ailment would be called to treat the condition as a result of which the dumb would start to speak.

 

Sirri: A person is able to see due to the spiritual entity, Sirri. If it does not enter the body the person is blind from birth. An appointed Prophet had the duty to find and place the spiritual entity into the body, as a result of which the blind would start to see again.

Qalb: Without the spiritual entity of the Qalb, in the body, a person is like the animals, unacquainted, far from God, miserable and without purpose. Returning this entity into the body was the task of the Prophets also.

The miracles of the Prophets were also granted to the saints, in the form marvels and mystical wonders as a result of which even the impious and liberal became close to God. When a spiritual entity is returned by any allocated Saint or Prophet, the deaf, dumb and the blind are healed.

Anna: When the spiritual entity, Anna, fails to enter the body, a person is regarded as insane even though the brain may be functioning normally.

Khaffi: In the absence of the spiritual entity, Khafi, a person is deaf, even if the ears are opened wide.

These conditions can be caused by other defects in the body, and can be treated. There is no cure in the case, where the defect is caused by the absence of the associated spiritual entity except where a Prophet or a Saint intervenes and cures the defect.

Nafs, self: As a result of the spiritual entity of the self (ego) a persons mind is occupied with the material world and it is because of the spiritual entity Qalb that a persons direction turns towards God. For more detail visit www.goharshahi.org or visit asipk.com and for videos visit HH rags

 

Ganesha, also spelled Ganesh, and also known as Ganapati and Vinayaka, is a widely worshipped deity in the Hindu pantheon. His image is found throughout India and Nepal. Hindu sects worship him regardless of affiliations. Devotion to Ganesha is widely diffused and extends to Jains, Buddhists, and beyond India.

 

Although he is known by many attributes, Ganesha's elephant head makes him easy to identify. Ganesha is widely revered as the remover of obstacles, the patron of arts and sciences and the deva of intellect and wisdom. As the god of beginnings, he is honoured at the start of rituals and ceremonies. Ganesha is also invoked as patron of letters and learning during writing sessions. Several texts relate mythological anecdotes associated with his birth and exploits and explain his distinct iconography.

 

Ganesha emerged as a distinct deity in the 4th and 5th centuries CE, during the Gupta Period, although he inherited traits from Vedic and pre-Vedic precursors. He was formally included among the five primary deities of Smartism (a Hindu denomination) in the 9th century. A sect of devotees called the Ganapatya arose, who identified Ganesha as the supreme deity. The principal scriptures dedicated to Ganesha are the Ganesha Purana, the Mudgala Purana, and the Ganapati Atharvashirsa.

 

ETYMOLOGY AND OTHER NAMES

Ganesha has been ascribed many other titles and epithets, including Ganapati and Vighneshvara. The Hindu title of respect Shri is often added before his name. One popular way Ganesha is worshipped is by chanting a Ganesha Sahasranama, a litany of "a thousand names of Ganesha". Each name in the sahasranama conveys a different meaning and symbolises a different aspect of Ganesha. At least two different versions of the Ganesha Sahasranama exist; one version is drawn from the Ganesha Purana, a Hindu scripture venerating Ganesha.

 

The name Ganesha is a Sanskrit compound, joining the words gana, meaning a group, multitude, or categorical system and isha, meaning lord or master. The word gaņa when associated with Ganesha is often taken to refer to the gaņas, a troop of semi-divine beings that form part of the retinue of Shiva. The term more generally means a category, class, community, association, or corporation. Some commentators interpret the name "Lord of the Gaņas" to mean "Lord of Hosts" or "Lord of created categories", such as the elements. Ganapati, a synonym for Ganesha, is a compound composed of gaṇa, meaning "group", and pati, meaning "ruler" or "lord". The Amarakosha, an early Sanskrit lexicon, lists eight synonyms of Ganesha : Vinayaka, Vighnarāja (equivalent to Vighnesha), Dvaimātura (one who has two mothers), Gaṇādhipa (equivalent to Ganapati and Ganesha), Ekadanta (one who has one tusk), Heramba, Lambodara (one who has a pot belly, or, literally, one who has a hanging belly), and Gajanana; having the face of an elephant).

 

Vinayaka is a common name for Ganesha that appears in the Purāṇas and in Buddhist Tantras. This name is reflected in the naming of the eight famous Ganesha temples in Maharashtra known as the Ashtavinayak (aṣṭavināyaka). The names Vighnesha and Vighneshvara (Lord of Obstacles) refers to his primary function in Hindu theology as the master and remover of obstacles (vighna).

 

A prominent name for Ganesha in the Tamil language is Pillai. A. K. Narain differentiates these terms by saying that pillai means a "child" while pillaiyar means a "noble child". He adds that the words pallu, pella, and pell in the Dravidian family of languages signify "tooth or tusk", also "elephant tooth or tusk". Anita Raina Thapan notes that the root word pille in the name Pillaiyar might have originally meant "the young of the elephant", because the Pali word pillaka means "a young elephant".

 

In the Burmese language, Ganesha is known as Maha Peinne, derived from Pali Mahā Wināyaka. The widespread name of Ganesha in Thailand is Phra Phikhanet or Phra Phikhanesuan, both of which are derived from Vara Vighnesha and Vara Vighneshvara respectively, whereas the name Khanet (from Ganesha) is rather rare.

 

In Sri Lanka, in the North-Central and North Western areas with predominantly Buddhist population, Ganesha is known as Aiyanayaka Deviyo, while in other Singhala Buddhist areas he is known as Gana deviyo.

 

ICONOGRAPHY

Ganesha is a popular figure in Indian art. Unlike those of some deities, representations of Ganesha show wide variations and distinct patterns changing over time. He may be portrayed standing, dancing, heroically taking action against demons, playing with his family as a boy, sitting down or on an elevated seat, or engaging in a range of contemporary situations.

 

Ganesha images were prevalent in many parts of India by the 6th century. The 13th century statue pictured is typical of Ganesha statuary from 900–1200, after Ganesha had been well-established as an independent deity with his own sect. This example features some of Ganesha's common iconographic elements. A virtually identical statue has been dated between 973–1200 by Paul Martin-Dubost, and another similar statue is dated c. 12th century by Pratapaditya Pal. Ganesha has the head of an elephant and a big belly. This statue has four arms, which is common in depictions of Ganesha. He holds his own broken tusk in his lower-right hand and holds a delicacy, which he samples with his trunk, in his lower-left hand. The motif of Ganesha turning his trunk sharply to his left to taste a sweet in his lower-left hand is a particularly archaic feature. A more primitive statue in one of the Ellora Caves with this general form has been dated to the 7th century. Details of the other hands are difficult to make out on the statue shown. In the standard configuration, Ganesha typically holds an axe or a goad in one upper arm and a pasha (noose) in the other upper arm.

 

The influence of this old constellation of iconographic elements can still be seen in contemporary representations of Ganesha. In one modern form, the only variation from these old elements is that the lower-right hand does not hold the broken tusk but is turned towards the viewer in a gesture of protection or fearlessness (abhaya mudra). The same combination of four arms and attributes occurs in statues of Ganesha dancing, which is a very popular theme.

 

COMMON ATTRIBUTES

Ganesha has been represented with the head of an elephant since the early stages of his appearance in Indian art. Puranic myths provide many explanations for how he got his elephant head. One of his popular forms, Heramba-Ganapati, has five elephant heads, and other less-common variations in the number of heads are known. While some texts say that Ganesha was born with an elephant head, he acquires the head later in most stories. The most recurrent motif in these stories is that Ganesha was created by Parvati using clay to protect her and Shiva beheaded him when Ganesha came between Shiva and Parvati. Shiva then replaced Ganesha's original head with that of an elephant. Details of the battle and where the replacement head came from vary from source to source. Another story says that Ganesha was created directly by Shiva's laughter. Because Shiva considered Ganesha too alluring, he gave him the head of an elephant and a protruding belly.

 

Ganesha's earliest name was Ekadanta (One Tusked), referring to his single whole tusk, the other being broken. Some of the earliest images of Ganesha show him holding his broken tusk. The importance of this distinctive feature is reflected in the Mudgala Purana, which states that the name of Ganesha's second incarnation is Ekadanta. Ganesha's protruding belly appears as a distinctive attribute in his earliest statuary, which dates to the Gupta period (4th to 6th centuries). This feature is so important that, according to the Mudgala Purana, two different incarnations of Ganesha use names based on it: Lambodara (Pot Belly, or, literally, Hanging Belly) and Mahodara (Great Belly). Both names are Sanskrit compounds describing his belly. The Brahmanda Purana says that Ganesha has the name Lambodara because all the universes (i.e., cosmic eggs) of the past, present, and future are present in him. The number of Ganesha's arms varies; his best-known forms have between two and sixteen arms. Many depictions of Ganesha feature four arms, which is mentioned in Puranic sources and codified as a standard form in some iconographic texts. His earliest images had two arms. Forms with 14 and 20 arms appeared in Central India during the 9th and the 10th centuries. The serpent is a common feature in Ganesha iconography and appears in many forms. According to the Ganesha Purana, Ganesha wrapped the serpent Vasuki around his neck. Other depictions of snakes include use as a sacred thread wrapped around the stomach as a belt, held in a hand, coiled at the ankles, or as a throne. Upon Ganesha's forehead may be a third eye or the Shaivite sectarian mark , which consists of three horizontal lines. The Ganesha Purana prescribes a tilaka mark as well as a crescent moon on the forehead. A distinct form of Ganesha called Bhalachandra includes that iconographic element. Ganesha is often described as red in color. Specific colors are associated with certain forms. Many examples of color associations with specific meditation forms are prescribed in the Sritattvanidhi, a treatise on Hindu iconography. For example, white is associated with his representations as Heramba-Ganapati and Rina-Mochana-Ganapati (Ganapati Who Releases from Bondage). Ekadanta-Ganapati is visualized as blue during meditation in that form.

 

VAHANAS

The earliest Ganesha images are without a vahana (mount/vehicle). Of the eight incarnations of Ganesha described in the Mudgala Purana, Ganesha uses a mouse (shrew) in five of them, a lion in his incarnation as Vakratunda, a peacock in his incarnation as Vikata, and Shesha, the divine serpent, in his incarnation as Vighnaraja. Mohotkata uses a lion, Mayūreśvara uses a peacock, Dhumraketu uses a horse, and Gajanana uses a mouse, in the four incarnations of Ganesha listed in the Ganesha Purana. Jain depictions of Ganesha show his vahana variously as a mouse, elephant, tortoise, ram, or peacock.

 

Ganesha is often shown riding on or attended by a mouse, shrew or rat. Martin-Dubost says that the rat began to appear as the principal vehicle in sculptures of Ganesha in central and western India during the 7th century; the rat was always placed close to his feet. The mouse as a mount first appears in written sources in the Matsya Purana and later in the Brahmananda Purana and Ganesha Purana, where Ganesha uses it as his vehicle in his last incarnation. The Ganapati Atharvashirsa includes a meditation verse on Ganesha that describes the mouse appearing on his flag. The names Mūṣakavāhana (mouse-mount) and Ākhuketana (rat-banner) appear in the Ganesha Sahasranama.

 

The mouse is interpreted in several ways. According to Grimes, "Many, if not most of those who interpret Gaṇapati's mouse, do so negatively; it symbolizes tamoguṇa as well as desire". Along these lines, Michael Wilcockson says it symbolizes those who wish to overcome desires and be less selfish. Krishan notes that the rat is destructive and a menace to crops. The Sanskrit word mūṣaka (mouse) is derived from the root mūṣ (stealing, robbing). It was essential to subdue the rat as a destructive pest, a type of vighna (impediment) that needed to be overcome. According to this theory, showing Ganesha as master of the rat demonstrates his function as Vigneshvara (Lord of Obstacles) and gives evidence of his possible role as a folk grāma-devatā (village deity) who later rose to greater prominence. Martin-Dubost notes a view that the rat is a symbol suggesting that Ganesha, like the rat, penetrates even the most secret places.

 

ASSOCIATIONS

 

OBSTACLES

Ganesha is Vighneshvara or Vighnaraja or Vighnaharta (Marathi), the Lord of Obstacles, both of a material and spiritual order. He is popularly worshipped as a remover of obstacles, though traditionally he also places obstacles in the path of those who need to be checked. Paul Courtright says that "his task in the divine scheme of things, his dharma, is to place and remove obstacles. It is his particular territory, the reason for his creation."

 

Krishan notes that some of Ganesha's names reflect shadings of multiple roles that have evolved over time. Dhavalikar ascribes the quick ascension of Ganesha in the Hindu pantheon, and the emergence of the Ganapatyas, to this shift in emphasis from vighnakartā (obstacle-creator) to vighnahartā (obstacle-averter). However, both functions continue to be vital to his character.

 

BUDDHI (KNOWLEDGE)

Ganesha is considered to be the Lord of letters and learning. In Sanskrit, the word buddhi is a feminine noun that is variously translated as intelligence, wisdom, or intellect. The concept of buddhi is closely associated with the personality of Ganesha, especially in the Puranic period, when many stories stress his cleverness and love of intelligence. One of Ganesha's names in the Ganesha Purana and the Ganesha Sahasranama is Buddhipriya. This name also appears in a list of 21 names at the end of the Ganesha Sahasranama that Ganesha says are especially important. The word priya can mean "fond of", and in a marital context it can mean "lover" or "husband", so the name may mean either "Fond of Intelligence" or "Buddhi's Husband".

 

AUM

Ganesha is identified with the Hindu mantra Aum, also spelled Om. The term oṃkārasvarūpa (Aum is his form), when identified with Ganesha, refers to the notion that he personifies the primal sound. The Ganapati Atharvashirsa attests to this association. Chinmayananda translates the relevant passage as follows:

 

(O Lord Ganapati!) You are (the Trinity) Brahma, Vishnu, and Mahesa. You are Indra. You are fire [Agni] and air [Vāyu]. You are the sun [Sūrya] and the moon [Chandrama]. You are Brahman. You are (the three worlds) Bhuloka [earth], Antariksha-loka [space], and Swargaloka [heaven]. You are Om. (That is to say, You are all this).

 

Some devotees see similarities between the shape of Ganesha's body in iconography and the shape of Aum in the Devanāgarī and Tamil scripts.

 

FIRST CHAKRA

According to Kundalini yoga, Ganesha resides in the first chakra, called Muladhara (mūlādhāra). Mula means "original, main"; adhara means "base, foundation". The muladhara chakra is the principle on which the manifestation or outward expansion of primordial Divine Force rests. This association is also attested to in the Ganapati Atharvashirsa. Courtright translates this passage as follows: "[O Ganesha,] You continually dwell in the sacral plexus at the base of the spine [mūlādhāra cakra]." Thus, Ganesha has a permanent abode in every being at the Muladhara. Ganesha holds, supports and guides all other chakras, thereby "governing the forces that propel the wheel of life".

 

FAMILY AND CONSORTS

Though Ganesha is popularly held to be the son of Shiva and Parvati, the Puranic myths give different versions about his birth. In some he was created by Parvati, in another he was created by Shiva and Parvati, in another he appeared mysteriously and was discovered by Shiva and Parvati or he was born from the elephant headed goddess Malini after she drank Parvati's bath water that had been thrown in the river.

 

The family includes his brother the war god Kartikeya, who is also called Subramanya, Skanda, Murugan and other names. Regional differences dictate the order of their births. In northern India, Skanda is generally said to be the elder, while in the south, Ganesha is considered the first born. In northern India, Skanda was an important martial deity from about 500 BCE to about 600 CE, when worship of him declined significantly in northern India. As Skanda fell, Ganesha rose. Several stories tell of sibling rivalry between the brothers and may reflect sectarian tensions.

 

Ganesha's marital status, the subject of considerable scholarly review, varies widely in mythological stories. One pattern of myths identifies Ganesha as an unmarried brahmacari. This view is common in southern India and parts of northern India. Another pattern associates him with the concepts of Buddhi (intellect), Siddhi (spiritual power), and Riddhi (prosperity); these qualities are sometimes personified as goddesses, said to be Ganesha's wives. He also may be shown with a single consort or a nameless servant (Sanskrit: daşi). Another pattern connects Ganesha with the goddess of culture and the arts, Sarasvati or Śarda (particularly in Maharashtra). He is also associated with the goddess of luck and prosperity, Lakshmi. Another pattern, mainly prevalent in the Bengal region, links Ganesha with the banana tree, Kala Bo.

 

The Shiva Purana says that Ganesha had begotten two sons: Kşema (prosperity) and Lābha (profit). In northern Indian variants of this story, the sons are often said to be Śubha (auspiciouness) and Lābha. The 1975 Hindi film Jai Santoshi Maa shows Ganesha married to Riddhi and Siddhi and having a daughter named Santoshi Ma, the goddess of satisfaction. This story has no Puranic basis, but Anita Raina Thapan and Lawrence Cohen cite Santoshi Ma's cult as evidence of Ganesha's continuing evolution as a popular deity.

 

WOSHIP AND FESTIVALS

Ganesha is worshipped on many religious and secular occasions; especially at the beginning of ventures such as buying a vehicle or starting a business. K.N. Somayaji says, "there can hardly be a [Hindu] home [in India] which does not house an idol of Ganapati. [..] Ganapati, being the most popular deity in India, is worshipped by almost all castes and in all parts of the country". Devotees believe that if Ganesha is propitiated, he grants success, prosperity and protection against adversity.

 

Ganesha is a non-sectarian deity, and Hindus of all denominations invoke him at the beginning of prayers, important undertakings, and religious ceremonies. Dancers and musicians, particularly in southern India, begin performances of arts such as the Bharatnatyam dance with a prayer to Ganesha. Mantras such as Om Shri Gaṇeshāya Namah (Om, salutation to the Illustrious Ganesha) are often used. One of the most famous mantras associated with Ganesha is Om Gaṃ Ganapataye Namah (Om, Gaṃ, Salutation to the Lord of Hosts).

 

Devotees offer Ganesha sweets such as modaka and small sweet balls (laddus). He is often shown carrying a bowl of sweets, called a modakapātra. Because of his identification with the color red, he is often worshipped with red sandalwood paste (raktacandana) or red flowers. Dūrvā grass (Cynodon dactylon) and other materials are also used in his worship.

 

Festivals associated with Ganesh are Ganesh Chaturthi or Vināyaka chaturthī in the śuklapakṣa (the fourth day of the waxing moon) in the month of bhādrapada (August/September) and the Gaṇeśa jayanti (Gaṇeśa's birthday) celebrated on the cathurthī of the śuklapakṣa (fourth day of the waxing moon) in the month of māgha (January/February)."

 

GANESH CHATURTI

An annual festival honours Ganesha for ten days, starting on Ganesha Chaturthi, which typically falls in late August or early September. The festival begins with people bringing in clay idols of Ganesha, symbolising Ganesha's visit. The festival culminates on the day of Ananta Chaturdashi, when idols (murtis) of Ganesha are immersed in the most convenient body of water. Some families have a tradition of immersion on the 2nd, 3rd, 5th, or 7th day. In 1893, Lokmanya Tilak transformed this annual Ganesha festival from private family celebrations into a grand public event. He did so "to bridge the gap between the Brahmins and the non-Brahmins and find an appropriate context in which to build a new grassroots unity between them" in his nationalistic strivings against the British in Maharashtra. Because of Ganesha's wide appeal as "the god for Everyman", Tilak chose him as a rallying point for Indian protest against British rule. Tilak was the first to install large public images of Ganesha in pavilions, and he established the practice of submerging all the public images on the tenth day. Today, Hindus across India celebrate the Ganapati festival with great fervour, though it is most popular in the state of Maharashtra. The festival also assumes huge proportions in Mumbai, Pune, and in the surrounding belt of Ashtavinayaka temples.

 

TEMPLES

In Hindu temples, Ganesha is depicted in various ways: as an acolyte or subordinate deity (pãrśva-devatã); as a deity related to the principal deity (parivāra-devatã); or as the principal deity of the temple (pradhāna), treated similarly as the highest gods of the Hindu pantheon. As the god of transitions, he is placed at the doorway of many Hindu temples to keep out the unworthy, which is analogous to his role as Parvati’s doorkeeper. In addition, several shrines are dedicated to Ganesha himself, of which the Ashtavinayak (lit. "eight Ganesha (shrines)") in Maharashtra are particularly well known. Located within a 100-kilometer radius of the city of Pune, each of these eight shrines celebrates a particular form of Ganapati, complete with its own lore and legend. The eight shrines are: Morgaon, Siddhatek, Pali, Mahad, Theur, Lenyadri, Ozar and Ranjangaon.

 

There are many other important Ganesha temples at the following locations: Wai in Maharashtra; Ujjain in Madhya Pradesh; Jodhpur, Nagaur and Raipur (Pali) in Rajasthan; Baidyanath in Bihar; Baroda, Dholaka, and Valsad in Gujarat and Dhundiraj Temple in Varanasi, Uttar Pradesh. Prominent Ganesha temples in southern India include the following: Kanipakam in Chittoor; the Jambukeśvara Temple at Tiruchirapalli; at Rameshvaram and Suchindram in Tamil Nadu; at Malliyur, Kottarakara, Pazhavangadi, Kasargod in Kerala, Hampi, and Idagunji in Karnataka; and Bhadrachalam in Andhra Pradesh.

 

T. A. Gopinatha notes, "Every village however small has its own image of Vighneśvara (Vigneshvara) with or without a temple to house it in. At entrances of villages and forts, below pīpaḹa (Sacred fig) trees [...], in a niche [...] in temples of Viṣṇu (Vishnu) as well as Śiva (Shiva) and also in separate shrines specially constructed in Śiva temples [...]; the figure of Vighneśvara is invariably seen." Ganesha temples have also been built outside of India, including southeast Asia, Nepal (including the four Vinayaka shrines in the Kathmandu valley), and in several western countries.

 

RISE TO PROMINENCE

 

FIRST APEARANCE

Ganesha appeared in his classic form as a clearly recognizable deity with well-defined iconographic attributes in the early 4th to 5th centuries. Shanti Lal Nagar says that the earliest known iconic image of Ganesha is in the niche of the Shiva temple at Bhumra, which has been dated to the Gupta period. His independent cult appeared by about the 10th century. Narain summarizes the controversy between devotees and academics regarding the development of Ganesha as follows:

 

What is inscrutable is the somewhat dramatic appearance of Gaņeśa on the historical scene. His antecedents are not clear. His wide acceptance and popularity, which transcend sectarian and territorial limits, are indeed amazing. On the one hand there is the pious belief of the orthodox devotees in Gaņeśa's Vedic origins and in the Purāṇic explanations contained in the confusing, but nonetheless interesting, mythology. On the other hand there are doubts about the existence of the idea and the icon of this deity" before the fourth to fifth century A.D. ... [I]n my opinion, indeed there is no convincing evidence of the existence of this divinity prior to the fifth century.

 

POSSIBLE INFLUENCES

Courtright reviews various speculative theories about the early history of Ganesha, including supposed tribal traditions and animal cults, and dismisses all of them in this way:

 

In the post 600 BC period there is evidence of people and places named after the animal. The motif appears on coins and sculptures.

 

Thapan's book on the development of Ganesha devotes a chapter to speculations about the role elephants had in early India but concludes that, "although by the second century CE the elephant-headed yakṣa form exists it cannot be presumed to represent Gaṇapati-Vināyaka. There is no evidence of a deity by this name having an elephant or elephant-headed form at this early stage. Gaṇapati-Vināyaka had yet to make his debut."

 

One theory of the origin of Ganesha is that he gradually came to prominence in connection with the four Vinayakas (Vināyakas). In Hindu mythology, the Vināyakas were a group of four troublesome demons who created obstacles and difficulties but who were easily propitiated. The name Vināyaka is a common name for Ganesha both in the Purāṇas and in Buddhist Tantras. Krishan is one of the academics who accepts this view, stating flatly of Ganesha, "He is a non-vedic god. His origin is to be traced to the four Vināyakas, evil spirits, of the Mānavagŗhyasūtra (7th–4th century BCE) who cause various types of evil and suffering". Depictions of elephant-headed human figures, which some identify with Ganesha, appear in Indian art and coinage as early as the 2nd century. According to Ellawala, the elephant-headed Ganesha as lord of the Ganas was known to the people of Sri Lanka in the early pre-Christian era.

 

A metal plate depiction of Ganesha had been discovered in 1993, in Iran, it dated back to 1,200 BCE. Another one was discovered much before, in Lorestan Province of Iran.

 

First Ganesha's terracotta images are from 1st century CE found in Ter, Pal, Verrapuram and Chandraketugarh. These figures are small, with elephant head, two arms, and chubby physique. The earliest Ganesha icons in stone were carved in Mathura during Kushan times (2nd-3rd centuries CE).

 

VEDIC AND EPIC LITERATURE

The title "Leader of the group" (Sanskrit: gaṇapati) occurs twice in the Rig Veda, but in neither case does it refer to the modern Ganesha. The term appears in RV 2.23.1 as a title for Brahmanaspati, according to commentators. While this verse doubtless refers to Brahmanaspati, it was later adopted for worship of Ganesha and is still used today. In rejecting any claim that this passage is evidence of Ganesha in the Rig Veda, Ludo Rocher says that it "clearly refers to Bṛhaspati—who is the deity of the hymn—and Bṛhaspati only". Equally clearly, the second passage (RV 10.112.9) refers to Indra, who is given the epithet 'gaṇapati', translated "Lord of the companies (of the Maruts)." However, Rocher notes that the more recent Ganapatya literature often quotes the Rigvedic verses to give Vedic respectability to Ganesha .

 

Two verses in texts belonging to Black Yajurveda, Maitrāyaṇīya Saṃhitā (2.9.1) and Taittirīya Āraṇyaka (10.1), appeal to a deity as "the tusked one" (Dantiḥ), "elephant-faced" (Hastimukha), and "with a curved trunk" (Vakratuņḍa). These names are suggestive of Ganesha, and the 14th century commentator Sayana explicitly establishes this identification. The description of Dantin, possessing a twisted trunk (vakratuṇḍa) and holding a corn-sheaf, a sugar cane, and a club, is so characteristic of the Puranic Ganapati that Heras says "we cannot resist to accept his full identification with this Vedic Dantin". However, Krishan considers these hymns to be post-Vedic additions. Thapan reports that these passages are "generally considered to have been interpolated". Dhavalikar says, "the references to the elephant-headed deity in the Maitrāyaṇī Saṃhitā have been proven to be very late interpolations, and thus are not very helpful for determining the early formation of the deity".

 

Ganesha does not appear in Indian epic literature that is dated to the Vedic period. A late interpolation to the epic poem Mahabharata says that the sage Vyasa (Vyāsa) asked Ganesha to serve as his scribe to transcribe the poem as he dictated it to him. Ganesha agreed but only on condition that Vyasa recite the poem uninterrupted, that is, without pausing. The sage agreed, but found that to get any rest he needed to recite very complex passages so Ganesha would have to ask for clarifications. The story is not accepted as part of the original text by the editors of the critical edition of the Mahabharata, in which the twenty-line story is relegated to a footnote in an appendix. The story of Ganesha acting as the scribe occurs in 37 of the 59 manuscripts consulted during preparation of the critical edition. Ganesha's association with mental agility and learning is one reason he is shown as scribe for Vyāsa's dictation of the Mahabharata in this interpolation. Richard L. Brown dates the story to the 8th century, and Moriz Winternitz concludes that it was known as early as c. 900, but it was not added to the Mahabharata some 150 years later. Winternitz also notes that a distinctive feature in South Indian manuscripts of the Mahabharata is their omission of this Ganesha legend. The term vināyaka is found in some recensions of the Śāntiparva and Anuśāsanaparva that are regarded as interpolations. A reference to Vighnakartṛīṇām ("Creator of Obstacles") in Vanaparva is also believed to be an interpolation and does not appear in the critical edition.

 

PURANIC PERIOD

Stories about Ganesha often occur in the Puranic corpus. Brown notes while the Puranas "defy precise chronological ordering", the more detailed narratives of Ganesha's life are in the late texts, c. 600–1300. Yuvraj Krishan says that the Puranic myths about the birth of Ganesha and how he acquired an elephant's head are in the later Puranas, which were composed from c. 600 onwards. He elaborates on the matter to say that references to Ganesha in the earlier Puranas, such as the Vayu and Brahmanda Puranas, are later interpolations made during the 7th to 10th centuries.

 

In his survey of Ganesha's rise to prominence in Sanskrit literature, Ludo Rocher notes that:

 

Above all, one cannot help being struck by the fact that the numerous stories surrounding Gaṇeśa concentrate on an unexpectedly limited number of incidents. These incidents are mainly three: his birth and parenthood, his elephant head, and his single tusk. Other incidents are touched on in the texts, but to a far lesser extent.

 

Ganesha's rise to prominence was codified in the 9th century, when he was formally included as one of the five primary deities of Smartism. The 9th-century philosopher Adi Shankara popularized the "worship of the five forms" (Panchayatana puja) system among orthodox Brahmins of the Smarta tradition. This worship practice invokes the five deities Ganesha, Vishnu, Shiva, Devi, and Surya. Adi Shankara instituted the tradition primarily to unite the principal deities of these five major sects on an equal status. This formalized the role of Ganesha as a complementary deity.

 

SCRIPTURES

Once Ganesha was accepted as one of the five principal deities of Brahmanism, some Brahmins (brāhmaṇas) chose to worship Ganesha as their principal deity. They developed the Ganapatya tradition, as seen in the Ganesha Purana and the Mudgala Purana.

 

The date of composition for the Ganesha Purana and the Mudgala Purana - and their dating relative to one another - has sparked academic debate. Both works were developed over time and contain age-layered strata. Anita Thapan reviews comments about dating and provides her own judgement. "It seems likely that the core of the Ganesha Purana appeared around the twelfth and thirteenth centuries", she says, "but was later interpolated." Lawrence W. Preston considers the most reasonable date for the Ganesha Purana to be between 1100 and 1400, which coincides with the apparent age of the sacred sites mentioned by the text.

 

R.C. Hazra suggests that the Mudgala Purana is older than the Ganesha Purana, which he dates between 1100 and 1400. However, Phyllis Granoff finds problems with this relative dating and concludes that the Mudgala Purana was the last of the philosophical texts concerned with Ganesha. She bases her reasoning on the fact that, among other internal evidence, the Mudgala Purana specifically mentions the Ganesha Purana as one of the four Puranas (the Brahma, the Brahmanda, the Ganesha, and the Mudgala Puranas) which deal at length with Ganesha. While the kernel of the text must be old, it was interpolated until the 17th and 18th centuries as the worship of Ganapati became more important in certain regions. Another highly regarded scripture, the Ganapati Atharvashirsa, was probably composed during the 16th or 17th centuries.

 

BEYOND INDIA AND HINDUISM

Commercial and cultural contacts extended India's influence in western and southeast Asia. Ganesha is one of a number of Hindu deities who reached foreign lands as a result.

 

Ganesha was particularly worshipped by traders and merchants, who went out of India for commercial ventures. From approximately the 10th century onwards, new networks of exchange developed including the formation of trade guilds and a resurgence of money circulation. During this time, Ganesha became the principal deity associated with traders. The earliest inscription invoking Ganesha before any other deity is associated with the merchant community.

 

Hindus migrated to Maritime Southeast Asia and took their culture, including Ganesha, with them. Statues of Ganesha are found throughout the region, often beside Shiva sanctuaries. The forms of Ganesha found in Hindu art of Java, Bali, and Borneo show specific regional influences. The spread of Hindu culture to southeast Asia established Ganesha in modified forms in Burma, Cambodia, and Thailand. In Indochina, Hinduism and Buddhism were practiced side by side, and mutual influences can be seen in the iconography of Ganesha in the region. In Thailand, Cambodia, and among the Hindu classes of the Chams in Vietnam, Ganesha was mainly thought of as a remover of obstacles. Today in Buddhist Thailand, Ganesha is regarded as a remover of obstacles, the god of success.

 

Before the arrival of Islam, Afghanistan had close cultural ties with India, and the adoration of both Hindu and Buddhist deities was practiced. Examples of sculptures from the 5th to the 7th centuries have survived, suggesting that the worship of Ganesha was then in vogue in the region.

 

Ganesha appears in Mahayana Buddhism, not only in the form of the Buddhist god Vināyaka, but also as a Hindu demon form with the same name. His image appears in Buddhist sculptures during the late Gupta period. As the Buddhist god Vināyaka, he is often shown dancing. This form, called Nṛtta Ganapati, was popular in northern India, later adopted in Nepal, and then in Tibet. In Nepal, the Hindu form of Ganesha, known as Heramba, is popular; he has five heads and rides a lion. Tibetan representations of Ganesha show ambivalent views of him. A Tibetan rendering of Ganapati is tshogs bdag. In one Tibetan form, he is shown being trodden under foot by Mahākāla, (Shiva) a popular Tibetan deity. Other depictions show him as the Destroyer of Obstacles, and sometimes dancing. Ganesha appears in China and Japan in forms that show distinct regional character. In northern China, the earliest known stone statue of Ganesha carries an inscription dated to 531. In Japan, where Ganesha is known as Kangiten, the Ganesha cult was first mentioned in 806.

 

The canonical literature of Jainism does not mention the worship of Ganesha. However, Ganesha is worshipped by most Jains, for whom he appears to have taken over certain functions of Kubera. Jain connections with the trading community support the idea that Jainism took up Ganesha worship as a result of commercial connections. The earliest known Jain Ganesha statue dates to about the 9th century. A 15th-century Jain text lists procedures for the installation of Ganapati images. Images of Ganesha appear in the Jain temples of Rajasthan and Gujarat.

 

WIKIPEDIA

Is he playing peek-a-boo? Escaping on that train? Or maybe he's just being a little silly for the photographer; I can relate to that!

This is the third and final post relating to the Battle of the River Plate and features the second Leander-class light cruiser that participated, HMS Ajax (22).

 

Ajax was built at Vickers' Shipyard, in Barrow-in-Furness, England. Laid down on 7 February 1933, she was launched on 1 March 1934 and completed on 12 April 1935. After serving in the Caribbean, she underwent her first refit in late 1937, at which time the four single 4-inch QF high-angle guns were replaced by twin turrets, as seen above (compare with Achilles' original fit in the image I posted two days ago). She retained a Fairey Seafox spotter planes, although they were later replaced by Supermarine Walruses.

 

She became famous for her part in the 13 December 1939 Battle of the River Plate, in which the Admiral Graf Spee obtained seven hits on her, disabling X and Y turrets, causing further structural damage and 12 casualties including seven killed. At the end of the action she had less than 20% of her 6" main armament remaining.

 

In 1942 her anti-aircraft armament was improved with the addition of 11 Oerlikon 20mm cannons. She was bombed in harbour at Bone, Algeria, in 1943 and refitted in Norfolk Navy Yard, VA., where four American quadruple 40mm anti-aircraft mounts replaced some (all?) of the earlier AA fits.

 

She returned to Europe in time to support the landings at Gold Beach on D-Day and later Operation Dragoon, the invasion of southern France in August 1944. Post-war, she supported British anti-Communist operations in Greece. She also escorted the refrigerated cargo ship Highland Monarch for at least part of her journey (probably from Freetown) to the mouth of the Elbe river, Germany, in 1946. The cargo ship was repatriating the surviving members of the Admiral Graf Spee's crew, many of whom were reluctant to go, having married and settled in Argentina in the six year since they were interned.

 

Ajax was decommissioned in 1948 and went for scrapping in 1949.

 

Details of the Leander-class design and fit can be found under the Achilles image posted two days ago.

 

Seen under glass in the Museum of the Royal Dockyard at Chatham Historic Dockyard.

Uses: Anything relating to finance and money.

 

Free Creative Commons Finance Images... I created these images in my studio and have made them all available for personal or commercial use. Hope you like them and find them useful.

 

To see more of our CC by 2.0 finance images click here... see profile for attribution.

 

Inspiration: Anything relating to money.

Today in Ireland and in the US new regulations relating to drones has been introduced [effective from the 21st of December 2015]. There are many similarities in the regulations but there is one major differences in that here in Ireland they have not mention the penalties for failure to register but in the US the cost of failure to register appears to be rather extreme … “civil penalties up to $27,500, or criminal penalties up to 3 years in prison and $250,000.” According to the minister the aim here in Ireland is to encourage drone users to be responsible citizens.

  

I have included the press releases from both administrations, have a read and see what you think.

  

Thursday, 17th December 2015: The Irish Aviation Authority (IAA) today announced a new drone regulation which includes the mandatory registration of all drones weighing 1kg or more from Monday, 21st December 2015.

 

The use of drones worldwide is expanding rapidly and there are estimated to be between 4,000 – 5,000 drones already in use in Ireland. Ireland has taken a proactive role in this fast emerging area and is currently one of only a handful of EU Member states that has legislation governing the use of drones.

 

The new legislation is intended to further enhance safety within Ireland and specifically addresses the safety challenges posed by drones.

 

From 21st December 2015, all drones weighing 1kg or more must be registered with the IAA via www.iaa.ie/drones. Drone registration is a simple two-step process. To register a drone, the registrant must be 16 years of age or older (Drones operated by those under 16 years of age must be registered by a parent or legal guardian). A nominal fee will apply from February 2016 but this has been initially waived by the IAA in order to encourage early registration.

  

Mr Ralph James, IAA Director of Safety Regulation, said

 

“Ireland is already recognised worldwide as a centre of excellence for civil aviation and the drone sector presents another major opportunity for Ireland. We’re closely working with industry to facilitate its successful development here. At the same time, safety is our top priority and we must ensure that drones are used in a safe way and that they do not interfere with all other forms of aviation.

 

Mr James explained that drone registration has been made a mandatory requirement as this will help the IAA to monitor the sector in the years ahead. The IAA encourages all drone operators to take part in training courses which are available through a number of approved drone training organisations.

 

“We would strongly encourage drone operators to register with us as quickly as possible, to complete a training course and to become aware of their responsibilities. People operating drones must do so in safe and responsible manner and in full compliance with the new regulations”, he said.

 

Welcoming the introduction of drone regulation, Minister for Transport, Tourism and Sport, Paschal Donohoe TD highlighted the importance of the new legislation and commended the IAA for the efficient manner to have the new registration system in place so quickly.

 

“The core safety message promoted today advocates the safe use of drones in civilian airspace. The development of drone technology brings opportunities as well as challenges for businesses and services in Ireland. I expect hundreds if not thousands of drones to be bought as presents this Christmas so getting the message to ensure that new owners and operators are aware of their responsibilities and the requirement to register all drones over 1 kg from 21st December 2015 is key. Tremendous potential exists for this sector and Ireland is at the forefront of its development. The speedy response by the IAA to this fast developing aviation area will make sure that drones are properly regulated and registered for use. As a result, Ireland is well placed to exploit the drone sector and to ensure industry growth in this area,” he said.

  

The new legislation prohibits users from operating their drones in an unsafe manner. This includes never operating a drone:

 

• if it will be a hazard to another aircraft in flight

• over an assembly of people

• farther than 300m from the operator

• within 120m of any person, vessel or structure not under the operator’s control

• closer than 5km from an aerodrome

• in a negligent or reckless manner so as to endanger life or property of others

• over 400ft (120m) above ground level

• over urban areas

• in civil of military controlled airspace

• in restricted areas (e.g. military installations, prisons, etc.)

• unless the operator has permission from the landowner for takeoff and landing.

  

For further information please visit www.iaa.ie/drones and see the IAA’s detailed Q&A sheet.

  

The Federal Aviation Administration has officially launched the drone registration program first reported in October. Drone operators are required to register their UAVs with the Unmanned Aircraft System registry starting December 21. Failure to register could result in criminal and civil penalties.

 

Under the new system, all aircraft must be registered with the FAA including those 'operated by modelers and hobbyists.' Once registered, drone operators must carry the registration certificate during operation. This new system only applies to drones weighing more than 0.55lbs/250g and less than 55lbs/25kg. The only exception to the registration requirement is indoor drone flights.

 

Required registration information includes a mailing address and physical address, email address, and full names; however, no information on the drone's make, model, or serial number is required from recreational users. Non-recreational users will need to provide drone information, including serial number, when that particular registration system goes live.

 

Failure to register could result in civil penalties up to $27,500, or criminal penalties up to 3 years in prison and $250,000. A $5 registration charge is applied, but will be refunded to those who register before January 20. The registration certificate is sent in an email to be printed at home.

The performance relates the shorter version of the epic Ramayana Saga with dancers playing as Rama, Shinta (Sita), Lakshmana, Rahwana (Ravana), Hanoman (Hanuman), Sugriwa (Sugriva), and other characters. The storyline starts when Prince Rama wanders into the woods with his wife Shinta and brother Lakshmana. There, the giant Rahwana kidnaps Shinta and holds her in his palace. Rama then seeks help and sends Lakhsmana to find his friend Sugriwa, the King of the Monkey Kingdom. Sugriwa sends his commander the white monkey, by the name of Hanoman, to check on Shinta in Rahwana’s Palace.

 

A dramatic scene is portrayed when Hanoman is captured by Rahwana’s troops and put inside a circle of fire to burn him alive. Instead of burning to crisp, the white monkey warrior remains unharmed and breaks out only to burn Rahwana’s palace instead. Thus, began the battle between the two forces.

 

At first, Rahwana and his troops manage to overrun Rama. However, Sugriwa and Hanoman then come to Rama’s aid along with the rest of the monkey troops, defeat the evil king once and for all

 

Taken @Bali, Indonesia

On the neck are representations of actions relating to animal sacrifice, while the body represents the duel between Achilles and Memnon flanked by their mothers, Thetis and Eos, attending Zeus, who weighs their souls on a balance; and on the other side the introduction of Herakles to Olympos.

 

Found at Cerveteri, Banditaccia Necropolis, without context. Named for the archaeologist who discovered it.

 

(Etruscan/Ionian) Black Figure hydria of the 'Campana Group', attributed to the Ribbon Painter (aka the 'Painter of Louvre E 737-739' or the 'Painter of Louvre E 739', a painter of possibly North Ionian Greek (Phokaean?) origin), dated stylistically to ca. 530/525 BCE, perhaps produced at Cerveteri or Vulci.

(Caere/Cerveteri/Caisra/Cisra/Agylla: Pleiades; PECS (Perseus); Wikipedia).

 

In the collection of the Museo Nazionale Etrusco di Villa Giulia, Rome, Italy (MiBACT; en.wikipedia), inv. 80983.

 

This photo is made available under a Attribution-NonCommercial-ShareAlike 2.0 Generic (CC BY-NC-SA 2.0) license. You may not use the material for commercial purposes.

This is the view from the beach in Strandhag Bay, ~500 m from Keswick's tourist boat quay. My knowledge of Norwegian/Icelandic is very limited (though mostly relating to topographic features!), but I think 'strandhag' is Norse: 'beach by the mound/hill', and it is indeed to the immediate south-east of Friar's Crag.

 

The trees at the far left are on Lord's Island, ~300 m. This was the home of the Earls of Derwentwater until the third earl was executed in 1716 for participation in the second abortive Jacobite Rising, and his estates were confiscated. The remains of the house were recycled into Keswick Moot Hall.

 

More obviously offshore, Rampsholme Island, ~900 m away, is Derwentwater's smallest and is named for the wild garlic (Old Norse: 'hrafns' and still 'ramsons' in English dialect) which grows there.

 

Shepherds Crag (~230 m) is 3.7 km from here, behind Lord's Island.

 

At the southern end of Derwentwater, the valley narrows at the 'Jaws of Borrowdale', defined here by King's How (392 m) 5.6 km away on Grange Fell, on the left, and Low Scawdel (itself a 521 m shoulder of High Spy) on the right. Two lower hills occupy the valley floor: Grange Crags (194 m), just distinguishable in front of Grange Fell, and Castle Crag, prominent in the middle of the valley 6½ km away despite being only 290 m asl.

 

Behind and to the right of King's How is Glaramara (783 m), 12 km from here. I think that's Esk Pike (885 m) 15 km away to its right and obscured by cloud.

 

Great End (910 m) is definitely in the gap to the right of Castle Crag, 14.3 km away, then Broad Crag (934 m) and Scafell Pike (978 m; England's tallest hill) towards the right of the skyline, 15.8 km from here.

This picture, taken on one of the saddest days of my entire life, tells only part of a story I wish I did not have to relate at all. I took it on December 15, 2015, and am posting it to Flickr the following day. It will be included in my "Spoots & Co." photo set, in which it will become a sort of punctuation mark because all of our household birds displayed in that set are now dead, with two of them having perished within 20 minutes of each other and the third -- Yo-yo, whose coffin is seen here -- perhaps six hours later. Their deaths, from which I am still reeling, resulted from a mistake on my part, one of such a nature that I was unlikely ever to make it in the first place.

 

The other two birds who perished that night were Spoots, my all-time favorite pet, and Boswell, a parakeet that we had acquired barely a year previously. (Oochie and Elbie Jaye died about six months apart in 2014, both apparently from causes incident to age.) The three birds were all healthy and relatively young, with Yo-yo and Spoots both being about ten years of age and Boswell perhaps two. They have all departed far too soon, and far too tragically.

 

This tragedy centers around a simple miscommunication between my wife and me, one that would quickly have been forgotten if the consequences had not been so terrible. Sometime around 6:30 on Sunday evening, December 13, she asked me to "put on some water" for her. I had just prepared a quick bite to eat, from which I assumed that she simply wanted me to boil some water for her, which I had just done myself. I filled a saucepan about half-full with water, placed it on the burner, and left to do something else. Almost immediately, I completely forgot about the burner and the pan I had left on it. (I learned later that Sheila had simply been asking me to put a new 5-gallon bottle on our water cooler. If I had not just cooked something, I would surely have understood what she meant, and the birds would still be alive now.)

 

The first hint of trouble came at about 8:15, when Boswell, the parakeet, suddenly fell off the perch in his cage and died. The cage was located in our living room, next to the television set, and at the time I was watching a program on the BYU Channel.

 

Shocked and puzzled over what could possibly have caused this, I took Boswell into the kitchen to prepare a burial shroud for him. At this point I was horrified to see that pan still on the stove, with all of the water in it having boiled away and the burner still on. I knew immediately what had happened and looked over at the other birds, whose cages were about 10 or 12 feet from the stove. Yo-yo, whose cage was nearest the stove, appeared okay, but Spoots was obviously in serious distress and having difficulty breathing. After turning off the stove and placing the pan in our sink, I took Spoots out of his cage and carried him into the living room. He was unsteady on his feet and still panting, but he managed to climb onto my shoulder and nuzzle me one last time; however, it was apparent that he, too, was dying, and he was in fact gone within about five minutes. If he had to go so soon, I will always be grateful that at least I was with him and holding him when he died. I have never had a more delightful pet, and his loss hits me especially hard.

 

I buried both birds in our yard and spent the next three hours in our living room, watching Yo-yo very closely. Apart from being a bit more subdued than usual, he seemed okay and acted normally, climbing out of his cage, vocalizing in his normal manner, and even flying across the room at one point and then walking back to his cage. At about 11:45 p.m. I covered his cage and went to bed, but slept only two or three hours that night, and very fitfully. Sheila told me she heard a rustling from Yo-yo's cage sometime after I fell asleep, but such sounds are in no way unusual and she thought nothing more of it.

 

I arose at 5:45 Monday morning, immediately checked Yo-yo's cage, and saw that he, too, was now dead. I told my wife the news, adding that she did not need to uncover him and that I would bury him after returning home from work that evening. I only worked half a day and came home early, having decided in the meantime to have a necropsy performed on Yo-yo. That had not been my original intention, but it was obvious that whatever killed him had killed the other two birds as well, and I figured that knowing what had caused their deaths would help me decide whether or when to get any new birds. (Although the fumes were always suspected, I also considered the possibility that some kind of virus or bacterial agent had done them in, and I did not want to risk bringing in a new bird with something of that nature still lurking in the environment.)

 

I took Yo-yo to an animal clinic to have the necropsy performed. The veterinarian who assisted me was helpful, reassuring, and sensitive, and I plan to use her in the future, I hope under much happier circumstances. I told her the whole story in detail, adding that even though this was an accident, I knew it would haunt me for the rest of my life to know that something I had done, however inadvertently, had killed all three of my birds. The vet told me more than once that I needed to get another bird, or birds, and everyone else I spoke with agrees with her. (I suppose it is a foregone conclusion that I would do so anyway; Spoots, after all, proved to be the main thing that helped me to recover from losing Ceci, another of our cockatiels, nearly ten years ago.)

 

I told the vet that I wanted to pick up the body afterward and bury Yo-yo in our backyard. She gave me a few minutes to be alone with him, during which I was struck by how healthy and robust he appeared, even in death. The necropsy results, which she reported to me the next morning, confirmed this, which offered me some reassurance that at least I had taken good care of him throughout his life. The necropsy also confirmed that the cause of death had indeed been toxic fumes. (The pan I had used to boil the water -- and which I had used hundreds of times previously with the birds nearby, with no adverse results -- apparently had some kind of nonstick coating. If those coatings are overheated, they can then burn away, emitting noxious fumes, to which small birds are especially sensitive. I threw the pan away immediately, assuming it was no longer safe to use at all with any birds around.)

 

I attended the Gilbert Arizona LDS Temple early Tuesday morning and cried the whole time I was driving there. I cried again when I picked up Yo-yo's body and thanked the vet for all she had done. The people at the clinic had placed Yo-yo in the box shown here, with the faux coffin handles printed on the sides and his name written on the top, on a simulated brass plate. I never opened the box, preferring instead to remember Yo-yo the way he was the last time I looked upon him, which is when he and I were alone together in that clinic. Shortly after 4:00 that afternoon, I buried Yo-yo in our backyard in a flower bed where Oochie, Elbie, Spoots, and Boswell were already buried. I hope I don't have to do that again for a very long time.

 

I returned to work on Wednesday -- today, as I write this -- but I am still barely able to handle my normal work routine, and probably will stumble through the rest of the week even though I plan to come in every day. After December 18 -- this Friday -- I am off until after the first of the year, and that long-anticipated break could not be more welcome at this particular time. For the moment, we have no birds in our home for the first time in 17 years, although I expect that to change sometime in the next couple of weeks. The first newcomer will probably be a lovebird. Over time, perhaps within two or three months, I will probably pick up a couple of new cockatiels, too. The birds have been so much a part of my life that I simply cannot imagine not having them around, and even Yo-yo's sometimes obnoxious screeching would be music to my ears right now.

I don't tend to put much relating to the modern world of our nation's rail system on here, primarily because there's not too much that excites me about it. However, after a trip to Liverpool docks to drop off a minibus, I returned to Longport (the closest station to 'work') only to pass a Colas train chomping at the bit to be let out of the Land Recovery site half a mile before the station. Having persuaded my lift to wait a few minutes a took the gamble the 56 would be let out as soon as a path was available.

Unusually for my luck, within ten minutes 56.051 made its presence known with a loaded train in tow. It's only a phone camera shot, but I thought afterwards that I should have videoed it.

Back in 1988 when we started our Knotty Bus business, our yard was adjacent to this piece of railway and 56s were an every day part of our life. If we were on a telephone call in our caravan office, we used to have to ask the other party to hang on a minute whilst the 'screaming Grid' concerned got its loaded train of Merry-go-round hoppers underway from the open-cast disposal site in Chatterley Valley.

How does this image relate to the Ball of Light Documentary?

 

vimeo.com/21338911

 

In many ways. My great friend Sam who created the Ball of Light Documentary is at a Documentary Makers Conference this week that he received as a prize for winning the South Australian Screen Awards Documentary of the Year for he Ball of Light Documentary. An amazing feat considering the quality of competition.

 

So this is super exciting on its own. BUT, I was just looking on Vimeo at the Ball of LIght Documentary page and it is at 199,000 views! Yes thats right, 199,000 people have watched the documentary about the Ball of Light, about me and the changes I have made in my life. That is nuts, 199,000 people. And it grows by 50-100 each and every day. That blows my mind.

 

I receive emails daily (2 today) from people who have watched this film and have been inspired and excited about it. Have decided to have a go at trying light painting, or want to make change in their own life. THAT is exciting to me. It puts bubbles in my brain.

 

I am also asked daily (yes 1 already today) about how to create an orb. Now we know there are tonnes of tutorials online, many of them great, about how to create an orb, and the tools to do it, but (and here is how the image above relates) in the documentary the final scene is me standing and creating THIS image. If you look closely you can see exactly how I move to make it happen.

 

So, if you havent seen the doco, the link is above. It is worth a watch, and if anything you'll have a laugh at seeing my mug. Most of all have fun, be inspired and have a go.

 

Peace, Denis

Uses: Anything relating to finance and money.

 

Free Creative Commons Finance Images... I created these images in my studio and have made them all available for personal or commercial use. Hope you like them and find them useful.

 

To see more of our CC by 2.0 finance images click here... see profile for attribution.

 

Uses: Anything relating to savings and finance.

 

Blog relating to this story .... peterjemmett.blogspot.com/2019/10/heart-attack-to-10k-par...

Ganesha, also spelled Ganesh, and also known as Ganapati and Vinayaka, is a widely worshipped deity in the Hindu pantheon. His image is found throughout India and Nepal. Hindu sects worship him regardless of affiliations. Devotion to Ganesha is widely diffused and extends to Jains, Buddhists, and beyond India.

 

Although he is known by many attributes, Ganesha's elephant head makes him easy to identify. Ganesha is widely revered as the remover of obstacles, the patron of arts and sciences and the deva of intellect and wisdom. As the god of beginnings, he is honoured at the start of rituals and ceremonies. Ganesha is also invoked as patron of letters and learning during writing sessions. Several texts relate mythological anecdotes associated with his birth and exploits and explain his distinct iconography.

 

Ganesha emerged as a distinct deity in the 4th and 5th centuries CE, during the Gupta Period, although he inherited traits from Vedic and pre-Vedic precursors. He was formally included among the five primary deities of Smartism (a Hindu denomination) in the 9th century. A sect of devotees called the Ganapatya arose, who identified Ganesha as the supreme deity. The principal scriptures dedicated to Ganesha are the Ganesha Purana, the Mudgala Purana, and the Ganapati Atharvashirsa.

 

ETYMOLOGY AND OTHER NAMES

Ganesha has been ascribed many other titles and epithets, including Ganapati and Vighneshvara. The Hindu title of respect Shri is often added before his name. One popular way Ganesha is worshipped is by chanting a Ganesha Sahasranama, a litany of "a thousand names of Ganesha". Each name in the sahasranama conveys a different meaning and symbolises a different aspect of Ganesha. At least two different versions of the Ganesha Sahasranama exist; one version is drawn from the Ganesha Purana, a Hindu scripture venerating Ganesha.

 

The name Ganesha is a Sanskrit compound, joining the words gana, meaning a group, multitude, or categorical system and isha, meaning lord or master. The word gaņa when associated with Ganesha is often taken to refer to the gaņas, a troop of semi-divine beings that form part of the retinue of Shiva. The term more generally means a category, class, community, association, or corporation. Some commentators interpret the name "Lord of the Gaņas" to mean "Lord of Hosts" or "Lord of created categories", such as the elements. Ganapati, a synonym for Ganesha, is a compound composed of gaṇa, meaning "group", and pati, meaning "ruler" or "lord". The Amarakosha, an early Sanskrit lexicon, lists eight synonyms of Ganesha : Vinayaka, Vighnarāja (equivalent to Vighnesha), Dvaimātura (one who has two mothers), Gaṇādhipa (equivalent to Ganapati and Ganesha), Ekadanta (one who has one tusk), Heramba, Lambodara (one who has a pot belly, or, literally, one who has a hanging belly), and Gajanana; having the face of an elephant).

 

Vinayaka is a common name for Ganesha that appears in the Purāṇas and in Buddhist Tantras. This name is reflected in the naming of the eight famous Ganesha temples in Maharashtra known as the Ashtavinayak (aṣṭavināyaka). The names Vighnesha and Vighneshvara (Lord of Obstacles) refers to his primary function in Hindu theology as the master and remover of obstacles (vighna).

 

A prominent name for Ganesha in the Tamil language is Pillai. A. K. Narain differentiates these terms by saying that pillai means a "child" while pillaiyar means a "noble child". He adds that the words pallu, pella, and pell in the Dravidian family of languages signify "tooth or tusk", also "elephant tooth or tusk". Anita Raina Thapan notes that the root word pille in the name Pillaiyar might have originally meant "the young of the elephant", because the Pali word pillaka means "a young elephant".

 

In the Burmese language, Ganesha is known as Maha Peinne, derived from Pali Mahā Wināyaka. The widespread name of Ganesha in Thailand is Phra Phikhanet or Phra Phikhanesuan, both of which are derived from Vara Vighnesha and Vara Vighneshvara respectively, whereas the name Khanet (from Ganesha) is rather rare.

 

In Sri Lanka, in the North-Central and North Western areas with predominantly Buddhist population, Ganesha is known as Aiyanayaka Deviyo, while in other Singhala Buddhist areas he is known as Gana deviyo.

 

ICONOGRAPHY

Ganesha is a popular figure in Indian art. Unlike those of some deities, representations of Ganesha show wide variations and distinct patterns changing over time. He may be portrayed standing, dancing, heroically taking action against demons, playing with his family as a boy, sitting down or on an elevated seat, or engaging in a range of contemporary situations.

 

Ganesha images were prevalent in many parts of India by the 6th century. The 13th century statue pictured is typical of Ganesha statuary from 900–1200, after Ganesha had been well-established as an independent deity with his own sect. This example features some of Ganesha's common iconographic elements. A virtually identical statue has been dated between 973–1200 by Paul Martin-Dubost, and another similar statue is dated c. 12th century by Pratapaditya Pal. Ganesha has the head of an elephant and a big belly. This statue has four arms, which is common in depictions of Ganesha. He holds his own broken tusk in his lower-right hand and holds a delicacy, which he samples with his trunk, in his lower-left hand. The motif of Ganesha turning his trunk sharply to his left to taste a sweet in his lower-left hand is a particularly archaic feature. A more primitive statue in one of the Ellora Caves with this general form has been dated to the 7th century. Details of the other hands are difficult to make out on the statue shown. In the standard configuration, Ganesha typically holds an axe or a goad in one upper arm and a pasha (noose) in the other upper arm.

 

The influence of this old constellation of iconographic elements can still be seen in contemporary representations of Ganesha. In one modern form, the only variation from these old elements is that the lower-right hand does not hold the broken tusk but is turned towards the viewer in a gesture of protection or fearlessness (abhaya mudra). The same combination of four arms and attributes occurs in statues of Ganesha dancing, which is a very popular theme.

 

COMMON ATTRIBUTES

Ganesha has been represented with the head of an elephant since the early stages of his appearance in Indian art. Puranic myths provide many explanations for how he got his elephant head. One of his popular forms, Heramba-Ganapati, has five elephant heads, and other less-common variations in the number of heads are known. While some texts say that Ganesha was born with an elephant head, he acquires the head later in most stories. The most recurrent motif in these stories is that Ganesha was created by Parvati using clay to protect her and Shiva beheaded him when Ganesha came between Shiva and Parvati. Shiva then replaced Ganesha's original head with that of an elephant. Details of the battle and where the replacement head came from vary from source to source. Another story says that Ganesha was created directly by Shiva's laughter. Because Shiva considered Ganesha too alluring, he gave him the head of an elephant and a protruding belly.

 

Ganesha's earliest name was Ekadanta (One Tusked), referring to his single whole tusk, the other being broken. Some of the earliest images of Ganesha show him holding his broken tusk. The importance of this distinctive feature is reflected in the Mudgala Purana, which states that the name of Ganesha's second incarnation is Ekadanta. Ganesha's protruding belly appears as a distinctive attribute in his earliest statuary, which dates to the Gupta period (4th to 6th centuries). This feature is so important that, according to the Mudgala Purana, two different incarnations of Ganesha use names based on it: Lambodara (Pot Belly, or, literally, Hanging Belly) and Mahodara (Great Belly). Both names are Sanskrit compounds describing his belly. The Brahmanda Purana says that Ganesha has the name Lambodara because all the universes (i.e., cosmic eggs) of the past, present, and future are present in him. The number of Ganesha's arms varies; his best-known forms have between two and sixteen arms. Many depictions of Ganesha feature four arms, which is mentioned in Puranic sources and codified as a standard form in some iconographic texts. His earliest images had two arms. Forms with 14 and 20 arms appeared in Central India during the 9th and the 10th centuries. The serpent is a common feature in Ganesha iconography and appears in many forms. According to the Ganesha Purana, Ganesha wrapped the serpent Vasuki around his neck. Other depictions of snakes include use as a sacred thread wrapped around the stomach as a belt, held in a hand, coiled at the ankles, or as a throne. Upon Ganesha's forehead may be a third eye or the Shaivite sectarian mark , which consists of three horizontal lines. The Ganesha Purana prescribes a tilaka mark as well as a crescent moon on the forehead. A distinct form of Ganesha called Bhalachandra includes that iconographic element. Ganesha is often described as red in color. Specific colors are associated with certain forms. Many examples of color associations with specific meditation forms are prescribed in the Sritattvanidhi, a treatise on Hindu iconography. For example, white is associated with his representations as Heramba-Ganapati and Rina-Mochana-Ganapati (Ganapati Who Releases from Bondage). Ekadanta-Ganapati is visualized as blue during meditation in that form.

 

VAHANAS

The earliest Ganesha images are without a vahana (mount/vehicle). Of the eight incarnations of Ganesha described in the Mudgala Purana, Ganesha uses a mouse (shrew) in five of them, a lion in his incarnation as Vakratunda, a peacock in his incarnation as Vikata, and Shesha, the divine serpent, in his incarnation as Vighnaraja. Mohotkata uses a lion, Mayūreśvara uses a peacock, Dhumraketu uses a horse, and Gajanana uses a mouse, in the four incarnations of Ganesha listed in the Ganesha Purana. Jain depictions of Ganesha show his vahana variously as a mouse, elephant, tortoise, ram, or peacock.

 

Ganesha is often shown riding on or attended by a mouse, shrew or rat. Martin-Dubost says that the rat began to appear as the principal vehicle in sculptures of Ganesha in central and western India during the 7th century; the rat was always placed close to his feet. The mouse as a mount first appears in written sources in the Matsya Purana and later in the Brahmananda Purana and Ganesha Purana, where Ganesha uses it as his vehicle in his last incarnation. The Ganapati Atharvashirsa includes a meditation verse on Ganesha that describes the mouse appearing on his flag. The names Mūṣakavāhana (mouse-mount) and Ākhuketana (rat-banner) appear in the Ganesha Sahasranama.

 

The mouse is interpreted in several ways. According to Grimes, "Many, if not most of those who interpret Gaṇapati's mouse, do so negatively; it symbolizes tamoguṇa as well as desire". Along these lines, Michael Wilcockson says it symbolizes those who wish to overcome desires and be less selfish. Krishan notes that the rat is destructive and a menace to crops. The Sanskrit word mūṣaka (mouse) is derived from the root mūṣ (stealing, robbing). It was essential to subdue the rat as a destructive pest, a type of vighna (impediment) that needed to be overcome. According to this theory, showing Ganesha as master of the rat demonstrates his function as Vigneshvara (Lord of Obstacles) and gives evidence of his possible role as a folk grāma-devatā (village deity) who later rose to greater prominence. Martin-Dubost notes a view that the rat is a symbol suggesting that Ganesha, like the rat, penetrates even the most secret places.

 

ASSOCIATIONS

 

OBSTACLES

Ganesha is Vighneshvara or Vighnaraja or Vighnaharta (Marathi), the Lord of Obstacles, both of a material and spiritual order. He is popularly worshipped as a remover of obstacles, though traditionally he also places obstacles in the path of those who need to be checked. Paul Courtright says that "his task in the divine scheme of things, his dharma, is to place and remove obstacles. It is his particular territory, the reason for his creation."

 

Krishan notes that some of Ganesha's names reflect shadings of multiple roles that have evolved over time. Dhavalikar ascribes the quick ascension of Ganesha in the Hindu pantheon, and the emergence of the Ganapatyas, to this shift in emphasis from vighnakartā (obstacle-creator) to vighnahartā (obstacle-averter). However, both functions continue to be vital to his character.

 

BUDDHI (KNOWLEDGE)

Ganesha is considered to be the Lord of letters and learning. In Sanskrit, the word buddhi is a feminine noun that is variously translated as intelligence, wisdom, or intellect. The concept of buddhi is closely associated with the personality of Ganesha, especially in the Puranic period, when many stories stress his cleverness and love of intelligence. One of Ganesha's names in the Ganesha Purana and the Ganesha Sahasranama is Buddhipriya. This name also appears in a list of 21 names at the end of the Ganesha Sahasranama that Ganesha says are especially important. The word priya can mean "fond of", and in a marital context it can mean "lover" or "husband", so the name may mean either "Fond of Intelligence" or "Buddhi's Husband".

 

AUM

Ganesha is identified with the Hindu mantra Aum, also spelled Om. The term oṃkārasvarūpa (Aum is his form), when identified with Ganesha, refers to the notion that he personifies the primal sound. The Ganapati Atharvashirsa attests to this association. Chinmayananda translates the relevant passage as follows:

 

(O Lord Ganapati!) You are (the Trinity) Brahma, Vishnu, and Mahesa. You are Indra. You are fire [Agni] and air [Vāyu]. You are the sun [Sūrya] and the moon [Chandrama]. You are Brahman. You are (the three worlds) Bhuloka [earth], Antariksha-loka [space], and Swargaloka [heaven]. You are Om. (That is to say, You are all this).

 

Some devotees see similarities between the shape of Ganesha's body in iconography and the shape of Aum in the Devanāgarī and Tamil scripts.

 

FIRST CHAKRA

According to Kundalini yoga, Ganesha resides in the first chakra, called Muladhara (mūlādhāra). Mula means "original, main"; adhara means "base, foundation". The muladhara chakra is the principle on which the manifestation or outward expansion of primordial Divine Force rests. This association is also attested to in the Ganapati Atharvashirsa. Courtright translates this passage as follows: "[O Ganesha,] You continually dwell in the sacral plexus at the base of the spine [mūlādhāra cakra]." Thus, Ganesha has a permanent abode in every being at the Muladhara. Ganesha holds, supports and guides all other chakras, thereby "governing the forces that propel the wheel of life".

 

FAMILY AND CONSORTS

Though Ganesha is popularly held to be the son of Shiva and Parvati, the Puranic myths give different versions about his birth. In some he was created by Parvati, in another he was created by Shiva and Parvati, in another he appeared mysteriously and was discovered by Shiva and Parvati or he was born from the elephant headed goddess Malini after she drank Parvati's bath water that had been thrown in the river.

 

The family includes his brother the war god Kartikeya, who is also called Subramanya, Skanda, Murugan and other names. Regional differences dictate the order of their births. In northern India, Skanda is generally said to be the elder, while in the south, Ganesha is considered the first born. In northern India, Skanda was an important martial deity from about 500 BCE to about 600 CE, when worship of him declined significantly in northern India. As Skanda fell, Ganesha rose. Several stories tell of sibling rivalry between the brothers and may reflect sectarian tensions.

 

Ganesha's marital status, the subject of considerable scholarly review, varies widely in mythological stories. One pattern of myths identifies Ganesha as an unmarried brahmacari. This view is common in southern India and parts of northern India. Another pattern associates him with the concepts of Buddhi (intellect), Siddhi (spiritual power), and Riddhi (prosperity); these qualities are sometimes personified as goddesses, said to be Ganesha's wives. He also may be shown with a single consort or a nameless servant (Sanskrit: daşi). Another pattern connects Ganesha with the goddess of culture and the arts, Sarasvati or Śarda (particularly in Maharashtra). He is also associated with the goddess of luck and prosperity, Lakshmi. Another pattern, mainly prevalent in the Bengal region, links Ganesha with the banana tree, Kala Bo.

 

The Shiva Purana says that Ganesha had begotten two sons: Kşema (prosperity) and Lābha (profit). In northern Indian variants of this story, the sons are often said to be Śubha (auspiciouness) and Lābha. The 1975 Hindi film Jai Santoshi Maa shows Ganesha married to Riddhi and Siddhi and having a daughter named Santoshi Ma, the goddess of satisfaction. This story has no Puranic basis, but Anita Raina Thapan and Lawrence Cohen cite Santoshi Ma's cult as evidence of Ganesha's continuing evolution as a popular deity.

 

WOSHIP AND FESTIVALS

Ganesha is worshipped on many religious and secular occasions; especially at the beginning of ventures such as buying a vehicle or starting a business. K.N. Somayaji says, "there can hardly be a [Hindu] home [in India] which does not house an idol of Ganapati. [..] Ganapati, being the most popular deity in India, is worshipped by almost all castes and in all parts of the country". Devotees believe that if Ganesha is propitiated, he grants success, prosperity and protection against adversity.

 

Ganesha is a non-sectarian deity, and Hindus of all denominations invoke him at the beginning of prayers, important undertakings, and religious ceremonies. Dancers and musicians, particularly in southern India, begin performances of arts such as the Bharatnatyam dance with a prayer to Ganesha. Mantras such as Om Shri Gaṇeshāya Namah (Om, salutation to the Illustrious Ganesha) are often used. One of the most famous mantras associated with Ganesha is Om Gaṃ Ganapataye Namah (Om, Gaṃ, Salutation to the Lord of Hosts).

 

Devotees offer Ganesha sweets such as modaka and small sweet balls (laddus). He is often shown carrying a bowl of sweets, called a modakapātra. Because of his identification with the color red, he is often worshipped with red sandalwood paste (raktacandana) or red flowers. Dūrvā grass (Cynodon dactylon) and other materials are also used in his worship.

 

Festivals associated with Ganesh are Ganesh Chaturthi or Vināyaka chaturthī in the śuklapakṣa (the fourth day of the waxing moon) in the month of bhādrapada (August/September) and the Gaṇeśa jayanti (Gaṇeśa's birthday) celebrated on the cathurthī of the śuklapakṣa (fourth day of the waxing moon) in the month of māgha (January/February)."

 

GANESH CHATURTI

An annual festival honours Ganesha for ten days, starting on Ganesha Chaturthi, which typically falls in late August or early September. The festival begins with people bringing in clay idols of Ganesha, symbolising Ganesha's visit. The festival culminates on the day of Ananta Chaturdashi, when idols (murtis) of Ganesha are immersed in the most convenient body of water. Some families have a tradition of immersion on the 2nd, 3rd, 5th, or 7th day. In 1893, Lokmanya Tilak transformed this annual Ganesha festival from private family celebrations into a grand public event. He did so "to bridge the gap between the Brahmins and the non-Brahmins and find an appropriate context in which to build a new grassroots unity between them" in his nationalistic strivings against the British in Maharashtra. Because of Ganesha's wide appeal as "the god for Everyman", Tilak chose him as a rallying point for Indian protest against British rule. Tilak was the first to install large public images of Ganesha in pavilions, and he established the practice of submerging all the public images on the tenth day. Today, Hindus across India celebrate the Ganapati festival with great fervour, though it is most popular in the state of Maharashtra. The festival also assumes huge proportions in Mumbai, Pune, and in the surrounding belt of Ashtavinayaka temples.

 

TEMPLES

In Hindu temples, Ganesha is depicted in various ways: as an acolyte or subordinate deity (pãrśva-devatã); as a deity related to the principal deity (parivāra-devatã); or as the principal deity of the temple (pradhāna), treated similarly as the highest gods of the Hindu pantheon. As the god of transitions, he is placed at the doorway of many Hindu temples to keep out the unworthy, which is analogous to his role as Parvati’s doorkeeper. In addition, several shrines are dedicated to Ganesha himself, of which the Ashtavinayak (lit. "eight Ganesha (shrines)") in Maharashtra are particularly well known. Located within a 100-kilometer radius of the city of Pune, each of these eight shrines celebrates a particular form of Ganapati, complete with its own lore and legend. The eight shrines are: Morgaon, Siddhatek, Pali, Mahad, Theur, Lenyadri, Ozar and Ranjangaon.

 

There are many other important Ganesha temples at the following locations: Wai in Maharashtra; Ujjain in Madhya Pradesh; Jodhpur, Nagaur and Raipur (Pali) in Rajasthan; Baidyanath in Bihar; Baroda, Dholaka, and Valsad in Gujarat and Dhundiraj Temple in Varanasi, Uttar Pradesh. Prominent Ganesha temples in southern India include the following: Kanipakam in Chittoor; the Jambukeśvara Temple at Tiruchirapalli; at Rameshvaram and Suchindram in Tamil Nadu; at Malliyur, Kottarakara, Pazhavangadi, Kasargod in Kerala, Hampi, and Idagunji in Karnataka; and Bhadrachalam in Andhra Pradesh.

 

T. A. Gopinatha notes, "Every village however small has its own image of Vighneśvara (Vigneshvara) with or without a temple to house it in. At entrances of villages and forts, below pīpaḹa (Sacred fig) trees [...], in a niche [...] in temples of Viṣṇu (Vishnu) as well as Śiva (Shiva) and also in separate shrines specially constructed in Śiva temples [...]; the figure of Vighneśvara is invariably seen." Ganesha temples have also been built outside of India, including southeast Asia, Nepal (including the four Vinayaka shrines in the Kathmandu valley), and in several western countries.

 

RISE TO PROMINENCE

 

FIRST APEARANCE

Ganesha appeared in his classic form as a clearly recognizable deity with well-defined iconographic attributes in the early 4th to 5th centuries. Shanti Lal Nagar says that the earliest known iconic image of Ganesha is in the niche of the Shiva temple at Bhumra, which has been dated to the Gupta period. His independent cult appeared by about the 10th century. Narain summarizes the controversy between devotees and academics regarding the development of Ganesha as follows:

 

What is inscrutable is the somewhat dramatic appearance of Gaņeśa on the historical scene. His antecedents are not clear. His wide acceptance and popularity, which transcend sectarian and territorial limits, are indeed amazing. On the one hand there is the pious belief of the orthodox devotees in Gaņeśa's Vedic origins and in the Purāṇic explanations contained in the confusing, but nonetheless interesting, mythology. On the other hand there are doubts about the existence of the idea and the icon of this deity" before the fourth to fifth century A.D. ... [I]n my opinion, indeed there is no convincing evidence of the existence of this divinity prior to the fifth century.

 

POSSIBLE INFLUENCES

Courtright reviews various speculative theories about the early history of Ganesha, including supposed tribal traditions and animal cults, and dismisses all of them in this way:

 

In the post 600 BC period there is evidence of people and places named after the animal. The motif appears on coins and sculptures.

 

Thapan's book on the development of Ganesha devotes a chapter to speculations about the role elephants had in early India but concludes that, "although by the second century CE the elephant-headed yakṣa form exists it cannot be presumed to represent Gaṇapati-Vināyaka. There is no evidence of a deity by this name having an elephant or elephant-headed form at this early stage. Gaṇapati-Vināyaka had yet to make his debut."

 

One theory of the origin of Ganesha is that he gradually came to prominence in connection with the four Vinayakas (Vināyakas). In Hindu mythology, the Vināyakas were a group of four troublesome demons who created obstacles and difficulties but who were easily propitiated. The name Vināyaka is a common name for Ganesha both in the Purāṇas and in Buddhist Tantras. Krishan is one of the academics who accepts this view, stating flatly of Ganesha, "He is a non-vedic god. His origin is to be traced to the four Vināyakas, evil spirits, of the Mānavagŗhyasūtra (7th–4th century BCE) who cause various types of evil and suffering". Depictions of elephant-headed human figures, which some identify with Ganesha, appear in Indian art and coinage as early as the 2nd century. According to Ellawala, the elephant-headed Ganesha as lord of the Ganas was known to the people of Sri Lanka in the early pre-Christian era.

 

A metal plate depiction of Ganesha had been discovered in 1993, in Iran, it dated back to 1,200 BCE. Another one was discovered much before, in Lorestan Province of Iran.

 

First Ganesha's terracotta images are from 1st century CE found in Ter, Pal, Verrapuram and Chandraketugarh. These figures are small, with elephant head, two arms, and chubby physique. The earliest Ganesha icons in stone were carved in Mathura during Kushan times (2nd-3rd centuries CE).

 

VEDIC AND EPIC LITERATURE

The title "Leader of the group" (Sanskrit: gaṇapati) occurs twice in the Rig Veda, but in neither case does it refer to the modern Ganesha. The term appears in RV 2.23.1 as a title for Brahmanaspati, according to commentators. While this verse doubtless refers to Brahmanaspati, it was later adopted for worship of Ganesha and is still used today. In rejecting any claim that this passage is evidence of Ganesha in the Rig Veda, Ludo Rocher says that it "clearly refers to Bṛhaspati—who is the deity of the hymn—and Bṛhaspati only". Equally clearly, the second passage (RV 10.112.9) refers to Indra, who is given the epithet 'gaṇapati', translated "Lord of the companies (of the Maruts)." However, Rocher notes that the more recent Ganapatya literature often quotes the Rigvedic verses to give Vedic respectability to Ganesha .

 

Two verses in texts belonging to Black Yajurveda, Maitrāyaṇīya Saṃhitā (2.9.1) and Taittirīya Āraṇyaka (10.1), appeal to a deity as "the tusked one" (Dantiḥ), "elephant-faced" (Hastimukha), and "with a curved trunk" (Vakratuņḍa). These names are suggestive of Ganesha, and the 14th century commentator Sayana explicitly establishes this identification. The description of Dantin, possessing a twisted trunk (vakratuṇḍa) and holding a corn-sheaf, a sugar cane, and a club, is so characteristic of the Puranic Ganapati that Heras says "we cannot resist to accept his full identification with this Vedic Dantin". However, Krishan considers these hymns to be post-Vedic additions. Thapan reports that these passages are "generally considered to have been interpolated". Dhavalikar says, "the references to the elephant-headed deity in the Maitrāyaṇī Saṃhitā have been proven to be very late interpolations, and thus are not very helpful for determining the early formation of the deity".

 

Ganesha does not appear in Indian epic literature that is dated to the Vedic period. A late interpolation to the epic poem Mahabharata says that the sage Vyasa (Vyāsa) asked Ganesha to serve as his scribe to transcribe the poem as he dictated it to him. Ganesha agreed but only on condition that Vyasa recite the poem uninterrupted, that is, without pausing. The sage agreed, but found that to get any rest he needed to recite very complex passages so Ganesha would have to ask for clarifications. The story is not accepted as part of the original text by the editors of the critical edition of the Mahabharata, in which the twenty-line story is relegated to a footnote in an appendix. The story of Ganesha acting as the scribe occurs in 37 of the 59 manuscripts consulted during preparation of the critical edition. Ganesha's association with mental agility and learning is one reason he is shown as scribe for Vyāsa's dictation of the Mahabharata in this interpolation. Richard L. Brown dates the story to the 8th century, and Moriz Winternitz concludes that it was known as early as c. 900, but it was not added to the Mahabharata some 150 years later. Winternitz also notes that a distinctive feature in South Indian manuscripts of the Mahabharata is their omission of this Ganesha legend. The term vināyaka is found in some recensions of the Śāntiparva and Anuśāsanaparva that are regarded as interpolations. A reference to Vighnakartṛīṇām ("Creator of Obstacles") in Vanaparva is also believed to be an interpolation and does not appear in the critical edition.

 

PURANIC PERIOD

Stories about Ganesha often occur in the Puranic corpus. Brown notes while the Puranas "defy precise chronological ordering", the more detailed narratives of Ganesha's life are in the late texts, c. 600–1300. Yuvraj Krishan says that the Puranic myths about the birth of Ganesha and how he acquired an elephant's head are in the later Puranas, which were composed from c. 600 onwards. He elaborates on the matter to say that references to Ganesha in the earlier Puranas, such as the Vayu and Brahmanda Puranas, are later interpolations made during the 7th to 10th centuries.

 

In his survey of Ganesha's rise to prominence in Sanskrit literature, Ludo Rocher notes that:

 

Above all, one cannot help being struck by the fact that the numerous stories surrounding Gaṇeśa concentrate on an unexpectedly limited number of incidents. These incidents are mainly three: his birth and parenthood, his elephant head, and his single tusk. Other incidents are touched on in the texts, but to a far lesser extent.

 

Ganesha's rise to prominence was codified in the 9th century, when he was formally included as one of the five primary deities of Smartism. The 9th-century philosopher Adi Shankara popularized the "worship of the five forms" (Panchayatana puja) system among orthodox Brahmins of the Smarta tradition. This worship practice invokes the five deities Ganesha, Vishnu, Shiva, Devi, and Surya. Adi Shankara instituted the tradition primarily to unite the principal deities of these five major sects on an equal status. This formalized the role of Ganesha as a complementary deity.

 

SCRIPTURES

Once Ganesha was accepted as one of the five principal deities of Brahmanism, some Brahmins (brāhmaṇas) chose to worship Ganesha as their principal deity. They developed the Ganapatya tradition, as seen in the Ganesha Purana and the Mudgala Purana.

 

The date of composition for the Ganesha Purana and the Mudgala Purana - and their dating relative to one another - has sparked academic debate. Both works were developed over time and contain age-layered strata. Anita Thapan reviews comments about dating and provides her own judgement. "It seems likely that the core of the Ganesha Purana appeared around the twelfth and thirteenth centuries", she says, "but was later interpolated." Lawrence W. Preston considers the most reasonable date for the Ganesha Purana to be between 1100 and 1400, which coincides with the apparent age of the sacred sites mentioned by the text.

 

R.C. Hazra suggests that the Mudgala Purana is older than the Ganesha Purana, which he dates between 1100 and 1400. However, Phyllis Granoff finds problems with this relative dating and concludes that the Mudgala Purana was the last of the philosophical texts concerned with Ganesha. She bases her reasoning on the fact that, among other internal evidence, the Mudgala Purana specifically mentions the Ganesha Purana as one of the four Puranas (the Brahma, the Brahmanda, the Ganesha, and the Mudgala Puranas) which deal at length with Ganesha. While the kernel of the text must be old, it was interpolated until the 17th and 18th centuries as the worship of Ganapati became more important in certain regions. Another highly regarded scripture, the Ganapati Atharvashirsa, was probably composed during the 16th or 17th centuries.

 

BEYOND INDIA AND HINDUISM

Commercial and cultural contacts extended India's influence in western and southeast Asia. Ganesha is one of a number of Hindu deities who reached foreign lands as a result.

 

Ganesha was particularly worshipped by traders and merchants, who went out of India for commercial ventures. From approximately the 10th century onwards, new networks of exchange developed including the formation of trade guilds and a resurgence of money circulation. During this time, Ganesha became the principal deity associated with traders. The earliest inscription invoking Ganesha before any other deity is associated with the merchant community.

 

Hindus migrated to Maritime Southeast Asia and took their culture, including Ganesha, with them. Statues of Ganesha are found throughout the region, often beside Shiva sanctuaries. The forms of Ganesha found in Hindu art of Java, Bali, and Borneo show specific regional influences. The spread of Hindu culture to southeast Asia established Ganesha in modified forms in Burma, Cambodia, and Thailand. In Indochina, Hinduism and Buddhism were practiced side by side, and mutual influences can be seen in the iconography of Ganesha in the region. In Thailand, Cambodia, and among the Hindu classes of the Chams in Vietnam, Ganesha was mainly thought of as a remover of obstacles. Today in Buddhist Thailand, Ganesha is regarded as a remover of obstacles, the god of success.

 

Before the arrival of Islam, Afghanistan had close cultural ties with India, and the adoration of both Hindu and Buddhist deities was practiced. Examples of sculptures from the 5th to the 7th centuries have survived, suggesting that the worship of Ganesha was then in vogue in the region.

 

Ganesha appears in Mahayana Buddhism, not only in the form of the Buddhist god Vināyaka, but also as a Hindu demon form with the same name. His image appears in Buddhist sculptures during the late Gupta period. As the Buddhist god Vināyaka, he is often shown dancing. This form, called Nṛtta Ganapati, was popular in northern India, later adopted in Nepal, and then in Tibet. In Nepal, the Hindu form of Ganesha, known as Heramba, is popular; he has five heads and rides a lion. Tibetan representations of Ganesha show ambivalent views of him. A Tibetan rendering of Ganapati is tshogs bdag. In one Tibetan form, he is shown being trodden under foot by Mahākāla, (Shiva) a popular Tibetan deity. Other depictions show him as the Destroyer of Obstacles, and sometimes dancing. Ganesha appears in China and Japan in forms that show distinct regional character. In northern China, the earliest known stone statue of Ganesha carries an inscription dated to 531. In Japan, where Ganesha is known as Kangiten, the Ganesha cult was first mentioned in 806.

 

The canonical literature of Jainism does not mention the worship of Ganesha. However, Ganesha is worshipped by most Jains, for whom he appears to have taken over certain functions of Kubera. Jain connections with the trading community support the idea that Jainism took up Ganesha worship as a result of commercial connections. The earliest known Jain Ganesha statue dates to about the 9th century. A 15th-century Jain text lists procedures for the installation of Ganapati images. Images of Ganesha appear in the Jain temples of Rajasthan and Gujarat.

 

WIKIPEDIA

1. The spiritual entity Qalb

 

Prophecy and knowledge relating to this was granted to the Prophet Adam

 

In the Urdu language the fleshy meat, (the heart) is known as dil, and in Arabic it is called fawad. The spiritual entity that is next to the heart is the Qalb and according to a Prophetic statement the heart and the Qalb are two separate entities.

 

Our solar system is the physical human sphere. There are other realms and spheres, for example the realm of the angels, the realm of the throne of God, the realm of the soul, the realm of the secrets, the realm of unification and the realm of the essence of God. These spheres and life forms inhabiting these spheres have existed before the eruption of the ball of fire, our Sun, which created our solar system. Ordinary angels were created alongside the creation of the souls when God commanded "Be" but the Archangels and the spiritual entities (which are placed inside the human body at birth) have existed in these realms before the formation of our solar system.

 

Many planets in our solar system were inhabited but subsequently these life forms became extinct. The remaining planets and their inhabitants are awaiting their destruction. The Archangels and the spiritual entities (of the human body) were created seventy thousand years before the command "Be."

 

Of these spiritual entities God placed the Qalb in the realm of love. It is with this that a human being is able to become connected with God. The Qalb acts like a telephone operator between God and the human being. A human being receives guidance and inspiration through it. Whereas the worship and the meditation done by the spiritual entities themselves can reach the highest realm, the Throne of God, with the aid of the Qalb. The Qalb itself, however cannot travel beyond the realm of the angels, as its place of origin is the Khuld, the lowest heaven in the realm of the angels.

 

The Qalb’s meditation is from within and its vibrating rosary is within the human skeleton (the heartbeat). People that failed to achieve this meditation of the Qalb in this lifetime will be regretful, even though they may be in paradise. As God has stated regarding those who will go to paradise, that do they, the inhabitants of paradise think that they will be equal to those who are elevated (reached higher realms by practicing the spiritual disciplines and becoming illuminated). As those that have achieved the meditation of the Qalb, they will enjoy its pleasures even in paradise when their Qalb will be vibrating with the Name of God.

After death physical worship ceases to exist and the people whose Qalb and spiritual entities are not strengthened and illuminated with the light of God are afflicted and distressed in their graves and their spiritual entities waste away. Whereas the illuminated and strengthened spiritual entities will go to the realm where the righteous will wait before the final judgement.

After the day of judgement a second body will be given, the illuminated spiritual entities along with the human soul will enter that body. The people that taught their spiritual entities, meditation, whereby the entities chanted the Name of God Allah in this life time will find that the spiritual entities will continue with this meditation even in the hereafter. Such people will continue to be elevated and exalted in the hereafter.

  

Those that were “blind of heart” (not illuminated) in this life time will be in darkness in that realm also, as this world was the place of action and effort. Those in the latter category will become quiescent.

Besides the Christians and the Jews the Hindu faith also holds a belief in these spiritual entities. The Hindu faith refers to them as Shaktian and the Muslims know them as Lata’if.

The Qalb is two inches, to the left of the heart. This spiritual entity is yellow in colour. When it is illuminated in a person, that person sees the colour yellow in their eyes. Not only this but there are many practitioners of alternative medicine who use the colours of these spiritual entities to heal people.

Most people regard their heart’s word, “inner feeling” to be truthful. If the hearts of people were indeed truthful, then why are all the people of the heart not united?

The Qalb of an ordinary person is in the sleeping or unconscious state and it does not possess any appreciation or awareness. Due to the dominance of the spirit of the self, the ego, and the Khannas, or due to the individual’s own simple- mindedness the heart can make judgements in error. Placing trust in a sleeping Qalb is foolish.

Only when the Name of God Allah, does vibrate in the heart does an appreciation of right and wrong and wisdom follow. At this stage the Qalb is known as the awakened Qalb. Thereafter due to the increase in the meditation by the Qalb, of the Name of God Allah, it is then known as the God-seeking Qalb. At this stage the heart is capable of preventing the person from doing wrong but it is still incapable of making a right or just decision. Thereafter and only when the Light and the rays of the Grace of God (theophany) start to descend upon that heart, is it known as the purified and illuminated Qalb that stands in the presence of God (witnessing Qalb).

 

A Prophetic statement:

“The mercy of God descends upon a broken heart and an afflicted grave.”

 

Thereafter when the heart reaches this stage then one must accept whatever it dictates, quietly without question because due to the rays of the Light and the Grace of God the spirit of the self, (ego) becomes completely illuminated, purified and at peace. God is then closer to that individual than that person’s jugular vein.

God then says, “I become his tongue with which he speaks and I become his hands with which he holds.”

   

2. The Human Soul

 

Prophecy and knowledge relating to this was granted to the Prophet Abraham

 

This is on the right side of the chest. This is awakened and illuminated by the meditation and one-pointed concentration on it. Once it becomes illuminated, a vibration similar to the heartbeat is felt on the right side of the chest. Then the Name of God, Ya Allah is matched with the vibrating pulse. The meditation of the soul is done in this way. At this point, there are now two spiritual entities meditating inside the human body, this is an advancement in rank and status and is better than the Qalb. The soul is a light red in colour and when it is awakened, it is able to travel to the realm of the souls (the station of the Archangel Gabriel). Anger and rage are attached to it that burn and turn into majesty.

  

3. The spiritual entity Sirri

 

Prophecy and knowledge relating to this was granted to the Prophet Moses

 

This spiritual entity is to the left of the centre of the chest. This is also awakened and illuminated by the meditation and one-pointed concentration on it with the Name of God, Ya Hayy, Ya Qayyum. Its colour is white and in the dream state or by spiritual separation from the physical body “transcendental meditation” it can journey to the realm of the secrets. Now there are three spiritual entities meditating within a person and its status is higher than the other two.

   

4. The spiritual entity Khaffi

 

Prophecy and knowledge relating to this was granted to the Prophet Jesus

 

This is to the right of the centre of the chest. It too is taught the Name of God Ya Wahid by meditation. It is green in colour and it can reach the realm of unification. Due to the meditation of four entities one's status is further increased.

 

5. The spiritual entity Akhfa

 

Prophecy and knowledge relating to this was granted to the Prophet Mohammed

 

This is situated at the centre of the chest. It is awakened by meditating on the Name of God, Ya Ahad. It is purple in colour and it too, is connected to that veil in the realm of unification behind which is the throne of God.

 

The hidden spiritual knowledge relating to these five spiritual entities was granted to the Prophets, one by one and half of the knowledge of every spiritual entity was granted from the Prophets to the Saints of their time. In this way there became ten parts of this knowledge. The Saints in turn passed this knowledge on to the spiritually favoured (Godly) who then had the benefit of the sacred knowledge.

 

The apparent knowledge of the seen is connected to the physical body, the spoken word, the human realm and the spirit of the self, this is for the ordinary mortals. This knowledge is contained in a book that has thirty parts. Spiritual knowledge was also given to the Prophets by revelation brought by Gabriel and for this reason it is known as the spiritual Holy Scripture.

 

Many of the verses of the Qur’an would sometimes be abolished, since the Prophet Mohammed would sometimes mention matters relating to this “hidden spiritual knowledge” before ordinary people, which was only meant for the special and Godly. Later this knowledge passed on spiritually from the chest of one Saint to another, and now it has become widespread by its publication in books.

  

6. The spiritual entity Anna

 

This spiritual entity is inside the head and is colourless. It is by the meditation on the Name of God Ya Hu that this spiritual entity reaches its pinnacle. It is this spiritual entity that when it becomes illuminated and powerful it can stand in the Presence of God, face to face, and communicate with God unobstructed. Only the extreme lovers of God reach this realm and station. Besides this there are a few and extremely exalted people who are granted additional spiritual entities, for example the spiritual entity Tifl-e-Nuri or a spiritual entity of the Godhead, Jussa-e-Tofiq-e-Ilahi, the spiritual status of such people is beyond understanding.

 

With the spiritual entity, Anna, God is seen in the dream state.

 

With the spiritual entity of the Godhead, God is seen in the “physical meditating state” when the spiritual entity itself leaves the human body and transcends to the essence of God.

 

Those possessing the spiritual entity, the Tifl-e-Nuri, see God whilst they are fully conscious.

 

It is these people who are the majesty and power of God in the world. They can either occupy the people by prescribing worship and austerities or by their spiritual grace send a person straight to the realm of God’s love. In their sight, concerning dispensing spiritual grace the believers and the non-believers, the dead and the living are all the same. Just as a thief became a Saint, in an instant, by the passing glimpse of the Saint Sheikh Abdul-Qadir al-Jilani, similarly, Abu-Bakr Havari and Manga the thief, became instant Saints by the passing glimpses of such Saints.

 

The five major Messengers were given knowledge of the five spiritual entities separately and in order of their appearance, as a result of which spirituality continued to prosper. With whichever spiritual entity you practice meditation you will be connected to the corresponding Messenger and become worthy of receiving spiritual grace (from that Messenger).

 

Whichever spiritual entity receives the rays of the Grace of God (favour), the Sainthood granted to that spiritual entity will be connected to the corresponding Prophet’s spiritual grace.

 

Access to seven realms and gaining elevated spiritual status in the seven heavens is obtained through these spiritual entities.

The functions of the spiritual entities inside the human body

 

Akhfa: Due to the spiritual entity, Akhfa a person is able to speak. In its absence a person may have a normal tongue but will be dumb. The difference between human beings and animals lies in the presence or the absence of these spiritual entities. At birth, if the entity, Akhfa was unable to enter the body for whatever reason, then a Prophet appointed for the rectification of this ailment would be called to treat the condition as a result of which the dumb would start to speak.

 

Sirri: A person is able to see due to the spiritual entity, Sirri. If it does not enter the body the person is blind from birth. An appointed Prophet had the duty to find and place the spiritual entity into the body, as a result of which the blind would start to see again.

Qalb: Without the spiritual entity of the Qalb, in the body, a person is like the animals, unacquainted, far from God, miserable and without purpose. Returning this entity into the body was the task of the Prophets also.

The miracles of the Prophets were also granted to the saints, in the form marvels and mystical wonders as a result of which even the impious and liberal became close to God. When a spiritual entity is returned by any allocated Saint or Prophet, the deaf, dumb and the blind are healed.

Anna: When the spiritual entity, Anna, fails to enter the body, a person is regarded as insane even though the brain may be functioning normally.

Khaffi: In the absence of the spiritual entity, Khafi, a person is deaf, even if the ears are opened wide.

These conditions can be caused by other defects in the body, and can be treated. There is no cure in the case, where the defect is caused by the absence of the associated spiritual entity except where a Prophet or a Saint intervenes and cures the defect.

Nafs, self: As a result of the spiritual entity of the self (ego) a persons mind is occupied with the material world and it is because of the spiritual entity Qalb that a persons direction turns towards God. For more detail visit www.goharshahi.org or visit asipk.com and for videos visit HH rags

 

New trending GIF tagged reaction, celebs, comedy, anna kendrick, relatable, pose, feeling myself, posing, flaunt via Giphy ift.tt/1kZHiXQ

Anybody who has ever attended a chess tournament can relate to this image: the confident player, the kibitzers, both experts and casual observers, as well as folks that are just there to watch and learn. And then there are those instances that all the confidence in the world can be dashed against the rocks when your opponent pulls an outstanding move out of left field. As in this recreation of one of the most brilliant moves by US Grand Master Frank Marshall (black) vs. Stefan Levitsky (white), played in Breslau in 1929. (Things are looking up for white, as he is threatening black's queen with his (protected) rook, and also threatening black's rook with a pawn. However, study of this position shows that white is in a very precarious position. It all hinges on this next move by black… Some of the kibitzers here can see the move, can you? Hint: Look for the levitating piece, and its red stopping square… (For more on this position and what move warranted people to throw gold coins on the board after the game, see www.youtube.com/watch?v=UPOYFsPivVs).

 

Here is hoping I played with some of the Chess Sereotypes, for the ODC theme of STEREOTYPE due by April 5th.

 

Yes, this is one of my two submissions for R20 of the great group GetPushed! (www.flickr.com/groups/1681475@N24/). For the first time in my participation of the various pushes, my push partner from the Great White North (and with a great sense of humor) Gary (gary's images at www.flickr.com/photos/84161520@N00/) suggested we do a mutual push.

 

So how did we arrive here? Excerpts from emails may help explain this:

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Doug, In the last four rounds my partner and I have been doing the same challenge with our own interpretations of it. Is there anything you have been dying to try and just needed the right push? - G

 

Gary, Interesting you should ask. There are four things I have been hoping to get pushed at in this group.

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0. I have this strobe light (not a camera flash either, but a "party light") that I would love to use for motion shots... (and since I am sure you DON'T have one, we can throw this one out, thus the zero...)

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1. Cloning. In fact I am formulating an image I would like to try... (If this would be okay on your end?)

2. Levitation. Puzzling to me and something I haven't even remotely tried... How to get humor into it without redoing someone else's image would be the challenge for me.

3. I would like to do a cliché "splash" type shot, now that it is warmer out... However, I don't see this as that much of a "push" but rather something fun that I may eventually get around to.

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So here's my list of three goals to try (okay, four actually, but hey, I graduated from a Big 10 school, and they OBVIOUSLY don't know how to count either!) What do you think??? Oh my, I just had a revelation - maybe the push is to combine two or all three techniques into one image! Let me know what you think...! - D

 

Doug, I was at the same point as you before reading that last paragraph! Lets do something involving two or three techniques. We are actually still quite cold up here (northern Quebec) but the cloning and levitation things are awesome idea! I wish I had one of those strobes. If you can figure out a way to incorporate them all, I would be very impressed. Let us go for it!

______________________________________________________________________

 

So, sorry to disappoint, but no strobe light (to be held for another time, another push? - hint!). And my wife left a list of some serious consequences if I tried a splash in our dining room… So, here is a combination of the two techniques that Gary did for his push as well (levitation and cloning): www.flickr.com/photos/gkoiter/7035037825/in/photostream.

 

Gary, I hope this image (and the next one) meet with your approval. And, this brew (yes, the one in the image - sorry, no Molson's here) is for you! Thanks for agreeing to a push I have wanted to do…!

1. The spiritual entity Qalb

  

Prophecy and knowledge relating to this was granted to the Prophet Adam

  

In the Urdu language the fleshy meat, (the heart) is known as dil, and in Arabic it is called fawad. The spiritual entity that is next to the heart is the Qalb and according to a Prophetic statement the heart and the Qalb are two separate entities.

  

Our solar system is the physical human sphere. There are other realms and spheres, for example the realm of the angels, the realm of the throne of God, the realm of the soul, the realm of the secrets, the realm of unification and the realm of the essence of God. These spheres and life forms inhabiting these spheres have existed before the eruption of the ball of fire, our Sun, which created our solar system. Ordinary angels were created alongside the creation of the souls when God commanded "Be" but the Archangels and the spiritual entities (which are placed inside the human body at birth) have existed in these realms before the formation of our solar system.

  

Many planets in our solar system were inhabited but subsequently these life forms became extinct. The remaining planets and their inhabitants are awaiting their destruction. The Archangels and the spiritual entities (of the human body) were created seventy thousand years before the command "Be."

  

Of these spiritual entities God placed the Qalb in the realm of love. It is with this that a human being is able to become connected with God. The Qalb acts like a telephone operator between God and the human being. A human being receives guidance and inspiration through it. Whereas the worship and the meditation done by the spiritual entities themselves can reach the highest realm, the Throne of God, with the aid of the Qalb. The Qalb itself, however cannot travel beyond the realm of the angels, as its place of origin is the Khuld, the lowest heaven in the realm of the angels.

  

The Qalb’s meditation is from within and its vibrating rosary is within the human skeleton (the heartbeat). People that failed to achieve this meditation of the Qalb in this lifetime will be regretful, even though they may be in paradise. As God has stated regarding those who will go to paradise, that do they, the inhabitants of paradise think that they will be equal to those who are elevated (reached higher realms by practicing the spiritual disciplines and becoming illuminated). As those that have achieved the meditation of the Qalb, they will enjoy its pleasures even in paradise when their Qalb will be vibrating with the Name of God.

After death physical worship ceases to exist and the people whose Qalb and spiritual entities are not strengthened and illuminated with the light of God are afflicted and distressed in their graves and their spiritual entities waste away. Whereas the illuminated and strengthened spiritual entities will go to the realm where the righteous will wait before the final judgement.

After the day of judgement a second body will be given, the illuminated spiritual entities along with the human soul will enter that body. The people that taught their spiritual entities, meditation, whereby the entities chanted the Name of God Allah in this life time will find that the spiritual entities will continue with this meditation even in the hereafter. Such people will continue to be elevated and exalted in the hereafter.

  

Those that were “blind of heart” (not illuminated) in this life time will be in darkness in that realm also, as this world was the place of action and effort. Those in the latter category will become quiescent.

Besides the Christians and the Jews the Hindu faith also holds a belief in these spiritual entities. The Hindu faith refers to them as Shaktian and the Muslims know them as Lata’if.

The Qalb is two inches, to the left of the heart. This spiritual entity is yellow in colour. When it is illuminated in a person, that person sees the colour yellow in their eyes. Not only this but there are many practitioners of alternative medicine who use the colours of these spiritual entities to heal people.

Most people regard their heart’s word, “inner feeling” to be truthful. If the hearts of people were indeed truthful, then why are all the people of the heart not united?

The Qalb of an ordinary person is in the sleeping or unconscious state and it does not possess any appreciation or awareness. Due to the dominance of the spirit of the self, the ego, and the Khannas, or due to the individual’s own simple- mindedness the heart can make judgements in error. Placing trust in a sleeping Qalb is foolish.

Only when the Name of God Allah, does vibrate in the heart does an appreciation of right and wrong and wisdom follow. At this stage the Qalb is known as the awakened Qalb. Thereafter due to the increase in the meditation by the Qalb, of the Name of God Allah, it is then known as the God-seeking Qalb. At this stage the heart is capable of preventing the person from doing wrong but it is still incapable of making a right or just decision. Thereafter and only when the Light and the rays of the Grace of God (theophany) start to descend upon that heart, is it known as the purified and illuminated Qalb that stands in the presence of God (witnessing Qalb).

  

A Prophetic statement:

“The mercy of God descends upon a broken heart and an afflicted grave.”

  

Thereafter when the heart reaches this stage then one must accept whatever it dictates, quietly without question because due to the rays of the Light and the Grace of God the spirit of the self, (ego) becomes completely illuminated, purified and at peace. God is then closer to that individual than that person’s jugular vein.

God then says, “I become his tongue with which he speaks and I become his hands with which he holds.”

     

2. The Human Soul

  

Prophecy and knowledge relating to this was granted to the Prophet Abraham

  

This is on the right side of the chest. This is awakened and illuminated by the meditation and one-pointed concentration on it. Once it becomes illuminated, a vibration similar to the heartbeat is felt on the right side of the chest. Then the Name of God, Ya Allah is matched with the vibrating pulse. The meditation of the soul is done in this way. At this point, there are now two spiritual entities meditating inside the human body, this is an advancement in rank and status and is better than the Qalb. The soul is a light red in colour and when it is awakened, it is able to travel to the realm of the souls (the station of the Archangel Gabriel). Anger and rage are attached to it that burn and turn into majesty.

  

3. The spiritual entity Sirri

  

Prophecy and knowledge relating to this was granted to the Prophet Moses

  

This spiritual entity is to the left of the centre of the chest. This is also awakened and illuminated by the meditation and one-pointed concentration on it with the Name of God, Ya Hayy, Ya Qayyum. Its colour is white and in the dream state or by spiritual separation from the physical body “transcendental meditation” it can journey to the realm of the secrets. Now there are three spiritual entities meditating within a person and its status is higher than the other two.

     

4. The spiritual entity Khaffi

  

Prophecy and knowledge relating to this was granted to the Prophet Jesus

  

This is to the right of the centre of the chest. It too is taught the Name of God Ya Wahid by meditation. It is green in colour and it can reach the realm of unification. Due to the meditation of four entities one's status is further increased.

  

5. The spiritual entity Akhfa

  

Prophecy and knowledge relating to this was granted to the Prophet Mohammed

  

This is situated at the centre of the chest. It is awakened by meditating on the Name of God, Ya Ahad. It is purple in colour and it too, is connected to that veil in the realm of unification behind which is the throne of God.

  

The hidden spiritual knowledge relating to these five spiritual entities was granted to the Prophets, one by one and half of the knowledge of every spiritual entity was granted from the Prophets to the Saints of their time. In this way there became ten parts of this knowledge. The Saints in turn passed this knowledge on to the spiritually favoured (Godly) who then had the benefit of the sacred knowledge.

  

The apparent knowledge of the seen is connected to the physical body, the spoken word, the human realm and the spirit of the self, this is for the ordinary mortals. This knowledge is contained in a book that has thirty parts. Spiritual knowledge was also given to the Prophets by revelation brought by Gabriel and for this reason it is known as the spiritual Holy Scripture.

  

Many of the verses of the Qur’an would sometimes be abolished, since the Prophet Mohammed would sometimes mention matters relating to this “hidden spiritual knowledge” before ordinary people, which was only meant for the special and Godly. Later this knowledge passed on spiritually from the chest of one Saint to another, and now it has become widespread by its publication in books.

  

6. The spiritual entity Anna

  

This spiritual entity is inside the head and is colourless. It is by the meditation on the Name of God Ya Hu that this spiritual entity reaches its pinnacle. It is this spiritual entity that when it becomes illuminated and powerful it can stand in the Presence of God, face to face, and communicate with God unobstructed. Only the extreme lovers of God reach this realm and station. Besides this there are a few and extremely exalted people who are granted additional spiritual entities, for example the spiritual entity Tifl-e-Nuri or a spiritual entity of the Godhead, Jussa-e-Tofiq-e-Ilahi, the spiritual status of such people is beyond understanding.

  

With the spiritual entity, Anna, God is seen in the dream state.

  

With the spiritual entity of the Godhead, God is seen in the “physical meditating state” when the spiritual entity itself leaves the human body and transcends to the essence of God.

  

Those possessing the spiritual entity, the Tifl-e-Nuri, see God whilst they are fully conscious.

  

It is these people who are the majesty and power of God in the world. They can either occupy the people by prescribing worship and austerities or by their spiritual grace send a person straight to the realm of God’s love. In their sight, concerning dispensing spiritual grace the believers and the non-believers, the dead and the living are all the same. Just as a thief became a Saint, in an instant, by the passing glimpse of the Saint Sheikh Abdul-Qadir al-Jilani, similarly, Abu-Bakr Havari and Manga the thief, became instant Saints by the passing glimpses of such Saints.

  

The five major Messengers were given knowledge of the five spiritual entities separately and in order of their appearance, as a result of which spirituality continued to prosper. With whichever spiritual entity you practice meditation you will be connected to the corresponding Messenger and become worthy of receiving spiritual grace (from that Messenger).

  

Whichever spiritual entity receives the rays of the Grace of God (favour), the Sainthood granted to that spiritual entity will be connected to the corresponding Prophet’s spiritual grace.

  

Access to seven realms and gaining elevated spiritual status in the seven heavens is obtained through these spiritual entities.

The functions of the spiritual entities inside the human body

  

Akhfa: Due to the spiritual entity, Akhfa a person is able to speak. In its absence a person may have a normal tongue but will be dumb. The difference between human beings and animals lies in the presence or the absence of these spiritual entities. At birth, if the entity, Akhfa was unable to enter the body for whatever reason, then a Prophet appointed for the rectification of this ailment would be called to treat the condition as a result of which the dumb would start to speak.

  

Sirri: A person is able to see due to the spiritual entity, Sirri. If it does not enter the body the person is blind from birth. An appointed Prophet had the duty to find and place the spiritual entity into the body, as a result of which the blind would start to see again.

Qalb: Without the spiritual entity of the Qalb, in the body, a person is like the animals, unacquainted, far from God, miserable and without purpose. Returning this entity into the body was the task of the Prophets also.

The miracles of the Prophets were also granted to the saints, in the form marvels and mystical wonders as a result of which even the impious and liberal became close to God. When a spiritual entity is returned by any allocated Saint or Prophet, the deaf, dumb and the blind are healed.

Anna: When the spiritual entity, Anna, fails to enter the body, a person is regarded as insane even though the brain may be functioning normally.

Khaffi: In the absence of the spiritual entity, Khafi, a person is deaf, even if the ears are opened wide.

These conditions can be caused by other defects in the body, and can be treated. There is no cure in the case, where the defect is caused by the absence of the associated spiritual entity except where a Prophet or a Saint intervenes and cures the defect.

Nafs, self: As a result of the spiritual entity of the self (ego) a persons mind is occupied with the material world and it is because of the spiritual entity Qalb that a persons direction turns towards God. For more detail visit www.goharshahi.org or visit asipk.com and for videos visit HH rags