View allAll Photos Tagged raw_moody
Lubitel 2 - 120 / Medium Format Film
Ilford HP5+ (iso 400)
( No Photoshop, Just Raw Analouge Film scanned from the Negative)
Sgor Mor, some of the mountains in Glen Clunie just up the way from the Cairnwell in Glenshee.
An experimental processing, aiming for a very dark low-key effect with just a hint of light to show the snow on the tops.
Single RAW Exposure
Other works featured here:
500px | Digital Rev | Facebook | GettyImage
A nice weather for a taste of black 'n' white at the Garden.
#splash #hdr #HDrsplash #RAW #raw_mobile #raw_mobile_ #earth_xploring #raw_colours #raw_moody #raw_norway #nature_good . . . #zolwa2r #Like4follow #shotoniphonese #Apple #iphone11promax #IP11promax #Telephoto #street #cars #Outdoors #Day #ReFLecTioN #reflections #reflectionphotography #reflection_shotz #reflectiongram #reflection_shots #Earthpi travel
Sun below the horizon at Lake Crabtree with some interesting cloud cover. Almost got myself locked in the park to spend the night. It's amazing the change in color from the previous shot (only 13 minutes prior to this).
The Harris's Hawk or Harris Hawk (Parabuteo unicinctus) formerly known as the Bay-winged Hawk or Dusky Hawk, is a medium-large bird of prey which breeds from the southwestern United States south to Chile and central Argentina. Birds are sometimes reported at large in Western Europe, especially Britain, but it is a popular species in falconry and these records almost certainly all refer to escapes from captivity.
The name is derived from the Greek para, meaning beside, near or like, and the Latin buteo, referring to a kind of buzzard; uni meaning once; and cinctus meaning girdled, referring to the white band at the tip of the tail. John James Audubon gave this bird its English name in honor of his ornithological companion, financial supporter, and friend Edward Harris. The Harris Hawk is notable for its behavior of hunting cooperatively in packs consisting of family groups, while most other raptors hunt alone.
Taken at The Yorkshire Wildlife Park at Doncaster, South Yorkshire.
Photograph taken at 14:07pm on Sunday 10th March 2013 at an altitude of One hundred and Sixty seven metres off the A4086 and A498 beneath the Snowdon Massif with Mount Snowdon off camera to our right, and Llyn Gwynant to our left, in Snowdonia, north-west Wales.
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Nikon D800 70mm 1/125s f/5.6 iso200 Mirror Up RAW (14-bit)
Nikkor AF-S 70-200mm f/2.8G ED IF VRII. Jessops 77mm UV filter. Nikon MB-D12 battery grip. Manfrotto 055XPROB tripod. Manfrotto quick release plate 200PL-14. Manfrotto 327RC2 Grip action ball head. Sandisc 32GB Ultra Class 10 30MB/s SDHC Nikon MC-DC2 remote shutter release. Nikon GP-1 GPS unit.
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LATITUDE: N 53d 3m 26.17s
LONGITUDE: W 4d 0m 15.04s
ALTITUDE: 167.0m
RAW (TIFF) FILE: 103.0MB
PROCESSED FILE: 23.84MB
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Processing power:
HP Pavillion Desktop with AMD A10-5700 APU PROCESSOR. HD graphics. 2TB with 8GB RAM. 64-bit Windows 8.1. VERBATIM USB 2.0 1TB Desktop Hard drive. NIKON VIEWNX2 Version 2.90 64bit. ADOBE PHOTOSHOP ELEMENTS 8 Version 8.0 64bit
Moody skies over The Old Auction Rooms in the George and Crown Yard in my home town of Wakefield in West Yorkshire UK.
This is one of the oldest parts of the city and has been thoughtfully renovated to a high standard but still retaining this historic period feel of this part of the city.
The other version of this (right after this photo) is much better.
It reminds me of a biblical Dore print.
Photograph taken at 11:24am on Saturday 9th March 2013 at an altitude of Two hundred and nineteen metres off the A4086 and A498 with Mount Snowdon off camera to our right, as we look towards Llyn Gwynant, in Snowdonia, north-west Wales.
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Nikon D800 24mm 1/160s f/14.0 iso200 Mirror Up RAW (14-bit)
Nikkor AF-S 24-70mm f/2.8G ED IF. Jessops UV filter. Nikon MB-D12 battery grip. Manfrotto 055XPROB tripod. Manfrotto quick release plate 200PL-14. Manfrotto 327RC2 Grip action ball head. Sandisc 32GB Ultra Class 10 30MB/s SDHC Nikon MC-DC2 remote shutter release. Nikon GP-1 GPS unit.
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LATITUDE: N 53d 4m 3.50s
LONGITUDE: W 4d 0m 16.04s
ALTITUDE: 219.0m
RAW (TIFF) FILE: 103.0MB
PROCESSED FILE: 22.47MB
FOR THE TECHIES
Camera: Nikon D90 (DSLR)
Lens: Standard 17 - 50mm Sigma lens
Aperture: f/22
Shutter Speed: 1/200 (sec)
ISO: 200
Format: High quality RAW
Stabilization: Tripod
Retouched using Photoshop CS6.
Location: Royal William Yard, Plymouth.
I took part in an architectural shoot at the Royal William Yard last month and it seemed that every corner that I turned there was more and more inspiration. Although the shots at first glance weren't exactly SCREAMING EXCITEMENT! I decided to do a little bit of experimentation using PhotoShop CS6 to give my images a feeling of life.
Photograph taken at 14:07pm on Sunday 10th March 2013 at an altitude of One hundred and Sixty seven metres off the A4086 and A498 beneath the Snowdon Massif with Mount Snowdon off camera to our right, and Llyn Gwynant to our left, in Snowdonia, north-west Wales.
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.
Nikon D800 70mm 1/125s f/5.6 iso200 Mirror Up RAW (14-bit)
Nikkor AF-S 70-200mm f/2.8G ED IF VRII. Jessops 77mm UV filter. Nikon MB-D12 battery grip. Manfrotto 055XPROB tripod. Manfrotto quick release plate 200PL-14. Manfrotto 327RC2 Grip action ball head. Sandisc 32GB Ultra Class 10 30MB/s SDHC Nikon MC-DC2 remote shutter release. Nikon GP-1 GPS unit.
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LATITUDE: N 53d 3m 26.17s
LONGITUDE: W 4d 0m 15.04s
ALTITUDE: 167.0m
RAW (TIFF) FILE: 103.0MB
PROCESSED FILE: 30.91MB
Cross processed mono of the Sackler Crossing at Kew Gardens.
Director Sir William Hooker commissioned the Lake to provide an “open flow of water through a portion of the Pleasure Grounds”. It was created in 1856 in an area being excavated to provide gravel for terracing the new Temperate House. Surplus gravel was used to fashion four islands in the lake. After William’s son Joseph took over as director, he extended the lake and softened its edges with new vegetation, saying he was “trying to make our very ugly lake an ornamental piece of water with a gang of 50–60 navvies”.
In 2006, Kew installed the first ever bridge across the lake. Named the Sackler Crossing, in honour of philanthropists Dr Mortimer and Theresa Sackler whose donation made it possible, it was designed by the architect John Pawson and is located just west of the lake’s most easterly island. The striking black granite walkway carries visitors low over the water along a curving path that mimics the lake’s rounded banks. Its walls are a series of vertical, flat bronze posts. On approaching the bridge, these give the appearance of forming a solid wall but when viewed sideways on they appear almost invisible. This is akin to the ways in which water can appear both solid and fluid.
I was honored to have this photo, and another, which I won the top prize for, included in this year's "Shooting Souls" exhibition and competition.
To see the other photo, click on the thumbnail view, linked in the "comments" section.
No more sun, no more wind.
Only a strange feeling
leaving without moving
I'll try another world
and the sky slowly fades in my mind
just like a memory.
From the `if in doubt, stick the lens in a tree and hope' school of photography...
There's something wonderfully simple and organic about the sound of wood bouncing on concrete.
Huge early winter rains are causing local floods in the Catskills. This tree, submerged in the flood waters, caught my eye as I drove home.
More about this event, which is really great!, can be found here - www.allsoulsprocession.org
Gal lighting candle on Art Car
Press "L" to view large, "F" to add as favourite
Saturday April 2nd was extremely foggy.
EDIT: After a cold start, April 2011 turned out to be very warm, indeed! A few weeks after this, all the trees were green and full of leaves.
All rights reserved. If you're interested in purchasing my image, please check my profile page for info.
A split raw conversion (for sky and foreground) of the rock pools near St Mary's Lighthouse at Whitley Bay. Taken with an ND110 neutral density filter on a Sigma 10-20mm.
St. Mary's Lighthouse is on the tiny St. Mary's Island, just north of Whitley Bay on the coast of North East England. The small rocky tidal island is linked to the mainland by a short concrete causeway which is submerged at periods of high tide.
While it no longer functions as a working lighthouse, it is easily accessible (when the tide is out) and is open to visitors and has a small museum, a visitor's centre, and a cafe.
The lighthouse and adjacent keepers' cottages were built in 1898 by the John Miller company of Tynemouth, using 645 blocks of stone and 750,000 bricks. It was built on the site of a monastery where a small sanctuary light would have acted as a guide to passing ships. The lighthouse was decommissioned in 1984.
A moody and broody Scotland taken early last Autumn.
We stopped by the roadside on the way back from Oban and saw two bright shafts of sunlight light up the sides of the mountains.
The shot is a 3xp Handheld HDR with added work via Nik Filters Vivesa plug-in for Photoshop.
The image has been tweaked slightly in Nik SilverEfex Pro and control points added to improve the structure of the mountain sides, finally I used a ND filter along with the burn brush in Photoshop to take down the sky a touch.
Please no large glitzy graphics or invites in the comments, thank you :-)