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La quatrième fois que je les ais vu, ils avaient préparés le coup, et s'étaient mis sur leur 31. Ils m'ont demandé de leur faire des photos pour envoyer à la famille.
J'avais l'impression d'être une sorte de "photographe publique" ou plus simplement le photographe du coin. C'était bien, et j'espère que les photos leur plairont...
En été, ils étaient là, assis tous ensemble, par terre, devant la
maison. Les bébés, les parents, les vieux, tout en couleurs dans la
ville noire. Aujourd'hui déjà il fait nuit. Lumière à la fenêtre, comme
un ailleurs dans le soir d'automne. Ils ouvrent leur porte, nous
souhaitent la bienvenue dans un anglais qui sent les épices et brille
comme ces bougies qui flottent, le soir, sur le Gange. Leurs noms nous
emportent :
Pradeep, le père : lumière,
Subashini, la mère : Dieu de la prospérité,
Shreya, la petite fille : connaissance et beauté
Vishvakrit, le petit garçon : créateur du monde
Nous repartons dans la nuit, baignés de la lumière de leur sourire.
(Légende by : Cécile Beauvoir)
Clermont Ferrand / 05 Novembre 2009 / 19h40
Sometimes you just can't show or tell, you know? But I feel bad posting in Ravelry with no pictures, so...
This is an old East German naval tug. I love the signage on these windows, it's in German, English and Russian. I guess that makes sense. East Germany would have had to add Russian signs, and English is the 'international language of the sea'. But it still looks strange.
Integrated Education Fund (IEF), in conjunction with NICVA, organised an opportunity to discuss the future of education in Northern Ireland. Chaired by BBC journalist and presenter, William Crawley, this debate focused on the challenges and possibilities of building a shared education system in the context of budget cuts and the goals of a shared society.
Sure, you've heard of target advertising, but do you really know what it means? Have you taken the time to think about what it entails?
Teju Cole, The Senses of the City
Lowell Humanities Series
Devlin Hall
Boston College
Chestnut Hill, MA
Photo blogged here
Why do photographers feel they have to Photoshop or edit the pictures until they’re unrecognizable?
This is a question that I used to ask myself, until I started to really understand photography and post processing. I used to think that photography was really easy, but then I became interested in sharing my work and followed many other photographers on Facebook, Twitter, and Google+. A few years ago, Instagram hit the iPhone and at the time it was released, it instantly became the “had to have” app. You started to see more and more photos of food, dogs, cats, babies, anything and everything that could and would be photographed has been uploaded to Instagram. With all of these images, people feel that they need to find a way to stand out in the crowd, so they will use any tool available to them to create a one of a kind image.
Technology has helped in increasing the number photographers out there. Cameras are smaller, cheaper and can produce more megapixels than ever imagined a few years ago. Anyone can go purchase an inexpensive DSLR and start taking photos. Photos are cheap today. The only cost involved today is the cost of the memory card, the camera, and your time. You can purchase post processing tools like Photoshop, Lightroom or Aperture for cheap. This makes it easy for anyone to take an image and just make as many changes to it that they see fit. What works for them, may not always work for you.
HDR or High Dynamic Range is a form of post processing that has taken the photography world by storm. This is where photographers will take multiple shots of the same image at varying exposures and then merge them in post processing to achieve a more dynamic image with a great range in colors from light to dark. When done right, HDR will take an ordinary image into something more realistic. But when done wrong, HDR will ruin an image, you start seeing halos around items and things start to look very cartoon-y.
Below are two images of the same shot that I took of a pile of leaves a few years ago while on a hike. The first image is “as-is” from the camera. The leaves were shot with a proper exposure and they just came out of the camera looking a little dull. I know that while I was out on the hike the fall colors were really popping and there seemed to be a greater contrast in person than what I actually see in the image. This may be for another post, but a camera can only see the dynamic range of one “stop” per exposure. The human eye can see a dynamic range of up to 10-14 “stops”. This is why the fall colors aren’t as vibrant in your image compared to what you physically saw in person.
The second image is of the same pile of leaves. I had actually taken 5 shots (each at a different exposure ranging from -2 to + 2 and merged them together. This caused the dark areas to become darker and the light areas to become lighter. Thus creating the higher dynamic range of colors that you see here.
The Postcard
A postally unused Oilette Teddy Bear Series postcard that was published by Raphael Tuck & Sons, Art Publishers to Their Majesties the King and Queen.
The card, which has a divided back, was printed in Bavaria.
Raphael Tuck
Raphael Tuck and his wife started their photography business in 1866 in London. Their store sold pictures, greeting cards, and in time, postcards.
Their success came from the sale of postcards during the late 1890’s and early 1900’s. In the early 1900’s the firm conducted postcard competitions for collectors of Tuck postcards. These competitions offered cash prizes, and they were very popular.
The winner of one of these competitions had a collection consisting of over twenty-five thousand cards.
Three of Tuck’s four sons participated in the business. The company was devastated by German bombing during World War II. In 1959 the company merged with two other printing companies.
President John Hennessy takes questions from admitted students and their parents at Memorial Auditorium on Friday.
Question Mark (Polygonia interrogationis).
Cedar Ridge Preserve.
Dallas County, Texas. 9 June 2016.
Nikon D500. Nikkor AF-S 300mm f4 D + TC-14e II teleconverter.
(420mm) f6.3 @ 1/640 sec. ISO 800
Tags:- questions tide, Tide Most important questions related to Tide
ज्वार भाटा
ज्वार भाटा से सम्बंधित प्रगामी तरंग का सिद्धांत किसने प्रतिपादित किया
विलियम वैवेल ने
महासागर से उठने वाले ज्वार भाटा पर किसका प्रभाव सबसे ज्यादा होता है
चंद्रमा का
दैनिक ज्वार भाटा के मध्य समयान्तर कितना होता है
24 घंटे 52 मिनट
सूर्य और चद्रमा के बीच निकटत...
From World Gk In Hindi.in
QUESTIONS — Competitor in the Fashion Revu contest happily takes questions from judges during the Arkansas State 4-H O-Rama, July 30, 2021, at the Arkansas 4-H Center. (U of A System Division of Agriculture photo by Mary Hightower)
Box of Questions
Chad Coombs - Saskatoon Sask, Canada
Photography - digital dark room
Full Frame Ratios
2006
Cost:
4x6 = 7hr
5x7 = 8hr
8x10 = 9hr
8x12 = 10hr
11x14 = 11hr
12x18 = 12hr
Includes Mounting/Laminating
Purchase Code: C001
To Purchase, Email the artist at unsceneart[at]gmail.com
Day 3: Questions and answers after Allan Liavoga's presentation on Status, achievements and future of PDAU at Research Support Services session at R4D Week 2019. Photo by IITA.
After the presentation members of the audience got to ask questions of the delegates. The converstaion covered eveything from the femicide in Juarez to the struggle of the braceros and how those struggles could be related to the struggle so many people have trying to get thierSocial Security.
Rialto Theater, Racine, Wisconsin, showing Question 7 and Days of Thrills and Laughter, "Returned by Public Demand," 1961. Jerome F. Barina, Lawyer, office on second floor at left.
The Rialto Theatre opened in 1925, seating was listed at 730. The theatre was operated by Warner Brothers and later by Marcus Theatre. The Rialto Theatre closed in 1969 and was later demolished.
LFA 0/1/5 Lutheran Film Associates Question 7 Photographs - Theaters showing Question 7.
ELCA Archives image.
There are a couple of questions that I get quite often in flickrmail, and I figured I'd just go ahead and make a little FAQ page so I could answer those once for everyone. :)
Q. What lens do you use?
A. For almost ever single picture in my 365 I've used my 50mm lens. It is the most amazing thing ever if you need a good, inexpensive lens. You can't take shots that are super close or really far ones because it's fixed and can't zoom, but for portraits and random shots, it's perfect. It has terrific depth of field and focus. I love it. :)
Q. How do you post photos in the comments?
A. People do it in different ways. I'm sure you've probably heard this, but if you want to put a picture in the comments that is already on flickr, you simply copy the URL (the link at the top of the page, the website, whatever you want to call it), paste it into the comments, and put brackets [ ] on either end of it.
To put a photo in the comments that is NOT already on flickr is slightly more tricky. You need to have the photos already online somewhere, like photo bucket or tumblr or something like that. I use a blog on blogspot.com which is free and easy to use. I just upload all the photos that I'll want in the comments onto my blog which is at this website: www.ssflickr.blogspot.com/ . Once they're uploaded to the blog, I click on the photo I want to use (it opens in a separate window) and grab the URL from it. Then I go back to flickr, to my main picture, and in the comments I paste one of the two formats (which can be found at the bottom of the formatting tips that you can use when writing comments). I find that the second one works for me and the first doesn't, so I guess you'll just have to mess around with that for yourself. So THEN after pasting that into your comment, you take the URL from the photo and paste it either where it says LINK TEXT if you use the first option, or URL if you use the second option, replacing the text that was previously there. And that's all there is to it!