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Peter Robinson fielding questions from the BBC and others during the opening of a new Constituency Office
Old tractor setting in back lot waiting for new owner
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This man was the field coordinator of the demonstration. I asked him some questions about what they were doing, what was the goal, etc
Pria ini adalah koordinator lapangan demo itu. Aku sempat melakukan wawancara singkat dengannya untuk liputanku. Aku bertanya tentang siapa mereka, dari mana, apa tujuannya, dll
Graffiti on route 3A.
Went downtown this evening... hit up Target for a new camera bag (read: ten dollar insulated lunchbox), walked around a bit, and ate dinner at The Old Spaghetti Factory. It was cold and breathless and just after dusk, and the skyscraper windows were lit up like so many scattered fairy lights.
Despite all of the stomach-twistingly terrible stress leading up to my presentation, today was pretty wonderful.
You know, in retrospect. =]
The name of the Question Mark (Polygonia interrogationis) comes from the tiny silver "question mark" on the underside, which you can see in this photo: www.flickr.com/photos/ncmls/4993920758/ . These may be seen almost any month of the year and live for several months, as they hibernate over the winter and may come out on warm winter days. They usually feed on fruit or tree sap, but sometimes take nectar from flowers. The caterpillars feed on elm, nettle and false nettle.
Found May 10, 2012 on a small elm beside a parking lot along a woodline. Many other eggs were also scattered about the tree, and all the caterpillars nearly defoliated it before they finally pupated.
Questions on any subject the government is responsible for are put to the government in the chamber. A government minister or spokesperson answers and members follow up with supplementary questions.
Learn more about how the Lords checks and challenges government decision and actions.
Copyright House of Lords 2018 / Photography by Roger Harris
Bob's question #1: what does one do when a fire hydrant is on fire.
His awnser: grab a stick and some marshmellows.
Bob would like your awnser
copyright © 2010 sean dreilinger
view joanna lord fields questions from the audience - _MG_7715 embed on a black background.
Seriously, what's the big effin' deal? As a professional photographer specializing in live music, this is a question that keeps me up nights.
I have, until recently, always operated under the impression that talent and press maintain a symbiotic relationship. You want your talent to get exposure and look good, and we (photographers) want to make your talent look good so we can appease our editors. Simple as that. Lately, however, I've had more and more run-ins attempting to ply my trade, and those run-ins have been exclusively with you, the tour manager.
I can understand, with the proliferation of digital cameras, blogs and general hangers on, you have an obligation to protect your talent from 30 kids with point and shoot snapping to their heart's content. I can't and won't dispute your right to protect your talent. However when a credentialed photographer shows up representing local, or even national, press and you tell them to fuck off or even physically threaten them, all notions of happy working relationship takes a flying leap out the window.
Once upon a time, the standard time allotted to photographers was 4 songs, no flash. Then it was 3 songs. Now 2 seems to be the magic number. Hey, know what? Fine, we'll work with what you give us. We might gripe a bit, but all things considered, we can probably do our job and every one goes home satisfied. And not to get too tangential, but it is worth restating that, "we can probably do our job". We're on assignment. We're not there to hassle you or your talent, we're there to get a job done. Further (ok, tangent achieved), I for one really enjoy what I do. I don't want to make a bad photo of your talent. It serves no purpose to me or the people who hire me.
The only reasonable line of thinking that i can think of for this behavior is an attempt to quash written reviews. Guess what, reviews run without art if need be. It's also possible that the publication might reach out to one of the 70 or so point and shoot cams in the front row. One way or another, the review will run. Count on it.
So for the time being, maybe i'll invest in a point and shoot or take cell-phone shots if i have to, but I ask you again, what's the big effin' deal?
Best regards,
Frank
Valerie Davey (CEC) and Sir Alan Haselhurst MP (Chair of the CPA) invite questions from the Scholars
I am looking for advice on places to get quality prints at good prices... whether it is ok to order from someplace (where???) on the internet that is noted for quality nature prints, or better to look more locally. I live aways from the big city of Portland with lots of options!
How about the Flickr printing option... anyone use that and have feedback??/
I SOLD SOME!!! I was so excited, now I want to do more! I suppose I better get a business licence next and keep track of receipts. I am using the money from this sale to get some mats and prints, so I can put some in local fairs this next month...
Also wondering about any leads to online tutorials or info on matting photos so they look really nice for selling..
OR suggestions on good ways to sell prints... places to get postcards or cards made...
anyone have experience with selling through Flickr, how is that working?
Can anyone share info with me on putting signatures on photos?
I know so little!!!!
Oh yeah, and I want to make a good business card ... any suggestions?
Christopher L. Barrett, Executive Director, Virginia Bioinformatics Institute/Professor of Computer Science, Virginia Tech. Dr. Barrett’s talk entitled “Massively Interactive Systems: Thinking and Deciding in the Age of Big Data"
Abstract: This talk discusses advanced computationally assisted reasoning about large interaction-dominated systems. Current questions in science, from the biochemical foundations of life to the scale of the world economy, involve details of huge numbers and levels of intricate interactions. Subtle indirect causal connections and vastly extended definitions of system boundaries dominate the immediate future of scientific research. Beyond sheer numbers of details and interactions, the systems are variously layered and structured in ways perhaps best described as networks. Interactions include, and often co-create, these morphological and dynamical features, which can interact in their own right. Such “massively interacting” systems are characterized by, among other things, large amounts of data and branching behaviors. Although the amount of associated data is large, the systems do not even begin to explore their entire phase spaces. Their study is characterized by advanced computational methods. Major methodological revisions seem to be indicated.
Heretofore unavailable and rapidly growing basic source data and increasingly powerful computing resources drive complex system science toward unprecedented detail and scale. There is no obvious reason for this direction in science to change. The cost of acquiring data has historically dominated scientific costs and shaped the research environment in terms of approaches and even questions. In the several years, as the costs of social data, biological data and physical data have plummeted on a per-unit basis and as the volume of data is growing exponentially, the cost drivers for scientific research have clearly shifted from data generation to storage and analytical computation-based methods. The research environment is rapidly being reshaped by this change and, in particular, the social and bio–sciences are revolutionized by it. Moreover, the study of socially– and biologically–coupled systems (e.g., societal infrastructures and infectious disease public health policy analysis) is in flux as computation-based methods begin to greatly expand the scope of traditional problems in revolutionary ways.
How does this situation serve to guide the development of “information portal technology” for complex system science and for decision support? An example of an approach to detailed computational analysis of social and behavioral interaction with physical and infrastructure effects in the immediate aftermath of a devastating disaster will be described in this context.
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I often take too many pictures and then after, I would ask myself, what should I do with all of these? A few years from now, I'm sure I won't be asking anymore.
“Questions for tomorrow”
Texts-Design-Photo: Laccadive Sea, Alleppey, Kerala, India (2018). Terrell Neuage (16 January 2020)
#QuestionsForTomorrow #VegetariansAreMeat #Alappuzha #LaccadiveSeaAlleppeyKeralaIndia #UnidentifiedMarsupial #ThoughtsInPatterns #AnswersForYesterday #TheInnocentRan #QuestionsForTomorrow
# Neuage #ThoughtsInTravel #TextualImagery #Adsit #VistaSouthAustralia
Questions on any subject the government is responsible for are put to the government in the chamber. A government minister or spokesperson answers and members follow up with supplementary questions.
Learn more about how the Lords checks and challenges government decision and actions.
This image may be used for a non-commercial purposes. Credit: Copyright House of Lords 2019 / Photography by Roger Harris
Email hlinfo@parliament.uk to request use for commercial purposes.