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Castle Tower - The octagonal upper tower from the time of the Renaissance castle (1607) - (1612) the square basement of the medieval castle tower (14th century) was put on and in the 18th Century provided with a balustrade platform.
Schlossturm - Das achteckige Turmoberteil aus der Zeit des Renaissanceschlosses (1607) - (1612) wurde dem quadratischen Sockelgeschoss des mitteralterlichen Burgturmes (14. Jahrhundert) angesetzt und im 18. Jahrhundert mit einer Balustradenplattform versehen.
Stadtschloss City Palace
Main entrance of the City Palace
(further pictures you can see by clicking on the link at the end of page!)
View from the south tower of the Cathedral of Fulda
The baroque Stadtschloss City Palace was built in 1706-1714 by Johann Dietzenhofer as residence of the prince-abbots of Fulda and later the prince-bishops.
Architectural History
The first predecessor of the Fulda City Palace was a Abtsburg (abbot castle) that at the beginning of the 14th Century was built. Later on the castle was at the beginning of the 17th Century rebuilt into a palace resort, which was converted and expanded in the last quarter of the same century into a Renaissance chateau. This plant was by Johann Dietzenhofer at beginning of the 18th Century rebuilt in the Baroque style. When it was remodeled into a Kurprinzenresidenz (electoral prince residence) at beginning of the 19th Century, the castle was partially rebuilt in the style of late Classicism.
Abbot castle
Heertor (army gate) on the city side of the City Palace, from it one went by at the Abtsburg, out of the city to get to the "High Street" Frankfurt -Leipzig
The first predecessor of the Fulda city palace was a town castle, which was first mentioned as a new castle at the end of the term of office of Prince Abbot Henry V of Weilnau. The exact construction of the castle is not known, there are even only few traditions allowing conclusions to its floor plan.
Henry V probably took a quarrel with his Convention on the distribution of the monastery revenue as a reason to build his residence outside the monastery new. The monastery dean, who had already taken over many tasks within the abbot of the monastery, took over the former Abtswohnung (abbot residence) in a monastery on the site of today Domdechanei (cathedral deanery). Henry V chose for the castle a strategic location between the monastery and the town. He also paid attention to a location on a hill in order to defend the new castle easily. The castle represented the increased power of the abbots, it served therefore to represent and for a better defense.
After excavations between 1979 to 1982 in what is now the main courtyard and the ground below the present central building you know that the southwestern part of the rectangular fortress was located on today's Court of Honor. There one found grave retaining walls, the basement of a southern round tower (probably the keep) and fragments of the battlements and the grave bridge. The castle was a bastion according to existing sources, which simultaneously served the city's defense as the circular wall of the castle in the north at the same time was the city wall. Towards to the city the castle was securised with a circular wall, the above already mentioned tower and a moat.
Not later than in the 16th Century, the castle was secured to the southwest towards the city with three fortifications, and as an additional defense served a bailey. The castle had in the northwest a second gate in the city wall (Heertor), through which the access to the castle was secured without you needed to enter the city. The only known pictorial representation of this castle is available on a woodcut from 1550. On this the Ostvedute (east vedute) of the city is represented, one also recognizes the northeastern flank of the castle .
Palace buildings
First Castle
Garden front of the City Palace. The square base of the castle tower still stems from the Abtsburg, the octagonal upper part dates from the Renaissance castle
The increase in power and the related increased need for representation of the abbot was then at the beginning of the 17th Century probably the cause for the conversion of the residence to a palace.
Between 1607 and 1612 the castle was converted into a four-winged castle involving a few buildings of the old castle. So the Palas of Abtsburg with its foundations is still contained in the central projection of the present castle. The appearance of the by Winter built castle can only by three drawings (of 1669, 1704 and 1705) and the above-mentioned excavations being elicited. Accordingly, the four unequal three-story wings were in its interior forming an irregular rectangular courtyard. With two circular stair towers the transition of the side wings to the main wing was created, whose roof was higher than the other tracts. The building was kept architecturally simple. One exception was the gable decorations on the narrow sides and the outer facade of the main wing. It was flanked by two towers, and in its center was a terrace-like stem with gate entrance. In the two-story risalit above the gate entrance there was probably the chancel of the chapel. It had gables, as they were common in secular buildings, but laterally two pointed arch tracery windows were mounted, as they were common in religious buildings.
Renaissance Castle
Copper engraving of the Renaissance castle
As Abbot Bernard Gustav von Baden-Durlach in 1671 took office, he yet planned a year later the extension of the residence. He began the construction of a new two-story wing on the west side of the four-winged construction. However, this wing was only completed in 1681-1683, as Abbot Placidus von Droste the construction finished with plans of his own.
The goal was to build a presumably closed facade towards the animal or pleasure garden. Accordding to a drawing of 1705 this side tract, in the direction of the garden, was subordinated under the four-winged construction. The western tower was in this facade now placed in the middle.
Baroque castle
Prince Hall, nowadays boardroom of the City Council
Orangery
A further extension began in 1706 under Prince-Abbot Adalbert I of Schleifras who commissioned Johann Dietzenhofer with the planning of the new palace. According to existing sources, Dietzenhofer designed thereby his first secular building. The foundation stone was laid on 26 March 1708. To the four-winged building was set another new wing, which was oriented towards the city. Thus, the Court of Honor was created, further on he rebuilt the rest of the castle in the style of Baroque. Since Dietzenhofer went back to Bamberg in 1711, it is likely that this work was largely completed at this time. Until 1713 the renovation work at the central section and in the north wings were finished. The interior work went on till the late of 1714. These included in particular the work on the main staircase and the stairways in the main courtyard (Ehrenhof), which were built by Hans Georg Mainwolff, former foreman of Dientzenhofer. The death of the abbot in 1714 had the consequence that the construction was halted for four years. In 1719 the work was completed, because yet in 1720 many artists were present for the interior of the castle.
The system now consisted of the three-storey wing and cross wing with its two to the east built-on, in the roof area lower wings. These side wings were joined by the slightly narrower and two-story buildings of the stables who completed the courtyard to the outside. In the northern wing the tower of the Renaissance castle remained. The main wing run over the entire width of the system and dominated the palace architecturally with its steep and high hipped roof and the little protruding central projection.
In the West formed two the main wing built-on two-story side wings the main courtyard, which was completed towards the Tuesday market by pillars and in between set grids. In the middle the pillars and the grids were towards the front gate vaulted to the inside. The facades have been kept simple, and the windows showed a narrow, profiled framing. They were doubly cranked in the upper corners and finished with trapezoidal keystones at lintel.
Kurprinzenresidenz (electoral prince residence)
The baroque building remained as described above largely. When Elector Wilhelm I of Hesse the Principality took over, he had 1817 and 1818 the wings on the residence garden remodelled in late Classicist style. He commissioned with that the Oberhofbaumeister (lord court architect) Johann Conrad Bromeis. The castle was the residence of the prince-elector.
Current usage
Today, parts of the City Palace do serve as the seat of the city government.
Many of the historic rooms can also be visited and are still almost in its original state. Moreover is a large number of works of art exhibited (including paintings, stucco, porcelain). A special room is the Hall of Mirrors (also known as house of mirrors): The former dressing room of the prince-abbot is packed with hundreds of small and large mirrors.
Two gentlemen on Ayre Square in Galway, happily passing away the hours with alcoholic assistance....
Worlds Highlander Championships and Highland Warrior Challenge 2017 at the World Pipe Band Championships, Glasgow Green, Glasgow
Put this wild eagle up to let others see some of the fantastic feather detail these birds have in the wild.
A German paratrooper puts his weapon into service during a joint forcible entry exercise that is a part of exercise as part of exercise Swift Response 15 on Hohenburg drop zone in Hohenfels, Germany, Aug. 26, 2015. More than 1,000 paratroopers from Germany Italy, the Netherlands, Poland, the U.K and the U.S. conducted an airborne operation as part of exercise Swift Response 15 on Hohenburg drop zone in Hohenfels, Germany, Aug. 26, 2015. Swift Response 15 is the U.S. Army’s largest combined airborne training event in Europe since the end of the Cold War. More than 4,800 service members from 11 NATO nations - Bulgaria, France, Germany, Greece, Italy, Netherlands, Poland, Portugal, Spain, United Kingdom and the United States - will take part in the exercise on training areas in Bulgaria, Germany, Italy, and Romania, Aug. 17 - Sept. 13, 2015. Swift Response 15 is designed to integrate multiple allied nations’ crisis response forces into a cohesive team and demonstrate the combined ability to rapidly deployed and operate in support of maintaining a strong and secure Europe. (U.S. Army photo by Sgt. Juan F. Jimenez/Released)
Put yourself in the picture as #HKS maps the way to a better world. Print the YouAreHere sign -http://ken.sc/youarehere_pdf and take a photo or video of yourself as you work to improve people’s lives. Then email it to youarehere@hks.harvard.edu with your name, grad year, and location, and share it yourself using #youarehere #hks.
When I put my shirt on this spider jumped out onto my leg.The light colored rock next to the leaf is 2 1/2 inches long..Used a point/shoot for this shot and it was a fast shot..!!
Thank You.
Jon&Crew.
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We had clouds and rain both before and after totality, but conditions were nearly perfect in the middle.
'Put off that mask of burning gold
With emerald eyes.'
'O no, my dear, you make so bold
To find if hearts be wild and wise,
And yet not cold.'
'I would but find what's there to find,
Love or deceit.'
'It was the mask engaged your mind,
And after set your heart to beat,
Not what's behind.'
'But lest you are my enemy,
I must enquire.'
'O no, my dear, let all that be;
What matter, so there is but fire
In you, in me?'
William Butler Yeats
Just developed the roll of film I took of Howie's first day. These are some of them... more to come later.
Please DO NOT post my photos on tumblr or similar websites. NO exceptions, unless you receive my consent. Photos easily get stolen that way. I wish it didn't have to be that way but I'm tired of others using my images.
Methodology t.co/HlCRVdk4uI How we put it all together.…… t.co/XSZ97jHBZW……………………………… t.co/4OnC3cW9V8 (via Twitter twitter.com/LawsuitInfoCent/status/748022265330208770)
5/365
Blegh. Not too proud of the editing on this one. Today has been very lazy. All I want to do is sleep.
Supreme Court Puts End to California Union Fees Case t.co/gxiCNZQlS5 The…… t.co/SBAiMmPc6h…… t.co/KKmu9QPXXh (via Twitter twitter.com/LawsuitInfoCent/status/748089617954463744)
Supreme Court Puts End to California Union Fees Case t.co/gxiCNZQlS5 The…… t.co/SBAiMmPc6h t.co/yWHZrQTEFw (via Twitter twitter.com/LawsuitInfoCent/status/748081332920586244)
While at MFNW 2012 in Portland, Oregon we put our heads together with director Greg Hunt and longtime festival producer Trevor Solomon to curate ‘Room 205 live’. Held at venerable downtown venue Ted’s, (formerly Berbati’s Pan), the night showcased five featured artists from our collaborative Sound & Vision series Room 205. No elaborate sets and no second takes. Just 100% live shredding and raw weirdness. Enjoy!
COMPONENTS
Video
• YouTube: youtube.com/playlist?list=PLCD4B3A8A916B881B
• Vimeo: vimeo.com/album/2245009
Photos
• Flickr: flic.kr/s/aHsjCtUUQE
Music
• SoundCloud: soundcloud.com/goincase/sets/live-at-musicfest-nw
CREDITS
Executive Producer
• Incase: goincase.com
Producer
• Arlie Carstens: disastercasual.typepad.com
Director
• Greg Hunt: huntfilmwork.com
Director of Photography
• Greg P. Schmitt: gregpschmitt.com
Editor
• Andrew van Baal: andrewvanbaal.com
• Forrest Borie: vimeo.com/forrestborie
Gaffer
• Joel Stirnkorb: linkedin.com/pub/joel-stirnkorb/18/45/510
Camera
• Efrem Peter: boxfishfilms.com
• Mike Weiss
Lighting Technician
• Stephen Purcell
Audio Engineer
• Griffin Rodriguez: linkedin.com/pub/griffin-rodriguez/1b/599/2a
Photos
• Arlie Carstens: disastercasual.typepad.com
Room 205 Theme Song
• Cora Foxx: theheapsf.com
Special Thanks
• Trevor Solomon & Matt Manza of MFNW
• Nathan Ostrander & Dave Hite at Ted's (Berbati's Pan)
• The good folks of Portland, Oregon
ENGLISH VERSION available
Artprice puts the Etienne Perrone documentary online: “Artprice or the art market revolution”
This 23-minute documentary in HD format describes the extraordinary human adventure of the birth in France of the world leader in art market information, Artprice, which grew out of a twenty year search for perfection in a global quest to make an Alexandrian library available to the world on Internet. Today Artprice owns 360,000 books, documents and art manuscripts dating back to the 17th century. Referring to the documentary, Thierry Ehrmann said "Film-maker Etienne Perrone has captured the real added-value that Artprice has contributed to Art history. No other company in the world has given itself the objective of standardising the art market". This documentary shows the hundreds of thousands of work-hours by historians and scientists who year after year enrich the largest art market database in the world. Artprice, according to its founder, “is only at 10% of its history”. The film was made in collaboration with the managers and personnel that have constituted Artprice and Groupe Serveur every day since 1987".
blog.ehrmann.org/films/artprice.html
Artprice ou la révolution du marché de l'art
réalisation Etienne Perrone scénario thierry Ehrmann
L’histoire d’une aventure humaine hors du commun qui a vu naître à Lyon le leader mondial de l’information sur le marché de l’art à travers une recherche du Graal durant plus de 20 ans à parcourir le monde pour faire renaître une bibliothèque d’Alexandrie sur Internet. Une fois de plus, c’est mon réalisateur fétiche Etienne Perrone qui depuis 3 mois tourne mon scénario où j’ai écris ces 20 ans d’aventure. Le film a bénéficié de la complicité de celles et ceux qui font Artprice et groupe Serveur chaque jour depuis 1987.
Grandma Kate Spafford and Nana Francis Patchett at Skegness Seaside Resort 1962. This Album was put together by Jean Spafford nee Patchett aka Bunty for her Mother Francis Patchett
Dad Goose is guarding while Mom Goose is nesting (you can see the nest on the right hand side, about 1/3 of the way down.) Goslings are due around May 1st.
"To put away aimlessness and weakness, and to begin to think with purpose, is to enter the ranks of those strong ones who only recognize failure as one of the pathways to attainment; who make all conditions serve them, and who think strongly, attempt fearlessly, and accomplish masterfully."
TRUE BLUE, our spirit need more space for CONTEMPLATION AND ASKING more views and path to follows
I put on clothes and did my hair like a human being! I still didn’t do the makeup thing or actually brush my hair. Baby steps ☺️
Eighth church on this 2021 Heritage/Ride and Stride Weekend, and all previous seven were open.
Which is worth pointing out, is unprecedented.
In fact, all 9 were open, some new and some, like Oare, revisits, but all worth doing.
St Peter is small and simple, a fine church overlooking Faversham Creek, on the edge of the once unhealthy marshes, now on a road that no longer leads to a ferry to Harty, but to a nature reserve.
I was greeted by a fine pair of ladies, who welcomed me as though I had cycled, and ensured the lights were put on inside.
Highlight is the modern glass with a representation of a Mulberry Harbour, as the designer of the road access part lived in the parish.
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St Peter’s Oare, a Grade I listed building, is often described as a ‘mainly 13th century church’ – which it is. However, the view that confronts the visitor entering the churchyard gate is pure Victoriana, the work of diocesan architect Joseph Clarke, an example of the sympathetic restoration of which not all Victorians were capable.
Indeed, it is this west elevation, with its louvred bell-tower and cedar-shingled spirelet, that is St Peter’s to visitors, artists and photographers.
The building could hardly be better sited. It stands where village becomes countryside, set inconspicuously back from a road that leads only to the broadening waters of the Swale and their marshland bird-life. In the churchyard, a few mature trees remain of those that once cast gloom over church and graves. They rise from among ancient headstones and ivy-clad tombs, providing summer shade for those who want to enjoy the panoramic views over Oare Creek and acre upon distant acre of marsh pastures with the North Downs as a backdrop. With binoculars or good eyesight you can rest on one of the conveniently located benches and count how many far-off churches you can pick out from this elevated point of vantage.
But how old is the church? you ask. Everyone seems to. To this there is no categorical answer. Today the building is little changed since the 1860s restoration and yet there was a church here when the Domesday Book was penned – well, half a church, but which half our Norman forebears didn’t say. A church half-finished? Or a church part-razed by the tempests of that tempestuous age?
What we do know is that the chancel was extended eastwards in the late 14th or early 15th century, and some time thereafter the old east window was taken out and replaced by a larger one in the Perpendicular style. The actual glass is more recent – the work of F.C. Eden. It was given in memory of artist Francis Forster, a casualty of WWI. Another window by this noted London artisan, on the north wall, commemorates another war victim. Below it a memorial slab set into the frame of this once tall lancet window names those who died in the great explosion of 1916, when the marshes throbbed with a wartime industry of munitions manufacture.
Back in the secluded peace of this village church is one treasured rarity, a square font of Purbeck marble from the late Norman/Early English period. Its sides were once elaborately carved, but many years ago it went missing, only to be recovered decades later from a nearby pond, somewhat the worse for its immersion. Was it concealed from Cromwell’s ravaging iconoclasts? No one knows. This hazy fact must take its place with the many mysteries hidden among the pages of time. But is it not these undocumented secrets that make a church like St Peter’s so alluring? Who can tell when the truth will emerge and another page of history can be written?
www.thekingsdownandcreeksidecluster.co.uk/?page_id=683
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A small Norman church overlooking Oare Creek with fine views to the east. Built of flint with Victorian additions by Joseph Clarke, the exterior is dominated by lively painted spirelet and south porch and muscular buttresses. Inside, a simple view with no chancel arch is enlivened by a Norman font, simple Victorian pulpit and fine stained glass windows by F C Eden. The west window – an oculus – contains the date 1867 recording the restoration of the church. A plaque commemorates those who lost their lives in one of the explosions at the nearby Gunpowder factory in 1916. The overall impression is of a lovingly cared for church, mirroring the lives of generations of Oare folk and it is highly recommended.
www.kentchurches.info/church.asp?p=Oare
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ORE
LIES the next parish north westward from Davington, and is so called from the etymology of it in the Saxon language, signifying a fenny or marshy place.
This parish is a very low situation, at the very edge of the marshes, it is consequently but little known or frequented, its vicinity to the marshes, and its low and watry situation, make it very unhealthy, so that it is but very thinly inhabited, but the lands are very rich and fertile, the waters of the Swale are its northern boundaries; on its south it rises up towards Bysing-wood, from which it is distant about a mile. The village is occupied by a few fishermen and oyster dredgers, situated near the middle of the parish on a small ascent, having the church about a quarter of a mile to the north-westward of it, and Ore-court at the like distance, at the edge of the marshes. The creek, which is navigable up to the village, whence it runs north-east, and at a little more than half a mile's distance joins the Faversham creek, and flows with it about the like distance, till it meets the waters of the Swale.
Several scarce plants have been observed in this parish by Mr. Jacob, who has enumerated them among his Plantæ Favershamienses, to which book the reader is referred for a list of them.
THE MANOR of Ore was part of the vast possessions of Odo, bishop of Baieux, and earl of Kent, the Conqueror's half-brother, under the general title of whose lands it is thus entered in the general survey of Domesday:
In Lest de Wiwarlet. In Favreshant hundered, Adam holds of the bishop (of Baieux) Ore. It was taxed at two sulings. The arable lands are four carucates. In demesne there is one, and ten villeins, with ten borderers, having two carucates. There is half a church, and one mill of twenty-two shillings, and two fisheries without tallage, and one salt-pit of twenty-eight pence. Wood for the pannage of six bogs. In the time of king Edward the Confessor it was worth four pounds, and afterwards sixty shillings, now one hundred shillings. Turgis held it of king Edward.
And a little afterwards there is another entry as follows:
Adam holds of the bishop one yoke in Ore, and it was taxed at one yoke. The arable land is one carucate. Four villeins now hold this to ferme, and pay twenty shillings, and it was worth so much separately. There is a church. Leunold held it of king Edward.
Four years after the taking of the above survey, the bishop of Baieux was disgraced, and all his possessions were consiscated to the crown.
Upon which the manor of Ore came to be held immediately, or in capite of the king, by the beforementioned. Adam de Port, of whose heirs it was afterwards again held by Arnulf Kade, who gave this manor, with that of Stalishfield, and their appurtenances, to the knights hospitallers of St. John of Jerusalem, and it was assigned by them to the jurisdiction of their preceptory, established at Swingfield.
The manor of Ore continued part of the possessions of these knights till the general dissolution of their hospital in the 32d year of Henry VIII. when this order was suppressed by an act then specially passed for that purpose. (fn. 1)
This manor seems to have remained in the hands of the crown till king Edward VI. granted it in his 5th year, to Edward, lord Clinton and Say, who next year re-conveyed it back again to the king. (fn. 2)
How it passed from the crown afterwards I have not found, but that at length it came into the possession of the family of Monins, and thence by sale to that of Short, one of which, Samuel Short, esq. owned it in 1722, and it continued down in his descendants to Philip Short, esq. who was succeeded in it by Mr. Charles Maples Short, who died a few years ago at Jamaica, on which it became vested in Mr. Humphry Munn, gent. in right of Lydia Short his wife. Hence it passed by sale to Mr. Bonnick Lipyeatt, who died in 1789, leaving two daughters his coheirs, who married Mr. Charles Brooke, of London, and Mr. Gosselin, and entitled them respectively to this estate.
A court leet and court baron is held for this manor.
There are noparochial charities. The poor constantly relieved here are not more than two; casually about six.
ORE is within the ECCLESTASTICAL JURISDICTION of the diocese of Canterbury, and deanry of Ospringe.
The church which is dedicated to St. Peter, is a small building, of one isle and one chancel, having a pointed steeple at the west end, in which are two bells.
This church, which was antiently accounted only as a chapel to that of Stalisfield, belonged to the priory of St. Gregory, in Canterbury, perhaps part of its orignal endowment by archbishop Lanfranc, in the time of the Conqueror, and it was confirmed to it, among its other possessions, by archbishop Hubert, about the reign of king Richard I.
In the 8th year of Richard II. there was a yearly pension paid from the church of Ore, of ten shillings to the priory of Rochester, and another of eight shilling to that of Leeds. (fn. 3)
This church remained part of the possessions of the priory of St. Gregory, till the dissolution of it in the reign of Henry VIII. in the 27th year of which, an act having passed for the suppression of all such religious houses, whose revenues did not amount to the clear yearly value of two hundred pounds, this priory was thereby dissolved, and the scite of it, together with all its lands, possessions, and revenues, surrendered into the king's hands, by John Symkins, prior of it.
The church of Ore remained with the other possessions of the priory in the crown but a small time, for an act passed that year to enable the king and the archbishop of Canterbury to exchange the scite of the late dissolved priory of St. Radigund near Dover, with all its possessions, lately given by the king to the archbishop, for the scite of the late dissolved priory of St. Gregory, and all the possessions belonging to it, excepting the manor of Howfield, in Chartham.
After which the parsonage of this church was demised by the archbishop, as it has been since by his successors, among the rest of the revenues of the priory of St. Gregory, from time to time, in one great lease, (in which all advowsons and nominations to churches and chapels have constantly been excepted) in which state it continues at this time. George Gipps, esq. of Harbledown, M.P. is the present lessee of then to the archbishop, and Mr. John Hope, of Ore, is the present leffee under him for the parsonage of this church, at the yearly rent of thirty-four pounds.
It pays, procurations to the archdecaon five shillings, and to the archbishop at his visitaiton two shillings. When the church of Ore was separated from that of Stalisfield, I have not found, but it has long been an independent church of itself.
It was, long before the dissolution of the priory of St. Gregory, served as a curacy by the religious of it; since which it has been esteemed as a perpetual curacy, of the patronage of the successive archbishops of Canterbury, and continues to at this time. In 1640 the communicants here were forty-seven.
The lessee of the parsonage pays the curate, by the convenants of his lease, the yearly sum of fifteen pounds.
¶Before the year 1755, it had been augmented by the governors of queen Anne's bounty with the sum of two hundred pounds, and divine service was performed here only once a fortnight; since which it has been augmented with 1000l. more, and it is now performed here once a week. Of the above sum of 1200l. in the year 1764, 260l. were laid out in the purchase of an estate, of a house, buildings, and twenty-two acres of land, in Ospringe; and in 1770, another estate was purchased, consisting of a house, buildings, and thirty-three acres of land, in Boughton under Blean. The remaining 280l. yet remain in the governors hands.
T-Tot came over to chill finally. He's gotten a little bigger, and his hair's grown a little longer. He says he's growing it for cancer kids. Good for him! :)
Supreme Court Puts End to California Union Fees Case t.co/gxiCNZQlS5 The high-profile……………………………………………… t.co/RxTdMS6REj (via Twitter twitter.com/LawsuitInfoCent/status/747995517557178368)