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Serata dedicata alla storica etichetta Cramps con Area, Eugenio Finardi e Claudio Rocchi
Gli Area, una delle poche rock band italiane conosciute ovunque. Eugenio Finardi, cantante, autore, chitarrista e pianista amante di quel rock combattivo e impegnato. Claudio Rocchi, uno dei maggiori fautori del grande successo della Cramps nel mondo del cantautorato italiano. Ecco i tre protagonisti della serata di Mercoledì 7 Settembre al Palasharp in esclusiva per Demo-Suona 2011.
La Cramps Record, l’etichetta della ‘musica totale’, di fusione ed internazionalità, sempre all’avanguardia, audace ed innovativa rispetto a quelli che potevano essere i gusti e le conoscenze in campo musicale dei primi anni Settanta. Nel 1973 La Cramps Records pubblicò una delle sue prime opere: il brano "Arbeit macht frei" degli Area, sempre rivolti ad una ricerca formale, espressiva e comunicativa del messaggio sociale. Impossibile racchiudere questa band in un’unica definizione di genere. Gli Area infatti negli anni hanno saputo spaziare tra rock, progressive e jazz, dedicandosi alla sperimentazione e alla canzone politica. Dopo 30 anni di cambiamenti sia sociali che musicali, in cui ciascuno dei componenti ha di volta in volta intrapreso progetti individuali, ecco che Ares Tavolazzi (basso), Paolo Tofani (chitarre e synth) e Patrizio Fariselli (tastiere) sono nuovamente insieme sul palco per rivivere insieme al pubblico del Demo-Suona quell’esperienza musicale unica chiamata Area. Insieme a loro, sul palco del Palasharp anche Eugenio Finardi, giunto alla Cramps Records proprio grazie alla volontà di Demetrio Stratos, fondatore e cantante mai dimenticato degli Area. Con questa etichetta Finardi pubblica il suo primo disco “Non gettare alcun oggetto dai finestrini”, vero e proprio esempio di rock italiano e primo dei tanti altri lavori che seguiranno, tutti improntati su un rock duro, combattivo e politicamente impegnato, capace di fotografare la realtà italiana con canzoni semplici e dirette. Claudio Rocchi, insieme ad Eugenio Finardi, ha contribuito a rendere la Cramps protagonista del cantautorato Italiano, attraverso l’originalità melodica e compositiva che lo ha sempre contraddistinto. La sua musica, a parte una breve sperimentazione nel mondo dell’elettronica, era e rimane psichedelica, mistica e visionaria, unica nel suo genere in Italia. Serata imperdibile dunque quella del 7 Settembre al Palasharp con la reunion degli Area, Eugenio Finardi e Claudio Rocchi, che, uno dopo l’altro sul palco di Demo-Suona 2011, faranno vivere al pubblico un’esperienza intensa ed impegnata tra rock e musica d’autore.
Published by Julian McBain
Rights: VCU Libraries. Attribution required.
Further information: Communications and Public Relations Office, VCU Libraries, (804) 828-0129
This photograph was published in the Illustrated Chronicle 11 Aug 1916 p14.
During the Great War the Illustrated Chronicle published photographs of soldiers and sailors from Newcastle and the North East of England, which had been in the news. The photographs were sent in by relatives and give us a glimpse into the past.
The physical collection held by Newcastle Libraries comprises bound volumes of the newspaper from 1910 to 1925. We are keen to find out more about the people in the photographs. If you recognise anyone in the images and have any stories and information to add please comment below.
NYC Pride 2017
LGBT Parade
New York City
Sunday, June 25th, 2017
© 2017 LEROE24FOTOS.COM
ALL RIGHTS RESERVED.
THIS MATERIAL MAY NOT BE PUBLISHED,
BROADCAST, REWRITTEN OR REDISTRIBUTED.
Village Gruziny (Грузины), Tver Oblast, Russia
Architect: Nikolai Lvov
en.wikipedia.org/wiki/Nikolay_Lvov
Photo used with attribution: es.aleteia.org/2019/08/20/el-puente-del-diablo-hay-pactos...
This photograph was published in the Illustrated Chronicle on the 23/06/1917.
During the Great War the Illustrated Chronicle published photographs of soldiers and sailors from Newcastle and the North East of England, which had been in the news. The photographs were sent in by relatives and give us a glimpse into the past.
The physical collection held by Newcastle Libraries comprises bound volumes of the newspaper from 1910 to 1925. We are keen to find out more about the people in the photographs. If you recognize anyone in the images and have any stories and information to add please comment below.
Dhaka Tribune's weekly magazine - Weekend Tribune published my photo - "A Child's Dream" as the cover of Vol 4 Issue 36 | Friday, January 6, 2017
Thanks to Sabrina Fatma Ahmad, Editor of Weekend Tribune, to make this happen and
Mukit vaia for his his help!
published by the BuckHill Falls Company
The finest American made view post cards--the Albertype Co., Brooklyn, NY
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Grande ritorno live per Emma che da venerdì riporterà la sua energia e la sua voce unica sul palco con Adesso Tour, che la vedrà protagonista nei palasport delle principali città italiane: il 17 settembre a Milano al Mediolanum Forum di Assago.
Ma Emma non è solo musica…oggi, infatti, esce “Dentro è tutto acceso” il suo primo, attesissimo, diario. “Dentro è tutto acceso” non è la biografia di EMMA, ma un lemmario, una serie di parole chiave per altrettanti capitoli, dove la parola si alterna alle immagini con fotografie inedite e disegni. E’ un racconto per temi, colorato e divertente, capace di emozionare, far piangere e ridere.
Con “Adesso” salgono a 12 i dischi di platino ottenuti da Emma solo per i suoi album. Il brano è stato scritto dalla stessa Emma insieme a Diego Mancino e Dario Faini.
Uscito a oltre due anni e mezzo dall’ultimo album di inediti “Schiena”, “Adesso” è una fotografia istantanea di Emma, come una polaroid la racconta per l’esatto momento che sta vivendo ora.
Nell’album Emma è tornata ad essere autrice: la title track “Adesso (Ti voglio bene)” è stata scritta interamente dall’artista, che ha co-firmato altri due brani dell’album: “Per questo paese” e “Il paradiso non esiste”.
Durante lo show Emma presenta Valentina Pitzalis che è sopravvissuta a un tentativo di omicidio da parte del marito (che l'ha cosparsa di cherosene e le ha dato fuoco) dal quale era separata da oltre un anno.
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The Postcard
A postally unused carte postale that was published by A. Richard of 84, Faub. du Temple, Paris, and printed by Edia of Versailles. The card has a divided back.
Abba Eban
"History teaches us that men and
nations behave wisely when they
have exhausted all other alternatives".
This was said during a speech in London UK on 16th. December 1970 by Abba Eban (1915-2002), an Israeli diplomat and writer.
Visa Paris No. 621
The card bears the imprimatur 'Visa Paris' followed by a unique reference number. This means that the image was inspected and deemed by the military authorities in the French capital not to be a security risk. Nevertheless the Albert name has been cut from the card.
'Visa Paris' indicates that the card was published during or soon after the Great War.
The Use of Artillery in the Great War
Artillery was very heavily used by both sides during the Great War. The British fired over 170 million artillery rounds of all types, weighing more than 5 million tons - that's an average of around 70 pounds (32 kilos) per shell.
With an average length of two feet, that number of shells if laid end to end would stretch for 64,394 miles (103,632 kilometres). That's over two and a half times round the Earth. If the artillery of the Central Powers of Germany and its allies is factored in, the figure can be doubled to 5 encirclements of the planet.
During the first two weeks of the Third Battle of Ypres, over 4 million rounds were fired at a cost of over £22,000,000 - a huge sum of money, especially over a century ago.
Artillery was the killer and maimer of the war of attrition.
According to Dennis Winter's book 'Death's Men' three quarters of battle casualties were caused by artillery rounds. According to John Keegan ('The Face of Battle') casualties were:
- Bayonets - less than 1%
- Bullets - 30%
- Artillery and Bombs - 70%
Keegan suggests however that the ratio changed during advances, when massed men walking line-abreast with little protection across no-man's land were no match for for rifles and fortified machine gun emplacements.
Many artillery shells fired during the Great War failed to explode. Drake Goodman provides the following information on Flickr:
"During World War I, an estimated one tonne of explosives was fired for every square metre of territory on the Western front. As many as one in every three shells fired did not detonate. In the Ypres Salient alone, an estimated 300 million projectiles that the British and the German forces fired at each other were "duds", and most of them have not been recovered."
To this day, large quantities of Great War matériel are discovered on a regular basis. Many shells from the Great War were left buried in the mud, and often come to the surface during ploughing and land development.
For example, on the Somme battlefields in 2009 there were 1,025 interventions, unearthing over 6,000 pieces of ammunition weighing 44 tons.
Artillery shells may or may not still be live with explosive or gas, so the bomb disposal squad, of the Civilian Security of the Somme, dispose of them.
A huge mine under the German lines did not explode during the battle of Messines in 1917. The mine, containing several tons of ammonal and gun cotton, was triggered by lightning in 1955, creating an enormous crater.
The precise location of a second mine which also did not explode is unknown. Searches for it are not planned, as they would be too expensive and dangerous. For more on this, please search for "Cotehele Chapel"
The Somme Times
From 'The Somme Times', Monday, 31 July, 1916:
'There was a young girl of the Somme,
Who sat on a number five bomb,
She thought 'twas a dud 'un,
But it went off sudden -
Her exit she made with aplomb!'
©All photographs on this site are copyright: ©DESPITE STRAIGHT LINES (Paul Williams) 2011 – 2021 & GETTY IMAGES ®
No license is given nor granted in respect of the use of any copyrighted material on this site other than with the express written agreement of ©DESPITE STRAIGHT LINES (Paul Williams). No image may be used as source material for paintings, drawings, sculptures, or any other art form without permission and/or compensation to ©DESPITE STRAIGHT LINES (Paul Williams)
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I would like to say a huge and heartfelt 'THANK YOU' to GETTY IMAGES, and the 46.607+ Million visitors to my FLICKR site.
***** Selected for sale in the GETTY IMAGES COLLECTION on Tuesday 11th July 2023
CREATIVE RF gty.im/1530090370 MOMENT ROYALTY FREE COLLECTION**
This photograph became my 6,132nd frame to be selected for sale in the Getty Images collection and I am very grateful to them for this wonderful opportunity.
©DESPITE STRAIGHT LINES (Paul Williams)
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Photograph taken at an altitude of Three hundred and forty five metres at 16:09pm on Tuesday 9th May off Sunset Drive and Water Street close to the waterfront in Kelowna, British Columbia, Canada.
The ornamental gardens here feature some magnificent red and yellow Tulips, (Tulipa of the family Liliaceae).
Nikon D850 Single-lens reflex digital camera F Mount with FX CMOS 35.9mm x 23.9mm Image sensor 46.89 Million total pixels Focal length: 120mm Shutter speed: 1/800s (Mechanical shutter) Aperture f/4.0 iso64 Hand held with Nikon VR Vibration reduction enabled Image area Full Frame FX (36 x 24) NEF RAW L 45.4Million pixels (8256 x 5504) 14 Bit uncompressed AF-C Priority Selection: Release Nikon Back button focusing enabled 3D Tracking watch area: Normal 55 Tracking points Exposure mode: Manual mode Metering mode: Matrix metering White balance on: Auto1, A1.00, M0.24 (4630K) Colour space: Adobe RGB Picture control: (SD) Standard (Sharpening +3.00/Clarity +1.00)
Nikkor AF-S 24-120mm f/4G ED VR. Nikon GP-1 GPS module. Hoodman HEYENRG round eyepiece oversized eyecup. Black Rapid Curve Breathe strap. My Memory 128GB Class 10 SDXC 80MB/s card. Lowepro Flipside 400 AW camera bag. Nikon EN-EL15a battery.
LATITUDE: N 49d 53m 35.8s
LONGITUDE: W 119d 29m 49.70s
ALTITUDE: 345.0m
RAW (TIFF) FILE: 130.00MB NEF: 89.7MB
PROCESSED (JPeg) FILE: 27.80MB
PROCESSING POWER:
Nikon D850 Firmware versions C 1.21 (8/12/2022) LD Distortion Data 2.018 (16/01/20) LF 1.00 Nikon Codec Full version 1.31.2 (09/11/2021)
HP 110-352na Desktop PC with Windows 10 Home edition AMD Quad-Core A6-5200 APU 64Bit processor. Radeon HD8400 graphics. 8 GB DDR3 Memory with 1TB Data storage. 64-bit Windows 10. My Passport USB 3.0 2TB portable desktop hard drive. Nikon NX STUDIO 64bit Version 1.2.2 (08/12/2022). Nikon Capture NX-D 64bit Version 1.6.2 (18/02/2020). Nikon Picture Control Utility 2 (Version 2.4.5 (18/02/2020). Nikon Transfer 2 Version 2.16.0 (08/12/2022). Adobe photoshop Elements 8 Version 8.0 64bit.
and its the season of Holi.
Featured in the Canon Calendar for March 2011 - a photograph shot during the Holi of 2009
This was taken with an external Nissin 18M flash. The guide number of 18 indicates that this should reach 2.25m, highlighting the fact that the published exposure specs for the fisheye are incorrect.
Lomography Fisheye 2 and Agfa HDC 100
Developed @ No Culture Icons
Scanned Epson V500
NYC Pride 2017
LGBT Parade
New York City
Sunday, June 25th, 2017
© 2017 LEROE24FOTOS.COM
ALL RIGHTS RESERVED.
THIS MATERIAL MAY NOT BE PUBLISHED,
BROADCAST, REWRITTEN OR REDISTRIBUTED.
Article published at the Daily Om, www.dailyom.com.
Lots of truth, inspiration and enlightment lies in their pages but unfortunately also pointless over selfpromotion of some writers.
Still, this article spoke to me!
Pre-LUC 2008, Publish & Flourish: Writing for Academic Librarians, Wednesday, October 8, 2008, The State Library of Louisiana, Baton Rouge
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È prevista solo una data in Italia per il nuovo tour di LP, all'anagrafe Laura Pergolizzi, il 15 maggio 2019 al Fabrique di Milano.
La cantautrice ha da poco pubblicato "Heart to Mouth”, uscito il 7 dicembre scorso.
“Heart to Mouth” è il quinto album in studio di LP anticipato dal singolo “Girls Go Wild” e dall’apripista “Recovery”. L’artista è stata in Italia per due tappe del suo instore tour negli scorsi giorni avvenuto a Roma e Milano. Parlando del nuovo album ha dichiarato: “Quando mi metto a comporre, c’è una sola linea, dritta: dal mio cuore alla mia bocca. In passato, c’era una città piena di strade che aveva bisogno della mia attenzione. Ora, mi sento come se avessi una grande autostrada per comunicare emozioni. Che si tratti di canzoni melanconiche o di grandi inni, vengono tutte dallo stesso posto”. Nei testi di “Heart to Mouth” sono affrontati diversi temi: dall’amore alle insicurezze, dal rimpianto all’infedeltà, passando per la redenzione, il sogno, l’abbandono, la lussuria e l’insicurezza. La cantante ha lavorato all’album insieme al “solito” Mike Del Rio, suo storico collaboratore, che già aveva curato la produzione di “Lost on You”.
Nonostante il nome italiano derivante da una madre napoletana e un padre per metà siciliano e per metà irlandese, LP non parla la nostra lingua. Nata nel 1978 ad Huntington, Long Island, New York, e cresciuta a Los Angeles, la cantautrice ha iniziato la sua carriera pubblicando due album, "Heart-Shaped Scar" del 2001 e "Suburban Sprawl & Alcool" del 2004, con due etichette indipendenti che tuttavia non sono riuscite distribuirli a dovere.
Per fortuna, questi primi insuccessi non l'hanno fermata e per diversi anni, LP ha lavorato nell'ombra come compositrice di hit per altre popstar, che includono Rihanna, per cui ha scritto "Cheers (Drink to That)", Christina Aguilera ("Beautiful People"), Cher ("Red", "Pride") e Leona Lewis ("Fingerprints"). Nel frattempo, ha continuato a studiare ed ha iniziato a suonare frequentemente l'ukulele, tanto che, come riporta Enrico Esposito in un articolo su Il Termopolio, la Martin Guitars ha costruito appositamente per lei un ukulele modificato in chitarra, con 6 corde invece di 4.
Dal 2014 ha ripreso ufficialmente ad interpretare le sue canzon aprendo i concerti di Bryan Ferry in America e pubblicando per la Warner Bros prima l'EP "Live at EastWest Studios" e poi l'album "Forever for Now", del 2014, seguito lo scorso 9 dicembre 2016 da "Lost on You", che l'ha portata all'attenzione del pubblico italiano.
This photograph was published in the Illustrated Chronicle on the 23rd of June 1916.
During the Great War the Illustrated Chronicle published photographs of soldiers and sailors from Newcastle and the North East of England, which had been in the news. The photographs were sent in by relatives and give us a glimpse into the past.
The physical collection held by Newcastle Libraries comprises bound volumes of the newspaper from 1910 to 1925. We are keen to find out more about the people in the photographs. If you recognise anyone in the images and have any stories and information to add please comment below.
We hope you enjoy looking through our collection, you are welcome to download and share our images for your own personal use, as they are to our knowledge, in the public domain. If you would like to use the images for commercial purposes, please contact us and we can provide a High Quality Digital Image for a Fee. If you are able to use the Low Resolution Image from the website please do, but we would appreciate a credit: Image from the Newcastle City Library Photographic Collection, Thank you.
Wakefield Tower is in the middle (the round one). Immeidately to the left is Bloody Tower (only half in the frame), and to the right, behind and looming over the tour guide is St. Thomas's Tower. Traitors' Gate is to the right (under St. Thomas's Tower) but not visible.
A few months ago a Russian travel magazine used one of my pictures I made in Scotland during my hiking trip: The West Highland Way. Here is the scan of this particular page. It was my first picture ever to be used in a publication (as far as I know). Of cause I am very proud. Because it is difficult to read: large is better:
© sergione infuso - all rights reserved
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Dopo il clamoroso successo di San Siro nel 2010 e dello Stadio Olimpico nel 2013 – da cui è stato anche realizzato l’incredibile film concerto Muse – Live at Rome Olympic Stadium diretto da Matt Askem, i Muse torneranno a suonare nei due più grandi e prestigiosi stadi italiani. Il 12 luglio sono alle Stadio San Siro di Milano.
La band, pluripremiata ai Grammy Awards, icona del rock “multiplatino”, sarà live negli Stati Uniti, in Canada, nel Regno Unito e in Europa (altre date saranno annunciate in seguito), per presentare il nuovo album “Simulation Theory” in uscita il 9 novembre per Warner Bros Records.
Per i Muse, conosciuti in tutto il mondo per i loro spettacoli live “incendiari” e “rivoluzionari” questo tour non farà eccezione e si preannuncia epico e ambizioso per dare ai propri fan - ormai abituati a veri e propri concerti evento - un’esperienza sempre più “totale”, dal suono alle luci, dal palco ai video.
I Muse sono Matt Bellamy, Dominic Howard e Chris Wolstenholme. Il loro prossimo album Simulation Theory uscirà il 9 novembre. Il loro ultimo album in studio, Drones, è uscito nel gugno 2015 e ha debuttato al primo posto in 21 paesi in tutto il mondo, raggiungendo il loro primo numero #1 negli Stati Uniti. L'album ha vinto il Grammy Award, il secondo, come Best Rock Album nel febbraio 2016. Dal 1994 i MUSE hanno pubblicato sette album in studio, vendendo oltre 20 milioni di album in tutto il mondo.
Riconosciuta come una delle migliori band dal vivo al mondo, i MUSE hanno vinto numerosi premi musicali tra cui due Grammy Awards, un American Music Award, cinque MTV Europe Music Awards, due Brit Awards, dieci NME Awards e sette Q Awards.
Matthew Bellamy – voce, chitarra, pianoforte
Chris Wolstenholme – basso, voce, armonica
Dominic Howard – batteria, percussioni, cori
Published in Focus : Love
Lark Books
February 2010
Art Show in Tribeca
Peace & Love Cafe
NYC, NYC
April 2008