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The Hungerford Bridge crosses the River Thames in London, and lies between Waterloo Bridge and Westminster Bridge. It is a steel truss railway bridge — sometimes known as the Charing Cross Bridge — flanked by two cable-stayed pedestrian bridges that share the railway bridge's foundation piers, and which are properly named the Golden Jubilee Bridges.
The south end of the bridge is near Waterloo station, County Hall, the Royal Festival Hall, and the London Eye. The north end is near Embankment tube station, Charing Cross railway station and the Victoria Embankment.
Hungerford Bridge was designed by Isambard Kingdom Brunel and opened in 1845 as a suspension footbridge. In 1859 it was bought by the railway company, to extend the South Eastern Railway into the newly opened Charing Cross railway station. The railway company replaced the suspension bridge with a structure designed by Sir John Hawkshaw, comprising nine spans made of wrought iron lattice girders. The chains from the old bridge were re-used in Bristol's Clifton Suspension Bridge. The original brick pile buttresses of Brunel's footbridge are still in use, though the one on the Charing Cross side is now much closer to the river bank than it was originally, due to the building of the Victoria Embankment, completed in 1870. The buttress on the South Bank side still has the entrances and steps from the original steamer pier Brunel built on to the footbridge.
Walkways were added on each side, with the upstream one later being removed when the railway was widened. In 1951 another walkway was temporarily added when an Army Bailey bridge was constructed for the Festival of Britain. In 1980 a temporary walkway was erected on the upstream side whilst the downstream railway bridge and walkway were refurbished. It is only one of three bridges in London to combine pedestrian and rail use; the others being the Fulham Railway Bridge and Barnes Railway Bridge.
The footbridge gained a reputation for being narrow, dilapidated and dangerous. In the mid-1990s a decision was made to replace the footbridge with new structures on either side of the existing railway bridge, and a competition was held in 1996 for a new design. The concept design was won by architects Lifschutz Davidson and engineers WSP Group. Detailed design of the two bridges was carried out by consulting engineers Gifford. The two new 4-metre wide footbridges were completed in 2002. They were named the Golden Jubilee Bridges, in honour of the fiftieth anniversary of Queen Elizabeth II's accession, although in practice they are still referred to as the "Hungerford Footbridges".
Further justification for new footbridge structures both upstream and downstream of the railway bridge was that the railway bridge's brittle wrought iron support pillars were vulnerable to impact from riverboats. Especially following the Marchioness disaster it was felt these should be clad in concrete at water level but the bridge's owners, Railtrack, could not afford the work. The Golden Jubilee Bridges achieved this protection at no cost to Railtrack.
The new footbridges posed an engineering challenge. Their construction was complicated by the need to keep the railway bridge operating without interruptions. There was also the problem of the Bakerloo Line tunnels passing only a few feet under the river bed as well as the potential danger of unexploded bombs in the Thames mud. Despite extensive surveys of the riverbed, London Underground was unwilling to accept these risks and preliminary works were stopped in 2000. The design was modified so that the support structure on the north side, which would have been within 15 metres of the tube lines, was moved out of the river bed and onto Victoria Embankment. Excavation near the tube lines was carried out when the tube was closed and foundations were hand-dug for additional security. It is estimated that the footbridges took one million hours of labour to create.
The 300m-long decks were raised using an innovative method called incremental launching, in which each 50m-long section was pulled across the river using a 250m-long steel truss weighing 300 tonnes. This process was repeated five times until each deck spanned the river, supported by six temporary piers made of steel and concrete. The seven 25-tonne pylons were then raised over the subsequent two weeks. Once the pylons had been installed, the decks were jacked up to enable their connection with the cable stays suspended from the pylons. The concrete deck was then lowered into its final position and the temporary piers and supports were dismantled.
The design of the bridges is complex. Each of the two decks is supported by inclined outward-leaning pylons. The decks are suspended from fans of slender steel rods called deck stays — there are 180 on each deck, made up of over 4 km of cable — and are held in position by other rods called back stays. Because the pylons lean, the back stays are under tension. The deck is secured in place by steel collars fitted around (although not supported by) the pillars of the railway bridge; the collars are themselves attached to the bridge's foundations by tie-down rods. The entire structure is thus held in place by exploiting the tensions between the pylons and the various stay rods and struts.
The new bridges won the Specialist category in the Royal Fine Art Commission Building of the Year Award in 2003. It gained a Structural Achievement Award commendation in the 2004 Institution of Structural Engineers awards, and has won awards from the Civic Trust and for its lighting design.
FUJI, Japan (Oct. 23, 2019) - U.S. Marine Sgt. Hunter Meadows demonstrates how to properly arm and throw an M69 training grenade during exercise Fuji Viper 20-1 in Camp Fuji, Japan, Oct. 23, 2019. Fuji Viper is a regularly scheduled training evolution for infantry units assigned to 3rd Marine Division as part of the unit deployment program. The training allows units to maintain their lethality and proficiency in infantry and combined arms tactics. Meadows is assigned to 4th Marine Regiment, 3rd Marine Division, and a native of Raleigh, N.C. (U.S. Marine Corps photo by Cpl. Timothy Hernandez) 191023-M-TV413-915
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Leamington Spa, properly Royal Leamington Spa, commonly Leamington or "Leam" to locals, is a spa town in central Warwickshire, England.
Until the beginning of the 1800s, Leamington was a village named Leamington Priors.
In 1814 the Royal Pump Rooms and Baths were opened close to the River Leam. This grand structure attracted many visitors, hoping to soothe various aches, pains and ailments by bathing in pools filled with the salty spa water. It also included the world's first gravity fed piped hot water system in modern times, which was designed and installed by the engineer William Murdoch. Leamington soon became a popular spa resort which attracted the wealthy and famous, and construction began of numerous Georgian townhouses to accommodate visitors.
Leamington's reputation soon spread. The town gained its "Royal" prefix in 1838, granted by Queen Victoria, who visited the town as a Princess in 1830 and as Queen in 1858, and whose statue still stands in the town.
From Wikipedia, the free encyclopedia
The Archibald Fountain, properly called the J.F. Archibald Memorial Fountain, widely regarded as the finest public fountain in Australia, is located in Hyde Park, in central Sydney, New South Wales. It is named after J.F. Archibald, owner and editor of The Bulletin magazine, who bequeathed funds to have it built. Archibald specified that it must be designed by a French artist, both because of his great love of French culture and to commemorate the association of Australia and France in World War I. He imagined its civic design and ornamentation developing to rival his dream city Paris. The artist chosen was François-Léon Sicard.
The fountain was unveiled on 14 March 1932 by the Lord Mayor of Sydney, Samuel Walder.
Classical tradition
Sicard was one of the foremost sculptors of his day, a classically educated artist, whose inspiration was derived, at least in part, from his study of classical Greek and Roman art and literature. In submitting his proposal for the design of the sculptural groups, Sicard wrote: "Apollo represents the Arts (Beauty and Light). Apollo holds out his right arm as a sign of protection, and spreads his benefits over all Nature, whilst he holds the Lyre in his left hand. Apollo is the warmth which vivifies, giving life to all Nature. At the touch of his rays, men awake, trees and fields become green, the animals go out into the fields, and men go to work at dawn.
"The ancient Pliny adored the sun, symbol of Life. It is on this account that I wished this figure to be the chief one in the memorial.
"At Apollo's feet the star of day is indicated by a semicircle, of which the rays spread out in jets of light (the rising sun). The horses' heads represent the horses of Apollo's chariot. Out of their nostrils the water will fall into the first basin, to fall from there into the second, and run away into the large basin.
"The large basin is divided into three groups. One represents Diana, goddess of purity, of peaceful nights, symbol of charity; the ideal which watches over mortals - all that stands for poetry and harmony. The second group symbolises the good things of the earth - it is the young god of the fields and pastures, of the pleasure of the countryside. The third group represents sacrifice for the public good. Theseus, vanquisher of the Minotaur. The spirit triumphs over bestiality. Theseus delivers his country from the ransom which it had to pay to this monster. It is the sacrifice of himself for the good of humanity. Between these groups tortoises throw jets of water. The fountain is electrically illuminated and floodlighted at night.
"It depicts Apollo, representing beauty and the arts, on a central column holding out his right arm as a sign of protection over all nature. On the three plinths radiating from the central column there are figures representing Diana, the goddess of purity; a group representing the good things of the earth; Theseus slaying a Minotaur, representing the sacrifice for the good of humanity."
Interestingly, Sicard quotes Pliny as one of the ancient Roman sources for the modern understanding of the qualities supposedly represented by the gods. Rather than merely using the visual examples of works such as those by Pheidias, the iconic sculptor of classical Athens, whose free standing and frieze statuary represent the acme of the classical depiction of the human form in larger-than life bronze or marble, Sicard used literary sources to explain the symbology behind the form. The figure with the ram and goat is possibly Aristaeus.
His choice of classical figures was in keeping with the European tradition of the sculpture and architecture of the precinct of Hyde Park. There is no indication in the writings of Sicard, or indeed, in the appraisal of his work, that there was any intention to link the figures in the sculptural groups with any religious or sexual themes.
A short drive from Aylesford is Birling, a small but attractive village, stretched out along a winding street, and dominated by the church on a rise. The road winds round it then out of the village.
I was past the church and out of the village again before I knew it.
I found a place to park and walked to the church, hopeful it might be open.
It was not.
But details of the keyholder said they lived opposite, so I knocked and was presented with the large key from a rusty nail on the wall. I thought you were selling something she said.
I walk back through the lych gate, up the steps and turn the key in the lock. Turning the handle, I push and the door swung open, revealing the church to be dark. But there were light, I flicked them on.
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Dominating the centre of this tiny village, Birling tower is a thinned down version of the familiar `beacon turret` so commonly found in Kent. Thinned down because there wasn't room for a properly proportioned structure, so close is it built to the end of the escarpment on which the church stands. The church is famed for two features, both connected with the Nevill family. The first is the cast-iron trapdoor the their burial vault in the chancel, resplendent with highly coloured bulls (the family emblem) and the family motto. The second is the font cover, carved by daughters of the family in the nineteenth century. Each section is initialled on the inside so that you can see who carved it. West tower, south aisle, nave, north aisle, chancel.
The church, which is dedicated to All Saints, is a handsome building, consisting of a nave, south isle, and chancel. It has a good tower at the west end of it.
The church of Birling, with certain land in this parish, was given by Walkelin de Maminot, lord of this place, in the 15th year of king Henry II. anno 1168, to the priory of Bermondsey, in perpetual alms; which gift was confirmed by that king. Soon after which it seems to have been confirmed and appropri ated to it by Walter, bishop of Rochester, at the king's request; and again more amply by the bishops Gualeran and Gilbert, his successor; and again by the Says, as heirs to the Maminots; and by Geoffry de Say, who married Alice, sister and coheir of Wakelin Maminot. The prior and convent of Rochester, in 1270, John, prior of, and the convent of St. Saviour, Bermondsey, acknowledged an annual pension of 20s. due from this church to the bishop of Rochester, which pension continues to be paid to the bishops of that see.
Upon a writ in the 20th year of king Edward III. the bishop certified, that the prior and convent possessed the appropriation of this church, which was taxed at ten pounds, and that the religious were not resident upon it. (fn. 14)
Richard Mann, perpetual vicar of this church, about the year 1447, anno 26 Henry VI. made complaint to the archbishop of Canterbury, of the insufficiency of the revenue of the vicarage for his maintenance, and that the prior and convent of Bermondsey, proprietaries of this church, refused to augment the portion of it; and he set forth that the produce and income belonging to the vicar and vicarage, did not exceed the annual value or sum of 4l. 15s. 8d. in the tithes of calves, milk, and foals 8s. 9d. yearly; in the tithes of lambs, wool, pigs, geese, apples, hemp, and in the tithes of the oblations of the four days yearly; and for sheep and cows forty one shillings and twelve-pence, in the pension paid to the vicar by the abbot and convent forty-four shillings and tenpence. And further, that the portion of the vicar and vicarage had been for some time, and was then insufficient, incompetent, and too slender; and that he could not, out of it, be supported in a proper manner, nor undergo the rights and burthens incumbent on him, or his vicarage, nor use that hospitality which he ought and was bound to do. That the parish church had a large and extended parish, containing six miles in circuit, having some of the parishioners of both sexes two miles or thereabout distant from the church, which, when there was occasion, he was bound to visit, and to administer to them the church offices and sacraments. That the mansion of the vicar there, and the buildings belonging to it, were, through the negligence of the abbot and convent, in a ruinous state, and would very soon, fall to the ground; which if they should they could not be rebuilt again for twenty pounds. That he the vicar had exercised the no small cure of fouls of the parish church, of one hundred parishioners, or thereabouts, although with great inconvenience, and in great misery and want during the whole time of his having been vicar, and had employed himself in every religious duty to the best of his abilities, and still continued so to do. That the portion of the fruits and profits of the parish church, belonging to the abbot and convent, proprietaries of it, had been from the time of the appropriation of it, and was then so rich and abundant, that, according to common estimation, the portion of the vicar might well be augmented out of it to the value of twenty marcs sterling, or thereabout; and that the abbot and convent, although they had been often requested, to augment the portion of the vicarage, out of the revenues of the church, in a competent manner, had, without alledging any reason, always refused it, or at least deferred it beyond reason, to the great damage, &c. Upon which it was decreed, that the prior and convent should augment the portion of the vicarage out of the fruits and profits of this church, or in money, to the amount of eight marcs sterling, beyond the antient portion of it, within the space of one month; and they were condemned in all costs, &c. but on their neglecting to obey this decree, a further one was made, that in satisfaction of the payment of the said eight marcs, there should be set apart and assigned to the vicar, and his successors, (at his request) the tithes, as well great as small, yearly accruing and arising from the lands, fields, and places below the lane, vulgarly called Benetis-lane, westward, and from the north side of the said lane, according to the bounds and limits of this parish, to those of the parish of Snodland on the north side, and from thence to the bounds and limits of the parish of East Malling on the east side, to the common pasture of Hordo, and from thence to the south end of Benetis-lane aforesaid, &c.
¶When the church of Birling, and the advowson of the vicarage passed from the above mentioned monastery, I have not found, but it appears by an inrolment made in chancery, and now in the Augmentation-office, that in the 13th year of king Henry VIII. George Nevill, lord Abergavenny, was possessed of a barn, and one hundred and fifty acres of land late belonging to that monastery, and then inclosed in the park of Birling, and also of the rectory of Birling, and all tithes, tenths, &c. belonging to it, and the advowson of the vicarage late belonging to the abbot and convent. Since which, they have descended down to the Right Hon. Henry, earl of Abergavenny, the present owner and patron of them.
www.british-history.ac.uk/survey-kent/vol4/pp474-488
LOCATION: At c. 110 feet above O.D. on a Folkestone beds knoll at the north end of the village. Birling Place lies ¾ mile to the north-west.
DESCRIPTION: A church is mentioned in Domesday Book (1086), and it is probable that the nave of the present church, without its aisles, is Norman. The only evidence for this, however, is one tufa block on the south-west corner of the nave, and some detached (?reused) tufa blocks in the west face of the south-west buttress to the south aisle.
In the early 14th century first one aisle, then the other, was rebuilt with finely-tooled octagonal arcade piers of Kentish Ragstone. Above them are moulded capitals (slightly different south and north) with pointed arches over with double hollow chamfers. There are four bays of arcading, but the arches are not exactly regularly spaced, and the centre pier on the north is more elongated east-west, with an indication that there might have been a narrow partition on its north and south sides. There is also a slight scar opposite in the north wall. The south side has a separate gabled roof (of plain rafters, collars, braces and unmoulded tie-beams), and this is also perhaps 14th century. The aisle wall has three buttresses on the south, and at its east end (possibly the chapel of St. James) is a double trefoiled window. There is another in the south wall at the east end, with piscina just east of it. All the other windows in the south aisle are single trefoiled lights. The south doorway is also contemporary and has a hoodmould over its 2-centred arch. The door and hinges may also be original. Outside the door was a porch, but this was removed in the mid-19th century.
The north aisle outer wall has a more complicated history. At its east end, which may have been the Lady Chapel, two 2-light 15th century windows (on the north and east) seem to have been inserted into the 14th century fabric. There is also a high lancet over the east window, and a small blocked doorway (visible outside) in the north-east corner. A long thin pilaster buttress on the outside of the north wall, which slopes back into the wall, may have related to a later 15th century Rood stair. The west end of the aisle, which has an external plinth seems certainly to have been rebuilt in the late 15th or early 16th century, though the 2-light north window here appears to be a reset 14th century one. The north doorway has pyramid stops, and an early 14th century single-light trefoil-headed window above. It now leads into a 19th century vestry. There is also perhaps an original door here. The roof over the aisle has moulded beams and wall-plates, and a partitioned off vestry at its west end. Also the ground level in this aisle appears to have been lowered.
The west tower is a fine early 15th century ‘Kentish’ tower with a crenellated parapet and pyramid roof. It contains 8 bells (three of 1631) set in a new (1987) iron frame. It has also had many of its find Kentish ragstone dressings restored (also in 1986-7) with many new stones. This has been an over-zealous restoration. On the south-east side of the tower is a semi-octagonal stair-turret, which rises above the tower-top, and has its own tiled octagonal roof. The tower has diagonal western buttresses, and a square-headed western doorway with pyramid stops (all the dressings of this doorway, and the tracery of the Perpendicular windows above have recently - 1987 - been restored). Under the tower arch was a gallery until 1866.
As has already been seen, the west end of the north aisle was probably rebuilt in the later 15th century (there are a few red-bricks in the walls), and at the east end of this aisle a north and a south window seems to have been inserted, as well as possibly a Rood-stair. There is also a 15th century Ragstone font (with 1853 cover).
There is no chancel arch, and a large wide early 16th century chancel. This chancel must have been completely rebuilt in the 1520s by the Nevill family after they had acquired the patronage of the church from Bermondsey Abbey. On the south side are four square-headed early Tudor 2-light windows, and only the western one has Perpendicular tracery. The wall is in quasi-checker work, and has a hollow-chamfered plinth, which also goes round a diagonal (south-east) buttress and along the east wall. Here there is a large six-light window (also without tracery and perhaps with original ferromenta) that Hasted says contained glass with the arms of Sir George Nevill, Lord Bergavenney, ‘within the garter’ (He was a knight of the garter from 1514, and was buried here in 1535). There is also a small round-headed window in the east gable, with red bricks around it, but the wall and window had to be repaired after 1942 bomb damage. The very plain north wall of the chancel contains large Rag and ironstone blocks in quasi-checker pattern. It has no plinth and only one window (at the extreme western end), but also a north doorway from it into a 19th century vestry. Was there an earlier larger vestry?
The chancel has a moulded flat ceiling (painted in 1963), and the earlier steep-pitched roof was replaced in c.1828 with a low-pitched slate covered roof. At about the same time the Nevill family burial vault was rebuilt under the eastern third of the chancel. It has a cast-iron cover to the entry steps, and there are two early 19th century niches on either side of the sanctuary, with air-vents to the vault beneath. The family pews in the chancel, and the other fittings and memorials were put there in the mid-19th century. (Two fire helms from the chancel are now in ‘safekeeping’).
BUILDING MATERIALS: c.):
The principle rubble materials are local Ragstone and ironstone, with Ragstone dressings. A few perhaps reused tufa blocks from the early church are in the west wall, and some red brick is used in the early 16th century work.
Some Caenstone (?for restoration) and cement repairs.
EXCEPTIONAL MONUMENTS IN CHURCH: -
Various 19th century Nevill monuments in the church, especially in the chancel (with early 19th century burial vault below it). Royal Arms of 1700 above south doorway.
CHURCHYARD AND ENVIRONS:
Size & Shape: Large irregular area around the church with a steep drop to the north, west and south. It has been much extended to the north- east. There is a very good plan of the whole churchyard (with all known graves surveyed on it) hanging in the Church. Enlarged in the 19th century from small graveyard around the church. Very steep slope on the east side, down to the road (Horn Street)
Condition: Good.
Boundary walls: Ragstone walls retaining sunken lanes on north and west
Building in churchyard or on boundary: 1987 Lychgate to the south-west.
Exceptional monuments: Some good headstones.
Ecological potential: Yes.
HISTORICAL RECORD (where known):
Earliest ref. to church: Domesday Book.
Late med. status: Vicarage.
Patron: Given by the Lord of Birling manor to Bermondsey Abbey in 1168. It was appropriated soon afterwards. After the Dissolution (by c.1530) to Lord Abergavenny (Nevill formerly) till 1959.
Other documentary sources: Hasted IV (1798), 485 - 8.
Testamenta Cantiana (W.Kent, 1906), 5, mentions: Repair to one window on the south side of the church (1501). Also altars of ‘Our Lady in the chapel’ (1516) and ‘To be buried by side of Chaunsell of Birlyng at the hede of Saynt James aulter’ 1523).
ARCHAEOLOGICAL RECORD:
Reused materials: A few reused Roman bricks, and tufa blocks in S.W. corner of south aisle.
SURVIVAL OF ARCHAEOLOGICAL DEPOSITS:
Inside present church: ? Good, though there is a large vault under the chancel, and the floor level of the north aisle appears to have been lowered.
Outside present church: ? Good.
RECENT DISTURBANCES/ALTERATIONS:
To structure: The tower was very heavily restored with many new dressings, and a new iron bellframe on a reinforced concrete ringbeam in 1986-7.
ARCHAEOLOGICAL AND HISTORICAL ASSESSMENT:
The church and churchyard: A few tufa blocks perhaps from the Norman nave west quoins, but otherwise the earliest visible fabric are the 14th century nave aisles and arcades. Early 15th century west tower. West end of north aisle rebuilt in c. 1500, and possibly a Rood stair made on the north side. Chancel completely rebuilt in the 1520s by the Nevill family.
The wider context: One of a small group with a rebuilt (by an important patron) early 16th century chancel.
REFERENCES: -
Guide Book: Leaflet (Revised) 1989 Anon.
Photographs: Photo of font and font cover in Kent Churches 1954, 127 (cover made 1853).
Plans & early drawings: Petrie 1807 view of church from S.E., showing steep-pitched roof over chancel. Also a porch on the south side of the church.
The Archibald Fountain, properly called the J. F. Archibald Memorial Fountain, widely regarded as the finest public fountain in Australia, is located in Hyde Park, in central Sydney, New South Wales.
It is named after J. F. Archibald, owner and editor of The Bulletin magazine, who bequeathed funds to have it built. Archibald specified that it must be designed by a French artist, both because of his great love of French culture and to commemorate the association of Australia and France in World War I. He wished Sydney to aspire to Parisian civic design and ornamentation. The artist chosen was François-Léon Sicard.
Sicard was one of the foremost sculptors of his day, a classically educated artist, whose inspiration was derived, at least in part, from his study of classical Greek and Roman art and literature. In submitting his proposal for the design of the sculptural groups, Sicard wrote: "Apollo represents the Arts (Beauty and Light). Apollo holds out his right arm as a sign of protection, and spreads his benefits over all Nature, whilst he holds the Lyre in his left hand. Apollo is the warmth which vivifies, giving life to all Nature. At the touch of his rays, men awake, trees and fields become green, the animals go out into the fields, and men go to work at dawn.
"The ancient Pliny adored the sun, symbol of Life. It is on this account that I wished this figure to be the chief one in the memorial.
"At Apollo's feet the star of day is indicated by a semicircle, of which the rays spread out in jets of light (the rising sun). The horses' heads represent the horses of Apollo's chariot. Out of their nostrils the water will fall into the first basin, to fall from there into the second, and run away into the large basin.
"The large basin is divided into three groups. One represents Diana, goddess of purity, of peaceful nights, symbol of charity; the ideal which watches over mortals - all that stands for poetry and harmony. The second group symbolises the good things of the earth - it is the young god of the fields and pastures, of the pleasure of the countryside. The third group represents sacrifice for the public good. Theseus, vanquisher of the Minotaur. The spirit triumphs over bestiality. Theseus delivers his country from the ransom which it had to pay to this monster. It is the sacrifice of himself for the good of humanity. Between these groups tortoises throw jets of water. The fountain is electrically illuminated and floodlighted at night.
"It depicts Apollo, representing beauty and the arts, on a central column holding out his right arm as a sign of protection over all nature. On the three plinths radiating from the central column there are figures representing Diana, the goddess of purity; a group representing the good things of the earth; Theseus slaying a Minotaur, representing the sacrifice for the good of humanity."
The fountain was unveiled on 14 March 1932
Hyde Park, the oldest public parkland in Australia, is a 16.2-hectare (40 acres) park in the central business district of Sydney, New South Wales.
Hyde Park is on the eastern side of the Sydney city centre. It is the southernmost of a chain of parkland that extends north to the shore of Sydney Harbour via The Domain and Sydney's Royal Botanic Gardens. Hyde Park is approximately rectangular in shape, being squared at the southern end and rounded at the northern end.
The centrepiece of Hyde Park is the Archibald Fountain. The fountain was designed by François-Léon Sicard and donated by J.F. Archibald in 1932 in honour of Australia's contribution to World War I in France. Also at the northern end are the Nagoya Gardens featuring a giant outdoor chess set and the entrance to the underground St James railway station.
Wikipedia
This young woman brought along her own frame and had the guy on the right take her photo with her phone.
This is a frame capture from HD video using the Canon Eos Rebel T6 camera, with the Canon 18-55mm zoom lens.
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LAFD Incident: 050216-0047
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I have been to St Mary of Charity before. But that was many years ago.
Back then, I took three shots inside. I took 300 today.
St Mary is a huge church with a Victorian tower with the most amazing spire, which makes it visible from just about all over the town.
Faversham is best know as being home to Shepherd Neame brewery, it claims to the England's oldest surviving brewer.
The town sits on the edge of the Swale, with a large expanse of marshes and creeks between the town and open water.
We parked on wide Abbey Street, and while Jools went shopping, I walked along side the old brewery buildings to the church, with the tower and spire straight ahead along a street of terraced houses.
The church was open, though I got shouted at for not closing the glass door properly. This was from the group of people partaking in the weekly coffee morning.
The looked at me as I went round the large church, snapping details and marvelling at the single painted pillar.
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An extraordinary building comprising a medieval chancel and transepts, eighteenth-century nave and nineteenth-century tower and spire. Despite heavy-handed restorations of the nineteenth century - by Sir George Gilbert Scott and Ewan Christian in 1873 - which have resulted in loss of character, there is much to see. The fourteenth-century transepts are aisled - a most unusual feature in an ordinary parish church. The medieval authorities probably decided to invest in a lavish building to counteract the pulling power of the famous abbey which stood to the east. One of the pillars of the north transept has a series of contemporary small paintings of biblical scenes. You are advised to take a pair of binoculars to see them to advantage. The stalls in the chancel have misericords with a good selection of carved armrests, and there is also a crypt and an unforgettable east window of 1911.
www.kentchurches.info/church.asp?p=Faversham+1
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THE PARISH AND TOWN OF FAVERSHAM.
CALLED, according to Lambarde, in Saxon, Fafresham, and Fafresfeld, in the record of Domesday, Favershant, and in some few others, Fefresham.
THE PARISH lies adjoining to the high London road southward at the 47th mile-stone, and extends to the creek on the opposite side of the town, the houses on the south side of which reach to within two hundred yards of the road, whence there is a good view into it.
The parish includes the north side of the London road from the above mile-stone westward, almost as far as the summit of Judde-hill, and the liberties of the town extend as far of this space westward as the rivulet in Ospringe street. Thus this parish intervenes, and entirely separates that part of Ospringe parish, at the northern boundary of it, in which are the storekeeper's house of the royal mills, and part of the offices and gardens belonging to it, and some of the mills themselves, and in the town likewise, Ospringe parish again intervening, there is a small part of West-street which is within that parish. At the east end of Ospringe-street, though within Faversham parish, and the liberties of the town, close to the high London road, there is a handsome new-built house, erected not many years since by Mr.Bonnick Lypyeatt, who resided in it till his death in 1789. He left two daughters his coheirs, one of whom married Mr.C.Brooke, of London, and the other Captain Gosselin, of the Life-guards. It is now occupied by John Mayor, esq.
¶The rest, or northern part of the parish lies very low, and adjoins the marshes, of which there is a very large tract. The country here is a fine extended level, the fields of a considerable size, and mostly unincumbered with trees or hedgerows, the lands being perhaps as fertile and as highly cultivated as any within this county, being part of that fruitful value extending almost from Sittingborne to Boughton Blean, so often taken notice of before. The grounds adjoining the upper parts of the town are mostly hop plantations, of a rich and kindly growth, but several of them have lately given place to those of fruit. About twenty years ago the cultivation of madder was introduced here, and many induced by the prospect of great gains, made plantations of it at a very considerable expence, and a mill was erected for the purpose of grinding the roots, but from various disappointments, and unforeseen disadvantages, the undertakers of it were deterred from prosecuting the growth of it, and I believe they have for some time entirely discontinued it.
At the south-east extremity of this parish, as well as in other particular parts of this county, there are several chalk-pits, the most noted of these being called Hegdale pit, of a great depth, which though narrow at the top, yet more inward are very capacious, having, as it were, distinct rooms, supported by pillars of chalk. Several opinions have been formed concerning the intent and use of them, some that they were formed by the digging of chalk, for the building of the abbey, as well as afterwards from time to time, for the manuring of the neighbouring lands; others that the English Saxons might dig them, for the same uses that the Germans did, from whom they were descended, who made use of them, according to Tacitus, as a refuge in winter, as a repository for their corn, and as a place of security, for themselves, their families, and their property, from the searches of their enemies. (fn. 1)
Near the west end of the bridge, opposite the storekeeper's house of the royal powder-mills, there is a strong chalybeate spring, which on trial has been proved to be nearly equal to those of Tunbridge Wells. (fn. 2)
In the year 1774, a most remarkable fish, called mola salviani, orthe sun-fish, was caught on Faversham Flats, which weighed about nineteen pounds and a half, and was about two feet diameter. It is a fish very rarely seen in our narrow seas. (fn. 3)
THE TOWN ITSELF, and so much of the parish as is within the bounds of the corporation, is subject to the liberties of it, and of the cinque ports, and is exempt from the jurisdiction of the hundred of Faversham; but the rest of the parish, together with the rectory, is within the liberties of that hundred, which has been always esteemed as appurtenant to the manor of Faversham.
Although from the several discoveries which have been made of Roman antiquities in this neighbourhood, it is plain, that it could not be unknown to that nation, during their stay in this island, yet there is no mention made of this place by any writer during that period; and it seems, even in the time of the Saxons, to have been a place of but little consequence, notwithstanding it was then a part of the royal demesnes, as appears by a charter of Cenulph, king of Mercia, anno 812, wherein it is stiled the king's little town of Fefresham; and in one of Athelwolf, king of the West Saxons and of Kent, anno 839, where it is said to be made, only, in villa de Faverisham. However, it was of note sufficient, perhaps as being the king's estate, even in the time of king Alfred, at the first division of this county into those smaller districts, to give name to the hundred in which it is situated. Lambarde, Camden, and Leland say, that king Athelstan held a parliament, or meeting of his wife menat Faversham, about the year 903, (no doubt for 930) in which several laws were enacted. (fn. 8)
FAVERSHAM continued part of the antient demesnes of the crown of this realm at the time of the taking of the general survey of Domesday, in which it is entered, under the general title of Terra Regis, that is, the king's antient demesne, as follows:
In the lath of Wivarlet, in Favreshant hundred, king William holds Favreshant. It was taxed at seven sulings. The arable land is seventeen carucates. In demesne there are two. There are thirty villeins, with forty borderers, having twenty-four carucates. There are five servants, and one mill of twenty shillings, and two acres of meadow. Wood for the pannage of one hundred hogs, and of the pasture of the wood thirty-one shillings and two pence. A market of four pounds, and two salt-pits of three shillings and two-pence, and in the city of Canterbury, there are three houses of twenty-pence belonging to this manor. In the whole value, in the time of king Edward the Confessor, it was worth sixty pounds all but five shillings, and afterwards sixty pounds, and now it is worth four times twenty pounds.
¶The manor of Faversham, with the hundred appurtenant to it, remained part of the possessions of the crown till about the beginning of king Stephen's reign, when it was granted to William de Ipre, a foreigner, whom, for his faithful services against the empress Maud, the king, in his 7th year, created Earl of Kent; but within a few years afterwards, resolving to found an abbey here, he, with his queen Matilda, about the year 1147, exchanged the manor of Lillechirch, and other premises, for this manor and hundred, where they, at the latter end of that year, or the beginning of the year after, founded an abbey at a small distance from the town of Faversham, on the north-east side of it, for the space where Court, or Ab bey-street now stands was then unbuilt, and this was therefore, in the reign of Edward III. distinguished by the name of the New Town, as the rest of it, built before, was by that of the Old Town, and they appointed Clarembald, the prior of Bermondsey, to be abbot of this new foundation, which was dedicated to St. Saviour, and for their support, the king granted to him and the monks of it, twelve of whom had been removed with Clarembald for this purpose from Bermondsey, which priory was of the order of Clugni, the manor of Faversham, with its appurtenances, and other premises, in perpetual alms, with many liberties, as may be further seen in the charter itself. (fn. 9)
HE TOWN OF FAVERSHAM is within the limits of the cinque ports, being esteemed as a limb or member of the town of Dover, one of those ports. Of what antiquity these ports and antient towns are, when enfranchised, or at what times their members were annexed to them, has not been as yet, with any certainty, discovered; and, therefore, they are held to enjoy all their earliest liberties and privileges, as time out of mind, and by prescription.
It is, however certain, that at the time of king Edward the Consessor, the five ports were enfranchised with divers liberties, privileges, and customs, peculiar to themselves; for the better conducting of which they had the establishment of one grand court, called the court of Shipway, from its being almost always held at a place of that name near Hyth; in which the general business relating to the whole community was transacted before the warden, as principal and chief over them. Nevertheless, though they acted here jointly, like a county palatine as to the government, for the desence of the liberty of the whole, yet every particular corporation in each town acted severally and distinctly, according to its own privileges, charters, and customs within their own particular limits, without any controul or interference from this court, or the rest of the community. (fn. 20)
The five ports, as being from their situation most exposed to the depredations of enemies, were first incorporated for their own mutual defence, and were afterwards endowed with great privileges, for the public desence of the nation, and the king's service. The force they were enjoined to raise and keep in residence for this purpose was fifty-seven ships, properly furnished and accoutred for a certain number of days, to be ready at the king's summons, at their own charge, and if the state of affairs required their assistance any longer, they were paid by the crown. But because the expence was in after times found to be too burthensome for these five ports, several other towns were added as members to them, that they might bear a part of the charge, for which they were recompenced with a participation of their privileges and immunities. All which were confirmed to them by Magna Charta, by the name of the barons of the five ports, and again by one general charter by king Edward I. which, by inspeximus, has received confirmation, and sometimes additions, from most of the succeeding kings and queens of this realm.
¶FAVERSHAM, stiled both a town and a port at different times in antient records, isa corporation by prescription. In the oldest charter now remaining, which is that of the 36th year of king Henry III. wherein the members of it are stiled, according to the usual language of those times, barons, that is freemen, there is contained a confirmation of all their former antient rights and privileges. In the 42d year of the above reign, which is as far as can be traced by evidence, the jurisdiction of this town was then in a mayor or alderman, and twelve jurats. In a charter of Edward I. the barons of it are acknowledged to have done good services to him and his predecessors, kings of England; and in the 21st year of that reign, there is an entry of the mayor and jurats assembling in their hallmote, or portmote-court, as it is elsewhere called, together with the lord abbot's steward, and there sealing a fine with the town's seal, of a messuage and garden in Faversham, according to the use and custom of the court, by which it is evident, that this court was of some antiquity at that time. (fn. 21)
Faversham is within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry of Ospringe.
The church, which stands close to the east side of the town, was dedicated to the assumption of our lady of Faversham. It is built in the form of a cross, of flints, with quoins of ashler stone. It had, until 1755, when it was taken down, a large square castellated tower in the middle of it, and there remains now another low tower at the north side of the west front, upon which is erected a frame of timber, covered with shingles. So long ago as king Henry the VIIth.'s reign, there seems to have been no steeple to this church, for in 1464, Edward Thomasson, of this town, gave sixty pounds towards the edifying of a new one to it; (fn. 31) and of later time, James Lawson, esq. a wealthy inhabitant of this town, who died in 1794, gave by his will 1000l. for the same purpose, with this sum, together with 500l. given by the corporation, and the remainder payable by a rate, a steeple, seventy-three feet high above the tower, with pinnacles at each corner of it, on the plan of St. Dunstan's in the East, has been erected, and is now nearly compleated, at the expence of 2500l.
Behind the tower, within the outer walls, is a strong timbered room, formerly called the tresory, in which, before the reformation, were carefully deposited the goods and ornaments of the church; over it was the chamber for the sextons. On the south side of the west front is a room, formerly open to the church, in which was taught reading and writing; under it is a neat chapel, with stone arches, supported by three pillars in the middle. Over the south porch there is another stone room, the window of which is grated with strong iron bars.
Mr. Henry Hatch, whose extensive charity to this town has already been mentioned, by will in 1533, gave a sum of money, at the discretion of the mayor, and his brethren, in making a new jewel-house for this church.
In 1440 there were placed in it five new bells, and in 1459 a sixth was added; these remained till 1749, when they were cast into a new peal of eight.
The church seems to have been built in the latter end of the reign of Edward I. or the beginning of the reign of Edward II. by a silver penny of one of those kings being found under the basis of one of the piers, which supported the middle tower. In the east window of the great chancel, were some time since remaining two shields of arms, viz. Gules, two lions passant-guardant, or a label of five points, azure; and Argent, a lion rampant, sable, within a bordure of the second, bezante.
In the year 1754, the body of the church, as well as the roof of it, on a survey, being deemed in a dangerous state, a faculty was obtained to pull it down, which was accordingly done, under the plan and directions of Mr. George Dance, of London, architect, at the expence of 2300l. besides which, 400l. was afterwards expended in an organ, and 100l. more in other ornaments, and ninety pounds in improving the great chancel, which through age was become very unsightly; so that the whole of it is now made equal to, if not the most elegant and spacious, of any parish church in this county, and is extensive and spacious enough to afford convenient room for all the parishioners of it.
¶When this church was new built, and the body and isles new paved, the grave-stones, many of which were antient, with brasses on them, were removed from the places where they lay, to other open and consipicuous parts of it. Among the monuments were those for Henry Hatche, merchant adventurer, 1533; Thomas Mendfield, 1614, John Fagg, esq. 1508, and one for Thomas Southouse, esq. 1558, who wrote the Monas tion Favershamiense. Both monuments and epitaphs are by far too numerous to insert in this place, they may be found at large in Weever's Funeral Monuments, in Lewis's Appendix to his History of Faversham Abbey, and in Harris's History of Kent. Besides which there is in the Appendix to Jacob's History of Faversham, a chronological list of such persons as have been known to have been buried in it.
This church measures from east to west, including the chancel, one hundred and sixty feet, the width of the body sixty five feet; the length of the isles from north to south one hundred and twenty-four feet, and their width forty-six feet.
Before the reformation, besides the high altar in the great chancel, there were two chapels, one dedicated to the Holy Trinity, and the other to St. Thomas, and there were several altars in the isles and chancels.
Recent Forest Stand Improvement project had trees spaced properly to improve plant structure and composition and reduce wildfire hazard. However, a tornado that sheared off the remaining trees has now increased the wildfire hazard concern by leaving dead and downed trees. These dead trees will dry down and provide fuel for a potential wildfire.
Resource Concern - Wildfire Hazard
This resource concern is created by plant biomass (residue) that pose risks to human safety, structures, plants, animals, and air resources.
Fire can be an important and often beneficial part of the natural ecosystem; however, uncontrolled or “wild” fire can pose threats to life, health, and property. Excessive fuel loads can result in a fire too intense, causing damage to the desired plant community and site conditions. In addition, the secondary effects of some wildfires, including erosion, landslides, introduction of invasive species, and changes in water quality, are often more disastrous than the fire itself.
The amount of flammable biomass can be reduced to decrease the incidence of wildfires. The distribution of biomass can be manipulated to influence the direction and rate at which wildfires spread. Managing ladder fuels can reduce the opportunity for crown fires. Management of wildland urban interface (WUI) areas can protect life and property to lessen the impacts of wildfires.
Woody Residue Treatment would be an example of one practice to implement based on these conditions. This practice refers to the treatment of residual woody material that is created due to management activities or natural disturbances.
Woody Residue Treatment is used to accomplish one or more of the following:
• Reduce hazardous fuels
• Reduce the risk of harmful insects and disease
• Protect/maintain air quality by reducing the risk of wildfire
• To improve access for management purposes
• Improve access to forage for livestock and wildlife
• Develop renewable energy systems
• Enhance aesthetics
• Reduce the risk of harm to humans and livestock
• Improve the soil organic matter
• Improve the site for natural or artificial regeneration
For more information on South Dakota's resource concerns, visit www.sdresrouceconcerns.org or www.farmers.gov/conserve/tool. You can also reach out to your local NRCS office or Conservation District. Find your local USDA NRCS office and employee directory at: bit.ly/ContactNRCSSD
The Archibald Fountain, properly called the J. F. Archibald Memorial Fountain, widely regarded as the finest public fountain in Australia, is located in Hyde Park, in central Sydney, New South Wales.
It is named after J. F. Archibald, owner and editor of The Bulletin magazine, who bequeathed funds to have it built. Archibald specified that it must be designed by a French artist, both because of his great love of French culture and to commemorate the association of Australia and France in World War I. He wished Sydney to aspire to Parisian civic design and ornamentation. The artist chosen was François-Léon Sicard.
Sicard was one of the foremost sculptors of his day, a classically educated artist, whose inspiration was derived, at least in part, from his study of classical Greek and Roman art and literature. In submitting his proposal for the design of the sculptural groups, Sicard wrote: "Apollo represents the Arts (Beauty and Light). Apollo holds out his right arm as a sign of protection, and spreads his benefits over all Nature, whilst he holds the Lyre in his left hand. Apollo is the warmth which vivifies, giving life to all Nature. At the touch of his rays, men awake, trees and fields become green, the animals go out into the fields, and men go to work at dawn.
"The ancient Pliny adored the sun, symbol of Life. It is on this account that I wished this figure to be the chief one in the memorial.
"At Apollo's feet the star of day is indicated by a semicircle, of which the rays spread out in jets of light (the rising sun). The horses' heads represent the horses of Apollo's chariot. Out of their nostrils the water will fall into the first basin, to fall from there into the second, and run away into the large basin.
"The large basin is divided into three groups. One represents Diana, goddess of purity, of peaceful nights, symbol of charity; the ideal which watches over mortals - all that stands for poetry and harmony. The second group symbolises the good things of the earth - it is the young god of the fields and pastures, of the pleasure of the countryside. The third group represents sacrifice for the public good. Theseus, vanquisher of the Minotaur. The spirit triumphs over bestiality. Theseus delivers his country from the ransom which it had to pay to this monster. It is the sacrifice of himself for the good of humanity. Between these groups tortoises throw jets of water. The fountain is electrically illuminated and floodlighted at night.
"It depicts Apollo, representing beauty and the arts, on a central column holding out his right arm as a sign of protection over all nature. On the three plinths radiating from the central column there are figures representing Diana, the goddess of purity; a group representing the good things of the earth; Theseus slaying a Minotaur, representing the sacrifice for the good of humanity."
The fountain was unveiled on 14 March 1932.
Hyde Park, the oldest public parkland in Australia, is a 16.2-hectare (40 acres) park in the central business district of Sydney, New South Wales.
Hyde Park is on the eastern side of the Sydney city centre. It is the southernmost of a chain of parkland that extends north to the shore of Sydney Harbour via The Domain and Sydney's Royal Botanic Gardens. Hyde Park is approximately rectangular in shape, being squared at the southern end and rounded at the northern end.
The centrepiece of Hyde Park is the Archibald Fountain. The fountain was designed by François-Léon Sicard and donated by J.F. Archibald in 1932 in honour of Australia's contribution to World War I in France. Also at the northern end are the Nagoya Gardens featuring a giant outdoor chess set and the entrance to the underground St James railway station.
The Metropolitan Cathedral of St Mary, or St Mary's Cathedral is the cathedral church of the Roman Catholic Archdiocese of Sydney and the seat of the Archbishop of Sydney, currently Cardinal George Pell. The cathedral is dedicated to "Mary, Help of Christians", Patron of Australia. St Mary’s holds the title and dignity of a minor basilica, bestowed upon it by Pope Pius XI on 4 August 1932.
St Mary's Cathedral is generally approached on foot from the city through Hyde Park, where the transept front and central tower rise up behind the Archibald Fountain.
The entrance façade is a design loosely based on the most famous of all Gothic west fronts, that of Notre Dame de Paris with its balance of vertical and horizontal features, its three huge portals and its central rose window. There are two more large rose windows, one in each of the transepts.
The French façade was, however, intended to have twin stone spires like those of Lichfield Cathedral, but they were not to be put in place until 132 years after the building was commenced.
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A fresh-smelling well-groomed dog is every pet owner’s pride. Nothing can ruin shiny hair, clean teeth and nicely trimmed nails than a stinky collar! Regular cleaning of dog collars and leashes is essential for our best friend’s own protection.
A dog collar tends to get really dirty with the buildup of dust, debris, and skin oils, while a dog leash is prone to getting get accidentally stepped or peed on. You can only imagine the germs and bacteria contained in these daily wear, which altogether create a sanctuary for parasites such as fleas. Dogs will not be comfortable with a disgusting or worn out collar on their neck!
Proper maintenance goes a long way. Just as how their human masters’ clothing is kept fresh and clean, a clean dog dollar adds to the look good-feel good factor that keeps your pet happy. It gives you peace of mind that the collar or leash will not easily break while you are enjoying the outdoors. In case your dog gets lost, a well-cared for pet ID collar will stay intact for identification.
Whether you got your dog the cloth type nylon or leather collar, knowing how to appropriately care for the material is key to a long-lasting accessory.
How to Clean a Nylon Dog Collar and Leash
Nylon collars arrive in tons of attractive colors to suit your pup’s personality. The best way to clean this type of dog collar is by hand. Select only pet-friendly soaps, preferably all-natural products, since those made for humans have entirely different pH levels. Any residue left by harsh chemical-laden soaps can cause irritation and incessant scratching.
Cleaning with water and mild soap for sensitive skin will keep the dog collar vibrant and increase its resistance to wear and tear. To deal with stubborn dirt, remove the collar’s ID tag. Soak for 30 minutes in a 1:1 water and vinegar solution with 1 tsp salt. Rinse with cold water and lay the collar and leash flat to air dry.
You can opt to machine wash cloth collars and nylon leashes. Similarly, use milder cleaning agents. Put inside a mesh laundry bag first then do it on a gentle-cycle. Do not put in the dryer, since high heat can break down nylon collar fibers quickly. Once dry, you may want to apply flea and tick powder for prevention.
How to Clean a Leather Dog Collar and Leash
Leather collars are crafted with more expensive material that requires unique care and attention. Like any other leather material, it is best kept away from water and moisture to inhibit mold and mildew growth. Even without getting wet, accumulation of oil from your pet’s fur and skin can degrade a leather collar over time.
Cleaning a leather dog collar and leash is not complicated. You just need to keep a few things in mind. Chemicals not made for leather material and drying under the sun can do more harm than good! Use only specially-formulated, pH balanced, non-toxic leather cleaners to clear away mud and dirt. Simply spray onto your pet’s collar and leash then work your way with a sponge.
Leave the leather collar to dry some place cool and with ample ventilation. Once thoroughly dry, apply leather cream to condition and waterproof your pet’s collar and leather leash for worry-free everyday use.
The post How to Properly Clean a Dog Collar and Leash appeared first on Yippr Pet Supplies.
I thought I have been properly desensitized to any and all manifestations of madness in the current political and/or public life world wide,
Trump is a presidential nominee again? sure
a morbidly obese man, topless, i.e naked from waste up, dressed in bird feathers (or something) from waste down, is giving a valedictory speech in NZ parliament and no member of parliament walks out in disgust? of course
a woman is being charged in the UK for most horrific murder of 7 (?) and attempting to murder dozen more babies and it looks like there are tens more she made severely disabled? sure
Putin pays tribute to a guy he killed by blowing up his plane, a guy who was a criminal convicted and served time for violent crime, who was a sadist and sociopath, who recruited convicts in prisons to fight in Ukraine, Putin calls him "talented businessman with a complicated life history"? of course
but now and then I hear something and I go "No!" , "No f**ing way!" , "Just f**k off, that can't be true"
A man who is responsible for considerable % of probability that US is going to cease to be a democratic state, which is going to happen with 100% certainty if Trump wins next election, which he may well do, and the fact that he's going to be a republican candidate is a solid certainty, so that man who is responsible for serious share of this probability - Rupert Murdoch - one of the most vile people alive, is dating a former mother-in-law of Russian oligarch Roman Abramovich ...
If you couldn't think of how Fox could be any worse and any more destructive, this is how, let mother in law of one of most powerful Russian oligarchs take control of it ...
I have been to St Mary of Charity before. But that was many years ago.
Back then, I took three shots inside. I took 300 today.
St Mary is a huge church with a Victorian tower with the most amazing spire, which makes it visible from just about all over the town.
Faversham is best know as being home to Shepherd Neame brewery, it claims to the England's oldest surviving brewer.
The town sits on the edge of the Swale, with a large expanse of marshes and creeks between the town and open water.
We parked on wide Abbey Street, and while Jools went shopping, I walked along side the old brewery buildings to the church, with the tower and spire straight ahead along a street of terraced houses.
The church was open, though I got shouted at for not closing the glass door properly. This was from the group of people partaking in the weekly coffee morning.
The looked at me as I went round the large church, snapping details and marvelling at the single painted pillar.
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An extraordinary building comprising a medieval chancel and transepts, eighteenth-century nave and nineteenth-century tower and spire. Despite heavy-handed restorations of the nineteenth century - by Sir George Gilbert Scott and Ewan Christian in 1873 - which have resulted in loss of character, there is much to see. The fourteenth-century transepts are aisled - a most unusual feature in an ordinary parish church. The medieval authorities probably decided to invest in a lavish building to counteract the pulling power of the famous abbey which stood to the east. One of the pillars of the north transept has a series of contemporary small paintings of biblical scenes. You are advised to take a pair of binoculars to see them to advantage. The stalls in the chancel have misericords with a good selection of carved armrests, and there is also a crypt and an unforgettable east window of 1911.
www.kentchurches.info/church.asp?p=Faversham+1
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THE PARISH AND TOWN OF FAVERSHAM.
CALLED, according to Lambarde, in Saxon, Fafresham, and Fafresfeld, in the record of Domesday, Favershant, and in some few others, Fefresham.
THE PARISH lies adjoining to the high London road southward at the 47th mile-stone, and extends to the creek on the opposite side of the town, the houses on the south side of which reach to within two hundred yards of the road, whence there is a good view into it.
The parish includes the north side of the London road from the above mile-stone westward, almost as far as the summit of Judde-hill, and the liberties of the town extend as far of this space westward as the rivulet in Ospringe street. Thus this parish intervenes, and entirely separates that part of Ospringe parish, at the northern boundary of it, in which are the storekeeper's house of the royal mills, and part of the offices and gardens belonging to it, and some of the mills themselves, and in the town likewise, Ospringe parish again intervening, there is a small part of West-street which is within that parish. At the east end of Ospringe-street, though within Faversham parish, and the liberties of the town, close to the high London road, there is a handsome new-built house, erected not many years since by Mr.Bonnick Lypyeatt, who resided in it till his death in 1789. He left two daughters his coheirs, one of whom married Mr.C.Brooke, of London, and the other Captain Gosselin, of the Life-guards. It is now occupied by John Mayor, esq.
¶The rest, or northern part of the parish lies very low, and adjoins the marshes, of which there is a very large tract. The country here is a fine extended level, the fields of a considerable size, and mostly unincumbered with trees or hedgerows, the lands being perhaps as fertile and as highly cultivated as any within this county, being part of that fruitful value extending almost from Sittingborne to Boughton Blean, so often taken notice of before. The grounds adjoining the upper parts of the town are mostly hop plantations, of a rich and kindly growth, but several of them have lately given place to those of fruit. About twenty years ago the cultivation of madder was introduced here, and many induced by the prospect of great gains, made plantations of it at a very considerable expence, and a mill was erected for the purpose of grinding the roots, but from various disappointments, and unforeseen disadvantages, the undertakers of it were deterred from prosecuting the growth of it, and I believe they have for some time entirely discontinued it.
At the south-east extremity of this parish, as well as in other particular parts of this county, there are several chalk-pits, the most noted of these being called Hegdale pit, of a great depth, which though narrow at the top, yet more inward are very capacious, having, as it were, distinct rooms, supported by pillars of chalk. Several opinions have been formed concerning the intent and use of them, some that they were formed by the digging of chalk, for the building of the abbey, as well as afterwards from time to time, for the manuring of the neighbouring lands; others that the English Saxons might dig them, for the same uses that the Germans did, from whom they were descended, who made use of them, according to Tacitus, as a refuge in winter, as a repository for their corn, and as a place of security, for themselves, their families, and their property, from the searches of their enemies. (fn. 1)
Near the west end of the bridge, opposite the storekeeper's house of the royal powder-mills, there is a strong chalybeate spring, which on trial has been proved to be nearly equal to those of Tunbridge Wells. (fn. 2)
In the year 1774, a most remarkable fish, called mola salviani, orthe sun-fish, was caught on Faversham Flats, which weighed about nineteen pounds and a half, and was about two feet diameter. It is a fish very rarely seen in our narrow seas. (fn. 3)
THE TOWN ITSELF, and so much of the parish as is within the bounds of the corporation, is subject to the liberties of it, and of the cinque ports, and is exempt from the jurisdiction of the hundred of Faversham; but the rest of the parish, together with the rectory, is within the liberties of that hundred, which has been always esteemed as appurtenant to the manor of Faversham.
Although from the several discoveries which have been made of Roman antiquities in this neighbourhood, it is plain, that it could not be unknown to that nation, during their stay in this island, yet there is no mention made of this place by any writer during that period; and it seems, even in the time of the Saxons, to have been a place of but little consequence, notwithstanding it was then a part of the royal demesnes, as appears by a charter of Cenulph, king of Mercia, anno 812, wherein it is stiled the king's little town of Fefresham; and in one of Athelwolf, king of the West Saxons and of Kent, anno 839, where it is said to be made, only, in villa de Faverisham. However, it was of note sufficient, perhaps as being the king's estate, even in the time of king Alfred, at the first division of this county into those smaller districts, to give name to the hundred in which it is situated. Lambarde, Camden, and Leland say, that king Athelstan held a parliament, or meeting of his wife menat Faversham, about the year 903, (no doubt for 930) in which several laws were enacted. (fn. 8)
FAVERSHAM continued part of the antient demesnes of the crown of this realm at the time of the taking of the general survey of Domesday, in which it is entered, under the general title of Terra Regis, that is, the king's antient demesne, as follows:
In the lath of Wivarlet, in Favreshant hundred, king William holds Favreshant. It was taxed at seven sulings. The arable land is seventeen carucates. In demesne there are two. There are thirty villeins, with forty borderers, having twenty-four carucates. There are five servants, and one mill of twenty shillings, and two acres of meadow. Wood for the pannage of one hundred hogs, and of the pasture of the wood thirty-one shillings and two pence. A market of four pounds, and two salt-pits of three shillings and two-pence, and in the city of Canterbury, there are three houses of twenty-pence belonging to this manor. In the whole value, in the time of king Edward the Confessor, it was worth sixty pounds all but five shillings, and afterwards sixty pounds, and now it is worth four times twenty pounds.
¶The manor of Faversham, with the hundred appurtenant to it, remained part of the possessions of the crown till about the beginning of king Stephen's reign, when it was granted to William de Ipre, a foreigner, whom, for his faithful services against the empress Maud, the king, in his 7th year, created Earl of Kent; but within a few years afterwards, resolving to found an abbey here, he, with his queen Matilda, about the year 1147, exchanged the manor of Lillechirch, and other premises, for this manor and hundred, where they, at the latter end of that year, or the beginning of the year after, founded an abbey at a small distance from the town of Faversham, on the north-east side of it, for the space where Court, or Ab bey-street now stands was then unbuilt, and this was therefore, in the reign of Edward III. distinguished by the name of the New Town, as the rest of it, built before, was by that of the Old Town, and they appointed Clarembald, the prior of Bermondsey, to be abbot of this new foundation, which was dedicated to St. Saviour, and for their support, the king granted to him and the monks of it, twelve of whom had been removed with Clarembald for this purpose from Bermondsey, which priory was of the order of Clugni, the manor of Faversham, with its appurtenances, and other premises, in perpetual alms, with many liberties, as may be further seen in the charter itself. (fn. 9)
HE TOWN OF FAVERSHAM is within the limits of the cinque ports, being esteemed as a limb or member of the town of Dover, one of those ports. Of what antiquity these ports and antient towns are, when enfranchised, or at what times their members were annexed to them, has not been as yet, with any certainty, discovered; and, therefore, they are held to enjoy all their earliest liberties and privileges, as time out of mind, and by prescription.
It is, however certain, that at the time of king Edward the Consessor, the five ports were enfranchised with divers liberties, privileges, and customs, peculiar to themselves; for the better conducting of which they had the establishment of one grand court, called the court of Shipway, from its being almost always held at a place of that name near Hyth; in which the general business relating to the whole community was transacted before the warden, as principal and chief over them. Nevertheless, though they acted here jointly, like a county palatine as to the government, for the desence of the liberty of the whole, yet every particular corporation in each town acted severally and distinctly, according to its own privileges, charters, and customs within their own particular limits, without any controul or interference from this court, or the rest of the community. (fn. 20)
The five ports, as being from their situation most exposed to the depredations of enemies, were first incorporated for their own mutual defence, and were afterwards endowed with great privileges, for the public desence of the nation, and the king's service. The force they were enjoined to raise and keep in residence for this purpose was fifty-seven ships, properly furnished and accoutred for a certain number of days, to be ready at the king's summons, at their own charge, and if the state of affairs required their assistance any longer, they were paid by the crown. But because the expence was in after times found to be too burthensome for these five ports, several other towns were added as members to them, that they might bear a part of the charge, for which they were recompenced with a participation of their privileges and immunities. All which were confirmed to them by Magna Charta, by the name of the barons of the five ports, and again by one general charter by king Edward I. which, by inspeximus, has received confirmation, and sometimes additions, from most of the succeeding kings and queens of this realm.
¶FAVERSHAM, stiled both a town and a port at different times in antient records, isa corporation by prescription. In the oldest charter now remaining, which is that of the 36th year of king Henry III. wherein the members of it are stiled, according to the usual language of those times, barons, that is freemen, there is contained a confirmation of all their former antient rights and privileges. In the 42d year of the above reign, which is as far as can be traced by evidence, the jurisdiction of this town was then in a mayor or alderman, and twelve jurats. In a charter of Edward I. the barons of it are acknowledged to have done good services to him and his predecessors, kings of England; and in the 21st year of that reign, there is an entry of the mayor and jurats assembling in their hallmote, or portmote-court, as it is elsewhere called, together with the lord abbot's steward, and there sealing a fine with the town's seal, of a messuage and garden in Faversham, according to the use and custom of the court, by which it is evident, that this court was of some antiquity at that time. (fn. 21)
Faversham is within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry of Ospringe.
The church, which stands close to the east side of the town, was dedicated to the assumption of our lady of Faversham. It is built in the form of a cross, of flints, with quoins of ashler stone. It had, until 1755, when it was taken down, a large square castellated tower in the middle of it, and there remains now another low tower at the north side of the west front, upon which is erected a frame of timber, covered with shingles. So long ago as king Henry the VIIth.'s reign, there seems to have been no steeple to this church, for in 1464, Edward Thomasson, of this town, gave sixty pounds towards the edifying of a new one to it; (fn. 31) and of later time, James Lawson, esq. a wealthy inhabitant of this town, who died in 1794, gave by his will 1000l. for the same purpose, with this sum, together with 500l. given by the corporation, and the remainder payable by a rate, a steeple, seventy-three feet high above the tower, with pinnacles at each corner of it, on the plan of St. Dunstan's in the East, has been erected, and is now nearly compleated, at the expence of 2500l.
Behind the tower, within the outer walls, is a strong timbered room, formerly called the tresory, in which, before the reformation, were carefully deposited the goods and ornaments of the church; over it was the chamber for the sextons. On the south side of the west front is a room, formerly open to the church, in which was taught reading and writing; under it is a neat chapel, with stone arches, supported by three pillars in the middle. Over the south porch there is another stone room, the window of which is grated with strong iron bars.
Mr. Henry Hatch, whose extensive charity to this town has already been mentioned, by will in 1533, gave a sum of money, at the discretion of the mayor, and his brethren, in making a new jewel-house for this church.
In 1440 there were placed in it five new bells, and in 1459 a sixth was added; these remained till 1749, when they were cast into a new peal of eight.
The church seems to have been built in the latter end of the reign of Edward I. or the beginning of the reign of Edward II. by a silver penny of one of those kings being found under the basis of one of the piers, which supported the middle tower. In the east window of the great chancel, were some time since remaining two shields of arms, viz. Gules, two lions passant-guardant, or a label of five points, azure; and Argent, a lion rampant, sable, within a bordure of the second, bezante.
In the year 1754, the body of the church, as well as the roof of it, on a survey, being deemed in a dangerous state, a faculty was obtained to pull it down, which was accordingly done, under the plan and directions of Mr. George Dance, of London, architect, at the expence of 2300l. besides which, 400l. was afterwards expended in an organ, and 100l. more in other ornaments, and ninety pounds in improving the great chancel, which through age was become very unsightly; so that the whole of it is now made equal to, if not the most elegant and spacious, of any parish church in this county, and is extensive and spacious enough to afford convenient room for all the parishioners of it.
¶When this church was new built, and the body and isles new paved, the grave-stones, many of which were antient, with brasses on them, were removed from the places where they lay, to other open and consipicuous parts of it. Among the monuments were those for Henry Hatche, merchant adventurer, 1533; Thomas Mendfield, 1614, John Fagg, esq. 1508, and one for Thomas Southouse, esq. 1558, who wrote the Monas tion Favershamiense. Both monuments and epitaphs are by far too numerous to insert in this place, they may be found at large in Weever's Funeral Monuments, in Lewis's Appendix to his History of Faversham Abbey, and in Harris's History of Kent. Besides which there is in the Appendix to Jacob's History of Faversham, a chronological list of such persons as have been known to have been buried in it.
This church measures from east to west, including the chancel, one hundred and sixty feet, the width of the body sixty five feet; the length of the isles from north to south one hundred and twenty-four feet, and their width forty-six feet.
Before the reformation, besides the high altar in the great chancel, there were two chapels, one dedicated to the Holy Trinity, and the other to St. Thomas, and there were several altars in the isles and chancels.
The maker's mark on corrugated iron produced by the American Rolling Mill Company of Middletown, Ohio.
CLICK ON "ALL SIZES" TO VIEW THIS PHOTOGRAPH PROPERLY LARGE
(Scanned from an original in possession of the Washtenaw County Historical Society)
WASHTENAW COUNTY'S FIRST LOCAL HISTORY MUSEUM
In a mounted copy of this photo that I saw many years ago, the man in the rocking chair was labeled as "Uncle John" Nowland. His gravestone in Forest Hill Cemetery identifies Nowland, the son of pioneer settlers, as the first white person born in Ann Arbor (on June 13, 1826, two years after the founding of the Village). The claim was tarnished; Elisha Walker Rumsey Smith, the second child of carpenter Asa L. Smith, was born in Ann Arbor in 1824, but died in 1827. (The man whose name he bore, E. W. Rumsey, co-founder of Ann Arbor, also died that year.) Unfortunately, the Smith baby's brief existence appears to have been forgotten by locals until his mother (then a resident of Kalamazoo) was interviewed on the subject when she was 79 years old. John Nowland lived long enough to get his claim inscribed in stone:
www.flickr.com/photos/42955247@N08/3967106517/in/photolis...
Not only was he a genuine pioneer resident, Nowland also was a founding member and longtime officer of the Washtenaw County Agricultural Society, which observed its 50th anniversary in 1898 -- a celebration marked by the Pioneer Society's erection of a replica log cabin at the Fairgrounds on the southeast corner of town -- the area now known as Burns Park. This photo of "Uncle John" inside that cabin -- posing as just another historical relic in an exhibition of pioneer artifacts at the county fair -- was taken at the grand opening in September, 1898; Nowland pulled the ceremonial latch string that opened the cabin on its first day. He died in 1900 -- on May 28, before the fair was held that year. (Nowland was two weeks shy of 74 when he died.)
Prof. O. W. Stephenson, in his book "Ann Arbor, the First Hundred Years" (1927), tells us that the cabin was erected in August, 1898, under auspices of the Washtenaw County Pioneer Society, and dedicated on the 27th of the following month, during the annual fair. Above the entrance appeared the words, "Erected in Honor of the Pioneers of Washtenaw, 1898." (The Pioneer Society was the forerunner of the current Washtenaw County Historical Society.) The cabin first stood where the north playground of Burns Park School is now; the chimney was at the north end, facing Wells Street. The c.1825 leather saddle bags of Judge Samuel William Dexter, founder of Dexter Village, and an early circuit-riding postmaster / letter carrier, were among the most precious historical relics displayed in the cabin.
The Agricultural Society fizzled out during World War I; the Pioneer Society's relics got moved to storage in the old courthouse downtown, the fairgrounds became a city park, and before 1925, when Tappan (now Burns Park) school was erected, the cabin was moved from its location on the school site to the place where a brick shelter building now stands, near the corner of Baldwin and Wells streets, its entrance facing Wells. It became at first an ignominious storage shed for wagons, rakes, mowers, and other grounds-maintenance implements. In the years 1948, 1949, 1950 (and perhaps others) it was rented by Ann Arbor Civic Theatre for meeting and rehearsal space, and scenery and props were designed and painted there.
Later in the 1950s, it was used to store athletic equipment for summer recreation programs in the park. Basketballs, for example, could be borrowed there, and then dribbled over to the hoops that stood outside. The cabin was demolished in the mid-fifties, after its logs had become riddled with carpenter ants, and because it had become an attractive nuisance for mischievous boys, who easily climbed the smaller logs of the crumbling rustic chimney to play atop the roof. The chimney was then at the cabin's west end. Of course, this photograph shows but one end of the single interior room; the entrance would have been off to the right.
The names carved in the massive rafter logs are those of pioneers of Washtenaw, with the year dates of their arrival and the names of the townships in which they resided. These can't be all of them; I wonder if the names visible here might be those only of men and women whose families had donated to the building project. The rafter above the fireplace is emblazoned with the word "DIRECTORS" -- obscured in the photo by hanging herbs. When the cabin was torn down, the name logs were still in good shape, so they were stored for several decades in a building at the Ann Arbor Airport, until a use could be found for them. In 2009, I was informed that at least some of the rafter logs have survived and are now in storage in a building at Gallup Park.
Among names visible here are those of Philip Bach and Christian Mack, two German immigrants for whom schools were named (in recognition of their long service on the Ann Arbor School Board) and Joseph Dorr Baldwin, pomologist, who grew apples and other fruit on extensive acreage that included the parcel that became Burns Park.
I wonder if the ten photographic portraits in oval frames, visible at right in this photo, have survived in anyone's collections?
If anyone knows of other photographs of the Burns Park cabin, inside or out, I would love to see them.
Read my blog about it at The University Star [dot com].
With the realization that News Anchor Barbie could've been more properly portrayed, I decided to use Photoshop to create an appropriation of the Computer Engineer Barbie into what I hope one day will be Photojournalist/Multimedia Journalist Barbie ready to take on the changing world of news.
Yes, Barbie is holding an iPhone to contact sources, a MacBook Pro with a Final Cut document previously open on the screen since she's been editing a 5 minute clip for the past hour, a Canon XH-A1 and shotgun mic to shoot video for a story, the 2010 AP Stylebook to assure there are no typos in her print article, a folder of notes for Bnews and her Canon 7D DSLR is mounted on a tripod to shoot stills or b-roll HD video! She's prepared to gather and deliver information in a variety of ways, all while on a tight deadline.
I never really got a chance to properly photograph one of these classic German beauties close up; I have a couple of zoom lens shots of one or two of them that I took at the 2007 Woodward Dream Cruise in suburban Detroit, but they're grainy and don't do the car justice.
So, I was quite astonished to find this 356 parked in our parking lot on a bright, sunny Wednesday afternoon in mid-April. From about 50 metres away, I thought it looked like a Porsche 356, but was almost convinced that it was something a little less exotic like a Volkswagen Karmann-Ghia, but not this time. It really is one, at least as far as I can tell. I'm no expert, but I didn't notice any tell-tale signs that would make me believe that this is only a replica.
I've seen so many nice cars over the past two years that I've worked at the supermarket that it's hard for me to pick a favourite, but this one almost certainly tops my list for my favourite "classic" that I've spotted there.
From Wikipedia:
The Porsche 356 was the company's first production automobile. It was a lightweight and nimble handling rear-engine rear-wheel-drive 2 door sports car available in hardtop and convertible configurations. Design innovations continued during the years of manufacture, contributing to its motorsports success and popularity. Production started in 1948 at Gmünd, Austria where approximately 50 cars were built. In 1950 the factory relocated to Zuffenhausen, Germany and general production of the 356 continued until April 1965, well after the replacement model 911 made its autumn 1963 debut. It is estimated approximately half of the total production of 76,000 356s still survive.
Before the German invasion of Poland, Porsche designed and built three Type 64 cars for a 1939 Berlin to Rome race that was canceled. In 1948 the mid-engine tubular chassis 356 prototype called "No. 1" was completed. This has led to some debate as to the "first" Porsche automobile, but the 356 is considered by Porsche to be its first production model.[1][2]
The 356 was created by Ferdinand "Ferry" Porsche (son of Dr. Ing. Ferdinand Porsche, founder of the company). Like its ancestor, the Volkswagen Beetle (which Ferdinand Porsche senior had designed), the 356 was a four-cylinder, air-cooled, rear-engine, rear-wheel-drive car utilizing unitized pan and body construction. While the 356's body was an original design by Porsche employee Erwin Komenda, its mechanicals (including engine, suspension and chassis) were derived from the Volkswagen. The first 356, was roadcertified in Austria on June 8, 1948, and used many Volkswagen parts for manufacturing economy. Porsche quickly re-engineered and refined the car with a focus on performance. By the late 50's many fewer parts were shared in common between Volkswagen and Porsche. The early 356 automobile bodies produced at Gmünd, Austria were handcrafted in aluminum, but when production moved to Zuffenhausen, Germany in 1950, models produced there were steel-bodied.
Little noticed at its inception, the first 356s sold primarily in Austria and Germany. From the first prototype in 1948, it took Porsche about two years to manufacture the first 50 automobiles. By the early 1950s the 356 had gained some renown among enthusiasts on both sides of the Atlantic for its aerodynamics, handling, and excellent build quality. It was common for owners to race the car as well as drive it on the street. Increasing success with its racing and road cars brought Porsche orders for over 10,000 units in 1964, and when 356 production ended in 1965 approximately 76,000 had been produced.
For some time, I have wished to properly photograph Agelaius phoeniceus, the red-winged blackbird, but on few occasions have I seen them while not travelling in a vehicle, and on fewer occasions have I noticed the presence of the blackbird while being able to approach him, although the act of attempting to approach one of the blackbirds typically results in his fleeing.
On the twenty-sixth day of the month of May of the year of 2019, because my attempts at sleeping were unsuccessful, I stayed awake for the duration of the night, and, as a slight but sickening pain made itself apparent in my temporomandibular joints, I again attempted to sleep, and this attempt succeeded, as I woke at a later time than I had planned, but the minor pain had vanished; as such, I decided that I would awaken for the day, beginning with some tasks which are completely unrelated to this photograph and will therefore not be mentioned in detail.
After the completion of the aforementioned tasks, I attended with my mother a birthday party which was being held for Mother, and, upon our arrival, I immediately noticed that this location could be used for birdwatching, and, after being invited into the camper which belonged to the people who organised the celebration, I walked to a nearby field of prairie grass, because I had earlier heard the songs of red-winged blackbirds, and very quickly saw them throughout the prairie, although none of them were located sufficiently close to me to be photographed well; as such, attempting to attract them, I played the “chatter song” of the female red-winged blackbird, which resulted in the flying toward me of a male blackbird, but the effect was not that which was desired, as he perched on a tree whose distance from me exceeded several metres and therefore exceeded the acceptable distance at which he could be photographed.
Some time later, I was informed of the presence of orioles near some cattails which exist at the perimeter of a pond, and, although I did not on that day specifically wish to photograph Baltimore orioles, I decided to approach the location of which I was informed, and, as I reached the pond, I noticed that I existed within close proximity of a red-winged blackbird, prompting my unsuccessful attempt at photographing him, which preceded his flying away from me, and, as the others whom I noticed were perching deep in the cattails, I decided to continue walking around the pond until I heard a red-winged blackbird who was singing rather close to me and attempted to photograph him, but I quickly realised that the photographs had extreme lens flaring and decided to move onward to possibly photograph a different blackbird, but I was followed by my previous subject, who hovered over me and called for a short period of time, which was somewhat confusing, then stood on one of the low
branches of a tree which I had not yet visited, and, when this happened, I realised that I would be able to capture a good portrait of him if he did not move, and, as he was not too jittery to be tracked by the autofocus system of my camera, I succeeded in my attempts, and, although the majority of the photographs were plagued by varying degrees of motion blur, the photograph which was developed showed only an extremely slight indication of basic defocus.
As I returned to the spot at which Mother and the other members of the party were staying, I was again dive-bombed by the red-winged blackbird in a location which was near that of the initial hovering, which led to my understanding of his being a parent and his protecting of his nesting ground -- this perfectly aligns with video footage of the suspected phenomenon, and, as such, that the close proximity of his nest and his willingness to be a successful parent are the causes of his aggressive behaviour is very likely; after forming this conclusion, I informed him of his being a good parent and thanked him for his time as he appeared to fail to understand my words and continued to attempt to intimidate me.
As always, constructive criticism pertaining to this photograph, my writing, or any of my other photographs would be joyfully received by me, because I rather strongly wish to improve the quality of my photography. The sugar-coating of criticism directed at my creations, or even me as a person, is unnecessary, and it often simply causes the man who criticised my work to appear to have been uncertain about the legitimacy of the criticism which he gave to me. Although I attempt to extract everything which is beneficial for me from every situation in which I am involved, the lack of confidence which is displayed by those who vigorously attempt to remove any offensiveness from their criticisms leads to my suspicion of the lack of advice which would affect my creations positively. Please verbosely explain to me any flaws which are present in this photograph and were directly caused by me, e.g., clipping highlights or shadows, if they are noticed.
The Archibald Fountain, properly called the J. F. Archibald Memorial Fountain, widely regarded as the finest public fountain in Australia, is located in Hyde Park, in central Sydney, New South Wales.
It is named after J. F. Archibald, owner and editor of The Bulletin magazine, who bequeathed funds to have it built. Archibald specified that it must be designed by a French artist, both because of his great love of French culture and to commemorate the association of Australia and France in World War I. He wished Sydney to aspire to Parisian civic design and ornamentation. The artist chosen was François-Léon Sicard.
Sicard was one of the foremost sculptors of his day, a classically educated artist, whose inspiration was derived, at least in part, from his study of classical Greek and Roman art and literature. In submitting his proposal for the design of the sculptural groups, Sicard wrote: "Apollo represents the Arts (Beauty and Light). Apollo holds out his right arm as a sign of protection, and spreads his benefits over all Nature, whilst he holds the Lyre in his left hand. Apollo is the warmth which vivifies, giving life to all Nature. At the touch of his rays, men awake, trees and fields become green, the animals go out into the fields, and men go to work at dawn.
"The ancient Pliny adored the sun, symbol of Life. It is on this account that I wished this figure to be the chief one in the memorial.
"At Apollo's feet the star of day is indicated by a semicircle, of which the rays spread out in jets of light (the rising sun). The horses' heads represent the horses of Apollo's chariot. Out of their nostrils the water will fall into the first basin, to fall from there into the second, and run away into the large basin.
"The large basin is divided into three groups. One represents Diana, goddess of purity, of peaceful nights, symbol of charity; the ideal which watches over mortals - all that stands for poetry and harmony. The second group symbolises the good things of the earth - it is the young god of the fields and pastures, of the pleasure of the countryside. The third group represents sacrifice for the public good. Theseus, vanquisher of the Minotaur. The spirit triumphs over bestiality. Theseus delivers his country from the ransom which it had to pay to this monster. It is the sacrifice of himself for the good of humanity. Between these groups tortoises throw jets of water. The fountain is electrically illuminated and floodlighted at night.
"It depicts Apollo, representing beauty and the arts, on a central column holding out his right arm as a sign of protection over all nature. On the three plinths radiating from the central column there are figures representing Diana, the goddess of purity; a group representing the good things of the earth; Theseus slaying a Minotaur, representing the sacrifice for the good of humanity."
The fountain was unveiled on 14 March 1932
Hyde Park, the oldest public parkland in Australia, is a 16.2-hectare (40 acres) park in the central business district of Sydney, New South Wales.
Hyde Park is on the eastern side of the Sydney city centre. It is the southernmost of a chain of parkland that extends north to the shore of Sydney Harbour via The Domain and Sydney's Royal Botanic Gardens. Hyde Park is approximately rectangular in shape, being squared at the southern end and rounded at the northern end.
The centrepiece of Hyde Park is the Archibald Fountain. The fountain was designed by François-Léon Sicard and donated by J.F. Archibald in 1932 in honour of Australia's contribution to World War I in France. Also at the northern end are the Nagoya Gardens featuring a giant outdoor chess set and the entrance to the underground St James railway station.
Wikipedia
Exeter Cathedral, properly known as the Cathedral Church of Saint Peter in Exeter, is an Anglican cathedral, and the seat of the Bishop of Exeter. The present building was complete by about 1400 and has several notable features, including an early set of misericords, an astronomical clock and the longest uninterrupted medieval stone vaulted ceiling in the world.
The site where Exeter Cathedral was constructed was home to Roman buildings. A legionary fortress was constructed between 50 & 75 AD and a Roman bathhouse was discovered in 1971. The founding of the cathedral at Exeter, dedicated to Saint Peter, dates from 1050.
A misericord (sometimes named mercy seat) is a small wooden structure or sculpture formed on the underside of a folding seat in a church which, when the seat is folded up, is intended to act as a shelf to support a person in a partially standing position during long periods of prayer. Despite being located in churches, it was not considered appropriate for these sculptures to portray religious motifs, as people rested their buttocks against them. As such, misericords portrayed a wide range of subjects from secular life and folklore unrelated to the Bible.
"Peterborough Cathedral, properly the Cathedral Church of St Peter, St Paul and St Andrew – also known as Saint Peter's Cathedral in the United Kingdom – is the seat of the Anglican Bishop of Peterborough, dedicated to Saint Peter, Saint Paul and Saint Andrew, whose statues look down from the three high gables of the famous West Front. Although it was founded in the Anglo-Saxon period, its architecture is mainly Norman, following a rebuilding in the 12th century. With Durham and Ely cathedrals, it is one of the most important 12th-century buildings in England to have remained largely intact, despite extensions and restoration.
Peterborough Cathedral is known for its imposing Early English Gothic West Front (façade) which, with its three enormous arches, is without architectural precedent and with no direct successor. The appearance is slightly asymmetrical, as one of the two towers that rise from behind the façade was never completed (the tower on the right as one faces the building), but this is only visible from a distance.
Peterborough is a cathedral city in Cambridgeshire, England, with a population of 202,110 in 2017. Historically part of Northamptonshire, it is 76 miles (122 km) north of London, on the River Nene which flows into the North Sea 30 miles (48 km) to the north-east. The railway station is an important stop on the East Coast Main Line between London and Edinburgh. The city is also 70 miles (110 km) east of Birmingham, 38 miles (61 km) east of Leicester, 81 miles (130 km) south of Kingston upon Hull and 65 miles (105 km) west of Norwich.
The local topography is flat, and in some places the land lies below sea level, for example in parts of the Fens to the east of Peterborough. Human settlement in the area began before the Bronze Age, as can be seen at the Flag Fen archaeological site to the east of the current city centre, also with evidence of Roman occupation. The Anglo-Saxon period saw the establishment of a monastery, Medeshamstede, which later became Peterborough Cathedral.
The population grew rapidly after the railways arrived in the 19th century, and Peterborough became an industrial centre, particularly known for its brick manufacture. After the Second World War, growth was limited until designation as a New Town in the 1960s. Housing and population are expanding and a £1 billion regeneration of the city centre and immediately surrounding area is under way. Industrial employment has fallen since then, a significant proportion of new jobs being in financial services and distribution." - info from Wikipedia.
Summer 2019 I did a solo cycling tour across Europe through 12 countries over the course of 3 months. I began my adventure in Edinburgh, Scotland and finished in Florence, Italy cycling 8,816 km. During my trip I took 47,000 photos.
Now on Instagram.
On Thursday, October 10, 2019, parents, students, teachers, education workers, and other concerned community allies took part in walk-ins at more than 750 schools province-wide, calling on the Ford government to reverse cuts and properly fund education in Ontario.
Today I want to cover an important aspect of martial arts that every Muay Thai practicioner should know.
Do you know how to properly wear a Muay Thai handwrap?
Knowing the right and proper technique of wearing a handwrap is very important for a Muay Thai fighter as it help the practicioner to protect his knuckles, fingers and wrist.
Follow the step by step guide on how to wrap your hands for Muay Thai boxing
Are you interested in learning the intense and explosive sport cum martial art? Get list of schools teaching Muay Thai in your area. Visit www.advancemartialartsconnect.com/find-a-school?utm_sourc...
#MuayThai #MuayThaiPracticioner #MartialArts #MartialArtSTyle #MartialArtTraining #MuayThaiBoxing #Boxing
The Archibald Fountain, properly called the J. F. Archibald Memorial Fountain, widely regarded as the finest public fountain in Australia, is located in Hyde Park, in central Sydney, New South Wales.
It is named after J. F. Archibald, owner and editor of The Bulletin magazine, who bequeathed funds to have it built. Archibald specified that it must be designed by a French artist, both because of his great love of French culture and to commemorate the association of Australia and France in World War I. He wished Sydney to aspire to Parisian civic design and ornamentation. The artist chosen was François-Léon Sicard.
Sicard was one of the foremost sculptors of his day, a classically educated artist, whose inspiration was derived, at least in part, from his study of classical Greek and Roman art and literature. In submitting his proposal for the design of the sculptural groups, Sicard wrote: "Apollo represents the Arts (Beauty and Light). Apollo holds out his right arm as a sign of protection, and spreads his benefits over all Nature, whilst he holds the Lyre in his left hand. Apollo is the warmth which vivifies, giving life to all Nature. At the touch of his rays, men awake, trees and fields become green, the animals go out into the fields, and men go to work at dawn.
"The ancient Pliny adored the sun, symbol of Life. It is on this account that I wished this figure to be the chief one in the memorial.
"At Apollo's feet the star of day is indicated by a semicircle, of which the rays spread out in jets of light (the rising sun). The horses' heads represent the horses of Apollo's chariot. Out of their nostrils the water will fall into the first basin, to fall from there into the second, and run away into the large basin.
"The large basin is divided into three groups. One represents Diana, goddess of purity, of peaceful nights, symbol of charity; the ideal which watches over mortals - all that stands for poetry and harmony. The second group symbolises the good things of the earth - it is the young god of the fields and pastures, of the pleasure of the countryside. The third group represents sacrifice for the public good. Theseus, vanquisher of the Minotaur. The spirit triumphs over bestiality. Theseus delivers his country from the ransom which it had to pay to this monster. It is the sacrifice of himself for the good of humanity. Between these groups tortoises throw jets of water. The fountain is electrically illuminated and floodlighted at night.
"It depicts Apollo, representing beauty and the arts, on a central column holding out his right arm as a sign of protection over all nature. On the three plinths radiating from the central column there are figures representing Diana, the goddess of purity; a group representing the good things of the earth; Theseus slaying a Minotaur, representing the sacrifice for the good of humanity."
The fountain was unveiled on 14 March 1932
Hyde Park, the oldest public parkland in Australia, is a 16.2-hectare (40 acres) park in the central business district of Sydney, New South Wales.
Hyde Park is on the eastern side of the Sydney city centre. It is the southernmost of a chain of parkland that extends north to the shore of Sydney Harbour via The Domain and Sydney's Royal Botanic Gardens. Hyde Park is approximately rectangular in shape, being squared at the southern end and rounded at the northern end.
The centrepiece of Hyde Park is the Archibald Fountain. The fountain was designed by François-Léon Sicard and donated by J.F. Archibald in 1932 in honour of Australia's contribution to World War I in France. Also at the northern end are the Nagoya Gardens featuring a giant outdoor chess set and the entrance to the underground St James railway station.
Wikipedia
This is the same file but processed firstly in Pentax Digital Camera Utility to produce a tiff file.
Well-Kept Lawns On The Homestead.
When once properly laid down, a lawn can be kept in first class condition with the ordinary routine of mowing, watering and rolling, and an occasional top-dressing. The initial formation demands most careful consideration, for not after attention can compensate for defects in the original preparation. The requirements of a good lawn are well understood. It must be of good texture, have a pleasing colour, make a complete covering of the ground, and grow sufficiently thick to keep out weeds. To enable the grass or grasses comprising the turf of the lawn to send their roots well down into the moist subsoil and thus enable the lawn to combat the prolonged dry spells in some districts, it is essential that the ground be well-dug, or, better still, trenched. In the case of heavy soils, it is essential, of course, that they be thoroughly trenched and adequately pulverised. Drainage is just as important for the well-being of grass as for other garden plants. "Sweetness" of the soil is also essential.
Unless the soil is very rich a good top-dressing of bone-dust, worked into the surface during the initial preparations will be found of great benefit, and it all that is necessary in the shape of manure at this stage. Of course, if the soil is of a sandy nature, the incorporation of heavier soils, humus, and organic manures will considerably assist in building up its fertility. When the soil has been properly prepared and the surface raked down and leveled, the sods can be laid, them rammed or rolled until they settle firmly. A light top-dressing is then given to fill in any cavaties between the sods and depressions in the surface, after which the lawn is complete except for general upkeep, such as rolling, mowing, watering, etc.
Description source: Nambour Chronicle and North Coast Advertiser, 28 May 1937
Image source: Queensland State Archives, Digital Image ID 10537
About Dr.Mihir Kumar Panda, Ph.D,D.Litt,, innovator
World’s only achiever of large number of World Record for 10,000 Teaching Aids & innovations
Founder & Co-ordinator General, ‘SROSTI’ (Social Development research Organisation for Science, technology & Implementation)
Collaborator Vijnana Bana Ashram
Bahanaga, Baleshwar, Odisha, India-756042
Website : simpleinnovationproject.com
E-Mail- : mihirpandasrosti@gmail.com
Face Book link:https://www.facebook.com/mihirpandasrosti
WIKIMAPIA
wikimapia.org/#lang=en&lat=-6.174348&lon=106.8293...
Contact No. : +91 7008406650
Whatsapp: +91 9438354515
Dr.Mihir Kumar Panda, an Educational, Societal and Scientific Innovator has established an NGO 'SROSTI' at Bahanaga, Balasore,Odisha,India
Dr. panda has innovated/invented more than 10,000 (ten thousand) teaching aids and different innovations and he has more than 30,000 (Thirty thousand) ideas to make scientific and mathematical models.
His creations are very essential guide for school and college science exhibitions, innovative learning and play way method for the teachers and students, science activists, innovators, craftsmen, farmers, masons, physically challenged persons, common men, entrepreneurs and industrialists.
He is popularizing science through song, innovative demonstrations and motivational speech since 1990 in different parts of Odisha state without taking any fees.
Dr. Panda is an extreme motivational speaker in science and possess magical scientific demonstration and a crowd puller.
Innovator Mihir Kumar Panda loves nature and in his agricultural farm he does not uses the chemicals , fertilizers and pesticides. In his farm even the smallest creatures like snakes, caterpillar, white ants, worms ,vermies are in peace and are managed successfully not to do harm.
Dr. Panda is an Educationist, an environmentalist, a poet for science popularization, a good orator, a best resource person to train others in specific field of science and engineering.
The uniqueness of Simple Innovation and scientific activities and achievements ofDr. Panda can not be assessed without visiting his laboratory which is a living wonder in the realm of science.
From a small cake cutter to mechanical scissor, from a play pump to rickshaw operated food grain spreader and from a village refrigerator to a multi-purpose machine, thousands of such inventions and innovations are proof of Dr. Panda's brilliance.
From a tube well operated washing machine to weight sensitive food grain separator, from a password protected wardrobe to automatic screen, from a Dual face fan to electricity producing fan are example of few thousands of innovations and inventions of Mihir Kumar Panda.
Dr.Mihir Kumar Panda though bestowed to a popular name as Einstein of Odisha is obliviously treated as Thomas Alva Edison of India.
Dr. Panda's residential house also resembles a museum with scientific innovations of different shapes and sizes stacked in every nook and cranny which proves his scientific involvement in personal life.
Innovator Panda believes that , the best thing a child can do with a toy to break it. he also believes that by Educating child in his/her choice subject/ passion a progressive nation can be built.
The shelf made scientist Dr. Panda believes that Education is a life long process whose scope is far greater than school curriculum. The moulding of models/ innovations done by hand always better than the things heard and the facts incorporated in the books.
With no agricultural background, Dr. Panda has developed unique natural bonsai in his Vijnana Bana Ashram which also shows path for earning just by uprooting and nurturing the plants which are found to be small and thumb in nature.
Dr. Panda's Scientific Endeavour and research is no doubt praise worthy. One cannot but believe his dedicated effort in simple innovation laboratory.
Social service, innovation/ inventions, writing, free technology to students for preparation of science exhibition projects, free technology to common men for their sustainability, preparation of big natural bonsai, technology for entrepreneurs and industrialists for innovative item are few works of Mihir Kumar Panda after his Government service.
. To overcome the difficulties of science and math, explanation in classes, innovator Panda has created few thousands of educational, societal and scientific innovations which helps teachers and students of the country and abroad.
Dr. Panda believes that though inventions/innovation has reached under thousands and thousands deep in the sea and high up in the space. It has reached on moon and mars, but unfortunately the sustainable inventions/innovation has not properly gone to the tiny tots and common people.
Dr. Panda is amazing and wizard of innovations and works with a principle the real scientist is he, who sees the things simply and works high.
Dr.Mihir Kumar Panda's work can be explained in short
Sports with Science from Dawn to Dusk
Struggle some life- science in words and action
Triumphs of Science - Science at foot path
Hilarious dream in midst scarcity
A life of innovator de-avoided of Advertisement.
FELICITATIONS, AWARDS, HONOURS & RECORDS
* 200+ Felicitation and Awards from different NGOs, Schools & Colleges within the State of Odisha and National level.
* 10 Nos Gold, Silver & Bronze medal from different National & International level.
*Awarded for 10,000 innovations & 30,000 ideas by Indian Science Congress Association, Govt. of India.
* Honorary Ph.D From Nelson Mandela University, United States of America
* Honorary Ph.D From Global Peace University, United States of America& India
* Honorary D.Litt From Global Peace University, United States of America& India
* Title ‘Einstein of Odisha’ by Assam Book of Records, Assam
* Title ‘Thomas Alva Edison of India’ by Anandashree Organisation, Mumbai
* Title ‘ Einstein of Odisha & Thomas Alva Edison of India’ from Bengal Book of World record.
*World Record from OMG Book of Records
*World Record from Assam Book of Records,
* World Record from World Genius Records, Nigeria
* World Record from BengalBook of Records
* National Record from Diamond Book of Records
* World Record from Asian World Records
* World Record from Champians Book of World Records
* World Record from The British World Records
* World Record from Gems Book of World Records
* World Record from India Star World Record
* World Record from Geniuses World Records
* World Record from Royal Success International Book of Records
*World Record from Supreme World Records
* World Record from Uttarpradesh World Records
*World Record from Exclusive World Records
*World Record from international Book of Records
*World Record from Incredible Book of records
* World Record from Cholan Book of World Record
* World Record from Bravo International Book of World Record
* World Record from High Range Book of World Record
* World Record from Kalam’s World Record
* World Record from Hope international World Record
* International Honours from Nigeria
* Indian icon Award from Global Records & Research Foundation (G.R.R.F.)
* International Award from USA for the year’2019 as INNOVATOR OF THE YEAR-2019
* National level Excellence Leadership Award-2020 from Anandashree Organisation, Mumbai
* Best Practical Demonstrator & Theory instructor from Collector & District Magistrate,
Balasore.
* Best Innovator Award by Bengal Book.
* Popular Indian Award by Bengal Book.
* Great man Award by Bengal Book.
* Best Indian Award by Bengal Book.
* The Man of the Era by Bengal Book.
IMPORTANT LINK FILES TO KNOW THE WORK OF
Dr. MIHIR KUMAR PANDA
Dr.Mihir Ku panda awarded at indian science congress Association, Govt. of India for 10000 innovations & 30,000 ideas
Hindi Media report- Simple innovation science show for popularisation of science in free of cost by Dr.Mihir Ku Panda
Simple innovation science show for popularisation of science in free of cost in different parts of India By Dr.Mihirku Panda
www.youtube.com/user/mihirkumarpanda/videos?view=0&so...
Simple innovation laboratory at a Glance
MORE LINK FILES OF Dr MIHIR KUMAR PANDA
www.youtube.com/watch?v=MFIh2AoEy_g
www.youtube.com/channel/UCIksem1pJdDvK87ctJOlN1g
www.youtube.com/watch?v=AHEAPp8V5MI
www.youtube.com/watch?v=W43tAYO7wpQ
www.youtube.com/watch?v=me43aso--Xg
www.youtube.com/watch?v=6XEeZjBDnu4
www.youtube.com/watch?v=gPbJyB8aE2s
www.youtube.com/watch?v=yNIIJHdNo6M
www.youtube.com/watch?v=oPBdJpwYINI
www.youtube.com/watch?v=XBR-e-tFVyE
www.youtube.com/watch?v=3JjCnF7gqKA
www.youtube.com/watch?v=raq_ZtllYRg
cholanbookofworldrecords.com/dr-mihir-kumar-pandaph-d-lit...
www.linkedin.com/in/dr-mihir-kumar-panda-ph-d-d-litt-inno...
www.bhubaneswarbuzz.com/updates/education/inspiring-odish...
www.millenniumpost.in/features/kiit-hosts-isca-national-s...
www.youtube.com/watch?v=hFE6c-XZoh0
www.youtube.com/watch?v=WzZ0XaZpJqQ
www.dailymotion.com/video/x2no10i
www.exclusiveworldrecords.com/description.aspx?id=320
royalsuccessinternationalbookofrecords.com/home.php
british-world-records.business.site/posts/236093666996870...
www.tes.com/lessons/QKpLNO0seGI8Zg/experiments-in-science
dadasahebphalkefilmfoundation.com/2020/02/17/excellent-le...
www.facebook.com/…/a.102622791195…/103547424435915/… yearsP0-IR6tvlSw70ddBY_ySrBDerjoHhG0izBJwIBlqfh7QH9Qdo74EnhihXw35Iz8u-VUEmY&__tn__=EHH-R
wwwchampions-book-of-world-records.business.site/?fbclid=...
www.videomuzik.biz/video/motivational-science-show-ortalk...
lb.vlip.lv/channel/ST3PYAvIAou1RcZ/tTEq34EKxoToRqOK.html
imglade.com/tag/grassrootsinventions
picnano.com/tags/UnstoppableINDIAN
www.viveos.net/rev/mihirs%2Btrue%2Bnature
www.facebook.com/worldgeniusrec…/…/2631029263841682…
www.upbr.in/record-galle…/upcoming-genius-innovator/…
www.geniusesworldrecordsandaward.com/
www.upbr.in/record-galle…/upcoming-genius-innovator/…
m.facebook.com/story.php?story_fbid=699422677473920&i...
www.facebook.com/internationalbookofrecords/
www.youtube.com/channel/UCBFJGiEx1Noba0x-NCWbwSg
www.youtube.com/watch?v=nL60GRF6avk
www.facebook.com/bengal.book.16/posts/122025902616062
www.facebook.com/bengal.book.16/posts/122877319197587
www.facebook.com/bengal.book.16/posts/119840549501264
supremebookofworldrecords.blogspot.com/…/welcome-to…
"Peterborough Cathedral, properly the Cathedral Church of St Peter, St Paul and St Andrew – also known as Saint Peter's Cathedral in the United Kingdom – is the seat of the Anglican Bishop of Peterborough, dedicated to Saint Peter, Saint Paul and Saint Andrew, whose statues look down from the three high gables of the famous West Front. Although it was founded in the Anglo-Saxon period, its architecture is mainly Norman, following a rebuilding in the 12th century. With Durham and Ely cathedrals, it is one of the most important 12th-century buildings in England to have remained largely intact, despite extensions and restoration.
Peterborough Cathedral is known for its imposing Early English Gothic West Front (façade) which, with its three enormous arches, is without architectural precedent and with no direct successor. The appearance is slightly asymmetrical, as one of the two towers that rise from behind the façade was never completed (the tower on the right as one faces the building), but this is only visible from a distance.
Peterborough is a cathedral city in Cambridgeshire, England, with a population of 202,110 in 2017. Historically part of Northamptonshire, it is 76 miles (122 km) north of London, on the River Nene which flows into the North Sea 30 miles (48 km) to the north-east. The railway station is an important stop on the East Coast Main Line between London and Edinburgh. The city is also 70 miles (110 km) east of Birmingham, 38 miles (61 km) east of Leicester, 81 miles (130 km) south of Kingston upon Hull and 65 miles (105 km) west of Norwich.
The local topography is flat, and in some places the land lies below sea level, for example in parts of the Fens to the east of Peterborough. Human settlement in the area began before the Bronze Age, as can be seen at the Flag Fen archaeological site to the east of the current city centre, also with evidence of Roman occupation. The Anglo-Saxon period saw the establishment of a monastery, Medeshamstede, which later became Peterborough Cathedral.
The population grew rapidly after the railways arrived in the 19th century, and Peterborough became an industrial centre, particularly known for its brick manufacture. After the Second World War, growth was limited until designation as a New Town in the 1960s. Housing and population are expanding and a £1 billion regeneration of the city centre and immediately surrounding area is under way. Industrial employment has fallen since then, a significant proportion of new jobs being in financial services and distribution." - info from Wikipedia.
Summer 2019 I did a solo cycling tour across Europe through 12 countries over the course of 3 months. I began my adventure in Edinburgh, Scotland and finished in Florence, Italy cycling 8,816 km. During my trip I took 47,000 photos.
Now on Instagram.
Even if you do not see it yourself because… it is in the back! In this article you’ll get the latest information about ‘acne on the back’ and how to get rid of it.
Where does acne on the back come from and how to treat it properly? Victor (a dermatologist) gives you advice on how to get rid of unwanted pimples.
Where does back acne come from and how to get rid of it as well as the cysts and scars it causes?
Yeah, it can be disruptive not to see directly what’s going on behind our backs. In addition to not always pleasing us visually, acne it stings, it scratches and it can be painful!
Where Does Back Acne Come From?
Acne is due to inflammation of the sebaceous glands. Pimples do not focus only on the face: the back can also be touched, it is a sensitive ground for skin inflammations.
But what promotes the appearance of acne on the back?
Hormones: This is why adolescence is not a cloudless happiness at the level of the epidermis. Genetics is also a factor. And it’s kind of the lottery at this game… Inappropriate cosmetics with components that clog pores.
Clothes: Mixed with sweat, they really do not help to stop the proliferation of bacteria in your back.
Food: But obviously it is not necessary to make an unfortunate amalgam. People may have acne and a healthy diet. It would be unfair to judge someone by thinking that they are responsible for their acne because they eat badly, whereas… no!
Lack of nutrition of the skin and lack of hygiene. Once again, one should not believe that all people who have acne neglect their hygiene because it is wrong.
How to Treat Back Acne
There is not only one miracle cure. So to know the most suitable for you, you can make an appointment with a dermatologist who will make a personalized diagnosis.
If your acne is too large, a (quite powerful) antibiotic treatment will certainly be prescribed by your doctor. It is possible that he also gives you very strong creams, which include benzoyl peroxide (very effective).
Wipes and Shower Gels that Cure Back Acne
Using shower gels and other cleansers for your skin containing salicylic acid is already a step to calm inflammation. Wipes containing salicylic acid can also be effective without harming the skin.
Wipes are convenient to continue this routine of back care on evenings and mornings when one does not have the opportunity or time to take a shower.
Getting Rid of Acne with Gentle and Natural Products
Once you are rid of your acne, I advise you to keep in a corner of your head the idea of doing care from time to time. I learned about the existence of four natural remedies to combat pimples thanks to Raspberry Red.
Applying Aloe Vera Gel to Back Acne
Aloe vera has remarkable disinfectant virtues. Applying it to the acne of your back, this product will relieve redness, help to regenerate your skin and avoid scars.
Put a Towel Soaked in Apple Cider Vinegar on Back
Apple cider vinegar, thanks to the acetic acid it contains, helps to destroy bacteria while balancing the pH of the skin.
Dilute vinegar in an equal volume of water, soak a towel in it, and then put it on your back for 15 minutes. This is the moment when you can relax lying on your stomach with your book, music or series.
Then rinse your back with warm water.
Drops of Lavender Oil in Bath to Combat Acne
Thanks to its anti-bacterial and anti-inflammatory properties, a few small drops of lavender oil in your bath can be very effective in healing from your acne.
One or two baths with lavender, in addition to reducing stress, helps to improve the quality of the skin.
Clean Acne Skin with Tea Tree Oil
“Tea tree oil”, or tea tree oil, is perhaps the most effective remedy here. Its antibacterial properties help to sanitize and clarify the skin of the back.
To clean the areas to be treated, mix a few drops of tea tree oil with water, and apply it gently with a cotton pad, two to three times a day.
Latest Advice on Back Acne
Stop touching your buttons by scratching them, no but say so! Or I’ll put socks on your hands! And avoid the Sun that is a dirty traitor. It will give you the impression that your skin is more beautiful and that you have fewer pimples but it is a lure.
In any case do not let your buttons complex or brake you to wear a nice tank top backless ! A lot of people have acne, not by letting go, just because we have a human skin!
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With a properly minded Amish farm in the background. Better seen large On Black. We had set up tent on their grounds earlier the night before because of special circumstances - and were unexpectedly invited to join their breakfast family style, an unforgettable experience. They were so authentic, kind and welcoming - *seven* children were seated at the table with their parents. First time too, I heard a mockingbird -had mistakenly thought there were a dozen varieties of birds in the trees ;-)
Highlighted on Flickr's Explorer Front Page for a while.
To understand what small farms like this one are up against, read these notes by J. Emord
Views from inside the farm and elsewhere in Amish country.
And a neat blog about how to eat delicious and healthiest foods - this from a couple living not too far away in NE Ohio eatoutsidethebag.com/
www.wired.com/rawfile/2012/09/technology-free-mennonite-c...
The Archibald Fountain, properly called the J. F. Archibald Memorial Fountain, widely regarded as the finest public fountain in Australia, is located in Hyde Park, in central Sydney, New South Wales.
It is named after J. F. Archibald, owner and editor of The Bulletin magazine, who bequeathed funds to have it built. Archibald specified that it must be designed by a French artist, both because of his great love of French culture and to commemorate the association of Australia and France in World War I. He wished Sydney to aspire to Parisian civic design and ornamentation. The artist chosen was François-Léon Sicard.
Sicard was one of the foremost sculptors of his day, a classically educated artist, whose inspiration was derived, at least in part, from his study of classical Greek and Roman art and literature. In submitting his proposal for the design of the sculptural groups, Sicard wrote: "Apollo represents the Arts (Beauty and Light). Apollo holds out his right arm as a sign of protection, and spreads his benefits over all Nature, whilst he holds the Lyre in his left hand. Apollo is the warmth which vivifies, giving life to all Nature. At the touch of his rays, men awake, trees and fields become green, the animals go out into the fields, and men go to work at dawn.
"The ancient Pliny adored the sun, symbol of Life. It is on this account that I wished this figure to be the chief one in the memorial.
"At Apollo's feet the star of day is indicated by a semicircle, of which the rays spread out in jets of light (the rising sun). The horses' heads represent the horses of Apollo's chariot. Out of their nostrils the water will fall into the first basin, to fall from there into the second, and run away into the large basin.
"The large basin is divided into three groups. One represents Diana, goddess of purity, of peaceful nights, symbol of charity; the ideal which watches over mortals - all that stands for poetry and harmony. The second group symbolises the good things of the earth - it is the young god of the fields and pastures, of the pleasure of the countryside. The third group represents sacrifice for the public good. Theseus, vanquisher of the Minotaur. The spirit triumphs over bestiality. Theseus delivers his country from the ransom which it had to pay to this monster. It is the sacrifice of himself for the good of humanity. Between these groups tortoises throw jets of water. The fountain is electrically illuminated and floodlighted at night.
"It depicts Apollo, representing beauty and the arts, on a central column holding out his right arm as a sign of protection over all nature. On the three plinths radiating from the central column there are figures representing Diana, the goddess of purity; a group representing the good things of the earth; Theseus slaying a Minotaur, representing the sacrifice for the good of humanity."
The fountain was unveiled on 14 March 1932
Hyde Park, the oldest public parkland in Australia, is a 16.2-hectare (40 acres) park in the central business district of Sydney, New South Wales.
Hyde Park is on the eastern side of the Sydney city centre. It is the southernmost of a chain of parkland that extends north to the shore of Sydney Harbour via The Domain and Sydney's Royal Botanic Gardens. Hyde Park is approximately rectangular in shape, being squared at the southern end and rounded at the northern end.
The centrepiece of Hyde Park is the Archibald Fountain. The fountain was designed by François-Léon Sicard and donated by J.F. Archibald in 1932 in honour of Australia's contribution to World War I in France. Also at the northern end are the Nagoya Gardens featuring a giant outdoor chess set and the entrance to the underground St James railway station.
Wikipedia
To properly explore the moon, the CSA (Classic Space Agency) sent the Rambler along on its earlier missions. A tough, versatile machine capable of handling steep grades, it came equipped with a camera unit, various sensors and a universal personal scanner. Interesting geological samples were kept in storage bays in the front.
This glory of Christ is properly, and in the highest sense, divine. He shines in all the brightness of glory that is inherent in the Deity. Such is the exceeding brightness of this Sun of righteousness, that, in comparison of it, the light of the natural sun is as darkness; and hence, when he shall appear in his glory, the brightness of the sun shall disappear, as the brightness of the little stars do when the sun rises. So says the prophet Isaiah, ‘Then the moon shall be confounded, and the sun shall be ashamed, when the Lord of hosts shall reign in Mount Zion, and before his ancients gloriously.’ Isa. xxiv. 23.. But, although his light is thus bright, and his beams go forth with infinite strength; yet, as they proceed from the Lamb of God, and shine through his meek and lowly human nature, they are supremely soft and mild, and, instead of dazzling and overpowering our feeble sight, like a smooth ointment or a gentle eye-salve, are vivifying and healing. Thus on them, who fear God’s name, ‘the Sun of righteousness arises, with healing in his beams,’ Mal. iv. 2.. It is like the light of the morning, a morning without clouds, as the dew on the grass, under whose influence the souls of his people are as the tender grass springing out of the earth, by clear shining after rain. Thus are the beams of his beauty and brightness fitted for the support and reviving of the afflicted. He heals the broken in spirit, and bindeth up their wounds. When the spirits of his people are cut down by the scythe, he comes down upon them, in a sweet and heavenly influence, like rain on the mown grass, and like showers that water the earth. (Psal. lxxii. 6)
Jonathan Edwards
In the beginning was the Word, and the Word was with God, and the Word was God. He was in the beginning with God. All things were made through him, and without him was not any thing made that was made. In him was life, and the life was the light of men. John 1:1-4
Again Jesus spoke to them, saying, “I am the light of the world. Whoever follows me will not walk in darkness, but will have the light of life.” John 8:12
I have been to St Mary of Charity before. But that was many years ago.
Back then, I took three shots inside. I took 300 today.
St Mary is a huge church with a Victorian tower with the most amazing spire, which makes it visible from just about all over the town.
Faversham is best know as being home to Shepherd Neame brewery, it claims to the England's oldest surviving brewer.
The town sits on the edge of the Swale, with a large expanse of marshes and creeks between the town and open water.
We parked on wide Abbey Street, and while Jools went shopping, I walked along side the old brewery buildings to the church, with the tower and spire straight ahead along a street of terraced houses.
The church was open, though I got shouted at for not closing the glass door properly. This was from the group of people partaking in the weekly coffee morning.
The looked at me as I went round the large church, snapping details and marvelling at the single painted pillar.
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An extraordinary building comprising a medieval chancel and transepts, eighteenth-century nave and nineteenth-century tower and spire. Despite heavy-handed restorations of the nineteenth century - by Sir George Gilbert Scott and Ewan Christian in 1873 - which have resulted in loss of character, there is much to see. The fourteenth-century transepts are aisled - a most unusual feature in an ordinary parish church. The medieval authorities probably decided to invest in a lavish building to counteract the pulling power of the famous abbey which stood to the east. One of the pillars of the north transept has a series of contemporary small paintings of biblical scenes. You are advised to take a pair of binoculars to see them to advantage. The stalls in the chancel have misericords with a good selection of carved armrests, and there is also a crypt and an unforgettable east window of 1911.
www.kentchurches.info/church.asp?p=Faversham+1
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THE PARISH AND TOWN OF FAVERSHAM.
CALLED, according to Lambarde, in Saxon, Fafresham, and Fafresfeld, in the record of Domesday, Favershant, and in some few others, Fefresham.
THE PARISH lies adjoining to the high London road southward at the 47th mile-stone, and extends to the creek on the opposite side of the town, the houses on the south side of which reach to within two hundred yards of the road, whence there is a good view into it.
The parish includes the north side of the London road from the above mile-stone westward, almost as far as the summit of Judde-hill, and the liberties of the town extend as far of this space westward as the rivulet in Ospringe street. Thus this parish intervenes, and entirely separates that part of Ospringe parish, at the northern boundary of it, in which are the storekeeper's house of the royal mills, and part of the offices and gardens belonging to it, and some of the mills themselves, and in the town likewise, Ospringe parish again intervening, there is a small part of West-street which is within that parish. At the east end of Ospringe-street, though within Faversham parish, and the liberties of the town, close to the high London road, there is a handsome new-built house, erected not many years since by Mr.Bonnick Lypyeatt, who resided in it till his death in 1789. He left two daughters his coheirs, one of whom married Mr.C.Brooke, of London, and the other Captain Gosselin, of the Life-guards. It is now occupied by John Mayor, esq.
¶The rest, or northern part of the parish lies very low, and adjoins the marshes, of which there is a very large tract. The country here is a fine extended level, the fields of a considerable size, and mostly unincumbered with trees or hedgerows, the lands being perhaps as fertile and as highly cultivated as any within this county, being part of that fruitful value extending almost from Sittingborne to Boughton Blean, so often taken notice of before. The grounds adjoining the upper parts of the town are mostly hop plantations, of a rich and kindly growth, but several of them have lately given place to those of fruit. About twenty years ago the cultivation of madder was introduced here, and many induced by the prospect of great gains, made plantations of it at a very considerable expence, and a mill was erected for the purpose of grinding the roots, but from various disappointments, and unforeseen disadvantages, the undertakers of it were deterred from prosecuting the growth of it, and I believe they have for some time entirely discontinued it.
At the south-east extremity of this parish, as well as in other particular parts of this county, there are several chalk-pits, the most noted of these being called Hegdale pit, of a great depth, which though narrow at the top, yet more inward are very capacious, having, as it were, distinct rooms, supported by pillars of chalk. Several opinions have been formed concerning the intent and use of them, some that they were formed by the digging of chalk, for the building of the abbey, as well as afterwards from time to time, for the manuring of the neighbouring lands; others that the English Saxons might dig them, for the same uses that the Germans did, from whom they were descended, who made use of them, according to Tacitus, as a refuge in winter, as a repository for their corn, and as a place of security, for themselves, their families, and their property, from the searches of their enemies. (fn. 1)
Near the west end of the bridge, opposite the storekeeper's house of the royal powder-mills, there is a strong chalybeate spring, which on trial has been proved to be nearly equal to those of Tunbridge Wells. (fn. 2)
In the year 1774, a most remarkable fish, called mola salviani, orthe sun-fish, was caught on Faversham Flats, which weighed about nineteen pounds and a half, and was about two feet diameter. It is a fish very rarely seen in our narrow seas. (fn. 3)
THE TOWN ITSELF, and so much of the parish as is within the bounds of the corporation, is subject to the liberties of it, and of the cinque ports, and is exempt from the jurisdiction of the hundred of Faversham; but the rest of the parish, together with the rectory, is within the liberties of that hundred, which has been always esteemed as appurtenant to the manor of Faversham.
Although from the several discoveries which have been made of Roman antiquities in this neighbourhood, it is plain, that it could not be unknown to that nation, during their stay in this island, yet there is no mention made of this place by any writer during that period; and it seems, even in the time of the Saxons, to have been a place of but little consequence, notwithstanding it was then a part of the royal demesnes, as appears by a charter of Cenulph, king of Mercia, anno 812, wherein it is stiled the king's little town of Fefresham; and in one of Athelwolf, king of the West Saxons and of Kent, anno 839, where it is said to be made, only, in villa de Faverisham. However, it was of note sufficient, perhaps as being the king's estate, even in the time of king Alfred, at the first division of this county into those smaller districts, to give name to the hundred in which it is situated. Lambarde, Camden, and Leland say, that king Athelstan held a parliament, or meeting of his wife menat Faversham, about the year 903, (no doubt for 930) in which several laws were enacted. (fn. 8)
FAVERSHAM continued part of the antient demesnes of the crown of this realm at the time of the taking of the general survey of Domesday, in which it is entered, under the general title of Terra Regis, that is, the king's antient demesne, as follows:
In the lath of Wivarlet, in Favreshant hundred, king William holds Favreshant. It was taxed at seven sulings. The arable land is seventeen carucates. In demesne there are two. There are thirty villeins, with forty borderers, having twenty-four carucates. There are five servants, and one mill of twenty shillings, and two acres of meadow. Wood for the pannage of one hundred hogs, and of the pasture of the wood thirty-one shillings and two pence. A market of four pounds, and two salt-pits of three shillings and two-pence, and in the city of Canterbury, there are three houses of twenty-pence belonging to this manor. In the whole value, in the time of king Edward the Confessor, it was worth sixty pounds all but five shillings, and afterwards sixty pounds, and now it is worth four times twenty pounds.
¶The manor of Faversham, with the hundred appurtenant to it, remained part of the possessions of the crown till about the beginning of king Stephen's reign, when it was granted to William de Ipre, a foreigner, whom, for his faithful services against the empress Maud, the king, in his 7th year, created Earl of Kent; but within a few years afterwards, resolving to found an abbey here, he, with his queen Matilda, about the year 1147, exchanged the manor of Lillechirch, and other premises, for this manor and hundred, where they, at the latter end of that year, or the beginning of the year after, founded an abbey at a small distance from the town of Faversham, on the north-east side of it, for the space where Court, or Ab bey-street now stands was then unbuilt, and this was therefore, in the reign of Edward III. distinguished by the name of the New Town, as the rest of it, built before, was by that of the Old Town, and they appointed Clarembald, the prior of Bermondsey, to be abbot of this new foundation, which was dedicated to St. Saviour, and for their support, the king granted to him and the monks of it, twelve of whom had been removed with Clarembald for this purpose from Bermondsey, which priory was of the order of Clugni, the manor of Faversham, with its appurtenances, and other premises, in perpetual alms, with many liberties, as may be further seen in the charter itself. (fn. 9)
HE TOWN OF FAVERSHAM is within the limits of the cinque ports, being esteemed as a limb or member of the town of Dover, one of those ports. Of what antiquity these ports and antient towns are, when enfranchised, or at what times their members were annexed to them, has not been as yet, with any certainty, discovered; and, therefore, they are held to enjoy all their earliest liberties and privileges, as time out of mind, and by prescription.
It is, however certain, that at the time of king Edward the Consessor, the five ports were enfranchised with divers liberties, privileges, and customs, peculiar to themselves; for the better conducting of which they had the establishment of one grand court, called the court of Shipway, from its being almost always held at a place of that name near Hyth; in which the general business relating to the whole community was transacted before the warden, as principal and chief over them. Nevertheless, though they acted here jointly, like a county palatine as to the government, for the desence of the liberty of the whole, yet every particular corporation in each town acted severally and distinctly, according to its own privileges, charters, and customs within their own particular limits, without any controul or interference from this court, or the rest of the community. (fn. 20)
The five ports, as being from their situation most exposed to the depredations of enemies, were first incorporated for their own mutual defence, and were afterwards endowed with great privileges, for the public desence of the nation, and the king's service. The force they were enjoined to raise and keep in residence for this purpose was fifty-seven ships, properly furnished and accoutred for a certain number of days, to be ready at the king's summons, at their own charge, and if the state of affairs required their assistance any longer, they were paid by the crown. But because the expence was in after times found to be too burthensome for these five ports, several other towns were added as members to them, that they might bear a part of the charge, for which they were recompenced with a participation of their privileges and immunities. All which were confirmed to them by Magna Charta, by the name of the barons of the five ports, and again by one general charter by king Edward I. which, by inspeximus, has received confirmation, and sometimes additions, from most of the succeeding kings and queens of this realm.
¶FAVERSHAM, stiled both a town and a port at different times in antient records, isa corporation by prescription. In the oldest charter now remaining, which is that of the 36th year of king Henry III. wherein the members of it are stiled, according to the usual language of those times, barons, that is freemen, there is contained a confirmation of all their former antient rights and privileges. In the 42d year of the above reign, which is as far as can be traced by evidence, the jurisdiction of this town was then in a mayor or alderman, and twelve jurats. In a charter of Edward I. the barons of it are acknowledged to have done good services to him and his predecessors, kings of England; and in the 21st year of that reign, there is an entry of the mayor and jurats assembling in their hallmote, or portmote-court, as it is elsewhere called, together with the lord abbot's steward, and there sealing a fine with the town's seal, of a messuage and garden in Faversham, according to the use and custom of the court, by which it is evident, that this court was of some antiquity at that time. (fn. 21)
Faversham is within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry of Ospringe.
The church, which stands close to the east side of the town, was dedicated to the assumption of our lady of Faversham. It is built in the form of a cross, of flints, with quoins of ashler stone. It had, until 1755, when it was taken down, a large square castellated tower in the middle of it, and there remains now another low tower at the north side of the west front, upon which is erected a frame of timber, covered with shingles. So long ago as king Henry the VIIth.'s reign, there seems to have been no steeple to this church, for in 1464, Edward Thomasson, of this town, gave sixty pounds towards the edifying of a new one to it; (fn. 31) and of later time, James Lawson, esq. a wealthy inhabitant of this town, who died in 1794, gave by his will 1000l. for the same purpose, with this sum, together with 500l. given by the corporation, and the remainder payable by a rate, a steeple, seventy-three feet high above the tower, with pinnacles at each corner of it, on the plan of St. Dunstan's in the East, has been erected, and is now nearly compleated, at the expence of 2500l.
Behind the tower, within the outer walls, is a strong timbered room, formerly called the tresory, in which, before the reformation, were carefully deposited the goods and ornaments of the church; over it was the chamber for the sextons. On the south side of the west front is a room, formerly open to the church, in which was taught reading and writing; under it is a neat chapel, with stone arches, supported by three pillars in the middle. Over the south porch there is another stone room, the window of which is grated with strong iron bars.
Mr. Henry Hatch, whose extensive charity to this town has already been mentioned, by will in 1533, gave a sum of money, at the discretion of the mayor, and his brethren, in making a new jewel-house for this church.
In 1440 there were placed in it five new bells, and in 1459 a sixth was added; these remained till 1749, when they were cast into a new peal of eight.
The church seems to have been built in the latter end of the reign of Edward I. or the beginning of the reign of Edward II. by a silver penny of one of those kings being found under the basis of one of the piers, which supported the middle tower. In the east window of the great chancel, were some time since remaining two shields of arms, viz. Gules, two lions passant-guardant, or a label of five points, azure; and Argent, a lion rampant, sable, within a bordure of the second, bezante.
In the year 1754, the body of the church, as well as the roof of it, on a survey, being deemed in a dangerous state, a faculty was obtained to pull it down, which was accordingly done, under the plan and directions of Mr. George Dance, of London, architect, at the expence of 2300l. besides which, 400l. was afterwards expended in an organ, and 100l. more in other ornaments, and ninety pounds in improving the great chancel, which through age was become very unsightly; so that the whole of it is now made equal to, if not the most elegant and spacious, of any parish church in this county, and is extensive and spacious enough to afford convenient room for all the parishioners of it.
¶When this church was new built, and the body and isles new paved, the grave-stones, many of which were antient, with brasses on them, were removed from the places where they lay, to other open and consipicuous parts of it. Among the monuments were those for Henry Hatche, merchant adventurer, 1533; Thomas Mendfield, 1614, John Fagg, esq. 1508, and one for Thomas Southouse, esq. 1558, who wrote the Monas tion Favershamiense. Both monuments and epitaphs are by far too numerous to insert in this place, they may be found at large in Weever's Funeral Monuments, in Lewis's Appendix to his History of Faversham Abbey, and in Harris's History of Kent. Besides which there is in the Appendix to Jacob's History of Faversham, a chronological list of such persons as have been known to have been buried in it.
This church measures from east to west, including the chancel, one hundred and sixty feet, the width of the body sixty five feet; the length of the isles from north to south one hundred and twenty-four feet, and their width forty-six feet.
Before the reformation, besides the high altar in the great chancel, there were two chapels, one dedicated to the Holy Trinity, and the other to St. Thomas, and there were several altars in the isles and chancels.
Exeter Cathedral, properly known as the Cathedral Church of Saint Peter in Exeter, is an Anglican cathedral, and the seat of the Bishop of Exeter, in the city of Exeter, Devon, in South West England. The present building was complete by about 1400, and has several notable features, including an early set of misericords, an astronomical clock and the longest uninterrupted vaulted ceiling in England.
The founding of the cathedral at Exeter, dedicated to Saint Peter, dates from 1050, when the seat of the bishop of Devon and Cornwall was transferred from Crediton because of a fear of sea-raids. A Saxon minster already existing within the town (and dedicated to Saint Mary and Saint Peter) was used by Leofric as his seat, but services were often held out of doors, close to the site of the present cathedral building.
In 1107 William Warelwast was appointed to the see, and this was the catalyst for the building of a new cathedral in the Norman style. Its official foundation was in 1133, during Warelwast's time, but it took many more years to complete. Following the appointment of Walter Bronescombe as bishop in 1258, the building was already recognised as outmoded, and it was rebuilt in the Decorated Gothic style, following the example of Salisbury. However, much of the Norman building was kept, including the two massive square towers and part of the walls. It was constructed entirely of local stone, including Purbeck Marble. The new cathedral was complete by about 1400, apart from the addition of the chapter house and chantry chapels.
During the Second World War, Exeter was one of the targets of a German air offensive against British cities of cultural and historical importance, which became known as the "Baedeker Blitz". On 4 May 1942 an early-morning air raid took place over Exeter. The cathedral sustained a direct hit by a large high-explosive bomb on the chapel of St James, completely demolishing it. The muniment room above, three bays of the aisle and two flying buttresses were also destroyed in the blast. The medieval wooden screen opposite the chapel was smashed into many pieces by the blast, but it has been reconstructed and restored. Many of the cathedral's most important artefacts, such as the ancient glass (including the great east window), the misericords, the bishop's throne, the Exeter Book, the ancient charters (of King Athelstan and Edward the Confessor) and other precious documents from the library had been removed in anticipation of such an attack. The precious effigy of Walter Branscombe had been protected by sand bags. Subsequent repairs and the clearance of the area around the western end of the building uncovered portions of earlier structures, including remains of the Roman city and of the original Norman cathedral. Wikipedia
The Archibald Fountain, properly called the J. F. Archibald Memorial Fountain, widely regarded as the finest public fountain in Australia, is located in Hyde Park, in central Sydney, New South Wales.
It is named after J. F. Archibald, owner and editor of The Bulletin magazine, who bequeathed funds to have it built. Archibald specified that it must be designed by a French artist, both because of his great love of French culture and to commemorate the association of Australia and France in World War I. He wished Sydney to aspire to Parisian civic design and ornamentation. The artist chosen was François-Léon Sicard.
Sicard was one of the foremost sculptors of his day, a classically educated artist, whose inspiration was derived, at least in part, from his study of classical Greek and Roman art and literature. In submitting his proposal for the design of the sculptural groups, Sicard wrote: "Apollo represents the Arts (Beauty and Light). Apollo holds out his right arm as a sign of protection, and spreads his benefits over all Nature, whilst he holds the Lyre in his left hand. Apollo is the warmth which vivifies, giving life to all Nature. At the touch of his rays, men awake, trees and fields become green, the animals go out into the fields, and men go to work at dawn.
"The ancient Pliny adored the sun, symbol of Life. It is on this account that I wished this figure to be the chief one in the memorial.
"At Apollo's feet the star of day is indicated by a semicircle, of which the rays spread out in jets of light (the rising sun). The horses' heads represent the horses of Apollo's chariot. Out of their nostrils the water will fall into the first basin, to fall from there into the second, and run away into the large basin.
"The large basin is divided into three groups. One represents Diana, goddess of purity, of peaceful nights, symbol of charity; the ideal which watches over mortals - all that stands for poetry and harmony. The second group symbolises the good things of the earth - it is the young god of the fields and pastures, of the pleasure of the countryside. The third group represents sacrifice for the public good. Theseus, vanquisher of the Minotaur. The spirit triumphs over bestiality. Theseus delivers his country from the ransom which it had to pay to this monster. It is the sacrifice of himself for the good of humanity. Between these groups tortoises throw jets of water. The fountain is electrically illuminated and floodlighted at night.
"It depicts Apollo, representing beauty and the arts, on a central column holding out his right arm as a sign of protection over all nature. On the three plinths radiating from the central column there are figures representing Diana, the goddess of purity; a group representing the good things of the earth; Theseus slaying a Minotaur, representing the sacrifice for the good of humanity."
The fountain was unveiled on 14 March 1932
Hyde Park, the oldest public parkland in Australia, is a 16.2-hectare (40 acres) park in the central business district of Sydney, New South Wales.
Hyde Park is on the eastern side of the Sydney city centre. It is the southernmost of a chain of parkland that extends north to the shore of Sydney Harbour via The Domain and Sydney's Royal Botanic Gardens. Hyde Park is approximately rectangular in shape, being squared at the southern end and rounded at the northern end.
The centrepiece of Hyde Park is the Archibald Fountain. The fountain was designed by François-Léon Sicard and donated by J.F. Archibald in 1932 in honour of Australia's contribution to World War I in France. Also at the northern end are the Nagoya Gardens featuring a giant outdoor chess set and the entrance to the underground St James railway station.
Wikipedia
I have been to St Mary of Charity before. But that was many years ago.
Back then, I took three shots inside. I took 300 today.
St Mary is a huge church with a Victorian tower with the most amazing spire, which makes it visible from just about all over the town.
Faversham is best know as being home to Shepherd Neame brewery, it claims to the England's oldest surviving brewer.
The town sits on the edge of the Swale, with a large expanse of marshes and creeks between the town and open water.
We parked on wide Abbey Street, and while Jools went shopping, I walked along side the old brewery buildings to the church, with the tower and spire straight ahead along a street of terraced houses.
The church was open, though I got shouted at for not closing the glass door properly. This was from the group of people partaking in the weekly coffee morning.
The looked at me as I went round the large church, snapping details and marvelling at the single painted pillar.
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An extraordinary building comprising a medieval chancel and transepts, eighteenth-century nave and nineteenth-century tower and spire. Despite heavy-handed restorations of the nineteenth century - by Sir George Gilbert Scott and Ewan Christian in 1873 - which have resulted in loss of character, there is much to see. The fourteenth-century transepts are aisled - a most unusual feature in an ordinary parish church. The medieval authorities probably decided to invest in a lavish building to counteract the pulling power of the famous abbey which stood to the east. One of the pillars of the north transept has a series of contemporary small paintings of biblical scenes. You are advised to take a pair of binoculars to see them to advantage. The stalls in the chancel have misericords with a good selection of carved armrests, and there is also a crypt and an unforgettable east window of 1911.
www.kentchurches.info/church.asp?p=Faversham+1
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THE PARISH AND TOWN OF FAVERSHAM.
CALLED, according to Lambarde, in Saxon, Fafresham, and Fafresfeld, in the record of Domesday, Favershant, and in some few others, Fefresham.
THE PARISH lies adjoining to the high London road southward at the 47th mile-stone, and extends to the creek on the opposite side of the town, the houses on the south side of which reach to within two hundred yards of the road, whence there is a good view into it.
The parish includes the north side of the London road from the above mile-stone westward, almost as far as the summit of Judde-hill, and the liberties of the town extend as far of this space westward as the rivulet in Ospringe street. Thus this parish intervenes, and entirely separates that part of Ospringe parish, at the northern boundary of it, in which are the storekeeper's house of the royal mills, and part of the offices and gardens belonging to it, and some of the mills themselves, and in the town likewise, Ospringe parish again intervening, there is a small part of West-street which is within that parish. At the east end of Ospringe-street, though within Faversham parish, and the liberties of the town, close to the high London road, there is a handsome new-built house, erected not many years since by Mr.Bonnick Lypyeatt, who resided in it till his death in 1789. He left two daughters his coheirs, one of whom married Mr.C.Brooke, of London, and the other Captain Gosselin, of the Life-guards. It is now occupied by John Mayor, esq.
¶The rest, or northern part of the parish lies very low, and adjoins the marshes, of which there is a very large tract. The country here is a fine extended level, the fields of a considerable size, and mostly unincumbered with trees or hedgerows, the lands being perhaps as fertile and as highly cultivated as any within this county, being part of that fruitful value extending almost from Sittingborne to Boughton Blean, so often taken notice of before. The grounds adjoining the upper parts of the town are mostly hop plantations, of a rich and kindly growth, but several of them have lately given place to those of fruit. About twenty years ago the cultivation of madder was introduced here, and many induced by the prospect of great gains, made plantations of it at a very considerable expence, and a mill was erected for the purpose of grinding the roots, but from various disappointments, and unforeseen disadvantages, the undertakers of it were deterred from prosecuting the growth of it, and I believe they have for some time entirely discontinued it.
At the south-east extremity of this parish, as well as in other particular parts of this county, there are several chalk-pits, the most noted of these being called Hegdale pit, of a great depth, which though narrow at the top, yet more inward are very capacious, having, as it were, distinct rooms, supported by pillars of chalk. Several opinions have been formed concerning the intent and use of them, some that they were formed by the digging of chalk, for the building of the abbey, as well as afterwards from time to time, for the manuring of the neighbouring lands; others that the English Saxons might dig them, for the same uses that the Germans did, from whom they were descended, who made use of them, according to Tacitus, as a refuge in winter, as a repository for their corn, and as a place of security, for themselves, their families, and their property, from the searches of their enemies. (fn. 1)
Near the west end of the bridge, opposite the storekeeper's house of the royal powder-mills, there is a strong chalybeate spring, which on trial has been proved to be nearly equal to those of Tunbridge Wells. (fn. 2)
In the year 1774, a most remarkable fish, called mola salviani, orthe sun-fish, was caught on Faversham Flats, which weighed about nineteen pounds and a half, and was about two feet diameter. It is a fish very rarely seen in our narrow seas. (fn. 3)
THE TOWN ITSELF, and so much of the parish as is within the bounds of the corporation, is subject to the liberties of it, and of the cinque ports, and is exempt from the jurisdiction of the hundred of Faversham; but the rest of the parish, together with the rectory, is within the liberties of that hundred, which has been always esteemed as appurtenant to the manor of Faversham.
Although from the several discoveries which have been made of Roman antiquities in this neighbourhood, it is plain, that it could not be unknown to that nation, during their stay in this island, yet there is no mention made of this place by any writer during that period; and it seems, even in the time of the Saxons, to have been a place of but little consequence, notwithstanding it was then a part of the royal demesnes, as appears by a charter of Cenulph, king of Mercia, anno 812, wherein it is stiled the king's little town of Fefresham; and in one of Athelwolf, king of the West Saxons and of Kent, anno 839, where it is said to be made, only, in villa de Faverisham. However, it was of note sufficient, perhaps as being the king's estate, even in the time of king Alfred, at the first division of this county into those smaller districts, to give name to the hundred in which it is situated. Lambarde, Camden, and Leland say, that king Athelstan held a parliament, or meeting of his wife menat Faversham, about the year 903, (no doubt for 930) in which several laws were enacted. (fn. 8)
FAVERSHAM continued part of the antient demesnes of the crown of this realm at the time of the taking of the general survey of Domesday, in which it is entered, under the general title of Terra Regis, that is, the king's antient demesne, as follows:
In the lath of Wivarlet, in Favreshant hundred, king William holds Favreshant. It was taxed at seven sulings. The arable land is seventeen carucates. In demesne there are two. There are thirty villeins, with forty borderers, having twenty-four carucates. There are five servants, and one mill of twenty shillings, and two acres of meadow. Wood for the pannage of one hundred hogs, and of the pasture of the wood thirty-one shillings and two pence. A market of four pounds, and two salt-pits of three shillings and two-pence, and in the city of Canterbury, there are three houses of twenty-pence belonging to this manor. In the whole value, in the time of king Edward the Confessor, it was worth sixty pounds all but five shillings, and afterwards sixty pounds, and now it is worth four times twenty pounds.
¶The manor of Faversham, with the hundred appurtenant to it, remained part of the possessions of the crown till about the beginning of king Stephen's reign, when it was granted to William de Ipre, a foreigner, whom, for his faithful services against the empress Maud, the king, in his 7th year, created Earl of Kent; but within a few years afterwards, resolving to found an abbey here, he, with his queen Matilda, about the year 1147, exchanged the manor of Lillechirch, and other premises, for this manor and hundred, where they, at the latter end of that year, or the beginning of the year after, founded an abbey at a small distance from the town of Faversham, on the north-east side of it, for the space where Court, or Ab bey-street now stands was then unbuilt, and this was therefore, in the reign of Edward III. distinguished by the name of the New Town, as the rest of it, built before, was by that of the Old Town, and they appointed Clarembald, the prior of Bermondsey, to be abbot of this new foundation, which was dedicated to St. Saviour, and for their support, the king granted to him and the monks of it, twelve of whom had been removed with Clarembald for this purpose from Bermondsey, which priory was of the order of Clugni, the manor of Faversham, with its appurtenances, and other premises, in perpetual alms, with many liberties, as may be further seen in the charter itself. (fn. 9)
HE TOWN OF FAVERSHAM is within the limits of the cinque ports, being esteemed as a limb or member of the town of Dover, one of those ports. Of what antiquity these ports and antient towns are, when enfranchised, or at what times their members were annexed to them, has not been as yet, with any certainty, discovered; and, therefore, they are held to enjoy all their earliest liberties and privileges, as time out of mind, and by prescription.
It is, however certain, that at the time of king Edward the Consessor, the five ports were enfranchised with divers liberties, privileges, and customs, peculiar to themselves; for the better conducting of which they had the establishment of one grand court, called the court of Shipway, from its being almost always held at a place of that name near Hyth; in which the general business relating to the whole community was transacted before the warden, as principal and chief over them. Nevertheless, though they acted here jointly, like a county palatine as to the government, for the desence of the liberty of the whole, yet every particular corporation in each town acted severally and distinctly, according to its own privileges, charters, and customs within their own particular limits, without any controul or interference from this court, or the rest of the community. (fn. 20)
The five ports, as being from their situation most exposed to the depredations of enemies, were first incorporated for their own mutual defence, and were afterwards endowed with great privileges, for the public desence of the nation, and the king's service. The force they were enjoined to raise and keep in residence for this purpose was fifty-seven ships, properly furnished and accoutred for a certain number of days, to be ready at the king's summons, at their own charge, and if the state of affairs required their assistance any longer, they were paid by the crown. But because the expence was in after times found to be too burthensome for these five ports, several other towns were added as members to them, that they might bear a part of the charge, for which they were recompenced with a participation of their privileges and immunities. All which were confirmed to them by Magna Charta, by the name of the barons of the five ports, and again by one general charter by king Edward I. which, by inspeximus, has received confirmation, and sometimes additions, from most of the succeeding kings and queens of this realm.
¶FAVERSHAM, stiled both a town and a port at different times in antient records, isa corporation by prescription. In the oldest charter now remaining, which is that of the 36th year of king Henry III. wherein the members of it are stiled, according to the usual language of those times, barons, that is freemen, there is contained a confirmation of all their former antient rights and privileges. In the 42d year of the above reign, which is as far as can be traced by evidence, the jurisdiction of this town was then in a mayor or alderman, and twelve jurats. In a charter of Edward I. the barons of it are acknowledged to have done good services to him and his predecessors, kings of England; and in the 21st year of that reign, there is an entry of the mayor and jurats assembling in their hallmote, or portmote-court, as it is elsewhere called, together with the lord abbot's steward, and there sealing a fine with the town's seal, of a messuage and garden in Faversham, according to the use and custom of the court, by which it is evident, that this court was of some antiquity at that time. (fn. 21)
Faversham is within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry of Ospringe.
The church, which stands close to the east side of the town, was dedicated to the assumption of our lady of Faversham. It is built in the form of a cross, of flints, with quoins of ashler stone. It had, until 1755, when it was taken down, a large square castellated tower in the middle of it, and there remains now another low tower at the north side of the west front, upon which is erected a frame of timber, covered with shingles. So long ago as king Henry the VIIth.'s reign, there seems to have been no steeple to this church, for in 1464, Edward Thomasson, of this town, gave sixty pounds towards the edifying of a new one to it; (fn. 31) and of later time, James Lawson, esq. a wealthy inhabitant of this town, who died in 1794, gave by his will 1000l. for the same purpose, with this sum, together with 500l. given by the corporation, and the remainder payable by a rate, a steeple, seventy-three feet high above the tower, with pinnacles at each corner of it, on the plan of St. Dunstan's in the East, has been erected, and is now nearly compleated, at the expence of 2500l.
Behind the tower, within the outer walls, is a strong timbered room, formerly called the tresory, in which, before the reformation, were carefully deposited the goods and ornaments of the church; over it was the chamber for the sextons. On the south side of the west front is a room, formerly open to the church, in which was taught reading and writing; under it is a neat chapel, with stone arches, supported by three pillars in the middle. Over the south porch there is another stone room, the window of which is grated with strong iron bars.
Mr. Henry Hatch, whose extensive charity to this town has already been mentioned, by will in 1533, gave a sum of money, at the discretion of the mayor, and his brethren, in making a new jewel-house for this church.
In 1440 there were placed in it five new bells, and in 1459 a sixth was added; these remained till 1749, when they were cast into a new peal of eight.
The church seems to have been built in the latter end of the reign of Edward I. or the beginning of the reign of Edward II. by a silver penny of one of those kings being found under the basis of one of the piers, which supported the middle tower. In the east window of the great chancel, were some time since remaining two shields of arms, viz. Gules, two lions passant-guardant, or a label of five points, azure; and Argent, a lion rampant, sable, within a bordure of the second, bezante.
In the year 1754, the body of the church, as well as the roof of it, on a survey, being deemed in a dangerous state, a faculty was obtained to pull it down, which was accordingly done, under the plan and directions of Mr. George Dance, of London, architect, at the expence of 2300l. besides which, 400l. was afterwards expended in an organ, and 100l. more in other ornaments, and ninety pounds in improving the great chancel, which through age was become very unsightly; so that the whole of it is now made equal to, if not the most elegant and spacious, of any parish church in this county, and is extensive and spacious enough to afford convenient room for all the parishioners of it.
¶When this church was new built, and the body and isles new paved, the grave-stones, many of which were antient, with brasses on them, were removed from the places where they lay, to other open and consipicuous parts of it. Among the monuments were those for Henry Hatche, merchant adventurer, 1533; Thomas Mendfield, 1614, John Fagg, esq. 1508, and one for Thomas Southouse, esq. 1558, who wrote the Monas tion Favershamiense. Both monuments and epitaphs are by far too numerous to insert in this place, they may be found at large in Weever's Funeral Monuments, in Lewis's Appendix to his History of Faversham Abbey, and in Harris's History of Kent. Besides which there is in the Appendix to Jacob's History of Faversham, a chronological list of such persons as have been known to have been buried in it.
This church measures from east to west, including the chancel, one hundred and sixty feet, the width of the body sixty five feet; the length of the isles from north to south one hundred and twenty-four feet, and their width forty-six feet.
Before the reformation, besides the high altar in the great chancel, there were two chapels, one dedicated to the Holy Trinity, and the other to St. Thomas, and there were several altars in the isles and chancels.
The Archibald Fountain, properly called the J. F. Archibald Memorial Fountain, widely regarded as the finest public fountain in Australia, is located in Hyde Park, in central Sydney, New South Wales.
It is named after J. F. Archibald, owner and editor of The Bulletin magazine, who bequeathed funds to have it built. Archibald specified that it must be designed by a French artist, both because of his great love of French culture and to commemorate the association of Australia and France in World War I. He wished Sydney to aspire to Parisian civic design and ornamentation. The artist chosen was François-Léon Sicard.
Sicard was one of the foremost sculptors of his day, a classically educated artist, whose inspiration was derived, at least in part, from his study of classical Greek and Roman art and literature. In submitting his proposal for the design of the sculptural groups, Sicard wrote: "Apollo represents the Arts (Beauty and Light). Apollo holds out his right arm as a sign of protection, and spreads his benefits over all Nature, whilst he holds the Lyre in his left hand. Apollo is the warmth which vivifies, giving life to all Nature. At the touch of his rays, men awake, trees and fields become green, the animals go out into the fields, and men go to work at dawn.
"The ancient Pliny adored the sun, symbol of Life. It is on this account that I wished this figure to be the chief one in the memorial.
"At Apollo's feet the star of day is indicated by a semicircle, of which the rays spread out in jets of light (the rising sun). The horses' heads represent the horses of Apollo's chariot. Out of their nostrils the water will fall into the first basin, to fall from there into the second, and run away into the large basin.
"The large basin is divided into three groups. One represents Diana, goddess of purity, of peaceful nights, symbol of charity; the ideal which watches over mortals - all that stands for poetry and harmony. The second group symbolises the good things of the earth - it is the young god of the fields and pastures, of the pleasure of the countryside. The third group represents sacrifice for the public good. Theseus, vanquisher of the Minotaur. The spirit triumphs over bestiality. Theseus delivers his country from the ransom which it had to pay to this monster. It is the sacrifice of himself for the good of humanity. Between these groups tortoises throw jets of water. The fountain is electrically illuminated and floodlighted at night.
"It depicts Apollo, representing beauty and the arts, on a central column holding out his right arm as a sign of protection over all nature. On the three plinths radiating from the central column there are figures representing Diana, the goddess of purity; a group representing the good things of the earth; Theseus slaying a Minotaur, representing the sacrifice for the good of humanity."
The fountain was unveiled on 14 March 1932
Hyde Park, the oldest public parkland in Australia, is a 16.2-hectare (40 acres) park in the central business district of Sydney, New South Wales.
Hyde Park is on the eastern side of the Sydney city centre. It is the southernmost of a chain of parkland that extends north to the shore of Sydney Harbour via The Domain and Sydney's Royal Botanic Gardens. Hyde Park is approximately rectangular in shape, being squared at the southern end and rounded at the northern end.
The centrepiece of Hyde Park is the Archibald Fountain. The fountain was designed by François-Léon Sicard and donated by J.F. Archibald in 1932 in honour of Australia's contribution to World War I in France. Also at the northern end are the Nagoya Gardens featuring a giant outdoor chess set and the entrance to the underground St James railway station.
Wikipedia
Had it properly composed and then he raises his eyebrows, just as I click the shutter - but I still like it. Stepping away from my default "BW for portraits" processing this time - but could not help desaturating it :P
My claddagh wedding ring before it’s been properly cleaned. Someone stole my original wedding ring from my gym bag when I went to have a steam bath.
Several years ago we purchased a pair of these from our jeweller in Puerto Vallarta, Jalisco, Mexico.
The Claddagh ring (Irish: fáinne Chladaigh) is a traditional Irish ring which represents love, loyalty, and friendship (the hands represent friendship, the heart represents love, and the crown represents loyalty).[1][2]
The design and customs associated with it originated in the Irish fishing village of the same name in Galway. The ring, as currently known, was first produced in the 17th century.[3]
Description:
The Claddagh ring belongs to a group of European finger rings called "fede rings".[4][5] The name "fede" derives from the Italian phrase mani in fede ("hands [joined] in faith" or "hands [joined] in loyalty"). These rings date from Roman times, when the gesture of clasped hands was a symbol of pledging vows, and they were used as engagement/wedding rings in medieval and Renaissance Europe.[2][4]
Fede rings are distinctive in that the bezel is cut or cast to form two clasped hands that symbolize "plighted troth".[6] The Claddagh ring is a variation on the fede ring,[7] while the hands, heart, and crown motif was used in England in the early 18th century.[8]
Towards the end of the 20th century there was an explosion of interest in the Claddagh Ring,[citation needed] both as jewelry and as an icon of Irish heritage. In recent years it has been embellished with interlace designs and combined with other Celtic and Irish symbols, but this is a very recent phenomenon that corresponds with the worldwide expansion in popularity of the Claddagh ring as an emblem of Irish identity.[9]
Origins:
Galway has produced Claddagh rings continuously since at least 1700,[3] but the name "Claddagh ring" was not used before the 1830s.[5][10][11] Although there are various myths and legends around the origin of the Claddagh ring, it is almost certain that it originated in or close to the small fishing village of Claddagh in Galway.[10]
As an example of a maker, Bartholomew Fallon was a 17th-century Irish goldsmith, based in Galway, who made Claddagh rings until circa 1700. His name first appears in the will of one Dominick Martin, also a jeweller, dated 26 January 1676, in which Martin willed Fallon some of his tools. Fallon continued working as a goldsmith until 1700. His are among the oldest surviving examples of the Claddagh ring, in many cases bearing his signature.[12]
There are many legends about the origins of the ring, particularly concerning Richard Joyce, a silversmith from Galway circa 1700, who is said to have invented the Claddagh design as we know it.[13][3] Legend has it that Joyce was captured and enslaved by Algerian Corsairs around 1675 while on a passage to the West Indies; he was sold into slavery to a Moorish goldsmith who taught him the craft.[9] King William III sent an ambassador to Algeria to demand the release of any and all British subjects who were enslaved in that country, which at the time would have included Richard Joyce. After fourteen years, Joyce was released and returned to Galway and brought along with him the ring he had fashioned while in captivity: what we've come to know as the Claddagh. He gave the ring to his sweetheart, married, and became a goldsmith with "considerable success".[14] His initials are in one of the earliest surviving Claddagh rings,[5][15] but there are three other rings also made around that time, bearing the mark of goldsmith Thomas Meade.[5]
The Victorian antiquarian Sir William Jones described the Claddagh,[2] and gives Chambers' Book of Days[16] as the source, in his book Finger Ring Lore. Jones says:
The clasped hands [style ring]... are... still the fashion, and in constant use in [the]... community [of] Claddugh [sic] at [County] Galway.... [They] rarely [intermarry] with others than their own people.
An account written in 1906 by William Dillon, a Galway jeweller, claimed that the "Claddagh" ring was worn in the Aran Isles, Connemara and beyond.[17] Knowledge of the ring and its customs spread within Ireland and Britain during the Victorian period, and this is when its name became established.[5] Galway jewellers began to market it beyond the local area in the 19th century.[5][18] Further recognition came in the 20th century.[7]
In his 1911 book Rings for the Finger, American mineralogist George Frederick Kunz addresses the importance of gold wedding rings in Ireland but does not mention the Claddagh ring. He does, however, include a photo of one, captioned with its correct name.[1] Furthermore, it is unclear exactly how or when the ring was brought to the United States.
Usage and symbolism:
The Claddagh's distinctive design features two hands clasping a heart and usually surmounted by a crown. These elements symbolize the qualities of love (the heart), friendship (the hands), and loyalty (the crown). A "Fenian" Claddagh ring, without a crown, is a slightly different take on the design but has not achieved the level of popularity of the crowned version. Claddagh rings are relatively popular among the Irish[13] and those of Irish heritage, such as Irish Americans,[19] as cultural symbols and as friendship, engagement and wedding rings.[20]
While Claddagh rings are sometimes used as friendship rings, they are most commonly used as engagement and wedding rings. Mothers sometimes give these rings to their daughters when they come of age. There are several mottos and wishes associated with the ring, such as: "Let love and friendship reign."[21] In Ireland, the United States, Canada, and other parts of the Irish diaspora, the Claddagh is sometimes handed down mother-to-eldest daughter or grandmother-to-granddaughter.[22]
According to Irish author Colin Murphy, a Claddagh ring was worn with the intention of conveying the wearer's relationship status:
On the right hand with the point of the heart toward the fingertips: the wearer is single and might be looking for love.
On the right hand with the point of the heart toward the wrist: the wearer is in a relationship; someone "has captured their heart"
On the left ring finger with the point of the heart toward the fingertips: the wearer is engaged.
On the left ring finger with the point of the heart toward the wrist: the wearer is married.[20]
There are other localized variations and oral traditions, in both Ireland and the Irish diaspora, involving the hand and the finger on which the Claddagh is worn. Folklore about the ring is relatively recent, not ancient, with "very little native Irish writing about the ring", hence, the difficulty today in finding any scholarly or non-commercial source that explains the traditional ways of wearing the ring.[23]
This copy of the ship's newspaper (top left) features a letter to the editor complaining about keeping dress blue wool uniforms properly pressed and lint-free while on liberty.
The copy of the Missourian (top center) features the Missouri anchoring at Guantanamo Bay while conducting routine training exercises in the area around Culebra Island.
This souvenier envelopes (top right) commemorate the 2nd anniversary of the surrender of Japan and President Truman's voyage home from Rio de Janeiro.
This commemorative card (bottom left) is for Missouri's 1946 visit to Istanbul during which the coffin of Turkish Ambassador Munir Ertegun was returned in solemn ceremony as thousands looked on.
The Liberty Card (bottom middle left) belonged to Chief Hugh Bellar.
The "Ancient Order of the Deep" (bottom middle right) was awarded to Fred Stoss after crossing the equator on September 15, 1946.
This Presidential Greeting Card (bottom right) was signed by President Harry s. Truman, his wife Bess, and daughter Margaret.
The USS-Missouri (BB-63), known as the Mighty Mo or Big Mo, is a United States Navy Iowa-class battleship. Ordered in 1940 and commissioned in 1944, it was the last battleship built by the United States. In the Pacific Theater, she fought in the battles of Iwo Jima and Okinawa, before serving as the site of the surrender of the Empire of Japan to end World War II. She fought in the Korean War from 1950 to 1953, before being decommissioned in 1955. Reactivated and modernized in 1984 as part of the 600-ship Navy plan, the Missouri provided fire support during Operation Desert Storm in 1991. Finally decommissioned in 1992, she remained on the Naval Register until her name was struck in 1995. In 1998, she became a museum ship moored at Foxtrot 5 Pier on Ford Island in Pearl Harbor.
Pearl Harbor, U.S. Naval Base National Historic District National Register #66000940 (1966)
I never really got a chance to properly photograph one of these classic German beauties close up; I have a couple of zoom lens shots of one or two of them that I took at the 2007 Woodward Dream Cruise in suburban Detroit, but they're grainy and don't do the car justice.
So, I was quite astonished to find this 356 parked in our parking lot on a bright, sunny Wednesday afternoon in mid-April. From about 50 metres away, I thought it looked like a Porsche 356, but was almost convinced that it was something a little less exotic like a Volkswagen Karmann-Ghia, but not this time. It really is one, at least as far as I can tell. I'm no expert, but I didn't notice any tell-tale signs that would make me believe that this is only a replica.
I've seen so many nice cars over the past two years that I've worked at the supermarket that it's hard for me to pick a favourite, but this one almost certainly tops my list for my favourite "classic" that I've spotted there.
From Wikipedia:
The Porsche 356 was the company's first production automobile. It was a lightweight and nimble handling rear-engine rear-wheel-drive 2 door sports car available in hardtop and convertible configurations. Design innovations continued during the years of manufacture, contributing to its motorsports success and popularity. Production started in 1948 at Gmünd, Austria where approximately 50 cars were built. In 1950 the factory relocated to Zuffenhausen, Germany and general production of the 356 continued until April 1965, well after the replacement model 911 made its autumn 1963 debut. It is estimated approximately half of the total production of 76,000 356s still survive.
Before the German invasion of Poland, Porsche designed and built three Type 64 cars for a 1939 Berlin to Rome race that was canceled. In 1948 the mid-engine tubular chassis 356 prototype called "No. 1" was completed. This has led to some debate as to the "first" Porsche automobile, but the 356 is considered by Porsche to be its first production model.[1][2]
The 356 was created by Ferdinand "Ferry" Porsche (son of Dr. Ing. Ferdinand Porsche, founder of the company). Like its ancestor, the Volkswagen Beetle (which Ferdinand Porsche senior had designed), the 356 was a four-cylinder, air-cooled, rear-engine, rear-wheel-drive car utilizing unitized pan and body construction. While the 356's body was an original design by Porsche employee Erwin Komenda, its mechanicals (including engine, suspension and chassis) were derived from the Volkswagen. The first 356, was roadcertified in Austria on June 8, 1948, and used many Volkswagen parts for manufacturing economy. Porsche quickly re-engineered and refined the car with a focus on performance. By the late 50's many fewer parts were shared in common between Volkswagen and Porsche. The early 356 automobile bodies produced at Gmünd, Austria were handcrafted in aluminum, but when production moved to Zuffenhausen, Germany in 1950, models produced there were steel-bodied.
Little noticed at its inception, the first 356s sold primarily in Austria and Germany. From the first prototype in 1948, it took Porsche about two years to manufacture the first 50 automobiles. By the early 1950s the 356 had gained some renown among enthusiasts on both sides of the Atlantic for its aerodynamics, handling, and excellent build quality. It was common for owners to race the car as well as drive it on the street. Increasing success with its racing and road cars brought Porsche orders for over 10,000 units in 1964, and when 356 production ended in 1965 approximately 76,000 had been produced.
The Archibald Fountain, properly called the J. F. Archibald Memorial Fountain, widely regarded as the finest public fountain in Australia, is located in Hyde Park, in central Sydney, New South Wales.
It is named after J. F. Archibald, owner and editor of The Bulletin magazine, who bequeathed funds to have it built. Archibald specified that it must be designed by a French artist, both because of his great love of French culture and to commemorate the association of Australia and France in World War I. He wished Sydney to aspire to Parisian civic design and ornamentation. The artist chosen was François-Léon Sicard.
Sicard was one of the foremost sculptors of his day, a classically educated artist, whose inspiration was derived, at least in part, from his study of classical Greek and Roman art and literature. In submitting his proposal for the design of the sculptural groups, Sicard wrote: "Apollo represents the Arts (Beauty and Light). Apollo holds out his right arm as a sign of protection, and spreads his benefits over all Nature, whilst he holds the Lyre in his left hand. Apollo is the warmth which vivifies, giving life to all Nature. At the touch of his rays, men awake, trees and fields become green, the animals go out into the fields, and men go to work at dawn.
"The ancient Pliny adored the sun, symbol of Life. It is on this account that I wished this figure to be the chief one in the memorial.
"At Apollo's feet the star of day is indicated by a semicircle, of which the rays spread out in jets of light (the rising sun). The horses' heads represent the horses of Apollo's chariot. Out of their nostrils the water will fall into the first basin, to fall from there into the second, and run away into the large basin.
"The large basin is divided into three groups. One represents Diana, goddess of purity, of peaceful nights, symbol of charity; the ideal which watches over mortals - all that stands for poetry and harmony. The second group symbolises the good things of the earth - it is the young god of the fields and pastures, of the pleasure of the countryside. The third group represents sacrifice for the public good. Theseus, vanquisher of the Minotaur. The spirit triumphs over bestiality. Theseus delivers his country from the ransom which it had to pay to this monster. It is the sacrifice of himself for the good of humanity. Between these groups tortoises throw jets of water. The fountain is electrically illuminated and floodlighted at night.
"It depicts Apollo, representing beauty and the arts, on a central column holding out his right arm as a sign of protection over all nature. On the three plinths radiating from the central column there are figures representing Diana, the goddess of purity; a group representing the good things of the earth; Theseus slaying a Minotaur, representing the sacrifice for the good of humanity."
The fountain was unveiled on 14 March 1932
Hyde Park, the oldest public parkland in Australia, is a 16.2-hectare (40 acres) park in the central business district of Sydney, New South Wales.
Hyde Park is on the eastern side of the Sydney city centre. It is the southernmost of a chain of parkland that extends north to the shore of Sydney Harbour via The Domain and Sydney's Royal Botanic Gardens. Hyde Park is approximately rectangular in shape, being squared at the southern end and rounded at the northern end.
The centrepiece of Hyde Park is the Archibald Fountain. The fountain was designed by François-Léon Sicard and donated by J.F. Archibald in 1932 in honour of Australia's contribution to World War I in France. Also at the northern end are the Nagoya Gardens featuring a giant outdoor chess set and the entrance to the underground St James railway station.
Wikipedia
The Archibald Fountain, properly called the J. F. Archibald Memorial Fountain, widely regarded as the finest public fountain in Australia, is located in Hyde Park, in central Sydney, New South Wales.
It is named after J. F. Archibald, owner and editor of The Bulletin magazine, who bequeathed funds to have it built. Archibald specified that it must be designed by a French artist, both because of his great love of French culture and to commemorate the association of Australia and France in World War I. He wished Sydney to aspire to Parisian civic design and ornamentation. The artist chosen was François-Léon Sicard.
Sicard was one of the foremost sculptors of his day, a classically educated artist, whose inspiration was derived, at least in part, from his study of classical Greek and Roman art and literature. In submitting his proposal for the design of the sculptural groups, Sicard wrote: "Apollo represents the Arts (Beauty and Light). Apollo holds out his right arm as a sign of protection, and spreads his benefits over all Nature, whilst he holds the Lyre in his left hand. Apollo is the warmth which vivifies, giving life to all Nature. At the touch of his rays, men awake, trees and fields become green, the animals go out into the fields, and men go to work at dawn.
"The ancient Pliny adored the sun, symbol of Life. It is on this account that I wished this figure to be the chief one in the memorial.
"At Apollo's feet the star of day is indicated by a semicircle, of which the rays spread out in jets of light (the rising sun). The horses' heads represent the horses of Apollo's chariot. Out of their nostrils the water will fall into the first basin, to fall from there into the second, and run away into the large basin.
"The large basin is divided into three groups. One represents Diana, goddess of purity, of peaceful nights, symbol of charity; the ideal which watches over mortals - all that stands for poetry and harmony. The second group symbolises the good things of the earth - it is the young god of the fields and pastures, of the pleasure of the countryside. The third group represents sacrifice for the public good. Theseus, vanquisher of the Minotaur. The spirit triumphs over bestiality. Theseus delivers his country from the ransom which it had to pay to this monster. It is the sacrifice of himself for the good of humanity. Between these groups tortoises throw jets of water. The fountain is electrically illuminated and floodlighted at night.
"It depicts Apollo, representing beauty and the arts, on a central column holding out his right arm as a sign of protection over all nature. On the three plinths radiating from the central column there are figures representing Diana, the goddess of purity; a group representing the good things of the earth; Theseus slaying a Minotaur, representing the sacrifice for the good of humanity."
The fountain was unveiled on 14 March 1932
Hyde Park, the oldest public parkland in Australia, is a 16.2-hectare (40 acres) park in the central business district of Sydney, New South Wales.
Hyde Park is on the eastern side of the Sydney city centre. It is the southernmost of a chain of parkland that extends north to the shore of Sydney Harbour via The Domain and Sydney's Royal Botanic Gardens. Hyde Park is approximately rectangular in shape, being squared at the southern end and rounded at the northern end.
The centrepiece of Hyde Park is the Archibald Fountain. The fountain was designed by François-Léon Sicard and donated by J.F. Archibald in 1932 in honour of Australia's contribution to World War I in France. Also at the northern end are the Nagoya Gardens featuring a giant outdoor chess set and the entrance to the underground St James railway station.
Wikipedia
The Story of Cambrian Colliery.
The Latin name for Wales was 'Cambria', hence the extension 'Cambrian' (properly pronounced as Cam-bree-an) for things Welsh, including 'Welshman'. Cambrian also refers to rock formations of 550-500 million years ago, making it an apt name for the colliery which once sat at the back of the Clydach Valley. Cambrian Colliery had four coal-producing shafts: Nos. 1 and 2, sunk 1872-74; No. 3, sinking completed June 1891; and No. 4, sinking completed by early 1914 at latest. No.2 pit closed in 1956 and No.3 in 1936. In exploiting the Pentre, 2ft. 9in, Six Feet, Red (Vein), Nine Feet, Bute, Yard and Five Feet seams (listed in geological order of descent) the colliery accumulated a massive workforce and this peaked at 4,898 in 1923, with 798 of those (more than the total workforce in some collieries!) being employed at the surface. Three explosions occurred there, one of steam in No. 2 pit's winding engine-house on November 11th, 1900 when four men were killed, and two of firedamp -- March 10th, 1905 in the Six Feet seam, and May 17th, 1965 in the Pentre seam - killing 33 and 31 men respectively.
At its peak Cambrian produced over one million tons of saleable coal per annum, extracted via the heading and stall, fully hand-won system of working --100% pick and shovel. This system yielded a low output per man-shift and was very wasteful, leaving a large quantity of roof-supporting pillars of coal in the workings. The coal was released from the face by a collier, lying on his side with mandrel in hand, perilously undercutting the seam at the bottom and propping its upper level as he advanced, hoping it did not collapse whilst he was under it. When he had sufficiently undercut the seam he carefully knocked out the props, thus bringing down large sections of the face. Usually, the fallen coal had to be reduced to lesser but still large sizes that could be lifted into the tram, but as the use of shovels was prohibited to prevent unwanted small coal entering, smaller lumps were gathered by hand, placed into and discharged from large steel scoops known as curling boxes. In low seams, the box was pushed ahead of or dragged behind the user for the duration of the coal-filling, a process which could last eight hours. This was merely one aspect of a punishing, soul-destroying method of work that caused early deaths, and engendered deformities of the body and premature aging of many colliers and their boys. Although those numbers are unknown they must be considered as many thousands, for in 1913, in Rhondda alone, almost ten million tons of coal was produced in this inefficient, torturous way. This method of work continued for the first fifty or sixty years or so of Cambrian's life, until the advent of conveyors; these were later augmented by the introduction of pneumatic picks and compressed air or electrically driven, seam undercutting machines, which in No. 1 pit were replaced in the late 1950s by sophisticated, mechanised systems. All of these systems employed the long-wall method of extraction, one which left no coal in its wake, and where, particularly on mechanised faces, the work was less arduous than the heading and stall method.
Cambrian's history cannot be recounted without mention of David Alfred Thomas. The son of Cambrian's co-founder Samuel Thomas, D.A. Thomas was a hard, much despised man, whose greed and desire to dominate would have a devastating effect on lives in mid-Rhondda. An enormously wealthy but mean and cold-hearted man, he had no interest in the welfare of his workers, an attitude confirmed by the absence in the Clydach Valley of any social institutions or facilities created at his behest, a lack of benevolence which starkly contrasted to the munificence of the respected coal-owner and philanthropist Archibald Hood at the nearby, and also mighty, Llwynypia Colliery. Thomas aspired to control South Wales' coal production and thereby regulate the price he paid the workforce to produce it. To enable this he established the Cambrian Combine, a group which controlled Cambrian, Llwynypia (after Hood's death), Naval, Ely, Nantgwyn and Britannic (Gilfach Goch) Collieries and attempted to force colliers at the small Ely colliery to sign a disadvantageous Bute seam price list, one unsigned at all the other collieries but which, if signed at Ely, would have applied to all, and netted the Combine many millions of pounds in extra profit. The proposed price-list contained no concessions for abnormal conditions of any kind; if the collier needed to fill six trams to earn a reasonable wage, but was restricted by the conditions to two, three or four, then the revenue from that number of trams would be deemed his contract earnings for that day, and would not attract any allowances! The Ely workmen refused to sign the price-list and the owners responded in August 1910 by locking the gates to the workforce, setting in motion circumstances which culminated in the South Wales Miners Federation declaring an official strike from November 1st 1910. It is recorded that the next ten months were a bloody and brutal period in Rhondda's history, with one miner killed by 'blows to the head with a blunt instrument'. Eventually the physical actions of the strikers at the six collieries were quelled, their aggression reduced to a simmering resentment in the face of an overpowering presence of 1500 imported police and six regiments of soldiers. In September 1911, despite their fortitude and courage, the dire circumstances in which they and their families existed compelled a return to work. After ten months opposition it was a bitter eating of the leek, but their struggles had not been completely in vain, for even amongst Britain's establishment society there were those with uneasy consciences, they who realised that no man would put his family through such degradation without just cause. This consensus gathered pace and resulted in the 1912 enactment of a law that gave the workmen guarantee of a minimum daily wage. In their massively prominent contribution to the establishment of that right the men of Cambrian, Llwynypia, Naval, Nantgwyn, Ely and Britannic created a legend that exists to this day; in defeat they and their families had exhibited unparalleled courage and unquenchable spirit, qualities which Rhondda miners were once more forced to display in the fight against the Thatcher administration almost seventy years later. By their very nature, collieries were crucibles of socialism, and from Llwynypia Colliery in 1910 sprang two leaders in 31 years old Will John and 28 years old John Hopla. Leaders of the Combine Workmen's Committee during the strike, they were impatient with William 'Mabon' Abraham, President of the South Wales Miners Federation, whom they viewed as placatory, and too close to the coal-owners. Perhaps singled out as examples, John and Hopla (the latter died in 1914) were each punished with a jail sentence of one year for their parts in 'unlawful assembly and rioting' at Ely Colliery in 1911. In 1920 Will John entered Parliament as MP. for Rhondda West, and was followed in 1933 by Cambrian workman and Workmen's Committee delegate Will Mainwaring who represented Rhondda East. As a 27 years old in 1911, Mainwaring had also brushed with the police, fighting alongside other miners in Tonypandy street skirmishes. All three were men without agendas, each impelled from within to fight the injustice of an iniquitous system under which colliers and boys were compelled to risk their lives and health for a pittance, a degrading process that stripped them of dignity. John, Hopla, Mainwaring -- they were inspirational, giants of their time, and men of unequalled conviction whose names quickly entered folklore, ones remembered in Rhondda over a century later.
The passing of that century has also allowed the truth to be known about the Bute seam and its contentious price-list. The writer, and others from a small, dwindling band who worked in the Bute until its 1964 abandonment at Cambrian, remember it as a dangerous, often geologically disturbed seam that was overlain by a measure of solid rock many yards in thickness. Between the bottom of the solid rock and the top of the Bute seam there existed a consolidated layer of mud and clay known as shale, which when disturbed as the coal was worked, exhibited its friable nature. This caused the collier to spend much time packing roof cavities with pieces of timber, preventing the crumbly shale losing contact with the upper rock layer. If not supported, that layer would inevitably converge and collapse, sometimes spectacularly so, making a complete coal-face inaccessible. Such dangers often caused a fireman or over-man to instruct the collier to stand 'notched timber'; this was the best system of conventional roof support and involved the use of timber 'arms' and 'collars' of circular cross-section, all notched by hatchet in Welsh style, interlocked when erected. They were more substantial and durable, but more time-consuming in preparation and erection than the arrangement of two un-notched timber arms (posts), merely placed under a horizontal wooden prop ('flat') of semi-circular cross-section. Nevertheless, even the notched arrangement, set on a solid rock floor, could prove fallible to the enormous roof pressure of the converging rock when the crumbling shale 'melted' -- disintegrated -- above the roof props.
When it was attempted to work the Bute with a reduced seam height it was incredible to see arms, notched or un-notched driven through its false floor, an eight inch thick bed of rock, a mudstone also known as 'bunker' or 'clod'. Such irresistible pressure ('squeeze'), exerted over the collier's entire workplace prevented the normal separation of coal from the face. Many millions of tons of Bute coal were produced in Rhondda but even with the benefits of a pneumatic pick and a conveyor, when a combination of the above negatives occurred, it was often impossible for a collier to fill his quota - confirmation of the contentions by heading and stall colliers at Ely Colliery in 1910-11, who worked it without mechanical advantages! It is also worthy of mention that at Cambrian the brief mechanisation of one Bute district proved to be totally impractical because of its overall treacherous nature, underlining the fact that man was the most versatile coal-winning machine ever employed underground.
Cambrian closed on September 24th, 1966. It was then working the hugely unprofitable Lower Nine Feet / Bute seam in No.4 pit, and the limited reserves of the thin, thirty-four inches thick Pentre seam in No.1. In its last full financial year of 1965-66, with a manpower of 781 men (inc. surface workers) it produced 187,600 saleable tons, at a loss of £1.90 per ton - £356,000 in total. Many years of unprofitability had preceded that deficit and with the once bounteous reserves of its 2,000 acres area of extraction completely exhausted, the colliery had arrived at the end of its life. Its demolition, and the subsequent landscaping of the site, has obliterated every aspect of a workplace that entered the souls of those who worked there, a unique place whose disappearance has left a muted community and silent valley. Only those who remember it during its industrial period will know how great the contrast is. Bill Richards. © 2015.