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I actually have an idea for this Friday..but didn't find time to do it.
Will make it some other time.. Have a nice weekend!
About 2hrs worth of work. Nothing to it!
Close up of vine damage to the fence. Some paint should do the trick.
Sky Wild Photography - Minneapolis, MN
All photographs taken by Shawn Orton of Sky Wild Photography, located in Minneapolis, MN. Please feel free to email me with any questions at skywildphotography@gmail.com. Website skywildphotography.com
The Farmworker Immersion Project placed students in the community to learn about farmworker rights and immigration issues. The students were guided through a first-hand experience of farm work life. They visited a local berry farm and learned about the agricultural business, then worked in the field and harvested berries.
The purpose was to capture the faces and emotions of those people I was quarantined with. This is Hannah Marie, working from home everyday is taking a toll on her extroverted personality,
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I will have a tutorial up soon
I took my boyfriend's old uniform and turned it into a backpack.
A partly cloudy day around 1:30.
My ISO was set to 100.
My shutter speed was 1/20.
My F-Stop was 5.
I did not use any accessories with this shot.
I considered the rule of thirds and placed the bright tips of the fence near the top right intersection.
I'm on Day 2 using Al's point and shoot camera. It is a lot of work using this camera, for sure! I am trying to shoot in manual mode and you have to go though a lot of work just to adjust the settings. The smallest aperture on this camera is 8.0! And also, when you turn the camera off it resets the settings for aperture and shutter speeds, so you have to redo them every time. I guess most people don't buy point and shoots for shooting in manual mode I suppose!
Elementree Livity Project rocked the legendary Bogart's stage at a special Sweetwater 420 party held on Record Store Day in Cincinnati, Ohio.
This project, titled “2011,” was very sentimental for me— bittersweet moments looking back at who I used to be and how I’ve changed, for better or for worse. The five best photos are memories that I hold, and show no text to represent their purity, while the rest are based on how I view those spaces. These spaces are where my body feels the most emotion, as what you see is what younger me would have seen (a blast from the past), and are consistent throughout the album because of their importance to my development. I then took pages from my first grade school journal, with all her heartfelt honesty, and intertwined them. The bedroom pictures are relatively edited the same because my bedroom hasn’t changed much; I start the day with dappled sunlight. I get more open to experimentation when I exit the room and head outside to the patio, or next door to my grandmother’s house. Her pool holds the most memories, which is why it takes up the majority of the album. Times where I’m having fun with my family, or where I feel so isolated that I pretend I’m in the womb— they wrap up in a time capsule held underwater. There’s a juxtaposition between emotions that I tried to emulate as well, with all the mood swings I had as a child because of ‘circumstances.’ The haziness and faded senses of nostalgia linger, with bursts of childish whimsy. Each “day” is different— same start, different progression— and I’d like to keep it that way. Overall, I’m proud of my past and present self, and am wishing my future self a very special good luck!