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Moderator Cassie Sutherland, Programme Director of C40 Cities, peaking at the Ministers and Mayors on Buildings as Critical Climate Solution event, part of COP26, at the SEC, Glasgow. 11 November 2021. Photograph: Justin Goff/ UK Government
Reference UB/HUH/A/10/1/65
This programme was made for a student production of 'Prunella' at University House in 1926. Plays were an established tradition at University House, a former hall of residence at the University of Birmingham.
International Olympic Committee President Thomas Bach attends the public launch of The Recommendations Programme with athletes at the Olympic Museum in Lausanne, Switzerland. After a group photograph with the athletes President Bach attends a roundtable discussion.
Claudia Bokel : Germany : Fencing - Epee
Photograph by Ian Jones/IOC
Cette édition se déroulera du 22 au 24 juin 2018.
Les programmations du Hellfest sont les listes des groupes ayant participé au Hellfest, un festival annuel spécialisé dans les musiques extrêmes qui se déroule à Clisson, en Loire-Atlantique (France).
Le Hellfest, également appelé Hellfest Summer Open Air, est un festival de musique français spécialisé dans les musiques extrêmes, annuellement organisé au mois de juin à Clisson en Loire-Atlantique. Sa forte fréquentation le fait figurer parmi les plus importants festivals de musique français. Il est aussi l'un des plus grands festivals de metal en Europe et le premier en France.
Il trouve son origine dans un autre festival musical, le Furyfest, qui se tient de 2002 à 2005 dans différents lieux des Pays de la Loire ; le Hellfest en prend la suite en 2006 puis connaît, en quelques années, une hausse continue de sa fréquentation, passant de 22 000 pour la première édition à 152 000 entrées payantes en 2015.
Le line-up est dévoilé petit à petit :
le premier groupe annoncé est Iron Maiden ;
la deuxième annonce mentionne Hollywood Vampires (Johnny Depp, Alice Cooper, Joe Perry et Matt Sorum), Judas Priest, Megadeth et Nightwish ;
Avenged Sevenfold, Limp Bizkit, Marilyn Manson et Stone Sour sont listés dans la troisième annonce ;
A Perfect Circle, Body Count, Deftones et Parkway Drive viennent se greffer à la programmation.
La programmation complète de cette 13e édition est annoncée le 13 décembre à 13 h, avec : 1000mods, 7 Seconds, Terror, A Perfect Circle, Accept, Akercocke, Alice In Chains, Amenra, Amorphis, Arkona, Asking Alexandria, At The Gates, Au-dessus, Avenged Sevenfold, Backyard Babies, Bad Religion, Baroness, Batushka (pl), Benighted, Black Bomb A, Black Rainbows, Bloodshot Dawn, Body Count, Bongzilla, The Bronx, Bukowski, Bullet for My Valentine, Bunkum, Burning Heads, Cainan Dawn, Carnivore A.D., Carpenter Brut, Children Of Bodom, The Chris Slade Timeline, Church of Misery, Converge, Corrosion of Conformity, Crisix (de), Cro-Mags, Crowbar, Darkenhöld, Dead Cross (en), Deftones, Demilich (en), Demolition Hammer, Dimmu Borgir, Dopethrone, Drakwald, Dälek, Electric Mary, Ensiferum, Enslaved, Eskimo Callboy, Europe, Exhorder, Exodus, Exumer, Eyehategod, Fange, Feed the Rhino, Get the Shot, Gluecifer, The Good, the Bad and the Zugly, Grave Pleasures (en), The Great Old Ones, Hantaoma, Hard-Ons, Hatebreed, Heilung, The Hellacopters, Hexecutor, Ho99o9 (en), Hollywood Vampires, Iced Earth, In This Moment, Incendiary, Iron Maiden, Jessica93, Joan Jett And The Blackhearts, Jonathan Davis, Judas Priest, Kataklysm, Killswitch Engage, Knocked Loose (en), Les Sheriff, Limp Bizkit, The Lords of Altamont, The Lurking Fear, Madball, Malemort, Malkavian, Marilyn Manson, Megadeth, Memoriam, Meshuggah, Misanthrope, Misþyrming (en), Modern Life Is War (en), Monolord (nl), Mysticum (en), Månegarm, Nebula, Neurosis, Nightwish, Nile, Nordjevel, Orange Goblin, Oranssi Pazuzu, Orden Ogan, Origin, Parkway Drive, Pensées Nocturnes, Plebeian Grandstand, Pleymo, Pogo Car Crash Control, Powerflo (en), Primal Fear, Psykup, The Raven Age (en), Rise Against, Rise of the Northstar, Rose Tattoo, Rotten Sound, Saor, Satyricon, Savage Messiah, Schammasch, Septicflesh, Seven Hate, Shinedown, Sons of Apollo (en), Sons of Otis, Spermbirds (en), Steven Wilson, Stone Sour, Stray from the Path (en), Suffocation, Sólstafir, Tesseract, The Texas Chainsaw Dust Lovers, Therion, Toseland, Tremonti (en), Turbonegro, Turnstile (en), Uncommonmenfrommars, The Walking Dead Orchestra, Warning, Watain, Young and in the Way, Zeal & Ardor
The Trade Facilitation Programme (TFP) currently includes over 100 issuing banks in the EBRD regions and more than 800 confirming banks worldwide. The event gave 150 guests the opportunity to review and discuss current market challenges with key industry specialists, regulators and representatives from the World Trade Organization, the International Chamber of Commerce HQ and the local, national International Chamber of Commerce (ICC) committees industry. It also featured the highly popular annual award ceremony for ‘The Most Active EBRD TFP Banks’ and ‘Deal of the Year’, co-hosted with the “Financial Times Special Editions”.
Moderators
Anna Brod
Principal Banker, EBRD
Kamola Makhmudova
Associate Director, Senior Banker, TFP, EBRD
Rudolf Putz
Head Trade Facilitation Programme (TFP), EBRD
Speakers
Marc Auboin
Counsellor, World Trade Organization
Faycal Badawi
Director of Foreign Banking Relations & Trade Financing, BMCE Bank Of Africa
Chafic Haddad
Head of EMEA, Financial Institutions, Citi
Andrea Hauptmann
Executive Director, Head of Guarantees Department, Raiffeisen Bank International AG
William Howarth
President, International Compliance Association
Alan Ketley
Managing Director, Global AML Advisory, MUFG
Hans Krohn
Regional Head CIS, Commerzbank AG
David Yung-Lo Lin
Representative, Taipei Representative Office in the UK
Francis Malige
Managing Director Financial Institutions Group, EBRD
Jelena Moraca
Corporate Strategy & Transactional Banking Department Deputy m, Eurobank A. D.
Ulf-Peter Noetzel
Global Head of Trade Finance Financial Institutions, Deutsche Bank AG
Vincent O'Brien
Chair, ICC Banking Commission
Selma Omić
COO - Member of the Management Board, Addiko Bank dd
Lakis Pantelides
Manager Trade Services, Bank of Cyprus Group
Sanela Pašić
CEO - President of the Management Board, Addiko Bank dd
Elena Ristevska
Senior Officer, Komercijalna Banka AD Skopje
Senad Softić
Governor, Central Bank of Bosnia and Herzegovina
Empresários baianos conhecem Pacote Oficial de Hospitalidade para a Copa das Confederações 2013
Foto: Alessandra Lori
LEAGUE
26th December 1964
Match Postponed
No Programme Exists for the Re-Arranged fixture at East End Park on the 14th April 1965
3-1 Rangers
Rangers Goalscorer, Davie Wilson (88)
Dunfermline Athletic Goalscorers, Jackie Sinclair 2 (4, 71),
Harry Melrose (14)
Attendance 16,000
The Rangers Team
Norrie Martin, Roger Hynd. Eric Caldow, John Greig,
Ronnie McKinnon, Wilson Wood, Willie Henderson,
Alex Willoughby, Jim Forrest, Jim Baxter, Davie Wilson
Rangers Fixtures 1964/65
League
(H) Dunfermline Athletic 19.8.1964 0-0 Att 30,000
(A) Celtic 5.9.1964 1-3 Att 58,000
(H) Partick Thistle 12.9.1964 1-1 Att 35,000
(A) Dundee 19.9.1964 1-4 Att 28,700
(H) Airdrie 26.9.1964 9-2 Att 30,000
(A) St Johnstone 7.10.1964 1-0 Att ?
(H) Hibernian 10.10.1964 2-4 Att 40,000
(A) Hearts 17.10.1964 1-1 Att 31,438
(A) St Mirren 27.10.1964 7-0 Att 15,000
(H) Clyde 31.10.1964 6-1 Att 35,000
(H) Aberdeen 7.11.1964 2-2 Att 40,000
(A) Kilmarnock 14.11.1964 1-1 Att 32,021
(H) Motherwell 21.11.1964 1-0 Att 33,000
(A) Falkirk 28.11.1964 5-0 Att 14,000
(A) Dundee United 12.12.1964 3-1 Att 25,000
(H) Third Lanark 19.12.1964 5-0 Att 22,000
(H) Celtic 1.1.1965 1-0 Att 64,400
(A) Partick Thistle 2.1.1965 1-1 Att 28,700
(H) Dundee 9.1.1965 4-0 Att 30,000
(A) Airdrie 16.1.1965 4-0 Att 18,000
(A) Hibernian 30.1.1965 0-1 Att 44,300
(H) Hearts 13.2.1965 1-1 Att 52,492
(H) St Mirren 27.2.1965 1-0 Att 30,000
(A) Clyde 10.3.1965 3-0 Att 18,000
(A) Aberdeen 13.3.1965 0-2 Att 25,000
(H) Kilmarnock 20.3.1965 1-1 Att 30,574
(H) St Johnstone 24.3.1965 2-1 Att 5,800
(H) Morton 30.3.1965 0-1 Att 25,0009
(H) Falkirk 3.4.1965 6-1 Att 14,000
(A) Morton 7.4.1965 3-1 Att 18,000
(A) Dunfermline Athletic 14.4.1965 1-3 Att 16,000
(H) Dundee United 17.4.1965 0-1 Att 15,000
(A) Motherwell 21.4.1965 3-1 Att 10,000
(A) Third Lanark 23.4.1965 1-0 Att 5,000
Scottish Cup
(H) Hamilton Academical 6.2.1965 1st Rd 3-0 Att 22,184
(A) Dundee United 20.2.1965 2nd Rd 2-0 Att 23,000
(A) Hibernian 6.3.1965 Qtr Final 1-2 Att 47,363
League Cup
(H) Aberdeen 8.8.1964 Group Match 4-0 Att 45,000
(A) St Mirren 12.8.1964 Group Match 0-0 Att 21,000
(A) St Johnstone 15.8.1964 Group Match 9-1 Att 15,000
(A) Aberdeen 22.8.1964 Group Match 4-3 Att 30,000
(H) St Mirren 26.8.1964 Group Match 6-2 Att 35,000
(H) St Johnstone 29.8.1964 Group Match 3-1 Att 28,000
(A) Dunfermline Athletic 14.9.1964 Qtr Final 1st Leg 3-0 Att 20,000
(H) Dunfermline Athletic 16.9.1964 Qtr Final 2nd Leg 2-2 Att 30,000
(N) Dundee United 30.9.1964 Semi Final 2-1 Att 39,584
(N) Celtic 24.10.1964 Final 2-1 Att 91,423
European Cup
(H) Red Star Belgrade 2.9.1964 1st Rd 1st Leg 3-1 Att 77,669
(A) Red Star Belgrade 9.9.1964 1st Rd 2nd Leg 2-4 Att 42,939
(N) Red Star Belgrade 4.11.1964 1st Rd Play Off 3-1 Att 34,428 Played at Arsenal
(H) Rapid Vienna 18.11.1964 2nd Rd 1st Leg 1-0 Att 50,788
(A) Rapid Vienna 8.12.1964 2nd Rd 2nd Leg 2-0 Att 69,272
(A) Inter Milan 17.2.1965 Qtr Final 1st Leg 1-3 Att 49,520
(H) Inter Milan 3.3.1965 Qtr Final 2nd Leg 1-0 Att 78,872
Glasgow Cup
(A) Celtic 28.4.1965 1st Rd 1-2 Att 41,000
Programme (part one of three) for the Keighley Amateurs' production of 'Top O' the Bill', devised, written and directed by Keith Marsden and Geoffrey Rundle. The production was sponsored by the Haworth and District Round Table and was staged at the Temperance Hall in Keighley. It starred Keith Marsden, Geoffrey Rundle, Johnny O'Connell, Jack Clayton, Stanley Peckover, Les Fowler, Shirley Durkin, Norman Binns, Peter Wild, Mike Kennedy, Janet Chadwick, The Melody Belles and Les Fowler's Syncopated Seven (courtesy of Exley Head New Electric Records Ltd.). Accompaniment was by Margaret Windle on piano and John Normington on drums. It was performed on Friday 1st December 1961. These pages also include adverts for Hird Bros. & Co. Ltd. (builders, joiners and contractors) of King Street, and Hurley's (bakers) of Oakworth Road.
The item is part of the John Normington Collection, donated to Keighley and District Local History Society by John's daughter Liz Hornby in September 2021.
John Normington was born in Keighley on 26th May 1929 and grew up in the Exley Head area of the town. He was joined by younger brother William five years later. John attended Ingrow Primary School and later won a scholarship for Keighley Boys’ Grammar School. His interest in music started with playing the drums at the age of six, then swapping to take up the piano.
His first job was at Keighley Library, where he remained (except for a break for National Service in 1947-49) until taking early retirement in March 1984. He was made Chief Assistant (Deputy) in 1953 having studied at the Leeds School of Librarianship. He ultimately became a lecturer himself in Cataloguing and Classification. He worked alongside local historian Ian Dewhirst for many years. Six months after he retired from Keighley Library in 1984, he took up the part-time role of Library Assistant at South Craven School.
One of his passions beyond the library was his music, and in performing. In the 1940s and 1950s he both acted with and played the drums for the Ingrow St. John’s Parish Church Players. Later he played the piano (and occasionally the drums) for Keighley Amateurs (of which he was a member for 72 years). Utilising his musical skills, he joined the Good Time Jazz Band in 1978. Another passion was potholing, having been introduced to it in the late 1940s, and he joined the Craven Pothole Club in 1952. He served as President of the Club in 1982 and as treasurer from 1984 to 1992. He was also a member of the 40 Club, the Grafton Club and Haworth Round Table. John died on 11th January 2020 at the age of 90.
Yuri Kulchytsky, Сarpenter, Uniplyt, Ukraine.
The UKEEP programme, which was developed by the European Bank for Reconstruction and Development (EBRD) and was supported by the EU, has helped Ukrainian enterprises reduce dependency on gas and cutting down on CO2 emissions by implementing energy efficiency measures. The programme is part of the EU4Energy Initiative.
Find out more about how the EU promotes energy efficiency in Ukraine and stay informed at: www.eu4energy.eu
Empresários baianos conhecem Pacote Oficial de Hospitalidade para a Copa das Confederações 2013
Foto: Alessandra Lori
International Olympic Committee President Thomas Bach attends the public launch of The Recommendations Programme with athletes at the Olympic Museum in Lausanne, Switzerland. After a group photograph with the athletes President Bach attends a roundtable discussion.
Koji Murofushi : Japan : Athletics-Hammer
Photograph by Ian Jones/IOC
A page from the programme for 'The Yeomen of the Guard'. The page includes adverts for Walter Banks (carpets and linos) of Cooke Street, Keighley, and for John Laycock ("fashionable tailor") of Cavendish Street, Keighley.
The Keighley Amateur Lyric and Dramatic Society staged a production of W. S. Gilbert and Arthur Sullivan's 'The Yeomen of the Guard (or The Merryman and his Maid)' at the Hippodrome theatre in Keighley from 18th to 23rd October 1909.
The story is set in the sixteenth century and revolves around Colonel Fairfax, a condemned prisoner in the Tower of London, and his attempts to secure a wife before his execution for sorcery. He manages to escape the Tower disguised as a Yeoman and much confusion ensues before all is righted by the end.
It starred Arthur Greenwood as Colonel Fairfax, with E. G. Moulding, James Pearson, Willie Boyes, J. R. Hammond, H. Connelly, John Merrall, C. A. Greenwood, J. Greenwood, B. Hardacre, H. V. Wilkinson, Miranda Sugden, Ethel Bird, Miss Lambert and Mrs Heaton. The musical director was W. S. Wilkinson and the stage manager was W. G. Bedford. Scenery was hired from the Northern Theatres Co. Ltd. and was specially painted by F. G. Venimore.
The Keighley Amateur Lyric and Dramatic Society had only formed a year previous (in 1908) and the theatre had only been renamed the Hippodrome earlier that year (in 1909). Prior to that it was known as the Queen’s Theatre, although both names remained on the front of the building, and many programmes and adverts continued to refer to the ‘Hippodrome and Queen’s Theatre’.
In 1876, Abraham Kershaw, a piano player and tuner from Huddersfield, had bought 700 square yards of land in Queen Street. On it he had built a five-storey wooden theatre, designed by architect J. B. Bailey, that opened at Easter 1880. The theatre was not a financial success and the wooden theatre was pulled down. A new improved theatre, called the Queen’s Theatre was built instead and opened on 26th August 1889. But even this new theatre was deemed inadequate, and in its place was built the new Queen’s Theatre. This was designed by theatre architect Frank Matcham (1854-1920). It covered 7,000 square feet with a frontage of 86 feet to Queen Street and 48 feet to Adelaide Street. There was an iron veranda fitted with coloured glass that ran the whole length of the front. It could seat almost 2,000 people, the stage was 65 feet wide by 45 feet deep, and it boasted that every person in the house had an uninterrupted view of the whole stage. There were six private boxes, bars on all five floors, and ten dressing rooms. The new theatre opened on the 3rd February 1900.
Impresario Francis Laidler (1867-1955) took over the theatre in 1913 – he also ran the Prince’s Theatre and Alhambra Theatre in Bradford, and the Theatre Royal in Leeds. He was managing director up until his death when his widow, Gwladys, took over until the theatre closed in October 1956.
The theatre was demolished in 1961 and in its place now stands the Airedale Shopping Centre multi-storey car park. Keighley Local Studies Library holds various records relating to the theatre including a scrapbook belonging to Abraham Kershaw, a box office notebook, a theatrical postcard album covering 1906 to 1929, autograph books and various photographs, programmes, and posters.
This souvenir programme was a collaboration between photographer H. Charlton of Lawkholme Crescent, and the printers Wadsworth & Co. of The Rydal Press, Russell Street. It measures approximately 255mm by 190mm and is 36 pages long. The programme was donated to the Keighley and District Local History Society by Tim Neal in 2022. A second copy was received by the History Society from an anonymous donor later in 2022. Both copies are held in the History Society's physical archive.
Orientation Programme 2022, 1st semester Welcome Session to New Exchange Students at Iscte, on the 8th of september 2022.
Fotografia de Hugo Alexandre Cruz.
To improve domestic workers’ job quality and standards, the International Labour Organization (ILO) is launching a pilot training programme in Malang, East Java, on 4 October 2016 to improve and standardize job skills of in-country Indonesian domestic workers. The pilot programme aims to improve the recognition and work standard of domestic workers and to enhance their employability as well as the living and working conditions.
For further information about the ILO's activities in promoting decent work for domestic workers, please visit: www.ilo.org/jakarta/whatwedo/projects/WCMS_210965/lang--e...
Copyright: ILO Jakarta (2016)
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 IGO License. To view a copy of this license, visit creativecommons.org/licenses/by-nc-nd/3.0/igo/deed.en_US
Patchwork of vintage Liverpool football home programmes. Official club merchandise.
Part of the SportsWalls Liverpool collection.
www.sportswalls.co.uk/premiership-wallpapers/all-clubs/li...
Red programmes 1946–2015, Royal Opera House Collections. Clockwise from top left; 1946, 1951, 1961, July 1967, November 1967, 1975, 1988, October 1990, July 1990, 2003, 2015 www.roh.org.uk/about/roh-collections
Programme Director Baleka Mbethe at the State Funeral of former President Nelson Mandela held in Qunu, Eastern Cape. (Photo: GCIS)
The Civil Society Programme took place from Thursday 14 May through Friday 15 May. The Programme in 2015 introduced a new approach to the flagship event of the EBRD engagement with civil society.
For the first time, CSOs had the chance to shape the Civil Society Programme through a social media consultation. In addition, CSOs were invited to submit proposals for the organisation of discussion panels dedicated to issues of specific interest to the Caucasus region and stakeholders in the EBRD.
The Civil Society Programme took place on Wednesday 11 May and Thursday 12 May and provided an opportunity for dialogue between civil society and EBRD staff, senior management, the President and Board Directors. It was an occasion for civil society stakeholders to learn more about the Bank and discuss issues of interest and concern regarding the EBRD’s policies and investment projects.
The Programme also featured multi-stakeholder roundtable sessions on key strategic themes related to the role of civil society as an important actor in transition and development processes. Special features of the Civil Society Programme 2016 were discussions on:
•25 years of Transition - The Role of Civil Society in Central and Eastern Europe and Central Asia
•Engaging civil society to promote transparent procurement
•EBRD’s Strategy for the Promotion of Gender Equality (2016-2020): the role of civil society
•Inclusion through skills and innovatiom
In addition, a panel organised by the youth organisation AIESEC looked at the role of youth in shaping the 2030 Agenda for Sustainable Development.
25 years of Transition: The Role of Civil Society in Central and Eastern Europe and Central Asia
A fire-side chat with Sergei Guriev, Professor of Economics, Sciences Po (incoming EBRD Chief Economist)
Civil society, operating in the space between public and private sectors, has played an important role in socio-political and economic transition processes around the world, including the EBRD’s traditional countries of operations. In 25 years since the establishment of the EBRD, civil society’s contribution to transition has varied across the post-communist transition region. In some countries, the work of civil society organisations (CSOs) has contributed to more democratic political systems and more open market based economies as a ‘reputational actor’ performing a ‘watchdog’ function and as a generator of ‘social capital’ necessary to sustain the change process through the difficult early years. In other countries, the focus of CSOs has been on providing a variety of social services particularly to disadvantaged and vulnerable people negatively affected by the transition process. Many civil society actors have been operating in restrictive regulatory environments, and have relied heavily on international donor funding.
What has been civil society’s input into promoting good governance, sustainable development and economic inclusion in EBRD’s traditional region over the past few decades? What are the key lessons learned, from both its successes and failures that can be applied to other countries embarking on a transition process? What steps could be taken to increase the role of civil society in promoting positive changes in societies and economies?
The discussion looked back at the key achievements and setbacks of the civil society sector in contributing to transition since the Bank’s establishment. It also reflected upon the challenges ahead for civil society in building well-governed, sustainable and inclusive economies and societies.