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Setting for a very popular programme on BBC Tv a rugged coastal location period drama.
The geography of Cornwall describes the extreme southwestern peninsula of England west of the River Tamar. The population of Cornwall is greater in the less extensive west of the county than the east due to Bodmin Moor's location; however the larger part of the population live in rural areas. It is the only county in England bordered by only one other county, Devon, and is the 9th largest county by area, encompassing 3,563 km² (1,376 mi²). The length of the coast is large in proportion to the area of the county. Cornwall is exposed to the full force of the prevailing south-westerly winds that blow in from the Atlantic Ocean. To the north is the Celtic Sea, and to the south the English Channel.
Cornwall is the location of Great Britain's most southerly point, The Lizard, and the southern mainland's most westerly point, Land's End. A few miles further west are the Isles of Scilly.
Information from Wikipedia & BBC Tv.
Texture's & Effect's by William Walton & Topaz.
Quand ce ne sera pas de la photo, ce sera du tricot... Tout plein de belles chaussettes colorées à réaliser.
One I have already posted, some years back, and since then the programmes available to tidy up images have improved. So too, I think, has my inclination to re-visit some photos and try to improve them.
D1016 Western Gladiator is, in the revamped version, looking a lot better for the tweaking. You can actually see the detail on the lower part of the front!
At least part of the trailing load is china clay by the looks of it.
The old fashioned tarpaulin covers on the wagons were designed to keep the load dry - as can be imagined, damp is not really an ideal addition to the clay. It wasn't long before the tarpaulins were replaced by clay hoods which were a much more robust design.
Sadly, this is all long gone from the railway scene. The joy of seeing a freight such as this clattering along is but a memory - there isn't the capacity for slow speed traffic like this n between the much faster passenger trains. It was bad enough back then on a Summer Saturday with the sheer volume of traffic and services similar to this getting looped to let the passenger trains go past.
Now the freights, such as they are, travel much quicker. Enthusiasts can sit at the track side now and read a book for quite a while without any distraction from the passing traffic - such as it is. Have passenger numbers really increased down here or is it in other parts of the country?
Manchester Victoria has many shorter passenger services than I remember while the freight services can be be monsters. One particular freight is so long it presents a challenge pathing it through the area. The loco is through Man Vic while the tail is still on Miles Platting bank. There isn't capacity to route it on the line through Bolton so it takes a different route.
If anything, a passenger service would have to be looped to let this monster go past because what loops are left are unlikely to accommodate it.
Besides, the driver would have a potential nightmare restarting it. The prospect of "stalling" it and causing chaos is a distinct possibility. Better to keep it rolling as any restart would be somewhat slow.
Now if they had the super Western design that never was, maybe things would be different?
Beaucoup disent que la Suède n’est qu’un petit pays et que ce que nous faisons n’a pas d’importance. Mais j’ai appris qu’on n’est jamais trop petit pour faire une différence. Et si quelques enfants peuvent faire les gros titres partout dans le monde simplement parce qu’ils ne vont pas à l’école, imaginez ce que nous pourrions faire ensemble si nous le voulions. Mais pour ça, nous devons parler clairement, même si ça peut-être inconfortable.
Vous parlez de croissance économique verte et durable, parce que vous avez peur d’être impopulaires. Vous parlez de poursuivre les mêmes mauvaises idées qui nous ont mis dans cette situation, alors que la seule réaction logique est de tirer le frein à main.
Vous n’êtes pas assez matures pour dire les choses comme elles sont. Même ce fardeau vous le laissez à nous, les enfants. Mais je me moque d’être impopulaire. Je tiens à la justice climatique et à une planète vivante. Notre civilisation est sacrifiée pour permettre à une petite poignée de gens de continuer à gagner d’énormes sommes d’argent. Notre biosphère est sacrifiée pour que des personnes riches, dans des pays comme le mien, puissent vivre dans le luxe.
Ce sont les souffrances du plus grand nombre qui paient pour le luxe de quelques-uns.
En 2078 je fêterai mes 75 ans. Si j’ai des enfants, peut-être qu’ils passeront cette journée avec moi. Peut-être qu’ils me demanderont de parler de vous. Peut-être qu’ils me demanderont pourquoi vous n’avez rien fait alors qu’il était encore temps d’agir.
Vous dites que vous aimez vos enfants par dessus tout et pourtant vous volez leur futur devant leurs yeux. Jusqu’à ce que vous vous concentriez sur ce qui doit être fait plutôt que sur ce qui est politiquement possible, il n’y a aucun espoir. Nous ne pouvons pas résoudre une crise sans la traiter comme telle. Nous devons laisser les énergies fossiles dans le sol et nous devons nous concentrer sur l’équité. Et si les solutions sont introuvables à l’intérieur du système, alors peut-être devons nous changer de système. Nous ne sommes pas venus ici pour supplier les dirigeants du monde de s’inquiéter. Vous nous avez ignoré par le passé et vous nous ignorerez encore. Nous sommes à court d’excuses et nous sommes à court de temps. Nous sommes venus ici pour vous dire que c’est l’heure du changement, que ça vous plaise ou non. Le vrai pouvoir appartient au peuple.
Discours de Greta Thunberg à la COP24 .
www.preservonslaplanete.com/…/associations_environne…
Lieu photo : Montreux, Suisse.
#sauvonslaplanete #ecologie #wwf #greenpeace #montreux #suisse #CransMontana #cransmontana #fabricelecoqfoto
Another participant in the D Day revival weekend in the village of Southwick, Hampshire. This young lady was dressed in clothes from the period and selling event programmes. Nice smile!
Here in the UK there has been a programme recently broadcast on Channel 4 television called ‘Drag SOS’. Naturally, I will admit I was drawn to watch this due to my own transvestism. I’m not sure quite what I was expecting apart from I assumed it was going to be high camp and full of competitive bitchiness. I have to say I’m not comfortable with such attitudes between drag performers yet I could not resist the pull of the programme title. I braced myself for some truly nasty moments and pressed play…
What followed was one of the kindest and heart-warming programmes I had seen on television in recent years. The Drag Queens, a troupe known as ‘The Family Gorgeous’ were indeed out there but were genuinely lovely and full of empathy and understanding and I felt not only encouraged the people that decided to give drag a go and become a Queen but gave them a huge boost in self esteem. The participants were not what you may expected. The core of the programme was about encouragement, confidence, boosting self esteem, bringing about greater understanding of self and others and full of genuine love. Drag was the vehicle that allowed people to do this, it provided the key to unlock people to be more expressive of themselves and brought them closer to their loved ones.
For me watching it I found it was unlocking me as well, the programme surprised me by giving me new confidence and direction with my own transgender activities. I acknowledge that may all sound rather grand for what was an entertaining yet highly encouraging programme that never gets too deep, though it does have some emotive moments that resonate yet instils positive feelings for the future.
I am not about to become a Drag Queen with a stage act though I’ll admit seeing the participants go for it on stage truly inspired me and I did imagine myself swapping places and daring to push myself as they did. The Drag Queens overseeing the whole process of encouragement and helping people to be open and true to themselves were inspiring. I should clarify this is not simply a coming out film as most of those who take on the opportunity to become a Queen are not (so far) Gay or Transgender, in fact some of them are women with families, it was about all about love and freeing oneself.
The impact of this programme on me was incredibly positive and to my surprise brought about a new feeling of inner peace and resolve. The core message that came from the programmes was unlock yourself and set yourself free, cast off your inhibitions!
I should now explain why I’m posting this video. Firstly, I have previously posted a shorter version of this video here on Flickr. It was within the last year when the maximum running time for a video on Flickr was three minutes. The original edit of the video was five minutes. Running time has now increased to a maximum of ten minutes so this has enabled me to post the original version (I did also post this on my You Tube channel). I’m posting it again as the opening of the video was something I dared myself to do. I did think about editing it out of the video as I was a bit embarrassed and taken aback at what I had done then I thought ‘hang on’ as my usual inhibitions were gaining control so I left it in as the truth is when I filmed the beginning part I was feeling incredibly free about expressing myself. I then go onto my usual store of consciousness musings about my cross-dressing so if you do watch the video you will be sure to be bored. The video was really an indulgent outlet to talk openly about my feelings on my transvestism.
I can see now what I was experiencing on the evening I filmed the video was something that was highlighted in the ‘Drag SOS’ programmes about releasing oneself and casting off a lifetime of inhibition. After watching ‘Drag SOS’ I felt a new inner freedom abut my desire to dress as a woman and enjoying time as my female alter-ego. It’s because I am encouraged and enthused by what came out of the programmes that I am posting the longer version of my video. It felt amazing to appear on camera as a woman and pour out things I have locked up in my head for years and years. As a man I am incredibly strait-laced and full of inhibitions. I am still shocked by my own video! It may not even appear radical to anyone watching it but for me it was really out there!
The video repost here on Flickr is all because of the heart-warming encouragement I witnessed in the Drag SOS programme and I feel grateful to the ‘Queens’ of ‘The Family Gorgeous’ who have given me renewed confidence to express myself more openly in the future; to them I offer a big ‘Thank You!’.
I think the programmes can only be viewed online in the UK should you be interested in watching them. Here is the direct link: www.channel4.com/programmes/drag-sos
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Organised jointly by Arthur Howes and Brian Epstein.
Among supporting acts were Gerry and the Pacemakers, Gene Pitney, Marianne Faithfull The Kinks and Cilla Black
Launch of the IAEA Marie Sklodowska-Curie Fellowship Programme held at the Agency headquarters in Vienna, Austria. 9 March 2020
Photo Credit: Dean Calma / IAEA
Moderator:
Sophie Boutaud de la Combe, Moderator and IAEA Director, Office of Public Information and Communication, Director General’s Office for Coordination
PANELISTS:
Ms Karen Hallberg, Principle Researcher, Bariloche Atomic Centre, National Atomic Energy Commission and Professor, Physics, Balseiro, Institute, Argentina
HE Mr Xavier Sticker, Resident Representative of France to the IAEA
HE Ms Dominika Anna Krois, Resident Representative of Poland to the IAEA
Display in the Theatre of past Posters/Flyers/Programmes
The Winter Gardens Morecambe opened in 1897 as the Victoria Pavillion Concert Hall and Variety Theatre, as an extension to the existing Winter Gardens Complex which opened in 1878. Over the years it was the home of the internationally renowned Morecambe Music Festival, played host to Sir Edward Elgar, the Halle Orchestra and many others from variety, music and theatre. From The Who to Dame Julie Andrews, Chung Ling Soo to Lawrence Olivier, the venue’s history is a roll call of stars of popular music and variety theatre.
Built as both a concert hall and variety theatre, its 2500 capacity was one of the largest in the North West and it quickly became known as the Albert Hall of the North. With its lavish interiors, striking architectural features and a view to rival the bay of Naples, the Winter Gardens was at the heart of a thriving seaside resort. By the mid-1970s, its fortunes were in decline and by 1977, the decision was taken to close the whole complex, culminating in 1982 with the demolition of the original Winter Gardens leaving only the Theatre remaining and in a perilous position.
However, a group of dedicated people formed the Friends of the Winter Gardens and have worked together since then with one aim to reopen the building that was once at the heart of Morecambe both architecturally and as a centre for culture and entertainment. With the formation of the Preservation Trust in 2006, ownership of the Winter Gardens was transferred to the charitable body who have spent years cleaning, restoring, and fundraising to continue this aim. Now under new governance, the Preservation Trust with the help of our restoration volunteers and the Friends of the Winter Gardens are a step closer to those dreams of many decades ago to finally restoring this remarkable Grade II* listed building. [Winter Gardens Website]
Damn I can never remember my access code. Its either 69696969 or 96969696.
Who'd give a code like that to a dyslexic!
If you like my work and fav it spend the time to comment please.
STILL LOOKING
I am looking for young male and female volunteer gritty, punky or just plain funky models
I would really like to photo you personally, however unless you live in West Yorkshire, UK that will not be possible. But it may be possible to direct you and then post your shots for editing. You will need to sign a model release form which I will supply. You can keep a set of finished shots but beware that I will own copyright of the finished images. If this interests you then please contact me through flickr.
thanks
Edinburgh International Festival, 17 August 2025 — Queen’s Hall
An all-Chopin programme, delivered with remarkable nuance and poise by 18-year-old pianist Ryan Wang, winner of BBC Young Musician of the Year 2024.
From the lyrical elegance of the Mazurkas to the raw, emotional terrain of the Sonata No. 2 (with its iconic Funeral March), this young artist commanded the stage with an astonishing maturity.
Particularly mesmerising was his interpretation of Chopin’s 24 Preludes — a sequence of fleeting moods and stormy beauty, each more captivating than the last. The concert closed with Chopin’s witty Là ci darem la mano variations, a delightful nod to Mozart and the operatic world.
Venue: Queen’s Hall, Edinburgh — formerly Hope Park Chapel, a Georgian church turned concert hall known for its exceptional acoustic and intimate atmosphere.
🇫🇷 Festival International d’Édimbourg, 17 août 2025 — Queen’s Hall
Un programme 100 % Chopin, interprété avec une sensibilité rare par Ryan Wang, lauréat du concours BBC Young Musician of the Year 2024, âgé de seulement 18 ans.
Des Mazurkas pleines de nostalgie aux tourments de la Sonate n°2, ce jeune prodige a fait preuve d’une maîtrise étonnante. Son exécution des 24 Préludes de Chopin — tour à tour fougueux, intimes, ou poignants — a été tout simplement envoûtante.
Le récital s’est terminé sur une variation pétillante sur Là ci darem la mano, clin d’œil au Don Giovanni de Mozart.
Lieu : Queen’s Hall, Édimbourg — ancienne église géorgienne devenue salle de concert réputée pour son acoustique chaleureuse.
The Trade Facilitation Programme (TFP) currently includes over 100 Issuing Banks in the EBRD region and more than 800 Confirming Banks worldwide. The event gave EBRD partner banks the opportunity to review and discuss industry challenges, pricing, limits and trade opportunities with key industry specialists, regulators and representatives from the World Trade Organization, the International Chamber of Commerce HQ and local National ICC Committees.
It also featured the highly popular award ceremony for ‘The Most Active EBRD TFP Banks’ and ‘The Best Transaction of 2016’.
13 February, First day of Spring in Bengali Year...
Location: Fine Arts Institute, Dhaka, Bangladesh.
The Trade Facilitation Programme (TFP) currently includes over 100 Issuing Banks in the EBRD region and more than 800 Confirming Banks worldwide. The event gave EBRD partner banks the opportunity to review and discuss industry challenges, pricing, limits and trade opportunities with key industry specialists, regulators and representatives from the World Trade Organization, the International Chamber of Commerce HQ and local National ICC Committees.
It also featured the highly popular award ceremony for ‘The Most Active EBRD TFP Banks’ and ‘The Best Transaction of 2016’.
Having booked the judges & speakers and thought of what we will do for the other twice weekly meetings I'm filling it all in. If I were left-handed I would get it done more quickly :)
The programmes for Saturday 11th August 2001 commenced with a welcome from First Manchester and the Bolton Bus Group, and a reminder that Crook Street Depot (out of bounds) and Moor Lane and the surrounding streets were fully operational, Take Care and Be Aware at all times, paid credit to all who had moved mountains and molehills to make the day possible including GMPTE for allowing the event to take place and relaxing the vehicle age/type rules for certain tendered services, details of the day and a timetable of events, a brief history of the Atlantean, some cartoons, a personal reflection, and that some bespoke videos had been produced along with a raffle for a headboard.
Proceeds from the event were going to then named The Imperial Cancer Research Fund.
Swifts car park was closed for the day to allow a static display of visiting Atlanteans, thanks to all who attended.
I ran some 250 copies off, absolutely no idea how many we would need, on the depot printer. Some 2500 B/W and 250 front covers. I was just finishing packing up the sheets in the boxes they came in ready for a mass stapling session at home when I heard someone in the office say, "The printers out of ink, (They were huge!!) I only renewed the cartridges yesterday."
TIME TO DISAPPEAR!!
A ½-hourly shuttle between Moor Lane and the display at Crook Street was operated by Bolton 232.
But of course the star of the day was the last native fleet of GM Standard Atlanteans and they were near the end ......but we mustered 37 I think.
I arranged for all the Atlanteans to be rostered on local services where possible so each one visited Moor Lane Bus Station at least once an hour, sometimes twice.
The success of the day was summed up by a visitors comment in the press - There just seemed to be Atlanteans everywhere and its probably the last time we will ever witness such an event ....
I invited Dave Spencer for the day but he was unable to attend, otherwise engaged, and later told me he bitterly regretted not attending as he had heard that he'd missed a good day....
10 Years On was held on Sunday 21st August 2011 and a few similar programmes were produced. Being a Sunday the normal services were concentrated on the centre island platform on Moor Lane so thanks to TfGM, we were allowed to use the out of use bays for displaying the static visiting vehicles, (Crook Street having closed by this time), some privately owned and those from the Bolton Bus Preservation Group and those from The Selnec Preservation Society. Again thanks to all.
But this time there were no in service GM Standards and no CRUK participation.
A free hourly service Blackhorse Street to Bobs Smithy Pub on the peak of Chorley Old Road was run, so a much lower key day.
It all seems so long ago now, 21 years in the case of the native fleet......
Water scarcity occurs when the amount of water withdrawn from lakes, rivers or groundwater is so great that water supplies are no longer adequate to satisfy all human or ecosystem requirements, resulting in increased competition between water users and other demands.
For any form of publication, please include the link to this page:
This photo has been graciously provided to be used in the GRID-Arendal resources library by: Philippe Rekacewicz, February 2006