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The 2016 Weekend at the Asylum, organised by Victorian Steampunk Society is the biggest Steampunk Festival in Europe. It is held in the historic uphill district of Lincoln, Lincolnshire.
For four glorious days the historic streets of Lincoln are thronged with thousands of splendidly dressed steampunks enjoying a festival which strives to combine art, literature, music, fashion, comedy and simple good fun.
The event contains programmes of features and entertainment, such as the Empire Ball, Majors Review (The Major's Soiree) and the National Tea Duelling final, along with lots of live music and comedy and the largest steampunk market in the World, the Bazaar Eclectica.
C'est bien l'Bruno.
Participation à l'oeuvre "Batofar" ( un bateau musical amarré sur la Seine), de l'amie Lola Duval, graphiste de son état.
Took this photograph pre-Covid-19 lockdown on a visit to Durham.
It's the famous Sanctuary Knocker that adorns the main door to the historic Durham Cathedral, probably the finest Norman cathedral in the world and part of a World Heritage Site.
The knocker is in fact a replica with the real one on display inside the cathedral.
I'm always reminded of the occasion a good few years back when the replica was made. The decision had been taken because it was thought that such an historic feature was somewhat vulnerable, being as it was on an outside door.
The children TV programme 'Blue Peter' did a feature about the making of the replica and the filmed item ended with a shot of both the original and the copy side by side.
Cut back live to the studio and presenter Simon Groom, who turns to the camera and comments: "What a beautiful pair of knockers!"
Small act of kindness
One human showing kindness to another. Passing on a few kind words, some food and maybe some amount of cash.
There was no talk of privilege, guilt or saviours.
Not part of a government outreach programme, not due to a swish marketing campaign, just out of kindness.
Hello there. Relevant comments welcome but please do NOT post any link(s). All my images are my own original work, under my copyright, with all rights reserved. You need my permission to use any image for ANY purpose.
Copyright infringement is theft.
The Crucifixion of Saint Peter is a work by Michelangelo Merisi da Caravaggio, painted in 1601 for the Cerasi Chapel of Santa Maria del Popolo in Rome. Across the chapel is a second Caravaggio work depicting the Conversion of Saint Paul on the Road to Damascus (1601). On the altar between the two is the Assumption of the Virgin Mary by Annibale Carracci.
The two lateral paintings were commissioned in September 1600 by Monsignor Tiberio Cerasi, Treasurer-General to Pope Clement VIII, who purchased the chapel from the Augustinian friars on 8 July 1600 and commissioned Carlo Maderno to rebuild the small edifice in Baroque style. The contract for the altarpiece with Carracci has not been preserved but it is generally assumed that the document had been signed somewhat earlier, and Caravaggio had to take into consideration the other artist's work and the overall iconographic programme of the chapel. Cerasi nourished a deep devotion towards Saint Peter and Paul, and invoked them in his will. Together the two saints represented the foundation of the Catholic Church, and they were called the Princes of the Apostles. Both had a strong connection to the city of Rome and the papacy. Caravaggio's paintings were thus intended to express Cerasi's attachment to the Church of Rome and his closeness to papal power. Their position in the chapel was important but the devotional focus was still on the Assumption of the Virgin Mary on the altar in the middle. The juxtaposition of the two scenes had a well-known precedent in the frescos of the Capella Paolina at the Apostolic Palace (1542–1549) but the paintings of Caravaggio were starkly different from the crowded Mannerist scenes of Michelangelo.
Although much has been said about the supposed rivalry between Carracci and Caravaggio, there is no historical evidence about any serious tensions. Both were successful and sought-after artists in Rome. Caravaggio gained the Cerasi commission right after his celebrated works in the Contarelli Chapel had been finished, and Carracci was busy creating his great fresco cycle in the Palazzo Farnese. In these circumstances there was little reason for them to regard each other as business rivals, states Denis Mahon.
The contract signed on 24 September 1600 stipulates that "the distinguished painter, Michelangelo Merisi da Caravaggio" will paint two large cypress panels, ten palms high and eight palms wide, representing the conversion of Saint Paul and the martyrdom of Saint Peter within eight months for the price of 400 scudi. The contract gave a free hand to the painter to choose the figures, persons and ornaments depicted in the way as he saw fit, "to the satisfaction however of his Lordship", and he was also obliged to submit preparatory studies before the execution of the paintings. Caravaggio received 50 scudi as advance payment from the banker Vincenzo Giustiniani with the rest earmarked to be paid on completion. The dimensions specified for the panels are virtually the same as the size of the existing canvasses.
When Tiberio Cerasi died on 3 May 1601, Caravaggio was still working on the paintings, as attested by an avviso dated 5 May which mentioned that the chapel was being decorated by the hand of the "famosissimo Pittore", Michelangelo da Caravaggio. A second avviso dated 2 June proves that Caravaggio was still at work on the paintings a month later. He completed them sometime before 10 November when he received the final instalment from the heirs of Tiberio Cerasi, the Fathers of the Ospedale della Consolazione. The total compensation for the paintings was reduced to 300 scudi for unknown reasons.
The paintings were finally installed in the chapel on 1 May 1605 by the woodworker Bartolomeo who received four scudi and fifty baiocchi from the Ospedale for his work.
Port Meirion in North Wales. Architecture by Clough William Ellis, he constructed the village using building salvage from around the world. The late sixties programme The Prisoner with Patrick Mcgoohan was also filmed here. The prisoners catch phrase was "I am not a number, I am a free man".
This prominent vantage point and strategic site was quickly recognised by the Normans, who built a huge timber fortress here by 1100 AD. Originally built by Robert de Toeni, (later known as Robert of Stafford),
in the Norman period, Stafford Castle has dominated the local skyline for over 900 years.
In the years shortly after the Norman invasion of 1066, William the Conqueror is believed to have ordered defences to be built against a still hostile and rebellious native community. The fortunes of the castle and its owners, the Stafford family, fluctuated greatly.
An impressive example of the motte and bailey system, Stafford Castle enjoyed mixed fortunes throughout the medieval period. In the 14th century Ralph, a founder member of the Order of the Garter, became the1st Earl of Stafford. He ordered the building of a stone keep on top of the motte in 1347 and the following year was granted a licence to crenellate and so constructed the battlements.
In 1444 Humphrey Stafford was created Duke of Buckingham and the castle entered its heyday. By the early 17th century however the condition of the castle had deteriorated and during the English Civil War the Parliamentary Committee in Stafford ordered it to be demolished.
By the early 17th century, the castle's fortunes waned. During the early part of the Civil War it was defended by the Gallant Lady Isabel but was eventually abandoned and demolished. Extensively rebuilt in the Gothic Revival Style in 1813, the castle fell into ruin through this century. Rebuilt by the Jerningham family in the early 19th Century using the same foundations the keep was again a magnificent four storey structure. However, given over to caretakers and then abandoned again in the 1950s it became derelict once more.
Now after recent restoration work and a programme of archaeological investigation Stafford Castle is considered one of the best surviving examples of Norman earthworks in the country. A programme of archaeological excavations has gradually revealed many of its secrets. Visitors can follow an informative trail of interpretation panels to discover the castle's history. Today, the remains of the castle, together with the surrounding grounds, give visitors a fascinating insight to the 900 year history of this important site.
An inventory taken in 1537 shows how herbs were an important part of daily life at Stafford Castle. They were widely used for their medicinal, aromatic and edible properties. From this detailed inventory, a herb garden was planted in the castle grounds. Great faith was placed in the use of herbs and they still have an important role to play today. This garden has been designed with sixteen beds, each containing herbs related to specific illnesses. As well as being extremely enjoyable to walk around, the herb garden provides a unique insight into living history.
The Audi Sport Quattro S1 was a Quattro programme car developed for homologation for Group B rallying in 1984, and sold as a production car in limited numbers.[1] It featured an all aluminium alloy 2,133 cc (130.2 cu in) (2.1 L) 20v DOHC engine slightly smaller than that of the Audi Quattro (in order to qualify for the 3-litre engine class after the scale factor applied to turbo engines). In road-going form, the engine was capable of producing 225 kW (306 PS; 302 bhp),[1] with the competition cars initially producing around 331 kW (450 PS; 444 bhp).[1]
The vehicle also featured a body shell composed of carbon-kevlar[1] and boasting wider arches, wider wheels (nine inches as compared to the Ur-Quattro's optional 8-inch-wide (200 mm) wheel rim), the steeper windscreen rake of the Audi 80 (requested by the Audi Sport rally team drivers to reduce internal reflections from the dashboard for improved visibility) and, most noticeably, a 320 mm (12.6 in) shorter wheelbase.
In addition to Group B competition in rallying, the Sport Quattro won the 1985 Pikes Peak International Hill Climb with Michèle Mouton in the driving seat, setting a record time in the process.[21] 224 cars of this "short version" Sport Quattro were built, and were offered for sale for 203,850 German Marks.[1]
Justification of Red List category
This species is listed as Critically Endangered because its population has undergone a very rapid reduction, for reasons that are poorly understood but are likely to be at least partly due to hunting along the migration flyway; this decline is projected to continue and increase in the future. Fieldwork in Kazakhstan (and counts in Turkey and the Middle East) has shown the population to be substantially larger than previously feared, but recent demographic studies have found low adult survival, possibly largely driven by hunting pressure along the migration routes and wintering grounds.
By Jim Lawrence
BirdLife International, RSPB (BirdLife in the UK) and leading optics manufacturer Swarovski Optik have just launched a remarkable new interactive website The Amazing Journey which charts the migration of one of the world’s most threatened birds - Sociable Lapwing. The new website enables you to experience the birds' migration online and witness new discoveries as they happen. It also provides support to a large team of international scientists who are trying to prevent the species from becoming extinct. Following extensive research, nine Sociable Lapwings have been carefully fitted with tiny, state-of-the-art satellite transmitters, which will track their hazardous 5,000+ km journey from their breeding grounds in Kazakhstan to their non breeding areas in tropical Africa and other, as yet undiscovered, destinations. The Amazing Journey follows the adventures of Erzhan, Dinara, Svetlana and six other intrepid satellite-tagged lapwings as they fly south for the winter - dodging hunters with guns and falcons and the myriad other unknown threats that await them. Andreas Pittl – Head of the Nature Division at Swarovski said, “This is a hugely important and fascinating project which Swarovski Optik is proud to champion. Wildlife is threatened with extinction for many reasons so finding ways to help such a beautiful and inspiring creature as the Social Lapwing is an important conservation effort we are keen to support. We want to bring people and nature together so they can continue to enjoy brilliant, close-up views of birds like these for years to come.” Designed by online marketing experts Digital Spring, The Amazing Journey uses satellite data fed through Google map technology to keep pace with the birds. A mixture of clever, regularly updated maps and video and photo blog reports from the field will follow their progress. Relatively little is still known about the routes Sociable Lapwings take, so tracking them will provide vital information, enabling BirdLife scientists to monitor and protect the birds and unlock the mystery of their migration. Now, for the first time, those interested in birds, wildlife and conservation can sit alongside scientists, and learn about these extraordinary birds, their migration habits and their conservation. Dr. Paul Donald, the project’s Principal Conservation Scientist at RSPB said, “We are using the world’s smallest and latest satellite transmitter – weighing just 5 grams – to record this amazing journey. By engaging with people around the world and inviting them to see this fascinating migration happening live online we believe we can inspire them to play their part too.” As the Sociable Lapwings progress along a lengthy route through various countries they need to stop every now and again to ‘refuel’ along the way. As they do so they form big feeding flocks (which is how they get their name). Whenever they touch down, precise details of their location are picked up by satellites orbiting high overhead and sent to RSPB scientists. These locations are then passed on to conservation project partners in each of the countries the birds travel through. With detailed coordinates they can quickly locate the flocks of birds, wherever they’ve touched down and take action if they are threatened in any way. The Amazing Journey website will provide regular reports from these scientists in the field keeping us up to date with all the latest news on the birds’ progress. Jim Lawrence, Preventing Extinction Programme Manager at BirdLife International said, “Protecting migratory species on the brink of extinction like Sociable Lapwings can’t be done without the considerable support of BirdLife Species Champions like Swarovski and RSPB. The Amazing Journey website is a new window on our world where you can see BirdLife International Partners around the globe delivering co-ordinated international conservation solutions.” Main photo credit Maxim Koshkin - Conservation Project Leader ACBK.
Another participant in the D Day revival weekend in the village of Southwick, Hampshire. This young lady was dressed in clothes from the period and selling event programmes. Nice smile!
Confinement jour 21 / Lockdown Day 21
Petit journal et photo du jour, en direct ou léger différé des studios de confinement…
Vu et entendu tellement de choses sidérantes ce week-end !
Donc une photo noire accompagnée d'un texte noir, ce lundi matin…
(demain, ce sera plus “cool"... Promis)
Je dédie cette photo :
- A ceux qui s’agglutinaient il y a peu de temps autour des stades dans lesquels les matchs se déroulaient à huis clos.
- A ceux qui boycottaient stupidement, il y a un mois, les restaurants chinois, prétendument à cause du virus, mais qui se gavent aujourd’hui goulûment de pâtes italiennes à la maison.
- A ceux qui se sont découvert une passion soudaine pour le jogging au premier jour du confinement, ou qui promènent leurs chiens trente fois par jour.
- A ceux qui restent sagement confinés jusqu’à 18h, mais c’est uniquement pour préparer le barbecue du soir dans leur jardin, avec tous les habitants du village.
- A ceux qui certifiaient que les masques ne servaient à rien, mais qui vont bientôt les rendre obligatoires.
- A ceux qui nettoient leurs chats ou chiens à l’eau de javel au retour de promenade.
- A ceux qui vont au Monoprix du coin sans honte avec un masque FFP2, alors que les hôpitaux en manquent.
- A ceux (médecins, écologistes, personnalités politiques d’extrême droite ou d'extrême gauche, économistes, anciens ministres de la santé...) qui expliquent qu’ils avaient prédit depuis longtemps l’Apocalypse mondiale, qu'ils avaient raison avant tous les autres, mais que personne ne les a écoutés...
(NB : on retrouve régulièrement ces charlatans et faux prophètes au cœur des médias, à chaque crise, car la crise est leur seul fond de commerce… Fuyez-les !).
- A la poignée de médecins médiatiques qui ne cessent de nous expliquer que les services de santé sont exsangues mais qui passent leurs journées sur les plateaux télé ou radio au lieu d’être à leur hôpital pour donner un coup de main (A leur décharge, il y a des jobs lucratifs d’experts médicaux à prendre, en sortie de crise, chez BFM et Europe 1... Ceux-là préparent donc dès aujourd’hui leur sortie honorable du confinement).
- A ceux qui roulent comme des tarés sur les périphériques parce qu'il y a moins de circulation, que le carburant est à un prix de plus en plus abordable, et que la police n’a plus de temps de poser des radars.
- Aux soixante millions de Français devenus en un instant de grands experts épidémiologistes et qui ont tout à coup une opinion tranchée sur l’efficacité (...ou pas) de la chloroquine… Avec une pensée particulière pour les "écolo-chimicophobes anti-glyphosate", qui se sont miraculeusement transformés en "pharmaco-chimicophiles pro-chloroquine", en moins de dix jours !
- A tous ceux qui signent des pétitions, par peur, par contrainte, ou par idéologie, mais sans jamais rien connaitre au sujet.
- Aux sectes de tous bords, qui pensent que leur foi en quelque Dieu étrange, qui exterminera tôt ou tard tous ceux qui ne pensent pas comme eux, leur assure automatiquement, et à la fois, l’immunité contre tous les virus et le droit de contaminer les autres.
- Au type (lu dans la presse) qui est sorti en ville pour y vendre du cannabis mais a oublié son attestation... Lorsque les forces de l’ordre l’ont verbalisé pour défaut d’attestation, ils l’ont fouillé au passage et trouvé le cannabis... Alors qu’il suffisait simplement de cocher la case "achat et vente de produits de première nécessité" sur le formulaire gouvernemental pour ne pas être inquiété ! C’est ballot ! La petite délinquance n’a plus la rigueur d’autrefois !
- A Greta, qui n’a jamais eu le courage de mettre les pieds en Chine, pourtant centre écologique et économique du monde, et dont on n’entend plus parler (de Greta, pas de la Chine) !
Je sais, on va me dire qu’on est tous, un jour ou l’autre, le con de quelqu’un (moi le premier, je confirme) mais je me lève très énervé contre le monde entier ce matin !
Je vais aller, de ce pas, me boire un quatrième expresso bien tassé !
Bon confinement à tous et "Take care !"
Le journal complet du confinement et des chroniques de la guerre :
A programme on tv earlier this evening was broadcast from Holy Island in Northumberland. Watching it reminded me I had some images from Holy Island which were taken last year and not yet processed. A search through the hard drive found the pics. and here is one of them.
Hope you like it.
Thanks for all the inspiring comments on my last few posted images, I'm pleased you like them.
Tony
Organised jointly by Arthur Howes and Brian Epstein.
Among supporting acts were Gerry and the Pacemakers, Gene Pitney, Marianne Faithfull The Kinks and Cilla Black
Launch of the IAEA Marie Sklodowska-Curie Fellowship Programme held at the Agency headquarters in Vienna, Austria. 9 March 2020
Photo Credit: Dean Calma / IAEA
Moderator:
Sophie Boutaud de la Combe, Moderator and IAEA Director, Office of Public Information and Communication, Director General’s Office for Coordination
PANELISTS:
Ms Karen Hallberg, Principle Researcher, Bariloche Atomic Centre, National Atomic Energy Commission and Professor, Physics, Balseiro, Institute, Argentina
HE Mr Xavier Sticker, Resident Representative of France to the IAEA
HE Ms Dominika Anna Krois, Resident Representative of Poland to the IAEA
If you would like to see some of my friends, please click "here"!
The White Park is a rare breed of horned cattle with ancient herds preserved in Great Britain. It includes two very rare types often regarded as distinct, the Chillingham and the Vaynol cattle. The White Park is a medium-large, long-bodied bovine. A programme of linear assessment, including 200 bulls and 300 cows, has been carried out in the UK since 1994 to define its size and conformation. Mature bull weights vary from 800 to 1,000 kilograms, depending on the quality of grazing, but bulls in good condition may weigh 1,250 kilograms. Average withers height is 146 centimetres, chest depth 88 centimetres, body length (point of withers to point of pin bone (tuber ischii) 167 centimetres, hip (tuber coxae) width 64 centimetres, and scrotal circumference 45 centimetres. The relevant corresponding measurements for adult cows are 500 to 700 kilograms, 132 centimetres, 76 centimetres, 148 centimetres and 60 centimetres. The colour is distinctive, being porcelain white with coloured (black or red) points, namely ears, nose, eye rims, hooves, and teats and tips of the long horns. The colour pattern is dominant to other colours. The horns of the cows vary in shape, but the majority grow forwards and upwards in a graceful curve. The horns of bulls are thicker and shorter, and not so uplifted. In their native environment in Britain, White Park cattle are noted not only for their distinctive appearance, but also for their grazing behaviour, where they show a preference for coarser herbage. They are well-suited to non-intensive production and some herds are kept outside throughout the year on rough upland grazing without shelter or supplementary feed. They are docile, easy-calving, and have a long productive life. Some traits may vary a little in other countries, but the basic type is the same. They are beef animals noted for the quality of their meat.They are capable of converting coarse herbage into high quality meat, and of gaining weight at over 1 kg per day in good conditions. Until relatively recently they were a triple-purpose breed – meat, milk and draught. The 3rd Lord Dynevor (1765–1852) kept a team of draught oxen, and the practice continued up to 1914. The records of one plough ox that was killed in 1871 at 14 years of age, show that he stood 183 centimetres at the withers and weighed 1,171 kilograms. They were used as dairy cattle even more recently. Some cows were being milked in the Dynevor herd in 1951, but yields were moderate. Beef became the main product during the twentieth century, and gained a reputation as a textured meat, with excellent flavour and marbling, which commanded a significant premium in speciality markets. The best quality beef comes from 36-month-old animals, and fine marbling is the key to its eating quality, while the low cholesterol content adds to its attraction for the health-conscious consumers. Several blood typing and DNA studies have revealed the genetic distinctness of White Park cattle and the Oklahoma State University web site confirms the White Park is not closely related to two breeds of the same colour, but which are hornless, namely the American White Park (which actually is British White) and the British White and is genetically distinct from them. The colour-pointed coat pattern also appears in other cattle breeds such as the Irish Moiled, the Blanco Orejinegro, the Berrenda, the Nguni and the Texas Longhorn. The breeds most closely related seem to be the Highland cattle and Galloway cattle of Scotland, but the White Park "is genetically far distant from all British breeds". The Chillingham has diverged from the main White Park population and various stories have grown up around them. Hemming references the work of Hall in the following excerpt: "- – In other words, since the Chillingham cattle, wherever they came from, cannot be aurochsen, they must be Bos taurus just like Jerseys or Herefords or any other breed. They do look more like miniature aurochsen, but that is because they have not been selectively bred for beef or milk, and cattle that have been left to their own devices will tend to revert to ancestral type. Although both the late president and the patron have quoted genetic work done on the cattle to support their arguments, the zoological reports in fact make it quite clear that the Chillingham herd does not have any special relationship to the aurochs whatsoever (Hall 1982-3, 96; 1991, 540)."
From Wikipedia, the free encyclopedia
Damn I can never remember my access code. Its either 69696969 or 96969696.
Who'd give a code like that to a dyslexic!
If you like my work and fav it spend the time to comment please.
STILL LOOKING
I am looking for young male and female volunteer gritty, punky or just plain funky models
I would really like to photo you personally, however unless you live in West Yorkshire, UK that will not be possible. But it may be possible to direct you and then post your shots for editing. You will need to sign a model release form which I will supply. You can keep a set of finished shots but beware that I will own copyright of the finished images. If this interests you then please contact me through flickr.
thanks
The Trade Facilitation Programme (TFP) currently includes over 100 Issuing Banks in the EBRD region and more than 800 Confirming Banks worldwide. The event gave EBRD partner banks the opportunity to review and discuss industry challenges, pricing, limits and trade opportunities with key industry specialists, regulators and representatives from the World Trade Organization, the International Chamber of Commerce HQ and local National ICC Committees.
It also featured the highly popular award ceremony for ‘The Most Active EBRD TFP Banks’ and ‘The Best Transaction of 2016’.
how he came to be
Sat channel hopping last night when I came across a programme about cats in the womb. The programme compared domestic felines and lions. It was most interesting and Kaiser was fascinated to learn how he had been born