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Put two shots together, the front & back of this original French programme of La Strada, directed by Federico Fellini.
Mirai Nagasu
Gold Medal winner, Womens
ISU Junior Grand Prix, Lake Placid, Sept. 2007
A full Bielman..and spinning at incredible speed to boot.
A future Olympian to look out for in Vancouver 2010!!!
Performing her long programme, Coppélia. Notes on Coppelia below. This is the same programme she performed January 26th 2008 at the US Senior Ladies championship, and won gold with. At age 14, even though Mirai is the US woman's champion, she is too young to go to the world championships.
Coppelia is ballet about a girl who sits still, without smiling in the window of the shop of a toymaker Coppelius. A group of young kids enter the shop, and one of them noticing that Coppelia is a mechanical doll, pretends to be her, and gradually comes to life. The original choreography for Coppelia was by Arthur Saint-Leon with music by Leo Delibes.
Mirai's programme tells the story of the ballet (or part of it). It is not just skating to music, but a beautifully choreographed piece. Fulls mark to her choreographer, as well as to Mirai.
Nagasu trains in Pasadena and represents the Pasadena Figure Skating Club. Her coaches are Charlene Wong, Sashi Kuchiki, Sondra Holmes, Bob Paul, and Jim Yorke. Her choreographer is Lori Nichol.
One I have already posted, some years back, and since then the programmes available to tidy up images have improved. So too, I think, has my inclination to re-visit some photos and try to improve them.
D1016 Western Gladiator is, in the revamped version, looking a lot better for the tweaking. You can actually see the detail on the lower part of the front!
At least part of the trailing load is chain clay by the looks of it.
The old fashioned tarpaulin covers on the wagons were designed to keep the load dry - as can be imagined, damp is not really an ideal addition to the clay. It wasn't long before the tarpaulins were replaced by clay hoods which were a much more robust design.
Sadly, this is all long gone from the railway scene. The joy of seeing a freight such as this clattering along is but a memory - there isn't the capacity for slow speed traffic like this n between the much faster passenger trains. It was bad enough back then on a Summer Saturday with the sheer volume of traffic and services similar to this getting looped to let the passenger trains go past.
Now the freights, such as they are, travel much quicker. Enthusiasts can sit at the track side now and read a book for quite a while without any distraction from the passing traffic - such as it is. Have passenger numbers really increased down here or is it in other parts of the country?
Manchester Victoria has many shorter passenger services than I remember while the freight services can be be monsters. One particular freight is so long it presents a challenge pathing it through the area. The loco is through Man Vic while the tail is still on Miles Platting bank. There isn't capacity to route it on the line through Bolton so it takes a different route.
If anything, a passenger service would have to be looped to let this monster go past because what loops are left are unlikely to accommodate it.
Besides, the driver would have a potential nightmare restarting it. The prospect of "stalling" it and causing chaos is a distinct possibility. Better to keep it rolling as any restart would be somewhat slow.
Now if they had the super Western design that never was, maybe things would be different?
Beaucoup disent que la Suède n’est qu’un petit pays et que ce que nous faisons n’a pas d’importance. Mais j’ai appris qu’on n’est jamais trop petit pour faire une différence. Et si quelques enfants peuvent faire les gros titres partout dans le monde simplement parce qu’ils ne vont pas à l’école, imaginez ce que nous pourrions faire ensemble si nous le voulions. Mais pour ça, nous devons parler clairement, même si ça peut-être inconfortable.
Vous parlez de croissance économique verte et durable, parce que vous avez peur d’être impopulaires. Vous parlez de poursuivre les mêmes mauvaises idées qui nous ont mis dans cette situation, alors que la seule réaction logique est de tirer le frein à main.
Vous n’êtes pas assez matures pour dire les choses comme elles sont. Même ce fardeau vous le laissez à nous, les enfants. Mais je me moque d’être impopulaire. Je tiens à la justice climatique et à une planète vivante. Notre civilisation est sacrifiée pour permettre à une petite poignée de gens de continuer à gagner d’énormes sommes d’argent. Notre biosphère est sacrifiée pour que des personnes riches, dans des pays comme le mien, puissent vivre dans le luxe.
Ce sont les souffrances du plus grand nombre qui paient pour le luxe de quelques-uns.
En 2078 je fêterai mes 75 ans. Si j’ai des enfants, peut-être qu’ils passeront cette journée avec moi. Peut-être qu’ils me demanderont de parler de vous. Peut-être qu’ils me demanderont pourquoi vous n’avez rien fait alors qu’il était encore temps d’agir.
Vous dites que vous aimez vos enfants par dessus tout et pourtant vous volez leur futur devant leurs yeux. Jusqu’à ce que vous vous concentriez sur ce qui doit être fait plutôt que sur ce qui est politiquement possible, il n’y a aucun espoir. Nous ne pouvons pas résoudre une crise sans la traiter comme telle. Nous devons laisser les énergies fossiles dans le sol et nous devons nous concentrer sur l’équité. Et si les solutions sont introuvables à l’intérieur du système, alors peut-être devons nous changer de système. Nous ne sommes pas venus ici pour supplier les dirigeants du monde de s’inquiéter. Vous nous avez ignoré par le passé et vous nous ignorerez encore. Nous sommes à court d’excuses et nous sommes à court de temps. Nous sommes venus ici pour vous dire que c’est l’heure du changement, que ça vous plaise ou non. Le vrai pouvoir appartient au peuple.
Discours de Greta Thunberg à la COP24 .
www.preservonslaplanete.com/…/associations_environne…
Lieu photo : Montreux, Suisse.
#sauvonslaplanete #ecologie #wwf #greenpeace #montreux #suisse #CransMontana #cransmontana #fabricelecoqfoto
Another participant in the D Day revival weekend in the village of Southwick, Hampshire. This young lady was dressed in clothes from the period and selling event programmes. Nice smile!
A prototype transmit/receive module on a single 6x6 mm chip, intended to deliver miniaturised space radar systems for future missions.
Traditional transmit/receive modules used on Europe’s Sentinel-1 and comparable radar missions employ separate circuits for the high-power amplifier, the low-noise amplifier and the switch/isolator.
The aim, developed for ESA by TNO in the Netherlands, UMS in France, and Airbus Defense and Space in Germany, was to integrate all these functions onto a single chip, while delivering increased efficiency and a threefold increase in radio-frequency power.
The added ingredient enabling this was that the chip was made using gallium nitride (GaN) – the most promising semiconductor since silicon. If you have a Blu-ray player than you own a tiny crystal of GaN, used in high-performance blue lasers.
GaN can operate with high radio-frequency output power, low noise or at much higher temperatures than silicon. As a plus, it is also inherently resistant to radiation. ESA has been leading the industrialisation of GaN through the GaN Reliability Enhancement and Technology Transfer Initiative consortium.
This prototype was developed through ESA’s Basic Technology Research Programme.
A follow-up project to integrate the chip into a complete radar module suitable for a future Sentinel-1 successor mission is being undertaken through the Agency’s follow-up General Support Technology Programme.
Credit: ESA/TNO
Organised jointly by Arthur Howes and Brian Epstein.
Among supporting acts were Gerry and the Pacemakers, Gene Pitney, Marianne Faithfull The Kinks and Cilla Black
Display in the Theatre of past Posters/Flyers/Programmes
The Winter Gardens Morecambe opened in 1897 as the Victoria Pavillion Concert Hall and Variety Theatre, as an extension to the existing Winter Gardens Complex which opened in 1878. Over the years it was the home of the internationally renowned Morecambe Music Festival, played host to Sir Edward Elgar, the Halle Orchestra and many others from variety, music and theatre. From The Who to Dame Julie Andrews, Chung Ling Soo to Lawrence Olivier, the venue’s history is a roll call of stars of popular music and variety theatre.
Built as both a concert hall and variety theatre, its 2500 capacity was one of the largest in the North West and it quickly became known as the Albert Hall of the North. With its lavish interiors, striking architectural features and a view to rival the bay of Naples, the Winter Gardens was at the heart of a thriving seaside resort. By the mid-1970s, its fortunes were in decline and by 1977, the decision was taken to close the whole complex, culminating in 1982 with the demolition of the original Winter Gardens leaving only the Theatre remaining and in a perilous position.
However, a group of dedicated people formed the Friends of the Winter Gardens and have worked together since then with one aim to reopen the building that was once at the heart of Morecambe both architecturally and as a centre for culture and entertainment. With the formation of the Preservation Trust in 2006, ownership of the Winter Gardens was transferred to the charitable body who have spent years cleaning, restoring, and fundraising to continue this aim. Now under new governance, the Preservation Trust with the help of our restoration volunteers and the Friends of the Winter Gardens are a step closer to those dreams of many decades ago to finally restoring this remarkable Grade II* listed building. [Winter Gardens Website]
The Jaguar programme began in the early 1960s, in response to a British requirement (Air Staff Target 362) for an advanced supersonic jet trainer to replace the Folland Gnat T1 and Hawker Hunter T7, and a French requirement (ECAT or École de Combat et d'Appui Tactique, "Tactical Combat Support Trainer") for a cheap, subsonic dual role trainer and light attack aircraft to replace the Fouga Magister, Lockheed T-33 and Dassault Mystère IV. In both countries several companies tendered designs: BAC, Hunting, Hawker Siddeley and Folland in Britain; Breguet, Potez, Sud-Aviation, Nord, and Dassault from France. A Memorandum of Understanding was signed in May 1965 for the two countries to develop two aircraft, a trainer based on the ECAT, and the larger AFVG (Anglo-French Variable Geometry)
Cross-channel negotiations led to the formation of SEPECAT (Société Européenne de Production de l'Avion d'École de Combat et d'Appui Tactique – the "European company for the production of a combat trainer and tactical support aircraft") in 1966 as a joint venture between Breguet and the British Aircraft Corporation to produce the airframe. Though based in part on the Breguet Br.121, using the same basic configuration and an innovative French-designed landing gear, the Jaguar was built incorporating major elements of design from BAC – notably the wing and high lift devices.
Production of components would be split between Breguet and BAC, and the aircraft themselves would be assembled on two production lines; one in the UK and one in France, To avoid any duplication of work, each aircraft component had only one source. The British light strike/tactical support versions were the most demanding design, requiring supersonic performance, superior avionics, a cutting edge nav/attack system of more accuracy and complexity than the French version, moving map display, laser range-finder and marked-target seeker (LRMTS). As a result, the initial Br.121 design needed a thinner wing, redesigned fuselage, a higher rear cockpit, and after-burning engines. While putting on smiling faces for the public, maintaining the illusion of a shared design, the British design defacto departed from the French sub-sonic Breguet 121 to such a degree that it was for all intents and purposes a new design.
A separate partnership was formed between Rolls-Royce and Turbomeca to develop the Adour afterburning turbofan engine. The Br.121 was proposed with Turbomeca's Tourmalet engine for ECAT but Breguet preferred the RR RB.172 and their joint venture would use elements of both. The new engine, which would be used for the AFVG as well, would be built in Derby and Tarnos.
Previous collaborative efforts between Britain and France had been complicated – the AFVG programme ended in cancellation, and controversy surrounded the development of the supersonic airliner Concorde. Whilst the technical collaboration between BAC and Breguet went well, when Dassault took over Breguet in 1971 it encouraged acceptance of its own designs, such as the Super Étendard naval attack aircraft and the Mirage F1, for which it would receive more profit, over the Anglo-French Jaguar.
The initial plan was for Britain to buy 150 Jaguar "B" trainers, with its strike requirements being met by the advanced BAC-Dassault AFVG aircraft, with France to buy 75 "E" trainers (école) and 75 "A" single-seat strike attack aircraft (appui). Dassault favoured its own Mirage G aircraft above the collaborative AFVG, and in June 1967, France cancelled the AFVG on cost grounds. This left a gap in the RAF's planned strike capabilities for the 1970s at the same time as France's cancellation of the AFVG, Germany was expressing a serious interest in the Jaguar, and thus the design became more oriented towards the low-level strike role.
The RAF had initially planned on a buy of 150 trainers; however, with both TSR2 and P.1154 gone, the RAF were looking increasingly hard at their future light strike needs and realizing that they now needed more than just advanced trainers with some secondary counter insurgency capability. The RAF's strike line-up was at this point intended to consist of American F-111s plus the AFVG for lighter strike purposes. There was concern that both F-111 and AFVG were high risk projects and with the French already planning on a strike role for the Jaguar, there was an opportunity to introduce a serious backup plan for the RAF's future strike needs - the Jaguar.
While the RAF had initially planned to buy 150 trainers, the TSR2 and p.1154 were gone, and believing that both the US F-111 and AFVG were high-risk programs, and with the French already planning a strike role for their Jaguar, the MOD suddenly realized they were in bad need of a new light strike aircraft capable of delivering tactical nuclear weapons. As a result, by October 1970, the RAF's requirements had changed to 165 single-seat strike aircraft and 35 trainers.
The Jaguar was to replace the McDonnell Douglas Phantom FGR2 in the close air support, tactical reconnaissance and tactical strike roles, freeing the Phantom to be used for air defence. Both the French and British trainer requirements had developed significantly, and were eventually fulfilled instead by the Alpha Jet and Hawker Siddeley Hawk respectively. The French, meanwhile, had chosen the Jaguar to replace the Aeronavale's Dassault Étendard IV, and increased their order to include an initial 40 of a carrier-capable maritime version of the Jaguar, the Jaguar M, for the Aeronavale. From these apparently disparate aims would come a single and entirely different aircraft: relatively high-tech, supersonic, and optimised for ground-attack in a high-threat environment.
Damn I can never remember my access code. Its either 69696969 or 96969696.
Who'd give a code like that to a dyslexic!
If you like my work and fav it spend the time to comment please.
STILL LOOKING
I am looking for young male and female volunteer gritty, punky or just plain funky models
I would really like to photo you personally, however unless you live in West Yorkshire, UK that will not be possible. But it may be possible to direct you and then post your shots for editing. You will need to sign a model release form which I will supply. You can keep a set of finished shots but beware that I will own copyright of the finished images. If this interests you then please contact me through flickr.
thanks
The Trade Facilitation Programme (TFP) currently includes over 100 Issuing Banks in the EBRD region and more than 800 Confirming Banks worldwide. The event gave EBRD partner banks the opportunity to review and discuss industry challenges, pricing, limits and trade opportunities with key industry specialists, regulators and representatives from the World Trade Organization, the International Chamber of Commerce HQ and local National ICC Committees.
It also featured the highly popular award ceremony for ‘The Most Active EBRD TFP Banks’ and ‘The Best Transaction of 2016’.
13 February, First day of Spring in Bengali Year...
Location: Fine Arts Institute, Dhaka, Bangladesh.
The Trade Facilitation Programme (TFP) currently includes over 100 Issuing Banks in the EBRD region and more than 800 Confirming Banks worldwide. The event gave EBRD partner banks the opportunity to review and discuss industry challenges, pricing, limits and trade opportunities with key industry specialists, regulators and representatives from the World Trade Organization, the International Chamber of Commerce HQ and local National ICC Committees.
It also featured the highly popular award ceremony for ‘The Most Active EBRD TFP Banks’ and ‘The Best Transaction of 2016’.
I took Morag's mum to the bus station this morning and on the way back home stopped off to take some pics. Just some random shots.
In Nepal, the Rural Women's Economic Empowerment Joint Programme, implemented by UN Women, Food and Agriculture Organization, International Fund for Agricultural Development and World Food Programme, and funded by a consortium of donors seeks to improve women farmers’ agricultural production and income, but also changed gender-discriminatory attitudes of their male counterparts.
Rural women form a large proportion of the agricultural labour force in Nepal and play a vital yet unrecognized role in agriculture that sustains nearly 80 percent of the population. Perceived mainly as care givers, their work in farming is largely undervalued. Women farmers are often paid less than men for the same work, and lack access to resources and markets due to discriminatory attitudes. However, since the launch of the Joint Programme, a new narrative is unfolding across the villages of Rauthat and Sindhuli districts.
As more Nepalese men migrate abroad to find work, an increasing number of rural women are taking up farming. By improving women’s agricultural production, access to markets and leadership skills, the programme has increased their income, food security and independence.
Pictured: Chandra Kala Thapa, one of many smallholder women farmers from Ranichuri village in Sindhuli district, was barely able to produce enough grains to feed her family. With support from the Joint Programme, she converted her field from grain production to high-value vegetables. “Now the prices are good and the money comes on time. This was not the case when I used to cultivate grains instead of high-value vegetables,” she says.
Photo: UN Women/Narendra Shrestha
Read More: www.unwomen.org/en/news/stories/2017/2/feature-women-farm...