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I have this cool app on my phone, that I did this cross process effect on this pic, let me know what you think!
The long process of making the pink rose. Best seen in real size - all the progress paintings look much sharper.
people tend to get emotional about the dog part, but it's about putting the dog out of its misery because he's chained to the burning house that is your past and you're sending him to doggie heaven to be free like you're about to be :)
This is a shot of a retro-hex half way completed. I've polished the pavilion, but stone is still on the dop. The black you see is the wax I use for dopping, the brass color is the dop itself. (The completed stone is "79_prasio" in my photostream)
Much cuter with an empty mouth. I waited til she was done with her cookies and then got this cute shot of her. Okay I admit it, I helped speed up the process by eating a few of them myself. :)
Our coffee farm, Fazenda Nossa Senhora Aparecida. Brasil, 2007.
This set shows pictures of the coffee trees, picking (both mechanical and manual) and processing, as well as the infrastructure used for such. It also shows the social and educational activities we develop in the farm to improve living and working conditions of the farmers and our community.
The farm is located near Pedregrulho, state of São Paulo, in the Alta Mogiana region, highly prized for its coffee quality.
Photos taken by João Guilherme Martins and Marcelo Dantas, among others.
For more information:
File name: 08_06_021495
Title: Parade with marching girls - baton twirlers?
Creator/Contributor: Jones, Leslie, 1886-1967 (photographer)
Date created: 1934 - 1956 (approximate)
Physical description: 1 negative : film, black & white ; 3 1/8 x 4 1/4 in.
Genre: Film negatives
Subject: Parades & processions
Notes: Title from information provided by Leslie Jones or the Boston Public Library on the negative or negative sleeve.; Date supplied by cataloger.
Collection: Leslie Jones Collection
Location: Boston Public Library, Print Department
Rights: Copyright Leslie Jones.
Preferred credit: Courtesy of the Boston Public Library, Leslie Jones Collection.
It's official. I have an unintentional desire to represent the act of conception generatively. Who knew!?
2023-365-098
I spent today at a 1-1 workshop trying out film processing and printing using a seaweed developer made out of local bladderwrack. I processed a 35mm film of images I took, and a 120 film. I learnt how the 120 film is wrapped while I was unwrapping it in the dark to put on the spool.
This was the best print from the day. We did try another image with another batch of developer; but each batch is different and the images were cooked a bit too much.
The workshop was at a local darkroom with an artist who is exploring ways of making photography more sustainable and less reliant on harmful chemicals. We did use commercial stop and fix solutions due to time constraints.
Lines traced by lots of boids, derived from Craig Reynolds steering behaviors as adapted by Daniel Shiffman, using my IgnoCodeLib now with special ingredient TurtleGraphics.
It has been a long time, but finally I have got round to doing my own black-and-white film processing. My first film - in probably 20 years - is Kodak P3200 T-max: developed for 11 min 30 s at 22-23 C in ID-11.
This gear has accumulated over the ages but includes everything I need to do 35mm and 120 film at home.