View allAll Photos Tagged processing
Experimental program done with processing.
All screenshots have been captured live in real time.
More info and videos here: blog.goodthink.biz/particles-typography-3d/
Video: vimeo.com/51206202
My friend Angel being tattooed by my friend / tattoo artist Stacey Sharp at the Lehigh Valley Skindustry tattoo convention. www.sharptattoos.com
A designed publication that documents the creative process of a year long design project centering on the idea of developing emotion as a communicative medium.
This book follows the development of the project from initial brainstorming stage right till the final execution of different experimental approaches.
374 pages, laser-prints on off white munken print cream paper, perfect bind.
Fruit packing equipment at the BC Orchard Industry Museum. The manufacturer is the F.B. Pease Co. of Rochester N.Y. This business was started in 1876 by Franklin Beech Pease, forefather of Warren S. Pease, who still designs equipment on a day to day basis, while his son Dudley has taken over the reins of business leadership in the company. Franklin Pease was an inventor who grew up in the apple country town of Ontario, in Western New York State, close to Lake Ontario. The business, carried on by Franklin and his three sons, evolved into the making of apple processing equipment including the apple parer, corer and slicer. Today Dudley Pease carries on the traditional manufacture of the Pease line while also expanding the company's' capability to produce custom equipment in conjunction with the existing line of machines.
Process Collaboration with my friend Zavo / Tunjuelito Bogotá / colaboración con el compadre Zavo en San Vicente Tunjuelito //
Had to produce an image or series of images that portray the word "Process". I began... as i always do, brainstorming ideas on a piece of paper, and then thought.... why not use my scribbles of ideas as the basis of my final piece. So here it is.
Drawings (lightbulb etc) were added by hanging them from the ceiling with clear string. No manipulation used to create this image, just hand written text added ontop of the photo using a scanner and PS.
3rd in the series
This image accompanies this science story written by GrrlScientist and published on The Guardian.
Fire-tailed Myzornis, Myzornis pyrrhoura, a monotypic species that was recently (2009) placed into the Old World warbler family Sylviidae. This Asian species lives in moist subtropical or tropical montane forests in the Himalayas.
Image: Price T.D., Hooper D.M., Buchanan C.D., Johansson U.S., Tietze D.T., Alström P., Olsson U., Ghosh-Harihar M., Ishtiaq F. & Gupta S.K. & (2014). Niche filling slows the diversification of Himalayan songbirds, Nature, doi:10.1038/nature13272.
These are now fermenting in a bottle of gin for Christmas... hic!#
Please: don't use any of my images on websites, blogs or other media without my explicit permission 2012 © R-V-P - All Rights Reserved. Thank you.
File name: 08_06_003686
Title: Legion Parade in front of State House
Creator/Contributor: Jones, Leslie, 1886-1967 (photographer)
Date created: 1930-10
Physical description: 1 negative : glass, black & white ; 4 x 5 in.
Genre: Glass negatives
Subjects: Military parades & ceremonies
Notes: Title and date from information provided by Leslie Jones or the Boston Public Library on the negative or negative sleeve.
Collection: Leslie Jones Collection
Location: Boston Public Library, Print Department
Rights: Copyright © Leslie Jones.
Preferred citation: Courtesy of the Boston Public Library, Leslie Jones Collection.
This is a rough Polaroid photo of the Guadalupe, still in the studio, pretty far along.
I may have a color slide of the murals but haven’t found it yet. But this does give the ecstatic feeling of the painting.
The mural was set in a candle bay. So she is painted, as lit from below by the candles.
The inner garment will be orange; the outer garment- draped over the head is blue, but the outer garment is not really there. It is made of the sky, only visible because the edge is delineated by the aura. In the finished piece there is no line where the aura starts as there is here.
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WHERE.
Where the murals are is a complicated question because two fates befell them:
They were painted over and later the covered panels were stolen.
The murals are missing, having been stolen out of the church, after a fire in another area.
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- don notes- it is an intriguing fact that the murals were painted over ( probably in anger * ), but were stolen later when the fire occurred.
- it leads one to believe that the thieves knew what they had, and lived in hope that the images could be restored. No one would have gone to the risk and trouble to steal panels with nothing but a solid color on them.
- the problem is that it was very unlikely that the covering paint was chosen with any care. It was likely a paint that would be difficult or impossible to remove.
If someone had knowledge of paint and hoped to get the images back at a later date, they could have painted them over with a type of paint that would work with that plan.
- for example, a craftsman would cover the images with a different family of paint than the polymer clear coat that was used to protect the images.
- then, the covering paint- say oil paint- could be removed with turp, causing no damage to the mural. It would be good as new.
- it makes me wonder if the people that covered the mural were the same people who stole it.
Another question arises.;
The murals were not painted directly on the wall. They were painted on panels in the studio and the panel was mounted on the wall on two 1 by 3 inch boards. As a result, the panels were raised off the wall by about an inch.
But getting the panel off the wall would have been very difficult because you could not reach the boards from the edge and just bust them loose with a chisel. They were several inches in from the edge, in the center of the panels. Also each panel was cut to fit the alcove that each one was in, so it would be difficult to get at them from the side. If there was an inch or so free around the edge you might just reach in and try to pry the panels away from the wall, but that would risk breaking them.
It would have been a long and noisy process to get them down. what a puzzle.
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* - the murals were covered with a muted blue cover and the area had framed traditional prints of the Guadalupe and the Perpetual Help, mounted against the blue that was covering the murals had been. This was due to poor comunication between the architects who commissioned the paintings and the members of the Church.:
I was not asked to paint the traditional images. In the case of the Guadalupe, i would have gone to Mexico and made a copy from the original. What i painted was a depiction of the event.
As for the Perpetual Help image, there was less involved.: it was just a matter of making a direct and faithful copy of the original with the exception that the image had to be adapted to a full figure in order to match the full figure Guadalupe. ( The original of the Perpetual Help image is only a half figure. )
If the parishioners had wanted a faithful copy of the Guadalupe and covered the depiction in protest, they had no reason to cover the faithful copy of the Perpetual Help image. But there may have been no cool heads to point that out. The Perpetual Help was covered as well.
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The location of the Church is _________. It was known as “Army Street Church”, for some reason. Army Street is now Cesar Chavez.
Oh, the church was Saint Anthony’s and it burned ( again, and all of it ) in the 1970s. Read down a ways, here.:
www.foundsf.org/index.php?title=A_Brief_History_of_Cesar_...
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