View allAll Photos Tagged processing
Working on a prototype for a projection installation. This is an early mock up projected onto my bedroom wall.
True story: Leah told me she wanted to be a bridesmaid after she accompanied Samantha and I to Aria where I was trying on wedding dresses, because she wanted an orange dress. I kid you not! Really! Serra & Serra Photography (send message for details).
Colored (and cross-processed) version of this photo (also found on my blog). Cross-processing based on these instructions.
Intro to Textile Construction - Project 2
happy with where this is at for now, but it's not done.
frustrated with how the impulse dying of the weaving reads as noise in the middle section of the silhouette. not my favorite, but it is improving from where things started.
hoping to:
-redye the yardage
-shoot it
-redye the yardage again
-shoot it again
-repeat steps mentioned?
What I am going to write today would be different than before. This would be a real time creative process, meaning I write as I do processing - See more at: aivo.ca/creative-process-in-photoshop/#sthash.rVOvs6Q5.dpuf
Alberta oil sands. Alberta oil sands. After attending the Society for Conservation Biology's annual meeting in Edmonton, Alberta, several of us took a field trip to see the Alberta oil sands, one of the major oil deposits in Canada. We took a bus to a major processing plant and into one company's open pits (about 15km square in area and several hundred feet deep). Overall an awe-inspiring trip into the maw of the global industrial beast. This is a tiny portion of a multi-billion dollar processing facility.
A 'behind-the-scenes' look at how I processed this shot:
Social network graph of #slaname tweet replies October 14, 2009 to December 11, 2009.
The thicker the line the more times you sent an @reply to that person. The more lines you have, the more @replies to different people you sent. If you don't appear on the graph, but know that you sent out @replies, it's because the person you sent your @reply to never sent out an @reply and so that person won't appear on the graph and unfortunately, you can't either!
Based on the code of www.eskimoblood.de/2008/02/09/how-to-draw-a-network-graph/.
Created using Processing (http://www.processing.org) with data from the Twapper Keeper archive: www.twapperkeeper.com/slaname/
100 particles flock over a sheet of paper. Each particle has a tail. Each particle also releases a fine spray of ink. If the particle is low enough, the tail will drag across the paper leaving a sharp line. The higher the particle, the larger the diameter of the ink spray. Study for a larger project. Made with Processing.
Video of process here.
Our wax artists at Ripley's Wax Zone make the process of creating your wax hand fun and effortless. Both children and adults visiting Niagara Falls enjoy coming to Ripley's Wax Zone to create a one-of-a-kind souvenir to take home.
Flowers and Lines created with Processing. They try to be weird and obviously kitsch at the same time, recycling the idea of crusty old blood and urin in fabrics.
I think I spend as much time colouring as I do drawing. Each design I do has about 10 variations I save of different colours.
I'm so picky with final colours!
This is how the deer started and ended up.
While I do like the depth of color that the CP surface allows, these Arches blocks don't seem to cooperate when I want to separate them. I wonder if the glue binding is old and brittle. I think this is the only Arches block I've used, and I've mangled half of the sheets. The Fabriano blocks are a little better, in my opinion.