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My latest artwork in process. Watercolour. 100CM X 70CM.

It is inspired by my own photography of Epiphyllum.

  

Muse & Inspiration are as ONE, to me.

It has no human form, no figure to it.. It is an abstract state of mind, as I personally sEE it.

Inspiration is a strong urge to express and create in certain moment..

It can be immediate, or after a while ( even years).

Muse or inspiration is the POWER of enthusiasm, or the need to bring out of myself, what I observe, , sense, feels... With my all senses.

Timing of creation, can be at the exact precise moment, as I felt the "LIGHT" of inspiration, or sometime after.

My muse to create is not depend in the other, and therefore my ability to create or being creative, is depending upon myself totally.

Reflecting my life ( and not for the first time) at different times, finding no connection usually between love to one and creating.

Some of my significant work during my life was done without specific "love" figure as the muse.

Perhaps muse to me is the UNIVERSAL LOVE, That reside inside me and wackes up any minute, I sense it.

Muse, to me is LIFE.

AND, LIFE is the endless possibilities of inspiration, that I feel everyday of my life.

 

To be continued... Thanks for viewing and commenting... Wishing you an inspirational day!! Copyrights (c) Nira Dabush.

Ion Orchard Swarovski Christmas Tree

P5 sketch based on Jared Tarbell's www.complexification.net/gallery/machines/boxFittingImg/i...

 

Slightly adjusted parameters, experimented with ellipse() and arc() instead of rect().

Also added rotate() and noise() - hence the overlays here in this output.

Initially exported to PDF. Removed black background with Illustrator and uncovered the entire circle.

 

Color palette was taken from one of these images: www.ersdac.or.jp/ASTERimage/Image/

(I forgot which)

 

> Bigger version

From a helpful little letter drawing app in Processing, to a text file, to oF where it gets rendered all nice and just a little wobbly :)

 

Created in Adobe Illustrator and colored in Processing. I used the features of the newest version of Processing to randomly color the image...the SVG was placed in memory and its XML colors were changed every frame. With the SVG in memory, the framerates are pretty high for this sort of manipulation.

 

I'm looking forward to seeing what people can do with SVGs in Processing.

Processed with VSCO with 4 preset

Processed by RIT Darkroom 0.48b

I got myself a neutral density filter a little while ago, so thought I'd go up to Lockport to find some running water and test it out.

 

This shot was exposed for 2 minutes.

small scale hand-crank depulper removes coffee skin as part of the washed coffee process

Lake Ontario sunset from Brennan Beach RV Park & Campground near Pulaski, New York.

 

I processed this sunset using one of Apple Aperture 3's presets called Cross Process 1. I used more presets on sunsets (hey, I like that!) on my blog: Fun with Aperture 3 Presets. Once a preset is applied, I adjust for highlights and blacks, color and sharpness. May brush in some other adjustments.

 

This concludes Waves and Sunset week on my photostream. Not saying this is all there is. I live in a state full of wonders in its lakes, rivers, streams and waterfalls.

School children on their way home from their floating school in their floating village!

Process Cyber Ninja

  

Copyright ©

Todos los derechos reservados, prohibido la publicación o modificación sin la autorización del autor.

A roll of Cinestill 50 and Rollei CR200 processed as C41 (XPRO).

Photo of the day, 12-2-08.

originally posted 2-27-08.

Just deep in the thought process of life and whats to come

Processed with RNI Films. Preset 'Fuji FP 100C v.2'

Sample output from closetConnect processing sketch

Lubitel 2 TLR med-format camera, expired Fujichrome 64T tungsten film, overexposed one-stop, cross processed.

 

My Mother-in-Law's garden never looked the same after she passed away.

 

Processed with VSCOcam with m5 preset

16x20 digital print, made in collaboration with my daughter (age 7)

Tamales are in the pot cooking

A beautiful November Sunday walk through Stanley Park.

November 2014.

 

Nikon D5100 + Sigma 30mm F1.4

 

instagram.com/chairman_ting

KMZ Horizont/ Fuji Velvia 100F (Cross Processed)

Rolleicord, Portra 400NC traitement noir et blanc puis couleur : LC29 à 1+19 6mn 30°C puis C-41 8mn 30°C

Summilux - f/1.4 on GH2 body.

Got sidetracked by spirals again. Every project I work on seems to get all spirally eventually.

Looked at 1:1 you're going to see the artefacting I mentioned in the review. Still, not bad at all considering. BTW the colour cast on part of the face is from the (very dim) stage light. Note: I accidentally took this shot at -2EV due to the handling problems I personally had with the G3 (see review text)

Handmade cyanotype photograph printed from an original, vintage glass negative.

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