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GOD BLESS AMERICA! JUSTICE IS SERVED. THANK YOU TROOPS!
Angel and I had a photoshoot at Golden Hour.
And I am yet to master the art of hiding the remote.
Happy Exam Week college students! Good luck!
Have a great day.
Copyright GenX Visual Arts
Lighting info: 1 - AB800 with a beauty dish slightly camera right and a little above the model. This is a small bathroom with white walls so the walls are working as reflectors. Fan below to "blow up" the scarf.
Made with Processing. Continuing the exploration of branching structures with the ability to mutate when child nodes are created. This version shows anywhere from 8 to 15 generations. The generation max can be altered by mutation. Video at vimeo.
www.youtube.com/watch?v=4e9CkhBb18E
"You talkin' to me? You talkin' to me? You talkin' to me? Then who the hell else are you talkin' to? You talkin' to me? Well I'm the only one here. Who the fuck do you think you're talking to?"
Used by Il guscio sporco in this work
Another Lippmann test.
0.3mL of 1:1000 ethyl violet and 0.5mL of 1:1000 erythrosine.
1.5 hour exposure
Developed with pyro-carbonate developer for 2.5 minutes
Working on my entry in Alecia's book for the Moleskine portrait exchange group #4 - see more about the exchange at our group blog.
Image from Haley Lorenson Pimp my Pixels.
Glamor magazine process: Skin soften, blemishes remove, eye resizing, nose resizing, cheeks resizing, light painting, pop up eye colors + Cross Process effect using curves.
Original size:
Changes: bluer sky, darker grays, increased whites in clouds, contrast boosted with corresponding increase (higher) exposure created blacks in shadows.
Blog Oxherding is Fun ~~ on Twitter ~~ Oxherder Arts Gallery
Shannon Slane: Processed
An Exploration of modern food through new sculpture. Sculpture, Senior Exhibition.
The Granite Room
211 Peters St SW
Atlanta, GA 30313
My current work addresses the production of food in modern American society. From factory farming to locally raised produce, I seek to explore what may be one of the most pressing issues of our time in a lighthearted and approachable manner. It is widely acknowledged that the industrialization of food manufacturing has transformed the lives, habits, and bodies of Americans, as well as alerted the way that most of our society thinks-or doesn’t think-about where food comes from and what food is. I create digitally fabricated representations of animals that are engineered and produced, and may have more in common with products or raw materials than other living creatures. These animals, which are designed, fabricated and then placed on assembly lines that guide their existence from inception to processing, include chickens, cows, pigs, and fish. My work is also concerned with edible plants and their role in our lives both historically and presently. Plants as well as animals are now being generated inside laboratories, and travel unimaginable distances to reach our supermarkets and tables. This is a marvel of human technology and global society as well as a complex system that may need re-working if humanity is to move toward a sustainable future.
I hope that I can put what goes onto your plate into your thoughts as well.
Late, night painting in the studio. The big work light ended up back lighting the washi paper hanging on the line to dry, so I thought it was an interesting effect. I'll have proper posts of these images tomorrow but these are just for fun
Polaroid CP3 Experimental process
Have you ever seen something you have been imagining for days and never spoken of, suddenly represented by another artist in Flickr?? Has it ever happened to you that the type of art you do suddenly appears in your favourite artist or bands´ artwork without them having possibly known? This sort of coincidence is known as Synchronicity but a group of artists and I have been observing the amount of times these coincidences happen. It has happened at least once to almost every person. This is a glimpse of what the scientific term of Collective Unconscious means and how it permeates reality, as science has shown before. The experiment we are about to embark on is based not on promoting synchronistic phenomena but merely on registering each time this happens until we have a large list of these synchronistic phenomena and can find general common factors. There is a place where all thoughts from everyone come together, the place where we dream things that happen or that dont, the place of beauty and art, our dreams. If this has happened to you, you would be helping an ongoing investigation if either you just mentioned it has happened to you (the mere affirmative has statistical value) or you kindly described your case as a comment on this journal. I will let all those who participate know the final result.