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(FILES) - Photo taken on March 25, 2005 of a young woman wearing the burka, the head-to-toe Islamic veil passing a book shop in Le Bourget, close to Paris. A group of 58 French MPs on June 18, 2009 are asking for a parliamentary panel to look at ways to curb the wearing of the burka or niqab, which they describe as a "prison" and "degrading" for women and contrary to French secular principles..AFP PHOTO JOEL ROBINE (Photo credit should read JOEL ROBINE/AFP/Getty Images)
Flocking algorithm + processing
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We canât deny the beauty of these patterns but one canât help but question the static nature of them. Algorithms are as much about variables as they are about output. Freezing them in time, giving them static shape questions how viable is one objects to the next. If they exist in the range, does only personal aesthetic preference decide importance of one over another and where the process plays such an important part how can we ignore their pre and post decessors. Can their physical manifestation exist not just as a single frame and how does this affect their validity. Are these just decoration and if so, does it then matter if they were created using generative tools or just simply drawn as they are?
Just a thought..
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Every now and again, I revisit code from many months ago and end up finding GLARING ERRORS and POOR CODING STYLE and after fixing these problems, the code runs exponentially faster than it used to. The ripple code was one of those projects.
Originally, I rendered the ripple array directly to the screen, and I was able to get away with about 60x40 squares. After playing with it a bit recently, i realized that I could simply define a color array and use arraycopy to copy it over onto a PImage that i then use to render out the ripple information.
Whereas I could do 1 plane of 60x40 elements before, now I could do 500 planes with alpha intormation at the same FPS as I was getting previously.
Just goes to show, revisit old code!
a processing sketch that uses bezier curves to control the speed of a moving object. the brightness is directly proportional to the speed of the moving object.
Working on my entry in Alecia's book for the Moleskine portrait exchange group #4 - see more about the exchange at our group blog.
Image from Haley Lorenson Pimp my Pixels.
Glamor magazine process: Skin soften, blemishes remove, eye resizing, nose resizing, cheeks resizing, light painting, pop up eye colors + Cross Process effect using curves.
Original size:
Experimental program done with processing.
All screenshots have been captured live in real time.
More info and videos here: blog.goodthink.biz/particles-typography-3d/
Video: vimeo.com/51206202
Flying back to Vancouver from Calgary. Blessed with clear skies and a window seat.
January 13th 2015.
Nikon D600 + Nikkor 50mm F1.4
Canada.
File name: 08_06_021495
Title: Parade with marching girls - baton twirlers?
Creator/Contributor: Jones, Leslie, 1886-1967 (photographer)
Date created: 1934 - 1956 (approximate)
Physical description: 1 negative : film, black & white ; 3 1/8 x 4 1/4 in.
Genre: Film negatives
Subject: Parades & processions
Notes: Title from information provided by Leslie Jones or the Boston Public Library on the negative or negative sleeve.; Date supplied by cataloger.
Collection: Leslie Jones Collection
Location: Boston Public Library, Print Department
Rights: Copyright Leslie Jones.
Preferred credit: Courtesy of the Boston Public Library, Leslie Jones Collection.