View allAll Photos Tagged processing
Some portraits from an old set of Esther. Strobist info: 1 Shoot through umbrella camera left. Feedback is welcome!
Dept. of Chemical Engineering & Applied Chemistry - McGuigan Lab, Faculty of Applied Science & Engineering, University of Toronto
Photo by Sara Collaton
by Natalia Monroy, Subyeal Pasha and Garth Elvy. Table mats / coasters based on forest area data from Mexico, Pakistan and Australia. Made with Processing, lasercut by Ponoko.
This morning we were out-and-about then headed to MexiGo for breaky at around 10:00.
Wrong! MexiGo does not open now until 11a.m as does Romeo's next door
Thus -- through the process of elimination -- only Artisan Bistro was left. They open at 7a.m.
Pricey but good.
Day 3 - Final day (Feb 21 2015)
Outline art work with Molotow black ink and paint brush along with other various sizes of Molotow markers for detail.
Really honoured and stoked to be invited by Infiniti Canada to paint my illustration work on the brand new Infiniti Q50 tomorrow to help ring in the Chinese new year at the Queen Elizabeth Plaza in Vancouver. Feb 19 - 21st.
Follow:
comparison of two different versions of my post processing.
the upper one was in a hurry, the lower one was not.
(same raw-material)
the upper one took me about 2h,
the lower one about 2 days of work.
Top left: Out of camera
Top right: Black and white
Bottom left: Basic color edits
Bottom right: Faux film (cross process)
Recently I've had quite a few people ask about my editing process. It's impossible to lay out exactly what I do because it often changes from shot to shot.
I always start in lightroom, experimenting with about 30 home-made presets. I shift over to photoshop once I'm happy to edit tonality and hues a bit more directly than lightroom allows.
This isn't showing a step-by-step process, but rather the starting image and 3 of my common processing styles. By creating this layout, it's easier to see the starting and finishing point of each style.
1) Dumped on the counter after rising for 18 hours. I wore my 18-hour-bra just to make sure I had the timing right.
2) Floured and formed into an amazingly soft ball. [I said "amazingly soft ball."]
3) Shh! Dough is rising for another 2 hours. Goodnight, you doughball of Maine, you bread of New England.
Created with fd's Flickr Toys.
We're testing a new app for internal time tracking . Very brutal, almost makes me want to cry :)
› www.slifelabs.com (cheers Timo)
Still playing around with my first work, Process_01. Either you take to it or not. I kind of like the forms it's making.
It was working well with listening to Minamo's 'When Unwelt Melts'
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