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downloaded some geometry from the google 3d warehouse - clip art is what I was looking for, not detail - but exporting to obj, then importing to rhino, and then exporting again to render in maxwell - and the textures come through!
unexpected, not necessarily desired in this case, but a rare case of digital data portability
Heavily processed image of Tigger looking out the window at one of our cars (no doubt wishing she had a driver's license) converted into a vector.
Still more experimentation with this new feedback ripple code. Yet more improvements. Instead of using an image to show a cross hair of sound input data rippling from the center out, instead i am rendering a ripple from the corner and rendering that image 4 times per face. It allows me to have a 300x300 element ripple array instead of the previous 150x150.
More to come and I will try to link to a quicktime. (Did you know someone wrote a library to export directly out of Processing into a mov file? Did ya? Hmmm??)
images created in processing for Josh Malamy's "Amino Acids" project
details here: aminoacids.minigolfbirthdayparty.com/
Kristen was telling me today that my photo processing was different to Mark's. Here's one for you, Krispy.
With the main calendar structure complete a hand-perforated cover was laminated on top that aligned with the pre-cut windows in the foamcore below.
I think it's official now... I'm hooked on vertorama's :-)
Definitely going back to this spot when there's smoke coming out of the factory pipes and when the weather is real "dutch" :-)
The factory is an American Dog/Pet Food manufacturer, iams...
...so I finally caved in a took some shots in the RAW mode (well I took them JPG + RAW). I've long been conflicted about processing images too much, however, what finally convinced me is that especially on night shots I can modify things in 2 seconds - things that I'd have to spend minutes to experiment with on the camera. For instance, (as was pointed out in a recent comment) you can slide the WB to get one you like. This is the same as taking lots of pics - typically I will attempt the same shot in several WB modes. Similarly you can switch to Landscape mode or add saturation. These are all things I do on the camera anyway. In addition, if I play with these things in RAW (using a Canon program that came with the Rebel) I will learn more about when to use each - and this will help me achieve my main goal which still remains: taking the best shot right off the camera.
Messing with WB and saturation in RAW does not seem like cheating so I will probably take all crucial shots (and most night shots) in RAW from now on.
In some instance you are under pressure to hurry up. Often other people get impatient. Often you run out of time. Often stuff moves or nice light ends. Often you get eaten up by mosquitos (like today when I took this). Therefore often I don't have time to try 3 WBs and 2 saturation setting for each shot. RAW helps get more and better pictures faster.
In this I only changed the WB slightly and changed it to Landscape mode.