View allAll Photos Tagged processing
Immagine realizzata con la Holga in x-pro, (ma questo lo sapete già).
Milano, nella zona di Corso Como, durante uno dei miei pellegrinaggi alla Galleria Sozzani.
Here I used all 10 completed Copperheads to "animate" the process of him transforming from robot mode into car mode.
I think it was a clever use of the unusual situation of having all of the figures that I had.
Every night we're processing apples in some way. There's still 75 to 80 pounds taking up space in the kitchen.
Tonight, slices went into the dehydrator, peels started soaking for vinegar making and chunks of apples soak in brandy and vodka for liqueur making.
Now in b&w.
Well, for now. Until I decide that I actually like the other ones I took.
Heritage day at school tomorrow! Pictures to come. (hopefully)
I think I'll get 3. I hope to get more. But probably just 3.
:-(
It's hard to take pictures at school because we have Teachers Against Electronics.
Usually, in the beginning of the day they don't mind too much, but hmm. You can never be too sure.
They might make an exception because it's heritage day. But eh. I don't know.
Monday - Heritage day.
Tuesday - Jersey day.
Wednesday - Red, white & blue day.
Thursday - Twin day.
Friday - Blue & Gold day.
Tomorrow I'm prepared for.
Tuesday I have no idea. I don't own any jerseys. Maybe I'll make a fake one out of a wife beater or tank top or something. We'll see. Maybe, maybe not.
Wednesday I'll wear blue and white, but i don't own red really.
Thursday I'll do twin day with my "biffle" M, maybe. We don't really dress alike.
Friday is blue & gold day. School colors. I'll wear a yellow shirt and jeans.
Rough week.
;-)
Recently re-processed by mrs. shelly thanks again!
Dept. of Chemical Engineering & Applied Chemistry - Mahadevan Lab, Faculty of Applied Science & Engineering, University of Toronto
Photo by Sara Collaton
Lighting: overhead florescent.
Post-processing: cropped, dropped lighting, upped color, ambiance, and contrast.
Taken with a Nexus 4 camera (8MP)
I think Bluebells are very hard to photograph and make interesting, well I struggle with them, this will have to do for this years effort.
this pattern is "smoother" than the one grown here: www.flickr.com/photos/jrosenk/4288984331/in/photostream/
I took this picture right outside of my house. I then printed the photo using the cyanotype process.
Another shot of Chris skateboarding. I post process all of these. I'm not great at post processing, so they're not that great.
Processing − a programming handbook for visual designers and artists
Ben Fry & Casey Reas, The MIT Press, 2007
The control processor is a 6800. The other 2 40 pin ICs are 6821 parallel interfaces. One port may be for the keyboard, I have no idea what the others are for yet.
Two new beautiful canvas photographs have arrived and they're about to crystallize! Working in batches, submerging my photographs in tanks to grow crystals on beautiful images.
After several months, my local repair shop gave up to repair my first exemplary of Leningrad camera. I got that GOMZ Leningrad for less than the price of the lens (50€) a year ago (February 24, 2024, flic.kr/s/aHBqjBftyP) at the monthly collector meeting in Saint-Bonnet-de-Mure, near Lyon, France. I looked then again for a working one.
Leningrad’s are fascinating Russian range-finder 35mm camera’s produced in Leningrad (USSR) / Saint-Petersburg, from 1956 to 1968 at about 76.000 units. It is not really a rare camera but appears only from time-to-time in the classical collector’s networks.
The Leningrad camera project was developed by GOMZ company (ГОМЗ, Государственный оптико-механический завод, Ленинград = Gosularstvennyi Optiko-Mekhanicheskii Zavod =State Optical-Mechanical Factory), Leningrad, USSR. The Leningrad ’s were constructed to a very high degree of precision and likely the most advanced rangefinder ever made at that time in Russia. At the 1958 World Exposition in Brussels, the Leningrad was awarded the "Grand Prix de Bruxelles”. Modified Leningrads were also used in the Soviet space program. In addition to a complex parallax-compensated multi-focal (for 3.5, 5, 8.5 and 13.5cm) collimated system, the camera has a built-in spring-powered mechanical motor for an automated film advance after each view taken. The Leningrad monts the 39mm Leica-type thread lenses, especially of the Jupiter series of lens derived of classical Carl Zeiss lenses designed for the Contax (Biogon 3.5cm and Sonnar’s 5, 8.5 and 13.5cm).
In 1965, GOMZ became LOMO ( ЛОМО, Ленинградское oптико-механическое oбъединение (Leningradskoïe Optiko-Mekhanitcheskoïe Obiedinienie) that is still existing, producing instrumental optical devices (www.lomo.ru).
On eBay, I focused on a LOMO Leningrad year 1965 in working condition but without the original film plate. I got the camera for 130€ including the leather bag and a standard lens Jupiter-8 1:2 f=5cm. The seller adapted cleanly a different film plate that looked to work, but my idea was to use the camera back of my faulty Leningrad. This film plate may a precision glass plate special designed for optimum film transport and optical planarity. I received my new Leningrad on January 31, 2025 in good condition.
After a very careful inspection and a detailled cleaning, I decided to make a test film using a FOMAPAN 200 black-and-white film. On the Leningrad it is said that there is absolutely no way to check the correct film advance during the shooting session. The rewind should not be up since the mechanical forces induced would be too high for the spring-powered spooling barrel. The film should be also in a quality not too tight film cartridge and should be checked before use. This stressful machine should be manipulated with maximum care when not familiar with it.
For all the frames, the Jupiter lens was fitted with a Hoya HMC anti-UV filter (40.5mm). The light metering was done for 160 ISO using my external light meter Minolta Autometer III with the 10° viewer for selective metering privileging the shadows areas or the integrating opale dome for incident light metering. The weather was a bit cold (4°C) covered leading to very flat and low-contrast scene outdoor.
February 3, 2025
Parc de la Tête d’Or
69006 Lyon
France
By safety (I don’t what’s happening when the end-of-film blocks the advance), I stopped the session at the frame 35. What is more, for each new views, the Leningrad barrel spool does a fixed half turn. This induces a growing interspace gap as the film advances. Finally, the film was rewound normally and processed using 350 mL of Adox Adonal (Agfa Rodinal) developer prepared at the dilution 1+25 for 5min30 at 20°C.
Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) fitted to a Minolta Auto Bellows III with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The light source was a LED panel CineStill Cine-lite.
The RAW files obtained were inverted within the latest version available of Adobe Lightroom Classic (version 14.1.1) and edited to the final jpeg pictures without intermediate file. They are presented either as printer files with a frame or the full size JPEG's together with some documentary smartphone color pictures.
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Hama Syria - Afaf, her husband and their five children, work together collecting figs, processing & promoting their products as one family. Although that the conflict in Syria has limited their access to broader markets, the family kept going-on with their small-enterprise by reaching surrounding markets. Afaf is ambitious to gain knowledge and experience on modern food processing to drop the traditional processing she uses for long time, she aims at making her products competitive by standardizing her produce.
Read more about FAO and the crisis in Syria.
Photo credit must be given: ©FAO/Jafar Almerei. Editorial use only. Copyright FAO
А также пироженое в корзиночках, босиком по деревянному полу, запах сандала, взрывы фейрверков и группа дисплей vimeo.com/19379667