View allAll Photos Tagged process
Jordan River bank. Oct. 2006
we were babysitting her for a month and i just fell in love within seconds.
- cross processing
File name: 08_06_003667
Title: Legion Parade, Boston
Creator/Contributor: Jones, Leslie, 1886-1967 (photographer)
Date created: 1930-10
Physical description: 1 negative : glass, black & white ; 4 x 5 in.
Genre: Glass negatives
Subjects: Military parades & ceremonies
Notes: Title and date from information provided by Leslie Jones or the Boston Public Library on the negative or negative sleeve.
Collection: Leslie Jones Collection
Location: Boston Public Library, Print Department
Rights: Copyright © Leslie Jones.
Preferred citation: Courtesy of the Boston Public Library, Leslie Jones Collection.
Drawings on the green grass
photo by NNoti Nastenkina
www.flickr.com/photos/nnoti_nastenkina
And nice video is here vimeo.com/54197118#
From the forthcoming exhibition Process: The Working Practices of Barney Bubbles
See the Eye events page for more details: blog.eyemagazine.com/?page_id=158
Unused artwork layers for front and back cover, 4000 Weeks Holiday by Ian Dury & The Music Students, 1983.
Had loads of fun working on the latest @telus campaign #PowerToThePicky last month. Been seeing them all out in the wild everywhere in #Vancouver
March - April 2015
I pulled this old photo out of my pile of folders to share another post-process technique I have used to make up for bad backgrounds.
This time I took a previous session's test photo of a blanket and placed it behind the layer of the new photo. I erased the old background to reveal the blanket and used a colorize action to turn the blanket to a blue that matched the blue of the new photo. To help transition between the two layers, I used a blur paintbrush and ran it across the edges of the white blanket where it met the new background. I found this to be much much faster than cloning a new background (see the previous upload in my photostream) although with this technique you have to be careful that the background doesn't look fake and too different from the foreground. (I'm still debating whether this example works or not but I mainly uploaded it for the technique itself, not my first attempt at executing the technique. If you take a photo of your backdrop before the current session, then you have a much better chance of it looking natural when you use this technique.)
How do Sorting Algorithms look like? A pixelrow of a photograph is taken and then sorted by colorvalues. Done with processing.
drawing with code that I am modifying which is available through this site: www.generative-gestaltung.de/code. Connected to the book Generative Design
during the 14+ years of working under the name elbow, i usually just stumble into something for my own identity.
spent some time this week working out something new.
Running a user experience workshop for a client helps us understand the touch points that customers and staff experience. It's low tech - postitnotes, markers, sweets - and it's the conversation that counts
This is a rather ugly tree to most but it is a favorite for me. Looks like it has had some struggles in it's lifetime, like most of us. I believe it lost it's top in a lightning strike. I just played with some Elements tools until I got something that pleased me.
the original image, and the dots generated by processing which get cut on the laser
source code is here: pelletron.org/shared/halftone_generator.pde
território em processo de especulação imobiliaria/imaginária.
a possibilidade de imaginar e produzir um espaço urbano criativo e participativo X o processo de especulação imobiliária que expulsa moradores e comerciantes de zonas urbanas supervalorizadas.
imagin/ação X gentrificação. ação realizada em são paulo durante o festival baixo centro. abril 2013.
Cross processed Poundland Color Film using Ilford Black and White HC Developer. Scan of the enlargement, not the film. Added some contrast post-scan. Taken on a Nikon F60 with 50mm lens. Enlarged at Norwich Arts Centre Darkroom.
Fruit packing equipment at the BC Orchard Industry Museum. The manufacturer is the F.B. Pease Co. of Rochester N.Y. This business was started in 1876 by Franklin Beech Pease, forefather of Warren S. Pease, who still designs equipment on a day to day basis, while his son Dudley has taken over the reins of business leadership in the company. Franklin Pease was an inventor who grew up in the apple country town of Ontario, in Western New York State, close to Lake Ontario. The business, carried on by Franklin and his three sons, evolved into the making of apple processing equipment including the apple parer, corer and slicer. Today Dudley Pease carries on the traditional manufacture of the Pease line while also expanding the company's' capability to produce custom equipment in conjunction with the existing line of machines.
I drilled holes in the base of the antlers and the pedicles, cut the pipe down to the right length and fitted them with some apoxy sculpt. The finished product allows the antlers to stay in place whilst up on the wall however the antlers easily slide on and off for easier transport, or if I wanted to display a different pair of antlers.