View allAll Photos Tagged process
f/22, 1/100th, ISO-100, 55mm, close-up filters(+1 & +2)
Strobist: 1 AB1600, 1/2+ power, @~3:30, bounced out of umbrella, triggered w/ Cybersync
I really like the close-up filters, I just can't get used to the limited DOF.
A variety of failures, mistakes, bugs, and early visions. I like them all though. Thought I would add them to the Fuji portfolio for nostalgia's sake.
File name: 08_06_003803
Title: Parades
Creator/Contributor: Jones, Leslie, 1886-1967 (photographer)
Date created: 1917 - 1934 (approximate)
Physical description: 1 negative : glass, black & white ; 4 x 5 in.
Genre: Glass negatives
Subjects: Parades & processions
Notes: Title from information provided by Leslie Jones or the Boston Public Library on the negative or negative sleeve.; Date supplied by cataloger.
Collection: Leslie Jones Collection
Location: Boston Public Library, Print Department
Rights: Copyright © Leslie Jones.
Preferred citation: Courtesy of the Boston Public Library, Leslie Jones Collection.
I thought a cross-processed-esque look would work well with these urban shots from Cuba - hopefully they add 60s/70s vibe to modern pictures,
PROCESSION RELIGIEUSE DANS LA PROVINCE DE KOURSK
1881-1883 / Huile sur toile
Répine se souvient des leçons de la peinture de plein air et compose habilement son groupe avec des personnages issus de différentes classes sociales, en leur conférant une vraie individualité. Le peintre ne s'intéresse pas tant au majestueux reliquaire qu'à la petite icône portée par une bourgeoise d'âge mûr. Répine expose la peinture en 1883 au onzième Salon de la Société des expositions artistiques ambulantes. Les avis sont partagés, certains louant son audace et son expressivité, d'autres l'accusant de trahir les convictions religieuses du peuple.
Fall is the perfect time to get that pool you have been dreaming of. We are with you during the pool building process from start to finish.
Source code in background. See this image for the complete source code, or visit my blog. Code is CC-BY licensed.
Done for photo class.
Ugh, I wish I had a scanner because I had to take a picture of my picture and so it looks kind of shitty compared to how it looks in real life but okay.
This is the first print where I've done everything myself. Yay photo class.
Came across those whilst searching through my old CD backups. From spring 2004, test driving the first texturing support...
processing.org/discourse/yabb/YaBB.cgi?board=Contribution...
Taken by: Jeff Allenby
Mary Clark, Henry Copolla, Mike Barrett, Dana Overcash and Jaime Budzynkiewicz (from left) showing their amount of Joy for learning outside
Like most back breaking manual labor jobs in India Jagery production is no differant, 30+ degree heat, 6 days a week for a few dollars a day. Despite these conditions the workers are able to earn a modest living and put thier children through school and hopefully a better future.
©Nayan Sthankiya
Over the break and over the last couple of weeks I have been experimenting with how to represent these ideas. My recent experiments explore this aging cycle by repeatedly printing images with a basic consumer-grade inkjet printer until the ink from the printer has completely been depleted. The image quality of the photographs progressively becomes poorer and poorer until the image “disappears.” After the image no longer printed I was interested in the processes of “renovating” or “gentrifying” by replacing the exhausted ink tanks with new ones, in an effort to be able to print the image again “as it should be seen.” In the same way that the aging and gentrifying processes have an effect on neighborhoods, I want to see the effect that continual inkjet printing has on images.