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Heavily processed picture of Nobuo. Most are from frames in the video I uploaded earlier today. I found a swirly filter and swirled poor Nobuo until he was just circles.
Dublin docklands, through the window of a coach bound for the airport.
This is a trick photo, done in-camera. See if you can guess.
U.S. Air Force Airmen with the Cargo Deployment Function of the 169th Logistics Readiness Squadron at McEntire Joint National Guard Base, S.C., process cargo being simulated deployed during the Readiness Exercise, April 9, 2013. Members of the 169th Fighter Wing are preparing for Phase I and II Readiness Inspection, which evaluates a unit’s ability to deploy, then operate and launch missions in a chemical combat environment.
(National Guard photo by Tech. Sgt. Caycee Watson/Released)
A pair of portraits in somewhat different styles. This one was taken on a cheap digital camera, and heavily processed.
These were printed 2-up, which meant quicker printing and a bit more cutting after the fact...but it's totally worth the time saved printing. It'd be even better to do 4 (or more) at a time.
This series is one of the first sketches I did in Processing. Nothing spectacular here, I was just cutting my teeth in the environment.
Day 3 - Final day (Feb 21 2015)
Outline art work with Molotow black ink and paint brush along with other various sizes of Molotow markers for detail.
Really honoured and stoked to be invited by Infiniti Canada to paint my illustration work on the brand new ‎Infiniti Q50 tomorrow to help ring in the Chinese new year at the Queen Elizabeth Plaza in Vancouver. Feb 19 - 21st.
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That's our Master Carpenter. Yes, he's now sporting a work kilt. Seeing the riggers with ZFX wearing them, he decided to embrace his Scottish heritage and go with one of the carpenters kilts. No, it's not his only kilt.
And no, I'm not going to ask him what he's wearing underneath.
The manufacturing process is being carried out on highly sophisticated machines. The operational activities are being looked after by highly qualified and technical persons. www.polariscables.com/manufacturing_process.html
Home to one of the state's most distinguished 19th century families, La Casa de Estudillo was San Diego's social and religious center during the Mexican and early American periods. Built during 1827-1829 by comandante José MarÃa Estudillo and his son, lieutenant José Antonio Estudillo, this adobe-block townhouse eventually enclosed an inner courtyard. It has twelve rooms including bedrooms, a living room or sala, and a dining room among others.
The thick adobe-brick walls were coated with a mud plaster and painted with a lime-based whitewash. On top of the roof was a turreted balcony, accessible by a stairwell, where the Estudillo family watched the bullfights, horse races, and fiestas on the plaza.
The family, as well as various boarders and servants, continued to live in the house until 1887. After the family's departure, the house fell into ruin and would have possibly disappeared forever were it not for the efforts of investor John D. Spreckels and architect Hazel Waterman in 1906.
Spreckles turned the renovated property into "Ramona's Marriage Place," a tourist attraction based on Helen Hunt Jackson's famous novel Ramona. It operated as "Ramona's Marriage Place" until the 1960s.
Later, in 1968, the casa became part of the California State Park system and was restored as a house museum identified with the Estudillo family. It has been described as the finest example of a large Mexican adobe townhouse in the United States. La Casa de Estudillo is the only individual site in the park listed on the National Register of Historic Places and is one of five original 19th century adobes in the park.
La Casa de Estudillo has opened some of its rooms to the public to walk through and enjoy. This is one of the many new and interesting updates which have been part of the Casa de Estudillo exhibit redesign process.
Polaroid CP3 Experimental process
Have you ever seen something you have been imagining for days and never spoken of, suddenly represented by another artist in Flickr?? Has it ever happened to you that the type of art you do suddenly appears in your favourite artist or bands´ artwork without them having possibly known? This sort of coincidence is known as Synchronicity but a group of artists and I have been observing the amount of times these coincidences happen. It has happened at least once to almost every person. This is a glimpse of what the scientific term of Collective Unconscious means and how it permeates reality, as science has shown before. The experiment we are about to embark on is based not on promoting synchronistic phenomena but merely on registering each time this happens until we have a large list of these synchronistic phenomena and can find general common factors. There is a place where all thoughts from everyone come together, the place where we dream things that happen or that dont, the place of beauty and art, our dreams. If this has happened to you, you would be helping an ongoing investigation if either you just mentioned it has happened to you (the mere affirmative has statistical value) or you kindly described your case as a comment on this journal. I will let all those who participate know the final result.
Top left: Out of camera
Top right: Black and white
Bottom left: Basic color edits
Bottom right: Faux film (cross process)
Recently I've had quite a few people ask about my editing process. It's impossible to lay out exactly what I do because it often changes from shot to shot.
I always start in lightroom, experimenting with about 30 home-made presets. I shift over to photoshop once I'm happy to edit tonality and hues a bit more directly than lightroom allows.
This isn't showing a step-by-step process, but rather the starting image and 3 of my common processing styles. By creating this layout, it's easier to see the starting and finishing point of each style.
The butter and buttermilk making machine (left) and the yogurt making machines at the dairy farm De Diervoort, Nijmegen, the Netherlands.