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Flying sparks from metal. Worker sharpens knife on grinding wheel. Video was shot in RAW.
www.istockphoto.com/video/process-of-sharpening-knife-fly...
Moscow. Gorky Park.
Camera: Canon EOS 5
Lens: Canon Zoom Lens EF 70-210 mm
Film: Kodak Vision3 200t + dev.D-76
Photo taken: 29/07/2017
Scanner: Noritsu LS-1100
The final image is a cross sectional and dorsal view of a piece of computer RAM. The hardware component that allows your computer to multitask by storing information in real time. As amazing as this technology is, we come full circle back to the native element that is copper. Seized in fiberglass and coated in gold, this hardware is fine tuned to being the next critical component in our evolutionary path.
A nice Sunday afternoon studio shooting session with FB.
Story and other shot on my blog as soon as possible.
D200 + Tamron 28/75 f 2.8
SB 900+ shoot through umbrella high camera left M 1/16 ISO 100
Please don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved.
*** For all those do-it-yourself-at-home kids......Never never never!!! wad ALL the hair up into one knot or bun on top of your head if you're using 30vol/high lift, or bleach. The process of lifting creates A LOT of heat, and that will build up inside the 'bun' causing excessive damage, and possibly even burning the scalp. If you're wondering why the hair on your crown is melting??? That's why. Split it into smaller sections so that air can circulate.
The story behind
'Novitiate Nebula'
This quilt is made out of 80 different blocks from a variety of block of the months and quilt alongs that I participated in during 2012.
These include:
Sew Sweetness, New York Beauty Quilt Along - sewsweetness.com/2012/02/new-york-beauty-quilt-along.html
Canton Village Works - Blogger BOM: cvquiltworks.com/blogs/blog/12661573-today-is-the-day-the...
Jo's Country Juction Crumb Along: www.joscountryjunction.com/today-starts-the-crumb-quilt-c...
Breezy Beginner's Sampler from Quilt Gallery: mishkasplayground.com/learn-to-quilt-booklets/breezy-begi...
and a few blocks of y own.
I finally put this mish mash of blocks made from my scraps together into one cohesive quilt this year. I used a fabric that already had these cool patterned circles on it and cut it for the border.
I sent it to my aunt, Barb Raisbeck of Quilts by Barb for the long arm quilting. She used a flourescent orange thred to make these amazingly intricate swirl designs on the border and to emphasize the new york beauty block. Using a gray thread she did a rounded building block type design all over the rest of the quilt. It really is the perfect quilting solution to the crazy top I sent.
I find drawing posed pictures straight onto the computer pretty horrible. There are too many choices, and the slick feel of the tablet leads to hasty, speculative strokes that go nowhere. I prefer to render a sketch in ballpoint pen then work it up.
The more I tweak this project, the more I love it. Through controlled accidents, I got it to look rather Nebular. I will continue tinkering and if all goes well, soon I will have an audio-responsive universe!
Read about it here. There is a short video too!
Saw this at a local garden on a visit with my son. It is an HDR image, and then crossed processed on Picnik.
After taking a little break from the whole graff thing, I came back with this. It is a sneak peak of a wall I am doing with Less and Smug. Finished shots to come soon enough.
The Ben Day process involved screens with raised dots or patterns that could be painted with ink or other media and then burnished onto prepared areas of an exposed zinc plate before etching, a photographic negative before exposing onto a prepared metal plate, or even onto artwork or ad material before it was photographed for the printing process. A complex and unique process, it appears in use from the late 1800s through the 1980s—maybe beyond in specialized industries or printing plants that didn't update.
On this page, a standard form of the device is shown with details about what tints and patterns are available. It appears to be from
The page shows at the bottom the printed results of applying 40 patterns to photographic negatives before etching and then printing. Compare No. 532 on this page with the identical No. 532 in the next image in this sequence. A 20% tint applied as a layer of pigment to a negative means that 20% of the exposed area is opaqued out, leaving 80% clear. When exposed onto a photosensitized plate, the clear areas harden. During etching, only the unexposed portions wash away. As a result, the relief plate used directly for printing (or through duplication in the stereotype mold/plate method) have 80% of the area covered in tint.
From Graphic Arts Production Yearbook, Volume 6 (1950)