View allAll Photos Tagged process
A little process peek - choosing fabric for the bird quilt. www.shinyhappyworld.com/2014/04/choosing-fabrics-bird-qui...
I never posted this, but it's on my list to post, but instead of adding yet another old photograph I thought I would share what I did to it with my Soft Pink Afternoon Glow preset before I uploaded it...
This was when it was quite a bit warmer... ah, I wish winter clothes were more colourful, all this black, grey and brown is boring!! Can someone invent colourful winter clothes? Pleeeeease!
Processed with Indoor Lightroom Preset from The Bell Sisters
The Bell Sisters - FaceBook Page - Pinterest - Getty Images - Instagram
Moscow. Gorky Park.
Camera: Canon EOS 5
Lens: Canon Zoom Lens EF 70-210 mm
Film: Kodak Vision3 200t + dev.D-76
Photo taken: 29/07/2017
Scanner: Noritsu LS-1100
These are some of my favorite presets. I have never purchased a preset in my life, I have fun making my own and have developed my own workflow. I have a preset for just about everything, low light, backlight, exposure, contrast, and so on! Each preset not only changes skin tone, but also changes the colors and contrast of the rest of the image, making it very fun to edit and process each image just the way I like it for the shot. One thing I never do or have done is touch my subjects face or eyes in any way. I do not go in and smooth skin or change eye colors and so fourth. The beauty of the subject is truly untouched in my images. I really do stick to the natural in natural light photography not just for lighting, but for facial features and so on! Here are a few I just wanted to share as I am working through this session :)
Flying sparks from metal. Worker sharpens knife on grinding wheel. Video was shot in RAW.
www.istockphoto.com/video/process-of-sharpening-knife-fly...
Working on a retelling of the Solar engine so that it runs in real-time from microphone input. The original version existed only as renders because I was asking the computer to perform highly processor intensive particle repulsion. Given a mass of particles (10,000+), each particle had to exert a force on every other particle.
The original render ran at less than one frame per second. This version, still visually dense and reactive, runs at near 30fps on my laptop. Once the port to Cinder (with some optimization magic courtesy of Andrew Bell) is complete, we expect it to hit the coveted 60fps mark.
Still working on the visuals and behavior. Next up, variable size spheres and pushing more of the workload to the GPU.
Here is a sample of what, after a decent bit of work, I am able to get out of the Microtek i700 with a 4x5 slide.
Please view at original size for the intended sample!
The process involves a few steps - some of them because I am using Silverfast SE, which only scans to 24-bit RGB.
First I scan after modding the levels using the Silverfast Histogram to truncate the flat ends of the histogram. I use 'medium' USM when scanning.
Then after imported into photoshop, I convert to 48 bit, then export each channel as a 16 bit greyscale image.
I run each greyscale through Neat Image to minimise noise - this has the added effect of 'rebuilding' some tonal detail by averaging pixels interpreted as noise and resampling that average back into the image.
After noise reduction I open each of the processed greyscales in photoshop and run another tone adjustment using the levels tool, slicing off the low end until the blacks are black, and the whites are bright.
I then run a Smart Sharpen on each of the greyscales, using Lens Blur.
After that, I recombine the image, copying each greyscale image into its appropriate channel in the RGB image.
I then run more curves / levels adjustment, colour enhancements, and a manual clone touchup to remove any dust marks I find.
Finally, I run an appropriate USM on the final image, and resize for output. I may run an additional minor USM on the resulting resize as well, depending on whether it needs it.
Hit 'L' to view on large.
Creepy old crematorium that is now abandoned, light was leaving us fast so we had to be quick. Looking at the sketchy history of this place on the internet, over 100,000 bodies were processed through this crematorium. We visited and the undergrowth was really coming through. A good end to a great day.
Another month, another tour. The Benzine tour no doubt on the name. On tour with Camerashy, Wiffsmiff23 and FlashandBlur. Countless hours driving, some iconic places visited and efficient Police and Security encountered and hid from. Not to mention lots of places sealed, trashed or locked down.
My blog:
timster1973.wordpress.com
Also on Facebook
www.Facebook.com/TimKniftonPhotography
online store: www.artfinder.com/tim-knifton
*** For all those do-it-yourself-at-home kids......Never never never!!! wad ALL the hair up into one knot or bun on top of your head if you're using 30vol/high lift, or bleach. The process of lifting creates A LOT of heat, and that will build up inside the 'bun' causing excessive damage, and possibly even burning the scalp. If you're wondering why the hair on your crown is melting??? That's why. Split it into smaller sections so that air can circulate.
Moscow. Gorky Park.
Camera: Canon EOS 5
Lens: Canon Zoom Lens EF 70-210 mm
Film: Kodak Vision3 200t + dev.D-76
Photo taken: 29/07/2017
Scanner: Noritsu LS-1100
The story behind
'Novitiate Nebula'
This quilt is made out of 80 different blocks from a variety of block of the months and quilt alongs that I participated in during 2012.
These include:
Sew Sweetness, New York Beauty Quilt Along - sewsweetness.com/2012/02/new-york-beauty-quilt-along.html
Canton Village Works - Blogger BOM: cvquiltworks.com/blogs/blog/12661573-today-is-the-day-the...
Jo's Country Juction Crumb Along: www.joscountryjunction.com/today-starts-the-crumb-quilt-c...
Breezy Beginner's Sampler from Quilt Gallery: mishkasplayground.com/learn-to-quilt-booklets/breezy-begi...
and a few blocks of y own.
I finally put this mish mash of blocks made from my scraps together into one cohesive quilt this year. I used a fabric that already had these cool patterned circles on it and cut it for the border.
I sent it to my aunt, Barb Raisbeck of Quilts by Barb for the long arm quilting. She used a flourescent orange thred to make these amazingly intricate swirl designs on the border and to emphasize the new york beauty block. Using a gray thread she did a rounded building block type design all over the rest of the quilt. It really is the perfect quilting solution to the crazy top I sent.