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The seven principles Eugene Meyer set out for the Post when he bought it in 1933 once adorned the old lobby at 1150 15th Street. Today, they're reproduced in metal type on a wall in the new newsroom:
The first mission of a newspaper is to tell the truth as nearly as the truth may be ascertained.
The Newspaper shall tell ALL the truth so far as it can learn it, concerning the important affairs of America and the world.
As a disseminator of the news, the paper shall observe the decencies that are obligatory upon a private gentleman.
What it prints shall be fit reading for the young as well as for the old.
The newspaper's duty is to its readers and to the public at large, and not to the private interests of its owners.
In the pursuit of truth, the newspaper shall be prepared to make sacrifices of its material fortunes, if such course be necessary for the public good.
The newspaper shall not be the ally of any special interest, but shall be fair and free and wholesome in its outlook on public affairs and public men.
Beedie School of Business' CIBC Centre for Corporate Governance and Risk Management, the Shareholder Association for Research and Education (SHARE), and the UN-backed Principles for Responsible Investment (UNPRI) hosted an event on February 28, 2013 featuring keynote Dr. Wolfgang Engshuber, Chair of PRI. This was followed by a panel discussion on the role of responsible investment in comprehensive risk management and ways to build healthy, sustainable capital markets.
Panel speakers include:
Robert Adamson, Business Administration Faculty, CICA Fellow in Corporate Governance and Risk Management, Executive Director, CIBC Centre for Corporate Governance and Risk Management, SFU Beedie School of Business
Dermot Foley, CFA, Manager ESG Analysis, Vancity
Laura O'Neill, Director of Law and Policy, SHARE
Bryan Thomson, Vice President, Equity Investments, bcIMC
Robert Walker, Vice President, ESG Services and Ethical Funds, NEI Investments
Excerpted from The Principles of Uncertainty by Maira Kalman. Reprinted by arrangement with The Penguin Press, a member of Penguin Group (USA), Inc. Copyright (c) October, 2007.
Beedie School of Business' CIBC Centre for Corporate Governance and Risk Management, the Shareholder Association for Research and Education (SHARE), and the UN-backed Principles for Responsible Investment (UNPRI) hosted an event on February 28, 2013 featuring keynote Dr. Wolfgang Engshuber, Chair of PRI. This was followed by a panel discussion on the role of responsible investment in comprehensive risk management and ways to build healthy, sustainable capital markets.
Panel speakers include:
Robert Adamson, Business Administration Faculty, CICA Fellow in Corporate Governance and Risk Management, Executive Director, CIBC Centre for Corporate Governance and Risk Management, SFU Beedie School of Business
Dermot Foley, CFA, Manager ESG Analysis, Vancity
Laura O'Neill, Director of Law and Policy, SHARE
Bryan Thomson, Vice President, Equity Investments, bcIMC
Robert Walker, Vice President, ESG Services and Ethical Funds, NEI Investments
Go to Page 51 in the Internet Archive
Title: Jackson's gymnastics for the fingers and wrist : being a system of gymnastics, based on anatomical principles, for developing and strengthening the muscles of the hand for musical, mechanical and medical purposes : with thirty-seven diagrams
Creator: Jackson, Edwin Ward
Publisher: London : Trübner
Sponsor: Open Knowledge Commons and Harvard Medical School
Contributor: Francis A. Countway Library of Medicine
Date: 1865
Language: eng
Spine title: Jackson's finger gymnastics
If you have questions concerning reproductions, please contact the Contributing Library.
Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.
Read/Download from the Internet Archive
this image shows movement by the flow of the picture. How the gray moves through the image shows the movement.
My principles were line and balance. I used a line element to underline and accent the title. I made this into a barbed wire because barbed wire is an ever-present obstacle in the film. It is also symbolic of the movie's theme. I also constructed a guard tower than has many line elements. Much like the wire, the sentinel is both a literal and metaphorical element in the film. The font I used for the title is called Canter. It has a low x-height which I found to look a little more vintage and historical, while the minimalist flat white lettering is something seen more in contemporary design, bringing modern appeal to a historical film. I used a thick stroke weight on the letters and left the interior fill of the letterforms transparent, creating extra lines within the letterforms. The outline effect is reminiscent of tunnels.
I centered all the elements on the page in order to create a sturdy balanced composition. I chose a quote from the movie that was both dramatic and explanatory of the movie's plot, which is the true story of P.O.W.s trying to escape from a camp in rural Germany. The dark blue color is a prominent hue of the film, seen on uniforms, trains, automobiles, etc. I also overlaid a paper texture because the film is relatively old (1963) and is telling an even older story from WWII. I thought the paper texture evokes a worn feeling of antiquity and history.
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Ralph Waldo Emerson. The happiest man is he who learns from nature the lesson of worship.
Lucius Annaeus Seneca: On entering a temple we assume all signs of reverence. How much more reverent then should we be before the heavenly bodies, the stars, the very nature of God!
John Muir: All the wild world is beautiful, and it matters but little where we go, to highlands or lowlands, woods or plains, on the sea or land or down among the crystals of waves or high in a balloon in the sky; through all the climates, hot or cold, storms and calms, everywhere and always we are in God's eternal beauty and love. So universally true is this, the spot where we chance to be always seems the best.
The buildings on a 2 acre plot. This has not been planted up with a huge windbreak, forest garden and coppice woodland. The planting is integral to the house. Everything is informd with permacutlre principles
Mr. Mazzuca and Committee Members:
If you have taken the time to read the thousands of letters I know you have already received, there is probably not much I can add that would cause you to change the BSA’s stance on Gay/Lesbians serving in/with the Boy Scouts. A policy voted on in dark rooms with shadows of evil. However, like all who have taken the time, I also must renounce this policy and as a token of my sincerity return to you my Eagle Scout Certificate. This is no easy task.
I grew up in scouts and received my Eagle Scout in 1965; Went to one world and one national jamboree; Served as a flag bearer in the Rose Parade; and as a Junior assistant Scoutmaster and Merit Badge Counselor. I served 23 years in the US Air Force. Met many Eagle Scouts during my tour as well as during my professional career following.
I had the opportunity to read a couple of letters on the internet. One gentleman spoke in terms of each point of the Scout Law. I feel the same as he. The Scout Oath also has within it specific meaning that decries your bigotry.
On my honor (what honor can a man have if he discriminates and demonstrates hatred toward a group of otherwise honorable people?)
I will do my best to God (God is no respecter of persons. No matter the affiliation, the word of God is love and respect between all people. Those who willfully and spitefully exclude and hurt others cannot be counted as God’s)
And my Country (the United States of America was founded upon the principle of freedom. To deny anyone the benefits of scouting because of race, creed, gender, or beliefs is un-American).
And to obey the Scout Law – others have discussed how the BSA’s decision is the antithesis of the Scout Law
To help other people at all times (how can we help other people at all times when the organization we represent preaches in word and deed that other people are not important?)
To keep myself physically strong, mentally awake and morally straight (Keeping the body, mind and soul at peak efficiency is only attainable through obedience to strong moral principles. Discrimination does nothing but breed hate and contempt and consume the soul to where the body has no more feeling).
Then there is the Scout Slogan, Do a good turn daily. How can you and “the others” feel that you can do any good turns when your actions speak volumes against it? Does the good turn only have to be rendered to certain groups of people? Does the Scout Leadership feel they are omnipotent enough to decide who should and should not receive the good turn?
Lastly, I will address the manner of the religious lobby, the radical religious right that pressures the BSA to make such unpatriotic and un-American decisions. There is little argument that the BSA receives a significant portion of its funding from the Mormon Church and, hmmmmm, the Mormons are bigots as well. Where was the BSA when the Mormon Church was discriminating against the blacks by not allowing them to serve in their scout troops? Absent.
And now, where is the BSA when the strong arm of the Mormons and other radicals are encouraging the continued bigotry but against another honorable group of US citizens? Again absent. The BSA leadership has come to the decision to demonstrate no moral conviction unless it is whispered in their ear.
I have rambled on enough. When the BSA decides to take a genuine moral stand and allow the benefits of scouting to all, I will reconsider my decision and be counted as a member and Eagle Scout. However, at this time, I relinquish both.
Sincerely,
Alvin Oram
natural lighting.
series on keys for sztamari's advanced principles of photography class. broken windchime of keys placed on a wooden shelf of a grill.
These sketch notes are the outcome of conversations between Bryan M Mathers and a group current CMALT holders and assessors discussing the CMALT values and principles that underpin the scheme.
Unfortunately, the principles of good design we see on one side of the school are not adhered to on the other. This crossing is far too wide, crossers are forced to walk out into the road to see round parked cars and, from watching, drivers take this junction far too fast as the previous speed hump is too far away.
Bear in mind this is right next to a school.
Meditation in India - Meditation retreats in India to remove all suffering and Self Realization. Meditation books and courses at Z Meditation in India.
Discussing the guiding principles of the new Lean Delivery Office with lean and design thinkers from across the OPS, as we work to deliver more efficient, effective government services.
I used many of the elements and principles of design in my collage. I used line in many different areas, such as the diagonal line created by my two backgrounds, and the lines of the trees on the left. By cropping my corner pictures into squares I incorporated shapes. The deer and the salmon are examples of form, specifically organic form, because they are 3-dimensional and are not geometric. Value is seen in the black and white corner images, and color is seen throughout the collage. I used an earth/nature tones color scheme, and it was important for me to preserve the natural colors of nature in my collage. That was one reason I chose this topic. Space is most obviously displayed in the bottom right image of the top right corner. In the foreground we see the man in the boat, but in the background we can see the rest of the lake leading up to the forest and the skyline. Texture is seen in the rocks of the lake background and the trees, leaves, and dirt of the forest background. As far as principles, I used contrast in my six black and white images, and in their borders. My main emphasis is the title “The Great Outdoors” and the images of the deer and salmon are “secondary” emphases, because they are on intersections of the rule of thirds, yet are reduced in opacity to create the main emphasis. I balanced my image by creating a clean diagonal split down the middle of the two backgrounds, and playing equal elements on each side, such as the one main picture and three corner pictures. We can see movement in the man shooting the bow and the other man fly-fishing. Finally, there is rhythm in the placement of the rocks on the riverbank in the bottom left corner.
I used many different tools in photoshop to create this image. My first action was to copy in the two background images; the woods and river. Next, I hid each and with a soft eraser, cut half down a diagonal of each. Then I showed them and made sure they matched. Next, I copied in the image of the fish and deer. On each, I re sized them to match each other, and feathered the borders. I placed them on their respective sides, and overlapped them slightly. On both the fish and deer, and woods and river, I reduced the opacity so that they didn't overwhelm each other. Then I found six images, each of something I enjoy doing outdoors. I have an image of fly-fishing, fishing on a boat, bow hunting, rifle hunting, camping, and backpacking. I resized all six to the same size, adjusted them to black and white, and changed the hues on each until I was satisfied with the values. I put three in each corner, and placed a border on each of them. As for the border colors, I used the eyedropper to sample different nature tones from the two background images, and then filled the border with those colors. Once that was done, I used a crosshatch filter on each to give it a more rustic, natural look. Finally, I added the "The Great Outdoors" title, changed the font, and sized it. I placed it directly in the middle of the canvas. Again, I used nature tones to create a gradient overlay, and adjusted it so that it was apparent. Finally, I used drop shadow and stroke effects to better emphasize the font against the background.
At completion, I'm happy with my collage. It turned out exactly how I wanted it to. I actually completely restarted my entire project because I wasn't happy with my original design. I am much more pleased with this one, and I learned more. I learned about borders, I used the eyedropper more to sample colors, and I used more blending options.
how to quickly understand the principles, while defending the public with an amazing humor and a very good management of time, public, and progressive explanations.
All photos here: www.gaudry.be/photo/devoxx-2015/
Beedie School of Business' CIBC Centre for Corporate Governance and Risk Management, the Shareholder Association for Research and Education (SHARE), and the UN-backed Principles for Responsible Investment (UNPRI) hosted an event on February 28, 2013 featuring keynote Dr. Wolfgang Engshuber, Chair of PRI. This was followed by a panel discussion on the role of responsible investment in comprehensive risk management and ways to build healthy, sustainable capital markets.
Panel speakers include:
Robert Adamson, Business Administration Faculty, CICA Fellow in Corporate Governance and Risk Management, Executive Director, CIBC Centre for Corporate Governance and Risk Management, SFU Beedie School of Business
Dermot Foley, CFA, Manager ESG Analysis, Vancity
Laura O'Neill, Director of Law and Policy, SHARE
Bryan Thomson, Vice President, Equity Investments, bcIMC
Robert Walker, Vice President, ESG Services and Ethical Funds, NEI Investments
Teaching journalism fundamentals - print and online lessons - to David Dunkley Gyimah's first year class of international students. Robb was a guest lecturer on October 6 class at Norwick Park's University of Westminster.
Teaching journalism fundamentals - print and online lessons - to David Dunkley Gyimah's first year class of international students. Robb was a guest lecturer on October 6 class at Norwick Park's University of Westminster.
From 13 to 15 December, the CGIAR Systemwide Livestock Programme (SLP) crop-residue trade-offs project team gathered to review data collected in phase I over the past two years and to devise ways forward for the phase II of the programme from 2012 onwards (photo credit: ILRI/Ewen Le Borgne).