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New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
The red line represents the 5 general principles the agreement shouldn’t cross: Emissions, Equity, Finance, Justice, and Compliance. The event was organised by Friends of the Earth to highlight issues with latest draft text of the Paris agreement.
Happy 4th of July from 45SURF 45EPIC Hero's Odyssey Mythology Photography! Black Surfboard & Pretty Blonde Hair & Blue Eyes Bikini Model! July Fourth USA Flag Bikini Swimsuit Model! Pretty American Flag Swimsuit Bikini Model! Red, White, Blue USA Flag Swimsuit Model on Malibu Beach! Happy 4th of July Bikini Surf Girl! Stars & Stripes Forever Swimsuit Model! Nikon D800 & 70-200 F2.8 VR2 Lens!
Epic Art & 45EPIC Gear exalting golden ratio designs for your Hero's Odyssey:
Support epic fine art! 45surf ! Bitcoin: 1FMBZJeeHVMu35uegrYUfEkHfPj5pe9WNz
Exalt the goddess archetype in the fine art of photography! My Epic Book: Photographing Women Models!
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ... Epic! Beautiful Surf Fine Art Portrait Swimsuit Bikini Models!
Follow me my good friends!
Facebook: geni.us/A0Na3
Instagram: geni.us/QD2J
Golden Ratio: geni.us/9EbGK
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Fine Art Ballet: geni.us/C1Adc
Some of my epic books, prints, & more!
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All my photography celebrates the physics of light! dx4/dt=ic! Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Physical: geni.us/Fa1Q
Ralph Waldo Emerson. The happiest man is he who learns from nature the lesson of worship.
Livia & Scott Hostetler
4455 Harris Trail
Atlanta, GA 30327
Influenced by 17th century French classical design principles, the gardens of this Buckhead estate exhibit elaborate geometric patterns and artistic forms. Marvel at twenty-seven spiraling white pines, elaborate knot gardens, a living fence, a topiary sofa, espalier apple trees and golden cypress in the shape of French hats. Admire a parterre de broderie garden inspired by those of Vaux-le-Vicomte. Owner and international landscape architect, Scott Hostetler, collaborated with horticultural specialist Mark Reaves of Mark of Excellence to create a garden unique to Atlanta.
location 7 of 11 for this years tour [Buckhead]
Principles of Mechanics by T.M. Goodeve, 1889.
Goodeve was a Professor of Mechanics and a Barrister-at-Law.
For students of engineering.
This copy signed, A.G. Ambrose [Alexander George Ambrose was a gasworks engineer and manager in New South Wales.]
Published by Longman Green, London. Brown cloth boards 357 pages 19cm x 13cm.
Community Management Principles - Consumer Engagement Through Building Communities Online
* Suzanne Marlatt, Community Manager, Edelman
* Jennie Averbook, Digital Strategist, Edelman
Many businesses believe if you build it they will come. The same attitude has been used on building communities and if they provide the tools for community engagement, a community will form on its own and ultimately be engaging. Nothing could be further from the truth. In this workshop the speakers will share best practices of how best to engage with customers when building and managing online communities. They will discuss integrating into your overall marketing mix, determine positioning, provide examples of developing content calendars, setting the community’s tone and examples of strategic response plan during crisis and non-crisis situations.
School of WOM 2011: The Art & Science of Creating Talkable Brands
Dates: May 9-11, 2011
Location: Swissotel, Chicago, IL
About WOMMA: womma.org/
JDU Karnataka is a regional political party in India and Sri Mahima J Patel is taking forward the socialistic principles in Karnataka. Its political position is Centre-left operating on the ideologies of Integral humanism, Secularism, and Socialism. Today, the JD(U) has a prominent presence in Arunachal Pradesh and Bihar, especially with leader Nitish Kumar as the Chief Minister in Bihar. JDU has its presence in Karnataka, Bihar, Delhi, Kerala, Arunachal Pradesh,. JDU Karnataka is headed by Sri. Mahima Patel (Ex MLA and S/o Sri. J.H Patel who served as a chief minister of Karnataka from 1996-1999).For more details visit our Website : jdukarnataka.co.in/
Principles Of Success, Looking up in the dictionary, we find the literal meaning of success as; “the fact of getting or achieving wealth, respect, or fame.”
Read More Info: www.cheapumrahpackage.us/blog/the-4-principles-of-success...
Lifes principles of prosperity and success. Book covering the fundamental principles surrounding prosperity and success.
The Journal asked writers and illustrators to contribute a series based on design icon Dieter Rams’ Ten Principles of Good Design manifesto. Each writer wrote on one of Rams’ principles; each illustrator reacted to a writer’s essay. This is the seventh illustration from the ten-part series.
Joshua Brewer wrote on Rams’ second principle, Good design is useful. Mr Brewer is a San Francisco-based designer and the Director of User Experience at SocialCast. He co-founded 52 Weeks of UX, an educational online weekly centered around usability on the web. The Journal drew inspiration for the Rams series from Mr Brewer’s Week 8 post on Rams’ Principles. Adam Garcia created the above illustration based on Mr Brewer’s essay. Mr Garcia works under the studio name The Pressure. He is a graphic designer at Nike Sportswear and illustrates for local and national publications.
The Albertina
The architectural history of the Palais
(Pictures you can see by clicking on the link at the end of page!)
Image: The oldest photographic view of the newly designed Palais Archduke Albrecht, 1869
"It is my will that the expansion of the inner city of Vienna with regard to a suitable connection of the same with the suburbs as soon as possible is tackled and at this on Regulirung (regulation) and beautifying of my Residence and Imperial Capital is taken into account. To this end I grant the withdrawal of the ramparts and fortifications of the inner city and the trenches around the same".
This decree of Emperor Franz Joseph I, published on 25 December 1857 in the Wiener Zeitung, formed the basis for the largest the surface concerning and architecturally most significant transformation of the Viennese cityscape. Involving several renowned domestic and foreign architects a "master plan" took form, which included the construction of a boulevard instead of the ramparts between the inner city and its radially upstream suburbs. In the 50-years during implementation phase, an impressive architectural ensemble developed, consisting of imperial and private representational buildings, public administration and cultural buildings, churches and barracks, marking the era under the term "ring-street style". Already in the first year tithe decided a senior member of the Austrian imperial family to decorate the facades of his palace according to the new design principles, and thus certified the aristocratic claim that this also "historicism" said style on the part of the imperial house was attributed.
Image: The Old Albertina after 1920
It was the palace of Archduke Albrecht (1817-1895), the Senior of the Habsburg Family Council, who as Field Marshal held the overall command over the Austro-Hungarian army. The building was incorporated into the imperial residence of the Hofburg complex, forming the south-west corner and extending eleven meters above street level on the so-called Augustinerbastei.
The close proximity of the palace to the imperial residence corresponded not only with Emperor Franz Joseph I and Archduke Albert with a close familial relationship between the owner of the palace and the monarch. Even the former inhabitants were always in close relationship to the imperial family, whether by birth or marriage. An exception here again proves the rule: Don Emanuel Teles da Silva Conde Tarouca (1696-1771), for which Maria Theresa in 1744 the palace had built, was just a close friend and advisor of the monarch. Silva Tarouca underpins the rule with a second exception, because he belonged to the administrative services as Generalhofbaudirektor (general court architect) and President of the Austrian-Dutch administration, while all other him subsequent owners were highest ranking military.
In the annals of Austrian history, especially those of military history, they either went into as commander of the Imperial Army, or the Austrian, later kk Army. In chronological order, this applies to Duke Carl Alexander of Lorraine, the brother-of-law of Maria Theresa, as Imperial Marshal, her son-in-law Duke Albert of Saxe-Teschen, also field marshal, whos adopted son, Archduke Charles of Austria, the last imperial field marshal and only Generalissimo of Austria, his son Archduke Albrecht of Austria as Feldmarschalil and army Supreme commander, and most recently his nephew Archduke Friedrich of Austria, who held as field marshal from 1914 to 1916 the command of the Austro-Hungarian troops. Despite their military profession, all five generals conceived themselves as patrons of the arts and promoted large sums of money to build large collections, the construction of magnificent buildings and cultural life. Charles Alexander of Lorraine promoted as governor of the Austrian Netherlands from 1741 to 1780 the Academy of Fine Arts, the Théâtre de Ja Monnaie and the companies Bourgeois Concert and Concert Noble, he founded the Academie royale et imperial des Sciences et des Lettres, opened the Bibliotheque Royal for the population and supported artistic talents with high scholarships. World fame got his porcelain collection, which however had to be sold by Emperor Joseph II to pay off his debts. Duke Albert began in 1776 according to the concept of conte Durazzo to set up an encyclopedic collection of prints, which forms the core of the world-famous "Albertina" today.
Image : Duke Albert and Archduchess Marie Christine show in family cercle the from Italy brought along art, 1776. Frederick Henry Füger.
1816 declared to Fideikommiss and thus in future indivisible, inalienable and inseparable, the collection 1822 passed into the possession of Archduke Carl, who, like his descendants, it broadened. Under him, the collection was introduced together with the sumptuously equipped palace on the Augustinerbastei in the so-called "Carl Ludwig'schen fideicommissum in 1826, by which the building and the in it kept collection fused into an indissoluble unity. At this time had from the Palais Tarouca by structural expansion or acquisition a veritable Residenz palace evolved. Duke Albert of Saxe-Teschen was first in 1800 the third floor of the adjacent Augustinian convent wing adapted to house his collection and he had after 1802 by his Belgian architect Louis de Montoyer at the suburban side built a magnificent extension, called the wing of staterooms, it was equipped in the style of Louis XVI. Only two decades later, Archduke Carl the entire palace newly set up. According to scetches of the architect Joseph Kornhäusel the 1822-1825 retreaded premises presented themselves in the Empire style. The interior of the palace testified from now in an impressive way the high rank and the prominent position of its owner. Under Archduke Albrecht the outer appearance also should meet the requirements. He had the facade of the palace in the style of historicism orchestrated and added to the Palais front against the suburbs an offshore covered access. Inside, he limited himself, apart from the redesign of the Rococo room in the manner of the second Blondel style, to the retention of the paternal stock. Archduke Friedrich's plans for an expansion of the palace were omitted, however, because of the outbreak of the First World War so that his contribution to the state rooms, especially, consists in the layout of the Spanish apartment, which he in 1895 for his sister, the Queen of Spain Maria Christina, had set up as a permanent residence.
Picture: The "audience room" after the restoration: Picture: The "balcony room" around 1990
The era of stately representation with handing down their cultural values found its most obvious visualization inside the palace through the design and features of the staterooms. On one hand, by the use of the finest materials and the purchase of masterfully manufactured pieces of equipment, such as on the other hand by the permanent reuse of older equipment parts. This period lasted until 1919, when Archduke Friedrich was expropriated by the newly founded Republic of Austria. With the republicanization of the collection and the building first of all finished the tradition that the owner's name was synonymous with the building name:
After Palais Tarouca or tarokkisches house it was called Lorraine House, afterwards Duke Albert Palais and Palais Archduke Carl. Due to the new construction of an adjacently located administration building it received in 1865 the prefix "Upper" and was referred to as Upper Palais Archduke Albrecht and Upper Palais Archduke Frederick. For the state a special reference to the Habsburg past was certainly politically no longer opportune, which is why was decided to name the building according to the in it kept collection "Albertina".
Picture: The "Wedgwood Cabinet" after the restoration: Picture: the "Wedgwood Cabinet" in the Palais Archduke Friedrich, 1905
This name derives from the term "La Collection Albertina" which had been used by the gallery Inspector Maurice von Thausing in 1870 in the Gazette des Beaux-Arts for the former graphics collection of Duke Albert. For this reason, it was the first time since the foundation of the palace that the name of the collection had become synonymous with the room shell. Room shell, hence, because the Republic of Austria Archduke Friedrich had allowed to take along all the movable goods from the palace in his Hungarian exile: crystal chandeliers, curtains and carpets as well as sculptures, vases and clocks. Particularly stressed should be the exquisite furniture, which stems of three facilities phases: the Louis XVI furnitures of Duke Albert, which had been manufactured on the basis of fraternal relations between his wife Archduchess Marie Christine and the French Queen Marie Antoinette after 1780 in the French Hofmanufakturen, also the on behalf of Archduke Charles 1822-1825 in the Vienna Porcelain Manufactory by Joseph Danhauser produced Empire furnitures and thirdly additions of the same style of Archduke Friedrich, which this about 1900 at Portois & Ffix as well as at Friedrich Otto Schmidt had commissioned.
The "swept clean" building got due to the strained financial situation after the First World War initially only a makeshift facility. However, since until 1999 no revision of the emergency equipment took place, but differently designed, primarily the utilitarianism committed office furnitures complementarily had been added, the equipment of the former state rooms presented itself at the end of the 20th century as an inhomogeneous administrative mingle-mangle of insignificant parts, where, however, dwelt a certain quaint charm. From the magnificent state rooms had evolved depots, storage rooms, a library, a study hall and several officed.
Image: The Albertina Graphic Arts Collection and the Philipphof after the American bombing of 12 März 1945.
Image: The palace after the demolition of the entrance facade, 1948-52
Worse it hit the outer appearance of the palace, because in times of continued anti-Habsburg sentiment after the Second World War and inspired by an intolerant destruction will, it came by pickaxe to a ministerial erasure of history. In contrast to the graphic collection possessed the richly decorated facades with the conspicuous insignia of the former owner an object-immanent reference to the Habsburg past and thus exhibited the monarchial traditions and values of the era of Francis Joseph significantly. As part of the remedial measures after a bomb damage, in 1948 the aristocratic, by Archduke Albert initiated, historicist facade structuring along with all decorations was cut off, many facade figures demolished and the Hapsburg crest emblems plunged to the ground. Since in addition the old ramp also had been cancelled and the main entrance of the bastion level had been moved down to the second basement storey at street level, ended the presence of the old Archduke's palace after more than 200 years. At the reopening of the "Albertina Graphic Collection" in 1952, the former Hapsburg Palais of splendour presented itself as one of his identity robbed, formally trivial, soulless room shell, whose successful republicanization an oversized and also unproportional eagle above the new main entrance to the Augustinian road symbolized. The emocratic throw of monuments had wiped out the Hapsburg palace from the urban appeareance, whereby in the perception only existed a nondescript, nameless and ahistorical building that henceforth served the lodging and presentation of world-famous graphic collection of the Albertina. The condition was not changed by the decision to the refurbishment because there were only planned collection specific extensions, but no restoration of the palace.
Image: The palace after the Second World War with simplified facades, the rudiment of the Danubiusbrunnens (well) and the new staircase up to the Augustinerbastei
This paradigm shift corresponded to a blatant reversal of the historical circumstances, as the travel guides and travel books for kk Residence and imperial capital of Vienna dedicated itself primarily with the magnificent, aristocratic palace on the Augustinerbastei with the sumptuously fitted out reception rooms and mentioned the collection kept there - if at all - only in passing. Only with the repositioning of the Albertina in 2000 under the direction of Klaus Albrecht Schröder, the palace was within the meaning and in fulfillment of the Fideikommiss of Archduke Charles in 1826 again met with the high regard, from which could result a further inseparable bond between the magnificent mansions and the world-famous collection. In view of the knowing about politically motivated errors and omissions of the past, the facades should get back their noble, historicist designing, the staterooms regain their glamorous, prestigious appearance and culturally unique equippment be repurchased. From this presumption, eventually grew the full commitment to revise the history of redemption and the return of the stately palace in the public consciousness.
Image: The restored suburb facade of the Palais Albertina suburb
The smoothed palace facades were returned to their original condition and present themselves today - with the exception of the not anymore reconstructed Attica figures - again with the historicist decoration and layout elements that Archduke Albrecht had given after the razing of the Augustinerbastei in 1865 in order. The neoclassical interiors, today called after the former inhabitants "Habsburg Staterooms", receiving a meticulous and detailed restoration taking place at the premises of originality and authenticity, got back their venerable and sumptuous appearance. From the world wide scattered historical pieces of equipment have been bought back 70 properties or could be returned through permanent loan to its original location, by which to the visitors is made experiencable again that atmosphere in 1919 the state rooms of the last Habsburg owner Archduke Frederick had owned. The for the first time in 80 years public accessible "Habsburg State Rooms" at the Palais Albertina enable now again as eloquent testimony to our Habsburg past and as a unique cultural heritage fundamental and essential insights into the Austrian cultural history. With the relocation of the main entrance to the level of the Augustinerbastei the recollection to this so valuable Austrian Cultural Heritage formally and functionally came to completion. The vision of the restoration and recovery of the grand palace was a pillar on which the new Albertina should arise again, the other embody the four large newly built exhibition halls, which allow for the first time in the history of the Albertina, to exhibit the collection throughout its encyclopedic breadh under optimal conservation conditions.
Image: The new entrance area of the Albertina
64 meter long shed roof. Hans Hollein.
The palace presents itself now in its appearance in the historicist style of the Ringstrassenära, almost as if nothing had happened in the meantime. But will the wheel of time should not, cannot and must not be turned back, so that the double standards of the "Albertina Palace" said museum - on the one hand Habsburg grandeur palaces and other modern museum for the arts of graphics - should be symbolized by a modern character: The in 2003 by Hans Hollein designed far into the Albertina square cantilevering, elegant floating flying roof. 64 meters long, it symbolizes in the form of a dynamic wedge the accelerated urban spatial connectivity and public access to the palace. It advertises the major changes in the interior as well as the huge underground extensions of the repositioned "Albertina".
Christian Benedictine
Art historian with research interests History of Architecture, building industry of the Hapsburgs, Hofburg and Zeremonialwissenschaft (ceremonial sciences). Since 1990 he works in the architecture collection of the Albertina. Since 2000 he supervises as director of the newly founded department "Staterooms" the restoration and furnishing of the state rooms and the restoration of the facades and explores the history of the palace and its inhabitants.
Copyright © Kevin Cooper Photoline: Nelson McCausland, MLA, Minister for Social Development, made the keynote speech on the principles of the proposals for the reform of social housing in Northern Ireland. “Shaping Social and Affordable Housing in Northern Ireland, Delivering for Future Generations”, conference on 7 March 2013 in the Radisson Blu Hotel, Belfast. Other speakers included Jim Wilkinson, Director of Housing, DSD, Grainia Long, Chief Executive, CIH, Cameron Watt, Chief Executive, NIFHA who also form the first panel discussion. This second line up of speakers included Donald Hoodless OBE, Chairman, NI Housing Executive, Alex McGuire, Executive Director of Development and Regeneration, Glasgow Housing Association, Piers Williamson, Chief Executive, The Housing Finance Corporation and Jonathan Walters, Deputy Director Strategy and Performance, Homes and Communities Agency the also for the second panel discussion with the return of Jim Wilkinson, Director of Housing, DSD. Seamus McKee chaired the conference, observations and concluding remarks.
I picked this dress up in the Debenhams sale a few weeks ago and this was the first chance to wear it. I'm really pleased with it and how it hangs (it is a fluid silky jersey type fabric with mesh sleeves) and also was a bargain (just £16.50 from £55!)
Pages showing forces in a parallel beam engine from Principles of Mechanics by T.M. Goodeve, 1889.
Goodeve was a Professor of Mechanics and a Barrister-at-Law.
For students of engineering.
This copy signed, A.G. Ambrose [Alexander George Ambrose was a gasworks engineer and manager in New South Wales.]
Published by Longman Green, London. Brown cloth boards 357 pages 19cm x 13cm.
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
The Epic Seascape! Malibu Sea Caves!
Landscape photography is not only about traveling through space, but it is also about traveling through time. One may return to the same beach time and again throughout the seasons to find a million different universes, changing in an infinitude of manners with each passing wave.
Not only do we voyage outwardly to get the shot, but we travel even further inwardly. While I spend my year trekking along the John Muir Trail, and on through Zion, Yosemite, the Grand Canyon, Death Valley, and the Colorado Plateau, my heart always finds its home in these Malibu sea caves, where I have stood in awe during all hours of the day and night.
Included within are a few shots that only I have so far captured, including a miraculous winter solstice sunrise.
Best wishes throughout the coming year!
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
Pages showing a steam traction engine demonstrating forces of friction from Principles of Mechanics by T.M. Goodeve, 1889.
Goodeve was a Professor of Mechanics and a Barrister-at-Law.
For students of engineering.
This copy signed, A.G. Ambrose [Alexander George Ambrose was a gasworks engineer and manager in New South Wales.]
Published by Longman Green, London. Brown cloth boards 357 pages 19cm x 13cm.
ECOLOGICAL HOUSE
During the designing and the construction of the villa we applied principles of ecological design to minimise the energy needs of the house and ensuring comfort in passive ways.
In this way we have constructed a house which satisfies our guests’demands and everyday needs by providing:
The incorporation of the building in its surroundings.
The thermic comfort bath in summer and in winter.
The cooling of the villa (withour air-conditioning), heating and hot water.
And finally, excellent conditios of natural of artificial lighting.
GENERAL INFORMATION
In exceptional natural surroundings, in the vibrant Cratan countryside away from the bussle of the town, Katikia Gonia awaits you. It is a place whose architecture captivates you from the very first moment.The discrete luxury in combination with all the modern conveniences of a villa, creates the environment and the prerequisites for a memorable holiday full of relaxation and peace. Cretan hospitality, as well as the discrete daily maid service will make the guest feel at home straithtaway.
DETAILS
The villa is 184sqm., built with an indoor lift. Upstairs there are three bedrooms with double and single beds, bathrooms and spacious verandas with a view of endless greenery that extends to the peaks of Lefka Ori.(White Mountains).
On the ground floor there is a spacious sitting room with satellite T.V., a fireplace and a comfortable sofa. Also Katikia Gonia has a very attractive and well-organized kitchen, combined with a cosy dining room.
All bedrooms are equipped with Coco-mat mattresses and linen sheets to provide even more comfort and relaxation for you. The ecological design of the house will provide a cool, pleasant sensation at any time of the day.
The furnishing, and the decoration on the whole, have a simple design, so that quests can really relax.
There is also wireless access to the internet throughout the house.
Outdoors, a swimming pool and a magnificent garden are waiting for you. They are designed to give you, your family and friends memorable moments of fun, contact with nature and relaxation under the warm rays of the bright sun.
These Seven Principles of Human Learning taken from the National Academies Press free ebook Learning and Understanding (2002).
"During the last four decades, scientists have engaged in research that has increased our understanding of human cognition, providing greater insight into how knowledge is organized, how experience shapes understanding, how people monitor their own understanding, how learners differ from one another, and how people acquire expertise. From this emerging body of research, scientists and others have been able to synthesize a number of underlying principles of human learning. This growing understanding of how people learn has the potential to influence significantly the nature of education and its outcomes."
Image licensed under Creative Commons by philipbouchard: www.flickr.com/photos/pbouchard/3196503910/
Sony A7 r & Super Sharp Carl Zeiss 55mm Glass! The awesome Sony Sonnar T* FE 55mm f/1.8 ZA Lens!
California Superbloom Wildflower Ballerina! Fine Art Ballerina Dances Classical Ballet in Pointe Shoes! High Res Golden Ratio Ballet Dancer Photography! Graceful Athletic Action Portraits of Professional Ballerina! Bikini Swimsuit Blue Leotard & Tutu!
Epic Art & 45EPIC Gear exalting golden ratio designs for your Hero's Odyssey:
Support epic fine art! 45surf ! Bitcoin: 1FMBZJeeHVMu35uegrYUfEkHfPj5pe9WNz
Exalt the goddess archetype in the fine art of photography! My Epic Book: Photographing Women Models!
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ...
Epic! Beautiful Surf Fine Art Portrait Swimsuit Bikini Models!
Follow me my good friends!
facebook.com/goldennumberratio
Some of my epic books, prints, & more!
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
Enjoy my physics!! Light Time Dimension Theory dx4/dt=ic: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Physical
Ralph Waldo Emerson. “The happiest man is he who learns from nature the lesson of worship”
I've wanted a copy of this book for ages, I'm such a Virology geek, I've been seriously contemplating doing a biomedical or labtech degree lately.
Page downloaded from Haringey Council's Constitution as at 26 March 2014. The wording is standard and follows "The Seven Principles of Public Life" laid down by the Committee on Standards in Public Life, (the Nolan Committee).
This committee - originally Chaired by Lord Nolan - was established in October 1994 in response to one of the scandals which have gradually lowered public trust in politicians - most prominently, Members of Parliament. The Committee's recommended new rules - including arrangements relating to financial and commercial activities - so as to aim for higher standards of propriety in public life.
The rules cover - among others - Members of Parliament and elected local councillors and senior officers (staff) of local authorities.
§ The next page of Haringey's Constitution sets out the Application of the Principles.
I would in particular draw our residents' attention to paragraphs 2.5 and 2.6 on the next page. Which say:
2.5 You must comply with this Code whenever you are acting in your capacity as a member
2.6 This Code regards you as acting in your capacity as a member when you
(a) conduct the business of your authority (which in this Code includes the business of the office to which you are elected or appointed); or
(b) act as a representative of your authority,