View allAll Photos Tagged principles
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
From Principles to Positive Youth Outcomes: The Six P's of Illinois' Juvenile Justice Reform Continuum Moderator: Paula Wolff, Senior Executive, Metropolis Strategies
Panelists:
•Arthur Bishop, Director, Illinois Department of Juvenile Justice •Toni Irving, Deputy Chief of Staff, Office of the Governor of Illinois
•Rick Velasquez, Executive Director, Youth Outreach Services •Curtis Warner, St. Clair County, Illinois
The Albertina
The architectural history of the Palais
(Pictures you can see by clicking on the link at the end of page!)
Image: The oldest photographic view of the newly designed Palais Archduke Albrecht, 1869
"It is my will that the expansion of the inner city of Vienna with regard to a suitable connection of the same with the suburbs as soon as possible is tackled and at this on Regulirung (regulation) and beautifying of my Residence and Imperial Capital is taken into account. To this end I grant the withdrawal of the ramparts and fortifications of the inner city and the trenches around the same".
This decree of Emperor Franz Joseph I, published on 25 December 1857 in the Wiener Zeitung, formed the basis for the largest the surface concerning and architecturally most significant transformation of the Viennese cityscape. Involving several renowned domestic and foreign architects a "master plan" took form, which included the construction of a boulevard instead of the ramparts between the inner city and its radially upstream suburbs. In the 50-years during implementation phase, an impressive architectural ensemble developed, consisting of imperial and private representational buildings, public administration and cultural buildings, churches and barracks, marking the era under the term "ring-street style". Already in the first year tithe decided a senior member of the Austrian imperial family to decorate the facades of his palace according to the new design principles, and thus certified the aristocratic claim that this also "historicism" said style on the part of the imperial house was attributed.
Image: The Old Albertina after 1920
It was the palace of Archduke Albrecht (1817-1895), the Senior of the Habsburg Family Council, who as Field Marshal held the overall command over the Austro-Hungarian army. The building was incorporated into the imperial residence of the Hofburg complex, forming the south-west corner and extending eleven meters above street level on the so-called Augustinerbastei.
The close proximity of the palace to the imperial residence corresponded not only with Emperor Franz Joseph I and Archduke Albert with a close familial relationship between the owner of the palace and the monarch. Even the former inhabitants were always in close relationship to the imperial family, whether by birth or marriage. An exception here again proves the rule: Don Emanuel Teles da Silva Conde Tarouca (1696-1771), for which Maria Theresa in 1744 the palace had built, was just a close friend and advisor of the monarch. Silva Tarouca underpins the rule with a second exception, because he belonged to the administrative services as Generalhofbaudirektor (general court architect) and President of the Austrian-Dutch administration, while all other him subsequent owners were highest ranking military.
In the annals of Austrian history, especially those of military history, they either went into as commander of the Imperial Army, or the Austrian, later kk Army. In chronological order, this applies to Duke Carl Alexander of Lorraine, the brother-of-law of Maria Theresa, as Imperial Marshal, her son-in-law Duke Albert of Saxe-Teschen, also field marshal, whos adopted son, Archduke Charles of Austria, the last imperial field marshal and only Generalissimo of Austria, his son Archduke Albrecht of Austria as Feldmarschalil and army Supreme commander, and most recently his nephew Archduke Friedrich of Austria, who held as field marshal from 1914 to 1916 the command of the Austro-Hungarian troops. Despite their military profession, all five generals conceived themselves as patrons of the arts and promoted large sums of money to build large collections, the construction of magnificent buildings and cultural life. Charles Alexander of Lorraine promoted as governor of the Austrian Netherlands from 1741 to 1780 the Academy of Fine Arts, the Théâtre de Ja Monnaie and the companies Bourgeois Concert and Concert Noble, he founded the Academie royale et imperial des Sciences et des Lettres, opened the Bibliotheque Royal for the population and supported artistic talents with high scholarships. World fame got his porcelain collection, which however had to be sold by Emperor Joseph II to pay off his debts. Duke Albert began in 1776 according to the concept of conte Durazzo to set up an encyclopedic collection of prints, which forms the core of the world-famous "Albertina" today.
Image : Duke Albert and Archduchess Marie Christine show in family cercle the from Italy brought along art, 1776. Frederick Henry Füger.
1816 declared to Fideikommiss and thus in future indivisible, inalienable and inseparable, the collection 1822 passed into the possession of Archduke Carl, who, like his descendants, it broadened. Under him, the collection was introduced together with the sumptuously equipped palace on the Augustinerbastei in the so-called "Carl Ludwig'schen fideicommissum in 1826, by which the building and the in it kept collection fused into an indissoluble unity. At this time had from the Palais Tarouca by structural expansion or acquisition a veritable Residenz palace evolved. Duke Albert of Saxe-Teschen was first in 1800 the third floor of the adjacent Augustinian convent wing adapted to house his collection and he had after 1802 by his Belgian architect Louis de Montoyer at the suburban side built a magnificent extension, called the wing of staterooms, it was equipped in the style of Louis XVI. Only two decades later, Archduke Carl the entire palace newly set up. According to scetches of the architect Joseph Kornhäusel the 1822-1825 retreaded premises presented themselves in the Empire style. The interior of the palace testified from now in an impressive way the high rank and the prominent position of its owner. Under Archduke Albrecht the outer appearance also should meet the requirements. He had the facade of the palace in the style of historicism orchestrated and added to the Palais front against the suburbs an offshore covered access. Inside, he limited himself, apart from the redesign of the Rococo room in the manner of the second Blondel style, to the retention of the paternal stock. Archduke Friedrich's plans for an expansion of the palace were omitted, however, because of the outbreak of the First World War so that his contribution to the state rooms, especially, consists in the layout of the Spanish apartment, which he in 1895 for his sister, the Queen of Spain Maria Christina, had set up as a permanent residence.
Picture: The "audience room" after the restoration: Picture: The "balcony room" around 1990
The era of stately representation with handing down their cultural values found its most obvious visualization inside the palace through the design and features of the staterooms. On one hand, by the use of the finest materials and the purchase of masterfully manufactured pieces of equipment, such as on the other hand by the permanent reuse of older equipment parts. This period lasted until 1919, when Archduke Friedrich was expropriated by the newly founded Republic of Austria. With the republicanization of the collection and the building first of all finished the tradition that the owner's name was synonymous with the building name:
After Palais Tarouca or tarokkisches house it was called Lorraine House, afterwards Duke Albert Palais and Palais Archduke Carl. Due to the new construction of an adjacently located administration building it received in 1865 the prefix "Upper" and was referred to as Upper Palais Archduke Albrecht and Upper Palais Archduke Frederick. For the state a special reference to the Habsburg past was certainly politically no longer opportune, which is why was decided to name the building according to the in it kept collection "Albertina".
Picture: The "Wedgwood Cabinet" after the restoration: Picture: the "Wedgwood Cabinet" in the Palais Archduke Friedrich, 1905
This name derives from the term "La Collection Albertina" which had been used by the gallery Inspector Maurice von Thausing in 1870 in the Gazette des Beaux-Arts for the former graphics collection of Duke Albert. For this reason, it was the first time since the foundation of the palace that the name of the collection had become synonymous with the room shell. Room shell, hence, because the Republic of Austria Archduke Friedrich had allowed to take along all the movable goods from the palace in his Hungarian exile: crystal chandeliers, curtains and carpets as well as sculptures, vases and clocks. Particularly stressed should be the exquisite furniture, which stems of three facilities phases: the Louis XVI furnitures of Duke Albert, which had been manufactured on the basis of fraternal relations between his wife Archduchess Marie Christine and the French Queen Marie Antoinette after 1780 in the French Hofmanufakturen, also the on behalf of Archduke Charles 1822-1825 in the Vienna Porcelain Manufactory by Joseph Danhauser produced Empire furnitures and thirdly additions of the same style of Archduke Friedrich, which this about 1900 at Portois & Ffix as well as at Friedrich Otto Schmidt had commissioned.
The "swept clean" building got due to the strained financial situation after the First World War initially only a makeshift facility. However, since until 1999 no revision of the emergency equipment took place, but differently designed, primarily the utilitarianism committed office furnitures complementarily had been added, the equipment of the former state rooms presented itself at the end of the 20th century as an inhomogeneous administrative mingle-mangle of insignificant parts, where, however, dwelt a certain quaint charm. From the magnificent state rooms had evolved depots, storage rooms, a library, a study hall and several officed.
Image: The Albertina Graphic Arts Collection and the Philipphof after the American bombing of 12 März 1945.
Image: The palace after the demolition of the entrance facade, 1948-52
Worse it hit the outer appearance of the palace, because in times of continued anti-Habsburg sentiment after the Second World War and inspired by an intolerant destruction will, it came by pickaxe to a ministerial erasure of history. In contrast to the graphic collection possessed the richly decorated facades with the conspicuous insignia of the former owner an object-immanent reference to the Habsburg past and thus exhibited the monarchial traditions and values of the era of Francis Joseph significantly. As part of the remedial measures after a bomb damage, in 1948 the aristocratic, by Archduke Albert initiated, historicist facade structuring along with all decorations was cut off, many facade figures demolished and the Hapsburg crest emblems plunged to the ground. Since in addition the old ramp also had been cancelled and the main entrance of the bastion level had been moved down to the second basement storey at street level, ended the presence of the old Archduke's palace after more than 200 years. At the reopening of the "Albertina Graphic Collection" in 1952, the former Hapsburg Palais of splendour presented itself as one of his identity robbed, formally trivial, soulless room shell, whose successful republicanization an oversized and also unproportional eagle above the new main entrance to the Augustinian road symbolized. The emocratic throw of monuments had wiped out the Hapsburg palace from the urban appeareance, whereby in the perception only existed a nondescript, nameless and ahistorical building that henceforth served the lodging and presentation of world-famous graphic collection of the Albertina. The condition was not changed by the decision to the refurbishment because there were only planned collection specific extensions, but no restoration of the palace.
Image: The palace after the Second World War with simplified facades, the rudiment of the Danubiusbrunnens (well) and the new staircase up to the Augustinerbastei
This paradigm shift corresponded to a blatant reversal of the historical circumstances, as the travel guides and travel books for kk Residence and imperial capital of Vienna dedicated itself primarily with the magnificent, aristocratic palace on the Augustinerbastei with the sumptuously fitted out reception rooms and mentioned the collection kept there - if at all - only in passing. Only with the repositioning of the Albertina in 2000 under the direction of Klaus Albrecht Schröder, the palace was within the meaning and in fulfillment of the Fideikommiss of Archduke Charles in 1826 again met with the high regard, from which could result a further inseparable bond between the magnificent mansions and the world-famous collection. In view of the knowing about politically motivated errors and omissions of the past, the facades should get back their noble, historicist designing, the staterooms regain their glamorous, prestigious appearance and culturally unique equippment be repurchased. From this presumption, eventually grew the full commitment to revise the history of redemption and the return of the stately palace in the public consciousness.
Image: The restored suburb facade of the Palais Albertina suburb
The smoothed palace facades were returned to their original condition and present themselves today - with the exception of the not anymore reconstructed Attica figures - again with the historicist decoration and layout elements that Archduke Albrecht had given after the razing of the Augustinerbastei in 1865 in order. The neoclassical interiors, today called after the former inhabitants "Habsburg Staterooms", receiving a meticulous and detailed restoration taking place at the premises of originality and authenticity, got back their venerable and sumptuous appearance. From the world wide scattered historical pieces of equipment have been bought back 70 properties or could be returned through permanent loan to its original location, by which to the visitors is made experiencable again that atmosphere in 1919 the state rooms of the last Habsburg owner Archduke Frederick had owned. The for the first time in 80 years public accessible "Habsburg State Rooms" at the Palais Albertina enable now again as eloquent testimony to our Habsburg past and as a unique cultural heritage fundamental and essential insights into the Austrian cultural history. With the relocation of the main entrance to the level of the Augustinerbastei the recollection to this so valuable Austrian Cultural Heritage formally and functionally came to completion. The vision of the restoration and recovery of the grand palace was a pillar on which the new Albertina should arise again, the other embody the four large newly built exhibition halls, which allow for the first time in the history of the Albertina, to exhibit the collection throughout its encyclopedic breadh under optimal conservation conditions.
Image: The new entrance area of the Albertina
64 meter long shed roof. Hans Hollein.
The palace presents itself now in its appearance in the historicist style of the Ringstrassenära, almost as if nothing had happened in the meantime. But will the wheel of time should not, cannot and must not be turned back, so that the double standards of the "Albertina Palace" said museum - on the one hand Habsburg grandeur palaces and other modern museum for the arts of graphics - should be symbolized by a modern character: The in 2003 by Hans Hollein designed far into the Albertina square cantilevering, elegant floating flying roof. 64 meters long, it symbolizes in the form of a dynamic wedge the accelerated urban spatial connectivity and public access to the palace. It advertises the major changes in the interior as well as the huge underground extensions of the repositioned "Albertina".
Christian Benedictine
Art historian with research interests History of Architecture, building industry of the Hapsburgs, Hofburg and Zeremonialwissenschaft (ceremonial sciences). Since 1990 he works in the architecture collection of the Albertina. Since 2000 he supervises as director of the newly founded department "Staterooms" the restoration and furnishing of the state rooms and the restoration of the facades and explores the history of the palace and its inhabitants.
Mr Pooran Chandra Pandey, Executive Director, GCN India; Brigadier Rajiv Williams, CSR Head, Jindal Stainless Limited and Mr Mr Richard Lobo, Head of Employee Relations, Infosys committing for WEPs initiative in India at the Press Conference with WEPs Signatories at the consultation on “Women’s Empowerment Principles: Business Promotes Gender Equality” on March 8th 2013 at IHC.
Image. Initiative Wood Pellet Buyers Works to Smooth Supply Chain Disruptions. www.forest2market.com/blog/Initiative-Wood-Pellet-Buyers-...
The human brain is wired to recognize faces quickly. This design has the audience focus on Mickey's face first, utilizing this neurological setting and compounding it by having smooth textures on his face in contrast with the lined and geometric patterns of the background. We follow the form of his anatomy to either the raised sleeve segueing into the castle silhouette via the black shading, or up the arm to the gloved hand, whose finger is at the epicenter of the pinwheel rays. From there the eye is drawn to the text at the top.
This poster was part of a 2013 calendar collection from the Disneyland Resort. Photograph by me.
ACAMPADA BARCELONA
DECLARATION OF PRINCIPLES
#acampadabcn
We have come here voluntarily and by free will. After the 15th of May demonstrations we have decided to remain united and grow in numbers on our fight for dignity. We do not represent any political party and they do not represent us.
We are united on our rage, our discomfort, our precarious life which is derived by inequality but, above all, what keeps us together is our will for change. We are here because we want a new society that puts our life on top any political or economic interest. We feel crushed by the capitalist economy, we feel excluded from the present political system which does not represent us. We are striking for a radical change in society. And, above all, we aim at keeping society as the sole driver of this transformation.
They thought we were asleep. They thought they could carry on cutting our rights without finding any resistance. But they were wrong: we are fighting – peacefully, but with determination – for the life we deserve.
We have learned from Cairo, Iceland and Madrid.
Now it’s time to extend the fight and spread the word.
Information #acampadabcn
Quienes somos los Acampad@s de Barcelona?
Somos gente que de forma libre y voluntaria , después de la manifestacón del 15 de mayo, hemos decidido seguir juntos en la lucha por la dignidad. No representamos ningún partido ni asociación. Tampoco nadie nos representa.
Nos une el malestar por la vida precaria y por las desigualdades, pero sobre todos nos une una vocación de cambio.
Estamos aqui porque queremos una nueva sociedad que de prioridad a la vida y no a los interses económicos y políticos. Nos sentimos pisados por la economía capitalista, y en este sentido excluidos del sistema politico actual, que no nos representa. Apostamos por una transformación profunda de la sociedad. Ysobre todo apostamos porque sea la propia sociedad la protagonista de esta cambio.
Acción Directa Edificio del Banco España, Plaza Catalunya. En donde se rompe y se arraca la publicidad.
¿Creían que estabamos dormidos. Qué nos podían recortar los derechos sin que pusieramos resistencia?.
SE EQUIVOCAN: Estamos luchando pacificamente perocon determinación por la vida que todos merecemos.
Hemos aprendido del Cairo, de Islandia, de Madrid...
AHORA TOCA EXTENDER LA LUCHA Y TOMAR LA PALABRA!!!
TRANSLATIONS TO MORE LANGUAGES: acampadabcn.org/declaracion-de-principios/
202 The Execution of Aiyana Stanley-Jones — and the Urgency of Putting this Revolution on the Map
Some Principles for Building a Movement for Revolution by Bob Avakian, Chairman of the Revolutionary Communist Party, USA
In print, online, or on your mobile device, Principles and Practice of Pediatric Infectious Disease provides the comprehensive and actionable coverage you need to understand, diagnose, and manage the ever-changing, high-risk clinical problems caused by pediatric infectious diseases. With new chapters, expanded and updated coverage, and increased worldwide perspectives, this authoritative medical reference offers the latest need-to-know information in an easily-accessible, high-yield format for quick answers and fast, effective intervention!
If you would like to purchase this title, please click here.
Beautiful Ballerina Dancer in Pointe Shoes & Leotard! Golden Ratio Composition Ballet, Ballerina, & Dancer Photography Surf Goddesses! Athletic Action Portraits of Swimsuit Bikini Models! Athena, Artemis, Helen, and Aphrodite!
My Epic Gear Guide for Landscapes & Portraits!
Everyone is always asking me for this! Here ya go! :)
My Epic Book: Photographing Women Models!
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ...
Support my Epic Physics Theory: Light, Time, Dimension Theory!
www.facebook.com/lightimedimensiontheory/
Regarding the award-winning physicist Dr. Elliot McGucken at Princeton University, the late John Archibald Wheeler stated, "More intellectual curiosity, versatility and yen for physics than Elliot McGucken's I have never seen in any senior or graduate student. . . Originality, powerful motivation, and a can-do spirit make me think that McGucken is a top bet."
Dr. E would go on to heal the blind with his NSF-funded, award-winning Ph.D. dissertation which also laid down the foundations of Light Time Dimension Theory. Over the years, LTD Theory added foundational *physical* postulates, principles, and equations en route to becoming numerous books, with this one forming the simple, illustrated introduction. My fine art photography (writing with light) graces the books!
Epic! Beautiful Surf Fine Art Portrait Swimsuit Bikini Models!
Follow me friends!
facebook.com/goldennumberratio
Epic books, prints, & more!
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
Epic Art & Gear for your Epic Hero's Odyssey:
Beautiful Surf Goddesses! Athletic Action Portraits of Swimsuit Bikini Models! Athena, Artemis, Helen, and Aphrodite!
Committee for fundamental principles and rights at work. 106th Session of the International Labour Conference. Geneva, June 2017.
Commission pour les principes et droits fondamentaux au travail. 106e session de la Conférence internationale du Travail. Genève, juin 2017.
Comisión para los principios y derechos fundamentales en el trabajo. 106.a reunión de la Conferencia Internacional del Trabajo. Ginebra, junio de 2017.
Photo © Crozet / Pouteau
More information at : www.ilo.org
More pictures at : www.ilo.org/dyn/media
Follow the ILO : www.facebook.com/ILO.ORG/
There are some important Vastu Principles that you need to keep in mind, while planning your new house
More details - apnaghar.co.in/vastu-consultancy-ag-page-51.aspx
Call Toll-Free No.- 1800-102-9440
Email: support@apnaghar.co.in
CLIK HERE TO DOWNLOAD ebookunlimited.space/?book=0876308140
DOWNLOAD EBOOK Manual For Clinical Psychology Trainees (Brunner/Mazel Basic Principles Into Practice Series) Full Book
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
Ipê Amarelo, Tabebuia [chrysotricha or ochracea].
Ipê-amarelo em Brasília (UnB), Brasil.
This tree is in Brasília, Capital of Brazil.
Text, in english, from Wikipedia, the free encyclopedia
"Trumpet tree" redirects here. This term is occasionally used for the Shield-leaved Pumpwood (Cecropia peltata).
Tabebuia
Flowering Araguaney or ipê-amarelo (Tabebuia chrysantha) in central Brazil
Scientific classification
Kingdom: Plantae
(unranked): Angiosperms
(unranked): Eudicots
(unranked): Asterids
Order: Lamiales
Family: Bignoniaceae
Tribe: Tecomeae
Genus: Tabebuia
Gomez
Species
Nearly 100.
Tabebuia is a neotropical genus of about 100 species in the tribe Tecomeae of the family Bignoniaceae. The species range from northern Mexico and the Antilles south to northern Argentina and central Venezuela, including the Caribbean islands of Hispaniola (Dominican Republic and Haiti) and Cuba. Well-known common names include Ipê, Poui, trumpet trees and pau d'arco.
They are large shrubs and trees growing to 5 to 50 m (16 to 160 ft.) tall depending on the species; many species are dry-season deciduous but some are evergreen. The leaves are opposite pairs, complex or palmately compound with 3–7 leaflets.
Tabebuia is a notable flowering tree. The flowers are 3 to 11 cm (1 to 4 in.) wide and are produced in dense clusters. They present a cupular calyx campanulate to tubular, truncate, bilabiate or 5-lobed. Corolla colors vary between species ranging from white, light pink, yellow, lavender, magenta, or red. The outside texture of the flower tube is either glabrous or pubescentThe fruit is a dehiscent pod, 10 to 50 cm (4 to 20 in.) long, containing numerous—in some species winged—seeds. These pods often remain on the tree through dry season until the beginning of the rainy.
Species in this genus are important as timber trees. The wood is used for furniture, decking, and other outdoor uses. It is increasingly popular as a decking material due to its insect resistance and durability. By 2007, FSC-certified ipê wood had become readily available on the market, although certificates are occasionally forged.
Tabebuia is widely used as ornamental tree in the tropics in landscaping gardens, public squares, and boulevards due to its impressive and colorful flowering. Many flowers appear on still leafless stems at the end of the dry season, making the floral display more conspicuous. They are useful as honey plants for bees, and are popular with certain hummingbirds. Naturalist Madhaviah Krishnan on the other hand once famously took offense at ipé grown in India, where it is not native.
Lapacho teaThe bark of several species has medical properties. The bark is dried, shredded, and then boiled making a bitter or sour-tasting brownish-colored tea. Tea from the inner bark of Pink Ipê (T. impetiginosa) is known as Lapacho or Taheebo. Its main active principles are lapachol, quercetin, and other flavonoids. It is also available in pill form. The herbal remedy is typically used during flu and cold season and for easing smoker's cough. It apparently works as expectorant, by promoting the lungs to cough up and free deeply embedded mucus and contaminants. However, lapachol is rather toxic and therefore a more topical use e.g. as antibiotic or pesticide may be advisable. Other species with significant folk medical use are T. alba and Yellow Lapacho (T. serratifolia)
Tabebuia heteropoda, T. incana, and other species are occasionally used as an additive to the entheogenic drink Ayahuasca.
Mycosphaerella tabebuiae, a plant pathogenic sac fungus, was first discovered on an ipê tree.
Tabebuia alba
Tabebuia anafensis
Tabebuia arimaoensis
Tabebuia aurea – Caribbean Trumpet Tree
Tabebuia bilbergii
Tabebuia bibracteolata
Tabebuia cassinoides
Tabebuia chrysantha – Araguaney, Yellow Ipê, tajibo (Bolivia), ipê-amarelo (Brazil), cañaguate (N Colombia)
Tabebuia chrysotricha – Golden Trumpet Tree
Tabebuia donnell-smithii Rose – Gold Tree, "Prima Vera", Cortez blanco (El Salvador), San Juan (Honduras), palo blanco (Guatemala),duranga (Mexico)
A native of Mexico and Central Americas, considered one of the most colorful of all Central American trees. The leaves are deciduous. Masses of golden-yellow flowers cover the crown after the leaves are shed.
Tabebuia dubia
Tabebuia ecuadorensis
Tabebuia elongata
Tabebuia furfuracea
Tabebuia geminiflora Rizz. & Mattos
Tabebuia guayacan (Seem.) Hemsl.
Tabebuia haemantha
Tabebuia heptaphylla (Vell.) Toledo – tajy
Tabebuia heterophylla – roble prieto
Tabebuia heteropoda
Tabebuia hypoleuca
Tabebuia impetiginosa – Pink Ipê, Pink Lapacho, ipê-cavatã, ipê-comum, ipê-reto, ipê-rosa, ipê-roxo-damata, pau d'arco-roxo, peúva, piúva (Brazil), lapacho negro (Spanish); not "brazilwood"
Tabebuia incana
Tabebuia jackiana
Tabebuia lapacho – lapacho amarillo
Tabebuia orinocensis A.H. Gentry[verification needed]
Tabebuia ochracea
Tabebuia oligolepis
Tabebuia pallida – Cuban Pink Trumpet Tree
Tabebuia platyantha
Tabebuia polymorpha
Tabebuia rosea (Bertol.) DC.[verification needed] (= T. pentaphylla (L.) Hemsley) – Pink Poui, Pink Tecoma, apama, apamate, matilisguate
A popular street tree in tropical cities because of its multi-annular masses of light pink to purple flowers and modest size. The roots are not especially destructive for roads and sidewalks. It is the national tree of El Salvador and the state tree of Cojedes, Venezuela
Tabebuia roseo-alba – White Ipê, ipê-branco (Brazil), lapacho blanco
Tabebuia serratifolia – Yellow Lapacho, Yellow Poui, ipê-roxo (Brazil)
Tabebuia shaferi
Tabebuia striata
Tabebuia subtilis Sprague & Sandwith
Tabebuia umbellata
Tabebuia vellosoi Toledo
Ipê-do-cerrado
Texto, em português, da Wikipédia, a enciclopédia livre.
Ipê-do-cerrado
Classificação científica
Reino: Plantae
Divisão: Magnoliophyta
Classe: Magnoliopsida
Subclasse: Asteridae
Ordem: Lamiales
Família: Bignoniaceae
Género: Tabebuia
Espécie: T. ochracea
Nome binomial
Tabebuia ochracea
(Cham.) Standl. 1832
Sinónimos
Bignonia tomentosa Pav. ex DC.
Handroanthus ochraceus (Cham.) Mattos
Tabebuia chrysantha (Jacq.) G. Nicholson
Tabebuia hypodictyon A. DC.) Standl.
Tabebuia neochrysantha A.H. Gentry
Tabebuia ochracea subsp. heteropoda (A. DC.) A.H. Gentry
Tabebuia ochracea subsp. neochrysantha (A.H. Gentry) A.H. Gentry
Tecoma campinae Kraenzl.
ecoma grandiceps Kraenzl.
Tecoma hassleri Sprague
Tecoma hemmendorffiana Kraenzl.
Tecoma heteropoda A. DC.
Tecoma hypodictyon A. DC.
Tecoma ochracea Cham.
Ipê-do-cerrado é um dos nomes populares da Tabebuia ochracea (Cham.) Standl. 1832, nativa do cerrado brasileiro, no estados de Amazonas, Pará, Maranhão, Piauí, Ceará, Pernambuco, Bahia, Espírito Santo, Goiás, Mato Grosso, Mato Grosso do Sul, Minas Gerais, Rio de Janeiro, São Paulo e Paraná.
Está na lista de espécies ameaçadas do estado de São Paulo, onde é encontrda também no domínio da Mata Atlântica[1].
Ocorre também na Argentina, Paraguai, Bolívia, Equador, Peru, Venezuela, Guiana, El Salvador, Guatemala e Panamá[2].
Há uma espécie homônima descrita por A.H. Gentry em 1992.
Outros nomes populares: ipê-amarelo, ipê-cascudo, ipê-do-campo, ipê-pardo, pau-d'arco-do-campo, piúva, tarumã.
Características
Altura de 6 a 14 m. Tronco tortuso com até 50 cm de diâmetro. Folhas pilosas em ambas as faces, mais na inferior, que é mais clara.
Planta decídua, heliófita, xerófita, nativa do cerrado em solos bem drenados.
Floresce de julho a setembro. Os frutos amadurecem de setembro a outubro.
FloresProduz grande quantidade de sementes leves, aladas com pequenas reservas, e que perdem a viabilidade em menos de 90 dias após coleta. A sua conservação vem sendo estudada em termos de determinação da condição ideal de armazenamento, e tem demonstrado a importância de se conhecer o comportamento da espécie quando armazenada com diferentes teores de umidade inicial, e a umidade de equilíbrio crítica para a espécie (KANO; MÁRQUEZ & KAGEYAMA, 1978). As levíssimas sementes aladas da espécie não necessitam de quebra de dormência. Podem apenas ser expostas ao sol por cerca de 6 horas e semeadas diretamente nos saquinhos. A germinação ocorre após 30 dias e de 80%. As sementes são ortodoxas e há aproximadamente 72 000 sementes em cada quilo.
O desenvolvimento da planta é rápido.
Como outros ipês, a madeira é usada em tacos, assoalhos, e em dormentes e postes. Presta-se também para peças torneadas e instrumento musicais.
Tabebuia alba (Ipê-Amarelo)
Texto, em português, produzido pela Acadêmica Giovana Beatriz Theodoro Marto
Supervisão e orientação do Prof. Luiz Ernesto George Barrichelo e do Eng. Paulo Henrique Müller
Atualizado em 10/07/2006
O ipê amarelo é a árvore brasileira mais conhecida, a mais cultivada e, sem dúvida nenhuma, a mais bela. É na verdade um complexo de nove ou dez espécies com características mais ou menos semelhantes, com flores brancas, amarelas ou roxas. Não há região do país onde não exista pelo menos uma espécie dele, porém a existência do ipê em habitat natural nos dias atuais é rara entre a maioria das espécies (LORENZI,2000).
A espécie Tabebuia alba, nativa do Brasil, é uma das espécies do gênero Tabebuia que possui “Ipê Amarelo” como nome popular. O nome alba provém de albus (branco em latim) e é devido ao tomento branco dos ramos e folhas novas.
As árvores desta espécie proporcionam um belo espetáculo com sua bela floração na arborização de ruas em algumas cidades brasileiras. São lindas árvores que embelezam e promovem um colorido no final do inverno. Existe uma crença popular de que quando o ipê-amarelo floresce não vão ocorrer mais geadas. Infelizmente, a espécie é considerada vulnerável quanto à ameaça de extinção.
A Tabebuia alba, natural do semi-árido alagoano está adaptada a todas as regiões fisiográficas, levando o governo, por meio do Decreto nº 6239, a transformar a espécie como a árvore símbolo do estado, estando, pois sob a sua tutela, não mais podendo ser suprimida de seus habitats naturais.
Taxonomia
Família: Bignoniaceae
Espécie: Tabebuia Alba (Chamiso) Sandwith
Sinonímia botânica: Handroanthus albus (Chamiso) Mattos; Tecoma alba Chamisso
Outros nomes vulgares: ipê-amarelo, ipê, aipê, ipê-branco, ipê-mamono, ipê-mandioca, ipê-ouro, ipê-pardo, ipê-vacariano, ipê-tabaco, ipê-do-cerrado, ipê-dourado, ipê-da-serra, ipezeiro, pau-d’arco-amarelo, taipoca.
Aspectos Ecológicos
O ipê-amarelo é uma espécie heliófita (Planta adaptada ao crescimento em ambiente aberto ou exposto à luz direta) e decídua (que perde as folhas em determinada época do ano). Pertence ao grupo das espécies secundárias iniciais (DURIGAN & NOGUEIRA, 1990).
Abrange a Floresta Pluvial da Mata Atlântica e da Floresta Latifoliada Semidecídua, ocorrendo principalmente no interior da Floresta Primária Densa. É característica de sub-bosques dos pinhais, onde há regeneração regular.
Informações Botânicas
Morfologia
As árvores de Tabebuia alba possuem cerca de 30 metros de altura. O tronco é reto ou levemente tortuoso, com fuste de 5 a 8 m de altura. A casca externa é grisáceo-grossa, possuindo fissuras longitudinais esparas e profundas. A coloração desta é cinza-rosa intenso, com camadas fibrosas, muito resistentes e finas, porém bem distintas.
Com ramos grossos, tortuosos e compridos, o ipê-amarelo possui copa alongada e alargada na base. As raízes de sustentação e absorção são vigorosas e profundas.
As folhas, deciduais, são opostas, digitadas e compostas. A face superior destas folhas é verde-escura, e, a face inferior, acinzentada, sendo ambas as faces tomentosas. Os pecíolos das folhas medem de 2,5 a 10 cm de comprimento. Os folíolos, geralmente, apresentam-se em número de 5 a 7, possuindo de 7 a 18 cm de comprimento por 2 a 6 cm de largura. Quando jovem estes folíolos são densamente pilosos em ambas as faces. O ápice destes é pontiagudo, com base arredondada e margem serreada.
As flores, grandes e lanceoladas, são de coloração amarelo-ouro. Possuem em média 8X15 cm.
Quanto aos frutos, estes possuem forma de cápsula bivalvar e são secos e deiscentes. Do tipo síliqua, lembram uma vagem. Medem de 15 a 30 cm de comprimento por 1,5 a 2,5 cm de largura. As valvas são finamente tomentosas com pêlos ramificados. Possuem grande quantidade de sementes.
As sementes são membranáceas brilhantes e esbranquiçadas, de coloração marrom. Possuem de 2 a 3 cm de comprimento por 7 a 9 mm de largura e são aladas.
Reprodução
A espécie é caducifólia e a queda das folhas coincide com o período de floração. A floração inicia-se no final de agosto, podendo ocorrer alguma variação devido a fenômenos climáticos. Como a espécie floresce no final do inverno é influenciada pela intensidade do mesmo. Quanto mais frio e seco for o inverno, maior será a intensidade da florada do ipê amarelo.
As flores por sua exuberância, atraem abelhas e pássaros, principalmente beija-flores que são importantes agentes polinizadores. Segundo CARVALHO (2003), a espécie possui como vetor de polinização a abelha mamangava (Bombus morio).
As sementes são dispersas pelo vento.
A planta é hermafrodita, e frutifica nos meses de setembro, outubro, novembro, dezembro, janeiro e fevereiro, dependendo da sua localização. Em cultivo, a espécie inicia o processo reprodutivo após o terceiro ano.
Ocorrência Natural
Ocorre naturalmente na Floresta Estaciobal Semidecicual, Floresta de Araucária e no Cerrado.
Segundo o IBGE, a Tabebuia alba (Cham.) Sandw. é uma árvore do Cerrado, Cerradão e Mata Seca. Apresentando-se nos campos secos (savana gramíneo-lenhosa), próximo às escarpas.
Clima
Segundo a classificação de Köppen, o ipê-amarelo abrange locais de clima tropical (Aw), subtropical úmido (Cfa), sutropical de altitude (Cwa e Cwb) e temperado.
A T.alba pode tolerar até 81 geadas em um ano. Ocorre em locais onde a temperatura média anual varia de 14,4ºC como mínimo e 22,4ºC como máximo.
Solo
A espécie prefere solos úmidos, com drenagem lenta e geralmente não muito ondulados (LONGHI, 1995).
Aparece em terras de boa à média fertilidade, em solos profundos ou rasos, nas matas e raramente cerradões (NOGUEIRA, 1977).
Pragas e Doenças
De acordo com CARVALHO (2003), possui como praga a espécie de coleópteros Cydianerus bohemani da família Curculionoideae e um outro coleóptero da família Chrysomellidae. Apesar da constatação de elevados índices populacionais do primeiro, os danos ocasionados até o momento são leves. Nas praças e ruas de Curitiba - PR, 31% das árvores foram atacadas pela Cochonilha Ceroplastes grandis.
ZIDKO (2002), ao estudar no município de Piracicaba a associação de coleópteros em espécies arbóreas, verificou a presença de insetos adultos da espécie Sitophilus linearis da família de coleópteros, Curculionidae, em estruturas reprodutivas. Os insetos adultos da espécie emergiram das vagens do ipê, danificando as sementes desta espécie nativa.
ANDRADE (1928) assinalou diversas espécies de Cerambycidae atacando essências florestais vivas, como ingazeiro, cinamomo, cangerana, cedro, caixeta, jacarandá, araribá, jatobá, entre outras como o ipê amarelo.
A Madeira
A Tabebuia alba produz madeira de grande durabilidade e resistência ao apodrecimento (LONGHI,1995).
MANIERI (1970) caracteriza o cerne desta espécie como de cor pardo-havana-claro, pardo-havan-escuro, ou pardo-acastanhado, com reflexos esverdeados. A superfície da madeira é irregularmente lustrosa, lisa ao tato, possuindo textura media e grã-direita.
Com densidade entre 0,90 e 1,15 grama por centímetro cúbico, a madeira é muito dura (LORENZI, 1992), apresentando grande dificuldade ao serrar.
A madeira possui cheiro e gosto distintos. Segundo LORENZI (1992), o cheiro característico é devido à presença da substância lapachol, ou ipeína.
Usos da Madeira
Sendo pesada, com cerne escuro, adquire grande valor comercial na marcenaria e carpintaria. Também é utilizada para fabricação de dormentes, moirões, pontes, postes, eixos de roda, varais de carroça, moendas de cana, etc.
Produtos Não-Madeireiros
A entrecasca do ipê-amarelo possui propriedades terapêuticas como adstringente, usada no tratamento de garganta e estomatites. É também usada como diurético.
O ipê-amarelo possui flores melíferas e que maduras podem ser utilizadas na alimentação humana.
Outros Usos
É comumente utilizada em paisagismo de parques e jardins pela beleza e porte. Além disso, é muito utilizada na arborização urbana.
Segundo MOREIRA & SOUZA (1987), o ipê-amarelo costuma povoar as beiras dos rios sendo, portanto, indicado para recomposição de matas ciliares. MARTINS (1986), também cita a espécie para recomposição de matas ciliares da Floresta Estacional Semidecidual, abrangendo alguns municípios das regiões Norte, Noroeste e parte do Oeste do Estado do Paraná.
Aspectos Silviculturais
Possui a tendência a crescer reto e sem bifurcações quando plantado em reflorestamento misto, pois é espécie monopodial. A desrrama se faz muito bem e a cicatrização é boa. Sendo assim, dificilmente encopa quando nova, a não ser que seja plantado em parques e jardins.
Ao ser utilizada em arborização urbana, o ipê amarelo requer podas de condução com freqüência mediana.
Espécie heliófila apresenta a pleno sol ramificação cimosa, registrando-se assim dicotomia para gema apical. Deve ser preconizada, para seu melhor aproveitamento madeireiro, podas de formação usuais (INQUE et al., 1983).
Produção de Mudas
A propagação deve realizada através de enxertia.
Os frutos devem ser coletados antes da dispersão, para evitar a perda de sementes. Após a coleta as sementes são postas em ambiente ventilado e a extração é feita manualmente. As sementes do ipê amarelo são ortodoxas, mantendo a viabilidade natural por até 3 meses em sala e por até 9 meses em vidro fechado, em câmara fria.
A condução das mudas deve ser feita a pleno sol. A muda atinge cerca de 30 cm em 9 meses, apresentando tolerância ao sol 3 semanas após a germinação.
Sementes
Os ipês, espécies do gênero Tabebuia, produzem uma grande quantidade de sementes leves, aladas com pequenas reservas, e que perdem a viabilidade em poucos dias após a sua coleta. A sua conservação vem sendo estudada em termos de determinação da condição ideal de armazenamento, e tem demonstrado a importância de se conhecer o comportamento da espécie quando armazenada com diferentes teores de umidade inicial, e a umidade de equilíbrio crítica para a espécie (KANO; MÁRQUEZ & KAGEYAMA, 1978).
As levíssimas sementes aladas da espécie não necessitam de quebra de dormência. Podem apenas ser expostas ao sol por cerca de 6 horas e semeadas diretamente nos saquinhos. A quebra natural leva cerca de 3 meses e a quebra na câmara leva 9 meses. A germinação ocorre após 30 dias e de 80%.
As sementes são ortodoxas e há aproximadamente 87000 sementes em cada quilo.
Preço da Madeira no Mercado
O preço médio do metro cúbico de pranchas de ipê no Estado do Pará cotado em Julho e Agosto de 2005 foi de R$1.200,00 o preço mínimo, R$ 1509,35 o médio e R$ 2.000,00 o preço máximo (CEPEA,2005).
Against the grim backdrop of the COVID-19 pandemic, chief executives of 110 companies in Thailand have pledged to advance gender equality in business by implementing the Women’s Empowerment Principles (WEPs). The event was hosted by WeEmpowerAsia, a UN Women programme funded by and in partnership with the European Union. Read the full press release: unwo.men/tGyn50BFura
Date: September 30, 2020
Location: Bangkok, Thailand
Photo: UN Women/Siraphob Werakijpanich & Tanasin Pheankusol
Facebook’s Free Fundamental principles — the company’s zero-rated cell provider — has been below hearth in India more than web neutrality violations for months, and now the country’s regulator has weighed in tough on the difficulty: FreeBasics and services like it have been banned, according...
First 1000 businesses who contacts honestechs.com will receive a business mobile app and the development fee will be waived. Contact us today.
#electronics #technology #tech #electronic #device #gadget #gadgets #instatech #instagood #geek #techie #nerd #techy #photooftheday #computers #laptops #hack #screen
honestechs.com/2016/02/08/india-blocks-facebooks-free-of-...
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
Committee for fundamental principles and rights at work. 106th Session of the International Labour Conference. Geneva, June 2017.
Commission pour les principes et droits fondamentaux au travail. 106e session de la Conférence internationale du Travail. Genève, juin 2017.
Comisión para los principios y derechos fundamentales en el trabajo. 106.a reunión de la Conferencia Internacional del Trabajo. Ginebra, junio de 2017.
Photo © Crozet / Pouteau
More information at : www.ilo.org
More pictures at : www.ilo.org/dyn/media
Follow the ILO : www.facebook.com/ILO.ORG/
Against the grim backdrop of the COVID-19 pandemic, chief executives of 110 companies in Thailand have pledged to advance gender equality in business by implementing the Women’s Empowerment Principles (WEPs). The event was hosted by WeEmpowerAsia, a UN Women programme funded by and in partnership with the European Union. Read the full press release: unwo.men/tGyn50BFura
Date: September 30, 2020
Location: Bangkok, Thailand
Photo: UN Women/Siraphob Werakijpanich & Tanasin Pheankusol
Against the grim backdrop of the COVID-19 pandemic, chief executives of 110 companies in Thailand have pledged to advance gender equality in business by implementing the Women’s Empowerment Principles (WEPs). The event was hosted by WeEmpowerAsia, a UN Women programme funded by and in partnership with the European Union. Read the full press release: unwo.men/tGyn50BFura
Date: September 30, 2020
Location: Bangkok, Thailand
Photo: UN Women/Siraphob Werakijpanich & Tanasin Pheankusol
The Global Landscapes Forum is founded on four principles: connecting, sharing, learning and acting. Together with the Youth in Landscapes Initiative the GLF is hosting its first ever hackathon that will connect people, to share ideas, learn from each other and act together to creatively problem solve for on the ground sustainable landscape initiatives. GLF are looking for the most creative solution to engage African youth in landscape restoration.
Photo by Musah/GLF
More information about hACCRAthon
news.globallandscapesforum.org
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org and m.edliadi@cgiar.org
Capitol Reef National Park Cathedral Valley Temple of the Sun Temple of the Moon Fuji GFX100 Fine Art Landscape Photography Utah CRNP! Cathedral Valley Road! Fuji GFX 100 & Fujinon GF Lens!
All my photography celebrates the physics of light! The McGucken Principle of the fourth expanding dimension: The fourth dimension is expanding at the rate of c relative to the three spatial dimensions: dx4/dt=ic .
Lao Tzu--The Tao: Nature does not hurry, yet everything is accomplished.
Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Unifying Physical Reality of the Fourth Expanding Dimensionsion dx4/dt=ic !: geni.us/Fa1Q
"Between every two pine trees there is a door leading to a new way of life." --John Muir
Epic Stoicism guides my fine art odyssey and photography: geni.us/epicstoicism
“The clearest way into the Universe is through a forest wilderness.” --John Muir
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
“The mountains are calling and I must go.” --John Muir
Epic Art & 45EPIC Gear exalting golden ratio designs for your Hero's Odyssey:
Support epic fine art! 45surf ! Bitcoin: 1FMBZJeeHVMu35uegrYUfEkHfPj5pe9WNz
Exalt the goddess archetype in the fine art of photography! My Epic Book: Photographing Women Models!
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ... Epic! Beautiful Surf Fine Art Portrait Swimsuit Bikini Models!
Some of my epic books, prints, & more!
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All art is but imitation of nature.-- Seneca (Letters from a Stoic - Letter LXV: On the First Cause)
The universe itself is God and the universal outpouring of its soul. --Chrysippus (Quoted by Cicero in De Natura Deorum)
Photographs available as epic fine art luxury prints. For prints and licensing information, please send me a flickr mail or contact drelliot@gmail.com with your queries! All the best on your Epic Hero's Odyssey!
Scanning negatives from 'first principles' : PHOTAX test negative. The negative was illuminated by simply laying it flat on a light box and was photographed using a Canon G9 power shot digital camera held rigid on a copystand. The image was uploaded to an iPad mini and transported to Flickr. This is the un-edited 'negative' image.
Governor Phil Murphy signs an executive order requiring that all internet service providers wanting to do business in NJ adhere to the principles of net neutrality in Newark, New Jersey on Monday, February 5th, 2018. OIT/Governor's Office.
Home > Esoteric Futures
The Cornerstone of Esoteric Christianity
by Rev. Carol E. Parrish-Harra, PhD, Dec 13, 1998
Printer-friendly page Printer page
Email Page Email article
The Christian community needs to ask, "What happened to the biblical reference to the Christ within, the hope of glory?" In the ancient mystical teachings we learn that the "second coming" will be a perfected consciousness of love-wisdom such as the Christ possessed. This vision for humanity is the cornerstone of esoteric Christianity.
Esoteric Christianity, with its transformational techniques, is little known to many. Some of its principles are often discovered through metaphysics, new thought, or mystical, agnostic, or other approaches. However, they are in danger of being distorted or glamorized, even over-simplified when taken out of context.
Historical creeds of all religions have some aspect deeply preserved until the aspirant is prepared or experiencing little-understood spiritual phenomena. At that point, the adage, "When the student is ready, the teacher appears, truly seems to work." Someone will reach out and, if only for a brief time, guide the one in need across troubled waters to safety.
To begin to explain Esoteric Christianity requires boldness, audacity, and tenacity. It can be endless in definition because it transforms the experiencer and the experience redefines the faith. However, as contemporary Christians find themselves needing a greater personal sense of intimacy (not dogma or doctrine) with their spiritual Source, this recognizable route to God gradually emerges, expanding our spiritual experiences.
A major challenge for many is whether esoteric, or mystical, Christianity, as some call it, involves God or Jesus. Esoteric Christians believe Master Jesus, the Christ, pointed followers to the Father, as he affirmed he "and the Father are one." The symbology of Oneness is important to esotericists as they lift their thinking to identify with Soul, rather than personality. I am the Soul affirms this new identity.
A major adjustment is to learn to live "as a soul having a human experience," rather than to relate so strongly with personality stuff. This ability to shift identity is a major effort of transformation: "Know Thyself." The concept of the mystical body of Christ focuses our soul identity to Oneness and aligns Esoteric Christianity to the kabalistic concept of Adam Kadmon, the heavenly human.
Another consideration is that each of us is one brain cell in the mind of the planetary being or in the life we share. We recognize thoughts as things and that each of us either blesses or pollutes our setting. Mindfulness is an attribute we seek to build, as we strive toward higher consciousness in the midst of daily living, believing we are to be the hearts, hands, and minds of God as we integrate with the Christ, teacher of angels and of humanity.
"New Age," having become a catch-all phrase, originally carried the meaning of seeing an expanded vision of the higher Plan. Jesus brought in the then-new Age of Pisces, perceiving his work and sharing a new perspective with his disciples, which, indeed, called them out of their old system. He challenged them to know God, the Father, in innovative ways, to move from just fulfilling the letter of the law to living by the spirit of the law.
Without negating the commandments of the Old Testament, he laid upon them the great commandment to love God and to love the neighbor as the self. Here the consciousness of the disciples had to shift to realize that mere obedience was not enough. Their master stretched them to loving hearts, loving hands.
The great commandment expands all of us beyond comfortable personality boundaries and into the energy of the soul--Lots Of Vital Energy. Then we bring our attunement Earthward from the higher dimensions into the world around us, acting upon it to bring transformative influences to daily life.
We expand the Christian vision by fulfilling it on a one-to-one basis. Spiritual laws and the love of Christ form the foundation upon which we carry out our part of the Christ mission. Consider Mother Teresa and those left behind in her order when death came, those upon whom the mission now falls. They took it upon themselves to align with her vision and continue to fulfill it. As contemporary Christians, we are to keep the vision alive, expanding our love-wisdom until the true fruit of this world religion blossoms.
Only enlightened ones can point direction to the holy; we admire, appreciate, and listen to the saints and sages, the teachers and masters who have found the way. Their wisdom may be just what we need to advance on our own path. In the esoteric tradition is a saying, "Only a lighted flame can pass on the light." Oral traditions used to pass teachings from a wise one to a devotee, who then lived accordingly; in due time, s/he would become responsible for passing the teachings on to others.
Fears around mystical moments, hard-to-grasp experiences, or phenomena often caused the wise one, the shaman, or the astrologer to be suspect. Persecution kept those with access to such wisdom quiet, guarding what they knew. The Inquisition murdered thousands of women who were the healers and visionaries of their people. Call it magic or folk wisdom, it cost them their lives.
Because we often fear that which we do not fully comprehend and because religious fanaticism runs high, people with broader ideas often limit what they share. This self-protection keeps concepts from being distorted by those who do not realize deeper meanings which may come through meditation and inner contact.
Yet at troublesome or pain-filled moments, all of us call out to the heavens: "Why?" "Is this all there is?" We invoke divine help, and doors often open at such power-filled moments.
Ten Points of Importance
Ten points of importance come to mind as I attempt to define an infrastructure of thought that fits most esoteric Christians:
l. Life has a reason and a purpose. Esoteric teachings offer an overview of this Great Life and its purpose. This set of teachings is called cosmology.
2. All life is sacred, especially human life: Remember ye are gods. The cosmos is seeking to expand us into divine beings--a major difference to many other approaches. Self-actualization, self-worth, self-unfolding of potential--all are part of the message. It does not mean we do not err but that we are in essence divine and are to embrace the struggle of transformation.
3. Humanity is never left without dialogue with the higher worlds. From the most ancient prophets to modern, inspired ones, the will of the Creator is broadcast (my term) through the ethers to those who would hear. Perceived by listening ones, all world religions have developed out of the necessity to respond to the message and the knowledge derived from it. Each world religion donned an outer form, a manner in which it could be presented. This explanation became the cloak of its revelations.
4. Spiritual law consists of many definitive messages from the higher world to assist us to conform to our vision of the higher will of the Father-Mother, the Divine, the Source--whatever vocabulary fits the perception. The Ten Commandments, the Four Noble Truths and the Eight-fold Path, the Koran, the Popol Vuh, even the Beatitudes fit this idea, if we accept that Master Jesus as the Christ was instructing his disciples in his yoga, or yoke. These words share a common root word, yug, which means "union." Indeed, Jesus's prayer was that we would come to be one with him.
5. Each denomination, holy order, or religion develops its vocabulary, and these concepts and terms may be confusing to others. Each system abounds in mystical realities, and this veil has to be penetrated to reveal and grasp the subtler inner teachings. Esoteric symbols teem with great meaning, with profound truths awaiting discovery and insight. Great teachings contain the story of the soul and the universe, and as teaching myths and parables preserve truths uncovered by preceding teachers or wise ones, they await our readiness for their revelation.
6. Master Jesus is accepted as the historical Christ. The long-awaited Great One created such a state of alignment to the heavenly world, his vehicles--body, emotional nature, and mental equipment--were of such holiness that the Great Lord Christ, who had never incarnated, could descend into the body of Jesus to live through his prepared nature. From the baptism on, Jesus is the Christ, the Wayshower, the Elder Brother, Son of God and Son of Man, or fully human and fully divine, which is our transformational goal. We are to realize the Christ consciousness as well.
7. The message of the Christ was preparation and how-to's. Disciples were to dedicate themselves to living by guidelines appropriate to their understanding of his instructions. By doing that, he explained to the disciples, they would be visited by the Holy Spirit, the Paraclete, advocate of the Lord. They would find themselves visited by certain phenomena and gifts that would stretch them, lifting them into another level of relationship to the Holy. These gifts, like fruit on the vine, are to be harvested and revered for the bounty they bring.
8. The emphasis of the message of the Christ is to live as the Wayshower Jesus did--loving and caring, open to the mystical reality wherein we become one with the Father-Mother Creator, Giver of Life. In this mystical relationship we give birth to the Christ-Within, the hope of glory. We discover the central truth of all religions that focus on the inner nature as the fulfillment of life. The Christ-Within is the goal. We are to be obedient children as we begin our quest to come into alignment with the path of life, but we are to grow into spiritual maturity wherein the inner nature can be one with the Christ, the Higher, the Holy. The goal for the Esoteric Christian is to become Christed--whether called "enlightenment" or "salvation."
9. This goal permeates the life of the serious disciple with a dedication which often astonishes many. A life of self-discipline, understanding, discernment, prayer, and meditation is typical. Other practices may include: tithing, dietary disciplines, fasting, healing, dream study, intuition, silence, visualization, and service. Each one seeks to know higher will and to accommodate it within the framework of one's lifestyle.
10. Additional points of information:
* Not all esotericists are Christians, but all are aware of spiritual law.
* Groups vary from quiet and dignified to very flamboyant, but all recognize the importance of group life.
* Some believe in reincarnation, others do not, but all ponder it.
* There is a distinct interest in on-going life, other dimensions and phenomena that are confusing or uncomfortable for some--angels or devas, life-after-death, visions, and friends in spirit all hold interest.
Esoteric Christianity affirms healing of planetary life and all that this might mean. It does not see such wonders as "miracles"--just universal spiritual laws at work which are not yet comprehended. We learn to live in a mystical attunement to the Lord Christ, allowing the Plan to work itself out through us as it will.
REV. CAROL E. PARRISH-HARRA, Ph.D., is the founder of Sancta Sophia Seminary (1978) and Sparrow Hawk Village (1981), a spiritual community in the foothills of the Ozarks, near Tahlequah, Oklahoma. After a near-death experience in 1958, she began an earnest search for a new perception of spirituality. Today, she is a master teacher of teachers, international lecturer, and author of ten books. The latest of these are Adventure in Meditation--Spirituality for the 21st Century, each of three volumes earning the Athena Award for Mentoring, and The New Dictionary of Spiritual Thought, containing 1100 concepts of today's most important Western and Eastern esoteric and spiritual concepts. One review stated, "No other reference book today provides the clarity and depth of insight into the timeless wisdom teachings, going beyond intellectual understanding to touch the innermost heart and soul."
Carol ParrishRev. Carol E. Parrish-Harra, Dean
Sancta Sophia Seminary
Sparrow Hawk Village
11 Summit Ridge Drive
Tahlequah, OK 74464 USA
Website: sanctasophia.org/
E-mail: lccc@sanctasophia.org
Telephone: (918) 456-3421 or 1-800 386-7161
Fax: (918) 458-5501
www.wnrf.org/cms/esotericn.shtml
In the past editions of the Spirituality segment of the Sovryn Technica Newsletter, we’ve thus far discussed:
What I mean by “spirituality” and how it contrasts with what is conventionally known as “religion”.
The importance of documenting your spirituality and making it (and yourself) “portable” and thus censorship and catastrophe-resistant.
Why spirituality can be useful to you to survive, outlast, and outmaneuver the authoritarian-rich civilization we exist within — regardless of whether you’re a mystic, atheist, or some other type of believing practitioner.
If you haven’t read the Spirituality segment in the past three issues, I highly recommend you do for context. But now I want to discuss the foundation of spirituality; whether it be your own spirituality, a spirituality you’ve adopted, or really any form of spirituality you may encounter.
That foundation — and this is true 99% of the time (I take 1% off for the Discordians) — is axiomatic. Meaning: the foundation is some kind of axiom(s). That one thing that you consider to be completely true and self-evident that exists without question and is the basis of what of your “spiritual” belief. This can be a book, or it could be an experience that you had — you saw a god, or a mystical polar bear (believe me, I’ve heard that story) and it changed your perceptions of the universe. It could even be you; as in, you are your own god and your own axiom. Frankly, it could be a mixture of all of these things, but without some kind of axiomatic foundation, you have no cornerstone to build your mental temple upon that allows you to simultaneously encapsulate and expand your spiritual self. You need something you know to be true that you can test any future knowledge or experience upon, because knowledge, spiritual or otherwise, is merely justified true belief. With spirituality being such a personal experience, you can’t always rely on the correspondence theory of truth, so your axioms take the place of correspondence with others.
Need an example? Alright, I’ll be vulnerable and open with you.
My axiom is a book. Well, more actually, a collection of books that gets called a “book”. And no, despite what I’m sure you’ve figured already are my Jewish proclivities, it’s not the Tanakh. My axiom is the Book of Radiance, more popularly known as the Zohar. While I won’t get into a treatise on the Zohar here (I assure you, I will in the future, but it will be a multi-issue series), I share this with you to let you know where I’m coming from, what I use as the crucible and test of knowledge and experiences that I encounter, and what I build my mental temple upon.
Now, before you start saying that the Zohar is this or that, let me assure you, anything you go and read on Wikipedia or on some Christian website does not express the reality of information or nature of the existence of this true “book of books”. As someone who has read everything from The Urantia Book (fascinating stuff, by the way) to the Tao Te Ching (excrement), I have never read anything like the Zohar that is essentially an entire universe within itself (though some sci-fi — such as by Olaf Stapledon — certainly gives its best effort). And it covers much more than spirituality: ahead-of-its-time scientific knowledge, health, history, sex, advanced technology, and more. Again, I’ll tell you more about it in the future, but suffice it for now to tell you that it’s the book I hang my spiritual “hat” on.
NOTE: Though I consider the Zohar to be “axiomatic”, I’m not inferring that what you consider axiomatic is somehow wrong if it happens to be something else. I’m not even saying the Discordians are wrong for essentially being “anti-axiom” (an oversimplification, certainly). I don’t have to disprove what you consider to be axiomatic. The very nature of an axiom is that it is self-evident, which means that a false axiom will disprove itself. Just keep your mind open to your axiom falling apart before your eyes. I always do.
You don’t have to “hang your hat” on the Zohar, but the fact remains that in your spiritual exploration and growth, you will need something (again, even if its just belief in yourself and the feedback your six senses — yes six, at least — give you). Without an axiom you may think that your beliefs are just more adaptable, but the truth is actually the opposite: even the most adaptable creature needs a wall at its back, or a firm footing, or just a parachute to successfully engage the greatest threats and challenges presented by the objective universe at any given moment. That’s just Survival 101.
sovryntech.medium.com/the-cornerstone-of-all-spirituality...
The Cornerstone, the last brick of the Prophets ﷺ
Narrated Abu Huraira:
Allah's Apostle said, "My similitude in comparison with the other prophets before me, is that of a man who has built a house nicely and beautifully, except for a place of one brick in a corner. The people go about it and wonder at its beauty, but say: 'Would that this brick be put in its place!' So I am that brick, and I am the last of the Prophets." Qaala Rasul Allah (saw)
Matthew 21:42-45 EASY:-
“Jesus said to them, ‘I am sure that you have read this in the Bible: “The builders refused to use a certain stone. They thought that it had no value. But now that stone has become the most important stone at the corner of the building. The Lord God did this. And we can see that he did something great.” I tell you this. Because you do not believe in me, God will take his kingdom away from you. He will give it to people who show that they obey him. When a person falls on to that stone, it will break his body into pieces. When that stone falls on top of someone, it will destroy him completely.’ The leaders of the priests and the Pharisees heard what Jesus said in his stories. They knew that he was speaking against them.”
Psalms 118:25-26 EASY:-
“Lord, save us now! Lord, make us do very well! The man that comes in the name of the Lord will be blessed. We bless you from the house of the Lord.”
Luke 13:35 EASY:-
“So listen! Your great house will now become like a wilderness with nobody in it. I tell you this. You will not see me [Jesus Christ] again until the day when you say, “Great is the man who comes with the authority of the Lord God.” ’”
Quran 1:1:-
بِسۡمِ ٱللَّهِ ٱلرَّحۡمَـٰنِ ٱلرَّحِیمِ
In the name of God, the Lord of Mercy, the Giver of Mercy!
Quran 2:89:-
وَلَمَّا جَاۤءَهُمۡ كِتَـٰبࣱ مِّنۡ عِندِ ٱللَّهِ مُصَدِّقࣱ لِّمَا مَعَهُمۡ وَكَانُوا۟ مِن قَبۡلُ یَسۡتَفۡتِحُونَ عَلَى ٱلَّذِینَ كَفَرُوا۟ فَلَمَّا جَاۤءَهُم مَّا عَرَفُوا۟ كَفَرُوا۟ بِهِۦۚ فَلَعۡنَةُ ٱللَّهِ عَلَى ٱلۡكَـٰفِرِینَ
And when there came to them (the Jews), a Book (this Quran) from Allah confirming what is with them [the Taurat (Torah) and the Injeel (Gospel)], although aforetime they had invoked Allah (for coming of Muhammad Peace be upon him) in order to gain victory over those who disbelieved, then when there came to them that which they had recognised, they disbelieved in it. So let the Curse of Allah be on the disbelievers
[Muhsin Khan and Taqi-ud-Den Al-Hilali Translation]
Al-Qur'an al-Kareem
islamcenter.quora.com/The-Cornerstone-the-last-brick-of-t...
Hebrew translation:
93. וְכָאן כָּתוּב וַיַּרְא יַעֲקֹב, שֶׁעַד עַכְשָׁו לֹא הִתְבַּשֵּׂר. מִנַּיִן הָיָה יוֹדֵעַ? אֶלָּא וַיַּרְא יַעֲקֹב, שֶׁרָאָה אֶת כָּל דַּיָּרֵי הָאָרֶץ שֶׁהוֹלְכִים לְמִצְרַיִם וּמְבִיאִים תְּבוּאָה. זֶהוּ שֶׁכָּתוּב וַיַּרְא יַעֲקֹב.
94. רַבִּי יִצְחָק אָמַר, בֹּא רְאֵה, דָּוִד הַמֶּלֶךְ זָכָה לְהִתְחַבֵּר עִם הָאָבוֹת, וְיָרַשׁ אֶת מְקוֹמוֹ בְתוֹכָם. זֶהוּ שֶׁכָּתוּב אֶבֶן מָאֲסוּ הַבּוֹנִים הָיְתָה לְרֹאשׁ פִּנָּה.
95. רַבִּי יֵיסָא וְרַבִּי חִזְקִיָּה הָיוּ הוֹלְכִים מִקַּפּוֹטְקִיָּא לְלוֹד, וְהָיָה עִמָּהֶם יְהוּדִי אֶחָד שֶׁמַּחֲזִיק נוֹד שֶׁל יַיִן. בְּעוֹדָם הוֹלְכִים, אָמַר רַבִּי יֵיסָא לְרַבִּי חִזְקִיָּה, פְּתַח פִּיךָ וֶאֱמֹר דָּבָר אֶחָד מֵאוֹתָם הַדְּבָרִים הַמְעֻלִּים שֶׁל הַתּוֹרָה שֶׁאַתָּה אוֹמֵר כָּל יוֹם לִפְנֵי הַמָּאוֹר הַקָּדוֹשׁ.
.
Zohar Miketz
Genesis 42:1
“וַיַּרְא יַעֲקֹב כִּי יֶשׁ שֶׁבֶר בְּמִצְרָיִם וַיֹּאמֶר יַעֲקֹב לְבָנָיו לָמָּה תִּתְרָאוּ.”
“Now Jacob saw that there was grain in Egypt, and Jacob said to his sons, “Why are you staring at one another?”
#93
It is written “Now Jacob saw that there was grain in Egypt” and the Zohar asks how did Jacob sees that when he didn’t have the Shechna with him after losing Joseph. The explanation is that Jacob knew that when he saw the other people of the land go to Egypt for food. It wasn’t with the support of the Holy Spirit that he temporarily lost.
#94
Rabbi Yitzchak says that King David had merits to connect to the patriarchs and have a place among them.
Psalms 118:22
“אֶבֶן מָאֲסוּ הַבּוֹנִים הָיְתָה לְרֹאשׁ פִּנָּה.”
“The stone which the builders rejected Has become the chief cornerstone.”
#95
Rabbi Yessa and Rabbi Chizkiya were walking from Kaputkia to Lod and with them a jew carrying a vessel of wine. Rabbi Yessa asked Rabbi Chizkia to share one of the beautiful studies that he had with Rabbi Shimon.
Continued in the next DZ
Lesson;
“The stone which the builders rejected Has become the chief cornerstone.”
The Zohar references ‘The Stone’ as the ‘Drinking Stone’ that the world was founded on. See Daily Zohar # 3209 – Vayetze – The stone of the house of God.
The stone is the aspect of Malchut that doesn’t have a light of its own. It’s also the aspect of David, the humble king of Israel. He connected to the Patriarchs that represent the three-column, Right for Chessed, Left for Gevurah and center for Tiferet. He gave us the tools to connect and draw the Light of the three columns to Malchut. These tools are the Psalms that we include in all our prayers.
In the future, the children of Israel that are ignored and disrespected like a simple stone would be the ‘Chief cornerstone’ for the whole world because the Light would shine from Israel to all directions of the world.
Ahead of the European Parliament elections in 2014, find out how the EU has provided assistance and disaster response through its humanitarian aid and civil protection department (ECHO).
All images are free to download, just credit: EC/ECHO
Using these infographics on social media? You can tag us through:
Twitter: @EU_ECHO
Facebook: European Commission Humanitarian Aid and Civil Protection
Google +: +European Union Humanitarian Aid and Civil Protection
ec.europa.eu/echo/files/core_achievements/solidarity_in_a...
Starting to take form - still got a lot of animation to do, and link up with information about birth, birth environment and principles behind the design etc.
„Sometimes it's tough to see the blows of fate.“
Lukas works as a city treasurer.
---
After finishing my 100 Strangers Project, I continue to photograph strangers based on the principles of the Project. Find out more about the project at the group page 100 Strangers.