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BRAINERD, MINNESOTA - AUGUST 26, 2022: JOE HIGHSMITH hits a shot in the second round of the 2022 CRMC Championship presented by Gertens at Cragun's Resort.
Photo: PGA TOUR Canada / Sara Wright
Ma dove si trova la felicità? Nei posti belli, nelle tovaglie di fiandra, nei vini buoni, nelle persone gentili”
La pazza gioia - P. Virzì
Já viram um presente mais lindinho? Foi a querida Adriana Carla que fez pra mim! Pra enfeitar o meu ateliê!
A Adriana infelizmente não aceita encomendas pois faz apenas por hobbie ou para presentear os amigos!
Obrigada Dri!
Da esquerda para a direita:
- Vaticano - Roma
- Torre Eiffel - Paris
- Museu do Sherlock Homes - Londres
- Gaudy... - Barcelona
- Stonehenge - Londres
Nem preciso dizer que eu e minha coleção amamos esses dedais!
Te amo, filho!!!
I am really pleased with this design for a Library in Bristol. I have been working on this for a long time, but this is its most recent manifestation. It is all still at a very early preliminary stage so it is most unlikely that it will ever get built in this manner.
PRESENTAZIONE CAMPIONATO 2021-2022 AL MUSEO FERRARI DI MODENA
PALLAVOLO CAMPIONATO ITALIANO VOLLEY 2021-2021
MODENA 01-10-2021
FOTO FILIPPO RUBIN / LVF
Jerry Hall presenting the NME Best international band award to Haim during The NME Awards 2014 presented onstage @ o2 Academy Brixton, London, on Wednesday February 26th 2014.
The awards were broadcast live online this year for the first time. .
This photograph is © Ollie Millington
All rights reserved. ANY Use without permission is illegal !
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Southern / Modern - Rediscovering Southern Art from the First Half of the Twentieth Century - October 26, 2024 - February 2, 2025
The first exhibition to present a comprehensive survey of works by artists working in the American South in the first half of the 20th century
Created in collaboration with Georgia Museum of Art, the exhibition includes more than 100 paintings and works on paper by artists working in states below the Mason-Dixon line and as far west as those bordering the Mississippi River, as well as some artists living outside of the region who made significant bodies of work during visits.
Curated by the Mint’s Senior Curator of American Art Jonathan Stuhlman, PhD, and independent scholar Martha Severens, Southern/Modern: Rediscovering Southern Art From the First Half of the Twentieth Century takes a broad view of the South and is structured around key themes that traverse geographic regions, including time and place, race, family ties, and social struggles. It also takes a broad, inclusive view of the art of the region, incorporating the creativity and talent of women artists and artists of color across its various thematic sections to provide a fuller, richer, and more accurate overview of the artistic activity in the American South at the time.
"The names Jackson Pollock and Mark Rothko flash to mind when thinking about the U.S. as the modern art epicenter at mid-20th century. What do Zelda Fitzgerald of Montgomery, Alabama or Dusti Bongé of Biloxi have to do with that history? More than any art narrative has said until now. A rich book published in conjunction with the exhibit “Southern/Modern” makes the case that modernism flourished in the South despite less recognition then and systemic exclusion since. The volume’s cover is Bongé’s “Where the Shrimp Pickers Live,” a 1940 oil fed by Bongé’s rent-collecting job on the Biloxi Back Bay.
The South’s painting legacy is hardly the most crucial part of southern history now under hard examination. Our era is retelling—make that telling for the first time—the truth of slavery, white supremacy and labor exploitation in the region’s DNA. Yet who paints and what is painted are questions overlapping the general reckoning. The Southern/Modern project attempts and delivers answers.
Do I, a lifelong Mississippian, sound thin-skinned that southern artists were shortchanged? Well, I am, but it’s also true. Consider the famous 1949 proclamation by the American Wing curator of the Metropolitan Museum of Art: “Little of artistic merit was made south of Baltimore.” Southern/Modern counters that verdict.
True, there have been shows on individual modernist southern artists, but Southern/Modern is the first to examine the region’s strand as part of the national modern fabric. The exhibit of about 100 paintings and prints centers on southern works between 1913 and 1955.
This kind of project is not just a real-time event, although “The New York Times” named the “daring and revisionist” show a Critic’s Choice. The ambition of Southern/Modern is to establish a basis for future art scholarship. Shows, after all, formulate our understanding of art movements. The understanding of Impressionism coalesced with the 1863 Paris Salon des Refusés. Participation in the 1951 9th Street Art Exhibition qualified a painter for the New York School abstract expressionist canon.
The essays in “Southern/Modern” define modern with a big M and small one, according to Jonathan Stuhlman, senior curator of American art at the Mint Museum in Charlotte, North Carolina and co-editor of the book. As an art term, modern means presenting artists who are “moving away from realism and toward abstraction,” he writes. But this project also includes painters modern in the sense that they frankly depict life around them. Regionalism versus modern is a false choice."
msbookspage.wordpress.com/2024/05/06/southern-modern-redi...
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i find that, still, some photos i have "favored" needed to be re-favored for some reason. its either my browser or their server....
Carlos Monzon (socio de Microstrategy México) presenta su conferencia durante el Seminario de Marketing Digital de la Academia Mexicana de la Comunicación, 22 de noviembre de 2011.
Lauren McKean and Kim Nitschke stand beside the future site of the ARM Mobile Facility (AMF1) deployment at Cape Cod National Seashore. It is located near a coastal bluff at the Highlands Center area of the park. The Atlantic Ocean is just visible in the distance.
The Two-Column Aerosol Project (TCAP) was conducted from June 2012 through June 2013, and included the deployment of both the first ARM Mobile Facility (AMF1) and ARM Aerial Facility (AAF) to Cape Cod and Hyannis, Massachusetts, respectively. The primary goal of TCAP was to investigate cloud-aerosol interactions.
Terms of Use: Our images are freely and publicly available for use with the credit line, “Image courtesy of the U.S. Department of Energy Atmospheric Radiation Measurement (ARM) user facility.”
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Incontro stampa con Fedez il 22 gennaio 2019 per la presentazione del suo nuovo album “Paranoia Airlines” all’aeroporto di Linate di Milano.
Paranoia Airlines decolla con Spotify: grazie alla collaborazione con Spotify, otto fortunati fan di Fedez hanno ascoltato in anteprima il nuovo album durante un volo esclusivo con l'artista a bordo della Paranoia Airlines. Il jet privato, personalizzato per l'occasione, ha voltato sui cieli di Milano per trenta minuti, durante i quali i fan hanno vissuto un momento indimenticabile con il proprio artista preferito e condiviso con lui impressioni e curiosità sul nuovo album.
Esce venerdì 25 gennaio “Paranoia Airlines”, il nuovo progetto discografico di Fedez. Distribuito da Sony Music, l’album contiene 16 brani inediti, in cui sono presenti collaborazioni con artisti nazionali e internazionali, che mostrano la poliedricità di Fedez e la sua capacità di padroneggiare differenti generi musicali: dal rap di Trippie Redd ed Emis Killa, alla dance pop di Zara Larsson, al cantautorato di LP, alla trap di Tedua e la Dark Polo Gang fino al pop di Annalisa.
L’album nasce in maniera spontanea dall’esigenza di Federico di tornare a fare musica per il solo piacere di farla. Il processo creativo che ha portato al progetto musicale, viene paragonato dall’artista a quello di una jam session, in cui tutti gli interlocutori coinvolti hanno potuto dare la propria idea dopo ore passate in studio a sperimentare e provare nuove sonorità.
“Paranoia Airlines è un disco che ho fatto per far stare bene me nell’esprimere ciò che ho voluto racchiudere in questo progetto. Ormai, dopo tanti anni di carriera nel mondo della discografia, sono riuscito a guadagnarmi la libertà di fare un mio disco senza badare alle logiche di mercato. Per questo motivo mi sono permesso di sperimentare, ad esempio riprendendo alcuni richiami del mondo punk, un omaggio personale alla musica con la quale sono cresciuto.” – spiega Fedez.
L’album è stato anticipato da “Prima Di Ogni Cosa”, già certificato disco di platino, e da “Che Cazzo Ridi” feat. Tedua & Trippie Redd che dal giorno dell’uscita si è posizionato stabilmente ai vertici della Top 50 Italia di Spotify. In radio, dall’11 gennaio, il nuovo singolo con Zara Larsson, “Holding Out For You”.
La produzione è stata affidata a Michele Canova Iorfida (tra i più importanti e riconosciuti produttori italiani che per la prima volta ha preso parte ad un progetto discografico di Fedez) e da Takagi & Ketra, che hanno lavorato per i brani “Record”, “L’una per l’alcol” e “Segni”. Il disco è stato registrato tra Los Angeles e Milano.
Equator Club African Cultural and Fashion Show Presented by Essence ENE Productions Philadelphia B&W July 1994 Wendy
Over 1,300 personnel from all three armed services, veterans and cadets made the 2019 National Armed Forces Day parade in Salisbury the largest one to date. Originally conceived as Veterans Day, the name of the event was changed in 2009 to National Armed Forces Day to celebrate the contributions of both past and present members of the British Armed Forces. Taking place on the last Saturday of June, the parade is one aspect of a whole weekend where the national lead event is hosted by a different town or city each year around the UK.
The national event was held from 28 to 30 June 2019 in Salisbury and hosted by Wiltshire Council and its council leader Baroness Scott of Bybrook OBE.
Her Royal Highness Princess Anne reviewed the parade on 29 June 2019 of more than 1,300 service personnel, cadets and veterans and took the salute on the dais in front of the Guildhall, accompanied by the Mayor of the City of Salisbury John Walsh, as the procession went by. The parade was preceded by a fly past by the Red Arrows at 10 am. The parade was led by a detachment from the Household Cavalry Mounted Regiment, followed by bands and marching contingents from the three armed services, veterans and cadets and finished with the British Army units which hold the Freedom of the City of Salisbury.
The order of the procession was as follows:
Household Cavalry Mounted Regiment
Band of HM Royal Marines Portsmouth
Royal Navy drawn from ships across the Fleet
Corps of Royal Marines
King’s Royal Hussars
Royal Tank Regiment
Coyote Tactical Support Vehicle
22 Engineer Regiment, Corps of Royal Engineers
Front loader vehicle
Queen’s Gurkha Signals
1st Battalion, Mercian Regiment, with troops from Royal Regiment of Fusiliers and Royal Welsh Fusiliers
Band of the Brigade of Gurkhas
Army Air Corps
Royal Logistics Corps
Heavy haulage tractor unit
Royal Army Medical Corps
Army ambulance
Corps of Royal Electrical and Mechanical Engineers
Towing truck
Adjutant General’s Corps
1st Military Working Dog Regiment, Royal Army Veterinary Corps
Intelligence Corps
Royal Army Physical Training Corps
Band of the Royal Air Force Regiment
Queen’s Colour Squadron, Royal Air Force Regiment
Royal Air Force drawn from squadrons across the UK
Royal Hospital Chelsea Pensioners
Royal British Legion Standard Bearers
Veterans
War Widows’ Association
Sea Cadet Corps and Royal Marines Cadets
Army Cadet Force, The Rifles
Army Cadet Force, The Rifles, Bugles and Drums
Air Training Corps
Community Police Cadets
Dorset & Wiltshire Fire and Rescue Service
Fire engine
Regiments having the Freedom of the City of Salisbury:
Band of the Royal Artillery
Royal Artillery
Royal Military Police, Adjutant General’s Corps
Military Police car
Royal Wessex Yeomanry
Band and Bugles of the Rifles
5th Battalion, The Rifles
Warrior tracked armoured vehicle
Paramedic
Police car
Royal Air Force Police
Chancellor of the Duchy of Lancaster David Lidington, Defence Secretary Penny Mordaunt, senior military officers and civic dignitaries also watched the parade.
Defence Secretary, Penny Mordaunt said: “On Armed Forces Day we celebrate the exceptional contribution service personnel, regular or reservist, veterans and their families make to our security and prosperity. The Armed Forces protect us and defend us around the world and serve communities throughout our country. With more than 300 events taking place across the UK, it’s incredible to see people coming together to show their support for the Armed Forces.”
The national event provided an opportunity to welcome the troops returning from Germany to Wiltshire, as one-quarter of the British regular army will be based in the county by 2020.
The Armed Forces and Salisbury have a close and historic relationship and the national event gave the people of Salisbury the chance to thank the Armed Forces for their tireless support towards the city’s recovery following the Novichok poison attacks in 2018.
Baroness Scott of Bybrook OBE, leader of Wiltshire Council, said: “Wiltshire is the beating heart of the Armed Forces and we are extremely proud of our long association with the military. The Armed Forces Day National Event is a unique opportunity to recognise and pay tribute to the specialist military teams, the emergency services and the other organisations that managed the incident and the subsequent clean-up that has helped south Wiltshire to return to normal.”
This stretchy chainmaille bracelet was a Christmas present for my friend Niere. The white rings are rubber and the purples are aluminum (I know they look blue here, but they're purple).
Handmade by Meri Greenleaf (Elfling Creations).
Martedì 17 dicembre alle 11:45, a Roma (Sala Marconi di Radio Vaticana, piazza Pia 3) è stato presentato l'audiolibro “È compito mio”, dedicato a Graziella Fumagalli, medico lecchese ucciso a Merca, in Somalia, da un commando la mattina del 22 ottobre 1995 mentre visitava un paziente nell’ospedale che dirigeva per conto di Caritas Italiana.