View allAll Photos Tagged practicality
My inspiration for this lamp was a mixture of oriental color combination and feminine curves.
This exquisite lampshade is created as most of my work using a fine crochet needle and coated copper wires.
The detailed patterns and bright shiny colors create magnificent shades when lighted and rich reflections from other light sources, It is just as attractive during day time and night time.
When installed next to a wall it casts fascinating shades, it can be installed in groups or as individuals.
Some practicalities:
Size: 4 “ (100 mm) diameter, height 4 “ (100 mm)
The lampshade arrives with a brass light socket (0.6”/15mm long) for a 12V 20W Halogen lamp and a 78”(2 meter) long flexible metal wire (0.08”/2mm diameter).
A standard electronic transformer is required for adjusting the voltage into 12V (both from 110V and 230V).
Takeshi Watanabe, the first President of ADB, combined idealism with practicality and toughness with compassion. Mr. Watanabe once likened ADB to "a family doctor" who tries to learn about the health of his many patients so he can help in their hour of need. Policies and targets were formulated, and regional surveys were undertaken to develop a fuller understanding of the social and economic conditions of ADB's developing member countries.
ADB approved its first loan—a $5 million to the Industrial Finance Corporation of Thailand for onlending to industrial enterprises—on 23 January 1968, just a little more than a year after it had started business.
Takeshi Watanabe passed away in Japan on 23 August 2010 at the age of 104.
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Hundreds of African Refugees from Eritrea and Ethiopia make a pilgrimage to Bethlehem to visit Manger Square and the Church of the Nativity for a Coptic Christmas. Bethlehem, Palestine, 6th January 2012.
Shortly about me:
It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.
In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.
If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.
Landings
Our usual inventory includes landing type pieces reclaimed from projects throughout New England. They typically fall into three categories:
1) Originals – originally quarried as such
2) Hand split from reclaimed block material
3) Sawn and thermaled – fabricated from large pier and bridge abutment blocks
Appearance:
Whether they are custom hand split or sawn and thermaled, our goal is to maintain the nice aged and weathered sides of the landing. We call this our “Best of Both Worlds” look blending century old patina with the practicality of a true, consistent, all season tread surface. Sometimes we can offer an aged weathered top with a sawn underside and all other surfaces untouched for that all natural look.
Size:
When a step or tread exceeds a depth of 20” or greater, we refer to these pieces as a step/landing or just a landing when they exceed 24” in depth. The most common depth of these slabs is generally between 3’-4’ with a thickness or rise in the 7”-8” range.
Use:
As the broad piece at either the door entry or at the bottom of a step/stairway to land safely and step off easily in different directions
Sold:
By the square foot.
Landings
Our usual inventory includes landing type pieces reclaimed from projects throughout New England. They typically fall into three categories:
1) Originals – originally quarried as such
2) Hand split from reclaimed block material
3) Sawn and thermaled – fabricated from large pier and bridge abutment blocks
Appearance:
Whether they are custom hand split or sawn and thermaled, our goal is to maintain the nice aged and weathered sides of the landing. We call this our “Best of Both Worlds” look blending century old patina with the practicality of a true, consistent, all season tread surface. Sometimes we can offer an aged weathered top with a sawn underside and all other surfaces untouched for that all natural look.
Size:
When a step or tread exceeds a depth of 20” or greater, we refer to these pieces as a step/landing or just a landing when they exceed 24” in depth. The most common depth of these slabs is generally between 3’-4’ with a thickness or rise in the 7”-8” range.
Use:
As the broad piece at either the door entry or at the bottom of a step/stairway to land safely and step off easily in different directions
Sold:
By the square foot.
Armenian Orthodox Christmas mass and procession inside the Church of the Nativity in the West Bank town of Bethlehem January 18, 2011. Church services and ceremonies are conducted in the Cathedral of Nativity all night long and until the next day.
Shortly about me:
It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.
In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.
The exhibition “Beautiful Faces of Balata” currently on show at the Church of the Ascension at the “Kaiserin Auguste Victoria Foundation” on the Mount of Olive's can be visited on a virtual tour on my website. Virtual tour of the Exhibition »
The exhibition is a project of Public Culture - Palpics, under the auspices of the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH and the Yafa Cultural Center (YCC) .
If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.
Ethiopian Orthodox Christmas Celebration at the Church of the Nativity, West Bank town of Bethlehem January 6, 2011. Ethiopia (and especially the Ethiopian Orthodox Church) still use the old Julian calendar, so the celebrate Christmas on January 7th. The Christmas celebration in the Ethiopian Orthodox Church is called Ganna. Most people go to Church on Christmas day.
Shortly about me:
It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.
In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.
The exhibition “Beautiful Faces of Balata” currently on show at the Church of the Ascension at the “Kaiserin Auguste Victoria Foundation” on the Mount of Olive's can be visited on a virtual tour on my website. Virtual tour of the Exhibition »
The exhibition is a project of Public Culture - Palpics, under the auspices of the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH and the Yafa Cultural Center (YCC) .
If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.
25 March 2010
Manchester Bridges: 11. Detroit Bridge
From the Lowry Millennium Bridge, it's only a short walk to Detroit Bridge, which spans Erie Basin just off the Manchester Ship Canal.
In its former life, this was a twin-track railway bridge, one of a number of swing bridges spanning across the Manchester Ship Canal. A single-track rail swing bridge at its original site was first built in 1895, but replaced in 1942 by a twin-track version weighing some 300 tonnes, built by Dorman Long.
With the decline of dock industry in Salford, the bridge became redundant in 1981, and was refurbished seven years later and floated to its current location. The refurbishment design was by Arup, and included installation of a hardwood timber deck for use by pedestrians, and the loss of all the mechanical equipment. It's no longer a swing bridge, but is permanently fixed in position.
The bridge is 80m long, 9m wide and over 10m tall above deck level. It's in the form of a balanced cantilever modified Warren truss. I would have thought a Pratt truss would be slightly more efficient for this arrangement, as it would eliminate compression in the diagonals, but this may depend on the balance between dead and live load. In its original swing configuration, the bridge acts as twin cantilevers under dead load, while under live load, the bridge behaves as a two-span continuous beam. The balance between each load determines the most efficient truss arrangement.
The timber decking and paintwork lasted 17 years before £0.5m was spent on refurbishment in 2005. The decking has been replaced with non-slip GRP planks, the bridge repainted, and flush-faced panels added to all the truss web members. These are there to prevent people climbing up onto the top of the truss and diving off, which was reported as a regular problem (although they didn't entirely solve it). The panels have also been treated with anti-climb paint. While the practicalities are unavoidable, they definitely detract from the appearance of the bridge.
It's marvellous to see an old bridge reused and treated so well. The bridge was well-used when I visited and is likely to become more so when the nearby Media City development is complete.
The most interesting feature of the bridge is the installation of an observation deck below its redundant pivot in the middle of the canal basin. This is accessed on curved staircases, and while it hardly offers a useful viewing platform, it does make the bridge experience more interesting.
motortrend.com says: Audi has deemed the Detroit auto show just the place to unveil its latest sporting creation -- or should we say "modification?" See, the Audi TTS isn't an entirely new car, but rather the creme de la creme of the TT sport coupe and convertible line. Yes, it will be available in both coupe and roadster forms, and to put things simply, transforms the already-willing TT into something even more fun to drive.
Audi's philosophy is "advancement through technology" and that's not something found lacking in the TTS. The engine is based on the highly-revered 2.0-liter, four-cylinder, turbocharged TSFI unit. Featuring direct injection, the powerplant contains a host of modifications over the standard motor (as installed the Volkswagen GTI, among other vehicles), including a beefier engine block, cylinder heads, and connecting rods. The turbocharger is new too - able to produce up to 1.2 bar of air pressure -- and intake and exhaust systems have been optimized for both increased performance and increased aural delight. A revised intercooler lowers the temperature of the intake charge to maximize the amount of air flowing into the engine.
The result is a whopping 72-horsepower and 51-lb-ft increase over the standard 2.0 TSFI unit, for a total of 272 horses and 258 lb-ft of torque. All that power is sent through Audi's Quattro four-wheel drive to each wheel, resulting in a 5.2 second 0 to 62 mph dash (the Roadster lags just 0.2 seconds behind due to its slightly less aerodynamic profile). Keep the throttle pegged and the TTS' computer will stop you at a top speed of 155 mph whether your roof goes down or not. The TTS will only be available in the U.S. with Audi's version of the dual-clutch DSG transmission, the S tronic. But fear not, Audi claims that transmission provides for faster acceleration times than the manual box that's standard in Europe.
Audi has even found a way to work some pretty high technology into the underpinnings of its TTS. A new magnetic ride adaptive damping system works electromagnetically to offer the driver a choice of Standard or Sport settings depending on driving style, and is able to lower the car up to 10 millimeters to increase performance. The front suspension is crafted largely from aluminum to save weight, while electromechanical steering improves fuel economy by not sapping drivetrain power in its operation. Even the brakes are high-tech with 17 inch vented discs set behind standard 18-inch wheels.
Great efforts were taken to reduce curb weight in the TTS, ultimately leading to the rear section of its body being crafted in steel, while the front and center sections are made from lightweight aluminum. Audi Space Frame technology further reduces weight and axle load distribution, resulting in the Euro-spec manual-equipped coupe's weight of just 3075 pounds and power-to-weight ratio of 11.24 lb/hp. Expect slightly higher figures for the U.S. DSG-equipped car. The body trim itself is also unique, with wider, deeper door sills; revised rear bumper, gray rear diffuser, retractible spoiler, and twin tailpipes.
Despite the TTS's performance focus, Audi hasn't forgone creature comforts. The interior of the TTS is trimmed in Silk Nappa leather and grippy Alcantara in a choice of four color combinations. Aluminum trim and a gray instrument panel with white gauge needles and a timer function to record race track laps further distinguish the TTS from the rest of the TT lineup, while a multifunction steering wheel keeps driver attention on the road rather than on the center stack. The coupe's rear seats are of the split-folding design to enhance practicality and increase cargo space up to 24.72 cubic feet.
Is this a TT that can finally be pitted against the class standard-setting Porsche Boxster S? We'll have to wait until the 2009 Audi TTS' release at the end of November 2008 to answer that question, but you'll have to wait only until next week to see our photos of the TTS straight from the Detroit show floor.
Aquarians basically possess strong and attractive personalities. They fall into two principle types: one shy, sensitive, gentle and patient; the other exuberant, lively and exhibitionist, sometimes hiding the considerable depths of their character under a cloak of frivolity. Both types are strong willed and forceful in their different ways and have strong convictions, though as they seek truth above all things, they are usually honest enough to change their opinions, however firmly held, if evidence comes to light which persuades them that they have been mistaken. They have a breadth of vision that brings diverse factors into a whole, and can see both sides of an argument without shilly-shallying as to which side to take. Consequently they are unprejudiced and tolerant of other points of view. This is because they can see the validity of the argument, even if they do not accept it themselves. They obey the Quaker exhortation to "Be open to truth, from whatever source it comes," and are prepared to learn from everyone.
Both types are humane, frank, serious minded, genial, refined, sometimes ethereal, and idealistic, though this last quality is tempered with a sensible practicality. They are quick, active and persevering without being self-assertive, and express themselves with reason, moderation and sometimes, a dry humor.
They are nearly always intelligent, concise, clear and logical. Many are strongly imaginative and psychically intuitive, so that the Age of Aquarius, which is about to begin, is much anticipated by psychic circles as an age in which mankind will experience a great spiritual awakening. The Aquarian philosophical and spiritual bent may be dangerous in that it can drive the subjects into an ivory-tower existence where they meditate on abstractions that bear little relevance to life. On the other hand it can help the many who have scientific leanings to combine these with the Aquarian yearning for the universal recognition of the brotherhood of man, and to embark on scientific research to fulfill their philanthropic ideals of benefiting mankind. When some cause or work of this nature inspires them, they are capable of such devotion to it that they may drive themselves to the point of exhaustion and even risk injuring their health.
Both types need to retire from the world at times and to become temporary loners. They appreciate opportunities for meditation or, if they are religious, of retreats. Even in company they are fiercely independent, refusing to follow the crowd. They dislike interference by others, however helpfully intended, and will accept it only on their own terms. Normally they have good taste in drama, music and art, and are also gifted in the arts, especially drama.
In spite of the often intensely magnetic, forthcoming and open personality of the more extrovert kind of Aquarian, and of their desire to help humanity, neither type makes friends easily. They sometimes appear to condescend to others and take too little trouble to cultivate the acquaintance of people who do not particularly appeal to them.
They do not give themselves easily - perhaps their judgment of human nature is too good for that - and are sometimes accounted cold. But once they decide that someone is worthy of their friendship or love, they can exert an almost hypnotic and irresistible mental attraction on them and will themselves become tenacious friends or lovers, ready to sacrifice everything for their partners and be faithful to them for life. However, they are sometimes disappointed emotionally because their own high personal ideals cause them to demand more of others than is reasonable. And if they are deceived their anger is terrible. If disillusioned, they do not forgive.
Aquarians work best in group projects, provided that they are recognized as having a leading part in them. They have a feeling of unity with nature and a desire for knowledge and truth that makes them admirable scientists, especially astronomers and natural historians. They may excel in photography, radiography, electronics - anything connected with the electrical and radio industries - aviation and everything technical. On the arts and humanities side their progressive tendencies can be expressed in writing, especially poetry, and broadcasting, or as welfare workers and teachers. Some have gifts as entertainers and make good character actors (having an ability to mimic) and musicians. The more psychic among them possess healing gifts, especially in curing the mentally sick.
Among the faults to which they are liable are fanatical eccentricity, wayward egotism, excessive detachment and an inclination to retreat from life and society, and a tendency to be extremely dogmatic in their opinions. Aquarians can be a threat to all they survey or a great boon for humanity in general. Circumstances - for example, continuous opposition to a cause they hold dear - may cause the atrophy of the openness of mind that is one of the Aquarian's most attractive traits. They may express a lack of integrity in broken promises, secretiveness or cunning. Simmering anger and resentment, rudeness or, worse, a tense, threatening silence which may suddenly burst out in eruptions of extreme temper, these are all part of the negative side of the Aquarian. This can also reveal itself in a sustained hatred for enemies that is capable of enlarging itself into a misanthropy toward the whole of mankind.
With its wild wings, futuristic curves, and total lack of practicality, the Ferrari Dino 206 Competizione was the quintessential concept car. A radically designed prototype, the Competizione combined typical Ferrari values of charm, charisma, and technically advanced engineering prowess.
The Dino name in the Competizione's title is in reference to Enzo Ferrari's son, Dino. When Ferrari first developed a V6 engine for the 1957 Formula 2 series, he named it Dino. After that, the name of Enzo's son was used to designate six-cylinder and lower-cost Ferraris. The 206 nomenclature used on Ferrari's 1967 prototype indicates that it was built on a 206 S chassis. The 206 S was a capable racing car, with a body that resembled that of the V12-powered 330 P3. Using 206 S chassis #10523 to underpin the Competizione gave the car racer roots that were rarely seen on concept cars. The Dino 206 Competizione distinguished itself as a concept that was not just functional, but built on a thoroughly race-proven chassis.
That proven chassis was endowed with four wheel disc brakes, front and rear independent suspension, and an advanced steel space frame design that gave high strength in a lightweight package. The total weight of the 206 Competizione was just 1,400lbs, making even its small engine more than enough to create an unquestionably fast car.
The Dino V6 used in the Competizione displaced just 2.0-liters, but was able to generate 218bhp. Peak power was reached at redline, which was 9,000rpm. The lower rotational inertial of the small V6 gave an even higher redline than the V12 mounted in the 330 P series. The V6 was constructed of aluminum and mounted amidships within the space frame of the prototype, as it was in the standard 206 S. A 5-speed transaxle directed the engine's power to the rear wheels.
Despite its racing car foundation, the Dino 206 Competizione was not created to compete. As a dedicated concept car, it was created to showcase excellent design and possible styling cues for Ferrari's future. The Competizione had an advanced appearance that flaunted the talents of a young designer named Paolo Martin. Only 23 when he designed the car, the Competizione came very early in Martin's career. He later would admit he felt 'a very strong emotion' as he watched his project unfold into a true supercar.
Paolo Martin was working under Pininfarina when he developed the Competizione's styling, so the car wears Pininfarina 'f' badges. Pininfarina was also responsible for the construction of the prototype's body. Martin's shape was free of hard edges, with abundant curves and a large glass area with a circular cross-section. Viewed from some angles, the odd shape of the car's glass lends the greenhouse a bubble-like appearance. This is particularly evident from the front, where the vast windshield sweeps up and to the sides like a bulbous take on a jetfighter's canopy.
The Competizione had exaggerated mid-engined proportions, with a short, low nose and a long, high tail. The front lighting fit the shape perfectly, with transparent, aerodynamic coverings over clusters of three lights. The light clusters were angled down towards the center of the car's nose. The lighting's covers blended seamlessly with the unusually round curve at the front of the car, and combined with front vents ahead of the large windshield to create a design that looked organic, but not earthly. From the front, the design had a cartoonish look that was exotic and alien, as if the Competizione was designed on a different planet to resemble some distant species.
Distinctive spoilers added to the effect. Though the strange spoilers didn't seem out of place on the car, they almost looked as if they were tacked on as an afterthought. This was not surprising, as Paolo Martin himself admitted that the spoilers 'were added only at the last minute, since the Management thought the design had to be enriched.' The spoilers used black wings attached to the body by metal arms that looked too much like pieces from an Erector Set to match the rest of the design.
All of the vents and air intakes found on the Dino 206 Competizione—and there were plenty—blended gracefully with the smooth curves on which they were placed. They looked like gills, and they enhanced the car's alien image. A single windshield wiper protruded like a tentacle reaching towards the windshield. Gullwing doors with a huge glass area contributed to the otherworldly effect, as did the jarring, bright yellow paint that covered the prototype's aluminum skin.
James Glickenhaus, a wealthy car collector with a special interest in Ferraris, recently became the first private owner of the Dino 206 Competizione. The car had been kept in Pininfarina's museum for over thirty years until a purchase was agreed upon in 2007 and Glickenhaus bought the stunning vehicle. Since Glickenhaus purchased the car, it has been shown with success and driven regularly.
[Text from Conceptcarz.com]
www.conceptcarz.com/vehicle/z17222/Ferrari-Dino-206-Compe...
This Lego miniland-scale Ferrari Dino 206 Competizione (s/n 10523 - Carrozzeria Pininfarina - 1967) has been created for Flickr LUGNuts' 94th Build Challenge, - "Appease the Elves Summer Automobile Build-off (Part 2)", - a design challenge combining the resources of LUGNuts, TheLegoCarBlog (TLCB) and Head Turnerz.
The Model T is legendary and for good reason. It bought affordable motoring to the masses and was voted the most significant car of the 20th century. It's an honest machine, no frills, just sheer practicality.
You can just see the brooch my wife got me for Christmas. It's designed such that you can hook your glasses to them when you aren't wearing them. I'm still not sure of the practicality of it.
New Renault Clio Estate shares the same dynamic breeding as the hatchback but has its own distinct identity. This model has the aesthetic design cues of shooting brakes but also dials in practicality and versatility for good measure.
// Nouvelle Renault Clio Estate possède le style à part des breaks de chasse. Largement marqué par un style emprunt de dynamisme, ce modèle s'appuie également sur les notions de fonctionnalité et modularité.
Rachel tells me that I need to rethink my reward system... for every subchapter I finished, I let myself weave in a few ends.
I argue that once the ends are woven in, I have a new pair of socks to wear. She thinks I need to do something more fun for a reward.
There's only so much purchasing I can do ;)
Project specs:
Pattern: Garter Rib from Sensational Knitted Socks
Needles: KP 2.75 mm dpns
Yarn: A Swell Yarn Shop Middy Duet in Chocolate Crunch, purchased from the Loopy Ewe.
Date cast on: 2/14/2008
Date cast off: 3/23/2008, ends woven in 3/25/2008
Notes: worked toe up starting with 8 wraps using the magic cast on. Increased every round until 32 stitches on the needles, then every other round until 64 stitches around. Short row heel worked over 32 stitches, wrapped until 12 stitches remained. Knit until almost out of the variegated yarn, then ended with 20 rows of k2p2 ribbing. Cast off using crochet cast off for stretchy bind off.
1" band of stockinette above heel for practicality of wearing in shoes.
Gauge: 8spi, 11.25 rpi
What can I say, I enjoy dense socks! :)
Shortly about me:
It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.
In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.
The exhibition “Beautiful Faces of Balata” currently on show at the Church of the Ascension at the “Kaiserin Auguste Victoria Foundation” on the Mount of Olive's can be visited on a virtual tour on my website. Virtual tour of the Exhibition »
The exhibition is a project of Public Culture - Palpics, under the auspices of the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH and the Yafa Cultural Center (YCC) .
If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.
The best hybrids give you the best of both worlds: some zero-emission motoring, as well as greater range for longer journeys.
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Patriarch of Jerusalem Theophilos leads the Orthodox Christmas procession inside the Church of the Nativity in the West Bank town of Bethlehem January 6, 2011.
Shortly about me:
It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.
In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.
The exhibition “Beautiful Faces of Balata” currently on show at the Church of the Ascension at the “Kaiserin Auguste Victoria Foundation” on the Mount of Olive's can be visited on a virtual tour on my website. Virtual tour of the Exhibition »
The exhibition is a project of Public Culture - Palpics, under the auspices of the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH and the Yafa Cultural Center (YCC) .
If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.
Armenian Orthodox Christmas mass and procession inside the Church of the Nativity in the West Bank town of Bethlehem January 18, 2011. Church services and ceremonies are conducted in the Cathedral of Nativity all night long and until the next day.
Shortly about me:
It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.
In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.
The exhibition “Beautiful Faces of Balata” currently on show at the Church of the Ascension at the “Kaiserin Auguste Victoria Foundation” on the Mount of Olive's can be visited on a virtual tour on my website. Virtual tour of the Exhibition »
The exhibition is a project of Public Culture - Palpics, under the auspices of the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH and the Yafa Cultural Center (YCC) .
If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.
Syrian and Coptic Orthodox celebrate the feast of the Epiphany at the baptismal site known as Qasr el-Yahud on the banks of the Jordan River near the West Bank city of Jericho January 19, 2011. Orthodox Christians flocked to the Jordan River to celebrate the feast of the Epiphany at the traditional site where it is believed John the Baptist baptised Jesus Christ.
Shortly about me:
It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.
In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.
The exhibition “Beautiful Faces of Balata” currently on show at the Church of the Ascension at the “Kaiserin Auguste Victoria Foundation” on the Mount of Olive's can be visited on a virtual tour on my website. Virtual tour of the Exhibition »
The exhibition is a project of Public Culture - Palpics, under the auspices of the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH and the Yafa Cultural Center (YCC) .
If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.
First of July 2017 I made my way to Stonehaven, a small fishing town a few miles from Aberdeen, while there the sun shone high in the blue sky making it a perfect day to capture the scenery and landscape surrounding me, hence I packed my Nikon D750 and made full use of it, I left Stonehaven around 16pm and drove the few miles to this wonderful location Dunnottar Castle, absolutely breathtaking , I post a few of the photos I have taken along with a brief history of castles heritage .
Dunnottar Castle (Scottish Gaelic: Dùn Fhoithear, "fort on the shelving slope" is a ruined medieval fortress located upon a rocky headland on the north-east coast of Scotland, about 3 kilometres (1.9 mi) south of Stonehaven.
The surviving buildings are largely of the 15th and 16th centuries, but the site is believed to have been fortified in the Early Middle Ages. Dunnottar has played a prominent role in the history of Scotland through to the 18th-century Jacobite risings because of its strategic location and defensive strength. Dunnottar is best known as the place where the Honours of Scotland, the Scottish crown jewels, were hidden from Oliver Cromwell's invading army in the 17th century. The property of the Keiths from the 14th century, and the seat of the Earl Marischal, Dunnottar declined after the last Earl forfeited his titles by taking part in the Jacobite rebellion of 1715.
The castle was restored in the 20th century and is now open to the public.
The ruins of the castle are spread over 1.4 hectares (3.5 acres), surrounded by steep cliffs that drop to the North Sea, 50 metres (160 ft) below. A narrow strip of land joins the headland to the mainland, along which a steep path leads up to the gatehouse.
The various buildings within the castle include the 14th-century tower house as well as the 16th-century palace. Dunnottar Castle is a scheduled monument, and twelve structures on the site are listed buildings.
History
Early Middle Ages
A chapel at Dunnottar is said to have been founded by St Ninian in the 5th century, although it is not clear when the site was first fortified, but in any case the legend is late and highly implausible. Possibly the earliest written reference to the site is found in the Annals of Ulster which record two sieges of "Dún Foither" in 681 and 694.
The earlier event has been interpreted as an attack by Brude, the Pictish king of Fortriu, to extend his power over the north-east coast of Scotland. The Scottish Chronicle records that King Domnall II, the first ruler to be called rí Alban (King of Alba), was killed at Dunnottar during an attack by Vikings in 900. King Aethelstan of Wessex led a force into Scotland in 934, and raided as far north as Dunnottar according to the account of Symeon of Durham. W. D. Simpson speculated that a motte might lie under the present caste, but excavations in the 1980s failed to uncover substantive evidence of early medieval fortification.
The discovery of a group of Pictish stones at Dunnicaer, a nearby sea stack, has prompted speculation that "Dún Foither" was actually located on the adjacent headland of Bowduns, 0.5 kilometres (0.31 mi) to the north.
Later Middle Ages
During the reign of King William the Lion (ruled 1165–1214) Dunnottar was a center of local administration for The Mearns. The castle is named in the Roman de Fergus, an early 13th-century Arthurian romance, in which the hero Fergus must travel to Dunnottar to retrieve a magic shield.
In May 1276 a church on the site was consecrated by William Wishart, Bishop of St Andrews. The poet Blind Harry relates that William Wallace captured Dunnottar from the English in 1297, during the Wars of Scottish Independence. He is said to have imprisoned 4,000 defeated English soldiers in the church and burned them alive.
In 1336 Edward III of England ordered William Sinclair, 8th Baron of Roslin, to sail eight ships to the partially ruined Dunnottar for the purpose of rebuilding and fortifying the site as a forward resupply base for his northern campaign. Sinclair took with him 160 soldiers, horses, and a corps of masons and carpenters.
Edward himself visited in July, but the English efforts were undone before the end of the year when the Scottish Regent Sir Andrew Murray led a force that captured and again destroyed the defences of Dunnottar.
In the 14th century Dunnottar was granted to William de Moravia, 5th Earl of Sutherland (d.1370), and in 1346 a licence to crenellate was issued by David II. Around 1359 William Keith, Marischal of Scotland, married Margaret Fraser, niece of Robert the Bruce, and was granted the barony of Dunnottar at this time. Keith then gave the lands of Dunnottar to his daughter Christian and son-in-law William Lindsay of Byres, but in 1392 an excambion (exchange) was agreed whereby Keith regained Dunnottar and Lindsay took lands in Fife.
William Keith completed construction of the tower house at Dunnottar, but was excommunicated for building on the consecrated ground associated with the parish church. Keith had provided a new parish church closer to Stonehaven, but was forced to write to the Pope, Benedict XIII, who issued a bull in 1395 lifting the excommunication.William Keith's descendents were created Earls Marischal in the mid 15th century, and they held Dunottar until the 18th century.
16th century rebuilding
Through the 16th century the Keiths improved and expanded their principal seats: at Dunnottar and also at Keith Marischal in East Lothian. James IV visited Dunnottar in 1504, and in 1531 James V exempted the Earl's men from military service on the grounds that Dunnottar was one of the "principall strenthis of our realme".
Mary, Queen of Scots, visited in 1562 after the Battle of Corrichie, and returned in 1564.
James VI stayed for 10 days in 1580, as part of a progress through Fife and Angus, during which a meeting of the Privy Council was convened at Dunnottar.
During a rebellion of Catholic nobles in 1592, Dunnottar was captured by a Captain Carr on behalf of the Earl of Huntly, but was restored to Lord Marischal just a few weeks later.
In 1581 George Keith succeeded as 5th Earl Marischal, and began a large scale reconstruction that saw the medieval fortress converted into a more comfortable home. The founder of Marischal College in Aberdeen, the 5th Earl valued Dunnottar as much for its dramatic situation as for its security.
A "palace" comprising a series of ranges around a quadrangle was built on the north-eastern cliffs, creating luxurious living quarters with sea views. The 13th-century chapel was restored and incorporated into the quadrangle.
An impressive stone gatehouse was constructed, now known as Benholm's Lodging, featuring numerous gun ports facing the approach. Although impressive, these are likely to have been fashionable embellishments rather than genuine defensive features.
Civil wars
Further information: Scotland in the Wars of the Three Kingdoms
In 1639 William Keith, 7th Earl Marischal, came out in support of the Covenanters, a Presbyterian movement who opposed the established Episcopal Church and the changes which Charles I was attempting to impose. With James Graham, 1st Marquess of Montrose, he marched against the Catholic James Gordon, 2nd Viscount Aboyne, Earl of Huntly, and defeated an attempt by the Royalists to seize Stonehaven. However, when Montrose changed sides to the Royalists and marched north, Marischal remained in Dunnottar, even when given command of the area by Parliament, and even when Montrose burned Stonehaven.
Marischal then joined with the Engager faction, who had made a deal with the king, and led a troop of horse to the Battle of Preston (1648) in support of the royalists.
Following the execution of Charles I in 1649, the Engagers gave their allegiance to his son and heir: Charles II was proclaimed king, arriving in Scotland in June 1650. He visited Dunnottar in July 1650, but his presence in Scotland prompted Oliver Cromwell to lead a force into Scotland, defeating the Scots at Dunbar in September 1650.
The Honours of Scotland
Charles II was crowned at Scone Palace on 1 January 1651, at which the Honours of Scotland (the regalia of crown, sword and sceptre) were used. However, with Cromwell's troops in Lothian, the honours could not be returned to Edinburgh. The Earl Marischal, as Marischal of Scotland, had formal responsibility for the honours, and in June the Privy Council duly decided to place them at Dunnottar.
They were brought to the castle by Katherine Drummond, hidden in sacks of wool. Sir George Ogilvie (or Ogilvy) of Barras was appointed lieutenant-governor of the castle, and given responsibility for its defence.
In November 1651 Cromwell's troops called on Ogilvie to surrender, but he refused. During the subsequent blockade of the castle, the removal of the Honours of Scotland was planned by Elizabeth Douglas, wife of Sir George Ogilvie, and Christian Fletcher, wife of James Granger, minister of Kinneff Parish Church. The king's papers were first removed from the castle by Anne Lindsay, a kinswoman of Elizabeth Douglas, who walked through the besieging force with the papers sewn into her clothes.
Two stories exist regarding the removal of the honours themselves. Fletcher stated in 1664 that over the course of three visits to the castle in February and March 1652, she carried away the crown, sceptre, sword and sword-case hidden amongst sacks of goods. Another account, given in the 18th century by a tutor to the Earl Marischal, records that the honours were lowered from the castle onto the beach, where they were collected by Fletcher's servant and carried off in a creel (basket) of seaweed. Having smuggled the honours from the castle, Fletcher and her husband buried them under the floor of the Old Kirk at Kinneff.
Meanwhile, by May 1652 the commander of the blockade, Colonel Thomas Morgan, had taken delivery of the artillery necessary for the reduction of Dunnottar. Ogilvie surrendered on 24 May, on condition that the garrison could go free. Finding the honours gone, the Cromwellians imprisoned Ogilvie and his wife in the castle until the following year, when a false story was put about suggesting that the honours had been taken overseas.
Much of the castle property was removed, including twenty-one brass cannons,[28] and Marischal was required to sell further lands and possessions to pay fines imposed by Cromwell's government.
At the Restoration of Charles II in 1660, the honours were removed from Kinneff Church and returned to the king. Ogilvie quarrelled with Marischal's mother over who would take credit for saving the honours, though he was eventually rewarded with a baronetcy. Fletcher was awarded 2,000 merks by Parliament but the sum was never paid.
Whigs and Jacobites
Religious and political conflicts continued to be played out at Dunnottar through the 17th and early 18th centuries. In 1685, during the rebellion of the Earl of Argyll against the new king James VII, 167 Covenanters were seized and held in a cellar at Dunnottar. The prisoners included 122 men and 45 women associated with the Whigs, an anti-Royalist group within the Covenanter movement, and had refused to take an oath of allegiance to the new king.
The Whigs were imprisoned from 24 May until late July. A group of 25 escaped, although two of these were killed in a fall from the cliffs, and another 15 were recaptured. Five prisoners died in the vault, and 37 of the Whigs were released after taking the oath of allegiance.
The remaining prisoners were transported to Perth Amboy, New Jersey, as part of a colonisation scheme devised by George Scot of Pitlochie. Many, like Scot himself, died on the voyage.
The cellar, located beneath the "King's Bedroom" in the 16th-century castle buildings, has since become known as the "Whigs' Vault".
Both the Jacobites (supporters of the exiled Stuarts) and the Hanoverians (supporters of George I and his descendents) used Dunnottar Castle. In 1689 during Viscount Dundee's campaign in support of the deposed James VII, the castle was garrisoned for William and Mary with Lord Marischal appointed captain.
Seventeen suspected Jacobites from Aberdeen were seized and held in the fortress for around three weeks, including George Liddell, professor of mathematics at Marischal College.
In the Jacobite Rising of 1715 George Keith, 10th Earl Marischal, took an active role with the rebels, leading cavalry at the Battle of Sheriffmuir. After the subsequent abandonment of the rising Lord Marischal fled to the Continent, eventually becoming French ambassador for Frederick the Great of Prussia. Meanwhile, in 1716, his titles and estates including Dunnottar were declared forfeit to the crown.
Later history
The seized estates of the Earl Marischal were purchased in 1720 for £41,172, by the York Buildings Company who dismantled much of the castle.
In 1761 the Earl briefly returned to Scotland and bought back Dunnottar only to sell it five years later to Alexander Keith, an Edinburgh lawyer who served as Knight Marischal of Scotland.
Dunnottar was inherited in 1852 by Sir Patrick Keith-Murray of Ochtertyre, who in turn sold it in July 1873 to Major Alexander Innes of Cowie and Raemoir for about £80,000.
It was purchased by Weetman Pearson, 1st Viscount Cowdray, in 1925 after which his wife embarked on a programme of repairs.
Since that time the castle has remained in the family, and has been open to the public, attracting 52,500 visitors in 2009.
Dunnottar Castle, and the headland on which is stands, was designated as a scheduled monument in 1970.In 1972 twelve of the structures at Dunnottar were listed.
Three buildings are listed at category A as being of "national importance": the keep; the entrance gateway; and Benholm's Lodging.
The remaining listings are at category B as being of "regional importance".[39] The Hon. Charles Anthony Pearson, the younger son of the 3rd Viscount Cowdray, currently owns and runs Dunnottar Castle which is part of the 210-square-kilometre (52,000-acre) Dunecht Estates.
Portions of the 1990 film Hamlet, starring Mel Gibson and Glenn Close, were shot there.
Description
Dunnottar's strategic location allowed its owners to control the coastal terrace between the North Sea cliffs and the hills of the Mounth, 3.5 kilometres (2.2 mi) inland, which enabled access to and from the north-east of Scotland.
The site is accessed via a steep, 800-metre (2,600 ft) footpath (with modern staircases) from a car park on the coastal road, or via a 3-kilometre (1.9 mi) cliff-top path from Stonehaven. Dunnottar's several buildings, put up between the 13th and 17th centuries, are arranged across a headland covering around 1.4 hectares (3.5 acres).
The dominant building, viewed from the land approach, is the 14th-century keep or tower house. The other principal buildings are the gatehouse; the chapel; and the 16th-century "palace" which incorporates the "Whigs' Vault".
Defences
The approach to the castle is overlooked by outworks on the "Fiddle Head", a promontory on the western side of the headland. The entrance is through the well-defended main gate, set in a curtain wall which entirely blocks a cleft in the rocky cliffs.
The gate has a portcullis and has been partly blocked up. Alongside the main gate is the 16th-century Benholm's Lodging, a five-storey building cut into the rock, which incorporated a prison with apartments above.
Three tiers of gun ports face outwards from the lower floors of Benholm's Lodging, while inside the main gate, a group of four gun ports face the entrance. The entrance passage then turns sharply to the left, running underground through two tunnels to emerge near the tower house.
Simpson contends that these defences are "without exception the strongest in Scotland", although later writers have doubted the effectiveness of the gun ports. Cruden notes that the alignment of the gun ports in Benholm's Lodging, facing across the approach rather than along, means that they are of limited efficiency.
The practicality of the gun ports facing the entrance has also been questioned, though an inventory of 1612 records that four brass cannons were placed here.
A second access to the castle leads up from a rocky cove, the aperture to a marine cave on the northern side of the Dunnottar cliffs into which a small boat could be brought. From here a steep path leads to the well-fortified postern gate on the cliff top, which in turn offers access to the castle via the Water Gate in the palace.
Artillery defences, taking the form of earthworks, surround the north-west corner of the castle, facing inland, and the south-east, facing seaward. A small sentry box or guard house stands by the eastern battery, overlooking the coast.
Tower house and surrounding buildings
The tower house of Dunnottar, viewed from the west
The late 14th-century tower house has a stone-vaulted basement, and originally had three further storeys and a garret above.
Measuring 12 by 11 metres (39 by 36 ft), the tower house stood 15 metres (49 ft) high to its gable. The principal rooms included a great hall and a private chamber for the lord, with bedrooms upstairs.
Beside the tower house is a storehouse, and a blacksmith's forge with a large chimney. A stable block is ranged along the southern edge of the headland. Nearby is Waterton's Lodging, also known as the Priest's House, built around 1574, possibly for the use of William Keith (died 1580), son of the 4th Earl Marischal.
This small self-contained house includes a hall and kitchen at ground level, with private chambers above, and has a projecting spiral stair on the north side. It is named for Thomas Forbes of Waterton, an attendant of the 7th Earl.
The palace
The palace, to the north-east of the headland, was built in the late 16th century and early to mid-17th century. It comprises three main wings set out around a quadrangle, and for the most part is probably the work of the 5th Earl Marischal who succeeded in 1581.
It provided extensive and comfortable accommodation to replace the rooms in the tower house. In its long, low design it has been compared to contemporary English buildings, in contrast to the Scottish tradition of taller towers still prevalent in the 16th century.
Seven identical lodgings are arranged along the west range, each opening onto the quadrangle and including windows and fireplace. Above the lodgings the west range comprised a 35-metre (115 ft) gallery. Now roofless, the gallery originally had an elaborate oak ceiling, and on display was a Roman tablet taken from the Antonine Wall.
At the north end of the gallery was a drawing room linked to the north range. The gallery could also be accessed from the Silver House to the south, which incorporated a broad stairway with a treasury above.
The basement of the north range incorporates kitchens and stores, with a dining room and great chamber above. At ground floor level is the Water Gate, between the north and west ranges, which gives access to the postern on the northern cliffs.
The east and north ranges are linked via a rectangular stair. The east range has a larder, brewhouse and bakery at ground level, with a suite of apartments for the Countess above. A north-east wing contains the Earl's apartments, and includes the "King's Bedroom" in which Charles II stayed. In this room is a carved stone inscribed with the arms of the 7th Earl and his wife, and the date 1654. Below these rooms is the Whigs' Vault, a cellar measuring 16 by 4.5 metres (52 by 15 ft). This cellar, in which the Covenanters were held in 1685, has a large eastern window, as well as a lower vault accessed via a trap-door in the floor.
Of the chambers in the palace, only the dining room and the Silver House remain roofed, having been restored in the 1920s. The central area contains a circular cistern or fish pond, 16 metres (52 ft) across and 7.6 metres (25 ft) deep, and a bowling green is located to the west.
At the south-east corner of the quadrangle is the chapel, consecrated in 1276 and largely rebuilt in the 16th century. Medieval walling and two 13th-century windows remain, and there is a graveyard to the south.
Can technology help prevent and respond to gender-based violence (GBV), particularly in low- and middle-income countries? Increasingly, cell phones, cameras, crowd-sourcing, and mobile apps are being used in innovative ways to address GBV, but questions surrounding ethics, effectiveness, and practicality remain. The Interagency Gender Working Group, U. S. Agency for International Development, Woodrow Wilson Center, CARE, and Population Reference Bureau will host a panel discussion exploring the ethics around new technologies to combat GBV; how effective they are; and what some of the more practical and actionable ways forward might be.
Read more: www.wilsoncenter.org/event/gender-based-violence-and-inno...
A field test of vintage and vintage-styled equipment for an upcoming "expedition" planned for the summer.
Unlike the first field test, this second outing resulted in no equipment failures. I did, however, again have a problem with heel blisters, although less severe than during the initial hike in the "big boots." The second outing was of longer distance and duration -- about three miles in total -- with considerably more scrambling up and down slopes.
I have not yet repaired my leather whip holder, so for practicality I secured the whip with plastic zip ties. Not "period authentic," I know, but it worked.
I'm debating over "the look," or specifically, "the hat" to wear during the actual expedition: this safari-style fedora, or the pith helmet. Either one is appropriate circa-1910 style, so it really comes down to which hat the chicks think makes me look dreamier.
;-p
All brass & copper construction.
Rotary barrel array is powered by a 9.6 volt cordless drill motor.
Working safety catch. and custom powere connector.
Hand built from reclaimed old and vintage tools/parts, junk, scrap and repurposed odds and ends, plumbing & heating supplies. I built it using only basic hand & power tools. The most sophisticated tool I have in my little shed is a cheap vertical drill press from a local hardware chainstore :-) (Oh I do own a Dremel as well lol ;-) )
I build as if its a real thing. I build/design with function, wear and tear and operability in mind. I have a fairly comprehensive knowledge of firearms design/history so I like to utilise this in my work (albeit I am crossing reality & practicality with fantasy & "what if" technology speculations ;) A balancing act between fantasy and reality :)... Im thinking of maybe fitting a fat bayonet to this weapon lol .. not practical at alll , but great fun looking and emotive in a "hollywood" fantasy way lol ... Maybe a torch slung underneath instead lol ;-)
IF MY THINKERING TALENTS MAY BE OF USE TO YOU, DROP ME A LINE ;-) ... kruki99@hotmail.com
Patriarch of Jerusalem Theophilos leads the Orthodox Christmas procession inside the Church of the Nativity in the West Bank town of Bethlehem January 6, 2011.
Shortly about me:
It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.
In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.
The exhibition “Beautiful Faces of Balata” currently on show at the Church of the Ascension at the “Kaiserin Auguste Victoria Foundation” on the Mount of Olive's can be visited on a virtual tour on my website. Virtual tour of the Exhibition »
The exhibition is a project of Public Culture - Palpics, under the auspices of the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH and the Yafa Cultural Center (YCC) .
If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.
Ethiopian Orthodox Christmas Celebration at the Church of the Nativity, West Bank town of Bethlehem January 6, 2011. Ethiopia (and especially the Ethiopian Orthodox Church) still use the old Julian calendar, so the celebrate Christmas on January 7th. The Christmas celebration in the Ethiopian Orthodox Church is called Ganna. Most people go to Church on Christmas day.
Shortly about me:
It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.
In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.
The exhibition “Beautiful Faces of Balata” currently on show at the Church of the Ascension at the “Kaiserin Auguste Victoria Foundation” on the Mount of Olive's can be visited on a virtual tour on my website. Virtual tour of the Exhibition »
The exhibition is a project of Public Culture - Palpics, under the auspices of the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH and the Yafa Cultural Center (YCC) .
If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.
Some more from this series about the relationship between little kids and the people they ride around on...though some other anti-gravity pairings do sneak into the mix...
It's a magical age when a kid can get to travel in style and see the world from a unique viewpoint. Small enough to still be carried but old enough to enjoy the novelty of the ride.... a mixture of practicality, parental protectiveness and just for the sheer fun of it.
Full set here: www.flickr.com/photos/cjcrosland/albums/72157657432018333
Landings
Our usual inventory includes landing type pieces reclaimed from projects throughout New England. They typically fall into three categories:
1) Originals – originally quarried as such
2) Hand split from reclaimed block material
3) Sawn and thermaled – fabricated from large pier and bridge abutment blocks
Appearance:
Whether they are custom hand split or sawn and thermaled, our goal is to maintain the nice aged and weathered sides of the landing. We call this our “Best of Both Worlds” look blending century old patina with the practicality of a true, consistent, all season tread surface. Sometimes we can offer an aged weathered top with a sawn underside and all other surfaces untouched for that all natural look.
Size:
When a step or tread exceeds a depth of 20” or greater, we refer to these pieces as a step/landing or just a landing when they exceed 24” in depth. The most common depth of these slabs is generally between 3’-4’ with a thickness or rise in the 7”-8” range.
Use:
As the broad piece at either the door entry or at the bottom of a step/stairway to land safely and step off easily in different directions
Sold:
By the square foot.
Shortly about me:
It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.
In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.
The exhibition “Beautiful Faces of Balata” currently on show at the Church of the Ascension at the “Kaiserin Auguste Victoria Foundation” on the Mount of Olive's can be visited on a virtual tour on my website. Virtual tour of the Exhibition »
The exhibition is a project of Public Culture - Palpics, under the auspices of the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH and the Yafa Cultural Center (YCC) .
If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.
Patriarch of Jerusalem Theophilos leads the Orthodox Christmas procession inside the Church of the Nativity in the West Bank town of Bethlehem January 6, 2011.
Shortly about me:
It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.
In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.
The exhibition “Beautiful Faces of Balata” currently on show at the Church of the Ascension at the “Kaiserin Auguste Victoria Foundation” on the Mount of Olive's can be visited on a virtual tour on my website. Virtual tour of the Exhibition »
The exhibition is a project of Public Culture - Palpics, under the auspices of the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH and the Yafa Cultural Center (YCC) .
If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.
Armenian Orthodox Christmas mass and procession inside the Church of the Nativity in the West Bank town of Bethlehem January 18, 2011. Church services and ceremonies are conducted in the Cathedral of Nativity all night long and until the next day.
Shortly about me:
It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.
In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.
The exhibition “Beautiful Faces of Balata” currently on show at the Church of the Ascension at the “Kaiserin Auguste Victoria Foundation” on the Mount of Olive's can be visited on a virtual tour on my website. Virtual tour of the Exhibition »
The exhibition is a project of Public Culture - Palpics, under the auspices of the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH and the Yafa Cultural Center (YCC) .
If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.
Syrian and Coptic Orthodox celebrate the feast of the Epiphany at the baptismal site known as Qasr el-Yahud on the banks of the Jordan River near the West Bank city of Jericho January 19, 2011. Orthodox Christians flocked to the Jordan River to celebrate the feast of the Epiphany at the traditional site where it is believed John the Baptist baptised Jesus Christ.
Shortly about me:
It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.
In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.
The exhibition “Beautiful Faces of Balata” currently on show at the Church of the Ascension at the “Kaiserin Auguste Victoria Foundation” on the Mount of Olive's can be visited on a virtual tour on my website. Virtual tour of the Exhibition »
The exhibition is a project of Public Culture - Palpics, under the auspices of the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH and the Yafa Cultural Center (YCC) .
If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.
renault megane. paris. this styling is quite interesting. i for one like it although i have no idea about the practicality. then again styling and practicality go together in some instances only.
wikipedia says:
Mégane II (2002-present)
The Mégane II was launched in 2002,[1] and marked a completely fresh start. The two cars bear very little resemblance, the new vehicle having been inspired by the manufacturer's new style first seen in the Avantime. The enormous success of the Mégane across Europe proved that Renault's new bold styling was a winning formula and the subsequent failure of the Avantime to sell in great numbers can be attributed to its unusual market placement rather than its styling. The new Mégane was voted European Car of the Year in 2003, and achieved a 5-star safety rating in the EuroNCAP crash tests,[2] the first small family car to do so.
Mégane II and the Laguna were both showcases for a great deal of innovative technologies Renault launched around 2001-2002; the Renault Card keyless ignition system, standard on the Mégane II, was a first in this class and has since been widely adopted. Similarly, the option of a panoramic glass sunroof is another area in which Renault led where others followed.
In Brazil, Renault launched a flex-fuel version, called "Hi-Flex", which is able to run either with unleaded gasoline (petrol) or ethanol. Like the Brazilian Scénic and Clio versions, the Mégane's engine can work with any mix of gasoline and ethanol, due to the use of an electronic control module. The flex version has a 16V 110 hp (115 hp with ethanol) 1.6-liter engine developed and produced in Brazil, but the 2.0-liter version does not allow ethanol use, because its engine is made in France.
RenaultSport (RS) versions of the 3-door and 5-door hatchbacks were introduced, equipped with a turbocharged petrol 2.0 L 16v engine producing 225 hp (168 kW). Along with the engine, changes were made to the front and rear suspension geometry to improve handling, and the model features a deeper, wider front bumper. The Mégane Renault Sport competes in the hot hatch segment of the market.
As with the previous Mégane, the range of models is extremely wide; there is a three and five door hatchback available, named "Sport Hatch" and "Hatch" respectively, there is a 4-door saloon/sedan (Sport Saloon), a five-door estate (Sport Tourer / Grandtour), and to replace both the Mégane Coupe and Convertible, a new retractable hardtop
The Coupé-Cabriolet features an innovative folding glass roof mechanism built by Karmann and has become a cult car in its own right, with several owners' clubs. Although up against increased competition from other volume manufacturers also launching their own CCs, the Mégane is still considered to be one of the most attractive, especially its elegant silhouette with the roof down.
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The Riviera design team in collaboration with 4D Designs have created the 50 SMY, a remarkably spacious new yacht and brimming with unique features. This sophisticated new design draws on the heritage of Riviera’s larger and very successful 64, 68 and 72 Sports Motor Yacht models.
Among the key sports motor yacht design elements are a foredeck that transforms from tender storage to sunlounge, a sports cockpit, an all-weather mezzanine seating area that affords alfresco dining and entertainment, a stately three-sided glass-enclosed flybridge, and a full-beam master stateroom as centrepiece of a three-stateroom, twin-bathroom accommodation plan – all in a hull measuring 15.4 metres in length.
“Our sports motor yacht design is in a league of its own, as they bring many different yacht designs together for the first time in one yacht. A Riviera SMY has the attributes of a passage maker, pilothouse, motor yacht, and convertible sports fish, all in one.
“The new 50 SMY has considerable internal volume for its size, with multiple living areas and a tremendous amount of practicality and versatility,” Riviera owner Rodney Longhurst says of the 50 SMY.
“She’ll comfortably handle long coastal passages, while being equally adept at serving as a luxurious family, fishing and entertainment yacht with highly efficient planing performance – perfect for day boating and weekending.”
Sydney Australia couple Darrel and Linda Hall were quick to pre-order a new 50 SMY ahead of its formal announcement, one of many purchasers to do so off the plan. She will be their fifth Riviera in the past 10 years.
“We wanted to go to an enclosed flybridge,” Darrel explains. “We go boating with our kids, who are both 19. They bring along friends, so the extra living space you get with an enclosed flybridge is a real bonus – it’s a place to escape to so easily with an internal staircase, and you have the ability to be higher and to see further ahead at sea.”
A new breed of motor yacht
1957 BMW Isetta 300
OFFERED WITHOUT RESERVE
Sold for US$84,000 inc. premium
From the catalog:
Chassis no. 501305
Engine no. 501305
298cc 1-Cylinder Engine
Single Carburetor
13bhp at 5,800rpm
4-Speed Manual Transmission
4-Wheel Hydraulic Drum Brakes
Swing-Arm Front Suspension, Leaf-Spring Rear Suspension
*The Iconic 'Bubble Car'
*Exquisitely restored by marque expert
*Matching numbers, finished in original colors
*Ready to be enjoyed by drivers and spectators
THE BMW ISETTA
Popular during the 1950s and 1960s, the diminutive 'bubble car' or 'cabin scooter' is currently enjoying a revival of interest - not surprisingly given the congested state of today's urban roads. Nowadays though, the Bubble's attraction has just as much to do with fashion as practicality. One of the more successful designs of the cabin scooter's heyday was the BMW Isetta, a design the German firm manufactured under license from its Italian originator Iso. The name means 'little Iso'. Renzo Rivoltas Iso was not selling well in its native Italy, faced with stiff competition from the FIAT 500 and 600, and it would be left to BMW to fully exploit the design's potential.
Although at first glance a three-wheeler, the German-built Isetta used a pair of closely spaced wheels at the rear and was powered by a BMW single-cylinder four-stroke motorcycle engine of 247cc, replacing the original's noisy two-stroke motor. The coachwork of early examples featured a side-hinged single door at the front, roll-top sunroof, and fixed side windows, while the steering wheel and dashboard were attached to the door to facilitate entry. The two-seater Isettas most popular accessory, understandably so given the limited interior space, was a small luggage rack mounted at the rear. Later (1957-onwards) models incorporated sliding side windows for better ventilation. These improved models displaced 297cc, and the 'big' Isetta 300 was reckoned capable of 65mph and 55mpg. Approximately 162,000 Isetta's had been made by the time production ceased in 1962.
THE MOTORCAR OFFERED
The BMW Isetta 300 is considered to be one of the most iconic 'bubblecars' of its era. This particular Isetta is an extraordinary example featuring a complete restoration by who many believe is the best in the business. 501305 was sent to Woodstock, Georgia so that Werner Schwark from Isettas R US can perform one of his world class restorations. A very complete, low-mileage and matching numbers candidate was chosen; shortly thereafter the restoration was performed in 2018-2019 and finished in its original color combination. Since completion, only 17 miles have been recorded on the odometer. The car is equipped with a rear luggage rack, air vents and stylish Coco mats. Accompanied by its file, rear basket, as well some documentation of the restoration, this charming microcar is sure to provide its next custodian with enjoyment.
As this writer can testify, an Isetta provides enjoyment both for its driver and those that you pass on the road. This is a great example with which to experience this 'bubble' car legend.
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It's Bonhams day!
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This year I was able to escape the snow and join Fred in Scottsdale for sunshine, cars, and music! I also drove down to Tucson to meet Doug for lunch and spend a nice evening visting with Richard and Lola.
Tombstone of Sir Robert Falconer, (1867 - 1943), and his family. He was the fifth president of the University of Toronto and held that post for 25 years. Mount Pleasant Cemetery, Toronto, Canada. Spring afternoon, 2021. Pentax K1 II.
From: en.wikipedia.org/wiki/Robert_Falconer
Sir Robert Alexander Falconer KCMG FRSC (10 February 1867 – 4 November 1943) was a Canadian academic and bible scholar.
Life
He was born in Charlottetown, Prince Edward Island, the eldest child of a Presbyterian minister and his wife. He attended high school in Port of Spain Trinidad while his father was posted there[1] and won a scholarship to the University of Edinburgh in Scotland.[2] He graduated MA in 1889 and then spent three years at the divinity school of the Free Church of Scotland.
Falconer was ordained in 1892 but never held a clerical position. He returned to Canada that year and took a lecturership in New Testament Greek and exegesis at the Presbyterian college in Halifax, Nova Scotia. He also began to publish articles in learned journals. In 1902 Falconer received a D.Litt. from Edinburgh University.[3] In 1907 he became president of the University of Toronto. He steered a middle path, combining pure scholarship with practicality. Thus he introduced more vocational subjects, while also developing higher degree programmes. He sought to maximise the independence of the university, battling unsuccessfully to retain German faculty members in 1914. Nonetheless he was knighted in 1917 for his advocacy of wartime recruitment. Falconer believed in the need to increase public awareness of, and accessibility to, Canada's historical records. He was a long time member of The Champlain Society's Council, serving as its Vice-President (1909-1935) and President (1936-42).[4]
Falconer wrote several books on current affairs, including The German Tragedy and its Meaning for Canada (1915), Idealism in National Character (1920) and The United States as a Neighbour (1926). He was an advocate of broad cooperation between the English speaking nations in international affairs, but was concerned to avoid American dominance of these relationships. Ill health obliged him to decline the principalship of the University of Edinburgh in 1929, and he retired in 1932. However he continued his scholarly work, producing Pastoral Epistles, his most notable work of religious scholarship in 1937.
Sir Robert Falconer: a biography by James G Greenlee was published in 1988.
From: www.thecanadianencyclopedia.ca/en/article/sir-robert-falc...
Sir Robert Falconer
Article by A. Brian McKillop
Published Online December 17, 2007
Last Edited December 15, 2013
Sir Robert Alexander Falconer, clergyman, scholar, educator (b at Charlottetown 10 Feb 1867; d at Toronto 4 Nov 1943). Falconer spent much of his youth in Trinidad, where his Presbyterian clergyman father had been posted. He was educated at London and Edinburgh universities, concentrating on classics and philosophy, and pursued postgraduate work at Leipzig, Berlin and Marburg, Germany. In 1892 he was ordained a minister in the Presbyterian Church in Canada and took up a lectureship in New Testament Greek at Pine Hill Divinity Hall, Halifax. Becoming a professor there in 1895, he was appointed principal in 1904.
Falconer is most important, however, for his 25-year tenure as president of UNIVERSITY OF TORONTO (1907-32). A royal commission appointed to investigate all aspects of the university had found administrative chaos and low morale. It recommended a complete constitutional reorganization and implicitly a new president in 1906. To the surprise of many, the 40-year-old Falconer was asked to replace James LOUDON. Much of Falconer's time and energy for the next 2 decades was given to executing the recommendations of the 1906 commission. He inherited a collection of colleges; he left behind him an integrated university that led the country in industrial and scientific, as well as humanistic, research.
An unemotional and cerebral scholar, Falconer was much in demand as a public speaker, particularly on the importance of maintaining the British imperial connection, the nurturing of "idealism in national character" (the title of his 1920 collection of wartime addresses), and the integrity and place of the humanities in an increasingly scientific and practical university environment. Active in the Presbyterian Church in Canada, Falconer was one of those who sought to bring his denomination into union with Canada's Methodists and Congregationalists in the 1920s. Such was his reputation within the British Empire that in 1929 Edinburgh University broke with tradition to offer him its principalship, a position that he declined.
PhDo 8 at Waag Society
February 8, 2013
A case study of the use of robots in healthcare concerning practicalities and ethics.
More about PhDo
Hashtag: #phdo
Australie, Adelaide, 14 okt 2017.
Practicality judging van Stella Vie,, de waarschijnlijke winnaar in de Cruiser Klasse van de Bridgestone World Solar Challenge. Juryleden beoordelen de zonnewagens op comfort, praktische zaken, kofferinhoud, etcetera. Stella Vie is de 3e familie zonnewagen van Solar Team Eindhoven (studententeam van de Technische Universiteit Eindhoven). Voor het winnen van de Challenge wordt een efficiency-score bijgehouden op basis van persoonskilometers en 's nachts bijladen, plus een jury beoordeeld de wagens morgen op praktische en esthetische punten. De vijfzitter Stella Vie staat echter al zover voor in het puntenklassement dat op tijd finishen ruim genoeg moet zijn om te winnen. Daarmee zullen zij voor de derde keer winnen in deze klasse.
foto: TU Eindhoven / Bart van Overbeeke
Landings
Our usual inventory includes landing type pieces reclaimed from projects throughout New England. They typically fall into three categories:
1) Originals – originally quarried as such
2) Hand split from reclaimed block material
3) Sawn and thermaled – fabricated from large pier and bridge abutment blocks
Appearance:
Whether they are custom hand split or sawn and thermaled, our goal is to maintain the nice aged and weathered sides of the landing. We call this our “Best of Both Worlds” look blending century old patina with the practicality of a true, consistent, all season tread surface. Sometimes we can offer an aged weathered top with a sawn underside and all other surfaces untouched for that all natural look.
Size:
When a step or tread exceeds a depth of 20” or greater, we refer to these pieces as a step/landing or just a landing when they exceed 24” in depth. The most common depth of these slabs is generally between 3’-4’ with a thickness or rise in the 7”-8” range.
Use:
As the broad piece at either the door entry or at the bottom of a step/stairway to land safely and step off easily in different directions
Sold:
By the square foot.
Patriarch of Jerusalem Theophilos leads the Orthodox Christmas procession inside the Church of the Nativity in the West Bank town of Bethlehem January 6, 2011.
Shortly about me:
It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.
In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.
The exhibition “Beautiful Faces of Balata” currently on show at the Church of the Ascension at the “Kaiserin Auguste Victoria Foundation” on the Mount of Olive's can be visited on a virtual tour on my website. Virtual tour of the Exhibition »
The exhibition is a project of Public Culture - Palpics, under the auspices of the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH and the Yafa Cultural Center (YCC) .
If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.
Patriarch of Jerusalem Theophilos leads the Orthodox Christmas procession inside the Church of the Nativity in the West Bank town of Bethlehem January 6, 2011.
Shortly about me:
It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.
In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.
The exhibition “Beautiful Faces of Balata” currently on show at the Church of the Ascension at the “Kaiserin Auguste Victoria Foundation” on the Mount of Olive's can be visited on a virtual tour on my website. Virtual tour of the Exhibition »
The exhibition is a project of Public Culture - Palpics, under the auspices of the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH and the Yafa Cultural Center (YCC) .
If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.
Screened on Monday 13th of December 2001 at the Cinematheum Victoria, in the Church of the Ascension at the Kaiserin Auguste Victoria Foundation on the Mount of Olives).
Shortly about me:
It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.
In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.
The exhibition “Beautiful Faces of Balata” currently on show at the Church of the Ascension at the “Kaiserin Auguste Victoria Foundation” on the Mount of Olive's can be visited on a virtual tour on my website. Virtual tour of the Exhibition »
The exhibition is a project of Public Culture - Palpics, under the auspices of the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH and the Yafa Cultural Center (YCC) .
If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.
Ethiopian Orthodox Christmas Celebration at the Church of the Nativity, West Bank town of Bethlehem January 6, 2011. Ethiopia (and especially the Ethiopian Orthodox Church) still use the old Julian calendar, so the celebrate Christmas on January 7th. The Christmas celebration in the Ethiopian Orthodox Church is called Ganna. Most people go to Church on Christmas day.
Shortly about me:
It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.
In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.
The exhibition “Beautiful Faces of Balata” currently on show at the Church of the Ascension at the “Kaiserin Auguste Victoria Foundation” on the Mount of Olive's can be visited on a virtual tour on my website. Virtual tour of the Exhibition »
The exhibition is a project of Public Culture - Palpics, under the auspices of the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH and the Yafa Cultural Center (YCC) .
If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.
New Renault Clio Estate shares the same dynamic breeding as the hatchback but has its own distinct identity. This model has the aesthetic design cues of shooting brakes but also dials in practicality and versatility for good measure.
// Nouvelle Renault Clio Estate possède le style à part des breaks de chasse. Largement marqué par un style emprunt de dynamisme, ce modèle s'appuie également sur les notions de fonctionnalité et modularité.
Amateur (or maybe less so) girls in some great high heels. I suspect that amateur girls wear heels for fashion, at the behest of their partner, or because they love wearing them. Much cooler than paid models who are probably wearing heels because they're getting paid to do it.
The vague element of increased practicality of heels that are slightly thicker than stilettos is a mirage, but makes this style of heel possibly cooler than a stiletto. :)
Landings
Our usual inventory includes landing type pieces reclaimed from projects throughout New England. They typically fall into three categories:
1) Originals – originally quarried as such
2) Hand split from reclaimed block material
3) Sawn and thermaled – fabricated from large pier and bridge abutment blocks
Appearance:
Whether they are custom hand split or sawn and thermaled, our goal is to maintain the nice aged and weathered sides of the landing. We call this our “Best of Both Worlds” look blending century old patina with the practicality of a true, consistent, all season tread surface. Sometimes we can offer an aged weathered top with a sawn underside and all other surfaces untouched for that all natural look.
Size:
When a step or tread exceeds a depth of 20” or greater, we refer to these pieces as a step/landing or just a landing when they exceed 24” in depth. The most common depth of these slabs is generally between 3’-4’ with a thickness or rise in the 7”-8” range.
Use:
As the broad piece at either the door entry or at the bottom of a step/stairway to land safely and step off easily in different directions
Sold:
By the square foot.
All brass & copper construction.
Rotary barrel array is powered by a 9.6 volt cordless drill motor.
Working safety catch. and custom powere connector.
Hand built from reclaimed old and vintage tools/parts, junk, scrap and repurposed odds and ends, plumbing & heating supplies. I built it using only basic hand & power tools. The most sophisticated tool I have in my little shed is a cheap vertical drill press from a local hardware chainstore :-) (Oh I do own a Dremel as well lol ;-) )
I build as if its a real thing. I build/design with function, wear and tear and operability in mind. I have a fairly comprehensive knowledge of firearms design/history so I like to utilise this in my work (albeit I am crossing reality & practicality with fantasy & "what if" technology speculations ;) A balancing act between fantasy and reality :)... Im thinking of maybe fitting a fat bayonet to this weapon lol .. not practical at alll , but great fun looking and emotive in a "hollywood" fantasy way lol ... Maybe a torch slung underneath instead lol ;-)
IF MY THINKERING TALENTS MAY BE OF USE TO YOU, DROP ME A LINE ;-) ... kruki99@hotmail.com
All brass & copper construction.
Rotary barrel array is powered by a 9.6 volt cordless drill motor.
Working safety catch. and custom powere connector.
Hand built from reclaimed old and vintage tools/parts, junk, scrap and repurposed odds and ends, plumbing & heating supplies. I built it using only basic hand & power tools. The most sophisticated tool I have in my little shed is a cheap vertical drill press from a local hardware chainstore :-) (Oh I do own a Dremel as well lol ;-) )
I build as if its a real thing. I build/design with function, wear and tear and operability in mind. I have a fairly comprehensive knowledge of firearms design/history so I like to utilise this in my work (albeit I am crossing reality & practicality with fantasy & "what if" technology speculations ;) A balancing act between fantasy and reality :)... Im thinking of maybe fitting a fat bayonet to this weapon lol .. not practical at alll , but great fun looking and emotive in a "hollywood" fantasy way lol ... Maybe a torch slung underneath instead lol ;-)
IF MY THINKERING TALENTS MAY BE OF USE TO YOU, DROP ME A LINE ;-) ... kruki99@hotmail.com