View allAll Photos Tagged positioning

This is an image of me in a leadership position. I was a cheerleader all 4 years of high school and was also a captain.

exercise 102 from strobist

f/5.6, ISO 200 and shutter at 200 (I've found if it try 250 I get a black bar at the bottom of the photo). This is an overcast day, I sat him on a stool 1.5mts from the window. Strobe, 430ex set at 1/16 1.5mts away from him, right of camera.

A simple exercise on distance to control the light ,

all the pictures are with the same distance from the background wall about 2 meeters and the flash from 160 cm to 25 cm.

Light is a bare SB600 on a stand 15° higher than the face

 

Thanks David strobist.blogspot.com ,

I've never tought to be able to control the light this way!!!

This is a photograph from the annual Navan Athletic Club 6KM Road Race and Fun Run which was held at Claremont Stadium, Navan, Co. Meath, Ireland on Friday 8th May 2015 at 20:00. The race is organised as a memorial to former club members Simon Cumbers and Paddy Hyland. The weather defied its position in the calendar as a race in early May with dreary wet conditions for the race. However the conditions for running were actually reasonably good considering the weather of the previous 24 hours. The race starts about 1KM away from the Claremont Stadium with the finish on the tartan track.

 

We have an extensive set of photographs from tonight in the following Flickr Album: www.flickr.com/photos/peterm7/sets/72157650154270014/

 

Timing and event management was provided by Precision Timing. Results are available on their website at www.precisiontiming.net/result.aspx?v=2608 with additional material available on their Facebook page (www.facebook.com/davidprecisiontiming?fref=ts) See their promotional video on YouTube: www.youtube.com/watch?v=c-7_TUVwJ6Q

Photographs from the last number of years of the Mullingar Road League are found at the bottom of this text

 

USING OUR PHOTOGRAPHS - A QUICK GUIDE AND ANSWERS TO YOUR QUESTIONS

Can I use these photographs directly from Flickr on my social media account(s)?

 

Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share directly to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.

 

BUT..... Wait there a minute....

We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not charge for our photographs. Our only "cost" is that we request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, VK.com, Vine, Meetup, Tagged, Ask.fm,etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us or acknowledge us as the original photographers.

 

This also extends to the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.

 

I want to download these pictures to my computer or device?

 

You can download this photographic image here directly to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. Have a look for a down-arrow symbol or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.

 

I want get full resolution, print-quality, copies of these photographs?

 

If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.

 

Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.

 

In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting takes a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.

 

I would like to contribute something for your photograph(s)?

Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.

 

Let's get a bit technical: We use Creative Commons Licensing for these photographs

We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?

The explaination is very simple.

Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.

ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.

 

Above all what Creative Commons aims to do is to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/

 

I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?

 

As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:

 

     ►You were hidden behind another participant as you passed our camera

     ►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set

     ►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone

     ►We simply missed you - sorry about that - we did our best!

  

You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.

 

Don't like your photograph here?

That's OK! We understand!

 

If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.

 

I want to tell people about these great photographs!

Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets

 

Contact Millie Liang with confidence in your preferred English, Mandarin or Cantonese language.

 

Strategically positioned on level 1 of the well known Mid City Shopping Centre in the heart of Queen St, this 43 sqm shop complements a good mix of fashion, health, food, consumer products and restaurants in downtown Auckland with convenient access to the major public transport terminals and road networks, says Millie Liang.

 

The Mid City Shopping Centre at 239 Queen Street provides direct exposure to some of the highest pedestrian counts in New Zealand and further benefits from having 2 entrances to the shopping center from both Queen and Elliott Street.

 

The property is within a 5 minute walk to the waterfront, Britomart bus and train terminal. A few minutes more and you are at the ferry terminal and Viaduct Harbour, popular for restaurants and bars.

 

The Auckland CBD is the business and cultural center of New Zealand and in the next 10 years it is planned that the Auckland CBD will grow and consolidate its international reputation as one of the worlds most vibrant and dynamic business and cultural centers, says Millie Liang.

 

The future looks promising with the number of residents increasing exponentially over the last 15 years, with 18 per cent growth a year in the last five years.

 

CBD retail sales increased to reach and estimated total of $1.6-$1.8billion in 2006 and a total of 78,444 employees and 9,461 businesses were in Aucklands CBD in 2006.

 

$963.9 million is being spent to transform and revitalize Aucklands CBD & waterfront as part of a 10 year action plan began in 2004 by the Auckland Council says Millie Liang.

 

Email Millie Liang now at millie@millieliang.co.nz or txt +64 21 968 128 to arrange appointment to view and further information.

 

If the current listing does not meet your investment or leasing requirements, ask Millie Liang about properties in the process of being listed, available shortly or that owners prefer not to advertise publicly.

 

To quickly view a selection of properties for lease and sale by Millie Liang visit:

www.bayleys.co.nz/agent/millia

 

Millie Liang is part of Bayleys real Estate Commercial Sales and Leasing team located at Viaduct Harbour, Central Auckland.

 

Bayleys is New Zealand’s largest full service real estate agency offering expertise in marketing residential property, commercial and industrial property, business sales and rural real estate, including farms and lifestyle blocks.

 

A slightly frustrating session at Worting Junction weather wise, with the clouds threatening to break a little but not quite getting there. However, it was a a good opportunity to practice pole shots. Here 70005 passes with the 4O90 liner from Leeds to MCT on the 25 April 2025. I saw four 70 hauled liners during the day and all had empty wagons at the front! Shot taken with 50mm lens on a 1.2 crop giving an effective focal length of 60mm. I think this looks nicer 50mm, which is bordering on wide angle.

Shot from last flickr meeting at Buda Castle.

Interesting idea by Reebok. Positioning shoes as Travel Trainers...

Start with first position. First position is arguably the easiest basic ballet position. Stand with your feet together, ensuring your heels touch. Then, turn each leg outward so your feet are perpendicular to your torso. Keep your heels together, but allow your feet, calves, and thighs pivot until your feet form a straight line parallel with your shoulders. The end stance is first position.

 

- Your whole leg from your thigh to your feet be turned outward. The end result will turn your feet in a straight line on the floor, with your heels in the middle.

- First position for the arms looks like you’re holding a beach ball in the middle of your stomach. Keep your fingers about 4 inches (10 cm) apart, and tilt your hands just slightly toward your face.

Jim again, shown here in one of his funny positions. Before he came to live with us, he'd been injured in an RTA, and had undergone a femoral head ostectomy (basically, surgical excision of the traumatically broken-off ball at the top of the back leg). A cat's pelvis is too delicate to allow pinning of the joint, and the top of the leg forms a 'phantom joint' in the scar tissue. In Jim's case, this doesn't appear to have compromised his mobility at all, but he has the advantage of being young, fit, and relatively lightly built. But he does end up sitting in some pretty odd positions as a result. That's Ginger on the right of the picture, having a snooze after supper.

Célèbre position, un peu acrobatique, destinée à l'origine à photographier les dessous des voitures, mais peut s'adapter à toutes les situations. Utilisée aussi par d'autres amis photographes pour immortaliser des jantes de belles voitures.....et les gentes dames aussi !

This shot was taken outside my home. There was a lot of light from the various buildings / streetlights around me, so I opted to find a "dark corner" which was behind a tall bush against a house. This cut down on the light a lot; basically I positioned myself in a rudimentary "blind." Ambient Light is your enemy, but shots like above can be taken from just outside your front door, you just have to find the right "Dark Corner."

 

Last night was very good for shooting the moon. Dark skies, light wind and it was crisp. Meaning the temperature in upper levels and lower levels in the Atmosphere balanced each other out for the most part. The moon just "glowed" without wavering.

 

Translation: No Fog or Mist. It's when there's no wind, fog/mist forms and you loose detail; downside is that you need a sturdy tripod that doesn't shake when there is wind. In addition, photographing the moon when it's at 3/4 or 1/2 will give you better shadows and detail, for the same reasons that photographing people are better during the early morning / "Golden Hour" times. Full Moons, are like shooting people around Noon; while the area is nice and bright, the shadows and details are flat.

 

Also, before we begin, you have to "think" like you are shooting in the daytime since the Moon is so bright. If you want to get that "Spooky Clouds around the Sharp Moon" for Halloween, you will have to take TWO exposures and combine them. The Wispy / Spooky Clouds require a 15-30 second exposure, while the moon does not. ;) Take a look at this photo to see what a 30 Second Exposure Moon-Shot looks like with a single exposure.

 

What works for me:

 

I mounted my camera on my tripod, zoomed out to 300mm and shut off Vibration Reduction. I used "Single Area" Metering and set the focus point just above the moon and towards the right. (Think 1 o'clock-ish position.) The trick for the moon is to give the camera something to focus on, like the edge and then tweak it if necessary. After you have the moon in focus, set the camera to manual focus and leave it alone. (Man, I love having a dedicated switch for this.)

 

Just as I was about to take the photo, I set the camera to "Mirror Lock-Up Mode" and used a remote control that I got from a friend. When using the "Mirror Lock-Up" function, you click the remote shutter button ONCE and the the mirror in the viewfinder flips up. Then hit the remote shutter button a SECOND TIME to activate the shutter to take the photo. What this does is really eliminates any internal camera shake. Believe it or not, the mirror flipping up causes a bit of shake for the camera, so if razor sharpness is really paramount, use a tripod & Mup Mode if your camera has it. Not only for the Moon, but Macro shots as well.

 

Remember, the moon is always moving, so predict a future point of where it will be rather than where it is. Which is pretty easy, since the moon follows an "arc." Believe it or not, 20-30 seconds makes a huge difference in its position in the sky! This is why placing the AF point above and to the right helps. By the time you click the shutter, a part of the moon is usually in your center focus point in the viewfinder.

 

I tried using manual settings based on the "Sunny 16 Rule" with decent results and found keeping the shutter speed to above 1/250th helped. I've seen some photos of the moon with a much slower shutter speed and smaller aperture, but since my 70-300VR is hungry for light, I tend to stay between 1/250 - 1/500 of a second. Also, the D200 really sucks above ISO 800, and is very decent at ISO 400. ISO 560 and above was just too noisy for this particular shot.

 

After firing off multiple shots in manual mode, I got an idea of where I should be. Since the D200's meter is more robust than my D40's, I went with Aperture Priority Mode and set it to f/5.6. The camera chose 1/320th of a second and I clicked the remote button twice, the first one to lift the mirror, and the second one to activate the sensor. After I take the picture, I zoom in to 100% to check the sharpness. You usually can tell if you nail it. If not, rinse and repeat or try different shutter speeds, faster is better.

 

In post processing, each moon shot can be different, even back-to-back shots! This is one of the reasons that shooting in RAW is important for Astrophotography. Every bit of detail helps in post. In addition, you really can't use a Lightroom Preset or even a Photoshop Action, but this is my experience. Your mileage may vary. I played around with the levels and curves, until it looked right.

 

Translation:

 

Equipment:

Nikon D200 | Nikkor AF-S 70-300VR Lens | Bogen-Manfrotto 190XProB Tripod | 486 RC2 Ballhead | Gadget Infinity Shutter Release Cable for Nikon

 

Camera Settings:

Mirror Lock-Up Mode | 1/320 of a Second | f/5.6 | ISO 400 | 300mm | RAW | Tripod

 

Post Processing:

I "Dorked Around With It" for about 10 minutes in Lightroom until it looked cool. Then I exported directly to Flickr. That's it! :)

 

View On Black

i can hear my violin teacher now, "stop looking down!" lol

 

flash (promaster FM600) camera right, directly facing me, about 2 ft away, at full power (it only has one power).

 

Learn how to light at Strobist.

Avani Lekhara from India, bronze medalist in the R8 – Women’s 50m Rifle 3 positions SH1 at the Asaka Shooting Range during the Paralympic Games on September 3rd.

 

Photo: @ Hiroki Nishioka / WPPO

Assignment 1.2 for Strobist Lighting 102

Positioned along track to Church Farm, this FW3/28 Type 28 anti-tank gun house is sited facing north to defend the river crossing at Jude's Ferry Bridge. The gun emplacement was fitted with a pedestal and nine-bolt holdfast for a 6-pounder anti-tank gun.

  

The FW3/28 Type 28 is a rectangular shellproof gun house designed to house either a 2pdr or 6pdr Hotchkiss anti-tank gun. The smallest Type 28 gun house, is a single chamber design built to a shellproof standard, with external walls approximately 3ft 6in thick whilst the roof is 12in thick. Overall it approximately measures 20ft by 19ft and internally the chamber measures 13ft by 12ft. At the front of the Type 28 gun house is the low and wide embrasure for the 2pdr or 6pdr anti-tank gun. With the 2pdr gun in position the shield of the gun would have covered most of the embrasure, which measures 2ft 6in internally, stepping out to 3ft 2in by 11ft 6in on the outside, the maximum traverse of the 2pdr gun was limited to a 60° sweep.

 

Getting the 2pdr gun inside the gun house was through a rear opening of 6ft wide, which would be closed in with sandbags as there were no doors fitted. The large unobstructed entrance did allow the 2pdr gun to maintain it’s mobility, by allowing the gun to be moved in and out rapidly. Below the gun embrasure are three recesses in the floor, the 2pdr gun, would have been wheeled into position, then its wheels removed and the trail legs unfolded and located into the floor recesses. In cases were the Hotckiss quick fire anti-tank gun was used a pedestal with a nine bolt holdfast was added to mount the gun, in a more permanent position adding sandbags around the embrasure for added protection.

 

Normally each side wall has an infantry embrasure, to provide some limited protection from the enemy. However, the lack of all-round small arms fire meant that the gun house would be very vulnerable to enemy attack. The lack of forward-firing Infantry embrasures meant that it would not be possible to support the 2pdr gun with small arms fire. So to overcome the problem of the limited infantry fire support the FW3/28 gun house design was modified to produce the FW3/28a. This modification consisted of a second chamber being added to the anti-tank gun chamber, the second chamber was an infantry chamber with up to three infantry embrasures, firing to the front, rear and side. Generally, the gun houses were positioned to allow the gun to fire along fixed lines, such as enfiladingss an anti-tank ditch or a bridge. In these positions the limited traverse of the gun creates no real disadvantage and the small size of the embrasure provides greater protection for the gun and its crew.

  

Eastern Command: Corps and Command Stop Lines – One of three Eastern Command Corps stop lines, this one running from the River Colne in Essex via Wakes Colne and Bures, along the River Stour to Sudbury and Long Melford, and thence to Bury St. Edmunds and the River Lark at Mildenhall. Its final stretch (known now as the Command Line) was via Littleport along the line of the River Great Ouse to King's Lynn.

Sony A7RII with manual focus vintage Minolta MD 35-70 zoom lens

Black is in danger of losing two pyramids in Coerceo.

This rudimentary defensive position may have served as the command bunker for a battery of anti-aircraft guns in this location. It it sited near the highest point, in close proximity to one of the Rh-202 guns still in situ (presumed to be close to the original position) and would have been large enough for the compliment of command and signals staff required. It is larger than the standard single or two-man positions found elsewhere.

Adina ere kategoria da eta.

This 2000 Virginia Department of Historical Resources interpretive highway marker E-43 is on Lafayette Boulevard at Raines Drive in Fredericksburg, Virginia. The marker reads:

 

"From this hill (now called Lee's Hill) a little to the east, Confederate Gen. Robert E. Lee watched the First Battle of Fredericksburg. As the armies prepared for combat, Lee commented that "It is well that war is so terrible-we should grow too fond of it." On 13 Dec. 1862, Union Maj. Gen. Ambrose E. Burnside ordered an assault against the Confederate position. The Confederates withstood the attack, which lasted until dark, and slaughtered the Federals with artillery and small-arms fire. Two days later the defeated Union army retreated across the Rappahannock River."

 

Courtesy of Dwayne & Maryanne Moyers, Fredericksburg Area Realtors. Visit us at www.TheMoyersTeam.com.

Osage Gallery, Singapore 2008

Visit of Nelson Mandela to give a lecture at LSE on 'Africa and Its Position in the World.'

 

Photographer's contact sheets.

 

Watch a recording of the talk: youtu.be/d-MGpQbM8Js

 

This position just has to have some sunset potential, that pool would act like a mirror, can' wait!

Visual College of Art and Design of Vancouver

626 West Pender Street #500

Vancouver, BC V6B 1V9

(800) 356-8497

Watch full tutorial: vcad.ca/drawing-characters-in-different-positions/

Subscribe to VCAD: youtube.com/subscription_center?add_user=VancouverVCAD

Like VCAD: facebook.com/VCAD.ca

Follow VCAD: twitter.com/vcad

STD98LE-11 www.cn-std.com

STD98LE-11

Features:

1.Made with professional technology and advanced equipment; uses fine steel plate and seamless steel tube (stamping and molding), firm and pressure-resistant, scientific structure, easy to install

2.Adopts static plastic spray, stylish, innovative design, fine workmanship, easy to use, safe, and fadeless. Internal rust-resistant treatment, waterproof, dustproof; suitable for outdoor and indoor use

3.Instruction: insert the keyhole with specialized key, turn the key, the lock arm will pulled down to a horizontal position automatically, pull out the key, drive the car into the parking area. After the car is driven out of the parking area, lift the lock arm to a vertical position with legs, then it is automatically locked

4.Dimensions: 600 x 180 x 400mm

 

Came out a little over-processed, but eh.

This is a photograph from the second running of the newly situated Irish 3/4 Marathon (formerly the Athlone 3/4) which was held in Longwood, Enfield, Co. Meath, Ireland on Sunday 8th of October 2017 at 10:00. The event is positioned perfectly in the calendar as a key training race before the Dublin City Marathon at the end of the month. This year was the second year that the event was held in Longwood, Co. Meath which is now well known for its hosting of the Longwood 10KM/5KM annual races and a host venue for East of Ireland Marathon series marathons on a bi-annual basis. The race started and finished at Longwood GAA club just outside the village of Longwood. It followed an anti-clockwise course around the beautiful picturesque countryside of south Meath. The course went through the townlands of Longwood, Castlerickard, Killyon, Hill-of-Down, Anneville and Ashfield Clonard, Blackshare, Stoneyford and back to Longwood. The river Boyne and Blackwater were crossed as was the Royal Canal and the Dublin-Sligo Railway line at Hill-of-Down. Overall this was a very different course to the previous years in Athlone. The overall elevation of the course works out at 3/4 of the total elevation of the Dublin Marathon course. What most stood out about today's race was the course and how the countryside around it looked on a beautiful almost perfect Autumn morning. There was a large local effort with stewarding and many local people watched from their gardens as the race passed by. The organisation of the race was first class with every detail taken care of from the start until the finish. There was some rain showers from about 13:00 onwards but these soon passed.

 

There is a large set of photographs from today's race - taken at the start in Longwood village and the 25KM mark outside near our home.

 

They are available on our Flickr photostream at the following set. www.flickr.com/photos/peterm7/albums/72157687694983023

 

Photographs from 2016's race are available on our Flickr photostream: www.flickr.com/photos/peterm7/albums/72157673672195732

 

NOTE: These are completely unofficial photographs are not connected commercially with the Irish 3/4 marathon event photography. Please check the Official Website www.irish3quartermarathon.ie/ for official photographs and other media.

  

USING OUR PHOTOGRAPHS

 

Can I use these photographs directly from Flickr on my social media account(s)?

 

Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share directly to: email, Facebook, Instagram, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.

 

BUT..... Wait there a minute....

We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not charge for our photographs. Our only "cost" is that we request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, VK.com, Vine, Meetup, Tagged, Ask.fm,etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us or acknowledge us as the original photographers.

 

This also extends to the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.

 

I want to download these pictures to my computer or device?

 

You can download this photographic image here directly to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. Have a look for a down-arrow symbol or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.

 

I want get full resolution, print-quality, copies of these photographs?

 

If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.

 

Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.

 

In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting takes a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.

 

I would like to contribute something for your photograph(s)?

Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.

 

Let's get a bit technical: We use Creative Commons Licensing for these photographs

We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?

The explaination is very simple.

Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.

ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.

 

Above all what Creative Commons aims to do is to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/

 

I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?

 

As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:

 

     ►You were hidden behind another participant as you passed our camera

     ►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set

     ►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone

     ►We simply missed you - sorry about that - we did our best!

  

You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.

 

Don't like your photograph here?

That's OK! We understand!

 

If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.

 

I want to tell people about these great photographs!

Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets

 

This is a photograph from the 3rd running of the newly situated Irish 3/4 Marathon (formerly the Athlone 3/4) which was held in Longwood, Enfield, Co. Meath, Ireland on Sunday 7th of October 2018 at 10:00. The event is positioned perfectly in the calendar as a key training race before the Dublin City Marathon at the end of the month. Participants are advised to use this long distance race as a preparation for the Dublin City Marathon and to pace themselves accordingly. This year was the third year that the event was held in Longwood, Co. Meath which is now well known for its hosting of the Longwood 10KM/5KM annual races and a host venue for East of Ireland Marathon series marathons several times per year. The race started and finished at Longwood GAA club just outside the village of Longwood. It followed an anti-clockwise course around the beautiful picturesque countryside of south Meath. The course went through the townlands of Longwood, Castlerickard, Killyon, Hill-of-Down, Anneville and Ashfield Clonard, Blackshade, Stoneyford and back to Longwood. The locally famous Blackshade bridge at 17 miles provided the largest climb of the day. The river Boyne and Blackwater were crossed as was the Royal Canal and the Dublin-Sligo Railway line at Hill-of-Down. The overall elevation of the course works out at 3/4 of the total elevation of the Dublin Marathon course. The south Meath countryside around the course looked on a beautiful with some lovely quiet traditional 'Irish'-type roads to run on. There was a large local effort with stewarding and many local people watched from their gardens as the race passed by. The organisation of the race was first class with every detail taken care of from the start until the finish. As usual the weather is the only variable that cannot be controlled. Subsequently, the only negative from a runners' view was the very very strong headwind from the turn at 6 miles right through Killyon and Hill-of-Down. However, other parts of the course offered a strong tailwind and flat terrain.

  

There is a large set of photographs from today's race mostly taken on the Ashfield road at the 25KM mark outside near our home.

  

They are available on our Flickr photostream at the following set. www.flickr.com/photos/peterm7/sets/72157674229321898

 

Photographs from 2017's race are available on our Flickr photostream: www.flickr.com/photos/peterm7/albums/72157687694983023

Photographs from 2016's race are available on our Flickr photostream: www.flickr.com/photos/peterm7/albums/72157673672195732

  

NOTE: These are completely unofficial photographs are not connected commercially with the Irish 3/4 marathon event photography. Please check the Official Website www.irish3quartermarathon.ie/ for official photographs and other media.

 

Celebration of Tuva Day of Repulic. Kyzyl, Tuva, Siberia. Nikon FM3a. Photo by Vladimir Shibanov

Part of Tuva Rebulic, Siberia set www.flickr.com/photos/shibanov/sets/72157624715134461/

Position 3

 

Three HMG positions are clustered around the east end of Mount Longdon. In the high mount they are likely to have been intended as light anti-aircraft defences against helicopters and low-flying jets, but they would also have been very capable against ground targets.

This is a photograph from the second running of the newly situated Irish 3/4 Marathon (formerly the Athlone 3/4) which was held in Longwood, Enfield, Co. Meath, Ireland on Sunday 8th of October 2017 at 10:00. The event is positioned perfectly in the calendar as a key training race before the Dublin City Marathon at the end of the month. This year was the second year that the event was held in Longwood, Co. Meath which is now well known for its hosting of the Longwood 10KM/5KM annual races and a host venue for East of Ireland Marathon series marathons on a bi-annual basis. The race started and finished at Longwood GAA club just outside the village of Longwood. It followed an anti-clockwise course around the beautiful picturesque countryside of south Meath. The course went through the townlands of Longwood, Castlerickard, Killyon, Hill-of-Down, Anneville and Ashfield Clonard, Blackshare, Stoneyford and back to Longwood. The river Boyne and Blackwater were crossed as was the Royal Canal and the Dublin-Sligo Railway line at Hill-of-Down. Overall this was a very different course to the previous years in Athlone. The overall elevation of the course works out at 3/4 of the total elevation of the Dublin Marathon course. What most stood out about today's race was the course and how the countryside around it looked on a beautiful almost perfect Autumn morning. There was a large local effort with stewarding and many local people watched from their gardens as the race passed by. The organisation of the race was first class with every detail taken care of from the start until the finish. There was some rain showers from about 13:00 onwards but these soon passed.

 

There is a large set of photographs from today's race - taken at the start in Longwood village and the 25KM mark outside near our home.

 

They are available on our Flickr photostream at the following set. www.flickr.com/photos/peterm7/albums/72157687694983023

 

Photographs from 2016's race are available on our Flickr photostream: www.flickr.com/photos/peterm7/albums/72157673672195732

 

NOTE: These are completely unofficial photographs are not connected commercially with the Irish 3/4 marathon event photography. Please check the Official Website www.irish3quartermarathon.ie/ for official photographs and other media.

  

USING OUR PHOTOGRAPHS

 

Can I use these photographs directly from Flickr on my social media account(s)?

 

Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share directly to: email, Facebook, Instagram, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.

 

BUT..... Wait there a minute....

We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not charge for our photographs. Our only "cost" is that we request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, VK.com, Vine, Meetup, Tagged, Ask.fm,etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us or acknowledge us as the original photographers.

 

This also extends to the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.

 

I want to download these pictures to my computer or device?

 

You can download this photographic image here directly to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. Have a look for a down-arrow symbol or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.

 

I want get full resolution, print-quality, copies of these photographs?

 

If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.

 

Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.

 

In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting takes a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.

 

I would like to contribute something for your photograph(s)?

Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.

 

Let's get a bit technical: We use Creative Commons Licensing for these photographs

We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?

The explaination is very simple.

Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.

ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.

 

Above all what Creative Commons aims to do is to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/

 

I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?

 

As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:

 

     ►You were hidden behind another participant as you passed our camera

     ►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set

     ►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone

     ►We simply missed you - sorry about that - we did our best!

  

You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.

 

Don't like your photograph here?

That's OK! We understand!

 

If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.

 

I want to tell people about these great photographs!

Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets

 

With the Trent SON RC7327 lined up with the Ford 7V, Guy LUF SARO demonstrator LJW336 was eased into position by former LUF owner John. Looking even more like a museum now - AMRTM.

Would you let these people near you with a pair of scissors?

1 2 ••• 36 37 39 41 42 ••• 79 80