Quantum Physics
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Flores de Santa Gemita - Oct 2022 - Enhanced-6
Whenever the sun gets obscured by the clouds, the humans step back.
But there are people who are curious and stubborn, and want to figure out how things work, even risking their life in the past.
Meanwhile the Galileo’s Middle Finger is exhibited in the science museum of Florence... Clouds will never win over the light ;p
Pythagóras, Eukléidēs, Archimédēs, Eratosthénēs, Aristotélēs, Alhazen, Leonardo, Isaac Newton, Gottfried Leibniz, Émilie du Châtelet, Galileo, Johannes Kepler, Christiaan Huygens, Daniel Bernoulli, Alessandro Volta, Joseph Nicéphore Niépce, Louis Daguerre, James Watt, Michael Faraday, James Clerk Maxwell, Marie Curie, Heinrich Rudolf Hertz, Guglielmo Marconi, Max Planck, Albert Einstein, Nikola Tesla, Thomas Edison, Niels Bohr, Ernest Rutherford, Edwin Hubble, Richard Feynman, Shin’ichirō Tomonaga, Stephen Hawking (and many more...) I am grateful to all of you.
Object: SH2-284 in Monoceros in SHO (February 2024)
This is a widefield capture in Monoceros (the Unicorn) showing the primary target: SH2-284 which is a HII star forming region about 15,000 light years distant. The image was shot with narrowband filters and combined in the SHO palette which is also know as the Hubble Space Telescope palette (HST)
Some of the objects in the field:
- SH2-284 – center-left- Sometimes referred to as the Little Rosette
- NGC2282- HII Ionized region in Monoceros – upper center right
- Lynd’s Bright Nebulae- LBN983-LBN984-LBN987
- Acquisition Date: 02/06/2024 to 02/09/2024
- Location: Western Massachusetts, USA
- Imaging Camera: QHY600PH-M -10°C - Mode 1(High Gain) Offset:15 Gain:56
- Telescope: Takahashi FSQ106EDXIII @ f/5 (530mm focal length - 106mm aperture)
- Mount: Astro-Physics AP1100 w/GTO4
- Guide scope: Celestron Off Axis Guider
- Guide Camera: ASI174m mini
- Software: Adobe Photoshop CS5, Sequence Generator Pro, PixInsight 1.8 Ripley, Aries Astro Pixel Processor
Filters:
- Chroma Ha 3nm 50mm
- Chroma OIII 3nm 50mm
- Astrodon SII 3nm 50mm
Exposure Times:
- Hydrogen Alpha (Ha): 27 x 10min. (270min) bin 1x1
- Oxygen III (OIII):34 x 10min. (340min) bin 1x1
- Sulfur II (SII) 29 x 10min. (290min) bin 1x1
Total Exposure:900 min. (15.0hrs)
Sky Quality:
-Magnitude: 19.71
-Bortle Class 5
-1.41 mcd/m^2 Brightness
-1234.6 ucd/m^2 Artificial Brightness
Just for the girls this blanket contains plenty of animations and texture sets!
Full bento, RLV, INM, V Bento, Physics, VAW, Lovebridge.
Check out the store for other great items.
A 4:30am alarm with a quick stop at the Dunkin drive-thru got me to the New Jersey Festival of Ballooning in time to experience what it takes to unfurl, inflate and fly a hot air balloon. It's been years since I've done this and it was a beautiful morning to be amongst all the dedication and skill these crews have.
On another note, felt like it was time to update my profile pic. As much as I liked the old one, it looked more like a high school yearbook pic at this point. Lol!
Astro-Physics 130 GTX + QUADTCC @ F/4.5
Moravian G3 11002 + Astrodon RGB
Astro Physics 1200
RGB: 75x300s bin 1x1
Total exposure: 6h
Captured with Sequence Generator Pro
Processed with Pixinsight
Perfect for any home these display shelves contain lots of animations!
Full bento, RLV, INM, Physics, V Bento, VAW, Lovense.
Check out the store for other great items.
John Bolin donated some beautiful images....thank you!!! :
www.flickr.com/groups/vintage_madness/
I also was lucky enough to obtain permission to use these physics images from a professor of physics who created the diagrams.
Perfect for any bedroom this bed contains lots of animations and texture sets!
Full bento, RLV, INM, Physics, V Bento, VAW, Lovense.
Check out the store for other great items.
and simple physics demand for
I've been very curious how just a half of my old doubleanastigmat would render wideopen on 8x10. And even more, de-focussed on purpose.
It's a High Five
and a bye
I can't tell
I just did
I saw it,
I asked for the hand*
& click
I could tell a bit
but all those would be afterwards reasoning and explanations for myself
I do see them
and remember
but for the image
it's in the world
and that's what it is about in the first place
and it would be afterwards reasoning really
looking back I wonder
cause all I connect with it now
has not happened yet, back then
It's nice to work like that
especially with all that size
*it's impossible to do this alone. You're working with millimeters here.
___
Roidweek 2015.2 # day 3
Sinar P 8x10 / Polaroid 809, exp. '87
Perfect for any setting this glory hole wall contains lots of animations and texture sets!
Full bento, RLV, INM, Physics, V Bento, VAW, Lovense.
Check out the store for other great items.
Keeping with the theme of juvenile snowflakes, this one had just begun to grow its branches before was sent out of the clouds. Even though the branches are tiny, there’s a lot to discover here! view large!
This snowflake also harbours three-fold symmetry, albeit much less obvious than yesterday’s snowflake. The best place to see it is in the central bubbles; notice how every other “trapezoid” has roughly the same pattern? This even-odd symmetry is quite common, you’d be surprised how often you find it when you go looking!
Most of the surface details of this snowflake are on the opposite side of the crystal. They can be seen through the ice (ice is transparent) with a little less detail. I enjoy this look better of certain snowflakes, revealing stronger lines around the outside edges and allowing internal features to become more prominent. While nature creates these beauties, the photographer has a lot of control for how to present them to the world!
Snowflakes are all about lighting and angles. If I can photograph the snowflake on an angle where the light from the ring flash partially reflects back off the surface of the crystal into the lens (like glare), the surface lights up. Multiple surfaces make certain parts of the snowflake brighter, which is most often caused by bubbles in the ice. The brighter central area? It’s just ice like the other parts, but because the bubble creates multiple layers of ice, there are now multiple reflective surfaces and more light coming back to the camera.
This is also true along the branches. A very bright feature in most snowflakes, one or two running lines through the center of the branch reflect a ton of light. If the image is severely under-exposed, these regions reveal solid rainbows of colour. At normal exposures, you can still see the bleeding of colour away from their bright white centers. These bright areas could be caused by ridges above the surface of the ice (in this case, on the opposite side) that can evoke the prism effect. Alternative they could be bubbles in the ice, but something would need to be special about them to be so much brighter than other bubbles.
Photography is the melding of art and physics, and snowflake photography is a great example of that. If you want to know all the photographic (artistic) techniques, as well as all the physics of snowflakes, you need to own a copy of Sky Crystals: skycrystals.ca/book/ - you won’t be disappointed, it’ll make winter much more tolerable!
If you enjoy this series of images, your eyes might light up when you see “The Snowflake” print – consisting of over 400 snowflakes put together over 5 years with 2500 hours of work… all into a single image: skycrystals.ca/poster/ - do me a favour and take a look!
The wake turbulence cloud, and wingtip vortices are on display as an Etihad B773 approaches Toronto's runway 33L
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Just my luck! Not many snowstorms create colourful snowflakes, and when they do they are usually smaller hexagonal gems. I was thrilled to encounter this vibrant flower in a slightly large crystal!
The colour here is well understood, but still magical. It’s not colour in the same sense as you would paint with (the paint would absorb certain wavelengths of light and reflect others, you see the reflected light), but rather generated through optical interference. This is the same physics that generates colours in soap bubbles, but in a snowflake is often much more structured.
One way or another, a bubble forms in the ice. The thickness of this bubble dictates the thickness of the ice on either side of it, and shifts in this thickness will change the resulting colours. Light bounces off of reflective surfaces, but a snowflake is ice, not a mirror; some light still enters the snowflake and reflects back off of the additional boundaries between ice and air. When light passes through a denser material (ice), it slows down, and when it reflects back out, it speeds up again. This is critical. If the distance traveled through the ice is small enough, the two rays of light will rejoin, but half of it will be “out of sync”. This causes some wavelengths to cancel out while others are added together, generating specific colours from otherwise white light. Very similar principals apply to sound waves and interference.
Once the bubble is completely enclosed, things can still change. Water molecules can break away from their crystal structure (sublimation) and re-attach elsewhere. This might slightly change the thickness of the ice in certain areas but in a gradual fashion. I suspect this is the reason for the gradient from yellow to magenta at the tips of the internal “petals”.
The central bubble here is fascinating for other reasons as well – just look at the outer edge of it. Notice these little “nubs” in each corner? Imagine the snowflake being just that big. Those little nibs would be the last elements to stay open to the outside air before shifts in temperature and humidity allow the outer edge of the snowflake to become whole again. What’s interesting here is that a snowflake typically grows fastest where it has the greatest access to water vapour – the corners. Why then did the corners take the longest to close up? Moreover, why did the middle of each prism facet also have a nub, which continued to progress a line-like bubble that eventually evolved into a sectored-plate design?
It’s a beautiful physics puzzle and fun to spend some time imagining how and why it came to be.
Shot on a Lumix S1R with a Canon MP-E 65mm macro lens. I’ve used a lot of ring flashes over the years, but my favourite is also one of the most affordable – the Yongnuo YN-14EX II: www.bhphotovideo.com/c/product/1462725-REG/yongnuo_yn_14e... . It’s better in many ways than Canon’s own MR-14EX II, and it’s what I’ve been using to shoot the snowflakes in this year’s series. For more tips on snowflake and general macro photography, you can also check out my upcoming instructional book, Macro Photography: The Universe at Our Feet - skycrystals.ca/product/pre-order-macro-photography-the-un...
For those curious about how the book is progressing? Coming along nicely! Most of the book is just undergoing revisions and grammar checks but there is still more work to be done. I appreciate your patience. :)
A Narrowband HOO Palette image of the faint emission nebula Sharpless 308 (also cataloged as Sh2-308, RCW 11, and LBN 1052), or simply referred to as the Dolphin Nebula.
Sh2-308 is an emission nebula and HII region located near the center of the constellation Canis Major, composed of ionised Hydrogen. It is about 8 degrees south of Sirius, the brightest star in the night sky. The nebula is bubble-like, surrounding a Wolf-Rayet star named EZ Canis Majoris. This star is in the brief, pre-supernova phase of its stellar evolution.
About this image:
This image is the result of photographing over several nights from the Southern Hemisphere (from dark rural skies, to my Pier at home). Deep Sky Objects like this is a challenge, as it pushes the limits of my modest Telescope gear.
Technical Info:
24 x 600 sec. 7nm Hydrogen-Alpha (Ha).
24 x 600 sec. 6.5nm Doubly Ionized Oxygen (OIII).
William Optics Star 71mm f/4.9 Imaging APO Refractor.
Sensor cooled to -15°C on my QHY163M.
Calibration frames: Bias, Darks and Flats.
SGP Mosaic and Framing Wizard.
Astrometry.net ANSVR Solver via SGP.
Pre-Processing and Linear workflow in PixInsight,
and finished in Photoshop.
Astrometry Info:
Center RA, Dec: 103.602, -23.925
Center RA, hms: 06h 54m 24.409s
Center Dec, dms: -23° 55' 29.074"
Size: 1.48 x 1.11 deg
Radius: 0.925 deg
Pixel scale: 3.33 arcsec/pixel
Orientation: Up is 113 degrees E of N
View an Annotated Sky Chart for this image.
View this image in the WorldWideTelescope.
&creditsUrl=&ra=103.471069&dec=-24.191961&x=1014.6&y=829.3&rotation=66.75&thumb=http://nova.astrometry.net/image/5838916){kind=link}
Nr. 1 in Flickr Explore:
Top 25 Photos on Flickr in 2019:
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APOD GrAG on 2020/01/01:
apod.grag.org/2020/01/01/sharpless-308-the-dolphin-nebula
The Art of Astrophotography:
Also visit my Flickr Group: The Art of Astrophotography, that features the work of Astrophotographers from around the world.
This image is part of the Legacy Series.
Photo usage and Copyright:
Medium-resolution photograph licensed under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International Terms (CC BY-NC-ND 4.0). For High-resolution Royalty Free (RF) licensing, contact me via my site: Contact.
Martin Heigan
-
Sixty Degrees. That’s the angle for all of these edges, give or take based on the fact that the snowflake is photographed at an angle. Physics at work, yet many people consider snowflakes as a creation of God. It’s amazing really, that the same object can be described by some as evidence of a Creator, while others use the exact same object to prove that the natural laws of physics make our world what it is.
Very few things can take equal sides like a snowflake. I have a side, but I don’t need to express it to express my fascination with our interpretation of the world around us. The real magic here is that we, as human beings, see this snowflake as beautiful. I don’t think many people would argue against that. That begs the question however: what is beauty?
Beauty doesn’t exist on its own. A massive organized collection of water molecules? It is just a thing, a (mostly) inanimate object when we see it. How do we perceive this as beautiful? It’s not the object that contains this value, it’s our perception of it. One could say it’s all in our heads, and I think they’d be right. Something is only beautiful because we say so, collectively or individually it doesn’t matter. So then, what is beauty?
It’s a deep question, and one that every person might have a different answer to. My answer reflects on the larger world around us. We see geometry as standing out from chaotic nature. We admire patterns. We adore symmetry. The most symmetrical face with chiseled lines might be perceives by many as being beautiful, but so too will a wrinkled old smile with the history of the world written on it. Beauty comes in many forms, based on how deep we look.
When I dive into the details of a snowflake, describing all of its features and how they came to be, I hope I add to the beauty. In the opening words of the documentary series Forces of Nature, narrated by Dr. Brian Cox, he says “the world is beautiful to look at, but it’s even more beautiful to understand”. Understanding the depth of beauty only makes these tiny sky crystals even more beautiful, and these posts are often aimed solely at this.
See the slightly brighter center? There is a hexagonal twin plate on the reverse side of the snowflake. The central “dot” shows that this was from a column that transitioned to plate-type growth, and the forward-facing plate gained dominance to grow branches. It was slow-growing which provides a more geometric profile, with extra complexities in the lower left – look closely and you’ll see signs of another plate running in parallel in certain areas.
But all of the science, all of the logic, have a hard time explaining beauty. Whether or not there was a master plan from God to put this snowflake in front of me or if it was just the natural chaotic physics of the universe, doesn’t really matter when we internalize our appreciation of the results. No matter what you think, this snowflake is beautiful.
That is the beauty of humanity.
P.S. if you want to comment on this image, please do so in a way that does not take sides on religion or science. We ALL have our opinions, let’s just keep this one human, okay?
Grizzly Bears Wrestling Playing Fighting! Montana Winter Snow Sony A7R4 Fine Art Grizzly Bear Wildlife Photography! Sony FE 200–600 mm F5.6–6.3 G OSS Lens with Optical SteadyShot West Yellowstone Montana Elliot McGucken Fine Art Photography A7 R4!
All my photography celebrates the physics of light! The McGucken Principle of the fourth expanding dimension: The fourth dimension is expanding at the rate of c relative to the three spatial dimensions: dx4/dt=ic .
Lao Tzu--The Tao: Nature does not hurry, yet everything is accomplished.
Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Unifying Physical Reality of the Fourth Expanding Dimensionsion dx4/dt=ic !: geni.us/Fa1Q
"Between every two pine trees there is a door leading to a new way of life." --John Muir
Epic Stoicism guides my fine art odyssey and photography: geni.us/epicstoicism
“The clearest way into the Universe is through a forest wilderness.” --John Muir
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
“The mountains are calling and I must go.” --John Muir
Epic Art & 45EPIC Gear exalting golden ratio designs for your Hero's Odyssey:
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Some of my epic books, prints, & more!
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All art is but imitation of nature.-- Seneca (Letters from a Stoic - Letter LXV: On the First Cause)
The universe itself is God and the universal outpouring of its soul. --Chrysippus (Quoted by Cicero in De Natura Deorum)
Photographs available as epic fine art luxury prints. For prints and licensing information, please send me a flickr mail or contact drelliot@gmail.com with your queries! All the best on your Epic Hero's Odyssey!
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All my photography celebrates the physics of light! The McGucken Principle of the fourth expanding dimension: The fourth dimension is expanding at the rate of c relative to the three spatial dimensions: dx4/dt=ic .
Lao Tzu--The Tao: Nature does not hurry, yet everything is accomplished.
Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Unifying Physical Reality of the Fourth Expanding Dimensionsion dx4/dt=ic !: geni.us/Fa1Q
"Between every two pine trees there is a door leading to a new way of life." --John Muir
Epic Stoicism guides my fine art odyssey and photography: geni.us/epicstoicism
“The clearest way into the Universe is through a forest wilderness.” --John Muir
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
“The mountains are calling and I must go.” --John Muir
Epic Art & 45EPIC Gear exalting golden ratio designs for your Hero's Odyssey:
Support epic fine art! 45surf ! Bitcoin: 1FMBZJeeHVMu35uegrYUfEkHfPj5pe9WNz
Exalt the goddess archetype in the fine art of photography! My Epic Book: Photographing Women Models!
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ... Epic! Beautiful Surf Fine Art Portrait Swimsuit Bikini Models!
Some of my epic books, prints, & more!
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All art is but imitation of nature.-- Seneca (Letters from a Stoic - Letter LXV: On the First Cause)
The universe itself is God and the universal outpouring of its soul. --Chrysippus (Quoted by Cicero in De Natura Deorum)
Best wishes on your Epic Odyssey!
Homer: Tell me, O muse, of that ingenious hero who traveled far and wide after he had sacked the famous town of Troy. Many cities did he visit, and many were the nations with whose manners and customs he was acquainted; moreover he suffered much by sea while trying to save his own life and bring his men safely home. . . --Homer's Odyssey, Book I
Photographs available as epic fine art luxury prints. For prints and licensing information, please send me a flickr mail or contact drelliot@gmail.com with your queries! All the best on your Epic Hero's Odyssey!
I have no idea how my camera caught these colorful lights. Obviously it's related to the lens flare. What do you think?
Have a great weekend to all Flickr friends!
Point Imperial Mount Hayden Grand Canyon National Park Thunderstorm Lightning! Arizona Monsoon Season White Clouds AZ Sculpture Fuji GFX100 Fine Art Landscape Nature Photography! Elliot McGucken Master American West Medium Format Photography dx4/dt=ic Fuji GFX 100 Fine Art!
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All my photography celebrates the physics of light! The McGucken Principle of the fourth expanding dimension: The fourth dimension is expanding at the rate of c relative to the three spatial dimensions: dx4/dt=ic .
Lao Tzu--The Tao: Nature does not hurry, yet everything is accomplished.
All art is but imitation of nature.-- Seneca (Letters from a Stoic - Letter LXV: On the First Cause)
Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Unifying Physical Reality of the Fourth Expanding Dimensionsion dx4/dt=ic !: geni.us/Fa1Q
"Between every two pine trees there is a door leading to a new way of life." --John Muir
Epic Stoicism guides my fine art odyssey and photography: geni.us/epicstoicism
“The clearest way into the Universe is through a forest wilderness.” --John Muir
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
“The mountains are calling and I must go.” --John Muir
Epic Art & 45EPIC Gear exalting golden ratio designs for your Hero's Odyssey:
Support epic fine art! 45surf ! Bitcoin: 1FMBZJeeHVMu35uegrYUfEkHfPj5pe9WNz
Exalt the goddess archetype in the fine art of photography! My Epic Book: Photographing Women Models!
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ... Epic! Beautiful Surf Fine Art Portrait Swimsuit Bikini Models!
Some of my epic books, prints, & more!
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
The universe itself is God and the universal outpouring of its soul. --Chrysippus (Quoted by Cicero in De Natura Deorum)
Photographs available as epic fine art luxury prints. For prints and licensing information, please send me a flickr mail or contact drelliot@gmail.com with your queries! All the best on your Epic Hero's Odyssey!
The 7-day old First Quarter Moon on May 21, 2018.
A single shot with the Sony a7III camera on the 130mm Astro-Physics apo refractor with a 2X Barlow for an effective focal length of 1600mm at f/12, for an exposure of 1/20 sec at ISO 100. Shot with the Electronic Front Curtain Shutter and Silent Shooting to test vibration.