View allAll Photos Tagged perishable
Your life is like the colour white.
Beautiful, perishable, and doomed to fade.
Use it and throw it away.
Somehow, I feel like there was something lost in translation.
Photo Credit: Cindy Kurman, Kurman Photography
Photos available for purchase on KurmanPhotography.com
Photo Credit: Cindy Kurman, Kurman Photography
Photos available for purchase on KurmanPhotography.com
Photo Credit: Cindy Kurman, Kurman Photography
Photos available for purchase on KurmanPhotography.com
City College staff, from all departments, joined Farmshare of America and Strike Out Hunger Food Drive in Alachua County to make a difference this holiday season. Over 800 families received an estimated 20 pounds of perishable and non-perishable food items. Great Job!!! The Team led by Gloria Ashley: Alicia Aikens, Gloria Ashley, Diane Colson, Renelle Debose, Mirvat Jamal, Ray Matura, Monica Pozo, Terra Slater.
Photo shows an emergency kit that was utilized by a man whose fishing vessel sank in Freshwater Bay, Alaska, Oct. 19, 2022. It's important that mariner's stock their emergency kits with non-expired items including a flashlight and extra batteries, fire extinguisher, radio device, flares, extra rope, water and non-perishable foods. U.S. Coast Guard courtesy photo.
While studying in Germany in 1975-76 this was about the closest thing they had to a grocery store. Generally one went to individual markets - and had to for some items like meat. It was a chain - Kupsch. The quality of the food was mediocre and they mostly carried non-perishable items. The prices were cheap - about all I could afford. The stores were small by most standards today. In square footage it was about the size of a McDonald's.
Photo Series: www.flickr.com/photos/natzpix/sets/72157631292136520/show/
Koyambedu boasts of having one of Asia's largest perishable goods market complex called the "Koyambedu Wholesale Market Complex (KWMC)". The KWMC spreads over an area of 295 acres (1.19 km2). Inaugurated in 1996, the KWMC consists of more than 1,000 wholesale shops and 2,000 retail shops. It abuts Poonamalee High Road and Nesapakkam Road and can be easily accessed from all parts of City. In Phase-I, the Wholesale Market for Perishables have been developed in an area of around 70 acres (280,000 m2) by constructing 3,194 shops. The market has two blocks for vegetable shops and one each for fruit and flower shops. In Phase-II, a textile market[1] and in Phase-III, a food grain market[2] is planned to be developed in the complex.
The market has over 100,000 visitors daily.
Photo Series: www.flickr.com/photos/natzpix/sets/72157631292136520/show/
Koyambedu boasts of having one of Asia's largest perishable goods market complex called the "Koyambedu Wholesale Market Complex (KWMC)". The KWMC spreads over an area of 295 acres (1.19 km2). Inaugurated in 1996, the KWMC consists of more than 1,000 wholesale shops and 2,000 retail shops. It abuts Poonamalee High Road and Nesapakkam Road and can be easily accessed from all parts of City. In Phase-I, the Wholesale Market for Perishables have been developed in an area of around 70 acres (280,000 m2) by constructing 3,194 shops. The market has two blocks for vegetable shops and one each for fruit and flower shops. In Phase-II, a textile market[1] and in Phase-III, a food grain market[2] is planned to be developed in the complex.
The market has over 100,000 visitors daily.
Redding has had a pretty mild winter. Then everything changed this week with massive rainstorms dumping tons of rain. I used to enjoy the sound of rain on my roof. The thought of it brought back memories of hot chocolate and marshmellows and cuddling infront of the fireplace. Not anymore. Since I've taken to exploring Redding more and more and seeing the makeshift shelters that the homeless create for themselves I realize now that rain can bring a whole new level of suffering for them. I enjoyed the rain because I have a place to go if at any time I don't want to be out in it. Not everyone is so lucky.
I'm a fan of the GNRM on facebook. Every so often they send an update and this one said they are packed with people trying to get out of the rain. I asked if there is a specific need they had and they wrote back saying non-perishable food. Food is always an issue for them and it is now more than ever because of the weather.
To the people from areas other than Redding I'd ask for your thoughts and prayers for our need. If you have time consider Psalms 9:9-10. For the people of Redding I would like you to take inventory of everything you can donate and please do so. Food. Clothing. Anything will help. I have a suspicion that a food drive is happening next week. If so I think I'll try and get a head start on it by gathering as much as I can. They always run their ads in the paper and on the radio. If you see them or hear them and can help I know they would appreciate it. The folks who they represent will appreciate it to.
Follow me :D
Descent of the Ganges is a monument at Mahabalipuram, on the Coromandel Coast of the Bay of Bengal, in the Kancheepuram district of the state of Tamil Nadu, India. Measuring 29 m × 13 m, it is a giant open-air relief carved of two monolithic rock boulders. The legend depicted in the bas-relief is the story of the descent of the sacred river Ganges to earth from the heavens led by Bhagiratha. The waters of the Ganges are believed to possess supernatural powers. The descent of the Ganges and Arjuna's Penance are portrayed in stone at the Pallava heritage site. The bas-relief is more of a canvas of Indian rock cut sculpture at its best not seen anywhere in India. It is one of the Group of Monuments at Mahabalipuram that were designated as a UNESCO World Heritage Site since 1984.
GEOGRAPHY
The Arjuna bas-relief is in the centre of Mahabalipuram, facing the sea at a short distance from the shores of the Coramandel Coast of the Bay of Bengal where the Shore Temple is situated. It is accessible from Chennai city over a 58 km paved road to its west and 32 km from Chengalpet.
HISTORY
The Mamallapuram art, as it is known among archaeologists, is a creation on the occasion of a celebration of the victory of Hinduism over Buddhism. The place, now known as Mahabalipuram, was earlier known by the epithet given to the king Narasimhavarman I (630–668 AD) of the Pallava Dynasty (who ruled from 4th to 9th centuries),) as Mamallan, the "great wrestler" or "great warrior". His father was king Mahendravarman I who converted from Jainism to Hinduism. The architectural creations at Mamallapuram, mostly attributed to Mamalla in the 7th century, adopted stone as the medium for sculpting in situ rock faces, which till then was done with some perishable material like wood or loose stones. It is part of 16 World Heritage Cultural Sites in India, and as a protected monument, the Archaeological Survey of India (ASI), Chennai Circle is entrusted with its upkeep in all aspects. The open air bas-reliefs (including the Descent of the Ganges (Mahabalipuram) are one of the four categories under which UNESCO identified the site as a World Heritage Site and inscribed it in 1984 under the title Group of Monuments at Mahabalipuram. This bas-relief in rock is reported as a "sublime" early sculpture of the 7th century; even in the subsequent dynasty of the Chola's adopted the shrine-sculpting technique in the temples they built in the late 9th century. This architectural legacy of the Pallava dynasty is continued by the descendants of sculptors of that period, who are now integrated into the present town’s culture.
LAYOUT
The unique bas-relief faces east. It was created with great skill and imagination on two large boulders of pink granite in the open air giving the whole a natural effect. The boulders measure 15 by 30 metres. Many of the figures carved are in life size. The natural cleft, a very large perpendicular fissure, is skilfully sculptured. It is in between the two boulders and is integral to the mythical narratives carved on the entire relief. A water tank was once located at the top of the rock to release water denoting the Ganges River. It cascaded over the cleft and the relief to give the impression of the Ganga descending from the head tied matts of Shiva. This scene was created during festive occasions and the presence of a brick masonry cistern at the top of the cleft to release water attests to its location at site. The bas-relief is an ensemble of over a hundred figures (146 is also mentioned) of gods, people, half-humans and animals and is best explained by an expert at site.
ARCHITECTURE
The sculptures carved in the natural fissure that divides the cliff not only depict a cosmic event of Ganges descending to earth (a popular narration and depiction in the iconography of Shiva) at the command of Shiva but also shows the event being watched by scores of gods, goddesses, mythical figurines of Kinnara, Gandharva, Apsara, Gana, Nagas, and also wild and domestic animals, all admiringly looking up at the scene. This relief is often given the hyperbole adjectives as "world renowned" and “unique artistic achievement”. The total number of carvings are probably about 146. The carvings of elephants on the open air bas-relief is almost of life size and is reported as the best animal carving in India. Another humorous scene is the carvings of monkeys copying the yogic scenes of the sages. Shiva is shown next to the Kinnaras who are depicted in large numbers in the upper portion of the bas-relief; they are anthropomorphic forms of half human half bird, a popular Indian art form in ancient times representing the Indic ethos of the world as one creation. The male Kinnara is holding a musical instrument (type unknown) while the female Kinnara is holding a cymbal. Shiva is carved in front of the river (to the right of the cleft) in a standing posture with Bhagiratha, the sage, standing on one leg offering him prayers to check the force of the Ganga as she descends to earth. Shiva is also shown with a weapon which is interpreted as Pashupati, which he gave to Arjuna. The ganas shown in the carvings represent the people who have spent their entire lives in dedication to Shiva, and are blessed with the boon to remain close to Shiva for all time to come. Carvings of the divine nagas shown swimming in the river, as Ganga descends from the heavens, are also in anthropomorphic form of a serpent and human, which has been a traditional style from ancient times in Indic art. They are believed to denote fertility and protective forces of nature. They are seen not only in the middle of the panel facing the cleft, which represents the river, but also at the top of the panel at the entry of water over the channel, marking the prevalence of naga worship in Hindu religious beliefs.
Detailing of sculptures showing the Vishni temple to the right of the cleft
It is also said that the bas-relief in one unity is the early Indic artist's concept of "sublime continuity in all living things." The elephants shown in reliefs are unique in the fact that the detailing includes the baby elephants behind the life size elephants. Another interesting depiction is of a deer scratching its nose. The elephants represent a herd moving towards the river to drink water. The male elephant carving precedes that of its female partner. Three baby elephants with the male elephant and two babies with the female elephant are also carved in the panel.
Sun, on the left and Moon on the right side are also depicted on top part of the panel. A kim-purusha, meaning dwarf with elongated ears and wearing a cap on his head and beating a drum is also seen in the panel.
In the upper part of the panel, Himalayas are shown which corroborates the theory of the panel representing the descent of the Ganges. Wild lions are also shown with large mane and also rams which are interpreted as representing the Himalayan habitat. On the left side of the upper panel, carvings of divinities and celestial couples moving towards the river are seen. A few animals, lions and monkeys are also carved in this part. Two pairs of kinnaras and three pairs of celestial couples are shown flying in the air approaching the river (cleft). Hunters and hunting scenes are part of this part of the panel; a hunter with a bow, two hunters hiding under trees to hunt, a lion about to attack two hunters are some of the parts of forest scenes carved on the panel. Another scene below is of few monkeys, and carving of a lion in his den with few deer in front of it. Carvings of hunters carrying a pitcher and another carrying the hunted animals are also seen.
Another prominent scene is that of a temple to the right of the cleft at the lower end of the panel. This temple is simple and small and has Vishnu as the deity carved within it. The temple roof is patterned on the style of Draupadi Ratha with a square curvilinear dome type of tower. However, the top is flat and is fitted with a stupi, with a kudu in the centre. Corners are decorated with flower designs. The cornices are also seen with kudus carved with human faces inside. In the floor above the cornice, lion motifs are carved. A square supports the domed roof. A sage is seen sitting in front of the temple giving sermons to his students. In the seat below this scene, a lion in his den and below this a pair of deer are carved. A tortoise is shown next to the temple indicative of water in the near vicinity.
INTERPRETATIONS
In one interpretation, a figure in the bas-relief, who is standing on one leg, is said to be Arjuna performing an austerity Tapas to receive a boon from Shiva as an aid in fighting the Mahabharata war. The story of the penance is narrated in the epic Mahabharata under the subtitle the Kiratarjuniya. The boon, which Arjuna is said to have received, was called Pasupata, Shiva's most powerful weapon. According to the myth narrated on this event, asuras (demons) sent a boar to kill Arjuna. Then Shiva appeared on the scene to protect Arjuna assuming the form of kirata (hunter). Both Arjuna and Shiva shot arrows at the boar and the boar was killed; both claimed credit for killing it and a fight ensued between the two in which Shiva won. He then revealed his true self to Arjuna and blessed him and gave him the weapon for which Arjuna is shown performing the penance.
The bas-relief is carved on two large boulders with a cleft. Above the cleft was a collecting pool, and at one time, water may have flowed along the cleft. Figures in the cleft in the rock are covered with nagas (serpent deities), in anjali posture. The river is said to represent Ganga or the River Ganges emerging from Shiva's head. This provides the basis for an alternative interpretation of the mural. Rather than Arjuna, the figure performing austerities is said to be Bhagiratha. Bhagiratha is said to have performed austerities so that Ganga might descend to earth and wash over the ashes of his relatives, releasing them from their sins. To break Ganga's fall from heaven to earth, she falls onto Shiva's hair, and is divided into many streams by his tresses; this miraculous event is shown in the form of sculptures on the boulders being watched by the animals and human beings.
Another interpretation for the yogi doing penance on one leg is that it is a depiction of Bhagiratha doing severe penance to bring down Ganges to earth to usher prosperity and happiness to the people. The nagas carved in the cleft represent fecundity and wealth. Shiva and other gods are shown blessing the saint. The scene is further accentuated with carvings of kings, sages, artists and animals.
One more interpretation of the myth seen in another part of the panel is that of a cat standing on one leg (apparently as an austerity), and perhaps an iconic figure in the bas-relief. It is interpreted as relating to the Panchatantra story of an ascetic. It denotes the hare luring a bird to come close so that she could she catch and devour it. The artist has brought out the expression on cat’s face, its motives clearly.
WIKIPEDIA
Canucks Mascot Fin (Santa) poses with Best Buy Canada employees, who are collecting non-perishable food items for the Greater Vancouver Food Bank Society www.foodbank.bc.ca/main/
SYBIC 26116 waits time at Montauban with the daily 16:32 Perpignan FR to Paris Rungis perishables service (50040). This train with its distinctive white vans takes fresh fruit & veg to Paris each day and is a regular sight in the south. On 9th June 2012 it was running over an hour late.
Descent of the Ganges is a monument at Mahabalipuram, on the Coromandel Coast of the Bay of Bengal, in the Kancheepuram district of the state of Tamil Nadu, India. Measuring 29 m × 13 m, it is a giant open-air relief carved of two monolithic rock boulders. The legend depicted in the bas-relief is the story of the descent of the sacred river Ganges to earth from the heavens led by Bhagiratha. The waters of the Ganges are believed to possess supernatural powers. The descent of the Ganges and Arjuna's Penance are portrayed in stone at the Pallava heritage site. The bas-relief is more of a canvas of Indian rock cut sculpture at its best not seen anywhere in India. It is one of the Group of Monuments at Mahabalipuram that were designated as a UNESCO World Heritage Site since 1984.
GEOGRAPHY
The Arjuna bas-relief is in the centre of Mahabalipuram, facing the sea at a short distance from the shores of the Coramandel Coast of the Bay of Bengal where the Shore Temple is situated. It is accessible from Chennai city over a 58 km paved road to its west and 32 km from Chengalpet.
HISTORY
The Mamallapuram art, as it is known among archaeologists, is a creation on the occasion of a celebration of the victory of Hinduism over Buddhism. The place, now known as Mahabalipuram, was earlier known by the epithet given to the king Narasimhavarman I (630–668 AD) of the Pallava Dynasty (who ruled from 4th to 9th centuries),) as Mamallan, the "great wrestler" or "great warrior". His father was king Mahendravarman I who converted from Jainism to Hinduism. The architectural creations at Mamallapuram, mostly attributed to Mamalla in the 7th century, adopted stone as the medium for sculpting in situ rock faces, which till then was done with some perishable material like wood or loose stones. It is part of 16 World Heritage Cultural Sites in India, and as a protected monument, the Archaeological Survey of India (ASI), Chennai Circle is entrusted with its upkeep in all aspects. The open air bas-reliefs (including the Descent of the Ganges (Mahabalipuram) are one of the four categories under which UNESCO identified the site as a World Heritage Site and inscribed it in 1984 under the title Group of Monuments at Mahabalipuram. This bas-relief in rock is reported as a "sublime" early sculpture of the 7th century; even in the subsequent dynasty of the Chola's adopted the shrine-sculpting technique in the temples they built in the late 9th century. This architectural legacy of the Pallava dynasty is continued by the descendants of sculptors of that period, who are now integrated into the present town’s culture.
LAYOUT
The unique bas-relief faces east. It was created with great skill and imagination on two large boulders of pink granite in the open air giving the whole a natural effect. The boulders measure 15 by 30 metres. Many of the figures carved are in life size. The natural cleft, a very large perpendicular fissure, is skilfully sculptured. It is in between the two boulders and is integral to the mythical narratives carved on the entire relief. A water tank was once located at the top of the rock to release water denoting the Ganges River. It cascaded over the cleft and the relief to give the impression of the Ganga descending from the head tied matts of Shiva. This scene was created during festive occasions and the presence of a brick masonry cistern at the top of the cleft to release water attests to its location at site. The bas-relief is an ensemble of over a hundred figures (146 is also mentioned) of gods, people, half-humans and animals and is best explained by an expert at site.
ARCHITECTURE
The sculptures carved in the natural fissure that divides the cliff not only depict a cosmic event of Ganges descending to earth (a popular narration and depiction in the iconography of Shiva) at the command of Shiva but also shows the event being watched by scores of gods, goddesses, mythical figurines of Kinnara, Gandharva, Apsara, Gana, Nagas, and also wild and domestic animals, all admiringly looking up at the scene. This relief is often given the hyperbole adjectives as "world renowned" and “unique artistic achievement”. The total number of carvings are probably about 146. The carvings of elephants on the open air bas-relief is almost of life size and is reported as the best animal carving in India. Another humorous scene is the carvings of monkeys copying the yogic scenes of the sages. Shiva is shown next to the Kinnaras who are depicted in large numbers in the upper portion of the bas-relief; they are anthropomorphic forms of half human half bird, a popular Indian art form in ancient times representing the Indic ethos of the world as one creation. The male Kinnara is holding a musical instrument (type unknown) while the female Kinnara is holding a cymbal. Shiva is carved in front of the river (to the right of the cleft) in a standing posture with Bhagiratha, the sage, standing on one leg offering him prayers to check the force of the Ganga as she descends to earth. Shiva is also shown with a weapon which is interpreted as Pashupati, which he gave to Arjuna. The ganas shown in the carvings represent the people who have spent their entire lives in dedication to Shiva, and are blessed with the boon to remain close to Shiva for all time to come. Carvings of the divine nagas shown swimming in the river, as Ganga descends from the heavens, are also in anthropomorphic form of a serpent and human, which has been a traditional style from ancient times in Indic art. They are believed to denote fertility and protective forces of nature. They are seen not only in the middle of the panel facing the cleft, which represents the river, but also at the top of the panel at the entry of water over the channel, marking the prevalence of naga worship in Hindu religious beliefs.
Detailing of sculptures showing the Vishni temple to the right of the cleft
It is also said that the bas-relief in one unity is the early Indic artist's concept of "sublime continuity in all living things." The elephants shown in reliefs are unique in the fact that the detailing includes the baby elephants behind the life size elephants. Another interesting depiction is of a deer scratching its nose. The elephants represent a herd moving towards the river to drink water. The male elephant carving precedes that of its female partner. Three baby elephants with the male elephant and two babies with the female elephant are also carved in the panel.
Sun, on the left and Moon on the right side are also depicted on top part of the panel. A kim-purusha, meaning dwarf with elongated ears and wearing a cap on his head and beating a drum is also seen in the panel.
In the upper part of the panel, Himalayas are shown which corroborates the theory of the panel representing the descent of the Ganges. Wild lions are also shown with large mane and also rams which are interpreted as representing the Himalayan habitat. On the left side of the upper panel, carvings of divinities and celestial couples moving towards the river are seen. A few animals, lions and monkeys are also carved in this part. Two pairs of kinnaras and three pairs of celestial couples are shown flying in the air approaching the river (cleft). Hunters and hunting scenes are part of this part of the panel; a hunter with a bow, two hunters hiding under trees to hunt, a lion about to attack two hunters are some of the parts of forest scenes carved on the panel. Another scene below is of few monkeys, and carving of a lion in his den with few deer in front of it. Carvings of hunters carrying a pitcher and another carrying the hunted animals are also seen.
Another prominent scene is that of a temple to the right of the cleft at the lower end of the panel. This temple is simple and small and has Vishnu as the deity carved within it. The temple roof is patterned on the style of Draupadi Ratha with a square curvilinear dome type of tower. However, the top is flat and is fitted with a stupi, with a kudu in the centre. Corners are decorated with flower designs. The cornices are also seen with kudus carved with human faces inside. In the floor above the cornice, lion motifs are carved. A square supports the domed roof. A sage is seen sitting in front of the temple giving sermons to his students. In the seat below this scene, a lion in his den and below this a pair of deer are carved. A tortoise is shown next to the temple indicative of water in the near vicinity.
INTERPRETATIONS
In one interpretation, a figure in the bas-relief, who is standing on one leg, is said to be Arjuna performing an austerity Tapas to receive a boon from Shiva as an aid in fighting the Mahabharata war. The story of the penance is narrated in the epic Mahabharata under the subtitle the Kiratarjuniya. The boon, which Arjuna is said to have received, was called Pasupata, Shiva's most powerful weapon. According to the myth narrated on this event, asuras (demons) sent a boar to kill Arjuna. Then Shiva appeared on the scene to protect Arjuna assuming the form of kirata (hunter). Both Arjuna and Shiva shot arrows at the boar and the boar was killed; both claimed credit for killing it and a fight ensued between the two in which Shiva won. He then revealed his true self to Arjuna and blessed him and gave him the weapon for which Arjuna is shown performing the penance.
The bas-relief is carved on two large boulders with a cleft. Above the cleft was a collecting pool, and at one time, water may have flowed along the cleft. Figures in the cleft in the rock are covered with nagas (serpent deities), in anjali posture. The river is said to represent Ganga or the River Ganges emerging from Shiva's head. This provides the basis for an alternative interpretation of the mural. Rather than Arjuna, the figure performing austerities is said to be Bhagiratha. Bhagiratha is said to have performed austerities so that Ganga might descend to earth and wash over the ashes of his relatives, releasing them from their sins. To break Ganga's fall from heaven to earth, she falls onto Shiva's hair, and is divided into many streams by his tresses; this miraculous event is shown in the form of sculptures on the boulders being watched by the animals and human beings.
Another interpretation for the yogi doing penance on one leg is that it is a depiction of Bhagiratha doing severe penance to bring down Ganges to earth to usher prosperity and happiness to the people. The nagas carved in the cleft represent fecundity and wealth. Shiva and other gods are shown blessing the saint. The scene is further accentuated with carvings of kings, sages, artists and animals.
One more interpretation of the myth seen in another part of the panel is that of a cat standing on one leg (apparently as an austerity), and perhaps an iconic figure in the bas-relief. It is interpreted as relating to the Panchatantra story of an ascetic. It denotes the hare luring a bird to come close so that she could she catch and devour it. The artist has brought out the expression on cat’s face, its motives clearly.
WIKIPEDIA
Photo Credit: Cindy Kurman, Kurman Photography
Photos available for purchase on KurmanPhotography.com
Photo Credit: Cindy Kurman, Kurman Photography
Photos available for purchase on KurmanPhotography.com
Photo Credit: Cindy Kurman, Kurman Photography
Photos available for purchase on KurmanPhotography.com
Photo Credit: Cindy Kurman, Kurman Photography
Photos available for purchase on KurmanPhotography.com
During the entire month of January, the students at Utica Academy of Science Charter School dropped off non-perishable food items to their homeroom teachers. This was in an effort to donate multiple food items to a local food pantry. UAS Helping Hands club, our staff, and students collaborated to donate items as well as make a friendly competition out of it. Prizes were awarded to the grade levels who reached certain amounts of food. In first place was 6th grade, second place was 8th grade, and third place was 9th grade. At the end of January, students donated a combined total of 1,255 food items for this cause.
On March 27th, the whole 6th grade and their teachers collected the food items in front of our Mission Statement and took a group photo. Afterwards, the 6th grade students loaded up the school van with all the food items, which were to be dropped off to a local food party. Mr. Yavuz, Ms. Orioli and three of the students who donated the most items went to the Thea Bowman House in Utica to drop off all 1,255 items. These three students included Aaron Woodman (8th grade), Suror Al Awsaj (8th grade), and Felix Batista (6th grade). The students, Mr. Yavuz, and Ms. Orioli unloaded the van and brought all items to the food pantry located inside the Thea Bowman House. There, we took a tour of the Food Pantry and were informed of its purpose and how it operates. Once we left, we headed to Dunkin Donuts for a snack as a reward for the hard work.
Students, staff, and faculty spent time thinking about the community on Wednesday, donating non-perishable food items to Food Net Acadiana.
i forgot what day i was on. i didn't really feel like editing pictures for the past few days so here's some image vomit from yours truly
((this was taken after the perishables were devoured, thank you))
Photo Credit: Cindy Kurman, Kurman Photography
Photos available for purchase on KurmanPhotography.com
Photo Credit: Cindy Kurman, Kurman Photography
Photos available for purchase on KurmanPhotography.com
The Food Bank encouraged campers to donate surplus non-perishable food to be donated to those less fortunate.
See the rest of our WOMAD 2011 photos at
Photo Credit: Cindy Kurman, Kurman Photography
Photos available for purchase on KurmanPhotography.com
We spend over $450 for beer, water, soda, food, snacks, and kitchen expendables. Fortunately, the two gas refrigerators were large and held all of our perishables plus the worms and leeches.
Canucks Mascot Fin (Santa) poses with Best Buy Canada employees, who are collecting non-perishable food items for the Greater Vancouver Food Bank Society www.foodbank.bc.ca/main/
Students, staff, and faculty spent time thinking about the community on Wednesday, donating non-perishable food items to Food Net Acadiana.
2013-06 trying to solve the problem of perishable plant tags exposed to heavy sunlight in the fence...
Impress-o-tags. Identification marking aluminum tags, 8.5 x 2.5 cm.
KITCHENER, Ont. (15/10/2016) - 4 zombie ladies, Tara Reid, Victoria, Litchschgy, 12, Addy Adair, 13, and Joselyn Reid, 13, walk the streets of Kitchener during the 8th Annual Zombie Walk Saturday afternoon. The Kitchener Zombie Walk started at the Kitchener Public Library and made it's way around downtown Kitchener. Participants donate a non-perishable food item in exchange for getting involved with the walk. Photo by Alicia Wynter
An Army Reserve Palletized Load System truck from the 196th Transportation Company, Orlando, Fla., rolls into the Opa-locka airport on Monday, Jan. 25, 2010 in support of Operation Unified Response. The supplies included bottled water, non-perishable food and other comfort items for Haiti earthquake relief. (Timothy L. Hale/Army Reserve Public Affairs)
“New York was no mere city. It was instead an infinitely, romantic notion, the mysterious nexus of all love and money, and power, the shining and perishable dream itself” ~ Joan Didion
“ The camera doesn’t make a bit of difference. All of them can record what you are seeing. But you have to SEE.” ~ Ernst Haas
Manila, Philippines – The All in One Logistics Network (AiO) just celebrated their inaugural Annual General Meeting (AGM) in the Philippines. As this was a special occasion, both members and non-members were invited to attend. Although there were no attendees physically on site from the Americas, the attendees from Europe, Africa, Asia and Australia were very well represented.
The meeting began on the eve of September 13th at the Makati Shangri-La with a cocktail party to register and welcome everybody. The cocktail party also acted as an ice-breaker of sorts, allowing everyone to mingle at their own pace while making that all important first impression. Everyone was smiling, laughing and, perhaps most importantly, just plain having a good time together.
On the morning of September 14th, The real AGM began. After a quick registration, it was time to move onto the presentations portion of the AGM.
Presenters were:
•Gary Dale Cearley, Managing Director, Advanced International Networks Ltd (AIN) / Executive Director, All-in-One Logistics Network (AiO)
•Dominic Harrington, Managing Director, D&S Harrington (Australia)
•Ahsanullah Momen, CEO, Ease Logistics (Bangladesh)
•Tom K. De Vera, General Manager, EMCS (Philippines) - Presented a video on the Philippines
After a break for lunch, the attendees went straight into their one-to-one meetings which were, at a distance, quite lively. Even the people who had an open block, soon grew restless and sought out other companies to share details. The 30 minute blocks of time flew by until it was time to break and prepare for the evening’s banquet which was also held at the Makati Shangri-La.
The final day of the AiO AGM took place on September 15th and, aside from a lunch break, entailed a rigorous gauntlet of one-to-one meetings. The attendees never tired, being fuelled by coffee and snacks, made the most of each minute. The success of an AGM comes chiefly from the efforts and enthusiasm of the attendees. Judging from the cooperation of all involved, this inaugural AiO AGM was hands down and without a doubt a big success.
"In all the years that I have been in the international logistics networking business this was far and away the best network launching AGM I have had the pleasure to be a part of," said Gary Dale Cearley, Executive Director of the All-in-One Logistics Network. "Everything came together. I was proud of the quality of membership and how they took to making business with one another. It is a clear sign of being on the right path."
“I couldn’t be more pleased with this event, my colleagues, and the attendees,” added Trevis J. Cunningham AIN Events Coordinator, “I think we hit the sweet spot by not having too few or too many attendees. We not only earned new business opportunities, but more importantly gained new lifelong friends.”
Red Wolf Global, (Philippines and Thailand), was the event's Admiral sponsor. World Line Logistics (India), was a signage sponsor. Corporate sponsors were Volga-Dnepr Group and Wisetech Global. The dates and location of the 2016 AiO AGM will be announced in the near future.
Urban Camo Ski Mask Project
These artworks are build from pieces of paper sourced mostly from the streets of Amsterdam. These bits and pieces are mixed up with torn screenprints, magazines and comicbooks. They are glued in the shape of a ski mask forming an urban camouflage pattern. The eyes and mouthpieces are made of laser-etched and or laser-cut photo’s, comics and logo’s.
Ski masks to me are a symbol of the current struggles around the globe. The news is dominated by men wearing ski masks whether it be terrorists or the special forces battling them.
Pattern: 98-47 Shrug in “Eskimo” by DROPS design
Yarn: Sulka in shade 206 by Mirasol Peru, 4-5 skeins
and
A Terdle Button by Perishables.
Coast Guard Station Marblehead, Ohio, opened its doors to roughly 200 visitors who toured the âhauntedâ facility Oct. 28 and 29, 2016. The event was free but guests were asked to bring non-perishable food items to be given to local food banks, and they delivered; more than 270 items were collected. (U.S. Coast Guard photo by Chief Petty Officer Lauren Jorgensen)
This traditional Scandinavian building was designed to store perishables before the advent of refrigeration. Aren't you glad you don't have to mow your roof?
This is where the non-perishable goods live sometimes.
And sometimes they can also live on the fireplace mantle or in our bedroom. Depending on the feng shui of the hour.
Photo Credit: Cindy Kurman, Kurman Photography
Photos available for purchase on KurmanPhotography.com
-Story and photo by Jen Rovanpera, Archaeologist for the BLM Applegate Field Office
The BLM Applegate Field Office just completed stabilizing and preserving a 1930s root cellar on the historic Bitner Ranch located in Washoe County, Nevada. The root cellar was built in the 1930s to store food and other perishables. It consists of a large cavity (cellar) built into the side of a hill just east of the ranch house. Juniper poles were laid across the top of the cavity, the covered with hay from the nearby meadow. Dirt was then piled onto the roof into order to insulate it further. A small wooden structure with steps leads down into the cellar. Once inside, the maximum height of the cellar is about 6 feet. Shelving units were built along three of the walls.
Little is known about the beginnings of Bitner Ranch. A structure in Badger Meadows appears on a survey map as early as 1873/1874; however the land was not patented from the state of Nevada until 1900. Based on the style of barbed wire, some of the older corrals and fences were probably built sometime between 1874 and 1892. The ranch hosts a ranch house, a black smith shop with a bunk house for workers, a milk barn, a root cellar, an outhouse, corrals, and a small animal pen. Most of the remaining structures on the property were built in the 1920s, except for the root cellar which was built in the 1930s and the milk barn which might be one of the oldest standing structures on the ranch.
The Bureau of Land Management acquired the Bitner Ranch in 1995. Bitner Ranch is an excellent example of a high desert, homestead era ranch and one of the few remaining ranches to be managed by the Bureau of Land Management in northwestern Nevada. The goal is to preserve the historic ranch, continue research, and establish an interpretive center about the history and wildlife of the meadow.
The preservation project included removing the dirt that had caved into the cellar through the collapsed roof, stabilizing the wooden structure, and rebuilding the steps into the cellar. The project was completed in two weeks by Jed Mauldin, Dane Mauldin, and Kody Smith of S.T. Rhoades Construction, Inc.
Pictured here, Stubs, the contractor's dog and adorable morale booster throughout the project.
Students, staff, and faculty spent time thinking about the community on Wednesday, donating non-perishable food items to Food Net Acadiana.
Created with fd's Flickr Toys.
1. Ohhh... I`m out of names, no really... don`t know it anymore. :), 2. Circular, 3. Behind, 4. The perishableness of beauty, 5. Fish traps for eel 2, 6. Purity,
7. The vanity of beauty, 8. Lady, 9. Mirror, 10. The weakness of beauty, 11. Life, 12. Sweet,
13. The tears of beauty, 14. Lazy sunday, 15. The soul of beauty, 16. Happy Easter but..., 17. ...don`t eat too much eggs :), 18. The portal to beauty,
19. Longing, 20. Caress, 21. Marco, 22. Earth, 23. Father-in-law admiring the art of his brother, 24. Blue paper, brown crystal, white chrysanths,
25. Fair, 26. Glass 2, 27. Mam en pap 1949, 28. Prom, 29. Reader, 30. Noon,
31. I`am searching for my spring-bone, 32. Lightly, 33. Game of light, 34. Dusk, 35. Architecture and shelter 18, 36. Magic donkey`s choice :)