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Liza Wade Green's HILL HOUSE MINE is a dance/theatre work created specifically for the midcentury modern home that hosts Summercamp’s ProjectProject. Part haunted house, part live installation, HILL HOUSE MINE takes the audience on a journey through five rooms and the backyard of the residence and explores a world where the fantasies of childhood become truth and the realities of loss are buried. The story follows a family coping with two tragic deaths. As the audience travels through the house they meet different family members and piece together a puzzle of death, dance, memory, and time.
The site-specific work is written and choreographed by Brooklyn-based theatre artist Liza Wade Green in collaboration with six performers from New York and Los Angeles. The performers use movement and text to bring the characters to life as they connect to the house’s architectural details. Hidden passageways, plastic-covered furniture, an expansive sloping yard, and a claw foot tub all add to the eerie backdrop for this interactive experience. Brick and mortar give way to the home’s memories and dreams, while the performers awaken its ghosts and rumors – all giving voice to a family in transition.
Summercamp's ProjectProject presents Friday Night Lights & Sunday Afternoons- evening of three performances and a daytime outdoor group exhibition of artists who work within the realms of exploring the unknown. Both events will feature a performance by Liza Wade Green, written during her Fall 2010 Residency at Summercamp.
Hours by appointment. Please contact summercampprojectproject@gmail.com
summercampprojectproject.blogspot.com
Jean Marie Casbarian RAPID PULSE INTERNATIONAL PERFORMANCE ART FESTIVAL with Sami Ari in the electrodes at DEFIBRILLATOR June 1, 2012 CHICAGO photo by Liz Wasserman
Photo by Ash Tanasiychuk VANDOCUMENT.
"laro na tayo - let's play" is a series of art performances by Paul de Guzman. The performances occurred over the summer of 2022 throughout a variety of locations across Vancouver, BC, Canada.
People in the public are encouraged to play the traditional Filipino game with the artist.
On July 23, 2022, the location was outside a home in the Strathcona neighbourhood of Vancouver on a very hot summer day.
Photo by Ash Tanasiychuk VANDOCUMENT.
"laro na tayo - let's play" is a series of art performances by Paul de Guzman. The performances occurred over the summer of 2022 throughout a variety of locations across Vancouver, BC, Canada.
People in the public are encouraged to play the traditional Filipino game with the artist.
On July 23, 2022, the location was outside a home in the Strathcona neighbourhood of Vancouver on a very hot summer day.
Georgina Starr's exhibition I,CAVE at mima (Middlesbrough Institute of Modern Art) opened 9 April 2015. The exhibition runs until 28 May 2015.
To see the audio slideshow of the 'I,CAVE' Opening Ceremony : vimeo.com/126114374
Consciousness Alert at Montag Modus featured performances and participatory experiments by Isabel Lewis, Julian Weber, Jasna Vinovrški, Christina Ciupke, Ábris Gryllus, Márton Emil Tóth and Tamara Zsófia Vadas.
Montag Modus is a bi-monthly series designed to facilitate the fusion of different artistic genres with a focus on performance art.
Curated by Lena Szirmay-Kalos
Censor-tive Information has been developed specifically for Act Art 8 and is a conceptual live art piece that takes place over the course of the evening. Starting with a large blank sheet of paper hung on a wall, I will write in paint various descriptions of incidents in my life where I have been the subject of homophobic abuse. When the text is finished, passers-by will be asked to act as censors and paint out the single most offensive word in the story in thick red paint, effectively changing the meaning of the text and blotting out the parts of history that they do not wish to see. When the red paint dries, a word of the opposite meaning to the one it replaced will be painted over the top of it, transforming it into a new biography: a censored version of my own life.
WATER COLOR AND COTTON STRINGS ON CANVAS/ 86x109CM/ KO BULOH (THAILAND 2008)...Info price: matlakas@yahoo.com
Womenhouse Performance art activation night April 16, 2014 Group exhibition Work More #6 (March 28–April 24) situates San Francisco’s avant-garde and traditional drag practices within a gallery space, re-contextualizing the artistry, aesthetics and forms that are ever-present and continually evolving in San Francisco’s nightlife venues.
Recently museums have taken a renewed interest in curating performance in their galleries. Not since the 1960′s, when the genre of performance art was being forged as a way of addressing issues of the body and the commodification of art objects, has there ever been so much live art in major museums. As drag and other queer performance practices enter the gallery, what might be gained or lost in this transaction? Will the frame of the museum legitimize the form as art, or is the institution simply commodifying queer culture?
Womenhouse activates through a series of performances a new, collaborative work that draws inspiration from feminist artists and collectives from the 1970’s and other historically rich moments. The group draws special attention and inspiration from the exclusively female class and proceeding art exhibit known as “Womanhouse” organized by Judy Chicago and Miriam Schapiro in 1972. In an art world fixated on failure, genius, and unpaid interns, queens are the closest thing to the ongoing tradition of a feminist collective. Performances that evening by members of Womenhouse include Dam Dyke, Mutha Chucka, Sue Casa, Sugah Betes, Fauxnique, Mona G. Hawd and envisioned/organized by Lydia Brunch (Kolmel WithLove).
photo by Jess Young
Liza Wade Green's HILL HOUSE MINE is a dance/theatre work created specifically for the midcentury modern home that hosts Summercamp’s ProjectProject. Part haunted house, part live installation, HILL HOUSE MINE takes the audience on a journey through five rooms and the backyard of the residence and explores a world where the fantasies of childhood become truth and the realities of loss are buried. The story follows a family coping with two tragic deaths. As the audience travels through the house they meet different family members and piece together a puzzle of death, dance, memory, and time.
The site-specific work is written and choreographed by Brooklyn-based theatre artist Liza Wade Green in collaboration with six performers from New York and Los Angeles. The performers use movement and text to bring the characters to life as they connect to the house’s architectural details. Hidden passageways, plastic-covered furniture, an expansive sloping yard, and a claw foot tub all add to the eerie backdrop for this interactive experience. Brick and mortar give way to the home’s memories and dreams, while the performers awaken its ghosts and rumors – all giving voice to a family in transition.
Summercamp's ProjectProject presents Friday Night Lights & Sunday Afternoons- evening of three performances and a daytime outdoor group exhibition of artists who work within the realms of exploring the unknown. Both events will feature a performance by Liza Wade Green, written during her Fall 2010 Residency at Summercamp.
Hours by appointment. Please contact summercampprojectproject@gmail.com
summercampprojectproject.blogspot.com
From Dohee Lee's performance of MAGO, Nov 14 & 15, 2014.
A performance installation of dance, music, animation, and ritual that takes you on a mythical journey woven through the Third Street Courtyard, Grand Lobby, and YBCA Forum spaces — where continents, seas, internal landscapes, ancestral legacies, and a woman's earthly journey intertwine.
Mago, the creator goddess in ancient Korean mythology, is central to the practice of Korean shamanism. The legend of Mago, on which this piece is based, is both a cleansing/purging ritual and an intensely personal journey of birth, self-discovery, confrontation, action, and re-birth.
MAGO blends traditional Korean arts and shamanism in a modern context. Through her intensive practice and application of ritual, Lee embodies content that is at once ancient and spiritual, and pushing the boundaries of modern performance. MAGO also references the current political/environmental crisis in Lee's hometown of Jeju Island as a universal symbol of the trans-generational trauma that underlies our collective family and home history.
The piece also pays homage to the memory of ocean divers (Haenyo: “sea women”). The free-diving haenyo plunge to depths of twenty meters to harvest seafood and provide sustenance for their families. The tradition lives on today but is threatened by the construction of an U.S. naval base on sacred land. Ocean symbolism is threaded throughout the piece as the ocean is the dwelling place of Mago, and is omnipresent in the lives of the residents of Jeju Island, Korea.
Event photography by Tommy Lau, tommylau.net/
The U.S. Mission to South Africa, as part of its support for South Africa’s fight against gender-based violence, is hosting American actor, musician, poet and social activist Antonio Lyons for a nation-wide series of workshops and performances of his one-man play about countering gender-based violence, entitled We Are Here, in Pretoria, Johannesburg, Mahikeng, and Cape Town June 25 - July 7, 2017.
Photo by Ash Tanasiychuk VANDOCUMENT.
"laro na tayo - let's play" is a series of art performances by Paul de Guzman. The performances occurred over the summer of 2022 throughout a variety of locations across Vancouver, BC, Canada.
People in the public are encouraged to play the traditional Filipino game with the artist.
On July 23, 2022, the location was outside a home in the Strathcona neighbourhood of Vancouver on a very hot summer day.
Fourth Test, Tell me about it: re-remix wrap (transformer in recall, seeking supporting recall), from I'm A Wee Bit Stumped by Mark Harvey
Liza Wade Green's HILL HOUSE MINE is a dance/theatre work created specifically for the midcentury modern home that hosts Summercamp’s ProjectProject. Part haunted house, part live installation, HILL HOUSE MINE takes the audience on a journey through five rooms and the backyard of the residence and explores a world where the fantasies of childhood become truth and the realities of loss are buried. The story follows a family coping with two tragic deaths. As the audience travels through the house they meet different family members and piece together a puzzle of death, dance, memory, and time.
The site-specific work is written and choreographed by Brooklyn-based theatre artist Liza Wade Green in collaboration with six performers from New York and Los Angeles. The performers use movement and text to bring the characters to life as they connect to the house’s architectural details. Hidden passageways, plastic-covered furniture, an expansive sloping yard, and a claw foot tub all add to the eerie backdrop for this interactive experience. Brick and mortar give way to the home’s memories and dreams, while the performers awaken its ghosts and rumors – all giving voice to a family in transition.
Summercamp's ProjectProject presents Friday Night Lights & Sunday Afternoons- evening of three performances and a daytime outdoor group exhibition of artists who work within the realms of exploring the unknown. Both events will feature a performance by Liza Wade Green, written during her Fall 2010 Residency at Summercamp.
Hours by appointment. Please contact summercampprojectproject@gmail.com
summercampprojectproject.blogspot.com
The U.S. Mission to South Africa, as part of its support for South Africa’s fight against gender-based violence, is hosting American actor, musician, poet and social activist Antonio Lyons for a nation-wide series of workshops and performances of his one-man play about countering gender-based violence, entitled We Are Here, in Pretoria, Johannesburg, Mahikeng, and Cape Town June 25 - July 7, 2017.
The play is followed by a workshop to allow audiences to discuss attitudes, perceptions and social structures around men and boys, and gender-based violence.
Hot off the heels of controversy, CARLA ROSSI: ONE NIGHT ONLY presents our titular goddess as she tries to win back her popularity, welcoming the public into her home for a very special live broadcast of TV's HOARDERS. But Carla isn't the only one at home, and some loose threads are about to unravel...
Produced, written, and directed by Anthony Hudson, who also stars as the infamous drag clown, CARLA ROSSI: ONE NIGHT ONLY has been created over a semester as Anthony's final thesis project at PNCA.
Photo by Gia Goodrich
The U.S. Mission to South Africa, as part of its support for South Africa’s fight against gender-based violence, is hosting American actor, musician, poet and social activist Antonio Lyons for a nation-wide series of workshops and performances of his one-man play about countering gender-based violence, entitled We Are Here, in Pretoria, Johannesburg, Mahikeng, and Cape Town June 25 - July 7, 2017.
The play is followed by a workshop to allow audiences to discuss attitudes, perceptions and social structures around men and boys, and gender-based violence.
Título da performance: "Burn Burn"
Autor: T. Angel
Performer: T. Angel
Foto: Guilherme Pinheiro
Ano: 2010
tang3l.blogspot.com/2011/04/burn-burn.html
This was a performance I couldn't quite understand. It began with soldering irons and a column of flourescent tubes... ended with very loud DJ sounds. Fun to watch.
Áine Stapleton & Richard Pepple in MEDEA/MEDEA rehearsals [Image © Bill Knight www.knightsight.co.uk]
Liza Wade Green's HILL HOUSE MINE is a dance/theatre work created specifically for the midcentury modern home that hosts Summercamp’s ProjectProject. Part haunted house, part live installation, HILL HOUSE MINE takes the audience on a journey through five rooms and the backyard of the residence and explores a world where the fantasies of childhood become truth and the realities of loss are buried. The story follows a family coping with two tragic deaths. As the audience travels through the house they meet different family members and piece together a puzzle of death, dance, memory, and time.
The site-specific work is written and choreographed by Brooklyn-based theatre artist Liza Wade Green in collaboration with six performers from New York and Los Angeles. The performers use movement and text to bring the characters to life as they connect to the house’s architectural details. Hidden passageways, plastic-covered furniture, an expansive sloping yard, and a claw foot tub all add to the eerie backdrop for this interactive experience. Brick and mortar give way to the home’s memories and dreams, while the performers awaken its ghosts and rumors – all giving voice to a family in transition.
Summercamp's ProjectProject presents Friday Night Lights & Sunday Afternoons- evening of three performances and a daytime outdoor group exhibition of artists who work within the realms of exploring the unknown. Both events will feature a performance by Liza Wade Green, written during her Fall 2010 Residency at Summercamp.
Hours by appointment. Please contact summercampprojectproject@gmail.com
summercampprojectproject.blogspot.com
Photo by Ash Tanasiychuk VANDOCUMENT.
"laro na tayo - let's play" is a series of art performances by Paul de Guzman. The performances occurred over the summer of 2022 throughout a variety of locations across Vancouver, BC, Canada.
People in the public are encouraged to play the traditional Filipino game with the artist.
On July 23, 2022, the location was outside a home in the Strathcona neighbourhood of Vancouver on a very hot summer day.