View allAll Photos Tagged performanceart

Fire Garden

 

Credit for text: vistitlondon.com

 

"A crackling, spitting, after-dark adventure

 

Compagnie Carabosse disrupt public spaces with flaming artworks that remind us of our most elemental human need.

 

With burning metal structures, cascading candles and flickering flowerpots, Fire Garden will transform the front lawn of Tate Modern into a crackling and spitting, after-dark adventure as part of London's Burning. Amongst the flames, discover live music and intriguing goings on. Experience fire like never before and remember the blaze that changed London forever.

 

One of France’s most prominent street art groups, Compagnie Carabosse are a collective comprising of artistic designers, constructors, actors, musicians, technicians, inventors, poets, photographers and visual artists. For almost 20 years they have been working in public spaces throughout Europe and the world. They are driven by the philosophy that public spaces and streets should remain open to everyone and be a place for self expression and freedom."

learn more.

These precious not-so-monumental babies appeared in the Seattle Sculpture park on Monday morning. Nobody's sure who "gave birth"

Título da performance: "Arco da Histeria"

Autor: T. Angel

Concepção artística e direção geral:.T. Angel

Coreografia: T. Angel

Performer: T. Angel

Figurino: T. Angel

Foto: Gabriel Hostins

 

Ano: 2011

tang3l.blogspot.com/2011/04/arco-da-histeria.html

Revolve performance art

A new legacy

Speculum TV si a place for a open and free discussion on woman sexuality

I am exploring linear and curvature lines through Ballet and Contemporary dance, from Nikos Gyftakis' work.

Upbraiding Tradition is a performative gesture of rejection created by sculptor and installation performance artist, Flora Choi. This performance art was offered this afternoon at 14th Street as part of the annual Art In Odd Places Festival. This ceremony involves a group of young Korean women who have been raised to accept the notion of male dominance within the traditional Korean family structure. This performance art is about refusal to the culture of male dominance. The women are dressed in traditional Korean white gowns called Sang-boks and tie their hair into Daeng'gi Meori braids that drag upon the ground behind them. Carrying an empty glass jar, they walk slowly from Avenue C and proceed along 14th Street towards the Hudson River where each chop off her braid, preserving it in a glass jar as a trophy or relic.

nyclovesnyc.blogspot.com/2011/10/flora-chois-upbraiding-t...

@ otto's for alpha women attack the east village's 2-yr anniversary/bloodwrestling match, 7/1/15.

Revolve performance art

Revolve performance art

Can you figure out any of the other tattoos?

 

(hint, Go to, "All Sizes" and select, "Original")

 

"Bottlemail / Voyage (A message for the future)"

by Ignacio Perez Perez

Photos: Carlos Zavarce

"Bottlemail / Voyage (A message for the future)"

by Ignacio Perez Perez

Photos: Carlos Zavarce

"Bottlemail / Voyage (A message for the future)"

by Ignacio Perez Perez

Photos: Carlos Zavarce

WET MAGAZINE OF GOURMET BATHING - Lot of 3 issues-1978-Nos.10&11&14

 

en.wikipedia.org/wiki/Wet_(magazine)

www.wunderland.com/WTS/Rash/misc/wet/wet_intro.htm

  

WET MAGAZINE OF GOURMET BATHING

 

"Remember, a gift of Wet is like a pardon from the governor"

Wet was an avant-garde Los Angeles-based magazine that revolved around the idea of "gourmet bathing" and later evolved to "gourmet bathing and beyond." Its publisher and creator was Leonard Koren, an architecture school graduate. The magazine covered cultural issues and was known for its innovative use of graphic art.

Over the years, Wet began to reflect a broader expanse of stories, capturing a kind of smart, artsy Los Angeles attitude that was emerging at the same time as punk, but had its own distinct aesthetic.

Contributing photographers included Moshe Brakha, Brian Leatart, Claude Mougin, Matthew Rolston, Guy Webster and Penny Wolin.

 

Wet lasted 34 issues, spanning the years 1976 to 1981.

 

Issues in this set:

--------------------------

 

BENT BATHING #10 Jan-Feb 1978

Rain Forest Shower

Dominant Watersports + Bathroom Bondage: Jane Gaskill interviews Madame Lou-Lou

"The Architecture of Frozen Water" by John Masius

"Light From Steam" -- Don Franzen on geothermal energy

Frozen Dinners reviewed by Irina Averkieff [illustration, p. 34]

 

----------------------------

ANIMAL #11 March-April 1978

Henry Miller: On turning Eighty

The Dial Soap Use Study: Dr Ernest Dichter

"Real Architecture for Surreal Lifestyles" by Mark Mack

Bob & Bob review the 1978 Dogs

-----------------------------------------

MUD #14 Sept-Oct 1978

Eating Dirt

Barbara Radice interviews Fiorucci

"Much Of His Hair" by Linda Frye Burnham

WET interviews Tom Verlaine

"Forbidden Words" by Matt Groening (with Binky from "Life In Hell")

Cover: Cocoa Mitchell by Herb Ritts

===========================

=============================

www.wunderland.com/WTS/Rash/misc/wet/wet_intro.htm

What Was WET?

 

The Magazine of Gourmet Bathing was published in Venice and Santa Monica between 1976 and 1981 by Leonard Koren. An invaluable brief introduction by Bedford McIntosh seems to be the only online resource celebrating WET, hence the creation of this survey, a repository of cover thumbnails and indices of each issue.

 

Reccurring WET features included Dribble; Places; Non-Human Life Forms; Food; Architecture; Fashion; the Last or Back Page; and of course, Gourmet Bathing. Frequent contributors to the magazine, among many others, were Matt Groening (text, hardly ever cartoons), Kristine McKenna (interviews), Philip Garner (drawings of implausible inventions) and Bob & Bob.

 

Regular advertisers included KROQ; the 9:30 music club in DC; LA restaurants like Nucleus Nuance and the China Club; various Melrose boutiques like Cowboys & Poodles, Industrial Revolution, Neo 80, Camp Beverly Hills and the Soap Plant; plus Trash & Vaudeville in NYC.

 

Hedge maze, Melbourne

"Bottlemail / Voyage (A message for the future)"

by Ignacio Perez Perez

Photos: Carlos Zavarce

"Bottlemail / Voyage (A message for the future)"

by Ignacio Perez Perez

Photos: Carlos Zavarce

"Bottlemail / Voyage (A message for the future)"

by Ignacio Perez Perez

Photos: Carlos Zavarce

Tess De Quincy's performance during the opening of the SNO 94 art exhibition. Light projection-art by Vsevolod Vlaskine Sound work by Gary Warner.

 

Fujifilm X-Pro1 - XF18mmF2 R

1/30th at F2 3200iso

 

www.sno.org.au/

On Pratt campus. Non Grata ("Best Performance Artists in Estonia") perform in the cold. The lecture was indoors, but quickly moved outside. Girl lies naked on table, covered in slabs of meat. Masked, loinclothed performers heat branding irons over a hibachi grill, then brand meat. And yell about the nature of art. And blow a horn.

"Bottlemail / Voyage (A message for the future)"

by Ignacio Perez Perez

Photos: Carlos Zavarce

Performance by Dao Anh Khanh. Hanoi, Vietnam.

"Bottlemail / Voyage (A message for the future)"

by Ignacio Perez Perez

Photos: Carlos Zavarce

"Open Your Eyes"

with the Performance Artists Asami Yasumoto

 

She is the creator and the model of these past photos "abre los ojos" series.

abre los ojos I

abre los ojos II

abre los ojos III

 

This image is from our new collaboration work.

Título da performance: "Arco da Histeria"

Autor: T. Angel

Concepção artística e direção geral:.T. Angel

Coreografia: T. Angel

Performer: T. Angel

Figurino: T. Angel

Foto: Gabriel Hostins

 

Ano: 2011

tang3l.blogspot.com/2011/04/arco-da-histeria.html

WET MAGAZINE OF GOURMET BATHING - Lot of 3 issues-1978-Nos.10&11&14

 

en.wikipedia.org/wiki/Wet_(magazine)

www.wunderland.com/WTS/Rash/misc/wet/wet_intro.htm

  

WET MAGAZINE OF GOURMET BATHING

 

"Remember, a gift of Wet is like a pardon from the governor"

Wet was an avant-garde Los Angeles-based magazine that revolved around the idea of "gourmet bathing" and later evolved to "gourmet bathing and beyond." Its publisher and creator was Leonard Koren, an architecture school graduate. The magazine covered cultural issues and was known for its innovative use of graphic art.

Over the years, Wet began to reflect a broader expanse of stories, capturing a kind of smart, artsy Los Angeles attitude that was emerging at the same time as punk, but had its own distinct aesthetic.

Contributing photographers included Moshe Brakha, Brian Leatart, Claude Mougin, Matthew Rolston, Guy Webster and Penny Wolin.

 

Wet lasted 34 issues, spanning the years 1976 to 1981.

 

Issues in this set:

--------------------------

 

BENT BATHING #10 Jan-Feb 1978

Rain Forest Shower

Dominant Watersports + Bathroom Bondage: Jane Gaskill interviews Madame Lou-Lou

"The Architecture of Frozen Water" by John Masius

"Light From Steam" -- Don Franzen on geothermal energy

Frozen Dinners reviewed by Irina Averkieff [illustration, p. 34]

 

----------------------------

ANIMAL #11 March-April 1978

Henry Miller: On turning Eighty

The Dial Soap Use Study: Dr Ernest Dichter

"Real Architecture for Surreal Lifestyles" by Mark Mack

Bob & Bob review the 1978 Dogs

-----------------------------------------

MUD #14 Sept-Oct 1978

Eating Dirt

Barbara Radice interviews Fiorucci

"Much Of His Hair" by Linda Frye Burnham

WET interviews Tom Verlaine

"Forbidden Words" by Matt Groening (with Binky from "Life In Hell")

Cover: Cocoa Mitchell by Herb Ritts

===========================

=============================

www.wunderland.com/WTS/Rash/misc/wet/wet_intro.htm

What Was WET?

 

The Magazine of Gourmet Bathing was published in Venice and Santa Monica between 1976 and 1981 by Leonard Koren. An invaluable brief introduction by Bedford McIntosh seems to be the only online resource celebrating WET, hence the creation of this survey, a repository of cover thumbnails and indices of each issue.

 

Reccurring WET features included Dribble; Places; Non-Human Life Forms; Food; Architecture; Fashion; the Last or Back Page; and of course, Gourmet Bathing. Frequent contributors to the magazine, among many others, were Matt Groening (text, hardly ever cartoons), Kristine McKenna (interviews), Philip Garner (drawings of implausible inventions) and Bob & Bob.

 

Regular advertisers included KROQ; the 9:30 music club in DC; LA restaurants like Nucleus Nuance and the China Club; various Melrose boutiques like Cowboys & Poodles, Industrial Revolution, Neo 80, Camp Beverly Hills and the Soap Plant; plus Trash & Vaudeville in NYC.

 

Artwork by Pedro Gomez Egana taken at "Mellom himmel og hav 2" International Performance Festival

Brian Selke, senior BFA art major, reads the novel Jurassic Park by Michael Crichton as a performance piece outside of the Normal Theater Monday night. The performance began inside the theater at 7pm and moved outside at 9pm under the marquee that read, “Brian Selke Performs Jurassic Park” when the theater closed. Selke read the entire night and then migrated to the Student Annual opening from 5-7 on Tuesday and back to the Normal Theater to finish.

Upbraiding Tradition is a performative gesture of rejection created by sculptor and installation performance artist, Flora Choi. This performance art was offered this afternoon at 14th Street as part of the annual Art In Odd Places Festival. This ceremony involves a group of young Korean women who have been raised to accept the notion of male dominance within the traditional Korean family structure. This performance art is about refusal to the culture of male dominance. The women are dressed in traditional Korean white gowns called Sang-boks and tie their hair into Daeng'gi Meori braids that drag upon the ground behind them. Carrying an empty glass jar, they walk slowly from Avenue C and proceed along 14th Street towards the Hudson River where each chop off her braid, preserving it in a glass jar as a trophy or relic.

nyclovesnyc.blogspot.com/2011/10/flora-chois-upbraiding-t...

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