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29 MAI 2015 - 3 JUIN 2015
rencontre performative avec : Allyce Arsenault, Miri Chekhanovich, Marc André Goulet, Soleil Launière, Mélodie Talbot et Catherine Tardif, avec la collaboration de Caroline Gravel et Karina Iraola
Les 29, 30 et 31 mai 2015, au parc des Faubourgs rue Ontario Est (coin Dorion), de 17 h à 18 h, beau temps, mauvais temps.
Finissage à la roulotte de DARE-DARE, le 3 juin 2015, de 17 h à 21 h.
*DARE-DARE est maintenant situé face au marché Atwater, sur le triangle formé par les avenues Atwater et Greene et la rue Doré à 5 minutes à pied du métro Lionel-Groulx.
« La création amène des réponses à la vie sans qu’on connaisse trop les questions » Allyce Arsenault
MARGE est le second volet du projet RÛE initié à l’automne 2014. Ce projet consiste en une série de recherches sur la rencontre, le dévoilement et la dilatation du temps.
MARGE est un projet avec des jeunes qui ont fait des choix marginaux et/ou des jeunes marginalisés. Jeunes et artistes performeurs/danseurs se rencontrent, se lisent, se disent et se livrent, sur la rue, en de petites bulles performatives dans lesquels les passants sont invités à entrer.
Dans sa pratique, Aurélie Pedron explore la rencontre entre le corps et la matière et développe une réflexion sur le rapport au public et au lieu. Elle oriente ses recherches vers l’installation et la performance. Aurélie aime considérer le corps comme un vecteur, un révélateur d’images invisibles.
Voir le projet RÛE.
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Aurélie Pedron s’est installée à Montréal en 1999. D’abord titulaire d’un baccalauréat en danse à l’UQAM, elle a ensuite complété en 2013, une recherche/création à la maîtrise sur « L’émergence en création ou l’anti-héroïsme du créateur ».
À ses débuts, elle réalise plus de 10 œuvres vidéo, diffusées dans plus de 14 pays : en Asie (Japon, Inde, Corée du Sud, Taïwan...), en Europe (France, Grande-Bretagne, Allemagne...), en Amérique du Sud (Brésil), en Russie et aux États-Unis. La scène garde cependant une importance fondamentale. Ses solos ont été présentés à Tangente, au Studio 303, à la SAT, aux Ateliers Jean-Brillant et au Blinding Light à Vancouver.
Avec la création de CHAIR en 2011, Aurélie Pedron conjugue, par le biais du circuit fermé, la scène et la vidéo. Avec la création de Corps caverneux (soutenu et diffusé par Tangente et Danse-Cité en 2013), elle poursuit sa quête de rencontre entre corps et lumière. Elle a également collaboré avec la compagnie de théâtre Odelah Création en tant qu’interprète et vidéaste.
En avril 2013, elle fonde sa compagnie de création Lilith & Cie, avec laquelle elle explore la perméabilité des matériaux et le rapport privilégié au spectateur qu’offre la nanoperformance. Son travail a été présenté au Festival de Théâtre de Rue de Lachine, ainsi qu’au FNC. Sa dernière création ENTRE, nanoperformance sur le thème de la rencontre, est présentée à Tangente lors de la saison 2014/15.
Aurélie travaille présentement sur LA LOBA, une installation performance avec 11 femmes et quelques loups, SAPPHO est un projet sur l’érotisme qui se veut ni choquant, ni vendeur.
Le projet MARGE bénéficie d’un soutien du Conseil des arts du Canada.
Liza Wade Green's HILL HOUSE MINE is a dance/theatre work created specifically for the midcentury modern home that hosts Summercamp’s ProjectProject. Part haunted house, part live installation, HILL HOUSE MINE takes the audience on a journey through five rooms and the backyard of the residence and explores a world where the fantasies of childhood become truth and the realities of loss are buried. The story follows a family coping with two tragic deaths. As the audience travels through the house they meet different family members and piece together a puzzle of death, dance, memory, and time.
The site-specific work is written and choreographed by Brooklyn-based theatre artist Liza Wade Green in collaboration with six performers from New York and Los Angeles. The performers use movement and text to bring the characters to life as they connect to the house’s architectural details. Hidden passageways, plastic-covered furniture, an expansive sloping yard, and a claw foot tub all add to the eerie backdrop for this interactive experience. Brick and mortar give way to the home’s memories and dreams, while the performers awaken its ghosts and rumors – all giving voice to a family in transition.
Summercamp's ProjectProject presents Friday Night Lights & Sunday Afternoons- evening of three performances and a daytime outdoor group exhibition of artists who work within the realms of exploring the unknown. Both events will feature a performance by Liza Wade Green, written during her Fall 2010 Residency at Summercamp.
Hours by appointment. Please contact summercampprojectproject@gmail.com
summercampprojectproject.blogspot.com
Vessel for Haiti II: an interactive, community-engaged performance Co-conceived by Catherine Tutter and Anna Wexler. Featured performers: Margaret Bellafiore James Ellis Coleman Burns Maxey Cathy McLaurin Mari Novotny-Jones Joanne Rice Catherine Tutter Jane Wang Anna Wexler.
At Mobius, 11/06/10.
Photo: ©Bob Raymond
Vessel for Haiti II: an interactive, community-engaged performance Co-conceived by Catherine Tutter and Anna Wexler. Featured performers: Margaret Bellafiore James Ellis Coleman Burns Maxey Cathy McLaurin Mari Novotny-Jones Joanne Rice Catherine Tutter Jane Wang Anna Wexler.
At Mobius, 11/06/10.
Photo: ©Bob Raymond
Vessel for Haiti II: an interactive, community-engaged performance Co-conceived by Catherine Tutter and Anna Wexler. Featured performers: Margaret Bellafiore James Ellis Coleman Burns Maxey Cathy McLaurin Mari Novotny-Jones Joanne Rice Catherine Tutter Jane Wang Anna Wexler.
At Mobius, 11/06/10.
Photo: ©Bob Raymond
Vessel for Haiti II: an interactive, community-engaged performance Co-conceived by Catherine Tutter and Anna Wexler. Featured performers: Margaret Bellafiore James Ellis Coleman Burns Maxey Cathy McLaurin Mari Novotny-Jones Joanne Rice Catherine Tutter Jane Wang Anna Wexler.
At Mobius, 11/06/10.
Photo: ©Bob Raymond
Vessel for Haiti II: an interactive, community-engaged performance Co-conceived by Catherine Tutter and Anna Wexler. Featured performers: Margaret Bellafiore James Ellis Coleman Burns Maxey Cathy McLaurin Mari Novotny-Jones Joanne Rice Catherine Tutter Jane Wang Anna Wexler.
At Mobius, 11/06/10.
Photo: ©Bob Raymond
The performance "FEiL© produkter - wrong© products", OUTSIDER performance series for 2visual4arts
Sawing the burka at Røros, South Trøndelag, Norway
photo: N. Noer
Vessel for Haiti II: an interactive, community-engaged performance Co-conceived by Catherine Tutter and Anna Wexler. Featured performers: Margaret Bellafiore James Ellis Coleman Burns Maxey Cathy McLaurin Mari Novotny-Jones Joanne Rice Catherine Tutter Jane Wang Anna Wexler.
At Mobius, 11/06/10.
Photo: ©Bob Raymond
Vessel for Haiti II: an interactive, community-engaged performance Co-conceived by Catherine Tutter and Anna Wexler. Featured performers: Margaret Bellafiore James Ellis Coleman Burns Maxey Cathy McLaurin Mari Novotny-Jones Joanne Rice Catherine Tutter Jane Wang Anna Wexler.
At Mobius, 11/06/10.
Photo: ©Bob Raymond
Liza Wade Green's HILL HOUSE MINE is a dance/theatre work created specifically for the midcentury modern home that hosts Summercamp’s ProjectProject. Part haunted house, part live installation, HILL HOUSE MINE takes the audience on a journey through five rooms and the backyard of the residence and explores a world where the fantasies of childhood become truth and the realities of loss are buried. The story follows a family coping with two tragic deaths. As the audience travels through the house they meet different family members and piece together a puzzle of death, dance, memory, and time.
The site-specific work is written and choreographed by Brooklyn-based theatre artist Liza Wade Green in collaboration with six performers from New York and Los Angeles. The performers use movement and text to bring the characters to life as they connect to the house’s architectural details. Hidden passageways, plastic-covered furniture, an expansive sloping yard, and a claw foot tub all add to the eerie backdrop for this interactive experience. Brick and mortar give way to the home’s memories and dreams, while the performers awaken its ghosts and rumors – all giving voice to a family in transition.
Summercamp's ProjectProject presents Friday Night Lights & Sunday Afternoons- evening of three performances and a daytime outdoor group exhibition of artists who work within the realms of exploring the unknown. Both events will feature a performance by Liza Wade Green, written during her Fall 2010 Residency at Summercamp.
Hours by appointment. Please contact summercampprojectproject@gmail.com
summercampprojectproject.blogspot.com
Photo by Ash Tanasiychuk VANDOCUMENT.
"laro na tayo - let's play" is a series of art performances by Paul de Guzman. The performances occurred over the summer of 2022 throughout a variety of locations across Vancouver, BC, Canada.
People in the public are encouraged to play the traditional Filipino game with the artist.
On July 23, 2022, the location was outside a home in the Strathcona neighbourhood of Vancouver on a very hot summer day.
Photo by Ash Tanasiychuk VANDOCUMENT.
"laro na tayo - let's play" is a series of art performances by Paul de Guzman. The performances occurred over the summer of 2022 throughout a variety of locations across Vancouver, BC, Canada.
People in the public are encouraged to play the traditional Filipino game with the artist.
On July 23, 2022, the location was outside a home in the Strathcona neighbourhood of Vancouver on a very hot summer day.
Gustavo ALVAREZ (Chihuahua - Mexico)
« DESCOLONIALIZATE »
Migration process that lead to a neo-colonization, where the prints made according to the impsoición restructure, leaving far its origin and strengthening the identity of the colonized people, through our body memory show who we are and what we remain, every people, every country struggles to clean its origins and to defend them, beyond who imposed flag and language, Europe recently as the old Ameria are in the process where you begin to dilute the barrier between the colonized and colonizing
@ LMP - Paris
« toutou RIEN ! »
Vessel for Haiti II: an interactive, community-engaged performance Co-conceived by Catherine Tutter and Anna Wexler. Featured performers: Margaret Bellafiore James Ellis Coleman Burns Maxey Cathy McLaurin Mari Novotny-Jones Joanne Rice Catherine Tutter Jane Wang Anna Wexler.
At Mobius, 11/06/10.
Photo: ©Bob Raymond
SULU DC
Sulu DC is an underground network that presents a monthly performance showcase of Asian American and/or Pacific Islander (AAPI) artists in spoken word/poetry, music, theater, dance, comedy, and film.
Sat Apr 16 / $ 10 / 7pm
Performers include jazz trio, Fourth Stream and spoken word artists, Alex Cena and Jennifer Cendana Armas.
Sat May 21 / $10 / 7pm
A celebration of Asian American and Pacific Islander heritage month.
the performance is described here -
nymag.com/daily/intel/2007/04/matthew_barney_the_bull_and...
(someone sent me this picture)
The performance artist Sandra Johnston from Northern Ireland will be living in the Aarhus suburb Gellerup for some time, creating art in collaboration with the citizens.
To mark the beginning of her stay she gave a performance. Armed with four speed markers, she painted the walls, thus giving her reactions to readings from four persons in the small room.
They were reading from the Astrid Lindgren's classic children's book about Emil (in Swedish) from an official document, from the Holy Coran (in Arabic) and from a personal diary containing poetry.
I doubt that Ms Johnston understood much of the words, more likely she reacted to the mood in the small and at times crowded room. And so did I.
Vessel for Haiti II: an interactive, community-engaged performance Co-conceived by Catherine Tutter and Anna Wexler. Featured performers: Margaret Bellafiore James Ellis Coleman Burns Maxey Cathy McLaurin Mari Novotny-Jones Joanne Rice Catherine Tutter Jane Wang Anna Wexler.
At Mobius, 11/06/10.
Photo: ©Bob Raymond
Liza Wade Green's HILL HOUSE MINE is a dance/theatre work created specifically for the midcentury modern home that hosts Summercamp’s ProjectProject. Part haunted house, part live installation, HILL HOUSE MINE takes the audience on a journey through five rooms and the backyard of the residence and explores a world where the fantasies of childhood become truth and the realities of loss are buried. The story follows a family coping with two tragic deaths. As the audience travels through the house they meet different family members and piece together a puzzle of death, dance, memory, and time.
The site-specific work is written and choreographed by Brooklyn-based theatre artist Liza Wade Green in collaboration with six performers from New York and Los Angeles. The performers use movement and text to bring the characters to life as they connect to the house’s architectural details. Hidden passageways, plastic-covered furniture, an expansive sloping yard, and a claw foot tub all add to the eerie backdrop for this interactive experience. Brick and mortar give way to the home’s memories and dreams, while the performers awaken its ghosts and rumors – all giving voice to a family in transition.
Summercamp's ProjectProject presents Friday Night Lights & Sunday Afternoons- evening of three performances and a daytime outdoor group exhibition of artists who work within the realms of exploring the unknown. Both events will feature a performance by Liza Wade Green, written during her Fall 2010 Residency at Summercamp.
Hours by appointment. Please contact summercampprojectproject@gmail.com
summercampprojectproject.blogspot.com
This was one of the dancers at the SF Moma today. We went to catch the Avedon exhibit (which was amazing).
Liza Wade Green's HILL HOUSE MINE is a dance/theatre work created specifically for the midcentury modern home that hosts Summercamp’s ProjectProject. Part haunted house, part live installation, HILL HOUSE MINE takes the audience on a journey through five rooms and the backyard of the residence and explores a world where the fantasies of childhood become truth and the realities of loss are buried. The story follows a family coping with two tragic deaths. As the audience travels through the house they meet different family members and piece together a puzzle of death, dance, memory, and time.
The site-specific work is written and choreographed by Brooklyn-based theatre artist Liza Wade Green in collaboration with six performers from New York and Los Angeles. The performers use movement and text to bring the characters to life as they connect to the house’s architectural details. Hidden passageways, plastic-covered furniture, an expansive sloping yard, and a claw foot tub all add to the eerie backdrop for this interactive experience. Brick and mortar give way to the home’s memories and dreams, while the performers awaken its ghosts and rumors – all giving voice to a family in transition.
Summercamp's ProjectProject presents Friday Night Lights & Sunday Afternoons- evening of three performances and a daytime outdoor group exhibition of artists who work within the realms of exploring the unknown. Both events will feature a performance by Liza Wade Green, written during her Fall 2010 Residency at Summercamp.
Hours by appointment. Please contact summercampprojectproject@gmail.com
summercampprojectproject.blogspot.com
Performance art. Patterns of light projected on dancers. Available light, Nikkormat FTN, 400 ASA film pushed to 800.
Gustavo ALVAREZ (Chihuahua - Mexico)
« DESCOLONIALIZATE »
Proceso de migración que nos llevan a una neocolonización, donde las estampas elaboradas en función de la impsoición se reestructuran, dejando a lo lejos su origen y fortaleciendo la identidad del pueblo colonizado, a través de nuestro cuerpo con memoria mostramos lo que somos y lo que no dejamos de ser; cada pueblo, cada país lucha por limpiar sus origenes y por defenderlos, más alla de quien impuso bandera y lenguaje, la Europa reciente al igual que la Améria antigua se encuentran en procesos donde se comienzan a diluir las barrera entre el colonizado y el colonizante
@ LMP - Paris
« toutou RIEN ! »