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The community performance art project by Malaysian artist Sharon Chin for the Mundi Bunga (Flower Bath) at the Singapore Art Museum before crossing over to the National Museum of Singapore for the Singapore Biennale 2013.
Republic Of Plinthland (Paulinegod) on the Fourth Plinth (One and Other) performance art in Trafalgar Square, London.
Excellent plinther. Had total audience participation throughout. Declared the plinth to be a self governing stare for one hour. Gave out Plinthland passports and currency. Bestowed honours by getting the audience to select a worthy recipient, then vote as to whether they should get a certificate of merit.
The SJ Tribal Dance Group demonstrates American Tribal Style Belly Dancing. The woman credited with creating this "fusion" of dance is from the bay area herself; this would help to explain why I used to see this sort of thing going on in downtown Sunnyvale of all places, on weeknights when I used to live there.
The "choreography" is completely improvised, which is pretty impressive. The "yodeling" is a form of encouragement; during slow movements (which can be physically challenging), the crowd was encouraged to "hiss" like a snake, having the same meaning.
Gustavo ALVAREZ (Chihuahua - Mexico)
« OFRENDA »
Dar para guardar el equilibrio, patra procurar que el cosmos que nos rige se encuentre calmado, en reciprocidad de la vida que nos ofrece, entre natura y hombre debera de haber sangre que los una y ayude a su permanencia.
@ Château de Chevigny - Millery 21140
« Art Performance 17 »
From the workshop production of Apollo part one at the Center Theater Group: Ensemble members demonstrate the long reach of the Apollo project in Nancy Keystone's World Premiere multimedia exploration of the intersection between the space race and the civil rights movement in Apollo, blasting off at Portland Center Stage January 13th through February 8th, 2009. Tickets, blogs, info and more at www.pcs.org.
Photo by Efren Delgadillo, Jr.
Nancy Keystone, playwright and director of our World Premiere Apollo, built this early collage of images and ideas to inform the creation of this ten years in the making masterwork of performance. Apollo, a multimedia exploration of the intersection between the space race and the civil rights movement in Apollo will blast off at Portland Center Stage January 13th through February 8th, 2009. Tickets, blogs, info and more at www.pcs.org.
Photo by Efren Delgadillo, Jr.
The Dog & Pony Show presents The Dog & Pony Variety Show
Sept. 11th Tri-Centennial: "i can't believe it's been 300 years!"
Sunday 9/11/11 @ Cha Cha Razzi, 1918 S. Bancroft St. SOUTH PHILLY
4:00pm - EARLY SHOW FOR EARLY BEDTIMES
$ = donations
Featuring the antics of:
The New Dreamz
Dick Neff
The Dead Squids
Dee & The Warlocks
Wendy Jane Hyatt
Charmaine's Names
Will Dean
Rasputin's Secret Police
face paint by The Sky Sisters
and Dog & Pony Conspiracy School
Monday Sept. 19th, at 8pm
@ Space 1026 (1026 Arch St. 2nd flr)
A film screening and powerpoint event
The Third Person, directed by Max Juren
with powerpoint comedy antics by weirdos:
Michael Gerkovich
Will Dean
Wendy Jane Hyatt & Gera Lavin
Joanna Quigley
"A zillion times better than Monday Nite Football"
-11 out of 10 trusted experts agree
Tango Intervention
Performance Art Installation by Robert Lawrence
Exhibition Dates: March 22–April 2, 2010 (Exhibition)
Artist Talk and Reception: Thursday, April 1, 5pm, TETC 153
A little public dancing can sometimes turn even the most commonplace venues— a graffiti-covered street in New York City, a brick sidewalk in Tampa Florida’s Latin quarter—into visually artistic feasts. Artist Robert Lawrence explores the phenomenon in his ongoing series of site-specific works, Tango Intervention. Performances in this series refer to hidden local histories that are revealed by an accompanying Web site and further explored in videos, digital prints and installations. The colonial and post-colonial history of tango is used as a lens to illuminate such hidden histories at the location of the public dance interventions cited. For this installation premiering in Salisbury, selections are included from his recent work in Washington, D.C., where he was assisted by SU new media students.
The performance artist Sandra Johnston from Northern Ireland will be living in the Aarhus suburb Gellerup for some time, creating art in collaboration with the citizens.
To mark the beginning of her stay she gave a performance. Armed with four speed markers, she painted the walls, thus giving her reactions to readings from four persons in the small room.
They were reading from the Astrid Lindgren's classic children's book about Emil (in Swedish) from an official document, from the Holy Coran (in Arabic) and from a personal diary containing poetry.
I doubt that Ms Johnston understood much of the words, more likely she reacted to the mood in the small and at times crowded room. And so did I.
The U.S. Mission to South Africa, as part of its support for South Africa’s fight against gender-based violence, is hosting American actor, musician, poet and social activist Antonio Lyons for a nation-wide series of workshops and performances of his one-man play about countering gender-based violence, entitled We Are Here, in Pretoria, Johannesburg, Mahikeng, and Cape Town June 25 - July 7, 2017.
Antonio also performed at the University of Pretoria's Masker Theatre.
Gustavo ALVAREZ (Chihuahua - Mexico)
« OFRENDA »
@ Château de Chevigny - Millery 21140
« Art Performance 17 »
Título da performance: "Arco da Histeria"
Autor: T. Angel
Concepção artística e direção geral:.T. Angel
Coreografia: T. Angel
Performer: T. Angel
Figurino: T. Angel
Foto: Gabriel Hostins
Ano: 2011
Vessel for Haiti II: an interactive, community-engaged performance Co-conceived by Catherine Tutter and Anna Wexler. Featured performers: Margaret Bellafiore James Ellis Coleman Burns Maxey Cathy McLaurin Mari Novotny-Jones Joanne Rice Catherine Tutter Jane Wang Anna Wexler.
At Mobius, 11/06/10.
Photo: ©Bob Raymond
In the atrium of the Museum of Modern Art
From the MOMA description:
"Opening Reception for Marina Abramovic exhibition" by MoMA The Museum of Modern Art
Abramović, best known for her durational works, has created a new work for this performance retrospective—The Artist Is Present (2010)—that she will perform daily throughout the run of the exhibition, for 77 days and a total of over 700 hours. For her longest solo piece to date, Abramović sits in silence at a table in the Museum’s Donald B. and Catherine C. Marron Atrium during public hours, passively inviting visitors to take the seat across from her for as long as they choose within the timeframe of the Museum’s hours of operation. Although she will not respond, participation by Museum visitors completes the piece and allows them to have a personal experience with the artist and the artwork.
Allora and Calzadilla Performance Art Exhibition At The Museum of Modern Art (MoMA) With Performance By Amir Khosrowpour, New York City, Jan. 7, 2011.
nyclovesnyc.blogspot.com/2011/01/allora-and-calzadilla-pe...
Ceremony for ２nd anniversary of 3.11
Ceremony for ２nd anniversary of 3.11 at Fukushima May. 2013, It has past from "the 3.11". Contemporary Buddhist Art unit S-va-ha visited the Beach in Iwaki city, Fukushima. Passing the Some deserted houses that were hit by Tsunami, Some houses were repaired and used for living again, we reached the beach and step into there, at that time, we felt something hidden pressure. We made the dirt mound, erected wood stupa and done floral tribute to service for a departed souls. Kawakami Shugyo, Hirabayashi Yukihisa that as Artists and Buddhism priests chanted a sutra, Female performer Tetta acted tne Buddhist saints and performed Butoh for departed souls. We tried the possibility that Contemporary art connect to Buddhism that composed Butoh and Buddhist chants to be service for departed souls and made the art film to be open. That art film is this one, titled "Ceremony for ２nd anniversary of 3.11".
Youtube www.youtube.com/watch?v=iggYr712OQU
３.１１から２年があまりが経過した２０１３年の３月 仏教•現代・美術ユニット、ソ-ワ-カは福島県いわき市のとある海岸に足を運んだ 津波で廃屋になった家々 再び生活を取り戻している家々 その合間を通り過ぎ、砂浜に足を踏み入れた時、何か、目に見えない重圧の様なものを感じた わたしたちは供養の為の土壇を作り、献花をし、卒塔婆を建立した 犠牲者への供養として僧侶であり美術家でもある川上秀行と平林幸壽は読経をあげ、女性パフォーマーのTETTAは菩薩に扮し舞踏を献じた 供養の舞踏と読経を映像として発表する事 これは現代美術と仏教の直接的な接合の可能性を探る試みでもある それが、この”Ceremony for ２nd anniversary of 3.11”
Vessel for Haiti II: an interactive, community-engaged performance Co-conceived by Catherine Tutter and Anna Wexler. Featured performers: Margaret Bellafiore James Ellis Coleman Burns Maxey Cathy McLaurin Mari Novotny-Jones Joanne Rice Catherine Tutter Jane Wang Anna Wexler.
At Mobius, 11/06/10.
Photo: ©Bob Raymond
Vessel for Haiti II: an interactive, community-engaged performance Co-conceived by Catherine Tutter and Anna Wexler. Featured performers: Margaret Bellafiore James Ellis Coleman Burns Maxey Cathy McLaurin Mari Novotny-Jones Joanne Rice Catherine Tutter Jane Wang Anna Wexler.
At Mobius, 11/06/10.
Photo: ©Bob Raymond
FILE MAGAZINE VOL 4 NO 3 (SUMMER 1980). Toronto: General Idea, 1980
35 X 27.5cm, 64pp plus pictorial wrappers. A single number from General Idea's art periodical where the trio published conceptual, mail and intermedia art including the GI's own work - often with a homoerotic element.
This number has GI's "The famous Mary Lou Greene sheds a tear for post-modernism … Global Downtown" and several articles on/by KLAUS NOMI (!), PAUL OBERST, JIMMY DESANA and ROBERT CUMMING. One slight crease on the BACK COVER, one razor mark on the FRONT COVER and spine wear and, as ever, browned internal newsprint pages else VG+. Scarce.
1980
FILE Megazine ("Special Global Downtown” issue Vol. 4, #3, SUMMER 1980)
Book Description
Publication Date: 1980
Publisher:General Idea, Toronto
Book Condition: VG+
35 X 27.5cm, 64pp plus pictorial wrappers
see also: FILEmag-Vol.4Nos.1-2-3_13a
Vessel for Haiti II: an interactive, community-engaged performance Co-conceived by Catherine Tutter and Anna Wexler. Featured performers: Margaret Bellafiore James Ellis Coleman Burns Maxey Cathy McLaurin Mari Novotny-Jones Joanne Rice Catherine Tutter Jane Wang Anna Wexler.
At Mobius, 11/06/10.
Photo: ©Bob Raymond
Performance exhibition September 2016
Participating artists: Julie Tolentino, Rebecca Patek, Camila Caneque & Maria Jose Arjona
Curator: Lital Dotan
‘Sites of Absence’ presents performance devoid of its spectacle nature. It highlights the frames of pre and post performance works by genuine voices in contemporary performance artists, providing an observation on the remains or leftovers from a powerful presence. A floor-plan, a charcoal sketch of what would become a durational piece, a social media feed, an edited video, a wrapped journal exploding with gathered materials- each of these objects are exhibited as traces to the essential code of performance. Gifting a rare intimate view on the individuality of process and its fluid archiving.
Vessel for Haiti II: an interactive, community-engaged performance Co-conceived by Catherine Tutter and Anna Wexler. Featured performers: Margaret Bellafiore James Ellis Coleman Burns Maxey Cathy McLaurin Mari Novotny-Jones Joanne Rice Catherine Tutter Jane Wang Anna Wexler.
At Mobius, 11/06/10.
Photo: ©Bob Raymond
Vessel for Haiti II: an interactive, community-engaged performance Co-conceived by Catherine Tutter and Anna Wexler. Featured performers: Margaret Bellafiore James Ellis Coleman Burns Maxey Cathy McLaurin Mari Novotny-Jones Joanne Rice Catherine Tutter Jane Wang Anna Wexler.
At Mobius, 11/06/10.
Photo: ©Bob Raymond