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Photo by Ash Tanasiychuk VANDOCUMENT.
"laro na tayo - let's play" is a series of art performances by Paul de Guzman. The performances occurred over the summer of 2022 throughout a variety of locations across Vancouver, BC, Canada.
People in the public are encouraged to play the traditional Filipino game with the artist.
On July 23, 2022, the location was outside a home in the Strathcona neighbourhood of Vancouver on a very hot summer day.
On the menu were Big Dick's hot dogs and vertical tacos with tuna. At Grace Exhibition Space, Bushwick, Bklyn
29 MAI 2015 - 3 JUIN 2015
rencontre performative avec : Allyce Arsenault, Miri Chekhanovich, Marc André Goulet, Soleil Launière, Mélodie Talbot et Catherine Tardif, avec la collaboration de Caroline Gravel et Karina Iraola
Les 29, 30 et 31 mai 2015, au parc des Faubourgs rue Ontario Est (coin Dorion), de 17 h à 18 h, beau temps, mauvais temps.
Finissage à la roulotte de DARE-DARE, le 3 juin 2015, de 17 h à 21 h.
*DARE-DARE est maintenant situé face au marché Atwater, sur le triangle formé par les avenues Atwater et Greene et la rue Doré à 5 minutes à pied du métro Lionel-Groulx.
« La création amène des réponses à la vie sans qu’on connaisse trop les questions » Allyce Arsenault
MARGE est le second volet du projet RÛE initié à l’automne 2014. Ce projet consiste en une série de recherches sur la rencontre, le dévoilement et la dilatation du temps.
MARGE est un projet avec des jeunes qui ont fait des choix marginaux et/ou des jeunes marginalisés. Jeunes et artistes performeurs/danseurs se rencontrent, se lisent, se disent et se livrent, sur la rue, en de petites bulles performatives dans lesquels les passants sont invités à entrer.
Dans sa pratique, Aurélie Pedron explore la rencontre entre le corps et la matière et développe une réflexion sur le rapport au public et au lieu. Elle oriente ses recherches vers l’installation et la performance. Aurélie aime considérer le corps comme un vecteur, un révélateur d’images invisibles.
Voir le projet RÛE.
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Aurélie Pedron s’est installée à Montréal en 1999. D’abord titulaire d’un baccalauréat en danse à l’UQAM, elle a ensuite complété en 2013, une recherche/création à la maîtrise sur « L’émergence en création ou l’anti-héroïsme du créateur ».
À ses débuts, elle réalise plus de 10 œuvres vidéo, diffusées dans plus de 14 pays : en Asie (Japon, Inde, Corée du Sud, Taïwan...), en Europe (France, Grande-Bretagne, Allemagne...), en Amérique du Sud (Brésil), en Russie et aux États-Unis. La scène garde cependant une importance fondamentale. Ses solos ont été présentés à Tangente, au Studio 303, à la SAT, aux Ateliers Jean-Brillant et au Blinding Light à Vancouver.
Avec la création de CHAIR en 2011, Aurélie Pedron conjugue, par le biais du circuit fermé, la scène et la vidéo. Avec la création de Corps caverneux (soutenu et diffusé par Tangente et Danse-Cité en 2013), elle poursuit sa quête de rencontre entre corps et lumière. Elle a également collaboré avec la compagnie de théâtre Odelah Création en tant qu’interprète et vidéaste.
En avril 2013, elle fonde sa compagnie de création Lilith & Cie, avec laquelle elle explore la perméabilité des matériaux et le rapport privilégié au spectateur qu’offre la nanoperformance. Son travail a été présenté au Festival de Théâtre de Rue de Lachine, ainsi qu’au FNC. Sa dernière création ENTRE, nanoperformance sur le thème de la rencontre, est présentée à Tangente lors de la saison 2014/15.
Aurélie travaille présentement sur LA LOBA, une installation performance avec 11 femmes et quelques loups, SAPPHO est un projet sur l’érotisme qui se veut ni choquant, ni vendeur.
Le projet MARGE bénéficie d’un soutien du Conseil des arts du Canada.
Título da performance: "Arco da Histeria"
Autor: T. Angel
Concepção artística e direção geral:.T. Angel
Coreografia: T. Angel
Performer: T. Angel
Figurino: T. Angel
Foto: Gabriel Hostins
Ano: 2011
“Past Present Permanent (mental prison)”, Macedonian-born Josifov will perform at the Waterfront, 222 12th Ave, during the Bridge Art Fair in NYC. Thursday, March 5th, 2009. Performance from 7pm until 10pm.
Josifov will focus on his most important and primary medium — his body, to communicate his own experience and comment on the general concept of self. Part of the project will involve an installation of blurred silkscreen faces, enhanced by the echoes of rhythmic corporeal sounds. The sound is from the last voice mail received by Josifov from Renata G. The artist Renata G remains in a coma with a traumatic brain injury sustained March 9, 2008, as she rode her bicycle to work on her pending show at California College of the Arts. Josifov will shave his head and have a line tattooed on his scalp between the two halves of his brain, representing absent memories and loss. In this ritualistic performance, Josifov will mark the one year anniversary since the accident. Allowing him to work through the mental stages of the shocking loss of his collaborator in life and work.
"irreverent confrontation with aging and its accompanying advance of wisdom and foolishness." Performance with sound art.
May 3, 2014 at Mobius, 55 Norfolk Street, Cambridge, MA
Photo by Margaret Bellafiore
The lawn of the National Museum of Singapore were placed with plastic tubs of water for the Mundi Bunga (Flower Bath), a community performance art project for the Singapore Biennale 2013.
From the Workshop production of Apollo part two at the Center Theater Group: From the workshop production of Apollo Part Two: Ensemble members perform before an ever shifting arena of boxes full of files, data and detritus from the Apollo project in Nancy Keystone's World Premiere multimedia exploration of the intersection between the space race and the civil rights movement in Apollo, blasting off at Portland Center Stage January 13th through February 8th, 2009. Tickets, blogs, info and more at www.pcs.org.
Photo by Efren Delgadillo, Jr.
From the workshop production of Apollo part one at the Center Theater Group. Using Trees to Reach the Sky: The ensemble of Nancy Keystone's world premiere Apollo interpret a moment on the path to the moon. Apollo will blast off at Portland Center Stage January 13th through February 8th, 2009. Tickets, blogs, info and more at www.pcs.org.
Photo by Efren Delgadillo, Jr.
The community performance art project by Malaysian artist Sharon Chin for the Mundi Bunga (Flower Bath) at the Singapore Art Museum before crossing over to the National Museum of Singapore for the Singapore Biennale 2013.
Republic Of Plinthland (Paulinegod) on the Fourth Plinth (One and Other) performance art in Trafalgar Square, London.
Excellent plinther. Had total audience participation throughout. Declared the plinth to be a self governing stare for one hour. Gave out Plinthland passports and currency. Bestowed honours by getting the audience to select a worthy recipient, then vote as to whether they should get a certificate of merit.
From the workshop production of Apollo part one at the Center Theater Group: Ensemble members demonstrate the long reach of the Apollo project in Nancy Keystone's World Premiere multimedia exploration of the intersection between the space race and the civil rights movement in Apollo, blasting off at Portland Center Stage January 13th through February 8th, 2009. Tickets, blogs, info and more at www.pcs.org.
Photo by Efren Delgadillo, Jr.
I had seen pictures of these two dancers from prior years. I was so pleased to photograph them and meet them afterwards. They move beautifully and use the blue umbrellas artistically. He is Ed Joseph; the name of his beautiful partner is not known.
Nancy Keystone, playwright and director of our World Premiere Apollo, built this early collage of images and ideas to inform the creation of this ten years in the making masterwork of performance. Apollo, a multimedia exploration of the intersection between the space race and the civil rights movement in Apollo will blast off at Portland Center Stage January 13th through February 8th, 2009. Tickets, blogs, info and more at www.pcs.org.
Photo by Efren Delgadillo, Jr.
On the menu were Big Dick's hot dogs and vertical tacos with tuna. At Grace Exhibition Space, Bushwick, Bklyn
The Dog & Pony Show presents The Dog & Pony Variety Show
Sept. 11th Tri-Centennial: "i can't believe it's been 300 years!"
Sunday 9/11/11 @ Cha Cha Razzi, 1918 S. Bancroft St. SOUTH PHILLY
4:00pm - EARLY SHOW FOR EARLY BEDTIMES
$ = donations
Featuring the antics of:
The New Dreamz
Dick Neff
The Dead Squids
Dee & The Warlocks
Wendy Jane Hyatt
Charmaine's Names
Will Dean
Rasputin's Secret Police
face paint by The Sky Sisters
and Dog & Pony Conspiracy School
Gustavo ALVAREZ (Chihuahua - Mexico)
« OFRENDA »
Dar para guardar el equilibrio, patra procurar que el cosmos que nos rige se encuentre calmado, en reciprocidad de la vida que nos ofrece, entre natura y hombre debera de haber sangre que los una y ayude a su permanencia.
@ Château de Chevigny - Millery 21140
« Art Performance 17 »
The SJ Tribal Dance Group demonstrates American Tribal Style Belly Dancing. The woman credited with creating this "fusion" of dance is from the bay area herself; this would help to explain why I used to see this sort of thing going on in downtown Sunnyvale of all places, on weeknights when I used to live there.
The "choreography" is completely improvised, which is pretty impressive. The "yodeling" is a form of encouragement; during slow movements (which can be physically challenging), the crowd was encouraged to "hiss" like a snake, having the same meaning.
Monday Sept. 19th, at 8pm
@ Space 1026 (1026 Arch St. 2nd flr)
A film screening and powerpoint event
The Third Person, directed by Max Juren
with powerpoint comedy antics by weirdos:
Michael Gerkovich
Will Dean
Wendy Jane Hyatt & Gera Lavin
Joanna Quigley
"A zillion times better than Monday Nite Football"
-11 out of 10 trusted experts agree
The U.S. Mission to South Africa, as part of its support for South Africa’s fight against gender-based violence, is hosting American actor, musician, poet and social activist Antonio Lyons for a nation-wide series of workshops and performances of his one-man play about countering gender-based violence, entitled We Are Here, in Pretoria, Johannesburg, Mahikeng, and Cape Town June 25 - July 7, 2017.
Antonio also performed at the University of Pretoria's Masker Theatre.
Gustavo ALVAREZ (Chihuahua - Mexico)
« OFRENDA »
@ Château de Chevigny - Millery 21140
« Art Performance 17 »
(Not As You Would Expect) Fairy Tales on the Fourth Plinth (One and Other) performance art in Trafalgar Square, London.
Once upon a time, there was a little princess, who sat upon a big stone plinth in the square and told deliciously dark fairy tales, just because everybody likes storytime
in the afternoon. She took her dearest companion, Mr Teddy, with his very best black satin bow, and wore her favourite green taffeta party dress, and had a nice cup
of tea and some ginger beer.
Miss Leanna (From The One and Other site - edited)
The performance artist Sandra Johnston from Northern Ireland will be living in the Aarhus suburb Gellerup for some time, creating art in collaboration with the citizens.
To mark the beginning of her stay she gave a performance. Armed with four speed markers, she painted the walls, thus giving her reactions to readings from four persons in the small room.
They were reading from the Astrid Lindgren's classic children's book about Emil (in Swedish) from an official document, from the Holy Coran (in Arabic) and from a personal diary containing poetry.
I doubt that Ms Johnston understood much of the words, more likely she reacted to the mood in the small and at times crowded room. And so did I.
Vessel for Haiti II: an interactive, community-engaged performance Co-conceived by Catherine Tutter and Anna Wexler. Featured performers: Margaret Bellafiore James Ellis Coleman Burns Maxey Cathy McLaurin Mari Novotny-Jones Joanne Rice Catherine Tutter Jane Wang Anna Wexler.
At Mobius, 11/06/10.
Photo: ©Bob Raymond
In the atrium of the Museum of Modern Art
From the MOMA description:
"Opening Reception for Marina Abramovic exhibition" by MoMA The Museum of Modern Art
Abramović, best known for her durational works, has created a new work for this performance retrospective—The Artist Is Present (2010)—that she will perform daily throughout the run of the exhibition, for 77 days and a total of over 700 hours. For her longest solo piece to date, Abramović sits in silence at a table in the Museum’s Donald B. and Catherine C. Marron Atrium during public hours, passively inviting visitors to take the seat across from her for as long as they choose within the timeframe of the Museum’s hours of operation. Although she will not respond, participation by Museum visitors completes the piece and allows them to have a personal experience with the artist and the artwork.
Allora and Calzadilla Performance Art Exhibition At The Museum of Modern Art (MoMA) With Performance By Amir Khosrowpour, New York City, Jan. 7, 2011.
nyclovesnyc.blogspot.com/2011/01/allora-and-calzadilla-pe...
Ceremony for ２nd anniversary of 3.11
Ceremony for ２nd anniversary of 3.11 at Fukushima May. 2013, It has past from "the 3.11". Contemporary Buddhist Art unit S-va-ha visited the Beach in Iwaki city, Fukushima. Passing the Some deserted houses that were hit by Tsunami, Some houses were repaired and used for living again, we reached the beach and step into there, at that time, we felt something hidden pressure. We made the dirt mound, erected wood stupa and done floral tribute to service for a departed souls. Kawakami Shugyo, Hirabayashi Yukihisa that as Artists and Buddhism priests chanted a sutra, Female performer Tetta acted tne Buddhist saints and performed Butoh for departed souls. We tried the possibility that Contemporary art connect to Buddhism that composed Butoh and Buddhist chants to be service for departed souls and made the art film to be open. That art film is this one, titled "Ceremony for ２nd anniversary of 3.11".
Youtube www.youtube.com/watch?v=iggYr712OQU
３.１１から２年があまりが経過した２０１３年の３月 仏教•現代・美術ユニット、ソ-ワ-カは福島県いわき市のとある海岸に足を運んだ 津波で廃屋になった家々 再び生活を取り戻している家々 その合間を通り過ぎ、砂浜に足を踏み入れた時、何か、目に見えない重圧の様なものを感じた わたしたちは供養の為の土壇を作り、献花をし、卒塔婆を建立した 犠牲者への供養として僧侶であり美術家でもある川上秀行と平林幸壽は読経をあげ、女性パフォーマーのTETTAは菩薩に扮し舞踏を献じた 供養の舞踏と読経を映像として発表する事 これは現代美術と仏教の直接的な接合の可能性を探る試みでもある それが、この”Ceremony for ２nd anniversary of 3.11”
Vessel for Haiti II: an interactive, community-engaged performance Co-conceived by Catherine Tutter and Anna Wexler. Featured performers: Margaret Bellafiore James Ellis Coleman Burns Maxey Cathy McLaurin Mari Novotny-Jones Joanne Rice Catherine Tutter Jane Wang Anna Wexler.
At Mobius, 11/06/10.
Photo: ©Bob Raymond
Vessel for Haiti II: an interactive, community-engaged performance Co-conceived by Catherine Tutter and Anna Wexler. Featured performers: Margaret Bellafiore James Ellis Coleman Burns Maxey Cathy McLaurin Mari Novotny-Jones Joanne Rice Catherine Tutter Jane Wang Anna Wexler.
At Mobius, 11/06/10.
Photo: ©Bob Raymond
FILE MAGAZINE VOL 4 NO 3 (SUMMER 1980). Toronto: General Idea, 1980
35 X 27.5cm, 64pp plus pictorial wrappers. A single number from General Idea's art periodical where the trio published conceptual, mail and intermedia art including the GI's own work - often with a homoerotic element.
This number has GI's "The famous Mary Lou Greene sheds a tear for post-modernism … Global Downtown" and several articles on/by KLAUS NOMI (!), PAUL OBERST, JIMMY DESANA and ROBERT CUMMING. One slight crease on the BACK COVER, one razor mark on the FRONT COVER and spine wear and, as ever, browned internal newsprint pages else VG+. Scarce.
1980
FILE Megazine ("Special Global Downtown” issue Vol. 4, #3, SUMMER 1980)
Book Description
Publication Date: 1980
Publisher:General Idea, Toronto
Book Condition: VG+
35 X 27.5cm, 64pp plus pictorial wrappers
see also: FILEmag-Vol.4Nos.1-2-3_13a