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The Cocoon Project performing at Thursday Night SuperCoda at Ange Noir Cafe Nov 21, 2013

[PLAY]ING + (P)HOUSE

by Eric F. Avery

 

photo by Bruce Silcox

Performance by Bunny Rogers

photo by Filip Olszewski

Another test subject in our performance. Mary paced, smoked a cigarette and occassionally banged on the window panes.

The performance artist Sandra Johnston from Northern Ireland will be living in the Aarhus suburb Gellerup for some time, creating art in collaboration with the citizens.

 

To mark the beginning of her stay she gave a performance. Armed with four speed markers, she painted the walls, thus giving her reactions to readings from four persons in the small room.

 

They were reading from the Astrid Lindgren's classic children's book about Emil (in Swedish) from an official document, from the Holy Coran (in Arabic) and from a personal diary containing poetry.

 

I doubt that Ms Johnston understood much of the words, more likely she reacted to the mood in the small and at times crowded room. And so did I.

[PLAY]ING + (P)HOUSE

by Eric F. Avery

 

photo by Bruce Silcox

Backspace wows the crowd at their "Don't Let the Bed Bugs Bite" performance - www.thebackspace.org

Supplied courtesy of Scenepool

 

Photographer: Adrian Betts

ANDRES MONTES, MEXICO/SPAIN

 

(W)HOLE HOUSE (PERFORMANCE ART/INSTALLATION, UNDETERMINED LENGTH)

 

Finland:

XL Art Space – 17th/ 18th/ 19th October

Backspace wows the crowd at their "Don't Let the Bed Bugs Bite" performance - www.thebackspace.org

NTOV NTOO

by B Billy Xiong

 

photo by Bruce Silcox

 

Collaboration with Jesse Butcher and Anthony Romero.

 

Featured in issue 7 of Cantanker Magazine

 

www.cantanker.com/

Liza Wade Green's HILL HOUSE MINE is a dance/theatre work created specifically for the midcentury modern home that hosts Summercamp’s ProjectProject. Part haunted house, part live installation, HILL HOUSE MINE takes the audience on a journey through five rooms and the backyard of the residence and explores a world where the fantasies of childhood become truth and the realities of loss are buried. The story follows a family coping with two tragic deaths. As the audience travels through the house they meet different family members and piece together a puzzle of death, dance, memory, and time.

 

The site-specific work is written and choreographed by Brooklyn-based theatre artist Liza Wade Green in collaboration with six performers from New York and Los Angeles. The performers use movement and text to bring the characters to life as they connect to the house’s architectural details. Hidden passageways, plastic-covered furniture, an expansive sloping yard, and a claw foot tub all add to the eerie backdrop for this interactive experience. Brick and mortar give way to the home’s memories and dreams, while the performers awaken its ghosts and rumors – all giving voice to a family in transition.

  

Summercamp's ProjectProject presents Friday Night Lights & Sunday Afternoons- evening of three performances and a daytime outdoor group exhibition of artists who work within the realms of exploring the unknown. Both events will feature a performance by Liza Wade Green, written during her Fall 2010 Residency at Summercamp.

 

Hours by appointment. Please contact summercampprojectproject@gmail.com

summercampprojectproject.blogspot.com

Gustavo ALVAREZ (Chihuahua - Mexico)

« DESCOLONIALIZATE »

 

@ LMP - Paris

« toutou RIEN ! »

 

Liza Wade Green's HILL HOUSE MINE is a dance/theatre work created specifically for the midcentury modern home that hosts Summercamp’s ProjectProject. Part haunted house, part live installation, HILL HOUSE MINE takes the audience on a journey through five rooms and the backyard of the residence and explores a world where the fantasies of childhood become truth and the realities of loss are buried. The story follows a family coping with two tragic deaths. As the audience travels through the house they meet different family members and piece together a puzzle of death, dance, memory, and time.

 

The site-specific work is written and choreographed by Brooklyn-based theatre artist Liza Wade Green in collaboration with six performers from New York and Los Angeles. The performers use movement and text to bring the characters to life as they connect to the house’s architectural details. Hidden passageways, plastic-covered furniture, an expansive sloping yard, and a claw foot tub all add to the eerie backdrop for this interactive experience. Brick and mortar give way to the home’s memories and dreams, while the performers awaken its ghosts and rumors – all giving voice to a family in transition.

  

Summercamp's ProjectProject presents Friday Night Lights & Sunday Afternoons- evening of three performances and a daytime outdoor group exhibition of artists who work within the realms of exploring the unknown. Both events will feature a performance by Liza Wade Green, written during her Fall 2010 Residency at Summercamp.

 

Hours by appointment. Please contact summercampprojectproject@gmail.com

summercampprojectproject.blogspot.com

Photo by Ash Tanasiychuk VANDOCUMENT.

 

"laro na tayo - let's play" is a series of art performances by Paul de Guzman. The performances occurred over the summer of 2022 throughout a variety of locations across Vancouver, BC, Canada.

 

People in the public are encouraged to play the traditional Filipino game with the artist.

 

On July 23, 2022, the location was outside a home in the Strathcona neighbourhood of Vancouver on a very hot summer day.

MC ExtraCheese, Diane Dwyer, Lessie Askew

video still

Revolve performance art

Photo by Ash Tanasiychuk VANDOCUMENT.

 

"laro na tayo - let's play" is a series of art performances by Paul de Guzman. The performances occurred over the summer of 2022 throughout a variety of locations across Vancouver, BC, Canada.

 

People in the public are encouraged to play the traditional Filipino game with the artist.

 

On July 23, 2022, the location was outside a home in the Strathcona neighbourhood of Vancouver on a very hot summer day.

Revolve performance art

Georgina Starr's exhibition I,CAVE at mima (Middlesbrough Institute of Modern Art) opened 9 April 2015. The exhibition runs until 28 May 2015.

 

www.visitmima.com

 

To see the audio slideshow of the 'I,CAVE' Opening Ceremony : vimeo.com/126114374

 

Consciousness Alert at Montag Modus featured performances and participatory experiments by Isabel Lewis, Julian Weber, Jasna Vinovrški, Christina Ciupke, Ábris Gryllus, Márton Emil Tóth and Tamara Zsófia Vadas.

Montag Modus is a bi-monthly series designed to facilitate the fusion of different artistic genres with a focus on performance art.

Curated by Lena Szirmay-Kalos

Censor-tive Information has been developed specifically for Act Art 8 and is a conceptual live art piece that takes place over the course of the evening. Starting with a large blank sheet of paper hung on a wall, I will write in paint various descriptions of incidents in my life where I have been the subject of homophobic abuse. When the text is finished, passers-by will be asked to act as censors and paint out the single most offensive word in the story in thick red paint, effectively changing the meaning of the text and blotting out the parts of history that they do not wish to see. When the red paint dries, a word of the opposite meaning to the one it replaced will be painted over the top of it, transforming it into a new biography: a censored version of my own life.

After an Earlier Incident, The Club at La MaMa, photo by Emily Boland, 2013

WATER COLOR AND COTTON STRINGS ON CANVAS/ 86x109CM/ KO BULOH (THAILAND 2008)...Info price: matlakas@yahoo.com

some pics from the New Plymouth Tattoo & Arts Festival 2017

Backspace wows the crowd at their "Don't Let the Bed Bugs Bite" performance - www.thebackspace.org

Liza Wade Green's HILL HOUSE MINE is a dance/theatre work created specifically for the midcentury modern home that hosts Summercamp’s ProjectProject. Part haunted house, part live installation, HILL HOUSE MINE takes the audience on a journey through five rooms and the backyard of the residence and explores a world where the fantasies of childhood become truth and the realities of loss are buried. The story follows a family coping with two tragic deaths. As the audience travels through the house they meet different family members and piece together a puzzle of death, dance, memory, and time.

 

The site-specific work is written and choreographed by Brooklyn-based theatre artist Liza Wade Green in collaboration with six performers from New York and Los Angeles. The performers use movement and text to bring the characters to life as they connect to the house’s architectural details. Hidden passageways, plastic-covered furniture, an expansive sloping yard, and a claw foot tub all add to the eerie backdrop for this interactive experience. Brick and mortar give way to the home’s memories and dreams, while the performers awaken its ghosts and rumors – all giving voice to a family in transition.

  

Summercamp's ProjectProject presents Friday Night Lights & Sunday Afternoons- evening of three performances and a daytime outdoor group exhibition of artists who work within the realms of exploring the unknown. Both events will feature a performance by Liza Wade Green, written during her Fall 2010 Residency at Summercamp.

 

Hours by appointment. Please contact summercampprojectproject@gmail.com

summercampprojectproject.blogspot.com

Liza Wade Green's HILL HOUSE MINE is a dance/theatre work created specifically for the midcentury modern home that hosts Summercamp’s ProjectProject. Part haunted house, part live installation, HILL HOUSE MINE takes the audience on a journey through five rooms and the backyard of the residence and explores a world where the fantasies of childhood become truth and the realities of loss are buried. The story follows a family coping with two tragic deaths. As the audience travels through the house they meet different family members and piece together a puzzle of death, dance, memory, and time.

 

The site-specific work is written and choreographed by Brooklyn-based theatre artist Liza Wade Green in collaboration with six performers from New York and Los Angeles. The performers use movement and text to bring the characters to life as they connect to the house’s architectural details. Hidden passageways, plastic-covered furniture, an expansive sloping yard, and a claw foot tub all add to the eerie backdrop for this interactive experience. Brick and mortar give way to the home’s memories and dreams, while the performers awaken its ghosts and rumors – all giving voice to a family in transition.

  

Summercamp's ProjectProject presents Friday Night Lights & Sunday Afternoons- evening of three performances and a daytime outdoor group exhibition of artists who work within the realms of exploring the unknown. Both events will feature a performance by Liza Wade Green, written during her Fall 2010 Residency at Summercamp.

 

Hours by appointment. Please contact summercampprojectproject@gmail.com

summercampprojectproject.blogspot.com

Revolve performance art

‘Adrift’ a durational performance by Marilyn Arsem @FIRST BIENNIAL FESTIVAL OF PERFORMANCE ART AND SOUND ART - ACTON MA at The Quarry, curator: Geoffrey Koetsch, 09/07/13. Photo: ©Ben Potsaid

Liza Wade Green's HILL HOUSE MINE is a dance/theatre work created specifically for the midcentury modern home that hosts Summercamp’s ProjectProject. Part haunted house, part live installation, HILL HOUSE MINE takes the audience on a journey through five rooms and the backyard of the residence and explores a world where the fantasies of childhood become truth and the realities of loss are buried. The story follows a family coping with two tragic deaths. As the audience travels through the house they meet different family members and piece together a puzzle of death, dance, memory, and time.

 

The site-specific work is written and choreographed by Brooklyn-based theatre artist Liza Wade Green in collaboration with six performers from New York and Los Angeles. The performers use movement and text to bring the characters to life as they connect to the house’s architectural details. Hidden passageways, plastic-covered furniture, an expansive sloping yard, and a claw foot tub all add to the eerie backdrop for this interactive experience. Brick and mortar give way to the home’s memories and dreams, while the performers awaken its ghosts and rumors – all giving voice to a family in transition.

  

Summercamp's ProjectProject presents Friday Night Lights & Sunday Afternoons- evening of three performances and a daytime outdoor group exhibition of artists who work within the realms of exploring the unknown. Both events will feature a performance by Liza Wade Green, written during her Fall 2010 Residency at Summercamp.

 

Hours by appointment. Please contact summercampprojectproject@gmail.com

summercampprojectproject.blogspot.com

The U.S. Mission to South Africa, as part of its support for South Africa’s fight against gender-based violence, is hosting American actor, musician, poet and social activist Antonio Lyons for a nation-wide series of workshops and performances of his one-man play about countering gender-based violence, entitled We Are Here, in Pretoria, Johannesburg, Mahikeng, and Cape Town June 25 - July 7, 2017.

Photo by Ash Tanasiychuk VANDOCUMENT.

 

"laro na tayo - let's play" is a series of art performances by Paul de Guzman. The performances occurred over the summer of 2022 throughout a variety of locations across Vancouver, BC, Canada.

 

People in the public are encouraged to play the traditional Filipino game with the artist.

 

On July 23, 2022, the location was outside a home in the Strathcona neighbourhood of Vancouver on a very hot summer day.

RUNNIN'

by PaviElle French

 

photo by Bruce Silcox

in front of work by Kim Kang and Kim Yoen Hoan

Fourth Test, Tell me about it: re-remix wrap (transformer in recall, seeking supporting recall), from I'm A Wee Bit Stumped by Mark Harvey

Quincy Market, Boston - Mass

Liza Wade Green's HILL HOUSE MINE is a dance/theatre work created specifically for the midcentury modern home that hosts Summercamp’s ProjectProject. Part haunted house, part live installation, HILL HOUSE MINE takes the audience on a journey through five rooms and the backyard of the residence and explores a world where the fantasies of childhood become truth and the realities of loss are buried. The story follows a family coping with two tragic deaths. As the audience travels through the house they meet different family members and piece together a puzzle of death, dance, memory, and time.

 

The site-specific work is written and choreographed by Brooklyn-based theatre artist Liza Wade Green in collaboration with six performers from New York and Los Angeles. The performers use movement and text to bring the characters to life as they connect to the house’s architectural details. Hidden passageways, plastic-covered furniture, an expansive sloping yard, and a claw foot tub all add to the eerie backdrop for this interactive experience. Brick and mortar give way to the home’s memories and dreams, while the performers awaken its ghosts and rumors – all giving voice to a family in transition.

  

Summercamp's ProjectProject presents Friday Night Lights & Sunday Afternoons- evening of three performances and a daytime outdoor group exhibition of artists who work within the realms of exploring the unknown. Both events will feature a performance by Liza Wade Green, written during her Fall 2010 Residency at Summercamp.

 

Hours by appointment. Please contact summercampprojectproject@gmail.com

summercampprojectproject.blogspot.com

The U.S. Mission to South Africa, as part of its support for South Africa’s fight against gender-based violence, is hosting American actor, musician, poet and social activist Antonio Lyons for a nation-wide series of workshops and performances of his one-man play about countering gender-based violence, entitled We Are Here, in Pretoria, Johannesburg, Mahikeng, and Cape Town June 25 - July 7, 2017.

The play is followed by a workshop to allow audiences to discuss attitudes, perceptions and social structures around men and boys, and gender-based violence.

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