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CNC model. Components aggregations + Parametric transformation.

Form generated by rhino scritping

An extremely well-equipped cassette tape deck from c.1982; it's the only hi-fi cassette deck I've seen that featured a parametric equaliser.

 

And just look at the distortion from the lens of the Sony H-1 digicam!

Parametric design - the size of the opening transform while different parameters are input... This research can be used in Facade design...

"That isn't a normal Arc deTriomphe." "It wasn't a normal war," his buddy replied.

Rhino Grasshopper studies. parametric wood structures, grid paneling.

Wood paneling, based on a Andrew Payne definition from LIFT Architects.

credit also goes to: Linda Papp & Szokan Richard

Modeled and textured in 3dsmax, rendered in Octane render.

 

Inspired by the excellent and complex origami art I've seen recently online, I tried my best to recreate some of the complex paper-folded objects I had seen. Most of these shapes began as standard primitive objects, and were then modeled with rotational symmetry to simulate real origami objects; while others are simply modified primitives (like the hydra prim) in 3dsmax, altered with the Graphite tools to look like folded paper. Textures are from cgtextures.com, except for the "book", which uses a texture taken from an actual origami book you can buy on Amazon. These shapes, however, are NOT based on that book. I haven't even read that book, so any shape seen here that may be in that book is completely coincidental.

Excel → Grasshopper → Rhino → Illustrator → InDesigin

Flowers at the prospect park farmers market.

Li Jun's #parametric #desires #survey #architecture #greenpepper #waffle #onion, #ucberkeley #graduate #thesis #wursterlife. What do we all want anymore? #Rhino #Grasshopper #Revit

 

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'Sukkah City' @ Union Square, NYC

 

by navema

www.navemastudios.com

 

ABOUT SUKKAH CITY

 

'Sukkah City' is an international design competition to re-imagine this ancient phenomenon, develop new methods of material practice and parametric design, and propose radical possibilities for traditional design constraints in a contemporary urban site. Twelve finalists were selected by a panel of celebrated architects, designers, and critics to be constructed in a visionary village in Union Square Park from September 19-20, 2010. Over 150,000 people visited Sukkah City. One structure is chosen by New Yorkers to stand throughout the week-long festival of Sukkot as the People's Choice Sukkah of New York City. The process and results of the competition, along with construction documentation and critical essays, will be published in the book "Sukkah City: Radically Temporary Architecture for the Next Three Thousand Years." Selected entries will also be displayed in an exhibit at the Center for Architecture in New York City during September 2010. Next year, Sukkah City will expand from New York City to cities all around the world.

 

People behind Sukkah City: Joshua Foer (a journalist, author and the founder of the Atlas Obscura - an online compendium of the world’s curiosities), and Roger Bennett (co-founder of the Idelsohn Society for Musical Preservation, and Reboot - a network of thought-leaders and tastemakers who work to "reboot" the inherited culture, rituals, and traditions and make them vital and resonant).

 

Partnerships: Jennifer Falk and the Union Square Partnership. Dani Passow of Yeshivat Chovevei Torah, and Thomas de Monchaux.

 

The Jury: Michael Arad, Ron Arad, Rick Bell, Allan Chochinov, Matias Corea, Paul Goldberger, Steven Heller, Natalie Jeremijenko, Maira Kalman, Geoff Manaugh, Thom Mayne, Thomas de Monchaux, Ada Tolla, and Adam Yarinsky.

 

For more info visit: www.sukkahcity.com

 

ABOUT GATHERING

 

This “calculated yet unpredictable structure,” in the words of its designers, is constructed from a non-linear assemblage of wooden sticks that guide the eye upward towards the sky. “Whether wandering through the desert for forty years or through the city for the spool, the scaffolding is removed, leaving a rigid yet porous enclosure with day, all people desire respite. The sukkah is an icon for this relief from transience.”

 

To view the project design, click here: www.sukkahcity.com/sukkah/gathering.php

 

The team of Dale Suttle, So Sugita and Ginna Nguyen was originally formed at the University of Pennsylvania, where they received their Masters of Architecture in 2010. Now spanning the globe, Dale Suttle resides in New York City, So Sugita in Hiroshima, Japan, and Ginna Nguyen in Southern California.

 

For more info about Dale Suttle, visit: dalesuttle.carbonmade.com/

For more info about So Sugita, visit: www.architizer.com/en_us/people/profile/so_sugita/

For more info about Ginna Nguyen, visit: www.linkedin.com/in/ginnanguyen

 

ABOUT THE SUKKAH

 

Biblical in origin, the sukkah is an ephemeral, elemental shelter, erected for one week each fall, in which it is customary to share meals, entertain, sleep, and rejoice.

 

Ostensibly the sukkah's religious function is to commemorate the temporary structures that the Israelites dwelled in during their exodus from Egypt, but it is also about universal ideas of transience and permanence as expressed in architecture. The sukkah is a means of ceremonially practicing homelessness, while at the same time remaining deeply rooted. It calls on us to acknowledge the changing of the seasons, to reconnect with an agricultural past, and to take a moment to dwell on--and dwell in--impermanence.

 

SOME OF THE RULES - Historically, the sukkah's permanent recurrence is not as a monument, archetype, or typology, but as a set of precise parameters. The paradoxical effect of these constraints is to produce a building that is at once new and old, timely and timeless, mobile and stable, open and enclosed, homey and uncanny, comfortable and critical:

 

* A whale may be used to make a sukkah's walls. Also a living elephant.

* The sukkah must enclose a minimum area of at least 7 x 7 square handbreadths.

* A sukkah may be built on top of a camel.

* If the sukkah has only 2 complete walls, and they face each other, a third wall of at least 4 handbreadths must be within 3 handbreadths of one of the complete walls.

* The roof cannot be made of bundles of straw or sticks that are tied together (although untied straw or sticks may be okay).

* The roof cannot be made of utensils, or anything conventionally functional when it is not part of a sukkah.

* There is no maximum area, except in NYC where any structure larger than 19 x 8 feet is not considered temporary by the DOB.

* The roof cannot be made of food.

* The sukkah must have at least 3 walls, but the third doesn't need to be complete. The walls must remain unshaken by a steady wind.

* At night, one must be able to see the stars from within the sukkah, through the roof.

* The sukkah must have a roof made of schach: the leaves and/or branches of a tree or plant.

* If there are only 2 complete walls, and they form a corner, a third wall of at least 1 handbreadth must be within 3 handbreadths of one of the complete walls.

* A sukkah may be built on a boat.

* A sukkah may be built on a wagon.

* A sukkah may be built in a tree, like a treehouse. But it cannot be built under a tree, or any overhanging surface.

* In day, the roof must provide more shade than sunshine. Its individual construction elements must be less than 4 handbreadths in width.

* The sukkah must draw the eye up to its roof, and to the sky beyond.

* The roof must be made from something that once grew in the ground, and is no longer attached to the earth.

* The sukkah must be at least 10 handbreadths tall, but no taller than 20 cubits.

* The base of the walls must be within 3 handbreadths of the ground, but need not reach the roof.

Playing with Sine and Cosine functions. All of my postings are single object drawn by a pair of parametric equations. I'm imposing the constraint of "single object drawn by a pair of parametric equations" and seeing what I can do within the confines of that constraint.

Parametric curve sketch

10.12.2015

 

Made in Processing.

Based on this code: www.openprocessing.org/sketch/206851

STL Model, size around 25cm X 25cm X 25cm

Space research : Generated by rhino scripting, component aggregations form curved space.

Park Street next to Selfridges closed for the St Patrick's Day Parade.

 

Highway maintenance vehicles blocked the road at odd angles.

 

The parade in 2018 was on Sunday 11th March 2018 and from the Bullring it goes around the Bull Ring Tavern from Digbeth and onto Moat Lane.

 

Doesn't actually go up Park Street or Moor Street, although those roads are always closed for it!

  

Viewed from the Parametric bridge that links Selfridges to Moor Street Car Park.

  

Heritage bus MOF 225 - 3225 was seen heading past Bull Ring Tavern.

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