View allAll Photos Tagged parallax
Now, on one hand, I really wanted to use this armour piece on a green lantern. However, I couldn't imagine regular Hal Jordan donning such grand armour. Then I remembered that one time Hal lost coast city, slaughtered the entire green lantern corp and went mad. So I went for a Parallax look instead.
My version tries to be good, choosing to look at the bigger picture, and try not to focus on just one area. He re-cast his ring into a crystal, and set it atop a staff, wielding it like some sort of space-Gandalf.
Never tried this before :-)
It's done from a single photo which where one animate 2 or more layers. Inspiration from several videos on youtube.
Model: Sinba
More info about Sinba, books/ebooks and BTS videos:
gjesdal.org/Sinba
The parallax effect is creating the illusion of depth with flat, two-dimensional objects by moving different background and foreground elements at varying speeds. Foreground objects move fastest, mid-ground slower, and the far-off background elements the slowest.
The single frame photograph was captured overlooking the Pyrenees, shot from the town of Pau on the northern edge of Pyrenees in France. The various planes of the photograph were excised and situated onto multiple planes vertically with a 3d camera pointed straight down at them in Adobe After Effects. Motion graphics were then added to create illusion of flyover, rotation, and varying depth of field.
The Duck Rabbit said: what?
The Duck replied: that!
The Rabbit: what what?
The amphibian just smiled at all of them right back.
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A close up on The Armadillo that I've posted 2 weeks ago. This image focused mainly on the geometry of the structure, which I thought was quite unique in a way.
I used the Formatt-Hitech Firecrest 16 to create the long exposure effect in the clouds. The final version was converted to monochrome using the TK Infinity Mask. I created 2 pixel layers which I blended together later on.
Thanks for viewing and have a nice day!
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On Feb 23, 2021, over Indio, Calif., United Airlines 374 from LAX to IAD was at 35,000 feet, and Alaska Airlines 2316 was descending to SLC from SAN, and was at 33,000 feet when they appear to cross paths. This was shot at 600mm and cropped. I was surprised to find the result, and that they appear to be much closer than they actually are.
- Keefer Lake, Ontario, Canada -
I'm away for a week visiting my newest grandson ... I will leave you with this image proving for once and for all that I have a problem focusing!
A patron at Scotiabank Nuit Blanche examines an aptly named piece that describes the actual effect that it creates.
Target locking sniper rifle system "parallax"
as the title states, a tribute to one of my favorite people to see builds from. just based on the level of skill and detail, you can tell he's usually dedicated. Whenever i can't find any inspiration, i can turn to your photostream to find what i lack. so in thanks for unknowingly being there for me, this one's to you, robbe. Sie sind die besten!
credits:
robbe - inspiration (obviously)
eagle - smooth shading (which i suck at)
pat - texturing (drained my patience so quickly)
jake - mag waffling
Long exposure kinetic motion photography. My first try and this wasn't really a camera toss because I was too afraid to let go ahaha.
One of the more odd ball accessories for the vintage Canon Rangefinder system.
Basically, it sits between the camera body and the Auto-up Attachment. after you focus with the lens, you transfer the distance to the distance wheel on the parallax compensator and that will allow you a more accurate framing through the auto-up. Finally, release the shutter.
This is a combination of 2 different shots of the same road.
Pen-F takes the half size of the ordinary 35mm film Vertically, so you can see the Border in the middle.
@Tokyo
*Olympus Pen-F+Zuiko 100mm f3.5+Fuji RDP 100
The parallax effect is creating the illusion of depth with flat, two-dimensional objects by moving different background and foreground elements at varying speeds. Foreground objects move fastest, mid-ground slower, and the far-off background elements the slowest.
The single frame portrait was one of many captured in streets of Rome using my Nikon D4. The subject was excised from the background and placed into its own layer and each layer was moved in a varying speed and in opposite direction using a 3d motion camera in After Effects. Furthermore, the subject’s camera-holding arm and head were independently tilted using the puppet tool to complete the illusion of creating an overall 3d, “dolly” tracking shot.