View allAll Photos Tagged offwhite
How many tan liccas do you need? Also want a sidepart Izumi and maybe the wavy copper and a sidepart licca. Stupid dolls!
a kitchen with a classic color combo : off-white and light grey.
excerpt of a story about an apartment in Marseilles (France), published in the magazine "le journal de la maison" - dec 06/jan 07.
new work → SOLD OUT
made in kyoto（nishijin）
おおきに、こんばんは。
今夜もミシン踏み踏み品物作り・・・
ですが明日明後日と久しぶりの出張。
それも名古屋市2泊は初めて。
夜の栄 界隈、はたまた ちゃうとこ探検できるかな・・・
さて今宵は先日ご紹介しましたnewsなoff-white cyclecapの続編 !
アンティーク調の新聞広告をプリントしたコットンファブリックを使ってのクラシックラインのサイクルキャップ。
オフホワイトカラーにシルク調ブラックラインを縫込んでみました。
これも即完売の予感＾＾
Link Post: anacronica.wixsite.com/anna/single-post/2017/06/17/Look-F...
ANA BEATRIZ ARCHELEIGAR
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I keep finding myself drawn to still life... I'd resisted it for a long time because I thought "It's been done to death." But, I realize now, it's been done a lot because there is so much there to explore.
Details: www.spera.de/products/015432
Free to use, just give credit and mention SPERA and link to www.spera.de
BEAR RIDE / OFF-WHITE
new work
made in kyoto（nishijin）
おおきに、こんにちは。
近畿も梅雨明けしたとたん猛暑到来
早朝ライド重点月間到来でもあります（汗）
先日ご紹介しましたサイクルキャップのBEAR RIDE / GRAY とYELLOW、沢山のご注文頂きまして感謝申し上げます。
海外からもオーダー入ったり、いきなり赤丸急上昇！
当初はこの２カラーのみでしたがメーカーの倉庫からちょびっとだけOFF-WHITE裂地を見つけ全部買い占め～（苦笑）
売切れまで３カラー体制で製作します。
サマーシーズンをシロクマ君と一緒にクールサイクリング❣（笑）
【ENISHI instagram photo stream】
I love that fact that, in recent years, poinsettias have been available in such lovely shades! I think the pink & cream is my favorite! It reminds me of the Primrose Moths! December, 2014. Two reminders--First, poinsettias are mildly poisonous. Check out this Mayo Clinic link for information: www.mayoclinic.org/healthy-living/infant-and-toddler-heal...
Secondly, those lovely pink & cream things are not flower petals, but specialized leaves called bracts. Check the following link for further information: urbanext.illinois.edu/poinsettia/facts.cfm
everything around me was captured as i took the pack out in broad daylight with the last shot remaining, only to have it ejected once it was returned to the camera. i was hoping for a pure white, but development revealed this off-white.
polaroid sx70 sonar
779 film
In response to Edward Weston's Pepper #30, I submit Q-ball in darkness as the most sensuous image ever.
a special thank for the talented photographers for allowing their photos to appear in mosaics :)
1. Untitled, 2. love the colors in the background, 3. 266/365, 4. september, 5. fall/winter pillows, 6. the only time this window gets full sun., 7. bath corner Aug, 8. Untitled, 9. sketches::banksia
Created with fd's Flickr Toys
new works ➡︎ SOLD OUT
made in kyoto (nishijin)
おおきおに、こんばんは。
昨夜は梅雨末期を思わせるような雷雨でしたが皆様のお住まい界隈は如何でしたでしょうか・・・
もっとも僕は知らずに熟睡モードでしたが（苦笑）
災害が起こるような降り方は堪忍してほしいですね。
さて今宵の新作は以前ご紹介した「BIKE BLACK」のお色違い、オフホワイト・バージョンです。
同じくホリゾンタルな赤いバイシクルにポップなデザイン、例えばカメラ・トレッキングシューズ・バッグなどがプリントされた少し厚めのコットンを使用したサイクルキャップ。
ブラックも人気商品でしたがオフホワイトもどうぞ宜しゅうお頼み申します！
Upcycled 100%.
I used strips of fabric that I cut from several pairs of discarded cotton pants (white, off white and beige).
I attached the strips to one another and handknit the material to make the bag.
The bag is lined using a former light cotton shirt. Inside pockets are also upcyled material from different pants.
The straps of the bag are woven fabric strips and some acrylic yarn.
Very rustic and natural looking.
Velcro closure attached to the over-the--top-edge woven strip.
My little one feels the hands of the temple godessess kept outside the main shrine.,we would never imagine to hold and have the feel...
edited by Marvin Sackner & Ruth Sackner. Miami Beach (USA), The Ruth & Marvin Sackner Archive Of Concrete And Visual Poetry, may 1986. 5oo copies #d & signed in black ink by both editors at colophon rear.
8-1/2 x 11, 668 sheets white xerographic bond, all but 5 pp printed black photocopy, perfectbound in offwhite coated card covers printed 4-colour procss offset outer covers only, with plain acetate front cover overlay & cream leatherette rear cover with spine wraparound printed black offset spine only & glued to spine & cover acetate.
cover by Tom Phillips.
221 contributors ID'd, in varying states of visibility:
Douglas Abdell, Vincenzo Accame, Jeremy Adler, Pierre Albert-Birot, Adele Aldridge, Annalisa Alloatti, Roberto Altman, Miekal And, Carl Andre, Yuri Annenkov, David Antin, Guillaume Apollinaire, Shusaku Arakawa, Alain Arias-Misson, Michael Badura, Vittore Baroni, Susan Barron, Jennifer Bartlett, Klaus Basset, Andrew Behar, Nikki Bell, Bernard Benes, Max Bense, Mirella Bentivoglio, Bill Bissett, Julien Blaine, Jean-François Bory, Joaquim Branco, Jonathan Brannen, John-Eric Broaddus, Joan Brosso, Bob Brown, Ernst Buchwalder, Ugo Carrega, Ulises Carrion, Barbara Caruso, Luciano Caruso, Henri Chopin, Stathis Chrissicopoulos, Bob Cobbing, David Cole, Geoffrey Cook, Kenneth Coutts-Smith, Robin Crozier, E.E.Cumming, jwcurry, Jean-Paul Curtay, Simon Cutts, Nat Dean, Augusto De Campos, Cozette De Charmoy, Guy De Contet, Ernesto De Melo E Castro, Klaus Peter Dencker, Paul De Vree, Klaus Peter Dienst, Johanna Drucker, Jas Duke, Albert Dupont, Jacob ElHanani, Timothy Ely, Max Ernst, Loris Essary, Alexandra Exter, Dikko Faust, Raymond Federman, P.C.Fencott, Jackie Ferrara, Ian Hamilton Finlay, Jane Freeman, Ken Friedman, Astrid Furnival, John Furnival, Bill Gaglione, Philip Gallo, Heinz Gappmayr, Dominique Gauthier, Rimma Gerlovin, Valery Gerlovin, Jochen Gerz, Paul-Armand Gette, Michael Gibbs, Abraham Lincoln Gillespie, Madeline Gins, John Giorno, Glenn Goluska, Eugen Gomringer, Coco Gorden, Klaus Groh, Rolf Gunter, Victor Hartmann, Ana Hatherly, Raoul Hausmann, Ric Haynes, Bernard Heidsieck, Scott Helmes, Bob Heman, George Hermes, Dick Higgins, Charles Christopher Hill, Jack Hirschman, Michael Horowitz, Dom Sylvester Houédard, Joel Hubaut, Georges Hugnet, Norman Ives, Sandra Jackman, Ruth Jacoby, Tim Jahns, Ernst Jandl, Richard Johns, Gunnar Kaldeway, Vasily Kamensky, Michael Kasper, Karl Kempton, Frieder Kerler, Alison Knowles, J-H.Kocman, Jiri Kolar, Begonia Korta-Zaharra, Richard Kostelanetz, Ferdinand Kriwet, Barbara Kruger, Sally Kuhn, Jean-Clarence Lambert, Ben Langland, Warren Lehrer, Maurice Lemaitre, Françoise Letaillieur, D.A.Levy, Roy Lichtenstein, Jackson Maclow, Bernard Maisner, F.T.Marinetti, Jurgen Mau, Hansjörg Mayer, Peter Mayer, Brenda Miller, Joan Miro, Franz Mon, Peter Murphy, Maurizio Nanucci, bpNichol, Ann Noel, Tom Ockerse, Jurgen Olbrich, Luciano Ori, Kenneth Patchen, Tom Phillips, Jennifer Pike, Julio Plaza, Elena Presser, Mehdi Qotbi, George Quasha, Bernard Quentin, Robert Rehfeldt, Lee Rickles, Tom Rickles, Ernest Robson, Marion Robson, Marilyn Rosenberg, Dieter Roth, Erica Rothenberg, Jerome Rothenberg, Edward Ruscha, Eino Ruutsalo, Betye Saar, Deborah Sackner, Jonathan Sackner, Marvin Sackner, Ruth Sackner, Sara Sackner, Roberto Sanesi, Sarenco, Aram Saroyan, Alain Satie, Claire Satin, Robert Saunders, Konrad Balder Schauffelen, Siegfred J.Schmidt, Wolfgang Schmidt, Carolee Schneeman, Schuldt, Kurt Schwitters, George Segal, Alex Selenitsch, Gino Severini, Paul Sharits, Joyce Cutler Shaw, Barbara Siegel, Nicholas Sloan, William Jay Smith, Kenneth Snelson,Ardengo Soffici, Gerd Stein, Shohachiro Takahashi, Simon Teilengater, Franciszka Themerson, Stefan Themerson, Richard Tipping, Karel Trinkowitz, Ian Tyson, Timm Ulrichs, Paul Van Ostayen, Reginald Walker, Elizabeth Was, Christina Weiss, Emmett Williams, Jonathan Williams, Arne Wolf, Ruth Wolf-Rehfeldt, Joseph Wolman, Melanie Wygonik, Constantine Xenakis, William Xerra, Purvis Young, Ilia Zdanevich, Paul Zelevansky, Ludwig Zeller, Nicholas Zurbrugg.
includes descriptions of 14 Lefler titles, numerous associative, &:
i) FORMING A COLLECTION, by Marvin Sackner (introduction with reference to Lefler)