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Phoenix Pro Theater offers a theatrical experience brought to your living room. Sitting in the comfort of your home, you can sense the real feeling of watching a movie in an enriched theater. Any movie of choice, available in your PC or laptop, can be played in Phoenix Pro Theater.
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Phoenix Pro Theater, elevates you to the ownership of a personal theater. The ambiance excels to that of a real theater. The player is provided with all facilities to choose and play any movie available in your system. It is meticulously designed to cater to your taste, comfort and convenience.
In order to improve the ambiance and magnificence of the theater, facilities have been provided to customize the theater to your liking.
To the viewers’ delight, Phoenix Pro Theater offers surround sound, animated audience captured to visualize real life situation. The theater ambiance light mimics and adjusts to that of the brightness and color tone present in the movie played. The Theater is illuminated with pleasing lights, and movie can be watched either with the lights on or off, as per the liking of the viewers.
An array of choices offered are
(i) Selection of seats, in six Zones viz. Front (Left, Middle or Right) or Rear (Left Middle or Right),
(ii) 15 types of Leather Seat Upholstery,
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(iv) Choose from any one of the 6 Colors of lights displayed on Side Walls,
(v) Color tone of the movie played can be changed
(vi) Individual Color Theme, wherein the viewer can change the color of the dresses of all the characters in the movie offering a very unique experience not found in any main stream video player.
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Johanna Annable of Johanna's Design Studio offers High-End Custom Murals, Venetian Plastering and Decorative Wall Finishes. Johanna prefers to create stunning details and wall finishes using all natural sustainable eco-friendly high performance paints, plasters and other low to no VOC materials for the health, comfort and peace of mind of her clients.
Our designs are inspired by nature, fresh colors, intriguing textures, and handcrafted details. We specialize in transforming your home into the ideal environment for you and your family. We are proud to provide you with the highest quality of craftsmanship and creativity, where excellence and beauty are foremost and where we look into the past, while moving into the future. Let Johanna's Design Studio capture your dream.
Any artist can paint a wall. Johanna's Design Studio will help you to create your dream home, with gorgeous wall techniques that inspire, evoke romanticism, enliven, calm, or take you an exotic world.
Your home becomes an environment you can truly call your own, expressing who you are, and reflecting your unique personality and style. No one will ever have your interior. All finishes are signed and stamped by the artist.
Your home is an investment — why not make it better? Beauty and uniqueness increase the value of any home. We use the highest quality plasters, glazes and finishes. We offer several hundred combinations of wall styles and textures. Combine personal touches such as stenciling and ornamental wall sculptures for a home that is truly one-of-a kind.
Elegant Finishes
■Authentic Italian Fresco
■Ceiling Designs
■Faux Cherry Wood
■Faux Lapis Lazuli
■Faux Leather
■Faux Malachite
■Faux Reptile, Alligator (and more)
■Faux Tortoise Shell
■Fresco on Canvas
■Gold or Silver Leaf
■Hammered Metal
■Harlequin
■Italian Lime Plaster
■Lime Paint
■Marbling
■Metallic Plasters
■Molded Stone
■Raised Damask Fabric
■Raw Silk
■Seashell or Fossil Texture
■Suede
■Wood Graining
As a decorative artisan concerned with improving indoor air quality, I would like to re-introduce you to the lovely attributes of lime and clay plaster wall finishes for homes and wineries.
Lime plaster surfaces have been around for thousands of years, and are perfectly suited for modern day wine cellars or other areas where moisture may be a concern, since lime plasters emit no VOC's and are mold, mildew and fungal resistant.
Clay and lime plaster walls and ceilings actually help the modern cooling system, in creating a stable climate for the room, holding the temperature and humidity in balance. Lime-based plasters dry hard and continue to cure for months by absorbing carbon dioxide from the air, and reverting back to the original limestone state.
Lime plasters are beautiful when applied, but become even more beautiful with age. Lime plasters are the real thing - the same ingredients that you will find on centuries-old walls in Europe.
Protection: Lime plaster surfaces can protect your home, family and business from some of the most common enemies...mold, mildew and dust through its unique natural properties such as a naturally high pH and dust resistance.
Durability: Lime wall finishes last many, many years against cracking, rotting, moisture and fire. They are easy to maintain and save you time and money.
Green: Clay and lime plaster finishes are rare in that they combine beauty, durability and are considered "Green and Sustainable" by industry professionals.
Thank you for your time in reading this blog post. I hope this helps lend an understanding of the wonderful and unique characteristics of lime and clay plasters, and how they can improve indoor comfort and quality of living in any interior environment.
We offer seven unique heritage rooms of various sizes for meetings & events.
Drawing Office One can accommodate up to 300 guests in a cathedral-like space where many of the world's greatest ocean liners were designed.
An adjoining bar & reception area is ideal for pre-function drinks and arrivals.
Smaller events and meetings can be catered for in the one of the original offices of the designers and managers who spent their working lives here.
Discover the heritage rooms below.
For enquiries please call 028 9508 2000 or email info@titanichotelbelfast.com
Marlow Cars offer a selection of over 60 prestige motor cars at any one time. Our range of cars consist of Bentley, Porsche, Aston Martin, Mercedes & Rolls Royce. Marlow Cars prides itself with over 30 years experience in the motor trade. Having extensive market knowledge and resources available makes our service unrivalled. We can supply finance on our cars, please visit our finance page for more information. Our web site hosts a gallery of the most significant marques we have sold. Endeavoring to buy and sell quality vehicles at value for money ranging from Aston Martin, Bentley, Rolls Royce, Porsche, Mercedes Benz, Jaguar, Land Rover & BMW.
VISIT WWW.MARLOWCARS.CO.UK FOR 24 IMAGES AND VIDEO OF THIS VEHICLE.
FOR LATEST STOCK UPDATES FOLLOW US ON:
Amex offers high quality alkaline water bottles for longer, healthier and happier life. This alkaline water bottle will help you to remove oxygen-free radical and very effective on the recovery from hangover.
I'd like to offer this photo to viewers who might have been disappointed that the debut photo of the Galapagos Marine Iguana (Amblyrhynchus cristatus) a few pictures ago didn't show the entire critter.
Here it is again, only in its entirety. That tail isn't just to impress the girls - it's the Iguana's main source of propulsion in the water. I didn't take any measurements, but subjectively I'd say the tail is as long as the body.
And look at the size of those hind legs and feet, the length of the toes and the sharp claws.
Since Galapagos Marine Iguanas eat plant material growing on the sea floor and on rocks, the feet may be designed to hold the Iguana in place while it's feeding. Underwater, waves can create strong surges, especially near the shore and around submerged rocks. An Iguana grazing in surging water would need to hang on tightly or be swept away from its meal.
But I bet the Iguana also puts those dogs through their paces when it goes through the process of emerging from the sea.
I suppose Galapagos Marine Iguanas are sometimes fortunate enough to slip out of calm water onto a gently sloping sandy beach. At other times, however, they have to come ashore amid crashing waves, through the undertow, and onto rough lava rocks. If I had that assignment, that's the kind of footwear I'd want.
. . . 2. 3. 2007 - this is the first day of a funeral ceremony in Bori for a High Class Woman. She died on 18. 1. 2007 at the age of 85 years. The ceremony will last for one week. Today we will see the showing of the water buffalos, pigs, cow, horse, deer and chicken. All these animals are offered to be the servants of the died woman in her new life after death in Puya. We will see buffalo fighting. Men bet for the winner of those fightings. Two buffalos fight each other - the one running away lost the fight!
If you wonder why the quality of the pictures is a little less: these are no photographs - it all are snapshots of my videos! So sorry for the less resolution, but I think, they are worth to be shown.
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The Toraja are an ethnic group indigenous to a mountainous region of South Sulawesi, Indonesia. Their population is approximately 1,100,000, of whom 450,000 live in the regency of Tana Toraja ("Land of Toraja"). Most of the population is Christian, and others are Muslim or have local animist beliefs known as aluk ("the way"). The Indonesian government has recognized this animist belief as Aluk To Dolo ("Way of the Ancestors").
The word toraja comes from the Bugis Buginese language term to riaja, meaning "people of the uplands". The Dutch colonial government named the people Toraja in 1909. Torajans are renowned for their elaborate funeral rites, burial sites carved into rocky cliffs, massive peaked-roof traditional houses known as tongkonan, and colorful wood carvings. Toraja funeral rites are important social events, usually attended by hundreds of people and lasting for several days.
Before the 20th century, Torajans lived in autonomous villages, where they practised animism and were relatively untouched by the outside world. In the early 1900s, Dutch missionaries first worked to convert Torajan highlanders to Christianity. When the Tana Toraja regency was further opened to the outside world in the 1970s, it became an icon of tourism in Indonesia: it was exploited by tourism developers and studied by anthropologists. By the 1990s, when tourism peaked, Toraja society had changed significantly, from an agrarian model - in which social life and customs were outgrowths of the Aluk To Dolo - to a largely Christian society. Today, tourism and remittances from migrant Torajans have made for major changes in the Toraja highland, giving the Toraja a celebrity status within Indonesia and enhancing Toraja ethnic group pride.
ETHNIC IDENTITY
The Torajan people had little notion of themselves as a distinct ethnic group before the 20th century. Before Dutch colonization and Christianization, Torajans, who lived in highland areas, identified with their villages and did not share a broad sense of identity. Although complexes of rituals created linkages between highland villages, there were variations in dialects, differences in social hierarchies, and an array of ritual practices in the Sulawesi highland region. "Toraja" (from the coastal languages' to, meaning people; and riaja, uplands) was first used as a lowlander expression for highlanders. As a result, "Toraja" initially had more currency with outsiders - such as the Bugis and Makassarese, who constitute a majority of the lowland of Sulawesi - than with insiders. The Dutch missionaries' presence in the highlands gave rise to the Toraja ethnic consciousness in the Sa'dan Toraja region, and this shared identity grew with the rise of tourism in the Tana Toraja Regency. Since then, South Sulawesi has four main ethnic groups - the Bugis (the majority, including shipbuilders and seafarers), the Makassarese (lowland traders and seafarers), the Mandarese (traders and fishermen), and the Toraja (highland rice cultivators).
HISTORY
From the 17th century, the Dutch established trade and political control on Sulawesi through the Dutch East Indies Company. Over two centuries, they ignored the mountainous area in the central Sulawesi, where Torajans lived, because access was difficult and it had little productive agricultural land. In the late 19th century, the Dutch became increasingly concerned about the spread of Islam in the south of Sulawesi, especially among the Makassarese and Bugis peoples. The Dutch saw the animist highlanders as potential Christians. In the 1920s, the Reformed Missionary Alliance of the Dutch Reformed Church began missionary work aided by the Dutch colonial government. In addition to introducing Christianity, the Dutch abolished slavery and imposed local taxes. A line was drawn around the Sa'dan area and called Tana Toraja ("the land of Toraja"). Tana Toraja was first a subdivision of the Luwu kingdom that had claimed the area. In 1946, the Dutch granted Tana Toraja a regentschap, and it was recognized in 1957 as one of the regencies of Indonesia.
Early Dutch missionaries faced strong opposition among Torajans, especially among the elite, because the abolition of their profitable slave trade had angered them. Some Torajans were forcibly relocated to the lowlands by the Dutch, where they could be more easily controlled. Taxes were kept high, undermining the wealth of the elites. Ultimately, the Dutch influence did not subdue Torajan culture, and only a few Torajans were converted. In 1950, only 10% of the population had converted to Christianity.
In the 1930s, Muslim lowlanders attacked the Torajans, resulting in widespread Christian conversion among those who sought to align themselves with the Dutch for political protection and to form a movement against the Bugis and Makassarese Muslims. Between 1951 and 1965 (following Indonesian independence), southern Sulawesi faced a turbulent period as the Darul Islam separatist movement fought for an Islamic state in Sulawesi. The 15 years of guerrilla warfare led to massive conversions to
CHRISTIANITY
Alignment with the Indonesian government, however, did not guarantee safety for the Torajans. In 1965, a presidential decree required every Indonesian citizen to belong to one of five officially recognized religions: Islam, Christianity (Protestantism and Catholicism), Hinduism, or Buddhism. The Torajan religious belief (aluk) was not legally recognized, and the Torajans raised their voices against the law. To make aluk accord with the law, it had to be accepted as part of one of the official religions. In 1969, Aluk To Dolo ("the way of ancestors") was legalized as a sect of Agama Hindu Dharma, the official name of Hinduism in Indonesia.
SOCIETY
There are three main types of affiliation in Toraja society: family, class and religion.
FAMILY AFFILIATION
Family is the primary social and political grouping in Torajan society. Each village is one extended family, the seat of which is the tongkonan, a traditional Torajan house. Each tongkonan has a name, which becomes the name of the village. The familial dons maintain village unity. Marriage between distant cousins (fourth cousins and beyond) is a common practice that strengthens kinship. Toraja society prohibits marriage between close cousins (up to and including the third cousin) - except for nobles, to prevent the dispersal of property. Kinship is actively reciprocal, meaning that the extended family helps each other farm, share buffalo rituals, and pay off debts.
Each person belongs to both the mother's and the father's families, the only bilateral family line in Indonesia. Children, therefore, inherit household affiliation from both mother and father, including land and even family debts. Children's names are given on the basis of kinship, and are usually chosen after dead relatives. Names of aunts, uncles and cousins are commonly referred to in the names of mothers, fathers and siblings.
Before the start of the formal administration of Toraja villages by the Tana Toraja Regency, each Toraja village was autonomous. In a more complex situation, in which one Toraja family could not handle their problems alone, several villages formed a group; sometimes, villages would unite against other villages. Relationship between families was expressed through blood, marriage, and shared ancestral houses (tongkonan), practically signed by the exchange of water buffalo and pigs on ritual occasions. Such exchanges not only built political and cultural ties between families but defined each person's place in a social hierarchy: who poured palm wine, who wrapped a corpse and prepared offerings, where each person could or could not sit, what dishes should be used or avoided, and even what piece of meat constituted one's share.
CLASS AFFILIATION
In early Toraja society, family relationships were tied closely to social class. There were three strata: nobles, commoners, and slaves (slavery was abolished in 1909 by the Dutch East Indies government). Class was inherited through the mother. It was taboo, therefore, to marry "down" with a woman of lower class. On the other hand, marrying a woman of higher class could improve the status of the next generation. The nobility's condescending attitude toward the commoners is still maintained today for reasons of family prestige.
Nobles, who were believed to be direct descendants of the descended person from heaven, lived in tongkonans, while commoners lived in less lavish houses (bamboo shacks called banua). Slaves lived in small huts, which had to be built around their owner's tongkonan. Commoners might marry anyone, but nobles preferred to marry in-family to maintain their status. Sometimes nobles married Bugis or Makassarese nobles. Commoners and slaves were prohibited from having death feasts. Despite close kinship and status inheritance, there was some social mobility, as marriage or change in wealth could affect an individuals status. Wealth was counted by the ownership of water buffaloes.
Slaves in Toraja society were family property. Sometimes Torajans decided to become slaves when they incurred a debt, pledging to work as payment. Slaves could be taken during wars, and slave trading was common. Slaves could buy their freedom, but their children still inherited slave status. Slaves were prohibited from wearing bronze or gold, carving their houses, eating from the same dishes as their owners, or having sex with free women - a crime punishable by death.
RELIGIOUS AFFILIATION
Toraja's indigenous belief system is polytheistic animism, called aluk, or "the way" (sometimes translated as "the law"). In the Toraja myth, the ancestors of Torajan people came down from heaven using stairs, which were then used by the Torajans as a communication medium with Puang Matua, the Creator. The cosmos, according to aluk, is divided into the upper world (heaven), the world of man (earth), and the underworld. At first, heaven and earth were married, then there was a darkness, a separation, and finally the light. Animals live in the underworld, which is represented by rectangular space enclosed by pillars, the earth is for mankind, and the heaven world is located above, covered with a saddle-shaped roof. Other Toraja gods include Pong Banggai di Rante (god of Earth), Indo' Ongon-Ongon (a goddess who can cause earthquakes), Pong Lalondong (god of death), and Indo' Belo Tumbang (goddess of medicine); there are many more.
The earthly authority, whose words and actions should be cleaved to both in life (agriculture) and death (funerals), is called to minaa (an aluk priest). Aluk is not just a belief system; it is a combination of law, religion, and habit. Aluk governs social life, agricultural practices, and ancestral rituals. The details of aluk may vary from one village to another. One common law is the requirement that death and life rituals be separated. Torajans believe that performing death rituals might ruin their corpses if combined with life rituals. The two rituals are equally important. During the time of the Dutch missionaries, Christian Torajans were prohibited from attending or performing life rituals, but were allowed to perform death rituals. Consequently, Toraja's death rituals are still practised today, while life rituals have diminished.
CULTURE
TONGKONAN
Tongkonan are the traditional Torajan ancestral houses. They stand high on wooden piles, topped with a layered split-bamboo roof shaped in a sweeping curved arc, and they are incised with red, black, and yellow detailed wood carvings on the exterior walls. The word "tongkonan" comes from the Torajan tongkon ("to sit").
Tongkonan are the center of Torajan social life. The rituals associated with the tongkonan are important expressions of Torajan spiritual life, and therefore all family members are impelled to participate, because symbolically the tongkonan represents links to their ancestors and to living and future kin. According to Torajan myth, the first tongkonan was built in heaven on four poles, with a roof made of Indian cloth. When the first Torajan ancestor descended to earth, he imitated the house and held a large ceremony.
The construction of a tongkonan is laborious work and is usually done with the help of the extended family. There are three types of tongkonan. The tongkonan layuk is the house of the highest authority, used as the "center of government". The tongkonan pekamberan belongs to the family members who have some authority in local traditions. Ordinary family members reside in the tongkonan batu. The exclusivity to the nobility of the tongkonan is diminishing as many Torajan commoners find lucrative employment in other parts of Indonesia. As they send back money to their families, they enable the construction of larger tongkonan.
WOOD CARVINGS
To express social and religious concepts, Torajans carve wood, calling it Pa'ssura (or "the writing"). Wood carvings are therefore Toraja's cultural manifestation.
Each carving receives a special name, and common motifs are animals and plants that symbolize some virtue. For example, water plants and animals, such as crabs, tadpoles and water weeds, are commonly found to symbolize fertility. In some areas noble elders claim these symbols refer to strength of noble family, but not everyone agrees. The overall meaning of groups of carved motifs on houses remains debated and tourism has further complicated these debates because some feel a uniform explanation must be presented to tourists. The image to the left shows an example of Torajan wood carving, consisting of 15 square panels. The center bottom panel represents buffalo or wealth, a wish for many buffaloes for the family. The center panel represents a knot and a box, a hope that all of the family's offspring will be happy and live in harmony, like goods kept safe in a box. The top left and top right squares represent an aquatic animal, indicating the need for fast and hard work, just like moving on the surface of water. It also represents the need for a certain skill to produce good results.
Regularity and order are common features in Toraja wood carving (see table below), as well as abstracts and geometrical designs. Nature is frequently used as the basis of Toraja's ornaments, because nature is full of abstractions and geometries with regularities and ordering. Toraja's ornaments have been studied in ethnomathematics to reveal their mathematical structure, but Torajans base this art only on approximations. To create an ornament, bamboo sticks are used as a geometrical tool.
FUNERAL RITES
In Toraja society, the funeral ritual is the most elaborate and expensive event. The richer and more powerful the individual, the more expensive is the funeral. In the aluk religion, only nobles have the right to have an extensive death feast. The death feast of a nobleman is usually attended by thousands and lasts for several days. A ceremonial site, called rante, is usually prepared in a large, grassy field where shelters for audiences, rice barns, and other ceremonial funeral structures are specially made by the deceased family. Flute music, funeral chants, songs and poems, and crying and wailing are traditional Toraja expressions of grief with the exceptions of funerals for young children, and poor, low-status adults.
The ceremony is often held weeks, months, or years after the death so that the deceased's family can raise the significant funds needed to cover funeral expenses. Torajans traditionally believe that death is not a sudden, abrupt event, but a gradual process toward Puya (the land of souls, or afterlife). During the waiting period, the body of the deceased is wrapped in several layers of cloth and kept under the tongkonan. The soul of the deceased is thought to linger around the village until the funeral ceremony is completed, after which it begins its journey to Puya.
Another component of the ritual is the slaughter of water buffalo. The more powerful the person who died, the more buffalo are slaughtered at the death feast. Buffalo carcasses, including their heads, are usually lined up on a field waiting for their owner, who is in the "sleeping stage". Torajans believe that the deceased will need the buffalo to make the journey and that they will be quicker to arrive at Puya if they have many buffalo. Slaughtering tens of water buffalo and hundreds of pigs using a machete is the climax of the elaborate death feast, with dancing and music and young boys who catch spurting blood in long bamboo tubes. Some of the slaughtered animals are given by guests as "gifts", which are carefully noted because they will be considered debts of the deceased's family. However, a cockfight, known as bulangan londong, is an integral part of the ceremony. As with the sacrifice of the buffalo and the pigs, the cockfight is considered sacred because it involves the spilling of blood on the earth. In particular, the tradition requires the sacrifice of at least three chickens. However, it is common for at least 25 pairs of chickens to be set against each other in the context of the ceremony.
There are three methods of burial: the coffin may be laid in a cave or in a carved stone grave, or hung on a cliff. It contains any possessions that the deceased will need in the afterlife. The wealthy are often buried in a stone grave carved out of a rocky cliff. The grave is usually expensive and takes a few months to complete. In some areas, a stone cave may be found that is large enough to accommodate a whole family. A wood-carved effigy, called Tau tau, is usually placed in the cave looking out over the land. The coffin of a baby or child may be hung from ropes on a cliff face or from a tree. This hanging grave usually lasts for years, until the ropes rot and the coffin falls to the ground.
In the ritual called Ma'Nene, that takes place each year in August, the bodies of the deceased are exhumed to be washed, groomed and dressed in new clothes. The mummies are then walked around the village.
DANCE AND MUSIC
Torajans perform dances on several occasions, most often during their elaborate funeral ceremonies. They dance to express their grief, and to honour and even cheer the deceased person because he is going to have a long journey in the afterlife. First, a group of men form a circle and sing a monotonous chant throughout the night to honour the deceased (a ritual called Ma'badong). This is considered by many Torajans to be the most important component of the funeral ceremony. On the second funeral day, the Ma'randing warrior dance is performed to praise the courage of the deceased during life. Several men perform the dance with a sword, a large shield made from buffalo skin, a helmet with a buffalo horn, and other ornamentation. The Ma'randing dance precedes a procession in which the deceased is carried from a rice barn to the rante, the site of the funeral ceremony. During the funeral, elder women perform the Ma'katia dance while singing a poetic song and wearing a long feathered costume. The Ma'akatia dance is performed to remind the audience of the generosity and loyalty of the deceased person. After the bloody ceremony of buffalo and pig slaughter, a group of boys and girls clap their hands while performing a cheerful dance called Ma'dondan.
As in other agricultural societies, Torajans dance and sing during harvest time. The Ma'bugi dance celebrates the thanksgiving event, and the Ma'gandangi dance is performed while Torajans are pounding rice. There are several war dances, such as the Manimbong dance performed by men, followed by the Ma'dandan dance performed by women. The aluk religion governs when and how Torajans dance. A dance called Ma'bua can be performed only once every 12 years. Ma'bua is a major Toraja ceremony in which priests wear a buffalo head and dance around a sacred tree.
A traditional musical instrument of the Toraja is a bamboo flute called a Pa'suling (suling is an Indonesian word for flute). This six-holed flute (not unique to the Toraja) is played at many dances, such as the thanksgiving dance Ma'bondensan, where the flute accompanies a group of shirtless, dancing men with long fingernails. The Toraja have indigenous musical instruments, such as the Pa'pelle (made from palm leaves) and the Pa'karombi (the Torajan version of a jaw harp). The Pa'pelle is played during harvest time and at house inauguration ceremonies.
LANGUAGE
The ethnic Toraja language is dominant in Tana Toraja with the main language as the Sa'dan Toraja. Although the national Indonesian language is the official language and is spoken in the community, all elementary schools in Tana Toraja teach Toraja language.Language varieties of Toraja, including Kalumpang, Mamasa, Tae' , Talondo' , Toala' , and Toraja-Sa'dan, belong to the Malayo-Polynesian language from the Austronesian family. At the outset, the isolated geographical nature of Tana Toraja formed many dialects between the Toraja languages themselves. After the formal administration of Tana Toraja, some Toraja dialects have been influenced by other languages through the transmigration program, introduced since the colonialism period, and it has been a major factor in the linguistic variety of Toraja languages. A prominent attribute of Toraja language is the notion of grief. The importance of death ceremony in Toraja culture has characterized their languages to express intricate degrees of grief and mourning. The Toraja language contains many terms referring to sadness, longing, depression, and mental pain. Giving a clear expression of the psychological and physical effect of loss is a catharsis and sometimes lessens the pain of grief itself.
ECONOMY
Prior to Suharto's "New Order" administration, the Torajan economy was based on agriculture, with cultivated wet rice in terraced fields on mountain slopes, and supplemental cassava and maize crops. Much time and energy were devoted to raising water buffalo, pigs, and chickens, primarily for ceremonial sacrifices and consumption. Coffee was the first significant cash crop produced in Toraja, and was introduced in the mid 19th century, changing the local economy towards commodity production for external markets and gaining an excellent reputation for quality in the international market .
With the commencement of the New Order in 1965, Indonesia's economy developed and opened to foreign investment. In Toraja, a coffee plantation and factory was established by Key Coffee of Japan, and Torajan coffee regained a reputation for quality within the growing international specialty coffee sector Multinational oil and mining companies opened new operations in Indonesia during the 1970s and 1980s. Torajans, particularly younger ones, relocated to work for the foreign companies - to Kalimantan for timber and oil, to Papua for mining, to the cities of Sulawesi and Java, and many went to Malaysia. The out-migration of Torajans was steady until 1985. and has continued since, with remittances sent back by emigre Torajans performing an important role within the contemporary economy.
Tourism commenced in Toraja in the 1970s, and accelerated in the 1980s and 1990s. Between 1984 and 1997, a significant number of Torajans obtained their incomes from tourism, working in and owning hotels, as tour guides, drivers, or selling souvenirs. With the rise of political and economic instability in Indonesia in the late 1990s - including religious conflicts elsewhere on Sulawesi - tourism in Tana Toraja has declined dramatically. Toraja continues to be a well known origin for Indonesian coffee, grown by both smallholders and plantation estates, although migration, remittances and off-farm income is considered far more important to most households, even those in rural areas.
TOURISM AND CULTURAL CHANGE
Before the 1970s, Toraja was almost unknown to Western tourism. In 1971, about 50 Europeans visited Tana Toraja. In 1972, at least 400 visitors attended the funeral ritual of Puang of Sangalla, the highest-ranking nobleman in Tana Toraja and the so-called "last pure-blooded Toraja noble." The event was documented by National Geographic and broadcast in several European countries. In 1976, about 12,000 tourists visited the regency and in 1981, Torajan sculpture was exhibited in major North American museums. "The land of the heavenly kings of Tana Toraja", as written in the exhibition brochure, embraced the outside world.
In 1984, the Indonesian Ministry of Tourism declared Tana Toraja Regency the prima donna of South Sulawesi. Tana Toraja was heralded as "the second stop after Bali". Tourism was increasing dramatically: by 1985, a total number of 150,000 foreigners had visited the Regency (in addition to 80,000 domestic tourists), and the annual number of foreign visitors was recorded at 40,000 in 1989. Souvenir stands appeared in Rantepao, the cultural center of Toraja, roads were sealed at the most-visited tourist sites, new hotels and tourist-oriented restaurants were opened, and an airstrip was opened in the Regency in 1981.
Tourism developers have marketed Tana Toraja as an exotic adventure - an area rich in culture and off the beaten track. Western tourists expected to see stone-age villages and pagan funerals. Toraja is for tourists who have gone as far as Bali and are willing to see more of the wild, "untouched" islands. However, they were more likely to see a Torajan wearing a hat and denim, living in a Christian society. Tourists felt that the tongkonan and other Torajan rituals had been preconceived to make profits, and complained that the destination was too commercialized. This has resulted in several clashes between Torajans and tourism developers, whom Torajans see as outsiders.
A clash between local Torajan leaders and the South Sulawesi provincial government (as a tourist developer) broke out in 1985. The government designated 18 Toraja villages and burial sites as traditional tourist attractions. Consequently, zoning restrictions were applied to these areas, such that Torajans themselves were barred from changing their tongkonans and burial sites. The plan was opposed by some Torajan leaders, as they felt that their rituals and traditions were being determined by outsiders. As a result, in 1987, the Torajan village of Kété Kesú and several other designated tourist attractions closed their doors to tourists. This closure lasted only a few days, as the villagers found it too difficult to survive without the income from selling souvenirs.
Tourism has also transformed Toraja society. Originally, there was a ritual which allowed commoners to marry nobles (puang) and thereby gain nobility for their children. However, the image of Torajan society created for the tourists, often by "lower-ranking" guides, has eroded its traditional strict hierarchy. High status is not as esteemed in Tana Toraja as it once was. Many low-ranking men can declare themselves and their children nobles by gaining enough wealth through work outside the region and then marrying a noble woman.
WIKIPEDIA
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VA’s annual Brain Trust summit offers platform for innovations in brain health and head trauma
From a software platform for traumatic brain injury to a virtual reality device that assists Veterans with behavioral health issues, 15 competitors pitched a diversity of ideas during demo day at the Brain Trust: Pathways to InnoVAtion summit, hosted by VA on May 18 in Boston. The annual two-day event assembled more than 350 invited participants from the federal government, private industry, professional sports, medical research, caregivers and Veteran communities to collaborate and advance discussions around the prevention and treatment of traumatic brain injury (TBI) and concussion. “We have an unbelievable opportunity to accelerate the speed of change,” said retired Army Lt. Gen. Patricia Horoho, CEO of Optum Military and Veterans Group, to the 15 industry and academic innovators who had come to pitch their ideas on TBI and head trauma to a panel of judges. “Today, the impossible gets challenged.”After reviewing a series of short presentations from competitors, the judges selected three winners: The Daptly Display, a gesture and voice-controlled assistant for the home or office; Save a Warrior: A peer-to-peer, archetypal approach for healing combat trauma and moral injury; and Recovery Acceleration Program for mild TBI by King-Devick Technologies. The winners will have the potential opportunity to implement and deploy their innovations with VA. “We feel incredibly honored to be selected as a winner of the VA Innovation awards, which will further our opportunity to provide services to our Veterans,” said Steve Devick, CEO of King-Devick Technologies, who explained how his project would help Veterans impacted by TBI. “The King-Devick technologies innovations are related to the fact that eye movements and vision are responsible for approximately 55 percent of brain function. “As a result, implementing our recovery acceleration program by involving these pathways leads to faster concussions and TBI recovery when used with standard remediation. Additionally, caregivers can measure defects in eye movements, which may lead to dosage changes in chronic degenerative diseases, such as Alzheimer’s disease, multiple sclerosis and Parkinson’s disease. ” During the event, VA officials announced key partnerships with several influential organizations, including: Amazon, which donated 100 Echo devices with Alexa voice service to VA’s Assistive Technology Labs to help meet the needs of Veterans; Cohen Veterans Bioscience, which is coordinating efforts with VA to integrate data across dozens of labs to facilitate breakthroughs in trauma-related disorders; Booz Allen Hamilton; Comcast; Concussion Legacy Foundation; GE; IBM; Infinite Hero Foundation; Johnson & Johnson; Optum; Outward Bound; PenFed Foundation, Philips; the Warrior Care Network and the National Institutes of Health, which is co-hosting a ‘State of the Science’ workshop in 2018 that will focus on Chronic Traumatic Encephalopathy and other neurodegenerative diseases. (By Paula Paige. VA photo/ Robert Turtil)
world stage
harvest box, paint, stained canvas, glass fish, lead weight, poem excerpt
--
As introduction, let me offer words from the essay, “Better Speak,” by Hank Willis Thomas:
… I encountered Audre Lorde’s “Litany for Survival.” The last few lines are emblazoned on my soul:
and when we speak we are afraid
our words will not be heard
nor welcomed
but when we are silent
we are still afraid
So it is better to speak
remembering
we were never meant to survive.
“Better to speak!” echoes in my mind whenever I feel like shriveling up and hiding in the corner rather than being exposed or critiqued. There is sheer audacity required to write words for a broader audience, even more to get up and read those words aloud. I feel the same is true for contemporary visual artists. To speak is almost to say “I know,” but in most cases artists are speaking about things they don’t know, or are still in the process of knowing. I feel like poetry is at its best when it speaks to the process of knowing, dangling on your heart right before it gets to your mind.
There is sheer audacity required to put one’s work—words or marks—out for view and review. What the artist makes reveals that very process of unearthing some glimmer of knowledge or understanding. Sometimes that view appears sublime. Other times it reveals a raw wound.
Rooted and Unmoored presents a range of views in the consideration of place. The process began during a residency at
Sitka Center for Art & Ecology, near Otis on the Oregon Coast. While there I immersed myself in that physical place, a landscape
not dissimilar to Grays Harbor, which is the place that I call home. For six weeks I found myself uprooted yet grounded, and shaped ideas that reflected the view around me—from the cathedral of spruce forest to the dappled greens of an alder grove to the infinite shades of blue and gray reflected by river and ocean.
After returning home I continued to look with fresh eyes, in order to translate the familiar into visual language. A favorite walk takes me to the confluence of the Hoquiam River and the Chehalis, and turning west reveals the Harbor’s wide mouth, attuned to the sky. This horizon line, and the space above and below, with its shapes, colors, and textures, provides ample inspiration.
For me, looking outward required the balance of looking within, to reflect upon one’s internal “place.” This process mined memories, observations, and imaginings that I’d been recording in written form over the years. It also took into consideration the deep influence that reading holds over me. The Box Poem series develops such narratives.
While I still shy away from the sheer audacity required to speak, I remain compelled to do so. I hope that these works will—
like well-crafted poems—dangle upon your heart, and linger on your mind.
C. Larson
September, 2013
_______________________________________________________________
artist statement
In my art-making as a whole—even in its most abstracted forms—a sense of place is often at the root of the work. Perhaps a particular piece evokes the natural beauty of the physical landscape. Perhaps it reflects on the emotional landscape of literature. Or it may speak to a mental place, a state of mind.
I look for form to follow concept. I strive to shape a meaningful experience for the viewer. And my love for the written word means that the textual elements in my work are not secondary. I am drawn to processes and materials that invite touch, that celebrate the tactile qualities that encourage us to connect with one another. This seems a lovely counterweight to our rushed, mass-produced, twittering world.
_______________________________________________________________
artist biography
Carrie L. Larson, born in Bellingham, Washington, moved throughout the Northwest during her childhood, until settling in Aberdeen with her family. There she graduated from JM Weatherwax High School, then moved to Walla Walla, earning a Bachelor of Arts degree in 1993 from Whitman College, where she was privileged to study art under Keiko Hara.
Since then she has practiced her calling—most recently in a chaotic home studio—sending her artwork out to juried shows throughout the region, including venues as far away as Chicago and Denver. One of her artist’s books, Red, Revisited, was included in Lark Crafts recent publication, 500 Handmade Books, Volume 2, juried by Julie Chen.
Carrie, along with husband John, currently calls Hoquiam home. There she is quietly active in her community, does freelance work as a color consultant and occasional floral designer, and operates a 5x8 Craftsmen letterpress under the concinnity press imprint. She is also responsible for a well-worn library card and a garden filled mostly with weeds and good intentions.
_______________________________________________________________
I am deeply indebted to so many who have supported my path—
To list everyone by name might require several volumes.
For now, let me offer deep gratitude to a handful:
to the college library crew, particularly Valerie, Sarah & Stan;
to Miss Swartz, 3rd grade teacher at Selah Elementary in 1979,
who set the foundation;
to my mentor, Keiko Hara, who challenged her students
while modeling artistic discipline and dedication;
to Ron Westman, gentle critic and epic storyteller;
to Paul Hunter, for graciously allowing me to borrow
his beautiful words for my own ends;
to Artist Trust for resources, and the skills that led to courage;
to the folks of Sitka Center, whose generosity renewed my spirit;
and to those grounding me at home—
my rock, John, and the gray cats, who like to investigate
works in progress.
Thank you.
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Words can only convey a small impression of what Mount Congreve has to offer. To get a full appreciation of what has been achieved here in such a short time by Mr Ambrose Congreve, one has to visit the garden as the seasons unfold.
The gardens at Mount Congreve, Waterford, consist of around seventy acres of intensively planted woodland garden and a four acre walled garden. The owner, the late Mr Ambrose Congreve, was inspired by Mr Lionel de Rothschild’s exceptional garden at Exbury in Hampshire, England.
It was here that his interest in gardening was nurtured and he became infected with a passion and enthusiasm for plants such as Rhododendrons, Magnolias, Camellias and indeed many other floras from every continent in the world.
The entire collection consists of over three thousand different trees and shrubs, more than two thousand Rhododendrons, six hundred Camellias, three hundred Acer cultivars, six hundred conifers, two hundred and fifty climbers and fifteen hundred herbaceous plants.
Land purchased 1890 & house built 1900 by Benjamin Burford, sold Dec 1907 to Otto von Rieben, offered 1944 to Burnside Council as community hospital, opened 7 Mar 1949 as Burnside War Memorial Hospital, new hospital opened adjacent Oct 1956. Original house now used as Attunga Medical Centre. Von Rieben established a large garden and aviaries around his house of 14 rooms and it became the venue for fund-raising events.
“Benjamin Burford, who at one time was a member of the firm of W. H. Burford and Sons. . . The deceased, who left a widow, recently built a large house on the Kensington road and had been living there.” [Advertiser 19 May 1905]
“Mr. von Rieben is another Barrier man who, having gone through the dust and heat, is now settled at Rose Park.” [Chronicle 6 Nov 1909]
“Mrs. O. Von Rieben threw open her spacious house and grounds at ‘Attunga’, Rose Park, for a concert in aid of Red Cross Funds, and a perfectly delightful time was spent for an hour or two. . . We gathered in the hall, on the staircase, and in the drawing room. . . to wander round the well-kept garden and admire the small zoo which Mr. von Rieben keeps on the premises. There were two magnificent peacocks, Pacific gull, Cape Barren geese, ducks of all sorts, parrots, cockatoos, emus, and all sorts of feathered creatures.” [The Mail 14 Aug 1915]
“Attunga, the residence of Mr. O. von Rieben, at Kensington road, Toorak. About 10 years ago this property, which covers an, area of about five acres was practically a wilderness, covered with wattles, and enclosed by a picket fence. To-day it is a horticultural triumph. . . The palm (Phoenix Oanariensis) . . . for many years it adorned Mr. D. M. Tweedie's garden at Tusmore Park, Knightsbridge. When that property was subdivided, Mr. von Rieben purchased blocks embracing the garden, and went to great trouble to have the mammoth palm removed to Attunga, a mile away. . . there are 25 different varieties of palms in this beautiful garden. . . the pretty blue cedar growing, and ensconced among other trees is a fine specimen of the genuine rubber tree. . . a huge flight aviary, which contains many parrots. Birds in the garden give soul to the place. Magpies and laughing tacks move contentedly about the lawns. . . Cape Barren goose, the ibis, mountain duck, Chilian pintail, Japanese teal, black duck, Manchurian duck, wood duck, Pacific and ordinary gull, and a crane.” [Observer 3 May 1919]
“the death of Mrs. von Rieben, wife of Mr. O. von Rieben, of Attunga, Toorak. Mr. von Rieben is a former proprietor of the 'Barrier Miner', but he has been living at Toorak for some years. Both he and his wife have done much good work for patriotic causes, and their beautiful residence, with its extensive grounds, has on a number of occasions been lent for fetes and other gatherings.” [Chronicle 1 Jan 1921]
“the beautiful garden of Attunga, Mr. Otto von Rieben's house in Kensington road, Toorak, will be open for the annual fete of St. Matthew's Church. Attunga has a magnificent array of trees, including many varieties of palms, and its lawns are emerald green and clipped. Birds in aviaries and various kinds of ducks are especially interesting for the visitor.” [The Mail 19 Oct 1935]
“Mr. Otto von Rieben, of Stirling yesterday handed over as a free gift his stately two-storey home Attunga, and four and a half acres of land at Kensington road, Toorak Gardens, to the city of Burnside for the purpose of establishing a hospital. . . He had lived in the house for 37 years. . . He had seen Burnside grow from a village to a city/” [Advertiser 22 Mar 1944]
“A carnival to raise funds for the new Burnside Hospital will be held at the Attunga grounds, Kensington road, Marryatville.” [Advertiser 21 Sep 1946]
“Mr. Otto Georg Ludwig von Rieben died yesterday morning at the Stirling Hospital at the age of 86. . . In 1944 Mr. von Rieben gave his two-storeyed, 14-roomed home, Attunga, to the Burnside Council for a hospital. He had lived at Attunga for 37 years. . . Mr. von Rieben was born at Morgan, on the River Murray, in 1863, and spent the early years of his life in shipping activities on the river. He afterwards went to Broken Hill, where he was a managing director and part proprietor of the newspaper ‘Barrier Miner’. He was chairman of directors of Alaska Icecream and Produce Co. Ltd., and of Horwood Bagshaw Ltd., and had directorships in a number of smaller companies. He was interested also in pastoral pursuits.” [Advertiser 9 May 1949]
“The first section of the Burnside War Memorial Hospital would be officially opened by His Excellency the Governor (Sir Willoughby Norrie) at Attunga, Kensington road, Toorak Gardens. The hospital would have 21 beds and would be for convalescent patients only. . . The staff — a matron, sister, four nurses, cook and three domestics — had been engaged or was being engaged.” [Advertiser 15 Feb 1950]
“Work on the new 46-bed Burnside War Memorial Hospital. Kensington road, Toorak Gardens, will begin early in the new year. . . the hospital would be built on the block of land adjoining the former private home Attunga, now used as a convalescent hospital, which would become the nurses' home.” [The Mail 27 Nov 1954]
During the post game celebration, Cabbie offers to shave Sidney Crosby's beard before he went to the podium.
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Tra Co Vietnam offers a tranquil retreat
10/07/07 (GMT+7)
Tra Co Vietnam, if you wilt at the thought of a seething tourist spot in the burning sunshine then a cool little spot on Vietnam's northern coast could be just the place for you.
About 180 kilometres past Ha Long Bay, or seven hours drive from Hanoi, lies the peninsula of Tra Co Vietnam.
Tra Co marks the road linking Mong Cai township, north of Quang Ninh, with the Chinese border. But most importantly for tourists, the area boasts white sands, cultural sights and a golf course.
If you're in the mood for a walk head out along the 17km coastline from Tra Vi to Mui Ngoc. In addition to the beaches and crashing waves there is a natural mangrove forest nearby.
About 6km from Tra Co beach Vietnam is Tra Vi, "Km 0" from the Chinese border. This is the starting point of the S-shape that's Vietnam. On a clear day you can look out across the water to China on the opposite shore.
This is where the tourist trail ends but don't feel tempted to stop here because just around the corner an oasis awaits - Con Mang.
Con Mang is deserted stretch of white sand, a stripe of black rocks and a shady fence of filao (Casuarina) trees acting as a shield for wind and sun. Contemplative and romantic, it's the perfect place to watch the sun go down.
On the way back from Con Mang to Tra Co Vietnam, you can't miss Tra Co Cathedral. Built in 1880 and restored a decade ago, the church is an interesting and attractive place to take a rest.
Tra Co Communal Hall is also the pride of local people. It was built in 1462 to worship six people lauded as the first founders of Tra Co Vietnam. The story goes that 12 families from Do Son, Hai Phong Vietnam, went fishing.
There was a big storm and they got lost, eventually being washed onto the shores of the peninsula. Six of the 12 were downhearted, saying the land was useless and uninhabitable. The remaining six however, were less pessimistic and decided to stay and explore.
The communal house has been restored a few times but typical features of the original architecture still remain.
Inspired by the building, song writer Nguyen Cuong composed the famous song Mai Dinh Lang Bien.
Nhung thang tram thoi gian da ghi tac hinh dang
Net cham tro phuong long uon luon tua may song
Gui vao day vao day vui buon nguoi Viet
Gui vao day vao day tam hon nguoi Viet...
(Ups and downs of time have shaped it
Carvings of dragons and phoenixes twirl like clouds and waves
Here conveying the sadness and joys of the Viet people,
Here conveying the souls of the Viet people.)
The communal hall is special for another reason; tomorrow (the first day of the sixth month on the lunar calendar) it hosts a festival.
The festival spans three days and includes a variety of activities including a cooking, competition and traditional games.
Other attractions in the area include a 18-hole 110-ha golf course, built one and a half years ago by a Vietnamese company and a Chinese company.
But if you feel in need of retail therapy with a difference, you can also visit Mong Cai township which is home to a number of different markets selling mostly Chinese wares but with each as varied and colourful as the next.
The busiest one, Mong Cai central market on Tran Phu Street, is a treasure chest of all sorts of goods from household appliances and clothes to fruit.
Here about 70% of shopkeepers are Chinese but they speak enough Vietnamese for bargaining, which is all you need. It's best if you're an early bird though, as stalls close up at midday.
However, even though there's a wild array of goods on offer, the best souvenirs you take home will be the lungful of fresh air and happy memories of peace and quiet found a bit off the beaten track.
Contact for guide :
00841249142628
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Phoenix Pro Theater offers a theatrical experience brought to your living room. Sitting in the comfort of your home, you can sense the real feeling of watching a movie in an enriched theater. Any movie of choice, available in your PC or laptop, can be played in Phoenix Pro Theater.
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French postcard by PSG, offered by Corvisart, Epinal, no. 1131. Photo: Aubert-Philips.
Singer-songwriter and poet Georges Brassens (1921-1981) is an iconic figure in France. He wrote and sang, with his guitar, more than a hundred of his poems, as well as texts from many others such as Victor Hugo, Paul Verlaine, or Louis Aragon. Between 1952 and 1976, he recorded fourteen albums that include several popular French Chansons. Most of his texts are black humour-tinged and often anarchist-minded. His most famous film is Porte des Lilas/Gates of Paris (René Clair, 1957).
Georges Charles Brassens was born in 1921 in the town of Sète, a town in southern France near Montpellier. Brassens grew up in the family home in Sète with his mother, Elvira Dagrosa, father, Jean-Louis, half-sister, Simone, and paternal grandfather, Jules. His mother was a devout Roman Catholic, while his father was an easy-going, generous, openminded, anticlerical man. Brassens grew up between these two starkly contrasting personalities, who nonetheless shared a love for music. His mother, Simone and Jules, were always singing. This environment imparted to Brassens a passion for singing that would come to define his life. A poor student, Brassens performed badly in school. Alphonse Bonnafé, his literature teacher strongly encouraged the 15-years-old Braassens’s apparent gift for poetry and creativity. Bonnafé would later write the first Brassens biography in 1963. Georges listened constantly to his early idols: Charles Trenet, Tino Rossi, and Ray Ventura. At age seventeen, Georges and his gang started to steal from their families and others. Georges stole a ring and a bracelet from his sister. The police found and caught him, which caused a scandal. The young men were publicly characterized as ‘voyous’ (high school scum). Brassens was expelled from school. Following a short trial as an apprentice mason in his father's business, he moved to Paris in 1940 to live with his aunt and work at the Renault car factory. In the meantime, he learned piano and wrote some of his first original compositions. He stayed there after World War II had broken out while he felt that this was where his future lay and wrote his first collection of poems. Brassens published two short poetry collections in 1942, thanks to the money of his family and friends. In 1943, he was forced by the Germans to work in a labor camp at a BMW aircraft engine plant in Basdorf near Berlin in Germany. Here Brassens met some of his future friends, such as Pierre Onténiente, whom he called Gibraltar because he was "steady as a rock." Onténiente later became his right-hand man and his private secretary. After being given ten days' leave in France, he took refuge in a small cul-de-sac called "Impasse Florimont," in the 14th arrondissement of Paris. Without much else to occupy him, Brassens spent his days composing songs and writing music, eventually teaching himself the guitar based on his prior experience with the mandolin. There he lived for several years with its owner, Jeanne Planche and her husband Marcel in relative poverty: without gas, running water, or electricity. Brassens remained hidden there until the end of the war five months later, but ended up staying for 22 years. Planche was the inspiration for Brassens's song Jeanne.
In 1946, after the war had ended, Georges Brassens published the first of a series of virulent, black humour-tinged articles in the anarchist journal Le Libertaire. The following year, he also published his first novel, La Lune Écoute Aux Portes, and met Joha Heiman, the woman he would love -- and write about -- for the remainder of his life. His friends who heard and liked his songs urged him to go and try them out in a cabaret, café or concert hall. He was shy and had difficulty performing in front of people. At first, he wanted to sell his songs to well-known singers such as "les frères Jacques". In 1952 he met the singer Patachou, owner of a very well known cafe, Les Trois Baudets. Though Brassens had never considered himself a singer, Patachou convinced him to try his hand at performing himself. A bass player present at the audition, Pierre Nicolas, quickly joined Brassens in support, and would serve in that capacity for the remainder of the singer's career. Jacques Brel and Léo Ferré came also into the music industry with the help of Patachou. With her help, Brassens met Polydor exec Jacques Canetti, and landed a record deal. His first single, Le Gorille, was released later in 1952, and stirred up controversy with its strong anti-death penalty stance; in fact, it was banned from French radio until 1955. In these years, Brassens achieved fame with his elegant songs with their harmonically complex music for voice and guitar and articulate, diverse lyrics. He won the prestigious Grand Prix du Disque de l'Academie Charles Cros in 1954 for his EP Le Parapluie, and spent much of the year touring Europe and northern Africa. In 1957, he made his film debut in Porte des Lilas/Gates of Paris (René Clair, 1957). An old bum (Pierre Brassens) becomes infatuated with a pretty young girl (Dany Carrel) who gets entangled with a young gangster (Henri Vidal). Brassens played an important part as an the bum’s friend, L'Artiste, a taciturn, solitary bard, whose character seems to have been based on Brassens himself. Peter Beagle at IMDb: “The film turned out to be a delightful, warmhearted work, holding up remarkably well on repeated viewings, and Brassens makes an excellent deadpan foil for the great Pierre Brasseur. And the songs he wrote for the film remain among the best of his classic repertoire.” Brassens performed his songs in several other films, but his main focus was live performing. He later on made several appearances at the Paris Olympia and at the Bobino music hall theater. He toured with Pierre Louki, who wrote a book of recollections entitled Avec Brassens. During these performances he accompanied himself on acoustic guitar. Most of the time the only other accompaniment came from his friend Pierre Nicolas with a double bass, and sometimes a second guitar (Barthélémy Rosso, Joël Favreau). He released several more LPs over the remainder of the 1950s, during which time chronic kidney ailments began to affect his health, resulting in periodic hospitalizations. In the following decades he continued to tour. His songs often decry hypocrisy and self-righteousness in the conservative French society of the time, especially among the religious, the well-to-do, and those in law enforcement. The criticism is often indirect, focusing on the good deeds or innocence of others in contrast. His elegant use of florid language and dark humor, along with bouncy rhythms, often give a rather jocular feel to even the grimmest lyrics. Brassens’s lyrics are difficult to translate, though his work is translated in more than 20 languages. Georges Brassens died of cancer in 1981, in Saint-Gély-du-Fesc, having suffered health problems for many years. He was 60. Brassens rests at the Cimetière le Py in Sète.Steve Huey at AllMusic: “Along with Jacques Brel, he became one of the most unique voices on the French cabaret circuit, and exerted a tremendous influence on many other singers and songwriters of the postwar era. His poetry and lyrics are still studied as part of France's standard educational curriculum.”
Sources: Peter Beagle (IMDb), Steve Huey (AllMusic), Wikipedia and IMDb.
Kokonut Suites offers a unique experience through luxurious and spacious suites in fashionable Seminyak, one of Bali’s most sought after areas.
The one and two-bedroom suites each come with a private balcony and are set upon 5000 square metres of tranquil land. They are designed in a modern tropical style with delightful Balinese backdrop of rice fields and coconut trees, as if stepping back in time and relaxing with the most up-to-date facilities. These facilities include a uniquely shaped swimming pool, resort spa, open concept Suka Suka Restaurant, bar and pool lounge, gym, and large parking area.
One Bedroom Suite - Room details
* Location - Three-level building
* View - Overlooking swimming pool and agricultural backdrop
* Décor - Featuring modern minimalism with simple modern furnishings, sensuous colours, and exotic ambience that personifies Indonesian art and luxury.
* Beds - King size
* Extra bed (by request) - For children under 12 years old
* Living Room
* Fully equipped kitchen, dining table, single sofa, long sofa, lazy chair.
* Bathrooms - Combined shower and bathtub
* Maximum King size and 1 twin bed
* occupancy 2 adults and 1 child
Please Visit our Official Website: www.bali-individually.com/hotels.If you have questions or need assistance with a reservation, please call or click to chat online or send us e-mail for inquiry, the best price and packages: sales@bali-individually.com | Telp. +62 - 361-7415637 | text message: +62-81338579071 | facebook:http://www.facebook.com/pages/Bali-Hotel-Reservation/136414357516
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VA’s annual Brain Trust summit offers platform for innovations in brain health and head trauma
From a software platform for traumatic brain injury to a virtual reality device that assists Veterans with behavioral health issues, 15 competitors pitched a diversity of ideas during demo day at the Brain Trust: Pathways to InnoVAtion summit, hosted by VA on May 18 in Boston. The annual two-day event assembled more than 350 invited participants from the federal government, private industry, professional sports, medical research, caregivers and Veteran communities to collaborate and advance discussions around the prevention and treatment of traumatic brain injury (TBI) and concussion. “We have an unbelievable opportunity to accelerate the speed of change,” said retired Army Lt. Gen. Patricia Horoho, CEO of Optum Military and Veterans Group, to the 15 industry and academic innovators who had come to pitch their ideas on TBI and head trauma to a panel of judges. “Today, the impossible gets challenged.”After reviewing a series of short presentations from competitors, the judges selected three winners: The Daptly Display, a gesture and voice-controlled assistant for the home or office; Save a Warrior: A peer-to-peer, archetypal approach for healing combat trauma and moral injury; and Recovery Acceleration Program for mild TBI by King-Devick Technologies. The winners will have the potential opportunity to implement and deploy their innovations with VA. “We feel incredibly honored to be selected as a winner of the VA Innovation awards, which will further our opportunity to provide services to our Veterans,” said Steve Devick, CEO of King-Devick Technologies, who explained how his project would help Veterans impacted by TBI. “The King-Devick technologies innovations are related to the fact that eye movements and vision are responsible for approximately 55 percent of brain function. “As a result, implementing our recovery acceleration program by involving these pathways leads to faster concussions and TBI recovery when used with standard remediation. Additionally, caregivers can measure defects in eye movements, which may lead to dosage changes in chronic degenerative diseases, such as Alzheimer’s disease, multiple sclerosis and Parkinson’s disease. ” During the event, VA officials announced key partnerships with several influential organizations, including: Amazon, which donated 100 Echo devices with Alexa voice service to VA’s Assistive Technology Labs to help meet the needs of Veterans; Cohen Veterans Bioscience, which is coordinating efforts with VA to integrate data across dozens of labs to facilitate breakthroughs in trauma-related disorders; Booz Allen Hamilton; Comcast; Concussion Legacy Foundation; GE; IBM; Infinite Hero Foundation; Johnson & Johnson; Optum; Outward Bound; PenFed Foundation, Philips; the Warrior Care Network and the National Institutes of Health, which is co-hosting a ‘State of the Science’ workshop in 2018 that will focus on Chronic Traumatic Encephalopathy and other neurodegenerative diseases. (By Paula Paige. VA photo/ Robert Turtil)
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Sirowa Dental Clinic offers accommodation for its patients in a lovely recently opened hotel right near the clinic. The hotel offers the following facilities:
Five comfortable and cozy rooms, four of which are single rooms and one that is a double room;
Nice kitchen available for breakfast;
Chill out room with TV in which to rest;
Common bathroom with a shower;
We are proud that we can provide our patients with;
Convenient accommodations facilities to make their trip easier and more pleasant.
Tannlegeklinikken “Sirowas” utenlandske pasienter kan overnatte i selskapets koselig hoteller. Den ble åpnet høsten 2009, og befinner seg ved siden av klinikken. Hotellet tilbyr:
Fem komfortable og koselige rom: fire av de er enkeltrom, en – dobbeltrom.
Hyggelig kjøkken for frokost og middag.
Felles stue med flatskjerm-TV.
Felles bad med dusj og badekar.
Vi er stolte over å kunne tilby våre utenlandske pasienter en enkelt tilgjengelig ovenattingsplass, og gjøre deres opphold i vår klinikk enda hyggeligere.
Velkommen til Latvia!
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Shopping center that offers a number of cafes are often the main choice for young executives for just hang out over the coffee.
However, shopping mall or plaza is no longer the only alternative for them. Taman Gapura Walkway or commonly called Gwalk which has become an alternative place to relieve fatigue from daily work.
Located within the neighborhood of Citraland, in West Surabaya, which deliver safe and comfortable atmosphere for visitors. The concept developed in Gwalk is clean, green and modern. People now prefer to be outdoors than in air-conditioned space.
When entering GWalk, the visitors are free to choose parking place just near their dining. While enjoying the meal, they do not have to worry about street singer or pengamen as elsewhere.
At glance, the Gwalk complex food center is transformed like a typical modern lifestyle as well as in Singapore. The theme is the same a la Clarke Quay, the central food court, the most famous in Singapore.
A kilometer-long road Citraland housing complex is filled with cafes. Dozens of vendors of food and beverage outlets open on this street.
Visitors can choose different types of foods without having other seats. One kilometer mileage will not make sore visitors because Gwalk provide special pedestrian street.
The target market for this spot is about middle up, but the convenient is the most important thing that worth to be proud.
VLCC offers a wide range of waist and tummy trim gels and creams that give you miraculous results in losing the belly fat. These product help you shape up your waist and tummy. Get the product to get the flab reduced off and get a firmer skin and toned belly. You can lose up to 6 inches in 3 weeks by using these slimming products.
Anacaona catamaran offered by nofrills excursions
Tickets: www.nofrills-excursions.com/excursions-tours-thingstodo/p...
This magnificent residence commands stunning panoramas and offers the ultimate in luxury deep waterfront living.
A statement in style and sophistication on 917m2 approx of land and located in a prestige cul-de-sac this exquisite home of impressive proportions ticks all the right boxes.
Offering multiple living areas with each capturing magical waterviews, not a cent has been spared in the creation of this 5 bedroom sanctuary.
• 5 bedrooms or 4 bedrooms plus office (all with built-ins)
• 3 bathrooms & powder room at pool area
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• State of the art kitchen flowing to open plan living, dining, bar and snooker area
• 3 car garage with cedar remote door, internal access and coded keypad entry, separate workshop/storeroom
• Fully equipped movie room with 2.9 metre screen providing the ultimate at home cinematic experience
• Solar heated pool and entertaining area with pergola, all backdropped with sweeping bay views
• Video security at entry, alarm system, ducted vacuum system, 5000L rainwater tank
• Wharf and remote control cradle for boat
• Music sound system throughout, ducted reverse cycle air conditioning/heating
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Asphalt Mixing Plants, which we offer to our esteemed clients are efficient solution for laying wet mix macadam and dry lean concrete in line. This compact and light weight machine offers excellent mobility, proper visibility and flawless operation.
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TRP offers a new line of durable clutch replacement components including clutch brakes, pilot bearings, clutch release yokes and clutch installation kits. Among the components offered, the new line features hinged locking clutch brakes and high temperature pilot bearings that withstand hotter temperatures. The hinged locking clutch brakes, including torque limiting and two-piece clutch brakes, are available in 1 ¾-inch and 2-inch sizes.
VA’s annual Brain Trust summit offers platform for innovations in brain health and head trauma
From a software platform for traumatic brain injury to a virtual reality device that assists Veterans with behavioral health issues, 15 competitors pitched a diversity of ideas during demo day at the Brain Trust: Pathways to InnoVAtion summit, hosted by VA on May 18 in Boston. The annual two-day event assembled more than 350 invited participants from the federal government, private industry, professional sports, medical research, caregivers and Veteran communities to collaborate and advance discussions around the prevention and treatment of traumatic brain injury (TBI) and concussion. “We have an unbelievable opportunity to accelerate the speed of change,” said retired Army Lt. Gen. Patricia Horoho, CEO of Optum Military and Veterans Group, to the 15 industry and academic innovators who had come to pitch their ideas on TBI and head trauma to a panel of judges. “Today, the impossible gets challenged.”After reviewing a series of short presentations from competitors, the judges selected three winners: The Daptly Display, a gesture and voice-controlled assistant for the home or office; Save a Warrior: A peer-to-peer, archetypal approach for healing combat trauma and moral injury; and Recovery Acceleration Program for mild TBI by King-Devick Technologies. The winners will have the potential opportunity to implement and deploy their innovations with VA. “We feel incredibly honored to be selected as a winner of the VA Innovation awards, which will further our opportunity to provide services to our Veterans,” said Steve Devick, CEO of King-Devick Technologies, who explained how his project would help Veterans impacted by TBI. “The King-Devick technologies innovations are related to the fact that eye movements and vision are responsible for approximately 55 percent of brain function. “As a result, implementing our recovery acceleration program by involving these pathways leads to faster concussions and TBI recovery when used with standard remediation. Additionally, caregivers can measure defects in eye movements, which may lead to dosage changes in chronic degenerative diseases, such as Alzheimer’s disease, multiple sclerosis and Parkinson’s disease. ” During the event, VA officials announced key partnerships with several influential organizations, including: Amazon, which donated 100 Echo devices with Alexa voice service to VA’s Assistive Technology Labs to help meet the needs of Veterans; Cohen Veterans Bioscience, which is coordinating efforts with VA to integrate data across dozens of labs to facilitate breakthroughs in trauma-related disorders; Booz Allen Hamilton; Comcast; Concussion Legacy Foundation; GE; IBM; Infinite Hero Foundation; Johnson & Johnson; Optum; Outward Bound; PenFed Foundation, Philips; the Warrior Care Network and the National Institutes of Health, which is co-hosting a ‘State of the Science’ workshop in 2018 that will focus on Chronic Traumatic Encephalopathy and other neurodegenerative diseases. (By Paula Paige. VA photo/ Robert Turtil)
Magic Lodges Libya : One Thousand and One Nights offer you a total immersion in the heart of the Libyan Sahara, in far-off lands. We discover two magnificent camps protected by impressive sand dunes. Separated by 250 kilometers of sand, they both are installed in semicircle in order to let us admire the horizon, as far as the eye can see. Each camp is composed of 35 luxurious tents of 24 m2 which décor is worthy of the greatest Hollywood films, with comfortable beds with a thousand pillows, a private bathroom and a terrace of 12m2. The fabrics, furniture and lanterns are carefully chosen in order to recreate all the Eastern harmony. The tones of the Ubari Magic Lodge are orange, and the colors of the Akakus Magic Lodge are purple, red and white. The excursion in 4×4 offered by the hotel will take your breath away when you’ll see the wonders of the Sahara. Each camp has a restaurant, the “Saharan”, a mind-blowing place looking like the Palace of Scheherazade. The Chef concocts tempting menus according to local products carefully selected in the markets of Al Aweinat (for the Akakus Magic Lodge) or Twina (for the Ubari Lodge). An exceptional destination for all the travelers looking for unusual pleasures.
A little extra : The excursion in 4×4 is so original. Go to the lakes from the Ubari Lodge and the villages of Tashuinet or Awis from the Akarus Lodge.
Rates : from 150€ for a night, including the excursion in 4×4.
We offer Mini golf carts for mobility in campgrounds, RV parks, equestrian events, and the surrounding neighborhood. Whether you're headed to a campground, beach, RV resort, or auto show, our Micro Cruzer SD is the portable vehicle you need for uncomplicated movement.
Our Mantis tiny electric golf carts are collapsible and can fit in the basement of a motorhome or fifth wheel, the bed of a pickup truck, as well as the back of all large SUVs and towing vehicles. RV campers benefit from the portability and simplicity of Mantis mini golf carts.
Contact us
Mantis Micro Cruzer
1370 Reading Rd Denver, PA 17517
717-488-2505
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The Hotel Elysées Mermoz is ideally placed between the hustle and bustle of the Avenue des Champs Elysees and the smart Rue du Faubourg Saint Honoré, along a very quiet street providing a haven of peace and calm despite being right at the heart of the Parisian action. This boutique 4 star Hotel is in total harmony with the elegance and class of the 8th arrondissement. Surrounded by art galleries, world famous museums, luxury boutiques and gastronomic restaurants, this is the place to be.
Book online at Elysées Mermoz hotel in Paris!
We offer you 10% off for any reservation between 15th march and 15th may.
Book now with the code ENSUITE
*Available on stays from 15th march to 31st december 2012, booked from our blog www.artensuite.com*
Elysées Mermoz Hotel
Boutique design hotel & art lover!
30 rue Jean Mermoz 75008
Champs Elysées - Paris
offers complete sim/parcel design, landscaping and interior design. LICK is dedicated to creating beautiful, enchanting spaces for your home or business. Dare to Dream
/*Sky: "[NB] P-Haze 0800" Water: "Pond"*/
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