View allAll Photos Tagged octave
1896 Octave Chanute glider at the Musée de l'Air et de l'Espace, Chalais-Meudon in June 1977.
Scan from a 35mm slide.
Octave Chanute was one of the most influential figures in the early days of aviation. His 1894 book "Progress in Flying Machines" provided many aviation pioneers, including the Wright brothers, with invaluable technical data.
The Musée de l'Air et de l'Espace in the mid '70s was in the process of relocating to its current site at Paris - Le Bourget Airport. At the time of my visit in 1977 only the exhibits from the early days of aviation and from WWI were still at Chalais-Meudon.
Looking across Avenue de Suffen and along Avenue Octave Gréard to the Eiffel Tower.
Taken from outside the Hilton Paris Eiffel hotel.
P4100431
This E. Indian Rosewood Armrest was Custom made for David B. for his Blevins Octave Mandolin. Not only was it custom cut and carved to fit the different curve of the Octave, but I also ordered special hardware the fit the 2 5/8" depth of the instrument.
Debussy Etudes,pour les degres chromatiques book 2 No.7, pour les arpeges composes Book 2 No.11, pour les quartes Book 1 No.3, pour les octaves Book 1 No.5, Erik Satie - 3 Gymnopedies No.1-2-3, Saint-Saens - Etude en forme de Valse op.52 Book1, Toccata-etude d'apres le 5eme concerto op.111 Book2, Chabrier - Pieces Pittoresques: Idylle, Scherzo-Valse, Bourree Fantasque, AUR 5068, 5000 series, 1979
www.discogs.com/C%C3%A9cile-Ousset-A-French-Recital/relea...
Ukrainian Divine Liturgy - Hieromartyr Anthimus & Venerable Theoctistus, celebrated by Rt Revd Mitred Archpriest Mykola Matwijiwskyj
© Mazur/cbcew.org.uk
This is the pushme-pullyou octave fuzz circuit in a junction box. It's a small box and doesn't quite have room for a 9v battery.
Circuit design:
www.forrestwhitesides.com/files/up/img/layouts/pushpull/p...
The X² is a four-quadrant-multiplier-based squarer. Similar to other octave-up effects, but better. It needs some drive in front to sound good (JFET booster or COT-50-/Electra-style distortions work well).
The IC2 is an XP Power IA0515S.
Change history:
2007-02-10: Changed R2 from 330-470R to 100R.
In the foreground, Kolegium Jezuitów (Cracoviense Collegium Maximum SS. Cordis Iesu)
Church of the Sacred Heart of Jesus in Krakow (Copernicus Street)
Jesus - Conventual Church of the Jesuits
Distinctive emblem for cultural property.svg A- 299, 5 July 1966 [1 ]
Minor Basilica • suitable title since July 1, 1960
Pope John XXIII
Call of the Sacred Heart of Jesus
Liturgical memorial Friday after the octave of Corpus Christi
Earth 50 ° 03'43 " N 19 ° 56'55 " E
The interior of the church
Church of the Sacred Heart of Jesus - Roman Catholic Jesuit convent church, which is located in Krakow, in Quarter II, the Merry Street Copernicus 26
Modernist architecture of the building represents the Young Poland and is one of the greatest works of Polish religious art from the first quarter of the twentieth century.
History
At this point, the Jesuits settled in 1868, and two years later erected the first chapel, which quickly proved to be insufficient. In 1903 it was decided to build a new, magnificent temple. The implementation of the adopted project by architect Francis Mączyński.
Originally it housed a large reality belonging to Peter Joseph Szyryna, that included the so called fruit and vegetable garden. English palace complex of smaller buildings and bungalows. The Jesuits acquired the property for $ 16 thousand guilders. Makeshift chapel in the 30s it was decided to put the building on the today Copernicus street. In June 1869, proceeded to demolish the house, leaving only the foundation and load-bearing walls. The left wall sacristy was added to the upper chapel (St. Aloysius) and the women's gallery and a new roof. In 1870, the floor was laid with plates made of Belgian marble and were built arched arcades separating the two side aisles of the nave. Then carefully shaped barrel vault and semicircular founded colorful windows in iron fittings. The completed building was 21 meters long, 11 meters wide and 9 meters high. Inside the chapel there is an altar with the image of Belarus brought from the Heart of Jesus and the two side altars dedicated to Our Lady and St. Joseph (Image by Antoni Reichenberg). In 1889 was founded a new, larg, richly carved altar and side altars images replaced with sculptures by Mayer of Munich. Later the chapel was built more extensive room where pomieszczono (mixed up) additional chapel and sacristy for clergy. Consecration of the Chapel of the Sacred Heart of Jesus took place August 28, 1870, the temple served the faithful for 42 years. Last service in the chapel was held on 20 May 1912 and transferred the Blessed Sacrament in the walls of a new building next to the church. The chapel began to undress on May 21.
November 1, 1909 , Bishop Suffragan Bishop of Cracow Anatol Nowak blessed the cornerstone of the new church. Construction lasted until 1912, but the equipment and decoration of the church because of the war were firmly extended Finally, the official consecration took place on 29 May 1921, the Bishop of Anatol Nowak made her in the company of 24 other bishops, who lived then in Krakow, the Polish Episcopal Conference.
In 1960, Pope John XXIII granted the title of minor basilica church, and since 1966 it is registered as monument. In 1960 it was decorated a chapel in the church of adoration of the Blessed Sacrament, which is October 29 of that year, consecrated by Bishop Karol Wojtyla.
Art
Architecture
The architect of the church appealed not only to modernism, but to practice the tradition of Romanesque, Gothic and Baroque. The church tower is 68 meters high and is one of the highest in Krakow. The church walls are made of red bricks, window frames and detail of gray stone. In the middle in the final of each window there is a mosaic-arms of the cities that contributed to the construction of the church.
Above the portal, the tower is a mosaic "Puncture the side of Christ", made and designed by John Bukowski, a little higher sculpture designed by Xawery Dunikowskiego. The figure of Christ in Odkuł-stone by Charles Hukan, the side of the lead characters were cast in 1913. They symbolize the suffering humanity and seeking comfort in the heart of God.
Outside the sacristy, on the east wall of the church, there is a memorial temple of artist Francis Mączyński in 1912 , by Xawery Dunikowskiego. Statue cast in bronze offered Jesuits architect 's widow in 1953.
Interior
The interior of the basilica is divided into three naves. Vaults, first in Krakow, made of reinforced concrete. The floor mimics the patterns of early Christian churches. In the years 1914-1918 polychrome vaults made and designed by John Bukowski. Mosaic of the nave in 1922, designed by Leonard Strojnowski, benches designed by Francis Mączyński a backdrop confessionals John Bukowski. Stations of the Cross purchased in France in 1937 by the Jesuits, for the purpose of churches in Kołomyja, but in 1946 it was brought to Krakow and installed in 1959.
The high altar, built between 1915-1920, is the work of Francis Mączyński. Frieze of mosaic in the chancel was designed in 1913 by Peter Stachiewicz, and executed by the company Gianese Angelo in Venice. The church was placed in 1921. Mosaic is 30 meters long, is a tribute to Christ by the holy and blessed Polish led by St . Stanislaus and the Polish nation, famed for Jesus by Queen Jadwiga Andegawenkę and her husband, King Wladyslaw Jagiello.
The six side altars made in stucco placed between 1920-1930 sculptures by Charles Hukana. Attention is drawn in particular altar of Our Lady of the Angels, who, according to art historians, is one of the most valuable works of sacred art in Poland in the interwar period . Virgin Mary is presented as Queen of the crown, adored by a group of eight angels.
Authorities
Authorities were purchased in 1928 in the well-known firm of brothers Riegerów Jägerndorf (opus 2317). Then repaired several times (most recently in 2007), now have 47 votes and tracker power. Decorated in a romantic style sonic characteristic of organ building late nineteenth and early twentieth century.
The church is located on the route of the Malopolska Way of St James from Sandomierz to Tyniec.
pl.wikipedia.org/wiki/Ko%C5%9Bci%C3%B3%C5%82_Naj%C5%9Bwi%...(ul._Kopernika)
In questa foto del 1910 con Octave Lapize potete osservare diversi particolari :
- copertone di riserva
- pinza freno posteriore
- leve freno
- puntapiedi
- borsa anteriore
- maglia
- pantalocino
- camere d'aria di riserva
- cappello
The location of the grave of Octave Chanute is fairly obscure. I haven't seen any local source that tells you where it is located. The internet sources got me in the ballpark, as well as showing that it is part of a semicircle of headstones.
This is a model of Octave Chanute's 1897 Glider. On the sign to the left are measurements and weights associated with the glider.
Citation:
1897 Chanute Glider, ca. 1970s, box 14, folder 9, Series 10: Museum and Base Displays, Chanute Photograph Collection, Champaign County Historical Archives, Urbana Free Library, Urbana, IL.
All images are provided for personal and educational use. Users planning to reproduce/publish images in books, articles, exhibits, videos, electronic transmission or other media must request permission. For more information please contact the Champaign County Historical Archives at The Urbana Free Library: archives@urbanafree.org
This is Norada's Five Octave Yacht Piano in the Saloon.
Norada is a 53ft Wherry Yacht built in 1912 by Ernest Collins. She was designed to be smaller and more sprightly than the working wherries to allow her to pass under some of the lower bridges within the Norfolk Broads.
www.wherryyachtcharter.org/trust.html
The Wherry is a shallow-draughted single-sailed boat indigenous to the Norfolk Broads. The hull of a wherry is generally clinker-built (overlapping planks) out of oak. Its rarity nowadays is attributed to the design; only in the unique calm and shallow broads were wherries produced and used. The remarkably low depth of the waterways requires the hull to be similarly shallow, and the single mast is tall, holding one edge of its vast pointed sail to catch the breeze above the trees. To enable the wherries to pass under tight bridges, the mast is counterweighted and can be gently lowered. No other sailing vessels like them can be found in the world, the closest being the colourful Dutch boats built to sail the dykes on the flat reclaimed land - these can be found on rare occasions on the Norfolk Broads themselves, brought over from the Netherlands. The wherry, however, is the only sailing vessel of its size or carrying capacity that can cover almost all the waterways on the Broads, including the odd secluded dyke.
The Octave of Easter, known as Low Sunday, Quasimodo Sunday, has also come to be known in more recent times as "Divine Mercy Sunday." It was through St. John Paul II that the Octave of Easter received this new title in the Church's calendar. Drawing inspiration from the diary of Sister Faustina, the Octave of Easter has received a renewed emphasis on the mercy of God.
In a beautiful homily delivered on this day by St. Augustine of Hippo, he declared to the newly baptized, "You have been buried with Christ by baptism into death in order that, as Christ has risen from the dead, you also may walk in newness of life." For it was traditionally on this day that the Church received her newly baptized catechumens with maternal delight. Holy Mother Church rejoiced over her new children, all of which is made possible by the mercy of God in calling us to Himself while we were yet sinners.
St. Faustina recorded these words from our Lord Himself: "I desire that the Feast of Mercy be a refuge and shelter for all souls, and especially for poor sinners. On that day the very depths of My tender mercy are open. I pour out a whole ocean of graces upon those souls who approach the fount of My mercy." May we turn with trust to the Divine Mercy of Almighty God and seek Him in all things.
11th February 2022 at the Royal Festival Hall, London SE1.
Country: United States. Style: Americana.
Lineup: Jerry Douglas (dobro/MD), Paul Brady (v/g/mandolin/p), Sarah Jarosz (v/octave mandolin), Leyla McCalla (v/cello), Siobhan Miller (v), Dirk Powell (v/banjo/g/accordion), John McCusker (fiddle), Michael McGoldrick (flute/whistle/uilleann pipes), Phil Cunningham (piano accordion), Donald Shaw (p/keyboard/piano accordion), John Doyle (g/bouzouki/v), Daniel Kimbro (b/bass g), James Mackintosh (d).
Transatlantic Sessions was back after a year off. The evening followed the established format - a series of guest singers interspersed with tunes from the house band. Of the guests this was Leyla McCalla and Siobhan Miller's first appearance at Transatlantic Sessions, Sarah Jarosz's second, Paul Brady's third and Dirk Powel's sixth. Two of the regular band members were missing - Aly Bain and Russ Barenberg (the former perhaps only for this leg of the tour as he was present ar the Glasgow opening). This was the twelveth time I have attended a Transatlantic Sessions concert, and I have taken photos at nine of them, see: www.flickr.com/photos/kmlivemusic/tags/transatlanticsessi....
In this photo: Sarah Jarosz from Wimberley, TX.
Octave Chanute was one of America’s early aviation pioneers, with his first hang glider designs being test flown in 1896. Two years previously he had published ‘Progress in Flying Machines’ which included all the world’s aviation pioneers and would later be used as a reference by the Wright Brothers. Chanute’s 1903 glider was built for him by William Avery, who then went on to demonstrate it at the 1904 World’s Fair in St.Louis. This replica of it was built in 1980.
San Diego Air & Space Museum
Balboa Park, San Diego, California
18th March 2018
Looking along Avenue Octave Gréard, off Avenue de Suffren, to the Eiffel Tower. Taken from the balcony of my room at the Hilton Paris Eiffel hotel.
P3240114
PictionID:42977783 - Title:Octave Chanute - Catalog:02_C-00690 - Filename:02_C-00690.tif - ---Image from Sdasm's bio photo collection.---Repository: San Diego Air and Space Museum Archive
Lifetime Dream # 78 of my list of 155: I will be able to play my scales at 480 beats per minute on the electric guitar. I will be able to play the standard scales in two octaves, at three different positions on the neck. I will also be able to play the arpeggios and two different progressions at this speed. I will play the notes flawlessly without skipping or missing a note.
Completed On: September 7, 2007
Once I was on a music project, and the person driving the project came to me and (long story short) said that he didn’t think I was good enough. I was a bit perplexed because at one point in my career I had busted out Stevie Ray Vaughn songs, Eric Johnson, Joe Satriani… even Eddie Van Halen songs. He said he didn’t see it, and I said, “Well, we’re not exactly playing the music where you would see such chop abilities.” I went off for a couple weeks to work up my chops, came back and blew them all away… and then essentially walked away from the project because I don’t deal with other people’s false sense of an ego.
That experience taught me a LOT, and I always remember that 2 week period where I became a recluse. I locked myself in my parent’s house (they were off vacationing and I was house sitting for the time). I woke up in the morning and played my scales, worked on my core essentials, from morning to night time. It sounds really boring, but it wasn’t. I worked my speed up but never got as fast as I had wanted… until later in my life.
Many years later I finished what I had started. Not because I was auditioning for a band or because I had to show off, but because I had always wanted to finish what I said I would. 480 beats per minute… count one second, and then in that one second count to eight and that is how fast I play my scales… three octaves, arpeggios between each set, and each scale has 3 different patterns per octave. It was a lot of work, but I’m proud of what I accomplished!
Jezuici Polscy Ofiary Terroru Hitlerowskiego (Polish Jesuits victims of Nazi terror)
Church of the Sacred Heart of Jesus in Krakow (Copernicus Street)
Jesus - Conventual Church of the Jesuits
Distinctive emblem for cultural property.svg A- 299, 5 July 1966 [1 ]
Minor Basilica • suitable title since July 1, 1960
Pope John XXIII
Call of the Sacred Heart of Jesus
Liturgical memorial Friday after the octave of Corpus Christi
Earth 50 ° 03'43 " N 19 ° 56'55 " E
The interior of the church
Church of the Sacred Heart of Jesus - Roman Catholic Jesuit convent church, which is located in Krakow, in Quarter II, the Merry Street Copernicus 26
Modernist architecture of the building represents the Young Poland and is one of the greatest works of Polish religious art from the first quarter of the twentieth century.
History
At this point, the Jesuits settled in 1868, and two years later erected the first chapel, which quickly proved to be insufficient. In 1903 it was decided to build a new, magnificent temple. The implementation of the adopted project by architect Francis Mączyński.
Originally it housed a large reality belonging to Peter Joseph Szyryna, that included the so called fruit and vegetable garden. English palace complex of smaller buildings and bungalows. The Jesuits acquired the property for $ 16 thousand guilders. Makeshift chapel in the 30s it was decided to put the building on the today Copernicus street. In June 1869, proceeded to demolish the house, leaving only the foundation and load-bearing walls. The left wall sacristy was added to the upper chapel (St. Aloysius) and the women's gallery and a new roof. In 1870, the floor was laid with plates made of Belgian marble and were built arched arcades separating the two side aisles of the nave. Then carefully shaped barrel vault and semicircular founded colorful windows in iron fittings. The completed building was 21 meters long, 11 meters wide and 9 meters high. Inside the chapel there is an altar with the image of Belarus brought from the Heart of Jesus and the two side altars dedicated to Our Lady and St. Joseph (Image by Antoni Reichenberg). In 1889 was founded a new, larg, richly carved altar and side altars images replaced with sculptures by Mayer of Munich. Later the chapel was built more extensive room where pomieszczono (mixed up) additional chapel and sacristy for clergy. Consecration of the Chapel of the Sacred Heart of Jesus took place August 28, 1870, the temple served the faithful for 42 years. Last service in the chapel was held on 20 May 1912 and transferred the Blessed Sacrament in the walls of a new building next to the church. The chapel began to undress on May 21.
November 1, 1909 , Bishop Suffragan Bishop of Cracow Anatol Nowak blessed the cornerstone of the new church. Construction lasted until 1912, but the equipment and decoration of the church because of the war were firmly extended Finally, the official consecration took place on 29 May 1921, the Bishop of Anatol Nowak made her in the company of 24 other bishops, who lived then in Krakow, the Polish Episcopal Conference.
In 1960, Pope John XXIII granted the title of minor basilica church, and since 1966 it is registered as monument. In 1960 it was decorated a chapel in the church of adoration of the Blessed Sacrament, which is October 29 of that year, consecrated by Bishop Karol Wojtyla.
Art
Architecture
The architect of the church appealed not only to modernism, but to practice the tradition of Romanesque, Gothic and Baroque. The church tower is 68 meters high and is one of the highest in Krakow. The church walls are made of red bricks, window frames and detail of gray stone. In the middle in the final of each window there is a mosaic-arms of the cities that contributed to the construction of the church.
Above the portal, the tower is a mosaic "Puncture the side of Christ", made and designed by John Bukowski, a little higher sculpture designed by Xawery Dunikowskiego. The figure of Christ in Odkuł-stone by Charles Hukan, the side of the lead characters were cast in 1913. They symbolize the suffering humanity and seeking comfort in the heart of God.
Outside the sacristy, on the east wall of the church, there is a memorial temple of artist Francis Mączyński in 1912 , by Xawery Dunikowskiego. Statue cast in bronze offered Jesuits architect 's widow in 1953.
Interior
The interior of the basilica is divided into three naves. Vaults, first in Krakow, made of reinforced concrete. The floor mimics the patterns of early Christian churches. In the years 1914-1918 polychrome vaults made and designed by John Bukowski. Mosaic of the nave in 1922, designed by Leonard Strojnowski, benches designed by Francis Mączyński a backdrop confessionals John Bukowski. Stations of the Cross purchased in France in 1937 by the Jesuits, for the purpose of churches in Kołomyja, but in 1946 it was brought to Krakow and installed in 1959.
The high altar, built between 1915-1920, is the work of Francis Mączyński. Frieze of mosaic in the chancel was designed in 1913 by Peter Stachiewicz, and executed by the company Gianese Angelo in Venice. The church was placed in 1921. Mosaic is 30 meters long, is a tribute to Christ by the holy and blessed Polish led by St . Stanislaus and the Polish nation, famed for Jesus by Queen Jadwiga Andegawenkę and her husband, King Wladyslaw Jagiello.
The six side altars made in stucco placed between 1920-1930 sculptures by Charles Hukana. Attention is drawn in particular altar of Our Lady of the Angels, who, according to art historians, is one of the most valuable works of sacred art in Poland in the interwar period . Virgin Mary is presented as Queen of the crown, adored by a group of eight angels.
Authorities
Authorities were purchased in 1928 in the well-known firm of brothers Riegerów Jägerndorf (opus 2317). Then repaired several times (most recently in 2007), now have 47 votes and tracker power. Decorated in a romantic style sonic characteristic of organ building late nineteenth and early twentieth century.
The church is located on the route of the Malopolska Way of St James from Sandomierz to Tyniec.
pl.wikipedia.org/wiki/Ko%C5%9Bci%C3%B3%C5%82_Naj%C5%9Bwi%...(ul._Kopernika)
Pontifical Votive Mass of the Blessed Sacrament, celebrated by His Eminence, Vincent Cardinal Nichols
© Mazur/cbcew.org.uk
Octave Chanute Air Museum Rantoul
Lockheed WV-2 Warning Star BuNo141311 Navy SH-14(Port side) TK-311(Starboard side)
Nick named “Willy Victor” by the USN crewmen
1956 to 1965 with U.S,Navy VW-13 (Atlantic Barrier )(BarLant - Atlantic Distant Early Warning) , Patuxent River NAS,
1962 Re-designated EC-121K
1965 Point Magu CA. PMTC-311, Pacific Missile Range (Missile Tracking Flights)
1979 Retired
1983 To Chanute AFB
1993 To Octave Chanute Air Museum
1017 To Yankees Air Museum, Ypsilant-Belleville, MI.
OCTAVE LAPIZE, winner of the 1910 Tour de France, at his arrival in Paris.
This was the Tour's first time in the high mountains with two stages in the Pyrenees (Tourmalet, Aubisque).
Points were used to calculate the General Classification.
François Faber led for much of the Tour, but a dog-caused crash in stage 7 left him too injured to resist teammate Octave Lapize.