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Katydid Glider model; Octave Chanute's Katydid Glider diorama in display case; First flown on the shores of Lake Michigan at Miller Beach, Indiana in June 1896. The sans and plants in diorama are from the actual site at MIller Beach; On loan from Chanute's grandson, Octave Chanute, III
----Image from the SDASM Curatorial Collection. This item is currently on display in the Museum Rotunda. Note: This material may be protected by Copyright Law (Title 17 U.S.C.)--Repository: San Diego Air and Space Museum
Les Marches Folkloriques de l'Entre-Sambre-et-Meuse trouvent leurs origines dans les processions de croix banales du moyen-âge. Celles-ci avaient lieu dans l'octave de la Pentecôte et étaient destinées à rendre hommage et à permettre de verser l'obole à l'abbaye suzeraine voisine dont dépendait le clergé.
L'escorte militaire qui les accompagnait avait pour but d'en rehausser l'éclat mais aussi de préserver les pèlerins contre les bandes de malfrats qui rôdaient à cette époque dans nos contrées. Ces compagnies spéciales d'archers et arbalétriers que l'on appelait "serments" furent les ancêtres des marcheurs.
C'est dans le courant du XVIII siècle qu'une crise importante frappa nos Marches car de plus en plus ces cérémonies devenaient un prétexte pour s'amuser et tourner le religieux en dérision, ce qui ne plut pas au clergé qui interdit ces manifestations.
Les coutumes reprendront en 1802 après le concordat signé entre Napoléon Ier et le Pape Pie VII. C'est à ce moment que les Marches prirent un nouvel essor et devinrent des escortes militaires.
En ce qui concerne les costumes adoptés dans nos manifestations aujourd'hui, ils sont du premier et du second empire. A ce sujet, il est certain que l'on a d'abord marché en premier empire car de nombreuses défroques de l'armée de Napoléon étaient disponibles dans nos régions. Ces uniformes se dégradant, nos Marcheurs ont adoptés les costumes militaires de l'époque qui a immédiatement suivi, c'est-à-dire les uniformes que l'on appelle du second empire.
Bien que l’aspect religieux ne semble pas prépondérant, il s’agit quand même d’une procession religieuse avec sortie de la châsse et des saints patrons, bénédictions, messe, …
The Folk Marches of Entre-Sambre-et-Meuse find their origins in the banal cross processions of the Middle Ages. These took place in the octave of Pentecost and were intended to pay homage and allow the payment of the mite to the neighboring suzerain abbey on which the clergy depended.
The military escort which accompanied them was intended to enhance its splendor but also to protect the pilgrims against the gangs of thugs who were roaming our region at that time. These special companies of archers and crossbowmen called "oaths" were the ancestors of the walkers.
It was during the 18th century that a major crisis struck our Marches because more and more these ceremonies became a pretext for having fun and making fun of religion, which did not please the clergy who banned these demonstrations.
Customs resumed in 1802 after the concordat signed between Napoleon I and Pope Pius VII. It was at this time that the Marches took on new development and became military escorts.
Regarding the costumes adopted in our demonstrations today, they are from the first and second empire. On this subject, it is certain that we first marched in the first empire because many cast-offs from Napoleon's army were available in our regions. As these uniforms deteriorated, our Walkers adopted the military costumes of the era which immediately followed, that is to say the uniforms we call the Second Empire.
Although the religious aspect does not seem predominant, it is still a religious procession with the release of the reliquary and patron saints, blessings, mass, etc.
inthewave_figure17
Dimension objectivity, change and time are created by a nine octave series of radar mirrors which record, project and reflect every action from anywhere in this universe to every other where.
Water compresses to become fire - Fire expands to become water - The Fusion Point is at Wave Amplitude.
The Durutti Column
CD :
Various Artists
From Brussels With Love
Les Disques Du Crépuscule
TWI007
Design by Jean - François Octave, Claude Stassart & Benoît Hennebert
Compiled by Michel Duval & Annik Honoré
iTunes :
The Brussels Monsters
Terror
Factory
FAC80
Use Hearing Protection
GMAnneken Pis ...
In 2017 it is 100 years ago that TOUR DE FRANCE winner OCTAVE LAPIZE was killed in action during the Great War of 1914-1918.
Octave Lapize (1887-1917) was a French professional road racing cyclist and track cyclist.
Most famous for winning the 1910 Tour de France and a bronze medal at the 1908 Summer Olympics in the men's 100 kilometres, He was a three-time winner of one-day classics, Paris–Roubaix and Paris–Brussels.
Lapize is noted for looking at some Tour officials on the climb of the Col du Tourmalet in the 1910 Tour de France and yelling, "Vous êtes des assassins! Oui, des assassins!' ("You are murderers! Yes, murderers!"). The stage in question, Luchon - Bayonne, was 326 kilometers in length, featured 7 brutal climbs, a.o. Peyresourde, Aspin, Tourmalet and Aubisque and was raced on unsealed roads with single-gear bicycles. This was indeed the Tour's first time in the high mountains with two stages in the Pyrenees.
The First World War ended the cycling career of the former Tour winner. As a fighter pilot in the French army, Octave Lapize was shot down near Flirey, Meurthe-et-Moselle on 14 July 1917. Severely injured, he died in a hospital in Toul.
What's new:
* Lovepedal Eternity
* Lovepedal Black Beauty Balance
* Lovepedal Toxic II
* Lovepedal COT50
* Subdecay Blackstar
Already sold, but pictured in this photo:
* Lovepedal Black Magic
* Subdecay Blackstar
inthewave_figure14
The Octaves Tones of the Cubes of Spaces ( 4 - 3 - 2 - 1 - 0 - 1 - 2 - 3 - 4 - 0 - 4 - 3 - 2 - 1 )
Divide The Light of Space into Four Mated Pairs Which Unite to Create Light Spheres of Matter.
Waves are Spheres - Lenses are Sphere Intersections. Nature Creates Only Spheres and Cubes.
Les Marches Folkloriques de l'Entre-Sambre-et-Meuse trouvent leurs origines dans les processions de croix banales du moyen-âge. Celles-ci avaient lieu dans l'octave de la Pentecôte et étaient destinées à rendre hommage et à permettre de verser l'obole à l'abbaye suzeraine voisine dont dépendait le clergé.
L'escorte militaire qui les accompagnait avait pour but d'en rehausser l'éclat mais aussi de préserver les pèlerins contre les bandes de malfrats qui rôdaient à cette époque dans nos contrées. Ces compagnies spéciales d'archers et arbalétriers que l'on appelait "serments" furent les ancêtres des marcheurs.
C'est dans le courant du XVIII siècle qu'une crise importante frappa nos Marches car de plus en plus ces cérémonies devenaient un prétexte pour s'amuser et tourner le religieux en dérision, ce qui ne plut pas au clergé qui interdit ces manifestations.
Les coutumes reprendront en 1802 après le concordat signé entre Napoléon Ier et le Pape Pie VII. C'est à ce moment que les Marches prirent un nouvel essor et devinrent des escortes militaires.
En ce qui concerne les costumes adoptés dans nos manifestations aujourd'hui, ils sont du premier et du second empire. A ce sujet, il est certain que l'on a d'abord marché en premier empire car de nombreuses défroques de l'armée de Napoléon étaient disponibles dans nos régions. Ces uniformes se dégradant, nos Marcheurs ont adoptés les costumes militaires de l'époque qui a immédiatement suivi, c'est-à-dire les uniformes que l'on appelle du second empire.
Bien que l’aspect religieux ne semble pas prépondérant, il s’agit quand même d’une procession religieuse avec sortie de la châsse et des saints patrons, bénédictions, messe, …
The Folk Marches of Entre-Sambre-et-Meuse find their origins in the banal cross processions of the Middle Ages. These took place in the octave of Pentecost and were intended to pay homage and allow the payment of the mite to the neighboring suzerain abbey on which the clergy depended.
The military escort which accompanied them was intended to enhance its splendor but also to protect the pilgrims against the gangs of thugs who were roaming our region at that time. These special companies of archers and crossbowmen called "oaths" were the ancestors of the walkers.
It was during the 18th century that a major crisis struck our Marches because more and more these ceremonies became a pretext for having fun and making fun of religion, which did not please the clergy who banned these demonstrations.
Customs resumed in 1802 after the concordat signed between Napoleon I and Pope Pius VII. It was at this time that the Marches took on new development and became military escorts.
Regarding the costumes adopted in our demonstrations today, they are from the first and second empire. On this subject, it is certain that we first marched in the first empire because many cast-offs from Napoleon's army were available in our regions. As these uniforms deteriorated, our Walkers adopted the military costumes of the era which immediately followed, that is to say the uniforms we call the Second Empire.
Although the religious aspect does not seem predominant, it is still a religious procession with the release of the reliquary and patron saints, blessings, mass, etc.
Young Marble Giants
Book :
L'Art Grec
Scala
2006
CD :
Various Artists
From Brussels With Love
Les Disques Du Crépuscule
TWI007
Compiled by Annick Honoré & Michel Duval
Artwork by Benoît Hennebert , Claude Stassart & Jean - François Octave
iTunes :
Young Marble Giants
Nita
Rough Trade
ROUGH8
GMAttic ...
A-4A Skyhawk BuNo 139947 on display at the Octave Chanute Museum in the markings of Blue Angels #6, "Lucy," Rantoul, IL, 08 July 1990.
In this Octave of Prayer for Christian Unity, and especially in the Year of St Paul, we look to him who was such a great preacher and lover of Jesus Christ.
This is the chapel dedicated to the Apostle to the Gentiles in Westminster Cathedral, London. The mosaics by Boris Anrep date to 1963, and it shows Christ giving the Law to Ss Peter and Paul, with the words in Latin saying as much. This artistic theme of Christ handing on the law of love to his chief apostles dates to the 4th-century or earlier and is called the 'Traditio' (handing on).
The triptych is fashioned from gilt bronze and depicts St Paul and his martyrdom, with text taken from the Office of St Paul.
The apse itself is lined with Proconnesian marble from the Turkish island of Marmara. The altar is of white Pentelic marble, the same used for the Parthenon in Athens where St Paul once preached.
Octava
Texture with thanks to Skeletal Mess
Texture ~my own~: www.flickr.com/photos/50260712@N06/5249846960/in/set-7215...
Main photo ~my own~
21st July 2016 at Horniman Museum, London SE23.
The Octave Spinet (or Ottavino) is a portable version of the Italian Spinet, widely used in private homes in the 17th and 18th centuries to accompany singing. It was pitched an octave higher than the normal, and was consequently much smaller. Mostly triangular in shape, some are rectangular.
This instrument was made in the 17th century in Italy. The shape is triangular.
Octave Spinets are assigned the number 314.122-6-8 in the Hornbostel-Sachs classification of musical instruments ( en.wikipedia.org/wiki/Hornbostel-Sachs ), indicating:
3 = Chordophone. Instruments where the sound is primarily produced by the vibration of a string or strings that are stretched between fixed points.
31 = Simple Chordophones. Instruments which are in essence simply a string or strings and a string bearer
314 = Board Zither. Instrument uses a string bearer that is shaped like a board, or is the ground.
314.1 = Instrument with strings parallel to the string bearer.
314.12 = Instrument has a resonator.
314.122 = Box Zither. Instrument has a resonator made from slats.
314.122-6-8 = Strings are caused to vibrate by plectrum and keyboard.
Three internationally-renowned artists will invite the public to explore the crossover between art and technology when they launch a radical digital media showcase at the University of Salford this week.
Through the ScreenLab 0x02 residency, artists Kyle McDonald, Joanie Lemercier and Joel Gethin Lewis have been working with students and researchers at MediaCityUK and an advanced technology centre on the main campus. Together they have developed interactive artworks that provide a unique experience for each visitor by creating artificial worlds using sound and visuals that react to their movement.
i like this :)
if you cant read it, it says
V is for vibrato
I is for improvisation
O is for octave
L is for legatto
I is for intonation
N is for notes
tomorrow is a half day at school! so tomorrow night i will hopefully have a bit of time to take some pictures
North American F-100C Super Sabre
US Air Force
Thunderbirds
Octave Chanute Air Museum
Rantoul,IL 12/6/2014
The entire ten octave constant cycle is simply an orderly periodic accumulation of the constant of energy into higher power dimension which reaches its maximum at the fifth octave, and a distribution of that accumulation through the succeeding five octaves. Higher power is accumulated time. The deceleration of speed in rotation of mass is the result of generation. Power is generated by resistance to speed of rotation and acceleration of speed of revolution. Power is thus accumulated from low potential of great axial speed to high potential of great orbital speed. Each element is greater in its mass than its predecessor because of the generative power of electricity which acts as a brake against high axial speed and diverts it into accumulating mass. The elements of matter are an orderly and periodic accumulation and redistribution of energy.
Two brand new drops just landed at the FWRD Event!
Both unrigged, resizable, and HUD controlled.
Only available at the FWRD event 10/14. @fwrdevent
Taxi: maps.secondlife.com/secondlife/FWRD/18/123/39
Feel free to try the demo before buying!
Octave 2010, a five day mega festival of eight north-eastern states at Khalsa College, Amritsar.
All Rights Reserved
© SANJEEV SYAL
Octave Dua, Belgian secondary tenor, supporting/cameo artist and stage director (1882-1952). Entirely forgotten, despite a superb international career. Hence the scarcity of his iconographic/acoustic material.
Has also sung Pang and Pong.
Cf. www.ars-bxl.be/octavedua.html
cf. Virtual Exhibit on Belgian Opera Singers at Operas.org in New York City: www.operas.org/
"Thomas, called the Twin, who was one of the Twelve, was not with them when Jesus came. When the disciples said, ‘We have seen the Lord’, he answered, ‘Unless I see the holes that the nails made in his hands and can put my finger into the holes they made, and unless I can put my hand into his side, I refuse to believe.’ Eight days later the disciples were in the house again and Thomas was with them. The doors were closed, but Jesus came in and stood among them. ‘Peace be with you’ he said. Then he spoke to Thomas, ‘Put your finger here; look, here are my hands. Give me your hand; put it into my side. Doubt no longer but believe.’ Thomas replied, ‘My Lord and my God!’"
– John 20:24-28, which is part of today's Gospel at Mass for the Octave Day of Easter. My sermon for today can be found here.
Stained glass detail from a window in St Birinus' Catholic Church in Dorchester-on-Thames.
The Eiffel Tower and lights in the buildings in Avenue Octave Gréard, off Avenue de Suffren, taken from the balcony of my room at the Hilton Paris Eiffel hotel.
P3260377